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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Bee
Non classifié
500
Piano & claviers
Piano seul
523
Piano, Voix
145
Instruments en Do
25
Orgue
25
2 Pianos, 4 mains
10
1 Piano, 4 mains
10
Piano, Voix et Guitare
10
Accordéon
4
2 Pianos, 8 mains
3
Clavier
3
Piano Facile
3
Piano Trio: piano, violon, violoncelle
3
Orgue, Piano (duo)
2
Piano Quatuor: piano, violon, alto, violoncelle
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
+ 10 instrumentations
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Guitare
36
Guitare notes et tablatures
18
2 Guitares (duo)
10
Mandoline, Piano (duo)
7
Orchestre à Plectres
4
Ukulele
3
Basse electrique
3
Ligne De Mélodie, (Paroles) et Accords
3
Mandoline
3
Piano, Guitare (duo)
2
Banjo
2
4 Guitares (Quatuor)
1
+ 7 instrumentations
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Chorale SATB
47
Voix Soprano, Piano
13
Voix haute
12
Chorale TTBB
12
Chorale 3 parties
9
Chorale SSAA
8
Voix basse, Piano
6
Voix Alto, Piano
4
Voix duo, Piano
3
Voix Baryton, Piano
3
Voix basse
2
Chorale SSAATTBB
2
Chorale 2 parties
2
Voix Tenor, Piano
1
Voix, Guitare
1
Voix Tenor
1
Voix Soprano
1
Voix moyenne, Piano
1
+ 13 instrumentations
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Quatuor de Saxophones: 4 saxophones
38
Clarinette
37
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35
Saxophone
30
Flûte traversière et Piano
30
Clarinette et Piano
27
Flûte traversière
25
Quatuor de Clarinettes: 4 clarinettes
25
Flûte, Hautbois, Clarinette, Basson
18
Hautbois (partie séparée)
17
2 Flûtes traversières (duo)
17
Ensemble de Clarinettes
16
Quintette de Saxophone: 5 saxophones
14
Saxophone Alto et Piano
13
Hautbois, Piano (duo)
11
3 Clarinettes (trio)
11
Ensemble de saxophones
10
Quatuor de Flûtes : 4 flûtes
9
2 Saxophones (duo)
8
Saxophone Soprano et Piano
7
Clarinette Basse, Piano
7
Quintette de Clarinettes: 5 clarinettes
7
Flûte et Guitare
6
Flute (partie séparée)
5
Saxophone Baryton, Piano
4
Saxophone Tenor et Piano
4
Hautbois, Clarinette, Basson (trio d'anches)
3
Saxophone Alto
3
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3
Clarinette, Violoncelle, Piano (trio)
3
Flûte, Violoncelle, Piano (trio)
3
Hautbois
3
Saxophone et Orgue
2
Ensemble de Flûtes
2
Flûte, Violon
2
Clarinette, Basson (duo)
2
Clarinette, Violoncelle (duo)
2
2 Clarinettes (duo)
2
Flûte à bec Alto, Piano
1
Cor anglais, Piano
1
Flûte, Violon, Piano
1
Piccolo
1
Clarinette, Violon (duo)
1
Saxophone Tenor
1
Flûte, Hautbois, Clarinette (trio)
1
Trio de Flûtes: 3 flûtes
1
Cor Anglais
1
Flûte, Violoncelle
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
+ 44 instrumentations
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
71
Trombone et Piano
37
Quatuor de Cuivres : 2 trompettes, trombone, tuba
31
Trompette
30
Cor
25
Tuba et Piano
23
Euphonium, Piano (duo)
22
Trombone
21
Ensemble de Trombones
18
Quatuor de cuivres: 4 trombones
16
Trompette, Piano
12
Cor et Piano
12
Ensemble de Trompettes
7
Tuba
6
2 Trombones (duo)
5
Trombone basse
5
Euphonium
4
Trombone basse et Piano
4
Trompette (partie séparée)
4
Quatuor de Cuivres
4
2 Cors (duo)
3
2 Euphoniums et 2 Tubas
3
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
Instruments en Sib
2
2 Trompettes (duo)
2
2 Tubas (duo)
2
Ensemble de Cors
2
Cor anglais, Piano
1
2 Euphoniums (duo)
1
Trompette, Trombone (duo)
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Trombone et orchestre
1
4 Tubas
1
Euphonium, Tuba (duo)
1
Trombone (partie séparée)
1
Quatuor de cuivres: 4 trompettes
1
Trombone, Tuba (duo)
1
Cor Anglais
1
2 Trompettes, Clavier (piano ou orgue)
1
Ensemble de Tubas
1
+ 35 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
126
Violon
80
Violon et Piano
52
Violoncelle
43
Violoncelle, Piano
25
Alto, Piano
19
Alto seul
14
Harpe
12
2 Violons (duo)
11
Violon, Violoncelle (duo)
10
Contre Basse
10
Violon, Alto (duo)
9
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6
2 Violoncelles (duo)
5
Violon, Guitare (duo)
4
Trio à cordes
3
4 Violoncelles
3
2 Altos (duo)
3
Trio à Cordes: 2 violons, violoncelle
3
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2
Violoncelle, Contrebasse (duo)
2
Alto, Violoncelle (duo)
2
Harpe, Violon (duo)
2
Trio à cordes: 3 violins
2
Ensemble d'Altos
2
Alto (partie séparée)
2
Contrebasse, Piano (duo)
2
Ensemble de Violons
1
Trio à Cordes: 2 violons, alto
1
Harpe, Violon, Violoncelle
1
Violon, Orgue
1
2 Violons, Piano
1
Harpe, Flûte (duo)
1
Piano Trio: Violon, Alto, Piano
1
Violoncelle , Guitare (duo)
1
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Orchestre & Percussions
Orchestre
93
Orchestre à Cordes
60
Orchestre d'harmonie
45
Ensemble de cuivres
42
Ensemble Jazz
36
Orchestre de chambre
33
Jazz combo
7
Fanfare
4
Ensemble de Percussions
3
Piano et Orchestre
2
Cloches
2
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Théorie de la musique
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--INSTRUMENTS--
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Voix Alto, Piano
Partitions à imprimer
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VIVALDI Antonio: Veni, veni, me sequere fida, aria from the oratorio "Juditha triumphans", arranged
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Voix Alto, Piano
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AVANCÉ
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Classique
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Antonio VIVALDI
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Sergei PICHUGIN
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VIVALDI Antonio: Veni, veni, m
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Really Good Music, LLC.
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SheetMusicPlus
Alto Voice,Vocal Solo - Level 5 - SKU: A0.868687 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instruct...
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Alto Voice,Vocal Solo - Level 5 - SKU: A0.868687 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Standards. 8 pages. Really Good Music, LLC. #4368216. Published by Really Good Music, LLC. (A0.868687). Veni, veni, me sequere fida is an amazingly beautiful aria from the oratorio Juditha triumphans (1716) by Antonio VIVALDI (1678 – 1741). It has been realized from the manuscript of the opera and arranged by Sergei Pichugin for voice and piano. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the original key of B flat major (C#4 – D5). .
$5.95
Wie Du warst (Octavian's Aria) from Der Rosenkavalier - Accessible Accompaniments Edition
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Voix Alto, Piano
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AVANCÉ
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Classique
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Richard Strauss
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Nicole Elyse DiPaolo
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Wie Du warst
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Nicole Elyse DiPaolo
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SheetMusicPlus
Alto Voice,Vocal Solo - Level 5 - SKU: A0.799612 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 6 pages. N...
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Alto Voice,Vocal Solo - Level 5 - SKU: A0.799612 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 6 pages. Nicole Elyse DiPaolo #5022023. Published by Nicole Elyse DiPaolo (A0.799612). The first of its kind, and the third entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Wie Du warst, Octavian's famous aria from Strauss's Der Rosenkavalier (1911). Mezzos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury. This edition also includes a two-measure recomposed ending four measures after rehearsal 25, making this edition a great choice for concert and audition situations in which another singer isn't available to sing the Marschallin's lines.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
Mahler (arr. Lee): Symphony No. 3 5th movement, Piano Vocal Score (Version D for Alto solo)
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Voix Alto, Piano
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AVANCÉ
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Classique
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Gustav Mahler
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Yoon Jae Lee
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Mahler
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Ondine Press
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SheetMusicPlus
Alto Voice,Vocal Solo - Level 5 - SKU: A0.866108 Composed by Gustav Mahler. Arranged by Yoon Jae Lee. Romantic Period,Sacred. 12 pages. Ondine Press #31...
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Alto Voice,Vocal Solo - Level 5 - SKU: A0.866108 Composed by Gustav Mahler. Arranged by Yoon Jae Lee. Romantic Period,Sacred. 12 pages. Ondine Press #3114457. Published by Ondine Press (A0.866108). This is the piano vocal score to an arrangement of the 5th movement of Mahler's Third Symphony, Es Sungen Drei Engel from Des Knaben Wunderhorn. This arrangement is one of 4 versions by Yoon Jae Lee, the curator of the Mahler Chamber Project. Version D is solo voice (alto solo). This version omits the boy’s (children’s choir) and women's chorus allowing for performances of this work to be sung by only one singer. The vocal is nearly identical to Mahler's original Lieder version but the revisions made to the final symphonic version, both rhythmic and structural, have been incorporated into this arrangement. Given the wide tessitura of the vocal part, it may be a stretch to say that it is ideally suited for alto. A few ossia parts with lower notes are given where the voice goes to a high register. This arrangement can be performed as a stand alone work with piano, or with Yoon Jae Lee’s reduction for chamber orchestra or with Mahler’s original forces.
$7.50
Vous aimez le danger/Ah! que j'aime les militaires from La Grande-Duchesse de Gérolstein - Duchesse
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Voix Alto, Piano
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AVANCÉ
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Jacques Offenbach
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Nicole Elyse DiPaolo
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Vous aimez le danger/Ah! que j
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Nicole Elyse DiPaolo
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SheetMusicPlus
Alto Voice,Vocal Solo - Level 5 - SKU: A0.799618 Composed by Jacques Offenbach. Arranged by Nicole Elyse DiPaolo. Opera,Romantic Period. 6 pages. Nicole...
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Alto Voice,Vocal Solo - Level 5 - SKU: A0.799618 Composed by Jacques Offenbach. Arranged by Nicole Elyse DiPaolo. Opera,Romantic Period. 6 pages. Nicole Elyse DiPaolo #5306351. Published by Nicole Elyse DiPaolo (A0.799618). The first of its kind, this is a customized La Duchesse-only audition cut of Vous aimez le danger...Ah! que j'aime les militaires from Jacques Offenbach's La Grande-Duchesse de Gérolstein (1867). In the past, singers wishing to audition for this role would have to make a series of awkward cuts to eliminate the gaps created by the choral parts when performing this excerpt. The current edition omits those passages and, as a result, noticeably reduces the page count. In addition, this new engraving is remarkably clearer than the existing vocal score, which has deteriorated from age and is cluttered with instrumental cues that may not be relevant to a sight-reading audition pianist.The piano reduction itself has not been simplified or drastically altered (at the commissioner's request), although the engraving features minor changes from the original edition (for example, eliminating cross-staff chord notation and inserting a few logical enharmonic respellings).About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
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