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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Ever Ever After
Non classifié
643
Piano & claviers
Piano seul
367
Piano, Voix
104
Piano, Voix et Guitare
102
Piano Facile
91
Instruments en Do
40
Orgue
29
1 Piano, 4 mains
15
Piano grosses notes
5
Piano Quatuor: piano, violon, alto, violoncelle
4
2 Pianos, 4 mains
4
Piano Trio: piano, violon, violoncelle
4
Piano (partie séparée)
1
Piano Quatuor: piano, 2 violons, violoncelle
1
1 Piano, 6 mains
1
+ 9 instrumentations
Retracter
Guitares
Guitare notes et tablatures
32
Guitare
30
Ukulele
12
Ligne De Mélodie, (Paroles) et Accords
7
Basse electrique
4
2 Guitares (duo)
3
Piano, Guitare (duo)
2
Guitare (partie séparée)
2
Dulcimer
1
Banjo
1
Mandoline
1
4 Guitares (Quatuor)
1
+ 7 instrumentations
Retracter
Voix
Chorale SATB
137
Chorale 3 parties
44
Chorale TTBB
23
Chorale Unison
13
Voix Soprano, Piano
12
Chorale SSAA
11
Chorale 2 parties
7
Voix seule
5
Voix duo
5
Voix Alto, Piano
4
Voix Soprano
3
Voix Baryton, Piano
3
Pack Instrumental pour Chorale
1
Voix duo, Piano
1
Chorale
1
Voix moyenne, Piano
1
Voix haute
1
Voix Mezzo-Soprano, Piano
1
Chorale SSAATTBB
1
+ 14 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
79
Flûte traversière et Piano
65
Quintette de Saxophone: 5 saxophones
57
Quatuor de Saxophones: 4 saxophones
49
Clarinette et Piano
43
Saxophone Alto et Piano
33
Hautbois, Piano (duo)
32
2 Saxophones (duo)
31
Saxophone Alto
26
Quatuor de Clarinettes: 4 clarinettes
22
Flûte, Hautbois, Clarinette, Basson
22
Saxophone Soprano et Piano
21
Clarinette
20
Flûte traversière
19
Quatuor de Flûtes : 4 flûtes
17
2 Clarinettes (duo)
17
2 Flûtes traversières (duo)
16
3 Saxophones (trio)
16
Saxophone Tenor et Piano
15
Ensemble de Clarinettes
14
Ensemble de Flûtes
14
Saxophone (partie séparée)
13
Flûte, Clarinette (duo)
13
Saxophone Baryton, Piano
12
Hautbois
11
Ensemble de saxophones
11
Saxophone, Clarinette (duo)
11
Clarinette Basse, Piano
10
Clarinette, Violon (duo)
9
3 Clarinettes (trio)
9
Harmonica
8
Saxophone Tenor
8
Quintette de Flûte : 5 flûtes
8
2 Hautbois (duo)
8
Clarinette, Trompette (duo)
7
Cor anglais, Piano
6
Quintette de Clarinettes: 5 clarinettes
6
Hautbois, Basson (duo)
6
Clarinette et Alto
5
Hautbois (partie séparée)
5
Flûte, Violon
4
Trio de Flûtes: 3 flûtes
4
Hautbois, Flûte
4
Flûte, Saxophone (duo)
4
Clarinette, Basson (duo)
4
Flute (partie séparée)
3
2 Flûte à bec (duo)
3
Hautbois, Clarinette (duo)
3
Flûte, Trompette (duo)
3
Flûte, Alto (duo)
3
Flûte, Hautbois, Clarinette (trio)
2
Flûte à bec Soprano, Piano
2
Ocarina
2
Hautbois, Clarinette, Basson (trio d'anches)
2
Clarinette, Guitare (duo)
2
Ensemble De Flûte à bec
2
Flûte à Bec
2
Quatuor de Flûtes à bec
2
Flûte et Guitare
2
Flûte, Clarinette, Piano (trio)
2
Piccolo
1
Flûte et Trio à cordes
1
Flûte à bec Soprano
1
2 Cors Anglais Et Pianoforte
1
2 Flûtes à bec, Guitare
1
Saxophone
1
Clarinette Basse
1
Piccolo, Piano
1
Flûte à bec Tenor
1
Flûte traversière, Basse continue
1
Flûte à bec Alto
1
3 Flûtes à bec (trio)
1
Flûte, Violon, Piano
1
Ensemble de Hautbois
1
Cornemuse
1
Flûte, Violoncelle
1
Saxophone Soprano
1
5 Flûtes à bec
1
2 Saxophones, Piano
1
+ 74 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
87
Quatuor de Cuivres : 2 trompettes, trombone, tuba
47
Trompette
30
Trompette, Piano
24
Cor et Piano
24
Trombone et Piano
21
Tuba et Piano
16
Euphonium, Piano (duo)
14
Trombone
13
Quatuor de Cuivres
12
Tuba
12
Cor
10
Trompette (partie séparée)
9
2 Trombones (duo)
9
Trompette, Saxophone (duo)
8
Quatuor de Cuivres: 2 trompettes, Cor, trombone
8
2 Trompettes (duo)
7
Trompette, Trombone (duo)
7
Quatuor de cuivres: 4 trombones
6
Cor anglais, Piano
6
Ensemble de Trombones
6
Trombone (partie séparée)
5
Ensemble de Trompettes
5
2 Cors (duo)
4
Cor (partie séparée)
3
4 Tubas
3
Trompette, Cor (duo)
2
Ensemble de Cors
2
Tuba (partie séparée)
2
2 Tubas (duo)
2
Quatuor de cuivres: 4 cors
2
3 Trombones (trio)
2
Tuba et Orgue
2
Ensemble de Tubas
1
2 Cors Anglais Et Pianoforte
1
2 Euphoniums et 2 Tubas
1
3 Tubas (trio)
1
Quatuor de cuivres: 4 trompettes
1
Trio de Cuivres
1
3 Cors (trio)
1
3 Trompettes (trio)
1
+ 36 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
117
Harpe
70
Violon et Piano
65
Alto, Piano
42
Violoncelle, Piano
39
Violon
29
Violoncelle
25
Violon, Violoncelle (duo)
18
Trio à Cordes: violon, alto, violoncelle
16
2 Harpes (duo)
16
Quintette à cordes: 2 violons, alto, violoncelle, basse
16
2 Violons (duo)
14
Contrebasse, Piano (duo)
13
2 Altos (duo)
13
Alto seul
12
Trio à Cordes: 2 violons, violoncelle
12
Contre Basse
10
Violon, Alto (duo)
9
2 Violoncelles (duo)
9
Ensemble de Violons
5
Ensemble d'Altos
5
Violon (partie séparée)
4
Contrebasse (partie séparée)
4
4 Violoncelles
3
Alto, Violoncelle (duo)
3
Trio à Cordes: 3 violoncelles
3
Trio à cordes: 3 violins
2
Quatuor à cordes: 4 violons
2
2 Contrebasses (duo)
2
Trio à cordes: 3 altos
2
Quatuor à cordes : 4 altos
2
Harpe, Voix
1
Violon, Clarinette, Piano (trio)
1
Alto (partie séparée)
1
2 Altos, Piano
1
4 Contrebasses
1
Violoncelle, Orchestre
1
3 Harpes
1
+ 33 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
222
Orchestre
84
Fanfare
72
Orchestre à Cordes
41
Ensemble de cuivres
30
Orchestre de chambre
25
Ensemble Jazz
24
Cloches
8
Ensemble de Percussions
8
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
4
Vibraphone
4
Batterie
3
Jazz combo
3
Marimba
2
Percussion (partie séparée)
1
Batterie (partie séparée)
1
Piano et Orchestre
1
Orchestre, Violon
1
Xylophone, Piano
1
+ 14 instrumentations
Retracter
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DULCIMER
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FANFARE - B…
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FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
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HAUTBOIS
LIVRES
LUTH, THEOR…
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ORGUE
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PERCU. ORCH…
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SAXOPHONE
SYNTHE
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TROMPETTE
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VIOLONCELLE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
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GOSPEL - SPIRITUEL -…
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JAZZ MANOUCHE - SWIN…
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KLEZMER - JUIVE
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MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
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Vous avez sélectionné:
Ever Ever After
Voix Alto, Piano
Partitions à imprimer
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Wie Du warst (Octavian's Aria) from Der Rosenkavalier - Accessible Accompaniments Edition
Voix Alto, Piano
Alto Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799612 Composed by Richa…
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Alto Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799612 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 6 pages. Nicole Elyse DiPaolo #5022023. Published by Nicole Elyse DiPaolo (A0.799612). The first of its kind, and the third entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Wie Du warst, Octavian's famous aria from Strauss's Der Rosenkavalier (1911). Mezzos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury. This edition also includes a two-measure recomposed ending four measures after rehearsal 25, making this edition a great choice for concert and audition situations in which another singer isn't available to sing the Marschallin's lines.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
8.25 €
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Voix Alto, Piano
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Richard Strauss
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Nicole Elyse DiPaolo
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Wie Du warst
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Nicole Elyse DiPaolo
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SheetMusicPlus
Nature's Dream
Voix Alto, Piano
Alto Voice,Vocal Solo - Level 2 - Digital Download SKU: A0.1022081 Composed by Bill…
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Alto Voice,Vocal Solo - Level 2 - Digital Download SKU: A0.1022081 Composed by Bill Taylor and Jaye Alison Moscariello, lyrics and Bill Taylor music. Contemporary,Jazz,Sacred. 7 pages. William R Taylor #6475263. Published by William R Taylor (A0.1022081). Nature’s Dream (©2012) – Piano, Vocal, Flute, Soprano Sax, Upright Bass. The first several bars came to me in a 2011 vivid dream in which Paul McCandless was playing soaring soprano sax melodies and Jaye Alison Moscariello was singing lyrics I did not remember from the dream. It was originally in D with some Dad-related chord progressions. This version is in A to better fit the alto voice. After writing 3 verses of rather convoluted lyrics about healing the planet, Jaye helped pare it down to one powerful verse that could be a world anthem. George and Paul play solos during the instrumental break. We think this would make a great national, or international, anthem. This is our planet, the one that we all share Let us remember that all life breathes the air Our world is sacred, its future in our trust And it continues after bodies turn to dust Shall we continue to think we own the beasts? Or know the truth that all of us share the feast? Grow for each other and for the creatures too Plant life and fungi nourish the whole zoo Lessons we’ve learned from species that have passed Transform our ways or we may not last Take time to learn what ancestors teach us Honor the spirit residing in that which feeds us Act for the future of seven generations And together we can share in this dance of life Act for the future of seven generations Act for the welfare of seven generations
$3.99
3.68 €
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Voix Alto, Piano
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Bill Taylor and Jaye Alison Moscariello, lyrics and Bill Taylor music
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Nature's Dream
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William R Taylor
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SheetMusicPlus
Lonely Mother Cry Lullaby for Alto and Piano
Voix Alto, Piano
Alto Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.976930 Composed by Sabri…
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Alto Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.976930 Composed by Sabrina Pena Young. Children,Film/TV,Holiday,Musical/Show,Opera. 2 pages. Sabrina Peña Young #3430805. Published by Sabrina Peña Young (A0.976930). Sweet moving lullaby from groundbreaking animated opera film Libertaria by award-winning composer. A sad emotional waltz feel as the singer tells her child that she will never leave her. Simple, short, and quite beautiful. Intermediate/Advanced Student or Music Professional.Award-winning Cuban-American Composer S. Peña Younghttps://sabrinapenayoung.wordpress.com/Contact Young directly at FacebookFACEBOOK: https://www.facebook.com/newmusiccomposerLIBERTARIA: THE VIRTUAL OPERAhttps://virtualopera.wordpress.com/ ABOUT LIBERTARIA: In a post-USSA apocalyptic world, the young Libertaria escapes from evil geneticists and teams up with her addict father Simeon to defeat the Collective with a ragtag Underground army of cyborgs and misfits. The world’s first machinima opera, Libertaria has been called Groundbreaking by the Palm Beach Arts Paper. A truly dystopian novelization, the Libertaria Chronicles, is now available at Amazon. One of my favorite things about this story is its odd apocalyptic tone and strong sci-fi/fantasy foundation. The dark quality that comes with it is the cherry on top. –FanboysAnonymous.comWHAT FANS ARE SAYING ABOUT THE LIBERTARIA CHRONICLESBetween the book, virtual opera, soundtrack, and all the extras, Young has created a convincing world…a dark dystopian future for you to get lost in. The characters are complex, flawed, and human, and you are never sure what they will do next. Looking forward to the next book in the series!Award-winning Cuban-American composer S Peña Young has a rich history of creating groundbreaking classical music with cutting edge works like the multimedia oratorio Creation, winner of the IAWM New Genre Prize, World Order #5 for percussion and multimedia, and collaborations with artists in Vox Novus 60×60 and Lee Scott’s interactive web opera The Village. In 2014 Young gave a TED Talk on her animated science fiction opera Libertaria, the world’s first machinima opera. Young is the author of the science fiction series The Libertaria Chronicles and Composer Boot Camp 101: 50 Exercises for Educators, Students, and Music Professionals, (available at AMAZON) and is in production for the animated film Spiritus. Young is a sought-after lecturer and writer on music technology, audio engineering, film music, composition/songwriting, film, social media, online collaboration, marketing, and contemporary music and is an advocate for new music.
$6.99
6.44 €
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Voix Alto, Piano
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Sabrina Pena Young
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Lonely Mother Cry Lullaby for Alto and Piano
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Sabrina Peña Young
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SheetMusicPlus
Release
Voix Alto, Piano
Alto Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.1022084 Composed by Bill…
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Alto Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.1022084 Composed by Bill Taylor music, Bill Taylor with Jaye Alison Moscariello, and Lyrics. Arranged by Bill Taylor. Broadway,Contemporary,Jazz. 3 pages. William R Taylor #6475595. Published by William R Taylor (A0.1022084). Release ©2006, lyrics©2010. Bill’s mom Priscilla Alden Taylor (nee Rowe) passed on at age 90 in January, 2010. This piece was one she loved, but the words did not come until 2 months after her death and 2 days before Jaye and I were to perform Mom’s song Every Time We Meet at the Anderson Valley Variety Show. We sung it as best we could with so little practice time and in a key way too high. This version is transposed down a fifth. Listeners with parents who have gone on, and those who haven’t, may find some familiar themes here. If inspired, support your local elder and/or hospice organizations. I love my children to be happy. What’s new with you Mom? Charlotte’s got a bakery. Hannah is teaching, playing in San Jose. Tom and Jeanne expecting, he’s flying a new plane. Lucy’s kids are doing well, I’m seeing Uncle Jay. My life is going on in a most pleasant way. When are you coming here to visit, it’s been way too long? When we were children everything was made into a song. Father’s jazzy flute, brother’s boogie woogie She left Julliard to help her family Factory in the war, music she wrote A job at Schirmers she met my Dad had 5 kids Trips to Vermont and Jersey and New York Kept house, school lunch, kind words, praising Now she is running and swimming Dancing and flying, she’s singing All new adventures, new worlds to learn and know Earth body left behind, all life is love and flow Walker made her so tired, shuffling oh so slow She learned to ask for help from all of us below Gathered her children all around her at her time to go Now she’s with her God.
$2.99
2.76 €
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Voix Alto, Piano
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Bill Taylor music, Bill Taylor with Jaye Alison Moscariello, and Lyrics
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Bill Taylor
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Release
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William R Taylor
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SheetMusicPlus
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Ever Ever After
