ISBN 9781619119857.

Franz Wohlfahrt (1833 1884), a violin teacher in Leipzig Germany, wrote several series of etudes including 60 Studies for Violin, Opus 45 from which this book of mandolin studies was derived. Originally composed for his own teaching purposes, over the past 100 years Wohlfahrts etudes have become standard works for beginning violin study the world over. Adapted for mandolin in standard notation and tablature, some violin techniques had to be altered to make these studies accessible to mandolinists. The resulting book contains progressively arranged compositional gems that include scale, tremolo, arpeggio, and position studies plus grace notes, double-stops and other techniquesall terrific sight-reading material at an intermediate to advanced level.

Is the Mandola the perfect Celtic instrument?Tuned a fifth lower (CGDA) and about 2 inches longer than a mandolin, the mandola is excellent for Celtic music as a solo or band instrument. The Celtic Mandola Music Book is packed with great tunes, chords, exercises, and technique tips, adding to a limited selection of books. This book was written specifically for the mandola and will help you get the most from the alto voice range. The mandola is akin to the viola in the string orchestra but can also be an excellent solo instrument. Blends well with guitars, violins and other string instruments. There are two editions for sale of this book, one written in treble clef and the other in alto clef. Choose which edition best suits your reading skill. Notation, tablature, chords, fingerings and slurring are included in the over 40 pieces. Highly recommended for all mandola players from best-selling author Brent Robitaille. There is a selection of audio and video tracks on the author\'s website. See details inside the book. List of tunes:After the Battle of Aughrim ~ April Snow Reel ~ Black Velvet Band ~ Blind Mary ~ Cape Breton Jig ~ Carolan\'s Concerto ~ Connaughtman\'s Rambles ~ Danny Boy ~ Drowsy Maggy ~ Eleanor Plunkett ~ Fisher?s Hornpipe Flowers of Edinburgh ~ Haste to the Wedding ~ Hector the Hero ~ Hewlett ~ High Road to Linton ~ I\'ll Tell Me Ma ~ Irish Washerwoman ~ John Ryan\'s Polka ~ Kesh Jig ~ Lark in the Clear Air ~ Loch Lomond ~ Merrily Kiss the Quaker ~ Molly Malone ~ Morrison\'s Jig ~ Neil Gow\'s Lament ~ O\'Carolan\'s Draught ~ O\'Dowd?s No. 9 ~ The Parting Glass ~ Planxty George Brabazon ~ Raccoon in the Attic ~ Rakes of Kildare ~ Red Haired Boy ~ Rights of Man ~ Sailor?s Hornpipe ~ Si Bheag Si Mhor ~ Sonny\'s Mazurka ~ Strong Bow ~ Swallow Tail Jig ~ Whiskey in the Jar ~ White Cockade ~ Wind That Shakes the Barley ~.

ISBN 9781619118416.

Between 1755 and 1761 James Oswald composed and published two sets of 48 Airs for the Seasons, 96 pieces in all. Each air included from two to four separate movements in different time signatures and tempos, almost always in the same key. Each was printed on a single page with the melody on one staff and a bass line (with figures) on a second staff. Additionally, each piece was named after a plant and organized into groups of twelve for each season. This book contains a selection of 24 Oswald airs, 6 for each season, in standard notation and arranged for solo mandolin. Originally intended for the flute or violin, in most cases the original key has been changed to better accommodate the modern mandolin. Oswaldas Scottish heritage is evident in the number of movements that are actually slow airs, jigs, reels or menuets. Altogether, this is a delightful collection of 18th century melodies suitable for solo performance, teaching or private enjoyment.

ISBN 9781619112728. Italian Folk Music for Mandolin is an enjoyable collection of pieces from various parts of northern, central and southern Italy. This anthology includes complete texts and translations of the songs with accurate accompanying arrangements for two mandolins, or violin and guitar. The selections include medieval and Renaissance instrumental folk dances, sixteenth-century Neapolitan Villanelle, work songs, lullabies, narrative ballads, prisoner songs, and popular dances including tarantellas, pizzica, Sardinian ballo tondo, quadrille, waltz and saltarello. The book includes an accompanying online audio of all the pieces presented.

ISBN 9781619117891.

Marin Marais (1656-1728) was a 17th-18th century French composer and viol player for the court of Louis XIV. He is primarily known for his five books for one, two and three bass viols and continuo. The Suite in D minor comes from his first book Premier livre de pieces une et deux violes (1689). The 27 solos contained in this collection are arranged for mandolin solo and are presented in notation and tablature.

In this sequel to The Complete Mandolinist, world-renowned mandolinist Marilynn Mair expands on her previous method books, presenting over 100 compositions that span 5 centuries, works she has thoughtfully edited or arranged for mandolin. Each piece is accompanied by a paragraph or two of musical context, and the book also includes 24 short essays on the evolution of musical style, drawn from Marilynns decades as a Professor of Music History. Music by great composers like Bach, Vivaldi, Mozart, and Beethoven mixes with interesting compositions by little-known mandolin composers like Piccone, Barbella, Leone, and Gervasio, works Marilynn has discovered during her performing and recording career. Concert pieces range from quite easy to very advanced, with most lying between those two extremes. In addition to music of the Renaissance, Baroque, Classical, Romantic, and 20th Century, Marilynn includes contemporary pieces by some of her favorite composers writing today. This book holds a musical world Marilynn has compiled and presents to you. The Complete Mandolinist, Volume 2: Music in Context, is a book you will reach for again and again.

ISBN 9781619110410. Duet arrangements of three well-known Vivaldi Concertos arranged for mandolin and guitar: Concerto in A (RV82), Concerto in C (RV425), and Concerto in D (RV93). Each arrangement in this collection has been reduced from soloist with string orchestra, to a duet for mandolin and guitar. The mandolin performs the solo part and the guitar part is a reduction of the strings. In the guitar part, chords have been added above the staff to allow for embellishment-a common practice of the Baroque era. Another C instrument such as flute, violin or another guitar can be easily substituted for the mandolin. Musicians will find these accessible arrangements excellent for performance in any setting from the recital hall to the local cafe.The score (guitar/mandolin) and mandolin solo part are available in hard copy while the guitar accompaniment part is available as a free internet download. The mandolin and guitar parts are presented in notation.