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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
I Like That
Non classifié
1 203
Piano & claviers
Piano seul
668
Piano, Voix
470
Piano, Voix et Guitare
211
Piano Facile
136
Instruments en Do
48
Orgue
29
1 Piano, 4 mains
16
Accompagnement Piano
13
2 Pianos, 4 mains
9
Piano Trio: piano, violon, violoncelle
6
Piano Quatuor: piano, violon, alto, violoncelle
6
Piano grosses notes
6
Accordéon
3
Piano Quintette: piano, 2 violons, alto, violoncelle
2
Accordéon, Voix
1
Piano Quatuor: piano, 2 violons, violoncelle
1
Piano (partie séparée)
1
2 Pianos, 8 mains
1
Clavier
1
Orgue, Piano (duo)
1
+ 15 instrumentations
Retracter
Guitares
Guitare notes et tablatures
83
Guitare
78
Ligne De Mélodie, (Paroles) et Accords
21
Ukulele
20
Basse electrique
8
2 Guitares (duo)
8
Paroles et Accords
7
4 Guitares (Quatuor)
5
Banjo
3
Mandoline, Guitare (duo)
3
Ensemble de guitares
3
Dulcimer
2
Mandoline
1
Piano, Guitare (duo)
1
3 Guitares (trio)
1
Guitare, Violon, Violoncelle (trio)
1
Guitare (partie séparée)
1
Basse électrique (partie séparée)
1
+ 13 instrumentations
Retracter
Voix
Chorale SATB
214
Chorale 3 parties
205
Chorale 2 parties
34
Chorale TTBB
24
Chorale SSAA
23
Voix Soprano, Piano
19
Chorale Unison
14
Voix duo, Piano
13
Voix haute
9
Voix Alto, Piano
9
Voix duo
7
Voix Baryton, Piano
5
Voix Tenor, Piano
3
Voix seule
3
Voix moyenne, Piano
2
Chorale SSAB, Piano
2
Voix Mezzo-Soprano, Piano
1
Chorale SSAB a cappella
1
Voix Tenor
1
Chorale SSATTB
1
+ 15 instrumentations
Retracter
Vents
Ensemble de saxophones
96
Quintette de Saxophone: 5 saxophones
88
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
70
Quatuor de Saxophones: 4 saxophones
36
Ensemble de Clarinettes
36
Flûte, Hautbois, Clarinette, Basson
35
Flûte traversière et Piano
34
Flûte traversière
32
Hautbois, Piano (duo)
29
Clarinette et Piano
21
2 Saxophones (duo)
20
Ensemble de Flûtes
20
Saxophone Alto
18
Saxophone (partie séparée)
17
Quintette de Flûte : 5 flûtes
17
Clarinette
17
Saxophone Alto et Piano
16
Hautbois (partie séparée)
14
Saxophone Tenor
13
Quatuor de Clarinettes: 4 clarinettes
13
Saxophone Soprano et Piano
12
2 Clarinettes (duo)
10
Saxophone Tenor et Piano
10
2 Flûtes traversières (duo)
7
Saxophone Baryton, Piano
7
Quatuor de Flûtes : 4 flûtes
7
Quintette de Clarinettes: 5 clarinettes
6
Cor anglais, Piano
6
3 Saxophones (trio)
5
Flûte et Guitare
4
Clarinette (partie séparée)
4
Clarinette Basse, Piano
4
Flûte à bec Soprano
4
Trio de Flûtes: 3 flûtes
3
Clarinette, Basson (duo)
2
Flûte à bec Alto, Piano
2
3 Clarinettes (trio)
2
Clarinette, Guitare (duo)
2
Saxophone, Clarinette (duo)
2
Flûte à bec Alto
2
Hautbois, Basson (duo)
2
Clarinette, Violoncelle, Piano (trio)
2
Flûte, Violoncelle
2
2 Hautbois (duo)
2
Piccolo, Piano
1
2 Flûte à bec (duo)
1
Flûte à Bec
1
Flûte, Basson et Piano
1
Quatuor de Flûtes à bec
1
2 Cors Anglais Et Pianoforte
1
2 Saxophones, Piano
1
Clarinette et Alto
1
Hautbois, Clarinette (duo)
1
Cor Anglais
1
Clarinette, Violon (duo)
1
Hautbois, Basson et Piano
1
Hautbois, Violon, Piano
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Flûte, Violon, Piano
1
Flûte, Clarinette, Violon (trio)
1
Saxophone Soprano
1
Flute (partie séparée)
1
Saxophone
1
Flûte, Clarinette (duo)
1
Hautbois, Guitare (duo)
1
Flûte, Saxophone (duo)
1
Flûte, Hautbois, Clarinette (trio)
1
Flûte, Hautbois (duo)
1
+ 63 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
109
Quatuor de Cuivres : 2 trompettes, trombone, tuba
90
Ensemble de Trompettes
55
Quatuor de Cuivres: 2 trompettes, Cor, trombone
37
Ensemble de Trombones
32
Trompette
20
Trombone
17
Trompette (partie séparée)
15
Quatuor de Cuivres
14
Trombone et Piano
13
Tuba
12
2 Trombones (duo)
11
Cor
11
Tuba et Piano
10
Cor et Piano
9
Trompette, Piano
9
Trombone (partie séparée)
9
2 Trompettes (duo)
6
Cor anglais, Piano
6
Ensemble de Cors
5
Euphonium, Piano (duo)
5
Euphonium
4
Quatuor de cuivres: 4 cors
4
Quatuor de cuivres: 4 trombones
4
2 Euphoniums et 2 Tubas
3
Trompette, Trombone (duo)
3
2 Cors (duo)
3
Tuba (partie séparée)
2
Trio de Cuivres
2
3 Trompettes (trio)
2
Quatuor de cuivres: 4 trompettes
2
Trombone basse et Piano
2
2 Tubas (duo)
2
Cor (partie séparée)
1
2 Cors Anglais Et Pianoforte
1
Cor Anglais
1
2 Euphoniums (duo)
1
Trompette, Euphonium (duo)
1
Tuba ou Euphonium ou Saxhorn
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Cor et Basson (duo)
1
+ 36 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
176
Violon
37
Violon et Piano
37
Trio à Cordes: violon, alto, violoncelle
36
Harpe
23
Ensemble d'Altos
21
Ensemble de Violons
20
Violoncelle
18
Alto, Piano
17
Violon, Violoncelle (duo)
15
Violoncelle, Piano
15
Quintette à cordes: 2 violons, alto, violoncelle, basse
9
Alto seul
9
Trio à Cordes: 2 violons, violoncelle
8
Contre Basse
7
2 Violons (duo)
6
2 Violoncelles (duo)
5
4 Violoncelles
4
Violon (partie séparée)
4
2 Altos (duo)
4
Quintette à cordes: 2 violons, 2 altos, violoncelle
4
Alto (partie séparée)
4
Harpe, Voix
3
Contrebasse, Piano (duo)
3
Violon, Alto (duo)
2
Quatuor à cordes: 4 violons
2
4 Contrebasses
1
Ensemble de Violoncelles
1
Violoncelle , Guitare (duo)
1
Contrebasse (partie séparée)
1
Violon, Basson (duo)
1
2 Harpes (duo)
1
Violoncelle, Orgue
1
Harpe et mandoline
1
Harpe et Piano
1
Violon, Guitare (duo)
1
Trio à cordes: 3 violins
1
Violon, Clarinette, Piano (trio)
1
Quatuor à cordes : 4 altos
1
+ 34 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
110
Orchestre
75
Ensemble Jazz
66
Orchestre à Cordes
64
Fanfare
37
Ensemble de cuivres
33
Orchestre de chambre
29
Jazz combo
23
Ensemble de Percussions
18
Batterie
11
Percussion
3
Cloches
3
Percussion (partie séparée)
2
Marimba
2
Vibraphone
1
Quintette de Cuivres: autres combinaisons
1
Piano et Orchestre
1
Conga
1
Xylophone
1
Batterie (partie séparée)
1
Instrumentation Flexible
1
+ 16 instrumentations
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DULCIMER
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FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
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HARMONICA
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HAUTBOIS
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
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LIVRES
LUTH
MANDOLINE
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OCARINA
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Vous avez sélectionné:
I Like That
Voix Alto, Piano
Partitions à imprimer
9 partitions trouvées
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1
I Heard a Voice Like the Salted Air" and other songs for alto & piano
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Voix Alto, Piano
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INTERMÉDIAIRE/AVANCÉ
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Julietta Anne Rabens
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I Heard a Voice Like the Salte
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Juliettamusic
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SheetMusicPlus
Alto Voice,Vocal Solo - Level 4 - SKU: A0.867173 Composed by Julietta Anne Rabens. 20th Century,Concert,Contemporary,Spiritual. 41 pages. Juliettamusic ...
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Alto Voice,Vocal Solo - Level 4 - SKU: A0.867173 Composed by Julietta Anne Rabens. 20th Century,Concert,Contemporary,Spiritual. 41 pages. Juliettamusic #1750221. Published by Juliettamusic (A0.867173). I Heard a Voice Like the Salted Air and other songs for alto & piano are a set of pieces inspired by nature themes. These are at an intermediate level, and they are expressive pieces that are ideal for undergraduate voice majors and anyone who loves to sing. Contents include Against the Sky song cycle, The Wild Ashe Deer, Wyoming Songs song cycle, and I Heard a Voice Like the Salted Air.
$20.00
I heard a voice like the salted air for alto and piano
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Voix Alto, Piano
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INTERMÉDIAIRE/AVANCÉ
#
Julietta Anne Rabens
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I heard a voice like the salte
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Juliettamusic
#
SheetMusicPlus
Alto Voice,Vocal Solo - Level 4 - SKU: A0.867190 Composed by Julietta Anne Rabens. 20th Century,Concert,Contemporary. 7 pages. Juliettamusic #1986019. P...
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Alto Voice,Vocal Solo - Level 4 - SKU: A0.867190 Composed by Julietta Anne Rabens. 20th Century,Concert,Contemporary. 7 pages. Juliettamusic #1986019. Published by Juliettamusic (A0.867190). I heard a voice like the salted air for alto & piano is inspired by nature themes. This is an expressive, intermediate level piece that is ideal for undergraduate voice majors and anyone who loves to sing.
$3.99
"Tumbleweed" - (Part Scores)
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Voix Alto, Piano
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INTERMÉDIAIRE
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Sydney Stevens
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"Tumbleweed" -
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Sydney Stevens, Water Music
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SheetMusicPlus
Alto Voice,Vocal Solo - Level 3 - SKU: A0.859710 Composed by Sydney Stevens. Children,Country,Folk,New Age. 31 pages. Sydney Stevens, Water Music #59541...
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Alto Voice,Vocal Solo - Level 3 - SKU: A0.859710 Composed by Sydney Stevens. Children,Country,Folk,New Age. 31 pages. Sydney Stevens, Water Music #5954113. Published by Sydney Stevens, Water Music (A0.859710). Contact: sydneystevenspianostudio@gmail.comTumbleweed: Gentle folk-based piano/vocal by Sydney Stevens (ASCAP). Arrangement is for piano/vocal/chords/Vln I, II. Full score and part scores included with download.Sounds like: Dar Williams, Rose Polenzani, Christina PerriFrom Album: Cycles of Life Theme: I am a tumbleweed tumbling todayMood: Gentle, warm, emotional, comforting, innocent.Musical Traits: Simple, broken chords in the left hand piano along with right hand melody that reflects the vocal line.Performance Time: 3:17Sydney Stevens music is available on: Pandora, Spotify, iTunes, Amazon, Whisperings Solo Piano Radio, AllMusicMore Links:www.sydneystevenswatermusic.comhttp://www.linkedin.com/in/sydney-stevens-532a113aBIOGRAPHY: Sydney Stevens began writing melodies on the piano before she could reach the pedals. Her earliest memory was watching her mother play classical piano. She began piano lessons at the age of 8, and started composing shortly thereafter. Stevens approaches her compositions as an artist. She paints musical portraits of the things that bring meaning to life: relationship to living things, emotional healing, discovering what matters most and honoring that as best we are able. Stevens' beautiful piano-based music aligns one with their own heart. Although some of her music can be described as New Age, her roots are heavily based in classical and jazz. Her study of classical composition makes her music more complex than some New Age music. Her music has been likened to the impressionistic composers such as Claude Debussy. Sydney's formal training is also reflected in her ability to compose for orchestral instruments. Her latest release, Cycles of Life, was solely recorded and produced by Sydney, programming all of the virtual instruments.Sydney has a great love for jazz. Keith Jarrett was an influence on her with his innovative and improvisational piano recordings and performances. She was particularly impressed with the freedom of style he portrayed in his performances. Bill Evans was something Sydney heard played as a young child. Where her mother was a classical pianist, her father was a jazz pianist. Perhaps that's why some of Sydney’s music can be described as a crossover between classical and jazz--remnants from those early years. Joni Mitchell and Judy Collins were big inspirations for Sydney's songwriting. She was especially drawn to the deeply emotional lyrics in many of their songs.Cycles of Life, the title track from Sydney's current release, was composed for her late step dad. The song is about the cycle of birth and death: Cycles of life go on, yet we carry all that we've known and loved through the ages. Time, another track on Sydney's current release, is a song about how time passes more quickly when we are doing something we cherish. Brian's Song, inspired by the loss of her father-in-law, reflects: All that really matters is the way we fill our heart, and the ways that it has loved. Dawn, a track from Sydney's album Seasons, is a beautiful piano-based instrumental with light string background. It portrays that very peaceful hour as the sun slowly lights up the world -- the hour of dawn.Sydney is a poet. She sees the world through a heart that feels the joy and sorrow of the world and those she meets. Her gift is the ability to transfer that emotion into music. Listening to her music is like taking a journey. She delves into depths of emotion, often taking the listener to places that can be difficult to go without the comfort of a beautiful song to accompany them.In addition to being a prolific composer, Stevens runs a b.
$9.95
Wie Du warst (Octavian's Aria) from Der Rosenkavalier - Accessible Accompaniments Edition
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Voix Alto, Piano
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AVANCÉ
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Classique
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Richard Strauss
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Nicole Elyse DiPaolo
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Wie Du warst
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Nicole Elyse DiPaolo
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SheetMusicPlus
Alto Voice,Vocal Solo - Level 5 - SKU: A0.799612 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 6 pages. N...
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Alto Voice,Vocal Solo - Level 5 - SKU: A0.799612 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 6 pages. Nicole Elyse DiPaolo #5022023. Published by Nicole Elyse DiPaolo (A0.799612). The first of its kind, and the third entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Wie Du warst, Octavian's famous aria from Strauss's Der Rosenkavalier (1911). Mezzos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury. This edition also includes a two-measure recomposed ending four measures after rehearsal 25, making this edition a great choice for concert and audition situations in which another singer isn't available to sing the Marschallin's lines.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
Back to the Heart
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Voix Alto, Piano
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INTERMÉDIAIRE
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Sydney Stevens
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Back to the Heart
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Sydney Stevens, Water Music
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SheetMusicPlus
Alto Voice,Vocal Solo - Level 3 - SKU: A0.859668 Composed by Sydney Stevens. Folk,New Age,Pop. 7 pages. Sydney Stevens, Water Music #2959571. Published ...
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Alto Voice,Vocal Solo - Level 3 - SKU: A0.859668 Composed by Sydney Stevens. Folk,New Age,Pop. 7 pages. Sydney Stevens, Water Music #2959571. Published by Sydney Stevens, Water Music (A0.859668). Contact: sydneystevenspianostudio@gmail.comBack to the Heart: Emotional, heartfelt piano/vocal composed by Sydney Stevens (ASCAP). Sheet music arrangement is for piano/vocal/chords. From Album: Cycles of Life Theme: Going away, the sister that I know. Estrangement from someone who was once close. Mood: Serious, reflective, sad, emotionally moving. Musical Traits: Simple left hand piano, right hand reflects vocal part. Performance Time: 3:50 Sydney Stevens music is available on: Pandora, Spotify, iTunes, Amazon, Whisperings Solo Piano Radio, AllMusic More Links: www.sydneystevenswatermusic.comhttp://www.linkedin.com/in/sydney-stevens-532a113a BIOGRAPHY:Sydney Stevens began writing melodies on the piano before she could reach the pedals. Her earliest memory was watching her mother play classical piano. She began piano lessons at the age of 8, and started composing shortly thereafter.Stevens approaches her compositions as an artist. She paints musical portraits of the things that bring meaning to life: relationship to living things, emotional healing, discovering what matters most and honoring that as best we are able. Stevens' beautiful piano-based music aligns one with their own heart. Although some of her music can be described as New Age, her roots are heavily based in classical and jazz. Her study of classical composition makes her music more complex than some New Age music. Her music has been likened to the impressionistic composers such as Claude Debussy. Sydney's formal training is also reflected in her ability to compose for orchestral instruments. Her latest release, Cycles of Life, was solely recorded and produced by Sydney, programming all of the virtual instruments.Sydney has a great love for jazz. Keith Jarrett was an influence on her with his innovative and improvisational piano recordings and performances. She was particularly impressed with the freedom of style he portrayed in his performances. Bill Evans was something Sydney heard played as a young child. Where her mother was a classical pianist, her father was a jazz pianist. Perhaps that's why some of Sydney’s music can be described as a crossover between classical and jazz--remnants from those early years. Joni Mitchell and Judy Collins were big inspirations for Sydney's songwriting. She was especially drawn to the deeply emotional lyrics in many of their songs.Cycles of Life, the title track from Sydney's current release, was composed for her late step dad. The song is about the cycle of birth and death: Cycles of life go on, yet we carry all that we've known and loved through the ages. Time, another track on Sydney's current release, is a song about how time passes more quickly when we are doing something we cherish. Brian's Song, inspired by the loss of her father-in-law, reflects: All that really matters is the way we fill our heart, and the ways that it has loved. Dawn, a track from Sydney's album Seasons, is a beautiful piano-based instrumental with light string background. It portrays that very peaceful hour as the sun slowly lights up the world -- the hour of dawn.Sydney is a poet. She sees the world through a heart that feels the joy and sorrow of the world and those she meets. Her gift is the ability to transfer that emotion into music. Listening to her music is like taking a journey. She delves into depths of emotion, often taking the listener to places that can be difficult to go without the comfort of a beautiful song to accompany them.In addition to being a prolific.
$4.95
How Beautiful (Is the Love Between the Two of Us) - Alto solo and piano
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Voix Alto, Piano
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FACILE
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Mariage/Ballade
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Connie Boss
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How Beautiful
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Connie Boss
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SheetMusicPlus
Alto Voice,Vocal Solo - Level 2 - SKU: A0.1074310 Composed by Connie Boss. Wedding. 3 pages. Connie Boss #678598. Published by Connie Boss (A0.1074310)....
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Alto Voice,Vocal Solo - Level 2 - SKU: A0.1074310 Composed by Connie Boss. Wedding. 3 pages. Connie Boss #678598. Published by Connie Boss (A0.1074310). Here is the perfect song for an alto soloist for a wedding/ engagement or anniversary. It is an original composition, so it's one of a kind. There are other arrangements as well for sale if you want more voices. For questions or requests, email cdboss@cvalley.net Lyrics below: How Beautiful (Is the Love Between the Two of Us) Refrain: How beautiful is your love for me How beautiful is my love for you How beautiful is the love between the two of us Is the love that we trust Verse 1: It’s like the fresh air after it rains It’s like the flowers blooming in the Spring It’s like the sound of voices when they sing When our hearts are beating….in synch Refrain: Verse 2: It’s the moment when we both knew I said I love you and you said it too That special feeling that our love was true Our wedding day when we said… “I do†Outro: How beautiful……. How beautiful…….
$5.99
Shy - an original pop or country song for solo voice
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Voix Alto, Piano
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FACILE
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Connie Boss
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Shy - an original pop or count
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Connie Boss
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SheetMusicPlus
Alto Voice,Vocal Solo - Level 2 - SKU: A0.1090169 Composed by Connie Boss. Country,Pop. 2 pages. Connie Boss #694347. Published by Connie Boss (A0.10901...
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Alto Voice,Vocal Solo - Level 2 - SKU: A0.1090169 Composed by Connie Boss. Country,Pop. 2 pages. Connie Boss #694347. Published by Connie Boss (A0.1090169). Are you one of the shy people growing up like me? It was so hard to go through school that way. At age 64, I'm not nearly as shy as I was back then. I hope you enjoy this song and can maybe identify with it. It would be a great pop or country song. Any questions email me at cdboss@cvalley.net.
$5.99
Holy Holy Holy--vocal alto solo
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Voix Alto, Piano
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INTERMÉDIAIRE
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Musique Sacrée
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Gospel Spirituel
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Reginald Heber, John B
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Beka Wilson
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Holy Holy Holy--vocal alto sol
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Beka Wilson
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SheetMusicPlus
Alto Voice,Vocal Solo - Level 3 - SKU: A0.786537 Composed by Reginald Heber, John B. Dykes. Arranged by Beka Wilson. Christian,Gospel,Sacred,Spiritual. ...
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Alto Voice,Vocal Solo - Level 3 - SKU: A0.786537 Composed by Reginald Heber, John B. Dykes. Arranged by Beka Wilson. Christian,Gospel,Sacred,Spiritual. 6 pages. Beka Wilson #6246121. Published by Beka Wilson (A0.786537). Holy, Holy, Holy has long been a favorite hymn across many denominations, and this arrangement for vocal solo is a perfect calming special music piece for a church service. The piano accompaniment includes chording so the accompanist may ad lib as they wish. This arrangement is also available on Sheet Music Plus as a solo for soprano voice (key of E flat/F), tenor voice (key of E flat/F), bass voice (key of C/D); as an instrumental solo for flute, oboe, clarinet, bassoon, alto sax, tenor sax, F horn, trumpet, trombone, violin, viola, and cello; and as an instrumental duet for harp/flute, harp/violin, harp/viola, and harp/cello.Length: approximately 4 minutes (85bpm)6 pages (includes score and separate melody/word sheet for the vocalist)Do you like this arrangement but want it in a different key? Shoot me an email at bekmars10@gmail.com for a custom version of this arrangement that I can post on Sheet Music Plus for you.
$6.99
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