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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Concerto No. 5
Non classifié
154
Piano & claviers
Piano seul
195
Orgue
10
Piano Facile
9
2 Pianos, 4 mains
8
1 Piano, 4 mains
5
Clavecin
4
Accompagnement Piano
3
Orgue, Trompette (duo)
2
Orgue, Piano (duo)
2
Piano Trio: piano, violon, violoncelle
1
Piano, Voix et Guitare
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
+ 7 instrumentations
Retracter
Guitares
Guitare
8
Guitare notes et tablatures
5
Ensemble de guitares
1
Piano, Guitare (duo)
1
Ligne De Mélodie, (Paroles) et Accords
1
4 Guitares (Quatuor)
1
2 Guitares (duo)
1
+ 2 instrumentations
Retracter
Voix
Voix Soprano, Piano
6
Voix Alto, Piano
1
Chorale SATB
1
Voix haute
1
Voix Baryton, Piano
1
Vents
Flûte traversière
31
Flûte traversière et Piano
29
5 Flûtes à bec
21
Quintette de Saxophone: 5 saxophones
19
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
16
2 Saxophones (duo)
15
Clarinette et Piano
14
3 Saxophones (trio)
11
Clarinette
11
Quatuor de Saxophones: 4 saxophones
10
Quintette de Clarinettes: 5 clarinettes
10
Saxophone Soprano et Piano
9
2 Clarinettes (duo)
9
Ensemble de Clarinettes
7
Saxophone Alto et Piano
7
Flûte à Bec
6
Hautbois, Piano (duo)
6
Quatuor de Clarinettes: 4 clarinettes
6
2 Flûtes traversières (duo)
6
Hautbois (partie séparée)
6
Piccolo, Piano
5
Flûte, Hautbois, Clarinette (trio)
5
2 Hautbois (duo)
5
Saxophone Baryton, Piano
5
Saxophone Tenor et Piano
5
3 Clarinettes (trio)
4
Quatuor de Flûtes : 4 flûtes
4
Quatuor de Flûtes à bec
4
Quintette de Flûte : 5 flûtes
4
Cor anglais, Piano
4
Hautbois
3
Clarinette Basse, Piano
3
Saxophone (partie séparée)
3
Cor Anglais
3
Flûte et Quatuor à Cordes
3
Trio de Flûtes: 3 flûtes
2
Flûte, Hautbois, Clarinette, Basson
2
Flûte, Clarinette (duo)
2
Flute (partie séparée)
2
2 Flûte à bec (duo)
2
Clarinette (partie séparée)
2
Saxophone Tenor
2
Clarinette, Basson (duo)
2
Flûte et Guitare
2
Ensemble De Flûte à bec
2
Clarinette, Violoncelle (duo)
1
Hautbois, Clarinette (duo)
1
Flûte, Violon, Violoncelle et Piano
1
Ensemble de Flûtes
1
Ensemble de Hautbois
1
Saxophone Alto
1
Flûte, Violoncelle
1
3 Hautbois
1
Flûte, Violon, Piano
1
Flûte, Hautbois, Basson
1
Flûte, Clarinette et Basson
1
Saxophone
1
Hautbois, Clarinette, Basson (trio d'anches)
1
+ 53 instrumentations
Retracter
Cuivres
Trombone et Piano
13
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
11
Euphonium, Piano (duo)
9
Tuba et Piano
9
Cor et Piano
8
Trompette
7
Cor
6
Cor (partie séparée)
5
Trompette (partie séparée)
5
2 Cors (duo)
4
Cor anglais, Piano
4
2 Trombones (duo)
4
Trompette, Piano
3
Trombone (partie séparée)
3
Quatuor de Cuivres : 2 trompettes, trombone, tuba
3
Cor Anglais
3
2 Trompettes (duo)
2
2 Euphoniums (duo)
2
Trombone
1
Trompette, Violoncelle (duo)
1
Trompette, Trombone (duo)
1
Trompette, Cor (duo)
1
Euphonium, Tuba (duo)
1
Ensemble de Trompettes
1
4 Tubas
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
Quatuor de Cuivres
1
Quatuor de cuivres: 4 trombones
1
3 Trombones (trio)
1
Quatuor de cuivres: 4 cors
1
Quatuor de cuivres: 4 trompettes
1
Tuba
1
Euphonium
1
Ensemble de Trombones
1
+ 29 instrumentations
Retracter
Cordes
Violon et Piano
54
Violon
48
Quatuor à cordes: 2 violons, alto, violoncelle
33
Violoncelle, Piano
19
Alto, Piano
19
Alto seul
16
Violoncelle
14
Violon (partie séparée)
12
Trio à Cordes: violon, alto, violoncelle
10
2 Violons (duo)
9
2 Violoncelles (duo)
6
Violon, Alto (duo)
5
Violon, Violoncelle (duo)
3
Contre Basse
3
Alto (partie séparée)
3
Violoncelle (partie séparée)
3
Alto, Violoncelle (duo)
3
Trio à cordes
2
Contrebasse (partie séparée)
2
2 Altos (duo)
2
Contrebasse, Piano (duo)
2
4 Violoncelles
2
Trio à cordes: 3 altos
1
Trio à Cordes: 3 violoncelles
1
Ensemble de Violons
1
Trio à Cordes: 2 violons, violoncelle
1
Ensemble d'Altos
1
Quatuor à cordes: 4 violons
1
Harpe, Violon (duo)
1
+ 24 instrumentations
Retracter
Orchestre & Percussions
Orchestre
133
Orchestre de chambre
57
Orchestre à Cordes
56
Orchestre d'harmonie
23
Piano et Orchestre
5
Percussion (partie séparée)
2
Ensemble de cuivres
1
+ 2 instrumentations
Retracter
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
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Concerto No. 5
Voix Alto, Piano
Partitions à imprimer
1 partition trouvée
Wie Du warst (Octavian's Aria) from Der Rosenkavalier - Accessible Accompaniments Edition
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Voix Alto, Piano
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AVANCÉ
#
Classique
#
Richard Strauss
#
Nicole Elyse DiPaolo
#
Wie Du warst
#
Nicole Elyse DiPaolo
#
SheetMusicPlus
Alto Voice,Vocal Solo - Level 5 - SKU: A0.799612 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 6 pages. N...
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Alto Voice,Vocal Solo - Level 5 - SKU: A0.799612 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 6 pages. Nicole Elyse DiPaolo #5022023. Published by Nicole Elyse DiPaolo (A0.799612). The first of its kind, and the third entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Wie Du warst, Octavian's famous aria from Strauss's Der Rosenkavalier (1911). Mezzos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury. This edition also includes a two-measure recomposed ending four measures after rehearsal 25, making this edition a great choice for concert and audition situations in which another singer isn't available to sing the Marschallin's lines.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
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Concerto No. 5
