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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Aria: \\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\
Non classifié
4 248
Piano & claviers
Piano, Voix
5 994
Piano seul
3 482
Piano, Voix et Guitare
1 147
Piano Facile
992
Instruments en Do
422
Orgue
407
1 Piano, 4 mains
128
Accompagnement Piano
116
Accordéon
90
Piano Trio: piano, violon, violoncelle
73
Piano grosses notes
53
2 Pianos, 4 mains
27
Piano Quatuor: piano, violon, alto, violoncelle
22
Piano Quintette: piano, 2 violons, alto, violoncelle
21
Piano Quatuor: piano, 2 violons, violoncelle
15
Orgue, Trompette (duo)
13
Orgue, Piano (duo)
7
Clavecin
7
Instrument seul et Orgue
6
2 Accordéons
6
Piano (partie séparée)
6
Orgue, Voix
4
1 Piano, 6 mains
4
2 Pianos, 8 mains
3
Ensemble d'Accordéons
2
Clavier
1
+ 21 instrumentations
Retracter
Guitares
Guitare notes et tablatures
339
Guitare
318
Ligne De Mélodie, (Paroles) et Accords
190
Ukulele
130
Basse electrique
90
Paroles et Accords
55
2 Guitares (duo)
54
Piano, Guitare (duo)
33
Mandoline
19
4 Guitares (Quatuor)
18
Banjo
9
3 Guitares (trio)
8
Guitare (partie séparée)
5
Ensemble de guitares
5
Dulcimer
5
Basse électrique (partie séparée)
2
Mandoline, Guitare (duo)
1
Mandoline, Piano (duo)
1
Ukulele Baryton
1
+ 14 instrumentations
Retracter
Voix
Chorale SATB
1 146
Chorale 3 parties
474
Chorale 2 parties
326
Voix Soprano, Piano
243
Voix seule
227
Chorale TTBB
170
Voix duo, Piano
163
Voix Tenor, Piano
153
Chorale SSAA
134
Voix duo
95
Voix haute
91
Pack Instrumental pour Chorale
88
Voix Alto, Piano
87
Voix Baryton, Piano
80
Chorale
75
Chorale Unison
73
Voix basse, Piano
52
Voix Mezzo-Soprano, Piano
45
Voix moyenne, Piano
28
Voix Tenor
15
Chorale SSATB
9
Voix Soprano
9
Voix et basse continue
8
Chorale SSATTB
6
Voix basse
5
Chorale SSAATTBB
5
Voix duo, Orgue
4
Voix haute, Piano
3
Voix, Guitare
3
Chorale SATBB
2
Chorale SATTB
2
Chorale SSAB a cappella
2
Voix Moyenne
2
Voix Baryton
1
Voix Soprano, Orchestre
1
Chorale, Orgue
1
Chorale SSAATB
1
+ 32 instrumentations
Retracter
Vents
Flûte traversière et Piano
439
Clarinette et Piano
365
Flûte traversière
357
Clarinette
327
Saxophone Alto et Piano
278
Hautbois, Piano (duo)
267
Quatuor de Saxophones: 4 saxophones
264
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
229
Saxophone Alto
204
Saxophone Tenor et Piano
198
2 Saxophones (duo)
184
Saxophone (partie séparée)
183
Quatuor de Clarinettes: 4 clarinettes
165
Flûte, Hautbois, Clarinette, Basson
159
Saxophone Soprano et Piano
148
Saxophone Tenor
138
2 Flûtes traversières (duo)
128
Hautbois (partie séparée)
114
Saxophone
113
2 Clarinettes (duo)
112
Quatuor de Flûtes : 4 flûtes
96
Quintette de Saxophone: 5 saxophones
77
Clarinette (partie séparée)
73
Ensemble de Clarinettes
73
Flûte à Bec
68
Saxophone Baryton, Piano
67
Ensemble de saxophones
62
Ensemble de Flûtes
57
Flûte, Clarinette (duo)
56
3 Saxophones (trio)
56
Flûte et Guitare
55
Cor anglais, Piano
49
Quatuor de Flûtes à bec
48
Hautbois
35
Quintette de Clarinettes: 5 clarinettes
32
Saxophone Soprano
29
3 Flûtes à bec (trio)
28
3 Clarinettes (trio)
28
Flute (partie séparée)
26
2 Hautbois (duo)
26
Clarinette Basse, Piano
26
Clarinette, Violon (duo)
24
Flûte, Violon, Piano
24
Trio de Flûtes: 3 flûtes
23
Flûte à bec Soprano
23
Saxophone, Clarinette (duo)
20
Hautbois, Basson (duo)
20
Flûte, Clarinette, Piano (trio)
17
2 Clarinettes, Piano
17
Flûte, Hautbois, Clarinette (trio)
16
Flûte, Violon
16
5 Flûtes à bec
15
2 Flûte à bec (duo)
15
Flûte à bec Alto, Piano
14
Saxophone Baryton
14
Instruments en Mib
14
2 Saxophones, Piano
13
Flûte, Violon et Violoncelle
13
Flûte, Clarinette et Basson
13
Clarinette, Guitare (duo)
13
Cor Anglais
12
Ensemble De Flûte à bec
12
Hautbois, Clarinette, Basson (trio d'anches)
12
Piccolo, Piano
12
Hautbois, Clarinette (duo)
11
Clarinette, Trompette (duo)
10
2 Flûtes traversières, Piano
10
Flûte à bec Tenor
10
Flûte, Hautbois, Basson
8
Hautbois, Flûte
8
Quintette de Flûte : 5 flûtes
8
Flûte, trombone et piano
8
Clarinette, Violoncelle (duo)
8
Flûte, Violoncelle
8
Flûte, Saxophone (duo)
8
Flûte à Bec, Piano
7
Flûte à bec Alto
7
Saxophone et Guitare
7
Clarinette, Violoncelle, Piano (trio)
7
Piccolo
7
Clarinette et Alto
7
Ocarina
7
Flûte, Hautbois, Piano (trio)
7
Flûte à bec Soprano, Piano
6
Flûte, Trompette (duo)
6
Clarinette, Basson (duo)
6
Clarinette, Harpe (duo)
6
Saxophone et Orgue
6
Flûte, Alto (duo)
6
Flûte, Alto et Piano
5
Flûte, Violoncelle, Piano (trio)
5
Flûte, Basson et Piano
5
Flûte, Violon, Violoncelle et Piano
4
Clarinette Basse
4
Flûte, Hautbois (duo)
4
Flûte à bec, Guitare (duo)
4
Quintette de Clarinette: Clarinette, Quatuor à Cordes
4
4 Hautbois
3
Harmonica
3
Hautbois, Harpe
3
Saxophone et Piano
3
Clarinette, Orchestre
3
Hautbois, Violoncelle
2
Clarinette, Trombone (duo)
2
Clarinette, trompette et piano
2
Flûte, Violoncelle, Guitare
2
Cor anglais, Guitare (duo)
2
2 Hautbois, Piano
2
Hautbois, Guitare (duo)
2
Clarinette, Basson, Piano (trio)
2
3 Hautbois
2
Flûte traversière, Orgue (duo)
1
Clarinette, Saxophone, Piano
1
2 Flûtes, Basse continue
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Saxophone et violoncelle
1
Flûte traversière, Basse continue
1
Hautbois, Basson et Piano
1
Clarinette, Contrebasse (duo)
1
Flûte et Trio à cordes
1
Flûte à bec, Harpe
1
Flûte à bec Alto, Basse continue
1
Flûte et Quatuor à Cordes
1
Saxophone et Harpe
1
Flute, harpe et violon
1
Clarinette, Orgue
1
+ 121 instrumentations
Retracter
Cuivres
Trompette
325
Trompette, Piano
264
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
222
Trombone
220
Trombone et Piano
217
Cor et Piano
171
Cor
167
Quatuor de Cuivres : 2 trompettes, trombone, tuba
121
Tuba et Piano
107
Tuba
89
Trombone (partie séparée)
76
Trompette (partie séparée)
74
Quatuor de Cuivres: 2 trompettes, Cor, trombone
72
Euphonium, Piano (duo)
66
2 Trompettes (duo)
63
Cor anglais, Piano
49
Quatuor de Cuivres
48
2 Trombones (duo)
45
Quatuor de cuivres: 4 trombones
43
Quatuor de cuivres: 4 cors
42
Trompette, Trombone (duo)
31
Cor (partie séparée)
25
Tuba (partie séparée)
24
Euphonium
23
2 Cors (duo)
19
Ensemble de Trombones
19
Trompette, Saxophone (duo)
18
2 Euphoniums et 2 Tubas
17
Trompette, Cor (duo)
16
Instruments en Sib
14
Quatuor de cuivres: 4 trompettes
13
4 Tubas
13
Cor Anglais
12
Ensemble de Cors
12
3 Trombones (trio)
9
Ensemble de Trompettes
9
Trio de Cuivres
9
Bass Clef Instruments
8
2 Tubas (duo)
6
Trombone basse et Piano
6
Trombone, Orgue
4
Trombone basse
4
Quatuor de cuivres: 2 trompettes, 2 trombones
4
Cor, Violoncelle (duo)
4
3 Trompettes (trio)
3
Trompette, Violoncelle (duo)
3
Trombone, Tuba (duo)
3
Trompette et Guitare
3
2 Trompettes, Clavier (piano ou orgue)
3
Cor et Orgue
2
Trombone, Cor (duo)
2
Saxhorn basse ou Euphonium ou Tuba et Piano
2
Trompette, Harpe
2
Cor, Tuba (duo)
2
Cor anglais, Guitare (duo)
2
Trompette, Violoncelle et Piano
2
Cor et Harpe
2
Tuba et Orgue
1
Cor et Basson (duo)
1
Instruments en Fa
1
Quatuor de cuivres: Cor, Trombone, Tuba, Trompette Sib
1
Trombone, violoncelle (duo)
1
2 Euphoniums (duo)
1
Trompette, Basson (duo)
1
Trompette, Tuba (duo)
1
2 Trombones, Piano
1
Trompette, violon (duo)
1
Ensemble de Tubas
1
Trompette, Trombone, Piano
1
+ 64 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
925
Violon et Piano
587
Violon
416
Violoncelle, Piano
413
Violoncelle
325
Alto, Piano
319
Alto seul
201
Harpe
186
Trio à Cordes: violon, alto, violoncelle
161
Violon, Violoncelle (duo)
156
2 Violons (duo)
119
Violon (partie séparée)
88
Contrebasse, Piano (duo)
82
Contre Basse
79
2 Violoncelles (duo)
77
Violon, Alto (duo)
59
Alto (partie séparée)
57
2 Altos (duo)
56
4 Violoncelles
45
Trio à Cordes: 2 violons, violoncelle
39
Quintette à cordes: 2 violons, alto, violoncelle, basse
36
Violoncelle , Guitare (duo)
30
Violon, Guitare (duo)
29
Quintette à cordes: 2 violons, 2 altos, violoncelle
29
Violoncelle (partie séparée)
27
Contrebasse (partie séparée)
26
Alto, Violoncelle (duo)
25
Quatuor à cordes: 4 violons
17
Trio à Cordes: 3 violoncelles
16
Trio à cordes: 3 violins
16
Quatuor à cordes : 4 altos
14
Piano Trio: Violon, Alto, Piano
14
Alto, Guitare (duo)
14
Trio à cordes
12
Trio à Cordes: 2 violons, alto
12
Harpe, Violon (duo)
11
2 Violons, Piano
10
2 Harpes (duo)
10
Quintette à cordes : 2 violons, alto et 2 violoncelles
9
Harpe, Flûte (duo)
7
Violoncelle, Contrebasse (duo)
7
Violon, Basse continue
6
2 Violoncelles, Piano
6
Violoncelle, Orgue
5
Trio à cordes: 3 altos
4
2 Altos, Piano
4
Violon, Orgue
4
Ensemble de Violons
3
Flûte, Contrebasse (duo)
3
Violon, Basson (duo)
3
Ensemble d'Altos
2
2 Contrebasses (duo)
2
4 Contrebasses
2
Ensemble de Violoncelles
2
Violoncelle, Orchestre
2
Violon, Clarinette, Piano (trio)
2
Harpe, Voix
2
Alto et orchestre
1
Alto et Basson
1
Alto et Harpe
1
Harpe, Violoncelle (duo)
1
Harpe, Violon, Violoncelle
1
Harpe et Piano
1
Harpe, Quatuor à cordes
1
3 Contrebasses
1
+ 60 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
717
Orchestre à Cordes
368
Orchestre
367
Batterie
233
Instrumentation Flexible
233
Orchestre de chambre
177
Ensemble de cuivres
131
Ensemble Jazz
102
Fanfare
97
Cloches
70
Percussion (partie séparée)
39
Jazz combo
33
Ensemble de Percussions
29
Marimba
19
Timbales (partie séparée)
13
Batterie (partie séparée)
13
Percussion
13
Quintette à Vent
8
Xylophone
5
Piano et Orchestre
4
Vibraphone
4
Xylophone, Piano
3
Vibraphone (partie séparée)
3
Quatuor à Vent : 4 instruments à vents
2
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
2
Caisse Claire
1
Voix et Orchestre
1
Marimba, Piano (duo)
1
2 Xylophones
1
Marimba ou Xylophone et Piano
1
Big band
1
Marimba et Orgue
1
Quintette de Cuivres: autres combinaisons
1
Timbales
1
+ 29 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
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ORCHESTRE
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PERCUSSION
PIANO
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TROMPETTE
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FUNK
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JEUX VIDEOS
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LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
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METHODE : TECHNIQUES
NOËL
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OPERA
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POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
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SOUL - R&B - HIP HOP…
TANGO
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Partitions à imprimer
87 partitions trouvées
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MANCINI Francesco: Stringa si dolce nodo, aria from solo cantata "L'Arianna", - Voice and
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Voix Alto, Piano
#
INTERMÉDIAIRE/AVANCÉ
#
Francesco MANCINI
#
Sergei PICHUGIN
#
MANCINI Francesco: Stringa si
#
Really Good Music, LLC.
#
SheetMusicPlus
Alto Voice,Vocal Solo - Level 4 - SKU: A0.869010 Composed by Francesco MANCINI (1672 – 1737). Arranged by Sergei PICHUGIN. Baroque,Concert,Instru...
(+)
Alto Voice,Vocal Solo - Level 4 - SKU: A0.869010 Composed by Francesco MANCINI (1672 – 1737). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Standards. 6 pages. Really Good Music, LLC. #6326641. Published by Really Good Music, LLC. (A0.869010). Stringa si dolce nodo is an Aria 2 from solo cantata L'Arianna, composed by Francesco MANCINI (1672 – 1737). It has been realized from the manuscript of the cantata and arranged by Sergei Pichugin for voice and piano. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the key of F sharp minor (C#4 – E5) for low voice.
$5.95
MANCINI Francesco: Struggiti, o core, aria from solo cantata "L'Arianna", - Voice and Pia
#
Voix Alto, Piano
#
INTERMÉDIAIRE/AVANCÉ
#
Francesco MANCINI
#
Sergei PICHUGIN
#
MANCINI Francesco: Struggiti,
#
Really Good Music, LLC.
#
SheetMusicPlus
Alto Voice,Vocal Solo - Level 4 - SKU: A0.869013 Composed by Francesco MANCINI (1672 – 1737). Arranged by Sergei PICHUGIN. Baroque,Concert,Instru...
(+)
Alto Voice,Vocal Solo - Level 4 - SKU: A0.869013 Composed by Francesco MANCINI (1672 – 1737). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Standards. 5 pages. Really Good Music, LLC. #6326661. Published by Really Good Music, LLC. (A0.869013). Struggiti, o core is an Aria 4 from solo cantata L'Arianna, composed by Francesco MANCINI (1672 – 1737). It has been realized from the manuscript of the cantata and arranged by Sergei Pichugin for voice and piano. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the key of E minor (B3 – E5) for low voice.
$5.95
MANCINI Francesco: Ingoiatelo, aria from solo cantata "L'Arianna", - Voice and Piano (D m
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Voix Alto, Piano
#
INTERMÉDIAIRE/AVANCÉ
#
Francesco MANCINI
#
Sergei PICHUGIN
#
MANCINI Francesco: Ingoiatelo,
#
Really Good Music, LLC.
#
SheetMusicPlus
Alto Voice,Vocal Solo - Level 4 - SKU: A0.869011 Composed by Francesco MANCINI (1672 – 1737). Arranged by Sergei PICHUGIN. Baroque,Concert,Instru...
(+)
Alto Voice,Vocal Solo - Level 4 - SKU: A0.869011 Composed by Francesco MANCINI (1672 – 1737). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Standards. 7 pages. Really Good Music, LLC. #6326651. Published by Really Good Music, LLC. (A0.869011). Ingoiatelo is an Aria 3 from solo cantata L'Arianna, composed by Francesco MANCINI (1672 – 1737). It has been realized from the manuscript of the cantata and arranged by Sergei Pichugin for voice and piano. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the key of D major (A3 – F#5) for low voice.
$5.95
MANCINI Francesco: Pur ti stringo, aria from solo cantata "L'Arianna", - Voice and Piano
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Voix Alto, Piano
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INTERMÉDIAIRE/AVANCÉ
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Francesco MANCINI
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Sergei PICHUGIN
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MANCINI Francesco: Pur ti stri
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Really Good Music, LLC.
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SheetMusicPlus
Alto Voice,Vocal Solo - Level 4 - SKU: A0.869007 Composed by Francesco MANCINI (1672 – 1737). Arranged by Sergei PICHUGIN. Baroque,Concert,Instru...
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Alto Voice,Vocal Solo - Level 4 - SKU: A0.869007 Composed by Francesco MANCINI (1672 – 1737). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Standards. 6 pages. Really Good Music, LLC. #6326627. Published by Really Good Music, LLC. (A0.869007). Pur ti stringo is an Aria 1 from solo cantata L'Arianna, composed by Francesco MANCINI (1672 – 1737). It has been realized from the manuscript of the cantata and arranged by Sergei Pichugin for voice and piano. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the key of G major (D4 – E5) for low voice.
$5.95
Wie Du warst (Octavian's Aria) from Der Rosenkavalier - Accessible Accompaniments Edition
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Voix Alto, Piano
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AVANCÉ
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Classique
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Richard Strauss
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Nicole Elyse DiPaolo
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Wie Du warst
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Nicole Elyse DiPaolo
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SheetMusicPlus
Alto Voice,Vocal Solo - Level 5 - SKU: A0.799612 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 6 pages. N...
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Alto Voice,Vocal Solo - Level 5 - SKU: A0.799612 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 6 pages. Nicole Elyse DiPaolo #5022023. Published by Nicole Elyse DiPaolo (A0.799612). The first of its kind, and the third entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Wie Du warst, Octavian's famous aria from Strauss's Der Rosenkavalier (1911). Mezzos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury. This edition also includes a two-measure recomposed ending four measures after rehearsal 25, making this edition a great choice for concert and audition situations in which another singer isn't available to sing the Marschallin's lines.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
VIVALDI Antonio: Al tribunal d'amore, an aria from the opera "Il Farnace", - Voice and Pi
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Voix Alto, Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Antonio VIVALDI
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Sergei PICHUGIN
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VIVALDI Antonio: Al tribunal d
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Really Good Music, LLC.
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SheetMusicPlus
Alto Voice,Vocal Solo - Level 4 - SKU: A0.868955 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instruct...
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Alto Voice,Vocal Solo - Level 4 - SKU: A0.868955 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Opera,Standards. 6 pages. Really Good Music, LLC. #5309909. Published by Really Good Music, LLC. (A0.868955). Al tribunal d'amore is a mezzo-soprano aria from the opera Il Farnace, composed by Antonio VIVALDI (1678 – 1741). The realization of the aria for voice and piano, made by Sergei Pichugin, is based on the score manuscript of the late version of Il Farnace from 1738. The music of the aria was largely borrowed by composer from the aria of the same title from his earlier opera L’Atenaide (1729); its score manuscript is written in in E flat major and contains significant textural and rhythmic differences (e. g., common time signature) from the late version of Il Farnace. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the original key of D major (D4 – D5) for low voice.
$5.95
VIVALDI Antonio: Scherza l'aura lusinghiera, aria from the opera "Il Farnace", - Voice an
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Voix Alto, Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Antonio VIVALDI
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Sergei PICHUGIN
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VIVALDI Antonio: Scherza l'aur
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Really Good Music, LLC.
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SheetMusicPlus
Alto Voice,Vocal Solo - Level 4 - SKU: A0.868944 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instruct...
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Alto Voice,Vocal Solo - Level 4 - SKU: A0.868944 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Opera,Standards. 6 pages. Really Good Music, LLC. #5033543. Published by Really Good Music, LLC. (A0.868944). Scherza l'aura lusinghiera is an aria from the opera Il Farnace, composed by Antonio VIVALDI (1678 – 1741) in 1727 and revised several times for its following productions. The realization of the aria for voice and piano, made by Sergei Pichugin, is based on the score manuscript of the version of the opera from 1731. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the key of F major (C4 – F5) for low voice.
$5.95
VIVALDI Antonio: In bosco romito, aria from the opera "L'Atenaide", - Voice and Piano (D
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Voix Alto, Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Antonio VIVALDI
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Sergei PICHUGIN
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VIVALDI Antonio: In bosco romi
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Really Good Music, LLC.
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SheetMusicPlus
Alto Voice,Vocal Solo - Level 4 - SKU: A0.869050 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instruct...
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Alto Voice,Vocal Solo - Level 4 - SKU: A0.869050 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Opera,Standards. 6 pages. Really Good Music, LLC. #6445603. Published by Really Good Music, LLC. (A0.869050). In bosco romito is an aria from the opera L’Atenaide, composed in 1728 by Antonio VIVALDI (1678 – 1741). It has been realized from the score manuscript of the opera and arranged by Sergei Pichugin for voice and piano. The manuscript of the aria also contains alternative text: Mi sento d’intorno Un figlio tradito etc. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the key of D minor (A3 – F5) for low voice.
$5.95
VIVALDI Antonio: Da quel ferro, aria from the opera "Il Farnace", - Voice and Piano (F mi
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Voix Alto, Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Antonio VIVALDI
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Sergei PICHUGIN
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VIVALDI Antonio: Da quel ferro
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Really Good Music, LLC.
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SheetMusicPlus
Alto Voice,Vocal Solo - Level 4 - SKU: A0.868840 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instruct...
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Alto Voice,Vocal Solo - Level 4 - SKU: A0.868840 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Opera,Standards. 7 pages. Really Good Music, LLC. #4624057. Published by Really Good Music, LLC. (A0.868840). Da quel ferro is a contralto version of the aria from the opera Il Farnace, composed by Antonio VIVALDI (1678 – 1741) in 1727 and revised several times for its following productions. The realization of the aria for voice and piano, made by Sergei Pichugin, is based on the score manuscript of the late version of the opera from 1738. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the key of F minor (E4 – Gb5) for high voice.
$5.95
VIVALDI Antonio: Da quel ferro, aria from the opera "Il Farnace", - Voice and Piano (E mi
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Voix Alto, Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Antonio VIVALDI
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Sergei PICHUGIN
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VIVALDI Antonio: Da quel ferro
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Really Good Music, LLC.
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SheetMusicPlus
Alto Voice,Vocal Solo - Level 4 - SKU: A0.868837 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instruct...
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Alto Voice,Vocal Solo - Level 4 - SKU: A0.868837 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Opera,Standards. 7 pages. Really Good Music, LLC. #4624055. Published by Really Good Music, LLC. (A0.868837). Da quel ferro is a contralto version of the aria from the opera Il Farnace, composed by Antonio VIVALDI (1678 – 1741) in 1727 and revised several times for its following productions. The realization of the aria for voice and piano, made by Sergei Pichugin, is based on the score manuscript of the late version of the opera from 1738. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the original key of E minor (D#4 – F5) for high voice.
$5.95
VIVALDI Antonio: Lasciera l’amata salma, aria from the opera ""Il Tigrane", - Voice and
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Voix Alto, Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Antonio VIVALDI
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Sergei PICHUGIN
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VIVALDI Antonio: Lasciera l&rs
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Really Good Music, LLC.
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SheetMusicPlus
Alto Voice,Vocal Solo - Level 4 - SKU: A0.868948 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instruct...
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Alto Voice,Vocal Solo - Level 4 - SKU: A0.868948 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Opera,Standards. 7 pages. Really Good Music, LLC. #5214247. Published by Really Good Music, LLC. (A0.868948). Lasciera l’amata salma is an aria from the opera La virtù trionfante dell’amore e dell’odio, ovvero Il Tigrane (1724), the second act of which was composed by Antonio VIVALDI (1678 – 1741). The aria has been realized from the score manuscript of the opera and arranged by Sergei Pichugin for voice and piano. The aria may be an invaluable addition to the repertoire of vocal teachers and students.It is available in the key of G major (B3 – F4) for low voice.
$5.95
VIVALDI Antonio: Da quel ferro, aria from the opera "Il Farnace", - Voice and Piano (D mi
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Voix Alto, Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Antonio VIVALDI
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Sergei PICHUGIN
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VIVALDI Antonio: Da quel ferro
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Really Good Music, LLC.
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SheetMusicPlus
Alto Voice,Vocal Solo - Level 4 - SKU: A0.868842 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instruct...
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Alto Voice,Vocal Solo - Level 4 - SKU: A0.868842 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Opera,Standards. 7 pages. Really Good Music, LLC. #4624059. Published by Really Good Music, LLC. (A0.868842). Da quel ferro is a contralto version of the aria from the opera Il Farnace, composed by Antonio VIVALDI (1678 – 1741) in 1727 and revised several times for its following productions. The realization of the aria for voice and piano, made by Sergei Pichugin, is based on the score manuscript of the late version of the opera from 1738. The aria may be an invaluable addition to the repertoire of vocal teachers and students.It is available in the key of D minor (C#4 – Eb5) for low voice.
$5.95
VIVALDI Antonio: Più non si trovano, aria from the opera "L?Olimpiade", - Voice and Pi
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Voix Alto, Piano
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INTERMÉDIAIRE
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Classique
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Antonio VIVALDI
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Sergei PICHUGIN
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VIVALDI Antonio: Più non si t
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Really Good Music, LLC.
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SheetMusicPlus
Alto Voice,Vocal Solo - Level 3 - SKU: A0.868829 Composed by Antonio VIVALDI (1678 â?? 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructiona...
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Alto Voice,Vocal Solo - Level 3 - SKU: A0.868829 Composed by Antonio VIVALDI (1678 â?? 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Opera,Standards. 7 pages. Really Good Music, LLC. #4610127. Published by Really Good Music, LLC. (A0.868829). Più non si trovano is a mezzo-soprano aria from the opera Lâ??Olimpiade, composed in 1734 by Antonio VIVALDI (1678 â?? 1741). It has been realized from the manuscript of the opera and arranged by Sergei Pichugin for voice and piano. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the original key of E minor (D4 â?? E5) for low voice.
$5.95
VIVALDI Antonio: Veni, veni, me sequere fida, aria from the oratorio "Juditha triumphans", arranged
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Voix Alto, Piano
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AVANCÉ
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Classique
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Antonio VIVALDI
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Sergei PICHUGIN
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VIVALDI Antonio: Veni, veni, m
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Really Good Music, LLC.
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SheetMusicPlus
Alto Voice,Vocal Solo - Level 5 - SKU: A0.868687 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instruct...
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Alto Voice,Vocal Solo - Level 5 - SKU: A0.868687 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Standards. 8 pages. Really Good Music, LLC. #4368216. Published by Really Good Music, LLC. (A0.868687). Veni, veni, me sequere fida is an amazingly beautiful aria from the oratorio Juditha triumphans (1716) by Antonio VIVALDI (1678 – 1741). It has been realized from the manuscript of the opera and arranged by Sergei Pichugin for voice and piano. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the original key of B flat major (C#4 – D5). .
$5.95
VIVALDI Antonio: Mentre dormi amor, aria from the opera "L’Olimpiade", - Voice and Pian
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Voix Alto, Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Antonio VIVALDI
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Sergei PICHUGIN
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VIVALDI Antonio: Mentre dormi
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Really Good Music, LLC.
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SheetMusicPlus
Alto Voice,Vocal Solo - Level 4 - SKU: A0.868676 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instruct...
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Alto Voice,Vocal Solo - Level 4 - SKU: A0.868676 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Opera,Standards. 6 pages. Really Good Music, LLC. #4368068. Published by Really Good Music, LLC. (A0.868676). Mentre dormi amor is a beautiful mezzo-soprano aria from the opera L’Olimpiade by Antonio Vivaldi (1678 – 1741). It has been realized from the manuscript of the opera and arranged by Sergei Pichugin for voice and piano. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the key of G major (D4 – E5). .
$5.95
VIVALDI Antonio: Fragil fior ch’appena nasce, aria from the opera "La verità in cimento", arrange
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Voix Alto, Piano
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INTERMÉDIAIRE
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Classique
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Antonio VIVALDI
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Sergei PICHUGIN
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VIVALDI Antonio: Fragil fior c
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Really Good Music, LLC.
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SheetMusicPlus
Alto Voice,Vocal Solo - Level 3 - SKU: A0.868672 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instruct...
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Alto Voice,Vocal Solo - Level 3 - SKU: A0.868672 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Opera,Standards. 5 pages. Really Good Music, LLC. #4368052. Published by Really Good Music, LLC. (A0.868672). Fragil fior ch’appena nasce is a mezzo-soprano aria from from the opera La verità in cimento (Truth in Contention), composed in 1720 by Antonio VIVALDI (1678 – 1741). It has been realized from the manuscript of the opera and arranged by Sergei Pichugin for voice and piano. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the original key of C major (C4 – D5) for high voice. .
$5.95
VIVALDI, Antonio: Armatae face, aria from the oratorio "Juditha triumphans", - Voice and
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Voix Alto, Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Antonio VIVALDI
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Sergei PICHUGIN
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VIVALDI, Antonio: Armatae face
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Really Good Music, LLC.
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SheetMusicPlus
Alto Voice,Vocal Solo - Level 4 - SKU: A0.868667 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instruct...
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Alto Voice,Vocal Solo - Level 4 - SKU: A0.868667 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Standards. 7 pages. Really Good Music, LLC. #4368038. Published by Really Good Music, LLC. (A0.868667). Armatae face is known as Altra aria del Vagante from the oratorio Juditha triumphans (1716) by Antonio VIVALDI (1678 – 1741). It has been realized from the score and arranged by Sergei Pichugin for voice and piano. Both Latin and Italian versions of the lyrics are given in present edition. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the key of A minor (A3 – E5) for low voice.
$5.95
VIVALDI Antonio: Nell'orrido albergo, aria from the cantata "Cessate, omai cessate", - Vo
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Voix Alto, Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Antonio VIVALDI
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Sergei PICHUGIN
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VIVALDI Antonio: Nell'orrido a
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Really Good Music, LLC.
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SheetMusicPlus
Alto Voice,Vocal Solo - Level 4 - SKU: A0.868941 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instruct...
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Alto Voice,Vocal Solo - Level 4 - SKU: A0.868941 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Standards. 7 pages. Really Good Music, LLC. #5029041. Published by Really Good Music, LLC. (A0.868941). Nell'orrido albergo is an aria from the cantata for alto solo Cessate, omai cessate by Antonio VIVALDI (1678 – 1741). It has been realized from the score and arranged by Sergei Pichugin for voice and piano. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the key of F major (A3 – G5) for low voice.
$5.95
VIVALDI Antonio: Nell'orrido albergo, aria from the cantata "Cessate, omai cessate", - Vo
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Voix Alto, Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Antonio VIVALDI
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Sergei PICHUGIN
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VIVALDI Antonio: Nell'orrido a
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Really Good Music, LLC.
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SheetMusicPlus
Alto Voice,Vocal Solo - Level 4 - SKU: A0.868939 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instruct...
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Alto Voice,Vocal Solo - Level 4 - SKU: A0.868939 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Standards. 7 pages. Really Good Music, LLC. #5029033. Published by Really Good Music, LLC. (A0.868939). Nell'orrido albergo is an aria from the cantata for alto solo Cessate, omai cessate by Antonio VIVALDI (1678 – 1741). It has been realized from the score and arranged by Sergei Pichugin for voice and piano. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the original key of E flat major (G3 – F5) for low voice.
$5.95
VIVALDI Antonio: Fragil fior ch’appena nasce, aria from the opera "La verità in cimento", arrange
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Voix Alto, Piano
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INTERMÉDIAIRE
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Classique
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Antonio VIVALDI
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Sergei PICHUGIN
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VIVALDI Antonio: Fragil fior c
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Really Good Music, LLC.
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SheetMusicPlus
Alto Voice,Vocal Solo - Level 3 - SKU: A0.868675 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instruct...
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Alto Voice,Vocal Solo - Level 3 - SKU: A0.868675 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Opera,Standards. 5 pages. Really Good Music, LLC. #4368058. Published by Really Good Music, LLC. (A0.868675). Fragil fior ch’appena nasce is a mezzo-soprano aria from from the opera La verità in cimento (Truth in Contention), composed in 1720 by Antonio VIVALDI (1678 – 1741). It has been realized from the manuscript of the opera and arranged by Sergei Pichugin for voice and piano. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the key of B flat major (Bb3 – C5) for low voice. .
$5.95
SCARLATTI, Domenico: Consolati, e spera, aria from the opera "Ifigenia in Tauri", - Voice
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Voix Alto, Piano
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INTERMÉDIAIRE/AVANCÉ
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Domenico SCARLATTI
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Sergei PICHUGIN
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SCARLATTI, Domenico: Consolati
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Really Good Music, LLC.
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SheetMusicPlus
Alto Voice,Vocal Solo - Level 4 - SKU: A0.868641 Composed by Domenico SCARLATTI (1685 – 1757). Arranged by Sergei PICHUGIN. Baroque,Concert,Instr...
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Alto Voice,Vocal Solo - Level 4 - SKU: A0.868641 Composed by Domenico SCARLATTI (1685 – 1757). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Opera,Standards. 7 pages. Really Good Music, LLC. #4365844. Published by Really Good Music, LLC. (A0.868641). Consolati, e spera is an aria from the opera Ifigenia in Tauri (1713) by Domenico SCARLATTI (1685 – 1757), one of the greatest composers of Italian Baroque. It was arranged for voice and piano by Sergei Pichugin. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in G minor (Bb3 – C5) for low voice. .
$5.95
VIVALDI Antonio: La pena amara, an aria from the opera "La verità in cimento", - Voice a
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Voix Alto, Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Antonio VIVALDI
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Sergei PICHUGIN
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VIVALDI Antonio: La pena amara
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Really Good Music, LLC.
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SheetMusicPlus
Alto Voice,Vocal Solo - Level 4 - SKU: A0.869047 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instruct...
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Alto Voice,Vocal Solo - Level 4 - SKU: A0.869047 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Opera,Standards. 6 pages. Really Good Music, LLC. #6444203. Published by Really Good Music, LLC. (A0.869047). La pena amara is a mezzo-soprano aria from the opera La verità in cimento (Truth in Contention), composed in 1720 by Antonio VIVALDI (1678 – 1741). It has been realized from the score manuscript of the opera and arranged by Sergei Pichugin for voice and piano. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the key of D major (B3 – D5) for low voice.
$5.95
Jacopo MELANI: Bionde chiome, aria from the opera "Il Girello", - Voice and Piano (G mino
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Voix Alto, Piano
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INTERMÉDIAIRE
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Jacopo MELANI
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Sergei PICHUGIN
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Jacopo MELANI: Bionde chiome,
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Really Good Music, LLC.
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SheetMusicPlus
Alto Voice,Vocal Solo - Level 3 - SKU: A0.868736 Composed by Jacopo MELANI (1623 – 1676). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructio...
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Alto Voice,Vocal Solo - Level 3 - SKU: A0.868736 Composed by Jacopo MELANI (1623 – 1676). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Opera,Standards. 6 pages. Really Good Music, LLC. #4409123. Published by Really Good Music, LLC. (A0.868736). Bionde chiome is an aria from the opera (dramma musicale burlesco) Il Girello, composed in 1668 by Jacopo MELANI (1623 – 1676). It has been realized from the manuscript of the opera and arranged by Sergei Pichugin for voice and piano. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the key of G minor (C4 – Eb5) for low voice.
$5.95
VIVALDI Antonio: Più non si trovano, aria from the opera "L’Olimpiade", - Voice and Pi
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Voix Alto, Piano
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INTERMÉDIAIRE
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Classique
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Antonio VIVALDI
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Sergei PICHUGIN
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VIVALDI Antonio: Più no
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Really Good Music, LLC.
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SheetMusicPlus
Alto Voice,Vocal Solo - Level 3 - SKU: A0.868831 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instruct...
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Alto Voice,Vocal Solo - Level 3 - SKU: A0.868831 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Opera,Standards. 7 pages. Really Good Music, LLC. #4610131. Published by Really Good Music, LLC. (A0.868831). Più non si trovano is a mezzo-soprano aria from the opera L’Olimpiade, composed in 1734 by Antonio VIVALDI (1678 – 1741). It has been realized from the manuscript of the opera and arranged by Sergei Pichugin for voice and piano. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the key of D minor (C4 – D5) for low voice.
$5.95
VIVALDI Antonio: Il ciglio arciero, an aria from the opera "La verità in cimento", - Voi
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Voix Alto, Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Antonio VIVALDI
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Sergei PICHUGIN
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VIVALDI Antonio: Il ciglio arc
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Really Good Music, LLC.
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SheetMusicPlus
Alto Voice,Vocal Solo - Level 4 - SKU: A0.869037 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instruct...
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Alto Voice,Vocal Solo - Level 4 - SKU: A0.869037 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Opera,Standards. 6 pages. Really Good Music, LLC. #6444125. Published by Really Good Music, LLC. (A0.869037). Il ciglio arciero is a mezzo-soprano aria from the opera La verità in cimento (Truth in Contention), composed in 1720 by Antonio VIVALDI (1678 – 1741). It has been realized from the score manuscript of the opera and arranged by Sergei Pichugin for voice and piano. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the original key of G minor (Bb3 – Eb5) for low voice.
$5.95
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