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Partitions à imprimer
2 partitions trouvées
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Who's Driving the Bus?
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Voix Alto, Piano
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INTERMÉDIAIRE
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Bill Taylor and Jaye Alison Mo
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Bill Taylor
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Who's Driving the Bus?
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William R Taylor
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SheetMusicPlus
Alto Voice,Vocal Solo - Level 3 - SKU: A0.1022086 Composed by Bill Taylor and Jaye Alison Moscariello, Bill Taylor music, and Lyrics. Arranged by Bill T...
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Alto Voice,Vocal Solo - Level 3 - SKU: A0.1022086 Composed by Bill Taylor and Jaye Alison Moscariello, Bill Taylor music, and Lyrics. Arranged by Bill Taylor. Broadway,Contemporary,Pop. 3 pages. William R Taylor #6475621. Published by William R Taylor (A0.1022086). Who’s Driving the Bus (©2014, lyrics ©2018 Bill Taylor and Jaye Alison Moscariello) – Piano, Vocals. The intense theme and title came in a dream. This is the fast and angry version of the sentiment in Nature's Dream. Jaye and Bill wrote the lyrics and both sing them. Bill Taylor, music, lyrics, piano and vocals; Jaye Alison Moscariello, lyrics and vocals Am I cause in my life or just obeying orders? Listening to Gaia or stuck in human quarters? Who is driving this bus? Standing and feeling the beauty of the Earth Life pushing out on the knife of human greed We live for life, it’s time to grow up Live as the whales, take what is given Oceans now are dying, greed exceeding hunger Land around us frying, power killing spying Life gives us all we ever need Standing and feeling the beauty of the Earth Life pushing out on the knife of human greed We live for life, it’s time to grow up Live wise as whales, take what is given I am here for all life, healthy, dying, growing What we take we honor, keep the cycles flowing Let the love enfold us
$1.99
Wie Du warst (Octavian's Aria) from Der Rosenkavalier - Accessible Accompaniments Edition
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Voix Alto, Piano
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AVANCÉ
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Classique
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Richard Strauss
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Nicole Elyse DiPaolo
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Wie Du warst
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Nicole Elyse DiPaolo
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SheetMusicPlus
Alto Voice,Vocal Solo - Level 5 - SKU: A0.799612 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 6 pages. N...
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Alto Voice,Vocal Solo - Level 5 - SKU: A0.799612 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 6 pages. Nicole Elyse DiPaolo #5022023. Published by Nicole Elyse DiPaolo (A0.799612). The first of its kind, and the third entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Wie Du warst, Octavian's famous aria from Strauss's Der Rosenkavalier (1911). Mezzos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury. This edition also includes a two-measure recomposed ending four measures after rehearsal 25, making this edition a great choice for concert and audition situations in which another singer isn't available to sing the Marschallin's lines.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
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Feel the Power!
