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ACCORDEON
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HARMONICA
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LIVRES
LUTH
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51
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49
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7
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16
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7
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3
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2
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21
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20
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17
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5
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1
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1
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1
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60
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13
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11
Hautbois, Piano (duo)
10
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10
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10
2 Saxophones (duo)
7
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7
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6
Clarinette et Piano
6
3 Clarinettes (trio)
6
Saxophone Alto et Piano
6
Ensemble de Clarinettes
5
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4
Quatuor de Clarinettes: 4 clarinettes
4
Saxophone Soprano et Piano
4
2 Clarinettes (duo)
4
Flûte traversière
3
Clarinette
3
Ensemble de saxophones
3
3 Saxophones (trio)
2
Clarinette, Basson (duo)
2
Flûte, Clarinette (duo)
2
Hautbois, Clarinette (duo)
2
2 Hautbois (duo)
2
2 Flûtes traversières, Piano
2
Flûte, Hautbois (duo)
2
Flûte, trombone et piano
2
Flûte, Hautbois, Piano (trio)
1
Saxophone et Harpe
1
Clarinette, trompette et piano
1
Clarinette Basse, Piano
1
Flûte, Violoncelle, Piano (trio)
1
Hautbois (partie séparée)
1
Harmonica
1
Quatuor de Flûtes : 4 flûtes
1
2 Clarinettes, Piano
1
Flûte, Basson et Piano
1
Flûte, Clarinette, Piano (trio)
1
Clarinette, Harpe (duo)
1
Flûte, Violon et Violoncelle
1
Clarinette, Violon (duo)
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Hautbois et alto (duo)
1
Quintette de Flûte : 5 flûtes
1
Saxophone Baryton, Piano
1
Quatuor de Flûtes à bec
1
Flûte, Clarinette et Basson
1
Saxophone et Orgue
1
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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
14
Trombone et Piano
7
Cor et Piano
4
Trompette, Piano
4
Quatuor de Cuivres : 2 trompettes, trombone, tuba
3
2 Trompettes (duo)
3
Trompette
2
2 Trombones (duo)
2
Trompette, Trombone (duo)
2
Ensemble de Trombones
2
Ensemble de Trompettes
2
Tuba et Orgue
1
Quatuor de cuivres: 4 trombones
1
Euphonium
1
2 Cors (duo)
1
Quatuor de cuivres: 4 trompettes
1
Trio de Cuivres
1
Cor et Harpe
1
Tuba
1
Trompette, Violoncelle et Piano
1
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Cordes
Violon et Piano
17
Alto, Piano
13
Quatuor à cordes: 2 violons, alto, violoncelle
11
Violoncelle, Piano
7
Harpe
4
2 Violons (duo)
4
2 Violoncelles (duo)
4
Violon, Alto (duo)
4
Trio à Cordes: 2 violons, violoncelle
3
Violon, Violoncelle (duo)
3
2 Altos (duo)
3
Trio à Cordes: violon, alto, violoncelle
3
Violon
2
Ensemble de Violons
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
4 Violoncelles
1
Alto, Violoncelle (duo)
1
Alto et Harpe
1
Harpe, Violoncelle (duo)
1
Violoncelle
1
Ensemble d'Altos
1
Harpe, Violon (duo)
1
Alto seul
1
Ensemble de Violoncelles
1
Trio à cordes: 3 violins
1
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62
Cloches
27
Ensemble de cuivres
6
Orchestre à Cordes
5
Orchestre de chambre
3
Jazz combo
3
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2
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Two Settings of
Mandoline
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Renaissance Solos for Mandolin
Mandoline
By John Holenko. For Mandolin. Early Music/Renaissance. 64 pages. Published by Mel Bay Pub…
(+)
By John Holenko. For Mandolin. Early Music/Renaissance. 64 pages. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781609742959. Most of the music in this book comes from editions or manuscripts from England in the late 1500ICOs. There are also a few French pieces. The cittern was popular in Italy, England and France. Aside from various tunings, there were two main kinds of instruments being played during the 16th and 17th centuries: the 4 course (four sets of doubled strings), and the 6 course cittern with several editions of music to go along with both. The pieces I have chosen for this book were all written for the 4 course instrument and fall into three main categories: dance music, song arrangements and free pieces. The free pieces are basically preludes that explore the melodic range of the instrument. As the title suggests these pieces can be played very freely and need not have a very strict tempo. The dance pieces are not really meant to be danced to, but rather take their form and rhythm from the popular court dances of the time. These can be played with a wide range of overall tempo, but once a tempo is chosen, should be strictly adhered to. The song arrangements are settings of popular songs of the time as well as more formal vocal settings. Care should be taken in making the melody clear and singing. Since the range of the cittern and mandolin are the same, John Holenko has kept the melodies intact. Because of the difference in tuning however, the voicing of the harmonies have been changed so as to fit on the mandolin.ISBN 9781609742959. Most of the music in this book comes from editions or manuscripts from England in the late 1500ICOs. There are also a few French pieces. The cittern was popular in Italy, England and France. Aside from various tunings, there were two main kinds of instruments being played during the 16th and 17th centuries: the 4 course (four sets of doubled strings), and the 6 course cittern with several editions of music to go along with both. The pieces I have chosen for this book were all written for the 4 course instrument and fall into three main categories: dance music, song arrangements and free pieces. The free pieces are basically preludes that explore the melodic range of the instrument. As the title suggests these pieces can be played very freely and need not have a very strict tempo. The dance pieces are not really meant to be danced to, but rather take their form and rhythm from the popular court dances of the time. These can be played with a wide range of overall tempo, but once a tempo is chosen, should be strictly adhered to. The song arrangements are settings of popular songs of the time as well as more formal vocal settings. Care should be taken in making the melody clear and singing. Since the range of the cittern and mandolin are the same, John Holenko has kept the melodies intact. Because of the difference in tuning however, the voicing of the harmonies have been changed so as to fit on the mandolin.
$17.99
16.51 €
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Mandoline
#
John Holenko
#
Renaissance Solos for Mandolin
#
Mel Bay Publications - Digital Sheet Music
#
SheetMusicPlus
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