Partitions Numériques de New Year pour Mandoline

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TRI ET FILTRES

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avec audio

avec vidéo

avec play-along

Non classifié 1493

PIANO & CLAVIERS

Piano seul 856 Piano, Voix 360 Piano Facile 228 Piano, Voix et Guitare 136 Orgue 47

Instruments en Do 40 1 Piano, 4 mains 34 Accompagnement Piano 27 Piano grosses notes 9 2 Pianos, 4 mains 8 Piano Trio: piano, violon, violoncelle 7 Piano Quatuor: piano, 2 violons, violoncelle 6 Accordéon 4 Clavier 3 2 Pianos, 8 mains 1 Piano Quatuor: piano, violon, alto, violoncelle 1 1 Piano, 6 mains 1 Piano (partie séparée) 1 Clavecin 1

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GUITARES

Guitare notes et tablatures 95 Guitare 60 Basse electrique 44 Ligne De Mélodie, (Paroles) et Accords 39 Ukulele 14 Paroles et Accords 10 2 Guitares (duo) 7 Mandoline 3

Piano, Guitare (duo) 2 Ensemble de guitares 2 Guitare, Flûte, Clarinette 1 Dulcimer 1 Banjo 1 Dobro 1

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VOIX

Chorale SATB 384 Chorale 2 parties 159 Chorale 3 parties 137 Voix duo, Piano 86 Chorale Unison 78

Chorale TTBB 49 Voix Alto, Piano 37 Voix Soprano, Piano 34 Chorale SSAA 30 Voix Tenor, Piano 21 Voix duo 19 Voix seule 8 Voix Tenor 6 Pack Instrumental pour Chorale 5 Voix Baryton, Piano 5 Voix basse, Piano 4 Chorale 4 Voix Soprano 2 Voix haute 2 Chorale, Orgue 1 Chorale SSAATB 1 Chorale SATTBB A Cappella 1 Voix moyenne, Piano 1 Chorale SSATTB 1

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VENTS

Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 133 Quintette de Saxophone: 5 saxophones 123 2 Saxophones (duo) 119 Ensemble de saxophones 106 Quatuor de Saxophones: 4 saxophones 69

2 Clarinettes (duo) 61 Flûte, Hautbois, Clarinette, Basson 57 Clarinette et Piano 53 2 Flûtes traversières (duo) 51 Saxophone, Clarinette (duo) 50 Saxophone 49 Flûte traversière et Piano 47 Flûte traversière 46 2 Flûte à bec (duo) 45 Saxophone Alto et Piano 45 Ensemble de Clarinettes 43 Clarinette 37 Hautbois, Piano (duo) 37 Clarinette, Violon (duo) 35 Quatuor de Clarinettes: 4 clarinettes 34 Clarinette, Trompette (duo) 34 Saxophone Tenor et Piano 34 Flûte, Clarinette (duo) 32 Ensemble de Flûtes 32 Saxophone Soprano et Piano 24 2 Hautbois (duo) 22 Hautbois, Basson (duo) 22 Quatuor de Flûtes : 4 flûtes 20 Saxophone Tenor 19 Saxophone Alto 18 Hautbois, Clarinette (duo) 18 Flûte, Saxophone (duo) 18 Quintette de Flûte : 5 flûtes 17 Clarinette et Alto 17 Flûte, Alto (duo) 16 Flûte, Violon 16 Hautbois, Flûte 16 Flûte, Trompette (duo) 15 Cor anglais, Piano 14 Saxophone (partie séparée) 11 Clarinette, Trombone (duo) 9 Flûte et Guitare 8 Hautbois (partie séparée) 8 Trio de Flûtes: 3 flûtes 7 Saxophone Baryton, Piano 7 Clarinette, Guitare (duo) 5 Flûte à bec Soprano 5 Clarinette (partie séparée) 4 3 Saxophones (trio) 4 Clarinette, Violoncelle (duo) 4 Quintette de Clarinettes: 5 clarinettes 4 2 Saxophones, Piano 4 Flûte, Violoncelle 4 3 Clarinettes (trio) 4 Flûte à bec Soprano, Piano 3 Clarinette, Basson (duo) 3 Hautbois, Violoncelle 3 Cor anglais, Guitare (duo) 2 Saxophone et Guitare 2 Flûte, Alto et Piano 2 Flûte, Violon, Piano 2 Flûte, Clarinette, Piano (trio) 2 Saxophone et Orgue 2 Clarinette Basse, Piano 2 Hautbois, Clarinette, Basson (trio d'anches) 2 Hautbois, violon (duo) 1 Flûte, Hautbois, Clarinette (trio) 1 Quatuor de Flûtes à bec 1 Flute (partie séparée) 1 Flûte, Hautbois (duo) 1 Flûte à bec Alto, Piano 1 Flûte traversière, Basse continue 1 Saxophone Soprano 1 Flûte, alto et harpe 1 4 Hautbois 1 5 Flûtes à bec 1 Flûte, Violon, Violoncelle et Piano 1 Flûte irlandaise 1 3 Hautbois 1 Clarinette, Violoncelle, Piano (trio) 1

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CUIVRES

Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 158 Quatuor de Cuivres : 2 trompettes, trombone, tuba 118 Ensemble de Trompettes 56 Trompette 47 Quatuor de Cuivres: 2 trompettes, Cor, trombone 43

2 Trompettes (duo) 40 Trombone et Piano 39 Quatuor de Cuivres 37 Trompette, Saxophone (duo) 36 Trombone 36 Ensemble de Trombones 35 2 Trombones (duo) 33 Trompette, Piano 33 Trompette, Trombone (duo) 30 Trompette (partie séparée) 16 Trombone (partie séparée) 15 Cor et Piano 14 Cor anglais, Piano 14 Cor 11 2 Euphoniums (duo) 10 Tuba et Piano 9 Quatuor de cuivres: 4 trombones 9 Quatuor de cuivres: 4 cors 8 2 Cors (duo) 6 Trompette, Cor (duo) 6 Ensemble de Cors 6 Euphonium, Piano (duo) 5 Cor (partie séparée) 4 2 Tubas (duo) 4 Cor, Violoncelle (duo) 4 3 Trompettes (trio) 4 Tuba 4 Trio de Cuivres 4 Quatuor de cuivres: 4 trompettes 3 Cor anglais, Guitare (duo) 2 Quatuor de cuivres: Cor, Trombone, Tuba, Trompette Sib 2 Tuba et Orgue 2 Tuba (partie séparée) 2 3 Trombones (trio) 2 Trombone basse et Piano 2 Quatuor de cuivres: 2 trompettes, 2 trombones 2 4 Tubas 1 3 Euphoniums 1 Ensemble de Tubas 1 2 Euphoniums et 2 Tubas 1

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CORDES

Quatuor à cordes: 2 violons, alto, violoncelle 167 Violon et Piano 82 Violoncelle, Piano 54 2 Violons (duo) 50 Violon 42

Violon, Violoncelle (duo) 41 Harpe 40 Alto, Piano 40 2 Violoncelles (duo) 33 Trio à Cordes: violon, alto, violoncelle 29 Violoncelle 28 Quintette à cordes: 2 violons, alto, violoncelle, basse 27 Violon, Alto (duo) 25 2 Altos (duo) 22 Ensemble de Violons 17 Alto seul 17 Ensemble d'Altos 15 4 Violoncelles 9 Piano Trio: Violon, Alto, Piano 8 Trio à Cordes: 3 violoncelles 7 Alto, Violoncelle (duo) 6 Violon, Guitare (duo) 6 Trio à Cordes: 2 violons, violoncelle 5 Violon (partie séparée) 5 Contre Basse 4 Contrebasse, Piano (duo) 4 Trio à cordes: 3 violins 4 Alto et Basson 3 2 Harpes (duo) 3 2 Violons, Piano 3 Quatuor à cordes: 4 violons 3 Violoncelle , Guitare (duo) 3 Trio à cordes 3 Violon, Basson (duo) 3 Contrebasse (partie séparée) 3 Alto (partie séparée) 3 Quintette à cordes: 2 violons, 2 altos, violoncelle 2 4 Contrebasses 2 Alto, Guitare (duo) 1 Harpe, Flûte (duo) 1 3 Harpes 1 Trio à cordes: 3 altos 1 Ensemble de Violoncelles 1 Flûte, Contrebasse (duo) 1 4 Harpes 1 Quatuor à cordes : 4 altos 1

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PERCUSSIONS & ORCHESTRES

Orchestre d'harmonie 339 Orchestre 111 Orchestre à Cordes 85 Ensemble de cuivres 48 Ensemble Jazz 48

Orchestre de chambre 28 Jazz combo 24 Cloches 23 Batterie 18 Percussion (partie séparée) 4 Quatuor à Vent : 4 instruments à vents 3 Fanfare 3 Vibraphone 3 Ensemble de Percussions 2 Vibraphone et Marimba 1 Marimba 1 Piano et Orchestre 1 Batterie (partie séparée) 1

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AUTRES

Théorie de la musique 4

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New Year

Mandoline

Partitions à imprimer

3 partitions trouvées

Fly Me To The Moon (in Other Words)

Mandoline

Mandolin - Level 2 - Digital Download SKU: A0.1305650 By Tony Bennett. By Bart Howa…(+)

Mandolin - Level 2 - Digital Download SKU: A0.1305650 By Tony Bennett. By Bart Howard. Arranged by FERNANDO LUIZ NEVES. 20th Century,Contemporary,Film/TV,Jazz,Pop. Score. 6 pages. Fernando Neves #895105. Published by Fernando Neves (A0.1305650). â€œFly Me to the Moonâ€, originally titled â€œIn Other Wordsâ€, is a timeless classic that has captured the hearts of many music lovers. The song was written in 1954 by the talented American composer Bart Howard. The first recording of the song was made in the same year by Kaye Ballard. However, it was Frank Sinatraâ€™s 1964 version that became closely associated with the Apollo missions to the Moon. Sinatraâ€™s rendition elevated the song to new heights and it has since been covered by numerous artists including Tony Bennett, Ella Fitzgerald, Diana Krall, and Astrud Gilberto.Now, imagine this beautiful melody being played on a mandolin and guitar. The intricate plucking of the mandolin strings combined with the rich strumming of the guitar would certainly do justice to this iconic tune. Whether youâ€™re a seasoned musician or a beginner, playing â€œFly Me to the Moonâ€ on these instruments would be a delightful experience. Enjoy your musical journey! PDF file contains full score and parts for guitar and mandolin. Tablature, chords and guitar fingering inlcuded. 6 pages.

$18.97 17.38 € #Mandoline #Tony Bennett #FERNANDO LUIZ NEVES #Fly Me To The Moon #Fernando Neves #SheetMusicPlus

Caprice No. 4 for Mandolin (mandolin solo)

Mandoline

Mandolin - Advanced - Digital Download Composed by Mark O'Connor. Contemporary C…(+)

Mandolin - Advanced - Digital Download Composed by Mark O'Connor. Contemporary Classical, Post- Romantic, Neo-Classical, Folk, Americana. Solo Part. 9 pages. Published by Mark O'Connor Musik International
Caprice No. 4 for Mandolin (mandolin solo) MO158 Mandolin Solo Music by Mark O’Connor 5 pages - 3:00 minutes in length From the Thirty-Year Retrospective album notes; “I began to choose and arrange some of the best tunes of my 30-year recording career. As I worked, it all came flooding back. The places, the people, the feelings. Tunes from my childhood... ”Pickin’ in the Wind,” the first tune I ever wrote...material from my Rounder and early Warner Bros. recordings...The Championship Years, New Nashville Cats, Heroes, Strength in Numbers, the Appalachia projects for Sony Classical. It was all there. A musical biography...started out as a retrospective of my career, during the process it became more. As I listen now, I realize that these recordings stand as a testament to the living, breathing, ever-evolving heritage of American music. As I watch these and other young players rise, I know it couldn’t be in better hands.” Caprice No. 4 for Mandolin (mandolin solo) MO158 Mandolin Solo Music by Mark O’Connor 5 pages - 3:00 minutes in length From the Thirty-Year Retrospective album notes; “I began to choose and arrange some of the best tunes of my 30-year recording career. As I worked, it all came flooding back. The places, the people, the feelings. Tunes from my childhood... ”Pickin’ in the Wind,” the first tune I ever wrote...material from my Rounder and early Warner Bros. recordings...The Championship Years, New Nashville Cats, Heroes, Strength in Numbers, the Appalachia projects for Sony Classical. It was all there. A musical biography...started out as a retrospective of my career, during the process it became more. As I listen now, I realize that these recordings stand as a testament to the living, breathing, ever-evolving heritage of American music. As I watch these and other young players rise, I know it couldn’t be in better hands.”

$7.50 6.87 € #Mandoline #Mark O'Connor #Caprice No. 4 for Mandolin #Mark O'Connor Musik International #SheetMusicPlus

Mandolin Chord Melody System

Mandoline

Composed by Aaron Weinstein. Jazz, Improvising. Ebook. 53 pages. Published by Mel Bay Pub…(+)

Composed by Aaron Weinstein. Jazz, Improvising. Ebook. 53 pages. Published by Mel Bay Publications - Digital Sheet Music (M0.30502EB). - Ebook - Jazz, Improvising - Mel Bay Publications - Digital Sheet Music
ISBN 9781619115453. 8.75 x 11.75 inches. If you've heard jazz guitarists like Joe Pass play chord melody, you may think that the style requires an encyclopedic knowledge of music theory, musical super-powers, or making a deal with the devil. But fear not! This book will show you how to create your own satisfying chord melody arrangements on the mandolin...and will do so in a practical, applicable, non stroke-inducing way. "Aaron Weinstein has many musical accomplishments. I am very proud to have played a small part with some of them. When he was only 12 he made his first recordings and asked me to play mandolin on them. I was knocked out to encounter someone that young that was conversant in both old-time or contest fiddling and Joe Venuti style jazz. Not long after that Aaron became interested in the mandolin and chords and he came by every so often to play and discuss voicings, improvisation and the like. I showed him some of the Jethro Burns chord melody arrangements that Jethro showed me. I've been teaching those for decades in hopes of one day playing them smoothly myself! Fast forward a few more years and Aaron has a Berklee degree, traveled the world playing hot violin music and is hobnobbing with the greatest NYC jazz stars. And oh yeah, one other thing: he took the art of chord-melody mandolin style to an entirely new level! The rich harmonies of the standard jazz and show tune repertoire, the swinging bass lines and connecting chords and independent voice movements (doing more than one thing at a time) are all present in Aaron's style, thanks to his great ear, open mind and gift at locating things on the fretboard. And now Aaron has documented, explained and shared his discoveries and approach with all of us in this book. Thank you Aaron! This is truly a step-by-step method that you will enjoy. You'll find yourself saying 'oh, of course!' as the author gets you playing and understanding things that sound very detailed and complex. The first section I would call the mandolinistic stuff: the how-to on getting things moving and connected on the fretboard. This part is laid out in a very logical manner with clear explanations and fun activities. After working through these etudes you will know the fretboard better and be a better mandolin playing musician regardless of what style of music is your favorite. As I looked this part over I recalled the parable about 'give someone a fish and he will have a meal. Teach him to fish and he'll eat the rest of his life..' The second part puts your new-found chops to work playing some great solo chord melody tunes Weinstein style. Again the author walks us gently into the material by providing two versions of each piece, the basic structure followed by a more developed version. In the history of mandolin playing there have been many examples of techniques, arrangements and music that might be thought of as 'chord-melody' style. Consider works by Raffaele Calace, or 'Duo' style from the early twentieth century American stylists and then again as modernized by Evan Marshall in the current era. Bach on the mandolin, as played by virtuosi such as Caterina Lichtenberg, Mike Marshall, Carlo Aonzo, Chris Thile and others also illustrates harmony and melody simultaneously. And of course Jethro Burns did so much in the way of bringing jazz and standards to life with chord-melody mandolin that it is often referred to as 'Jethro Style'. The book you have in your hand presents a unique and accessible route to these types of techniques and sounds. Bravo, Aaron! And thank you, my friend." Don Stiernberg.ISBN 9781619115453. 8.75 x 11.75 inches. If you've heard jazz guitarists like Joe Pass play chord melody, you may think that the style requires an encyclopedic knowledge of music theory, musical super-powers, or making a deal with the devil. But fear not! This book will show you how to create your own satisfying chord melody arrangements on the mandolin...and will do so in a practical, applicable, non stroke-inducing way. "Aaron Weinstein has many musical accomplishments. I am very proud to have played a small part with some of them. When he was only 12 he made his first recordings and asked me to play mandolin on them. I was knocked out to encounter someone that young that was conversant in both old-time or contest fiddling and Joe Venuti style jazz. Not long after that Aaron became interested in the mandolin and chords and he came by every so often to play and discuss voicings, improvisation and the like. I showed him some of the Jethro Burns chord melody arrangements that Jethro showed me. I've been teaching those for decades in hopes of one day playing them smoothly myself! Fast forward a few more years and Aaron has a Berklee degree, traveled the world playing hot violin music and is hobnobbing with the greatest NYC jazz stars. And oh yeah, one other thing: he took the art of chord-melody mandolin style to an entirely new level! The rich harmonies of the standard jazz and show tune repertoire, the swinging bass lines and connecting chords and independent voice movements (doing more than one thing at a time) are all present in Aaron's style, thanks to his great ear, open mind and gift at locating things on the fretboard. And now Aaron has documented, explained and shared his discoveries and approach with all of us in this book. Thank you Aaron! This is truly a step-by-step method that you will enjoy. You'll find yourself saying 'oh, of course!' as the author gets you playing and understanding things that sound very detailed and complex. The first section I would call the mandolinistic stuff: the how-to on getting things moving and connected on the fretboard. This part is laid out in a very logical manner with clear explanations and fun activities. After working through these etudes you will know the fretboard better and be a better mandolin playing musician regardless of what style of music is your favorite. As I looked this part over I recalled the parable about 'give someone a fish and he will have a meal. Teach him to fish and he'll eat the rest of his life..' The second part puts your new-found chops to work playing some great solo chord melody tunes Weinstein style. Again the author walks us gently into the material by providing two versions of each piece, the basic structure followed by a more developed version. In the history of mandolin playing there have been many examples of techniques, arrangements and music that might be thought of as 'chord-melody' style. Consider works by Raffaele Calace, or 'Duo' style from the early twentieth century American stylists and then again as modernized by Evan Marshall in the current era. Bach on the mandolin, as played by virtuosi such as Caterina Lichtenberg, Mike Marshall, Carlo Aonzo, Chris Thile and others also illustrates harmony and melody simultaneously. And of course Jethro Burns did so much in the way of bringing jazz and standards to life with chord-melody mandolin that it is often referred to as 'Jethro Style'. The book you have in your hand presents a unique and accessible route to these types of techniques and sounds. Bravo, Aaron! And thank you, my friend." Don Stiernberg.

$14.99 13.73 € #Mandoline #Aaron Weinstein #Mandolin Chord Melody System #Mel Bay Publications - Digital Sheet Music #SheetMusicPlus