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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
S
Non classifié
2 040
Piano & claviers
Piano seul
1 683
Piano, Voix
211
Orgue
113
1 Piano, 4 mains
43
2 Pianos, 4 mains
40
Piano, Voix et Guitare
34
Piano Trio: piano, violon, violoncelle
27
Instruments en Do
25
Accordéon
20
Piano Facile
17
Piano Quatuor: piano, violon, alto, violoncelle
13
Clavecin
9
Orgue, Piano (duo)
6
Piano Quintette: piano, 2 violons, alto, violoncelle
5
Accompagnement Piano
4
Accordéon, Corde(s)
2
Piano Quatuor: piano, 2 violons, violoncelle
2
Accordéon et Orchestre
1
2 Pianos, 8 mains
1
Orgue, Trompette (duo)
1
+ 15 instrumentations
Retracter
Guitares
Guitare
243
Guitare notes et tablatures
92
Basse electrique
58
2 Guitares (duo)
15
Ukulele
11
Banjo
5
4 Guitares (Quatuor)
5
Mandoline
4
Ensemble de guitares
3
Piano, Guitare (duo)
2
Ligne De Mélodie, (Paroles) et Accords
2
Orchestre à Plectres
1
Guitare, Quatuor à cordes
1
Mandoline, Piano (duo)
1
+ 9 instrumentations
Retracter
Voix
Chorale SATB
393
Chorale TTBB
356
Chorale SSAA
122
Voix Soprano, Piano
44
Chorale 3 parties
33
Voix haute
17
Voix Baryton, Piano
11
Voix basse, Piano
10
Chorale SSAATTBB
8
Chorale
8
Voix Tenor, Piano
7
Voix seule
7
Voix Alto, Piano
6
Voix Mezzo-Soprano, Piano
5
Voix duo
5
Voix duo, Piano
4
Chorale 2 parties
4
Chorale Unison
3
Chorale SSATB
3
Voix basse
2
Chorale SSATTB
2
Voix, Guitare
1
Voix Baryton
1
Voix moyenne, Piano
1
Soli, choeur mixte et accompagnement
1
Voix Tenor
1
Voix duo, Orgue
1
+ 22 instrumentations
Retracter
Vents
Saxophone (partie séparée)
360
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
183
Clarinette (partie séparée)
162
Hautbois (partie séparée)
150
Flute (partie séparée)
114
Saxophone
113
Flûte traversière
103
Quatuor de Saxophones: 4 saxophones
102
Clarinette
98
Flûte traversière et Piano
81
Quatuor de Clarinettes: 4 clarinettes
77
Flûte, Hautbois, Clarinette, Basson
57
Saxophone Alto
47
Clarinette et Piano
44
Saxophone Alto et Piano
39
Ensemble de Clarinettes
37
2 Flûtes traversières (duo)
33
3 Saxophones (trio)
30
Quintette de Saxophone: 5 saxophones
30
2 Clarinettes (duo)
27
Hautbois, Piano (duo)
27
3 Clarinettes (trio)
23
Saxophone Tenor
22
Quintette de Clarinettes: 5 clarinettes
21
Quatuor de Flûtes : 4 flûtes
20
Ensemble de saxophones
20
Saxophone Tenor et Piano
18
2 Saxophones (duo)
18
Ensemble de Flûtes
15
Saxophone Soprano et Piano
14
Cor anglais, Piano
9
Saxophone Baryton, Piano
8
Trio de Flûtes: 3 flûtes
8
Flûte à Bec
8
Saxophone Soprano
7
Hautbois, Clarinette, Basson (trio d'anches)
7
Clarinette Basse, Piano
7
Hautbois
6
Flûte, Clarinette (duo)
5
Flûte et Guitare
4
Flûte, Clarinette et Basson
4
Flûte, Violon
4
Quintette de Flûte : 5 flûtes
4
Flûte, Violoncelle
3
Clarinette, Violon (duo)
3
Cor Anglais
3
Quatuor de Flûtes à bec
3
Clarinette, Violoncelle (duo)
3
2 Hautbois (duo)
3
Flûte, Violon, Piano
2
Saxophone, Clarinette (duo)
2
Hautbois, Flûte
2
Hautbois, Basson (duo)
2
Flûte, Hautbois, Clarinette (trio)
2
Flûte, Hautbois, Basson
2
Flûte, Clarinette, Piano (trio)
2
2 Saxophones, Piano
2
Flûte, Violoncelle, Piano (trio)
2
3 Hautbois
2
Hautbois, Basson et Piano
2
Clarinette, Basson (duo)
2
Flûte, Violoncelle, Guitare
2
Clarinette, Orgue
2
Cornemuse
1
Flûte à bec Tenor
1
4 Hautbois
1
Flûte irlandaise
1
Flûte traversière, Orgue (duo)
1
Clarinette, Guitare (duo)
1
Clarinette et Alto
1
Flûte à bec Alto, Basse continue
1
Clarinette, Violoncelle, Piano (trio)
1
Harmonica
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
2 Flûte à bec (duo)
1
Flûte à bec Alto, Piano
1
Flûte, Hautbois, Piano (trio)
1
Flûte, Tuba (duo)
1
Flûte, Violon, Violoncelle et Piano
1
Flûte, Alto (duo)
1
Saxophone et Orgue
1
2 Clarinettes, Piano
1
Hautbois, Clarinette (duo)
1
5 Flûtes à bec
1
Flûte, Saxophone (duo)
1
2 Flûtes traversières, Piano
1
Saxophone et violoncelle
1
Piccolo
1
+ 83 instrumentations
Retracter
Cuivres
Trompette (partie séparée)
367
Trombone (partie séparée)
317
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
313
Cor (partie séparée)
186
Quatuor de Cuivres : 2 trompettes, trombone, tuba
101
Trombone et Piano
100
Trompette
98
Trombone
87
Ensemble de Trombones
74
Tuba et Piano
59
Cor
55
Quatuor de cuivres: 4 trombones
53
Euphonium, Piano (duo)
47
Cor et Piano
40
Trompette, Piano
33
Tuba
27
Quatuor de cuivres: 4 cors
20
Quatuor de Cuivres: 2 trompettes, Cor, trombone
19
Tuba (partie séparée)
17
Euphonium
13
Trombone basse
12
Quatuor de Cuivres
12
Cor anglais, Piano
9
Ensemble de Trompettes
8
2 Cors (duo)
8
2 Trombones (duo)
8
4 Tubas
7
Ensemble de Cors
7
2 Trompettes (duo)
6
3 Trombones (trio)
6
2 Euphoniums et 2 Tubas
6
Trombone basse et Piano
6
2 Trompettes, Clavier (piano ou orgue)
4
Euphonium (partie séparée)
4
2 Tubas (duo)
4
3 Trompettes (trio)
3
3 Euphoniums
3
Trompette, Trombone (duo)
3
Trompette, violon (duo)
3
Trombone, Orgue
3
Cor Anglais
3
Trombone, Tuba (duo)
2
Trombone et orchestre
2
Quatuor de cuivres: 4 trompettes
2
2 Euphoniums (duo)
1
3 Cors (trio)
1
Euphonium, Tuba (duo)
1
3 Tubas (trio)
1
Trompette, Tuba (duo)
1
Trompette, Saxophone (duo)
1
+ 45 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
331
Violon
139
Violon et Piano
132
Violoncelle
86
Violoncelle, Piano
77
Alto (partie séparée)
61
Trio à Cordes: violon, alto, violoncelle
48
Violon (partie séparée)
44
Violon, Violoncelle (duo)
42
Harpe
42
Alto seul
42
2 Violons (duo)
34
Alto, Piano
31
Violon, Alto (duo)
21
Contrebasse (partie séparée)
17
Contre Basse
14
Alto, Violoncelle (duo)
14
Trio à Cordes: 2 violons, violoncelle
13
Harpe, Violon (duo)
10
Violoncelle (partie séparée)
10
2 Violoncelles (duo)
10
Harpe, Flûte (duo)
8
Trio à cordes: 3 violins
8
4 Violoncelles
8
2 Altos (duo)
8
Quintette à cordes: 2 violons, alto, violoncelle, basse
7
Violon, Guitare (duo)
6
4 Contrebasses
6
Violoncelle, Contrebasse (duo)
5
Contrebasse, Piano (duo)
5
Trio à Cordes: 3 violoncelles
4
Quatuor à cordes: 4 violons
4
Harpe, Violoncelle (duo)
3
Quatuor à cordes : 4 altos
3
Alto et Harpe
2
Violon, Orgue
2
Violoncelle, Orchestre
2
Ensemble d'Altos
2
Ensemble de Violons
1
Violoncelle, Orgue
1
Trio à cordes: 3 altos
1
Violon, Basse continue
1
Trio à Cordes: 2 violons, alto
1
2 Altos, Piano
1
Violon, Clarinette, Piano (trio)
1
Ensemble de Violoncelles
1
Alto, Guitare (duo)
1
Harpe (partie séparée)
1
+ 43 instrumentations
Retracter
Orchestre & Percussions
Orchestre
371
Orchestre d'harmonie
322
Ensemble Jazz
172
Ensemble de cuivres
163
Orchestre à Cordes
145
Orchestre de chambre
118
Percussion (partie séparée)
99
Batterie
62
Cloches
38
Fanfare
29
Jazz combo
25
Timbales (partie séparée)
16
Ensemble de Percussions
15
Batterie (partie séparée)
8
Marimba
6
Vibraphone
3
Xylophone
3
Orchestre, Violon
2
Piano et Orchestre
2
Caisse Claire
1
Quintette de Cuivres: autres combinaisons
1
2 Marimbas
1
Marimba, Piano (duo)
1
Voix Mezzo-Soprano, Orchestre
1
Xylophone (partie séparée)
1
Quintette à Vent
1
Percussion
1
+ 22 instrumentations
Retracter
Autres
Formation musicale - Solfège
1
Instruments
ACCORDEON
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BASSON
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CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
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VIOLONCELLE
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KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
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POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
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Voix Alto, Piano
Partitions à imprimer
6 partitions trouvées
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1
Wie Du warst (Octavian's Aria) from Der Rosenkavalier - Accessible Accompaniments Edition
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Voix Alto, Piano
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AVANCÉ
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Classique
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Richard Strauss
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Nicole Elyse DiPaolo
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Wie Du warst
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Nicole Elyse DiPaolo
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SheetMusicPlus
Alto Voice,Vocal Solo - Level 5 - SKU: A0.799612 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 6 pages. N...
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Alto Voice,Vocal Solo - Level 5 - SKU: A0.799612 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 6 pages. Nicole Elyse DiPaolo #5022023. Published by Nicole Elyse DiPaolo (A0.799612). The first of its kind, and the third entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Wie Du warst, Octavian's famous aria from Strauss's Der Rosenkavalier (1911). Mezzos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury. This edition also includes a two-measure recomposed ending four measures after rehearsal 25, making this edition a great choice for concert and audition situations in which another singer isn't available to sing the Marschallin's lines.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
Mahler (arr. Lee): Symphony No. 3 5th movement, Piano Vocal Score (Version D for Alto solo)
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Voix Alto, Piano
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AVANCÉ
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Classique
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Gustav Mahler
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Yoon Jae Lee
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Mahler
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Ondine Press
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SheetMusicPlus
Alto Voice,Vocal Solo - Level 5 - SKU: A0.866108 Composed by Gustav Mahler. Arranged by Yoon Jae Lee. Romantic Period,Sacred. 12 pages. Ondine Press #31...
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Alto Voice,Vocal Solo - Level 5 - SKU: A0.866108 Composed by Gustav Mahler. Arranged by Yoon Jae Lee. Romantic Period,Sacred. 12 pages. Ondine Press #3114457. Published by Ondine Press (A0.866108). This is the piano vocal score to an arrangement of the 5th movement of Mahler's Third Symphony, Es Sungen Drei Engel from Des Knaben Wunderhorn. This arrangement is one of 4 versions by Yoon Jae Lee, the curator of the Mahler Chamber Project. Version D is solo voice (alto solo). This version omits the boy’s (children’s choir) and women's chorus allowing for performances of this work to be sung by only one singer. The vocal is nearly identical to Mahler's original Lieder version but the revisions made to the final symphonic version, both rhythmic and structural, have been incorporated into this arrangement. Given the wide tessitura of the vocal part, it may be a stretch to say that it is ideally suited for alto. A few ossia parts with lower notes are given where the voice goes to a high register. This arrangement can be performed as a stand alone work with piano, or with Yoon Jae Lee’s reduction for chamber orchestra or with Mahler’s original forces.
$7.50
I Lose Things (cut from "Blueberries for Sal")
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Voix Alto, Piano
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AVANCÉ
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Comédie Musicale
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William Yanesh
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I Lose Things
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William Yanesh
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SheetMusicPlus
Alto Voice,Vocal Solo - Level 5 - SKU: A0.845515 Composed by William Yanesh. Musical/Show. 11 pages. William Yanesh #4762795. Published by William Yanes...
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Alto Voice,Vocal Solo - Level 5 - SKU: A0.845515 Composed by William Yanesh. Musical/Show. 11 pages. William Yanesh #4762795. Published by William Yanesh (A0.845515). Song for Sal's Mother, cut from William Yanesh's musical score to Blueberries for Sal.
$5.00
Vous aimez le danger/Ah! que j'aime les militaires from La Grande-Duchesse de Gérolstein - Duchesse
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Voix Alto, Piano
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AVANCÉ
#
Jacques Offenbach
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Nicole Elyse DiPaolo
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Vous aimez le danger/Ah! que j
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Nicole Elyse DiPaolo
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SheetMusicPlus
Alto Voice,Vocal Solo - Level 5 - SKU: A0.799618 Composed by Jacques Offenbach. Arranged by Nicole Elyse DiPaolo. Opera,Romantic Period. 6 pages. Nicole...
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Alto Voice,Vocal Solo - Level 5 - SKU: A0.799618 Composed by Jacques Offenbach. Arranged by Nicole Elyse DiPaolo. Opera,Romantic Period. 6 pages. Nicole Elyse DiPaolo #5306351. Published by Nicole Elyse DiPaolo (A0.799618). The first of its kind, this is a customized La Duchesse-only audition cut of Vous aimez le danger...Ah! que j'aime les militaires from Jacques Offenbach's La Grande-Duchesse de Gérolstein (1867). In the past, singers wishing to audition for this role would have to make a series of awkward cuts to eliminate the gaps created by the choral parts when performing this excerpt. The current edition omits those passages and, as a result, noticeably reduces the page count. In addition, this new engraving is remarkably clearer than the existing vocal score, which has deteriorated from age and is cluttered with instrumental cues that may not be relevant to a sight-reading audition pianist.The piano reduction itself has not been simplified or drastically altered (at the commissioner's request), although the engraving features minor changes from the original edition (for example, eliminating cross-staff chord notation and inserting a few logical enharmonic respellings).About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
This Earth Was Once a Garden Place—Medium-Range Solo Voice, Fiddle, and Piano
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Voix Alto, Piano
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AVANCÉ
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Musique Sacrée
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Anonymous
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Daniel Carter
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This Earth Was Once a Garden P
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Daniel Carter
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SheetMusicPlus
Alto Voice,Vocal Solo - Level 5 - SKU: A0.1047360 Composed by Anonymous. Arranged by Daniel Carter. Classical,Folk,Praise & Worship,Sacred. 7 pages. Dan...
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Alto Voice,Vocal Solo - Level 5 - SKU: A0.1047360 Composed by Anonymous. Arranged by Daniel Carter. Classical,Folk,Praise & Worship,Sacred. 7 pages. Daniel Carter #651918. Published by Daniel Carter (A0.1047360). NOTE: The performance demo recording is in the HIGH VOICE key, BUT is IDENTICAL to the Medium-Range Voice arrangement. The medium-range voice pitch range is A below treble clef to E (top space). Traditional, anonymous pioneer hymn tune PROSPECT OF HEAVEN, first published in Southern Harmony in 1835, was combined with pioneer LDS poet, William W. Phelps' text about the Garden of Eden with the future hope of Christ's return to the valley of Adam-ondi-Ahman, which the LDS faith believes is the original location of the Garden. Arranged with a dance-like piano accompaniment and complimentary fiddle obbligato of Jesu, Joy of Man's Desiring make a delightful special musical number for worship, concert settings, historical music, and hymn studies. Arranged for both high- and medium-range vocal solos. Obbligato part included on the last page.
$5.99
Prufrock
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Voix Alto, Piano
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AVANCÉ
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Nicholas White
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Prufrock
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Nicholas White Music
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SheetMusicPlus
Alto Voice,Vocal Solo - Level 5 - SKU: A0.1258652 Composed by Nicholas White. 21st Century,Broadway,Classical,Musical/Show,Singer/Songwriter. 60 pages. ...
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Alto Voice,Vocal Solo - Level 5 - SKU: A0.1258652 Composed by Nicholas White. 21st Century,Broadway,Classical,Musical/Show,Singer/Songwriter. 60 pages. Nicholas White Music #851912. Published by Nicholas White Music (A0.1258652). The Love Song of J. Alfred Prufrock by T.S. Eliot, set to music as a dramatic monologue for countertenor and piano.
$15.00
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