English version
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
To Follow the Star
Non classifié
273
Piano & claviers
Piano seul
310
Piano, Voix
146
Piano Facile
142
Instruments en Do
40
Piano, Voix et Guitare
35
Orgue
16
Piano Trio: piano, violon, violoncelle
8
Piano Quatuor: piano, violon, alto, violoncelle
4
Accompagnement Piano
3
1 Piano, 4 mains
3
Accordéon
2
Piano (partie séparée)
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
+ 8 instrumentations
Retracter
Guitares
Guitare notes et tablatures
30
Ukulele
22
Guitare
18
Ligne De Mélodie, (Paroles) et Accords
8
2 Guitares (duo)
8
Mandoline
4
Basse electrique
3
Piano, Guitare (duo)
2
Guitare (partie séparée)
2
3 Guitares (trio)
1
Ensemble de guitares
1
+ 6 instrumentations
Retracter
Voix
Chorale SATB
84
Chorale 3 parties
28
Chorale TTBB
11
Chorale SSAA
9
Chorale 2 parties
8
Voix Baryton, Piano
5
Chorale Unison
5
Voix haute
4
Voix Soprano, Piano
3
Voix basse, Piano
2
Voix duo, Piano
2
Voix duo
1
Voix Alto, Piano
1
Chorale SSATTB
1
+ 9 instrumentations
Retracter
Vents
Clarinette et Piano
33
Flûte traversière
33
Saxophone (partie séparée)
20
Saxophone Alto
19
Saxophone Alto et Piano
18
Saxophone Tenor et Piano
17
Clarinette
17
Hautbois, Piano (duo)
16
Saxophone Tenor
15
Flûte traversière et Piano
15
Quatuor de Saxophones: 4 saxophones
14
Hautbois (partie séparée)
14
2 Flûtes traversières (duo)
14
Quatuor de Clarinettes: 4 clarinettes
11
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
9
3 Saxophones (trio)
8
Flûte, Hautbois, Clarinette, Basson
8
2 Saxophones (duo)
8
Cor anglais, Piano
8
Flûte à Bec
7
Saxophone Soprano et Piano
7
Flûte, Clarinette (duo)
6
Quintette de Saxophone: 5 saxophones
6
Quatuor de Flûtes : 4 flûtes
6
Cor Anglais
4
Saxophone Baryton, Piano
4
Quintette de Clarinettes: 5 clarinettes
4
Saxophone, Clarinette (duo)
3
2 Flûte à bec (duo)
3
2 Clarinettes (duo)
3
3 Clarinettes (trio)
3
Clarinette, Violon (duo)
3
Hautbois, Clarinette, Basson (trio d'anches)
2
Clarinette, Violoncelle, Piano (trio)
2
Flûte, Violon et Violoncelle
2
Flûte, Violon, Piano
2
Flûte à bec Soprano
2
Flûte, Saxophone (duo)
2
Hautbois
2
Ensemble de Clarinettes
2
Clarinette, Trompette (duo)
2
Trio de Flûtes: 3 flûtes
2
Hautbois, Guitare (duo)
2
Flûte, Clarinette et Basson
2
Ensemble de Flûtes
2
Quatuor de Flûtes à bec
2
5 Flûtes à bec
1
Flûte, Hautbois, Clarinette (trio)
1
Flûte, Hautbois, Piano (trio)
1
Flûte, Clarinette, Piano (trio)
1
2 Flûtes traversières, Piano
1
Hautbois, Clarinette (duo)
1
Clarinette, Basson (duo)
1
Ensemble de saxophones
1
Flûte, Violon
1
Flûte, Hautbois, Basson
1
Flûte, trombone et piano
1
Hautbois, Flûte
1
Clarinette, trompette et piano
1
Flûte à bec Tenor
1
Flûte irlandaise
1
Flute (partie séparée)
1
Quintette de Flûte : 5 flûtes
1
Flûte, Hautbois (duo)
1
3 Flûtes à bec (trio)
1
Clarinette, Guitare (duo)
1
Ensemble De Flûte à bec
1
2 Hautbois (duo)
1
Flûte, Basson et Piano
1
Flûte, Violoncelle, Piano (trio)
1
Clarinette et Alto
1
Flûte, Violon, Violoncelle et Piano
1
+ 67 instrumentations
Retracter
Cuivres
Trombone et Piano
22
Trompette
20
Trombone
16
Quatuor de Cuivres : 2 trompettes, trombone, tuba
16
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
16
Trompette, Piano
14
Tuba
13
Cor et Piano
11
Cor
10
Trompette, Trombone (duo)
10
Cor anglais, Piano
8
Trompette (partie séparée)
7
Trombone (partie séparée)
5
Cor Anglais
4
Quatuor de cuivres: 4 trombones
4
Trompette, Cor (duo)
4
Tuba et Piano
3
Quatuor de Cuivres: 2 trompettes, Cor, trombone
3
Euphonium, Piano (duo)
3
Quatuor de Cuivres
3
Trio de Cuivres
2
2 Trompettes (duo)
2
Trompette, Saxophone (duo)
2
Quatuor de cuivres: 4 trompettes
2
4 Tubas
1
Tuba (partie séparée)
1
Euphonium
1
Trombone, Violon (duo)
1
2 Trombones (duo)
1
Ensemble de Cors
1
Ensemble de Trompettes
1
Cor (partie séparée)
1
3 Euphoniums
1
+ 28 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
181
Violon, Violoncelle (duo)
153
Violon
138
Trio à Cordes: violon, alto, violoncelle
120
Violoncelle
40
Violon et Piano
37
Alto, Piano
25
Quintette à cordes: 2 violons, alto, violoncelle, basse
22
Violoncelle, Piano
20
Alto seul
18
Violon, Alto (duo)
16
Contre Basse
7
2 Violons (duo)
5
2 Violoncelles (duo)
5
Alto (partie séparée)
5
Harpe
4
2 Altos (duo)
3
Violon (partie séparée)
3
4 Violoncelles
3
Contrebasse, Piano (duo)
3
Trio à Cordes: 2 violons, violoncelle
2
Quatuor à cordes: 4 violons
2
Trio à cordes: 3 violins
2
Trio à Cordes: 3 violoncelles
2
Violon, Clarinette, Piano (trio)
2
Contrebasse (partie séparée)
1
Trio à cordes: 3 altos
1
Violon, Guitare (duo)
1
Alto, Violoncelle (duo)
1
Trio à Cordes: 2 violons, alto
1
Quatuor à cordes : 4 altos
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Violoncelle (partie séparée)
1
+ 28 instrumentations
Retracter
Orchestre & Percussions
Orchestre à Cordes
109
Orchestre d'harmonie
59
Ensemble de cuivres
39
Orchestre
31
Ensemble Jazz
29
Orchestre de chambre
10
Cloches
10
Marimba
3
Batterie
3
Batterie (partie séparée)
2
Ensemble de Percussions
2
Vibraphone
1
+ 7 instrumentations
Retracter
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BASSE
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CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
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AMERICANA
ASIE
BLUEGRASS
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CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
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COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
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FLAMENCO
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FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
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Note4Piano
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Vous avez sélectionné:
To Follow the Star
Mandoline
Partitions à imprimer
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Hymn to Joy for Mandolin and Guitar
Mandoline
Mandolin - Level 1 - Digital Download SKU: A0.1298110 Composed by Ludwig van Beetho…
(+)
Mandolin - Level 1 - Digital Download SKU: A0.1298110 Composed by Ludwig van Beethoven. Arranged by FERNANDO LUIZ NEVES. Classical,Praise & Worship,Religious,Sacred,Traditional. Score. 6 pages. Fernando Neves #888095. Published by Fernando Neves (A0.1298110). The Hymn of Joy (often called Joyful, Joyful We Adore Thee after the first line) is a poem written by Henry van Dyke in 1907 with the intention of musically setting it to the famous Ode to Joy melody of the final movement of Ludwig van Beethoven's final symphony, Symphony No. 9.[2] The original poem Ode to Joy (German: An die Freude) is an ode written in the summer of 1785 by German poet, playwright, and historian Friedrich Schiller and published the following year. This arrangtement for mandolin and guitar starts in the key of G and then modulates to the key of A. PDF file has 6 pages and includes 3 pages for the complete arrangement with tablature for both mandolin and guitar and also guitar chords. Individual parts are also available: 1 page for mandolin part with score and tablature and 2 pages for Guitar part with score, tablature and chords.
$17.99
16.59 €
#
Mandoline
#
Ludwig van Beethoven
#
FERNANDO LUIZ NEVES
#
Hymn to Joy for Mandolin and Guitar
#
Fernando Neves
#
SheetMusicPlus
Mandolin Blues Book - 101 Blues Riffs and Solos for Mandolin
Mandoline
Composed by Brent Robitaille. Blues. Score. 158 pages. Brent C Robitaille #6384045. …
(+)
Composed by Brent Robitaille. Blues. Score. 158 pages. Brent C Robitaille #6384045. Published by Brent C Robitaille
Take your blues playing to the next level with the MandolinBlues Book. A collection of 101blues riffs and solos ideal for all mandolinists looking to get a good grasp ofjamming the blues. <br> <br> The book covers all the essential tools needed to playblues mandolin. Start by learning the 40stylistic riffs, then the 25 one and two bar blues riffs in multiple keys, andmove on to the longer 12 bar blues rhythm riffs and extended solos. <br> <br> Most of the longer rhythm riffs and solos follow thestandard 12 bar blues form, so they are readily applicable to many genres,including country, rock, jazz, folk and bluegrass, to name a few.<br> <br> To further deepen your mandolin skills, study themajor, minor, blues scales and arpeggios, as well as the library of mandolin chordsand blues chord progressions in all 12 keys. <br> <br> No book covers everything, but with some practice, youwill be ready to take your mandolin, jam the blues with confidence, and showoff your new skills.<br> <br> For free mandolin lessons, audio tracks and videos, pleasevisit my website:<br> <br> http://www.brentrobitaille.com<br> <br> or<br> <br> Mandolin BluesBook - Kalymi Music (brentrobitaille.com)Take your blues playing to the next level with the MandolinBlues Book. A collection of 101blues riffs and solos ideal for all mandolinists looking to get a good grasp ofjamming the blues. <br> <br> The book covers all the essential tools needed to playblues mandolin. Start by learning the 40stylistic riffs, then the 25 one and two bar blues riffs in multiple keys, andmove on to the longer 12 bar blues rhythm riffs and extended solos. <br> <br> Most of the longer rhythm riffs and solos follow thestandard 12 bar blues form, so they are readily applicable to many genres,including country, rock, jazz, folk and bluegrass, to name a few.<br> <br> To further deepen your mandolin skills, study themajor, minor, blues scales and arpeggios, as well as the library of mandolin chordsand blues chord progressions in all 12 keys. <br> <br> No book covers everything, but with some practice, youwill be ready to take your mandolin, jam the blues with confidence, and showoff your new skills.<br> <br> For free mandolin lessons, audio tracks and videos, pleasevisit my website:<br> <br> http://www.brentrobitaille.com<br> <br> or<br> <br> Mandolin BluesBook - Kalymi Music (brentrobitaille.com)
$18.99
17.51 €
#
Mandoline
#
Brent Robitaille
#
Mandolin Blues Book - 101 Blues Riffs and Solos for Mandolin
#
Brent C Robitaille
#
SheetMusicPlus
Mandolin Chord Melody System
Mandoline
Composed by Aaron Weinstein. Jazz, Improvising. Ebook. 53 pages. Published by Mel Bay Pub…
(+)
Composed by Aaron Weinstein. Jazz, Improvising. Ebook. 53 pages. Published by Mel Bay Publications - Digital Sheet Music (M0.30502EB). - Ebook - Jazz, Improvising - Mel Bay Publications - Digital Sheet Music
ISBN 9781619115453. 8.75 x 11.75 inches. If you've heard jazz guitarists like Joe Pass play chord melody, you may think that the style requires an encyclopedic knowledge of music theory, musical super-powers, or making a deal with the devil. But fear not! This book will show you how to create your own satisfying chord melody arrangements on the mandolin...and will do so in a practical, applicable, non stroke-inducing way. "Aaron Weinstein has many musical accomplishments. I am very proud to have played a small part with some of them. When he was only 12 he made his first recordings and asked me to play mandolin on them. I was knocked out to encounter someone that young that was conversant in both old-time or contest fiddling and Joe Venuti style jazz. Not long after that Aaron became interested in the mandolin and chords and he came by every so often to play and discuss voicings, improvisation and the like. I showed him some of the Jethro Burns chord melody arrangements that Jethro showed me. I've been teaching those for decades in hopes of one day playing them smoothly myself! Fast forward a few more years and Aaron has a Berklee degree, traveled the world playing hot violin music and is hobnobbing with the greatest NYC jazz stars. And oh yeah, one other thing: he took the art of chord-melody mandolin style to an entirely new level! The rich harmonies of the standard jazz and show tune repertoire, the swinging bass lines and connecting chords and independent voice movements (doing more than one thing at a time) are all present in Aaron's style, thanks to his great ear, open mind and gift at locating things on the fretboard. And now Aaron has documented, explained and shared his discoveries and approach with all of us in this book. Thank you Aaron! This is truly a step-by-step method that you will enjoy. You'll find yourself saying 'oh, of course!' as the author gets you playing and understanding things that sound very detailed and complex. The first section I would call the mandolinistic stuff: the how-to on getting things moving and connected on the fretboard. This part is laid out in a very logical manner with clear explanations and fun activities. After working through these etudes you will know the fretboard better and be a better mandolin playing musician regardless of what style of music is your favorite. As I looked this part over I recalled the parable about 'give someone a fish and he will have a meal. Teach him to fish and he'll eat the rest of his life..' The second part puts your new-found chops to work playing some great solo chord melody tunes Weinstein style. Again the author walks us gently into the material by providing two versions of each piece, the basic structure followed by a more developed version. In the history of mandolin playing there have been many examples of techniques, arrangements and music that might be thought of as 'chord-melody' style. Consider works by Raffaele Calace, or 'Duo' style from the early twentieth century American stylists and then again as modernized by Evan Marshall in the current era. Bach on the mandolin, as played by virtuosi such as Caterina Lichtenberg, Mike Marshall, Carlo Aonzo, Chris Thile and others also illustrates harmony and melody simultaneously. And of course Jethro Burns did so much in the way of bringing jazz and standards to life with chord-melody mandolin that it is often referred to as 'Jethro Style'. The book you have in your hand presents a unique and accessible route to these types of techniques and sounds. Bravo, Aaron! And thank you, my friend." Don Stiernberg.ISBN 9781619115453. 8.75 x 11.75 inches. If you've heard jazz guitarists like Joe Pass play chord melody, you may think that the style requires an encyclopedic knowledge of music theory, musical super-powers, or making a deal with the devil. But fear not! This book will show you how to create your own satisfying chord melody arrangements on the mandolin...and will do so in a practical, applicable, non stroke-inducing way. "Aaron Weinstein has many musical accomplishments. I am very proud to have played a small part with some of them. When he was only 12 he made his first recordings and asked me to play mandolin on them. I was knocked out to encounter someone that young that was conversant in both old-time or contest fiddling and Joe Venuti style jazz. Not long after that Aaron became interested in the mandolin and chords and he came by every so often to play and discuss voicings, improvisation and the like. I showed him some of the Jethro Burns chord melody arrangements that Jethro showed me. I've been teaching those for decades in hopes of one day playing them smoothly myself! Fast forward a few more years and Aaron has a Berklee degree, traveled the world playing hot violin music and is hobnobbing with the greatest NYC jazz stars. And oh yeah, one other thing: he took the art of chord-melody mandolin style to an entirely new level! The rich harmonies of the standard jazz and show tune repertoire, the swinging bass lines and connecting chords and independent voice movements (doing more than one thing at a time) are all present in Aaron's style, thanks to his great ear, open mind and gift at locating things on the fretboard. And now Aaron has documented, explained and shared his discoveries and approach with all of us in this book. Thank you Aaron! This is truly a step-by-step method that you will enjoy. You'll find yourself saying 'oh, of course!' as the author gets you playing and understanding things that sound very detailed and complex. The first section I would call the mandolinistic stuff: the how-to on getting things moving and connected on the fretboard. This part is laid out in a very logical manner with clear explanations and fun activities. After working through these etudes you will know the fretboard better and be a better mandolin playing musician regardless of what style of music is your favorite. As I looked this part over I recalled the parable about 'give someone a fish and he will have a meal. Teach him to fish and he'll eat the rest of his life..' The second part puts your new-found chops to work playing some great solo chord melody tunes Weinstein style. Again the author walks us gently into the material by providing two versions of each piece, the basic structure followed by a more developed version. In the history of mandolin playing there have been many examples of techniques, arrangements and music that might be thought of as 'chord-melody' style. Consider works by Raffaele Calace, or 'Duo' style from the early twentieth century American stylists and then again as modernized by Evan Marshall in the current era. Bach on the mandolin, as played by virtuosi such as Caterina Lichtenberg, Mike Marshall, Carlo Aonzo, Chris Thile and others also illustrates harmony and melody simultaneously. And of course Jethro Burns did so much in the way of bringing jazz and standards to life with chord-melody mandolin that it is often referred to as 'Jethro Style'. The book you have in your hand presents a unique and accessible route to these types of techniques and sounds. Bravo, Aaron! And thank you, my friend." Don Stiernberg.
$14.99
13.82 €
#
Mandoline
#
Aaron Weinstein
#
Mandolin Chord Melody System
#
Mel Bay Publications - Digital Sheet Music
#
SheetMusicPlus
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To Follow the Star
