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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Years From Now
Non classifié
547
Piano & claviers
Piano seul
144
Piano, Voix et Guitare
58
Piano Facile
36
Accordéon
34
Piano, Voix
30
Orgue
10
Instruments en Do
9
1 Piano, 4 mains
6
Piano Trio: piano, violon, violoncelle
4
Piano Quatuor: piano, violon, alto, violoncelle
3
Accompagnement Piano
2
Piano grosses notes
1
Orgue, Trompette (duo)
1
2 Pianos, 8 mains
1
+ 9 instrumentations
Retracter
Guitares
Guitare
20
Ligne De Mélodie, (Paroles) et Accords
8
Guitare notes et tablatures
8
Ukulele
4
2 Guitares (duo)
2
Paroles et Accords
2
Mandoline
2
Basse electrique
1
Piano, Guitare (duo)
1
Banjo
1
+ 5 instrumentations
Retracter
Voix
Chorale SATB
74
Chorale 3 parties
20
Voix Alto, Piano
9
Chorale 2 parties
7
Chorale TTBB
7
Voix haute
4
Chorale SSAA
3
Voix seule
1
Voix Baryton, Piano
1
Voix basse, Piano
1
Voix Tenor, Piano
1
Voix Tenor
1
Voix basse
1
Chorale Unison
1
+ 9 instrumentations
Retracter
Vents
Quintette de Saxophone: 5 saxophones
90
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
73
Ensemble de saxophones
51
Quatuor de Saxophones: 4 saxophones
43
Flûte, Hautbois, Clarinette, Basson
24
Flûte traversière et Piano
23
Quatuor de Clarinettes: 4 clarinettes
22
2 Flûtes traversières (duo)
22
2 Saxophones (duo)
22
Ensemble de Clarinettes
21
Clarinette et Piano
17
Saxophone Alto et Piano
17
Hautbois, Piano (duo)
16
Clarinette
16
Quatuor de Flûtes : 4 flûtes
15
Saxophone Tenor et Piano
14
Quintette de Flûte : 5 flûtes
13
Hautbois (partie séparée)
13
Saxophone Soprano et Piano
10
3 Saxophones (trio)
8
Flûte traversière
7
Saxophone Alto
6
2 Clarinettes (duo)
6
Saxophone, Clarinette (duo)
5
Saxophone Baryton, Piano
5
Ensemble de Flûtes
5
Saxophone Tenor
5
Quintette de Clarinettes: 5 clarinettes
5
Flûte, Clarinette (duo)
4
Quatuor de Flûtes à bec
4
Flûte à bec Soprano, Piano
3
Hautbois, Clarinette, Basson (trio d'anches)
3
Cor anglais, Piano
3
Flûte, Violon
3
Clarinette (partie séparée)
3
2 Flûte à bec (duo)
3
Clarinette, Violon (duo)
3
Clarinette, Trompette (duo)
3
Flûte, Saxophone (duo)
3
3 Clarinettes (trio)
3
Flûte à bec Soprano
2
2 Hautbois (duo)
2
Flûte, Alto et Piano
2
Saxophone (partie séparée)
2
Flûte, Alto (duo)
2
Hautbois, Basson (duo)
2
Flûte, Hautbois, Clarinette (trio)
1
Flûte et Guitare
1
Clarinette, Basson (duo)
1
Clarinette et Alto
1
Flûte, Trompette (duo)
1
Flute (partie séparée)
1
Hautbois, Clarinette (duo)
1
Flûte irlandaise
1
Flûte à bec Tenor
1
Saxophone et Orgue
1
Hautbois, Flûte
1
Trio de Flûtes: 3 flûtes
1
5 Flûtes à bec
1
3 Flûtes à bec (trio)
1
Ensemble de Hautbois
1
Clarinette Basse, Piano
1
Flûte à Bec
1
+ 58 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
87
Quatuor de Cuivres : 2 trompettes, trombone, tuba
54
Ensemble de Trompettes
49
Quatuor de Cuivres
19
Ensemble de Trombones
17
Quatuor de Cuivres: 2 trompettes, Cor, trombone
17
Trombone et Piano
14
Trompette, Piano
11
Trompette
11
Cor et Piano
7
Tuba et Piano
7
Trombone
7
2 Trombones (duo)
5
Ensemble de Cors
4
Tuba
3
Cor anglais, Piano
3
2 Trompettes (duo)
3
Trombone (partie séparée)
3
Quatuor de cuivres: 4 trombones
3
Trompette (partie séparée)
3
Trompette, Saxophone (duo)
3
Quatuor de cuivres: 4 trompettes
3
Trompette, Trombone (duo)
3
Cor (partie séparée)
2
Euphonium, Piano (duo)
2
3 Trompettes (trio)
2
4 Tubas
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Cor
1
Trombone, Orgue
1
Trombone basse et Piano
1
Tuba (partie séparée)
1
+ 27 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
64
Violon et Piano
39
Violoncelle, Piano
23
Alto, Piano
22
2 Violons (duo)
17
Trio à Cordes: violon, alto, violoncelle
14
Violon
13
Ensemble d'Altos
11
Harpe
11
Ensemble de Violons
10
Quintette à cordes: 2 violons, alto, violoncelle, basse
9
2 Violoncelles (duo)
8
Violon, Violoncelle (duo)
8
Violoncelle
7
Violon, Alto (duo)
5
2 Altos (duo)
5
4 Violoncelles
4
Trio à Cordes: 2 violons, violoncelle
4
Alto seul
4
Contrebasse, Piano (duo)
3
Contre Basse
3
Trio à Cordes: 3 violoncelles
3
Quatuor à cordes: 4 violons
2
Violon (partie séparée)
2
Violon, Guitare (duo)
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
Quatuor à cordes : 4 altos
2
Trio à cordes: 3 violins
2
Harpe, Voix
1
Violon, Clarinette, Piano (trio)
1
Alto (partie séparée)
1
Contrebasse (partie séparée)
1
Violoncelle, Orgue
1
Violoncelle (partie séparée)
1
Ensemble de Violoncelles
1
Alto, Violoncelle (duo)
1
Trio à cordes: 3 altos
1
4 Harpes
1
+ 33 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
63
Orchestre
33
Orchestre à Cordes
26
Jazz combo
9
Ensemble Jazz
6
Cloches
5
Ensemble de cuivres
4
Orchestre de chambre
4
Fanfare
2
Percussion (partie séparée)
2
Piano et Orchestre
1
2 Marimbas
1
Vibraphone et Marimba
1
Marimba
1
+ 9 instrumentations
Retracter
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
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TROMPETTE
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Years From Now
Mandoline
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Mandolin Chord Melody System
Mandoline
Composed by Aaron Weinstein. Jazz, Improvising. Ebook. 53 pages. Published by Mel Bay Pub…
(+)
Composed by Aaron Weinstein. Jazz, Improvising. Ebook. 53 pages. Published by Mel Bay Publications - Digital Sheet Music (M0.30502EB). - Ebook - Jazz, Improvising - Mel Bay Publications - Digital Sheet Music
ISBN 9781619115453. 8.75 x 11.75 inches. If you've heard jazz guitarists like Joe Pass play chord melody, you may think that the style requires an encyclopedic knowledge of music theory, musical super-powers, or making a deal with the devil. But fear not! This book will show you how to create your own satisfying chord melody arrangements on the mandolin...and will do so in a practical, applicable, non stroke-inducing way. "Aaron Weinstein has many musical accomplishments. I am very proud to have played a small part with some of them. When he was only 12 he made his first recordings and asked me to play mandolin on them. I was knocked out to encounter someone that young that was conversant in both old-time or contest fiddling and Joe Venuti style jazz. Not long after that Aaron became interested in the mandolin and chords and he came by every so often to play and discuss voicings, improvisation and the like. I showed him some of the Jethro Burns chord melody arrangements that Jethro showed me. I've been teaching those for decades in hopes of one day playing them smoothly myself! Fast forward a few more years and Aaron has a Berklee degree, traveled the world playing hot violin music and is hobnobbing with the greatest NYC jazz stars. And oh yeah, one other thing: he took the art of chord-melody mandolin style to an entirely new level! The rich harmonies of the standard jazz and show tune repertoire, the swinging bass lines and connecting chords and independent voice movements (doing more than one thing at a time) are all present in Aaron's style, thanks to his great ear, open mind and gift at locating things on the fretboard. And now Aaron has documented, explained and shared his discoveries and approach with all of us in this book. Thank you Aaron! This is truly a step-by-step method that you will enjoy. You'll find yourself saying 'oh, of course!' as the author gets you playing and understanding things that sound very detailed and complex. The first section I would call the mandolinistic stuff: the how-to on getting things moving and connected on the fretboard. This part is laid out in a very logical manner with clear explanations and fun activities. After working through these etudes you will know the fretboard better and be a better mandolin playing musician regardless of what style of music is your favorite. As I looked this part over I recalled the parable about 'give someone a fish and he will have a meal. Teach him to fish and he'll eat the rest of his life..' The second part puts your new-found chops to work playing some great solo chord melody tunes Weinstein style. Again the author walks us gently into the material by providing two versions of each piece, the basic structure followed by a more developed version. In the history of mandolin playing there have been many examples of techniques, arrangements and music that might be thought of as 'chord-melody' style. Consider works by Raffaele Calace, or 'Duo' style from the early twentieth century American stylists and then again as modernized by Evan Marshall in the current era. Bach on the mandolin, as played by virtuosi such as Caterina Lichtenberg, Mike Marshall, Carlo Aonzo, Chris Thile and others also illustrates harmony and melody simultaneously. And of course Jethro Burns did so much in the way of bringing jazz and standards to life with chord-melody mandolin that it is often referred to as 'Jethro Style'. The book you have in your hand presents a unique and accessible route to these types of techniques and sounds. Bravo, Aaron! And thank you, my friend." Don Stiernberg.ISBN 9781619115453. 8.75 x 11.75 inches. If you've heard jazz guitarists like Joe Pass play chord melody, you may think that the style requires an encyclopedic knowledge of music theory, musical super-powers, or making a deal with the devil. But fear not! This book will show you how to create your own satisfying chord melody arrangements on the mandolin...and will do so in a practical, applicable, non stroke-inducing way. "Aaron Weinstein has many musical accomplishments. I am very proud to have played a small part with some of them. When he was only 12 he made his first recordings and asked me to play mandolin on them. I was knocked out to encounter someone that young that was conversant in both old-time or contest fiddling and Joe Venuti style jazz. Not long after that Aaron became interested in the mandolin and chords and he came by every so often to play and discuss voicings, improvisation and the like. I showed him some of the Jethro Burns chord melody arrangements that Jethro showed me. I've been teaching those for decades in hopes of one day playing them smoothly myself! Fast forward a few more years and Aaron has a Berklee degree, traveled the world playing hot violin music and is hobnobbing with the greatest NYC jazz stars. And oh yeah, one other thing: he took the art of chord-melody mandolin style to an entirely new level! The rich harmonies of the standard jazz and show tune repertoire, the swinging bass lines and connecting chords and independent voice movements (doing more than one thing at a time) are all present in Aaron's style, thanks to his great ear, open mind and gift at locating things on the fretboard. And now Aaron has documented, explained and shared his discoveries and approach with all of us in this book. Thank you Aaron! This is truly a step-by-step method that you will enjoy. You'll find yourself saying 'oh, of course!' as the author gets you playing and understanding things that sound very detailed and complex. The first section I would call the mandolinistic stuff: the how-to on getting things moving and connected on the fretboard. This part is laid out in a very logical manner with clear explanations and fun activities. After working through these etudes you will know the fretboard better and be a better mandolin playing musician regardless of what style of music is your favorite. As I looked this part over I recalled the parable about 'give someone a fish and he will have a meal. Teach him to fish and he'll eat the rest of his life..' The second part puts your new-found chops to work playing some great solo chord melody tunes Weinstein style. Again the author walks us gently into the material by providing two versions of each piece, the basic structure followed by a more developed version. In the history of mandolin playing there have been many examples of techniques, arrangements and music that might be thought of as 'chord-melody' style. Consider works by Raffaele Calace, or 'Duo' style from the early twentieth century American stylists and then again as modernized by Evan Marshall in the current era. Bach on the mandolin, as played by virtuosi such as Caterina Lichtenberg, Mike Marshall, Carlo Aonzo, Chris Thile and others also illustrates harmony and melody simultaneously. And of course Jethro Burns did so much in the way of bringing jazz and standards to life with chord-melody mandolin that it is often referred to as 'Jethro Style'. The book you have in your hand presents a unique and accessible route to these types of techniques and sounds. Bravo, Aaron! And thank you, my friend." Don Stiernberg.
$14.99
13.82 €
#
Mandoline
#
Aaron Weinstein
#
Mandolin Chord Melody System
#
Mel Bay Publications - Digital Sheet Music
#
SheetMusicPlus
Caprice No. 4 for Mandolin (mandolin solo)
Mandoline
Mandolin - Advanced - Digital Download Composed by Mark O'Connor. Contemporary C…
(+)
Mandolin - Advanced - Digital Download Composed by Mark O'Connor. Contemporary Classical, Post- Romantic, Neo-Classical, Folk, Americana. Solo Part. 9 pages. Published by Mark O'Connor Musik International
Caprice No. 4 for Mandolin (mandolin solo) MO158<br> <br> Mandolin Solo<br> <br> Music by Mark O’Connor<br> <br> 5 pages - 3:00 minutes in length<br> <br> <br> <br> From the Thirty-Year Retrospective album notes; “I began to choose and arrange some of the best tunes of my 30-year recording career. As I worked, it all came flooding back. The places, the people, the feelings. Tunes from my childhood... ”Pickin’ in the Wind,” the first tune I ever wrote...material from my Rounder and early Warner Bros. recordings...The Championship Years, New Nashville Cats, Heroes, Strength in Numbers, the Appalachia projects for Sony Classical. It was all there. A musical biography...started out as a retrospective of my career, during the process it became more. As I listen now, I realize that these recordings stand as a testament to the living, breathing, ever-evolving heritage of American music. As I watch these and other young players rise, I know it couldn’t be in better hands.”<br> <br> Caprice No. 4 for Mandolin (mandolin solo) MO158<br> <br> Mandolin Solo<br> <br> Music by Mark O’Connor<br> <br> 5 pages - 3:00 minutes in length<br> <br> <br> <br> From the Thirty-Year Retrospective album notes; “I began to choose and arrange some of the best tunes of my 30-year recording career. As I worked, it all came flooding back. The places, the people, the feelings. Tunes from my childhood... ”Pickin’ in the Wind,” the first tune I ever wrote...material from my Rounder and early Warner Bros. recordings...The Championship Years, New Nashville Cats, Heroes, Strength in Numbers, the Appalachia projects for Sony Classical. It was all there. A musical biography...started out as a retrospective of my career, during the process it became more. As I listen now, I realize that these recordings stand as a testament to the living, breathing, ever-evolving heritage of American music. As I watch these and other young players rise, I know it couldn’t be in better hands.”<br> <br>
$7.50
6.91 €
#
Mandoline
#
Mark O'Connor
#
Caprice No. 4 for Mandolin
#
Mark O'Connor Musik International
#
SheetMusicPlus
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