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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
I Know The End
Non classifié
583
Piano & claviers
Piano seul
262
Piano Facile
114
Piano, Voix
112
Piano, Voix et Guitare
89
Orgue
71
Instruments en Do
34
Accompagnement Piano
16
1 Piano, 4 mains
7
Orgue, Trompette (duo)
4
Piano Trio: piano, violon, violoncelle
4
Piano Quatuor: piano, 2 violons, violoncelle
2
Accordéon
1
Clavecin
1
2 Pianos, 4 mains
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
+ 10 instrumentations
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Guitares
Guitare notes et tablatures
34
Guitare
23
Ligne De Mélodie, (Paroles) et Accords
14
Ukulele
9
Basse electrique
8
Piano, Guitare (duo)
6
2 Guitares (duo)
5
Dulcimer
4
4 Guitares (Quatuor)
4
3 Guitares (trio)
2
Ensemble de guitares
1
Mandoline
1
+ 7 instrumentations
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Voix
Chorale SATB
176
Chorale 2 parties
60
Chorale 3 parties
41
Chorale TTBB
19
Voix duo, Piano
18
Voix duo
11
Voix Soprano, Piano
10
Chorale SSAA
10
Voix Baryton, Piano
9
Chorale Unison
6
Voix Tenor, Piano
5
Voix Alto, Piano
4
Voix haute
4
Voix seule
3
Voix basse, Piano
2
Chorale SSAB, Piano
2
Voix Tenor
2
Chorale SSATB
1
+ 13 instrumentations
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Vents
Quintette de Saxophone: 5 saxophones
74
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
71
Clarinette
39
Ensemble de saxophones
39
2 Flûtes traversières (duo)
29
Flûte traversière
24
Flûte traversière et Piano
24
Hautbois (partie séparée)
23
Quatuor de Saxophones: 4 saxophones
23
2 Saxophones (duo)
21
Clarinette et Piano
19
Saxophone Alto
19
Ensemble de Clarinettes
18
Hautbois, Piano (duo)
17
Saxophone Tenor
17
Saxophone Alto et Piano
16
2 Clarinettes (duo)
12
Flûte à bec Soprano
11
Harmonica
10
Saxophone (partie séparée)
10
Quintette de Flûte : 5 flûtes
10
Flûte à bec Alto
10
Flûte, Hautbois, Clarinette, Basson
9
Quatuor de Clarinettes: 4 clarinettes
8
Cor Anglais
7
Saxophone Tenor et Piano
7
Ensemble de Flûtes
6
Flute (partie séparée)
5
Cor anglais, Piano
5
Saxophone Soprano et Piano
5
2 Hautbois (duo)
4
Hautbois
4
Flûte et Guitare
4
Saxophone Baryton, Piano
4
3 Clarinettes (trio)
4
Flûte, Clarinette, Piano (trio)
3
Clarinette (partie séparée)
3
Saxophone Soprano
3
Quatuor de Flûtes : 4 flûtes
3
Quintette de Clarinettes: 5 clarinettes
2
Hautbois, Basson (duo)
2
Clarinette Basse
2
Flûte, Alto et Piano
2
Clarinette, Basson (duo)
2
Flûte, Trompette (duo)
2
Piccolo
2
Saxophone Baryton
2
Flûte à bec Alto, Piano
2
Flûte, Clarinette (duo)
2
Hautbois, Clarinette, Basson (trio d'anches)
1
3 Saxophones (trio)
1
Clarinette Basse, Piano
1
2 Clarinettes, Piano
1
2 Flûte à bec (duo)
1
Flûte à bec Soprano, Piano
1
Ocarina
1
Flûte, Violon, Piano
1
Flûte irlandaise
1
+ 53 instrumentations
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Cuivres
Quatuor de Cuivres : 2 trompettes, trombone, tuba
62
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
49
Trompette
27
Quatuor de Cuivres: 2 trompettes, Cor, trombone
19
Trompette, Piano
17
Trombone
17
Trombone et Piano
14
Cor
13
Ensemble de Trombones
13
Cor et Piano
13
Tuba
13
Tuba et Piano
10
2 Trompettes (duo)
9
Ensemble de Trompettes
8
Cor Anglais
7
Trompette (partie séparée)
7
2 Cors (duo)
5
2 Trombones (duo)
5
Cor anglais, Piano
5
Trombone (partie séparée)
5
Quatuor de cuivres: 4 trombones
5
Euphonium
4
Euphonium, Piano (duo)
3
Quatuor de Cuivres
3
Cor (partie séparée)
2
2 Tubas (duo)
2
Quatuor de cuivres: 4 cors
2
Trompette, Trombone (duo)
2
Ensemble de Tubas
1
Tuba (partie séparée)
1
3 Trompettes (trio)
1
Quatuor de cuivres: 4 trompettes
1
2 Euphoniums (duo)
1
+ 28 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
71
Violon et Piano
37
Violoncelle
37
Violon
34
Violoncelle, Piano
27
Alto, Piano
22
2 Violons (duo)
16
Trio à Cordes: violon, alto, violoncelle
16
Harpe
15
Violon, Violoncelle (duo)
13
Alto seul
12
Contre Basse
12
2 Violoncelles (duo)
11
Quintette à cordes: 2 violons, alto, violoncelle, basse
11
Ensemble d'Altos
10
Ensemble de Violons
9
2 Altos (duo)
6
Violon, Alto (duo)
5
Contrebasse, Piano (duo)
5
Trio à Cordes: 2 violons, violoncelle
4
Harpe, Voix
4
Alto (partie séparée)
3
Violon (partie séparée)
2
Violoncelle , Guitare (duo)
2
4 Violoncelles
2
2 Contrebasses (duo)
2
Contrebasse (partie séparée)
1
Trio à Cordes: 2 violons, alto
1
Alto, Violoncelle (duo)
1
Alto et Harpe
1
2 Harpes (duo)
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
+ 27 instrumentations
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Orchestre & Percussions
Orchestre
56
Orchestre d'harmonie
56
Orchestre à Cordes
40
Ensemble Jazz
19
Orchestre de chambre
15
Ensemble de cuivres
15
Ensemble de Percussions
14
Cloches
9
Jazz combo
7
Marimba
6
Fanfare
5
Xylophone
4
Xylophone, Piano
2
Percussion (partie séparée)
2
Conga
1
Piano et Orchestre
1
Vibraphone
1
2 Marimbas
1
+ 13 instrumentations
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Instruments
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CLAVECIN
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CONTREBASSE
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COR ANGLAIS
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DOBRO - GUI…
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FANFARE - B…
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FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
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GUITARE PED…
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LUTH, THEOR…
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
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FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
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GUITARE LAP ST…
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MANDOLINE
MARIMBA
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Vous avez sélectionné:
I Know The End
Voix Alto, Piano
Partitions à imprimer
4 partitions trouvées
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I Can See (Andorra, the Witch of Andor, King Saul & Samuel) from "The Kings"
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Voix Alto, Piano
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INTERMÉDIAIRE
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McCorkle, Dennis F
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I Can See
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DF McCorkle Music and eBook Publications
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SheetMusicPlus
Alto Voice,Vocal Solo - Level 3 - SKU: A0.784838 Composed by McCorkle, Dennis F. Broadway,Christian,Jewish,Musical/Show,Rock. 28 pages. DF McCorkle Musi...
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Alto Voice,Vocal Solo - Level 3 - SKU: A0.784838 Composed by McCorkle, Dennis F. Broadway,Christian,Jewish,Musical/Show,Rock. 28 pages. DF McCorkle Music and eBook Publications #11767. Published by DF McCorkle Music and eBook Publications (A0.784838). CUT FROM SHOW: I Can See. The King, by Dennis McCorkle, is a contemporary pop-rock musical of the first two kings of Israel, Saul ben Kish and David ben Jesse and explores the contrasting lives and outcome of each man’s choices in life. [1 Samuel 28:7-18 - Then said Saul unto his servants, Seek me a woman that hath a familiar spirit, that I may go to her, and inquire of her. And his servants said to him, Behold, there is a woman that hath a familiar spirit at Endor. And Saul disguised himself, and put on other raiment, and he went, and two men with him, and they came to the woman by night: and he said, I pray thee, divine unto me by the familiar spirit, and bring me him up, whom I shall name unto thee. And the woman said unto him, Behold, thou knowest what Saul hath done, how he hath cut off those that have familiar spirits, and the wizards, out of the land: wherefore then layest thou a snare for my life, to cause me to die? And Saul sware to her by Yahweh, saying, As Yahweh liveth, there shall no punishment happen to thee for this thing. Then said the woman, Whom shall I bring up unto thee? And he said, Bring me up Samuel. And when the woman saw Samuel, she cried with a loud voice: and the woman spake to Saul, saying, Why hast thou deceived me? for thou art Saul. And the king said unto her, Be not afraid: for what sawest thou? And the woman said unto Saul, I saw gods ascending out of the earth. And he said unto her, What form is he of? And she said, An old man cometh up; and he is covered with a mantle. And Saul perceived that it was Samuel, and he stooped with his face to the ground, and bowed himself. And Samuel said to Saul, Why hast thou disquieted me, to bring me up? And Saul answered, I am sore distressed; for the Philistines make war against me, and God is departed from me, and answereth me no more, neither by prophets, nor by dreams: therefore I have called thee, that thou mayest make known unto me what I shall do. Then said Samuel, Wherefore then dost thou ask of me, seeing Yahweh is departed from thee, and is become thine enemy? And Yahweh hath done to him, as he spake by me: for Yahweh hath rent the kingdom out of thine hand, and given it to thy neighbor, even to David: Because thou obeyedst not the voice of Yahweh, nor executedst his fierce wrath upon Amalek, therefore hath Yahweh done this thing unto thee this day. Also included with your order is our new 20 page catalog of over 150 titles at no additional charge.
$2.99
Wie Du warst (Octavian's Aria) from Der Rosenkavalier - Accessible Accompaniments Edition
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Voix Alto, Piano
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AVANCÉ
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Classique
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Richard Strauss
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Nicole Elyse DiPaolo
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Wie Du warst
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Nicole Elyse DiPaolo
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SheetMusicPlus
Alto Voice,Vocal Solo - Level 5 - SKU: A0.799612 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 6 pages. N...
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Alto Voice,Vocal Solo - Level 5 - SKU: A0.799612 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 6 pages. Nicole Elyse DiPaolo #5022023. Published by Nicole Elyse DiPaolo (A0.799612). The first of its kind, and the third entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Wie Du warst, Octavian's famous aria from Strauss's Der Rosenkavalier (1911). Mezzos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury. This edition also includes a two-measure recomposed ending four measures after rehearsal 25, making this edition a great choice for concert and audition situations in which another singer isn't available to sing the Marschallin's lines.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
My Lullaby of Love (Mary's Refrain), sacred Christmas music for alto solo
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Voix Alto, Piano
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INTERMÉDIAIRE/AVANCÉ
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Kevin G
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My Lullaby of Love
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Kevin G. Pace
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SheetMusicPlus
Alto Voice,Vocal Solo - Level 4 - SKU: A0.1485532 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Christmas,Praise & Worship,Religiou...
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Alto Voice,Vocal Solo - Level 4 - SKU: A0.1485532 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Christmas,Praise & Worship,Religious,Sacred. 8 pages. Kevin G. Pace #1062590. Published by Kevin G. Pace (A0.1485532). A gorgeous, Christmas song for alto solo. Music by Kevin G. Pace. Text by Mary Ann W. Snowball.Text:My Lullaby of Love(Mary’s Refrain)O, my baby, this love’s so rare under Christmas skies,‘Neath the heavn’ly stars I sing, hushing whimpered cries.This my lullaby of love, Father’s gift to me,Comes straight from His purest heart, all because of Thee.O, dear child, I love Thee so as I hold Thee close.Ev’ry thought brings gratitude only Father knows.O, my baby, I sense thy crown when I offer prayer.Wrapped in swaddling light I feel heaven’s presence near.This my lullaby of love mirrors Father’s sightAs I look into thy eyes on this Christmas night.My sure lullaby of love comes from God above.Blanketed in holy care comes His tender love.Blanketed in holy care comes our Father’s love.
$4.99
To Marie (alto and guitar)
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Voix Alto, Piano
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INTERMÉDIAIRE
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David Warin Solomons
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To Marie
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David Warin Solomons
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SheetMusicPlus
Alto Voice,Vocal Solo - Level 3 - SKU: A0.1096313 Composed by David Warin Solomons. 20th Century,Chamber,Classical,Singer/Songwriter. 4 pages. David War...
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Alto Voice,Vocal Solo - Level 3 - SKU: A0.1096313 Composed by David Warin Solomons. 20th Century,Chamber,Classical,Singer/Songwriter. 4 pages. David Warin Solomons #700277. Published by David Warin Solomons (A0.1096313). This manuscript is the origin of the flute and guitar piece To Marie ( https://www.sheetmusicplus.com/title/19984390?aff_id=175705 ). It has not been notated on computer, and not yet recorded, but I present it here just for interest. As you can see, it takes advantage of the many puns available on the French phrase for weeping willow. It is addressed to the poet Marie Keyser. The references to Chatterton, Enderby and Buddenbrooks relate to Marie's studies in German literature, in particular Chatterton's suicide. To Marie Sad soul, why don't you weep in company? Saule pleureur, seule pleureuse Why luxuriate in your nomadic liturgy? Saoule pluvieuse, seule pleureuse. The others do not seek to understand The power that holds you ever banned Sales pleurs de sel pluvieux A unicorn has carried off your innocence Saule pleureur, seule pleureuse But no ambition comes to conquer indigence Saoule pluvieuse, seule pleureuse. So on you wander, homeless poetess, Begging shelter for your misconstrued distress Sales pleurs de sel pluvieux. Hold down a job, my girl, hold down a job from nine to five. Souple leurre s'il le peut To keep you happy, settled and alive Saule pleureur For this short time - day in day out Forget you do not know what life's about Sales pleurs de ciel plus vieux. And then, when evening comes, too tired Saule pleureur, seule pleureuse. Your sad old inspiration all expired Saoule pluvieuse, seule pleureuse. You will cease to understand the power that held you forever banned. Souple leurre s'il le peut. No, in the name of Chatterton and Enderby! For who could wilful poetry's defender be? Long live poor Buddenbrooks and poor Marie With mind or body hopelessly at sea. Saules pleureurs, seuls plus vieux.
$7.00
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I Know The End
