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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
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FORMATION MUSI…
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HARMONICA
HARPE
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LIVRES
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MARIMBA
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Nat Music
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437
Piano & claviers
Piano seul
669
Piano, Voix
59
Orgue
39
2 Pianos, 4 mains
17
Accordéon
14
Piano, Voix et Guitare
6
1 Piano, 4 mains
5
Piano Trio: piano, violon, violoncelle
3
Orgue, Piano (duo)
2
Clavecin
1
Accompagnement Piano
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Piano Facile
1
Piano Quatuor: piano, violon, alto, violoncelle
1
Instruments en Do
1
+ 10 instrumentations
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Guitares
Guitare
102
Guitare notes et tablatures
18
Basse electrique
14
2 Guitares (duo)
12
3 Guitares (trio)
8
4 Guitares (Quatuor)
3
Ukulele
2
Banjo
2
Ensemble de guitares
1
Piano, Guitare (duo)
1
Orchestre à Plectres
1
Mandoline, Piano (duo)
1
+ 7 instrumentations
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Voix
Chorale SATB
78
Chorale TTBB
24
Voix Soprano, Piano
11
Chorale SSAATTBB
7
Chorale SSAA
7
Voix haute
5
Chorale 3 parties
4
Voix Tenor, Piano
3
Voix basse, Piano
3
Voix Baryton, Piano
2
Voix Alto, Piano
2
Voix Mezzo-Soprano, Piano
2
Chorale Unison
1
Voix duo, Piano
1
Voix Baryton
1
Voix duo
1
Chorale
1
+ 12 instrumentations
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Vents
Saxophone
85
Flûte traversière
71
Clarinette
59
Flûte traversière et Piano
51
Clarinette et Piano
29
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
20
Saxophone Alto et Piano
19
Hautbois, Piano (duo)
16
2 Flûte à bec (duo)
16
Flûte à Bec, Piano
13
Quatuor de Clarinettes: 4 clarinettes
13
Quatuor de Saxophones: 4 saxophones
12
Ensemble de Clarinettes
11
Saxophone Alto
10
Saxophone Soprano et Piano
9
Flûte, Hautbois, Clarinette, Basson
9
Quintette de Saxophone: 5 saxophones
6
Hautbois
6
Saxophone Tenor
5
2 Flûtes traversières (duo)
5
Hautbois (partie séparée)
5
Saxophone (partie séparée)
5
Flûte à Bec
5
Flûte et Guitare
5
3 Clarinettes (trio)
4
Quatuor de Flûtes : 4 flûtes
4
Quintette de Clarinettes: 5 clarinettes
4
Flute (partie séparée)
4
2 Saxophones (duo)
4
Flûte à bec Alto, Basse continue
4
Flûte à bec Alto, Piano
3
Saxophone Tenor et Piano
3
Flûte traversière, Basse continue
2
Flûte, Violon, Piano
2
Trio de Flûtes: 3 flûtes
2
2 Clarinettes (duo)
2
Saxophone Soprano
2
3 Saxophones (trio)
2
Flûte à bec Tenor
2
Ensemble de Flûtes
2
Clarinette Basse, Piano
2
Ensemble de saxophones
2
Hautbois, Clarinette, Basson (trio d'anches)
2
Quintette de Flûte : 5 flûtes
1
Clarinette, Violon (duo)
1
Hautbois, Basson (duo)
1
Clarinette, Basson (duo)
1
Piccolo, Piano
1
Piccolo
1
Flûte traversière, Orgue (duo)
1
Cor Anglais
1
Ocarina
1
Clarinette, Guitare (duo)
1
Flûte, Tuba (duo)
1
Flûte, Clarinette, Piano (trio)
1
Flûte, Saxophone (duo)
1
Flûte, Clarinette et Basson
1
Flûte à bec Soprano
1
2 Flûtes à bec, Piano
1
Cor anglais, Piano
1
Saxophone et Orgue
1
2 Flûtes, Basse continue
1
Saxophone Baryton
1
+ 58 instrumentations
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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
52
Trompette
34
Trombone
26
Trombone et Piano
19
Cor
18
Quatuor de Cuivres : 2 trompettes, trombone, tuba
16
Trompette, Piano
16
Cor et Piano
14
Tuba et Piano
11
Euphonium, Piano (duo)
8
Tuba
6
Ensemble de Trombones
5
Quatuor de cuivres: 4 trombones
5
2 Trombones (duo)
3
2 Euphoniums et 2 Tubas
3
Trombone basse et Piano
3
Trompette (partie séparée)
3
Quatuor de Cuivres
2
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
Ensemble de Trompettes
2
3 Euphoniums
2
Trombone (partie séparée)
1
Euphonium
1
Cor Anglais
1
Trompette, Tuba (duo)
1
Cor anglais, Piano
1
2 Trompettes (duo)
1
Quatuor de cuivres: 4 cors
1
3 Trombones (trio)
1
Trombone basse
1
2 Tubas (duo)
1
Trompette, Trombone (duo)
1
Ensemble de Cors
1
+ 28 instrumentations
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Cordes
Violon
119
Violon et Piano
101
Quatuor à cordes: 2 violons, alto, violoncelle
87
Violoncelle, Piano
54
Violoncelle
51
Alto seul
42
Alto, Piano
29
Harpe
22
Violoncelle , Guitare (duo)
11
Violon, Guitare (duo)
6
Violon, Violoncelle (duo)
6
Trio à Cordes: violon, alto, violoncelle
6
2 Violons (duo)
5
2 Violoncelles (duo)
5
Contre Basse
4
Violon, Alto (duo)
4
Trio à Cordes: 2 violons, violoncelle
4
Contrebasse, Piano (duo)
3
2 Altos (duo)
3
4 Violoncelles
3
Trio à cordes: 3 violins
2
Trio à Cordes: 3 violoncelles
2
Violon (partie séparée)
2
Violoncelle, Contrebasse (duo)
2
Harpe, Flûte (duo)
2
Alto (partie séparée)
2
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Quatuor à cordes : 4 altos
1
2 Contrebasses (duo)
1
Quatuor à cordes: 4 violons
1
2 Harpes (duo)
1
Violon, Clarinette, Piano (trio)
1
Trio à Cordes: 2 violons, alto
1
Violoncelle, Basse continue
1
Violon, Basse continue
1
Harpe, Violon (duo)
1
Alto et Harpe
1
+ 32 instrumentations
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Orchestre & Percussions
Orchestre
116
Orchestre à Cordes
44
Ensemble Jazz
32
Orchestre d'harmonie
30
Orchestre de chambre
24
Batterie
22
Ensemble de cuivres
16
Ensemble de Percussions
11
Marimba
4
Cloches
3
Percussion
1
Fanfare
1
Xylophone
1
Voix Mezzo-Soprano, Orchestre
1
Piano et Orchestre
1
Jazz combo
1
Orchestre, Violon
1
+ 12 instrumentations
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Vous avez sélectionné:
Nat Music
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Voix Alto, Piano
Partitions à imprimer
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Vous aimez le danger/Ah! que j'aime les militaires from La Grande-Duchesse de Gérolstein - Duchesse
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Voix Alto, Piano
#
AVANCÉ
#
Jacques Offenbach
#
Nicole Elyse DiPaolo
#
Vous aimez le danger/Ah! que j
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Nicole Elyse DiPaolo
#
SheetMusicPlus
Alto Voice,Vocal Solo - Level 5 - SKU: A0.799618 Composed by Jacques Offenbach. Arranged by Nicole Elyse DiPaolo. Opera,Romantic Period. 6 pages. Nicole...
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Alto Voice,Vocal Solo - Level 5 - SKU: A0.799618 Composed by Jacques Offenbach. Arranged by Nicole Elyse DiPaolo. Opera,Romantic Period. 6 pages. Nicole Elyse DiPaolo #5306351. Published by Nicole Elyse DiPaolo (A0.799618). The first of its kind, this is a customized La Duchesse-only audition cut of Vous aimez le danger...Ah! que j'aime les militaires from Jacques Offenbach's La Grande-Duchesse de Gérolstein (1867). In the past, singers wishing to audition for this role would have to make a series of awkward cuts to eliminate the gaps created by the choral parts when performing this excerpt. The current edition omits those passages and, as a result, noticeably reduces the page count. In addition, this new engraving is remarkably clearer than the existing vocal score, which has deteriorated from age and is cluttered with instrumental cues that may not be relevant to a sight-reading audition pianist.The piano reduction itself has not been simplified or drastically altered (at the commissioner's request), although the engraving features minor changes from the original edition (for example, eliminating cross-staff chord notation and inserting a few logical enharmonic respellings).About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
Wie Du warst (Octavian's Aria) from Der Rosenkavalier - Accessible Accompaniments Edition
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Voix Alto, Piano
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AVANCÉ
#
Classique
#
Richard Strauss
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Nicole Elyse DiPaolo
#
Wie Du warst
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Nicole Elyse DiPaolo
#
SheetMusicPlus
Alto Voice,Vocal Solo - Level 5 - SKU: A0.799612 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 6 pages. N...
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Alto Voice,Vocal Solo - Level 5 - SKU: A0.799612 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 6 pages. Nicole Elyse DiPaolo #5022023. Published by Nicole Elyse DiPaolo (A0.799612). The first of its kind, and the third entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Wie Du warst, Octavian's famous aria from Strauss's Der Rosenkavalier (1911). Mezzos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury. This edition also includes a two-measure recomposed ending four measures after rehearsal 25, making this edition a great choice for concert and audition situations in which another singer isn't available to sing the Marschallin's lines.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
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