ISBN 9781619118096.

Learn to play great classical music tunes on the mandolin! All the most famous composers are here, such as Mozart, Beethoven, Tchaikovsky, Vivaldi and others. The tunes form a agreatest hitsa package of classical music, including Fur Elise, Ode to Joy, Rondo Alla Turca, Swan Lake, Dance of the Sugar Plum Fairy, The Entertainer, and more. Every tune has an accompanying audio track. Written in standard notation and mandolin tablature. Includes access to online audio.

In this sequel to The Complete Mandolinist, world-renowned mandolinist Marilynn Mair expands on her previous method books, presenting over 100 compositions that span 5 centuries, works she has thoughtfully edited or arranged for mandolin. Each piece is accompanied by a paragraph or two of musical context, and the book also includes 24 short essays on the evolution of musical style, drawn from Marilynns decades as a Professor of Music History. Music by great composers like Bach, Vivaldi, Mozart, and Beethoven mixes with interesting compositions by little-known mandolin composers like Piccone, Barbella, Leone, and Gervasio, works Marilynn has discovered during her performing and recording career. Concert pieces range from quite easy to very advanced, with most lying between those two extremes. In addition to music of the Renaissance, Baroque, Classical, Romantic, and 20th Century, Marilynn includes contemporary pieces by some of her favorite composers writing today. This book holds a musical world Marilynn has compiled and presents to you. The Complete Mandolinist, Volume 2: Music in Context, is a book you will reach for again and again.

Caprice No. 4 for Mandolin (mandolin solo) MO158

Mandolin Solo

Music by Mark O?Connor

5 pages - 3:00 minutes in length



From the Thirty-Year Retrospective album notes; ?I began to choose and arrange some of the best tunes of my 30-year recording career. As I worked, it all came flooding back. The places, the people, the feelings. Tunes from my childhood... ?Pickin? in the Wind,? the first tune I ever wrote...material from my Rounder and early Warner Bros. recordings...The Championship Years, New Nashville Cats, Heroes, Strength in Numbers, the Appalachia projects for Sony Classical. It was all there. A musical biography...started out as a retrospective of my career, during the process it became more. As I listen now, I realize that these recordings stand as a testament to the living, breathing, ever-evolving heritage of American music. As I watch these and other young players rise, I know it couldn?t be in better hands.?

ISBN 9781619117815.

The German Baroque period featured three virtuosiaBiber, Westhoff and Johann Jakob Walther. Walther (1650-1717) performed as a violinist in the orchestra of Cosimo III from 1670 to 1674 (Medici dynasty) and served as concertmaster at the court in Dresden. Waltheras compositions are contained in two books: Scherzi da Violino solo con il basso continuo (1676) and Hortulus Chelicus (1688). This book presents six sonatas for violin from Hortulus Chelicus transcribed for the mandolin. The collection is a wonderful addition to the classical mandolin repertoire. All the sonatas are written in standard notation and tablature.

ISBN 9781619119055.

Wedding Music for Mandolin includes 23 of the most popular and best-loved wedding hits for intermediate and advanced mandolinists.aC/ Traditional wedding songsaC/ Easy classical piecesaC/ Two aAve Mariaa melodiesaC/ Favorite Italian, Irish, Jewish, and English songsThe music includes standard notation, mandolin tablature, chords for mandolin and guitar, plus access to online play-along audio recordings of all the songs!

ISBN 9781610652421.

The non-jazz improvisation series is a concept that germinated in Dick Weissman's mind while he was attending music school. He wrote a 15-piece arrangement of the old square dance tune, Cripple Creek, and wanted the trombone to take a solo as part of the arrangement. When the trombonist kept playing a bebop solo that was totally unsuitable for the chart, Dick realized that - in addition to the many musicians who do not improvise - there are even jazz musicians who don't know how to improvise outside the limits of their own stylistic backgrounds. The non-jazz improvisation series mostly includes new original tunes that are intended to show how to improvise in many musical styles, including;* Blues* Country* American folk * Latin-American* World music including South American, Eastern European and Asian * Odd meters (playing in a variety of time signatures)* New Age* Classical * Folk-RockIn short, the books are an encyclopedia of virtually every musical style, excluding jazz. Includes access to online audio.

ISBN 9781610659864.

The mandolin is used in nearly every type of music today so it is a great choice of instrument whether you like jazz, folk, classical, country, bluegrass, rock, blues, Irish or many kinds of world music. Much of this music is available only in standard notation so that is where this book starts; TAB comes later. By learning the basic information presented in this volume, you will be prepared to approach any style. This book introduces the student to the instrument, explaining basics such as tuning and how to hold the instrument. The student is introduced to notes on each string and various left- and right-hand techniques. Chords, scales and arpeggios are introduced and students begin applying their new skills to real world repertoire in a variety of keys. 64 pages with access to online audio.

ISBN 9781619117891.

Marin Marais (1656-1728) was a 17th-18th century French composer and viol player for the court of Louis XIV. He is primarily known for his five books for one, two and three bass viols and continuo. The Suite in D minor comes from his first book Premier livre de pieces une et deux violes (1689). The 27 solos contained in this collection are arranged for mandolin solo and are presented in notation and tablature.

ISBN 9781619119512.

The octave mandolin is valued for its rich tone and wide range of potential use in a variety of musical settings. This book contains 27 easy to intermediate pieces from the Baroque era that have been carefully chosen and arranged to benefit from the longer scale and deeper voice of the big mandolin. The music is presented in both standard notation and tablature, making it easily playable on the mandocello, mandola or standard mandolin. Thirteen composers are represented, including six pieces by J. S. Bach, four by G. F. Handel and three by G. P. Telemann.

ISBN 9781513455853. 8.75 x 11.75 inches.

Mandolin Picking Tunes: Early Music Gems by Dix Bruce is a collection of 34 wonderful songs from the 1200s to the 1600s especially arranged for intermediate and advanced mandolinists. The titles span the Medieval, Renaissance, and Baroque eras and the sounds of the individual songs reflect those years. The music includes standard notation, accompaniment chords, and tablature. Includes access to online audio recordings of each piece for listening and playing along.

ISBN 9781609749101. A master collection of mandolin music in notation and tablature. Contains classical, early country, bluegrass, fiddle tunes, blues, gospel, and ragtime music. A great source book for mandolin repertoire.

ISBN 9781609740818. This user-friendly and very comprehensive text is ideal for daily practice. Contents include pentatonic scales, major scales, pure minor scales, harmonic minor scales, melodic minor scales and scales presented in various positions on the mandolin fingerboard. This is an ideal book for the bluegrass, jazz or classical mandolin player. Written in notation, tab and fretboard diagrams.

ISBN 9781610659444. Brazilian Choro: A Method for Mandolin focuses on teaching bandolim technique for playing Choro. The combination of method book and online audio offers a great opportunity to add performance practice to the black-and-white notes on the page. The book, presented in both English and Portuguese, is written for two different groups--Brazilians learning to play bandolim in the Choro tradition, and non-Brazilians who play other styles and want to learn Choro. Mr. Sa, a native Carioca who as played Choro since childhood, understands Choro intuitively and brings a Brazilian perspective to the project. Ms. Mair, a classical mandolinist who has spent much of the past four years refining her Choro technique in Rio, brings an outsider's viewpoint, recognizing the subtle distinctions that make Choro style unique. Together these renowned performers and university professors have created a pathway to help you play Choro with a true Carioca accent. Music presented in standard notation. Online audio available for download.