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3257
PIANO & CLAVIERS
Piano, Voix
16271
Piano seul
5194
Piano Facile
1418
Orgue
193
Piano, Voix et Guitare
148
Piano Trio: piano, violon, violoncelle
114
Instruments en Do
110
1 Piano, 4 mains
105
Accompagnement Piano
89
2 Pianos, 4 mains
76
Piano Quatuor: piano, violon, alto, violoncelle
51
Piano Quintette: piano, 2 violons, alto, violoncelle
28
Piano Quatuor: piano, 2 violons, violoncelle
14
Orgue, Piano (duo)
7
Clavier
6
Piano grosses notes
4
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4
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3
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3
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2
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1
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Guitare
188
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126
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71
Piano, Guitare (duo)
27
Ukulele
21
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21
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12
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9
Guitare, Violon, Violoncelle (trio)
6
Mandoline
4
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Chorale SATB
357
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97
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78
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56
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41
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40
Voix Soprano, Piano
37
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29
Voix Tenor, Piano
28
Voix duo
27
Voix Baryton, Piano
21
Voix basse, Piano
20
Voix haute
19
Voix moyenne, Piano
15
Voix Alto, Piano
12
Voix Tenor
5
Voix basse
4
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1
Voix Soprano
1
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Clarinette et Piano
790
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569
Saxophone Alto et Piano
508
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367
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278
Saxophone Tenor et Piano
277
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264
2 Saxophones (duo)
223
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195
Flûte, Hautbois, Clarinette, Basson
194
Clarinette
182
2 Flûtes traversières (duo)
171
Quintette de Saxophone: 5 saxophones
142
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134
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120
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114
2 Clarinettes (duo)
114
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107
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93
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79
Flûte et Guitare
73
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71
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67
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62
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52
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51
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47
Clarinette, Guitare (duo)
47
2 Hautbois (duo)
46
Quatuor de Flûtes à bec
39
3 Clarinettes (trio)
39
Ensemble de Flûtes
38
Saxophone (partie séparée)
38
2 Flûte à bec (duo)
34
Flûte, Violon, Piano
32
Quintette de Clarinettes: 5 clarinettes
31
Flûte à bec Soprano
29
Hautbois
28
5 Flûtes à bec
27
Trio de Flûtes: 3 flûtes
26
Clarinette, Basson (duo)
23
Saxophone Soprano
22
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21
Clarinette, Violon (duo)
20
Flûte, Hautbois, Clarinette (trio)
18
Flûte à bec Alto
18
2 Clarinettes, Piano
17
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17
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17
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17
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16
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15
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15
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11
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10
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9
Cor Anglais
9
3 Flûtes à bec (trio)
9
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9
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8
Flûte, Hautbois, Basson
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7
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7
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7
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6
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6
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6
Clarinette, Trompette (duo)
6
2 Saxophones, Piano
6
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6
Saxophone
6
Flûte à bec Alto, Piano
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5
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5
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5
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5
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4
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4
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3
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3
Ocarina
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2 Cors Anglais Et Pianoforte
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Flûte traversière, Orgue (duo)
2
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Flute, harpe et violon
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1
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1
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1
4 Hautbois
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Clarinette, Orgue
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Harmonica
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CUIVRES
Trombone et Piano
455
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419
Cor et Piano
350
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
247
Tuba et Piano
190
Trompette
186
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147
Euphonium, Piano (duo)
132
Cor anglais, Piano
120
Cor
118
Trombone
98
Tuba
90
Quatuor de Cuivres: 2 trompettes, Cor, trombone
78
2 Trompettes (duo)
69
2 Trombones (duo)
57
Quatuor de Cuivres
52
2 Cors (duo)
43
Quatuor de cuivres: 4 trombones
32
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31
Ensemble de Trombones
27
Quatuor de cuivres: 4 cors
20
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20
Tuba et Orgue
18
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16
Quatuor de cuivres: 4 trompettes
15
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15
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11
4 Tubas
10
3 Trombones (trio)
10
Cor Anglais
9
Euphonium
9
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8
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8
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7
Trio de Cuivres
7
Trompette, Saxophone (duo)
7
Trompette (partie séparée)
6
Trompette, Violoncelle et Piano
6
Trombone, Cor (duo)
6
Euphonium, Tuba (duo)
6
3 Trompettes (trio)
5
3 Cors (trio)
5
Trompette, Basson (duo)
5
Trompette, Trombone, Piano
5
3 Tubas (trio)
5
Cor et Basson (duo)
5
Cor, Tuba (duo)
4
Trompette, Violoncelle (duo)
3
Trompette et Guitare
3
Cor anglais, Guitare (duo)
3
Cor et Harpe
3
2 Cors Anglais Et Pianoforte
2
Trombone, Orgue
2
Trombone et orchestre
2
Trompette, Orchestre
1
Cornet et orchestre
1
2 Trompettes, Clavier (piano ou orgue)
1
Cor, Violoncelle et Piano
1
2 Euphoniums et 2 Tubas
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
2 Euphoniums (duo)
1
Trompette, Tuba (duo)
1
Trompette, Harpe
1
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1
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CORDES
Violon et Piano
1507
Violoncelle, Piano
1164
Quatuor à cordes: 2 violons, alto, violoncelle
742
Alto, Piano
627
Violon
190
Contrebasse, Piano (duo)
175
Violoncelle
160
2 Violons (duo)
132
Violon, Violoncelle (duo)
118
Trio à Cordes: violon, alto, violoncelle
114
Alto seul
101
Quintette à cordes: 2 violons, alto, violoncelle, basse
99
2 Violoncelles (duo)
93
Harpe
84
Contre Basse
76
2 Altos (duo)
67
Violon, Guitare (duo)
59
4 Violoncelles
57
Violon, Alto (duo)
52
Violoncelle , Guitare (duo)
31
Alto, Guitare (duo)
31
Trio à Cordes: 2 violons, violoncelle
29
Alto (partie séparée)
27
2 Harpes (duo)
25
Alto, Violoncelle (duo)
23
Piano Trio: Violon, Alto, Piano
21
Quatuor à cordes: 4 violons
20
Trio à cordes: 3 violins
18
Quatuor à cordes : 4 altos
18
2 Contrebasses (duo)
16
Trio à Cordes: 3 violoncelles
16
Harpe, Violon (duo)
15
Trio à cordes: 3 altos
15
Trio à Cordes: 2 violons, alto
10
Violon, Basson (duo)
9
2 Violons, Piano
9
Alto et Basson
8
Harpe, Flûte (duo)
7
4 Contrebasses
5
Ensemble de Violons
5
Harpe, Trombone (duo)
4
2 Violoncelles, Piano
4
Violoncelle, Orgue
3
Ensemble de Violoncelles
3
Harpe, Violoncelle (duo)
3
Violon, Clarinette, Piano (trio)
3
Violoncelle, Contrebasse (duo)
3
Alto, Orgue
2
Harpe et Piano
2
Violon (partie séparée)
2
Ensemble d'Altos
2
Violoncelle, Orchestre
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Flûte, Contrebasse (duo)
1
Harpe, Quatuor à cordes
1
Harpe, Violon, Violoncelle
1
Harpe, Voix
1
Alto et Harpe
1
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PERCUSSIONS & ORCHESTRES
Orchestre à Cordes
334
Orchestre d'harmonie
286
Orchestre
211
Orchestre de chambre
187
Ensemble de cuivres
123
Ensemble Jazz
44
Xylophone, Piano
19
Cloches
15
Ensemble de Percussions
10
Marimba
7
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
6
Xylophone
5
Marimba, Piano (duo)
2
Quintette de Cuivres: autres combinaisons
2
Vibraphone (partie séparée)
2
Jazz combo
2
Quatuor à Vent : 4 instruments à vents
1
2 Xylophones
1
Ensemble d'École
1
Orchestre, Violon
1
Piano et Orchestre
1
Fanfare
1
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AUTRES
Formation musicale - Solfège
45
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Ian A Romantic
Voix Alto, Piano
Partitions à imprimer
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Wie Du warst (Octavian's Aria) from Der Rosenkavalier - Accessible Accompaniments Edition
Voix Alto, Piano
Alto Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799612 Composed by Richa…
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Alto Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799612 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 6 pages. Nicole Elyse DiPaolo #5022023. Published by Nicole Elyse DiPaolo (A0.799612). The first of its kind, and the third entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Wie Du warst, Octavian's famous aria from Strauss's Der Rosenkavalier (1911). Mezzos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury. This edition also includes a two-measure recomposed ending four measures after rehearsal 25, making this edition a great choice for concert and audition situations in which another singer isn't available to sing the Marschallin's lines.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
8.18 €
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Voix Alto, Piano
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Richard Strauss
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Nicole Elyse DiPaolo
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Wie Du warst
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Nicole Elyse DiPaolo
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SheetMusicPlus
LOVE IS WASTED ON THE YOUNG - from "Roxane of Bergerac" - a full length musica.
Voix Alto, Piano
Alto Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.995980 Composed by Dave …
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Alto Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.995980 Composed by Dave Flippo - music, Marie Yuen- lyrics. Baroque,Jazz. 6 pages. David William Flippo #4766491. Published by David William Flippo (A0.995980). Sung by: Duenna An argument for love of a more autumnal inclination among those who know what to do with what they've got. Style: Elegant classical aria with dance section. Piano / Vocal Score. From Roxane of Bergerac - A full length musical - A romantic action-comedy date musical about Roxane's refusal to be merely decorative when it comes to living her life, and this while questing for True Love and her Hero of True Romance. The musical language is a blend of Jazz and Renaissance musical styles that parallels the mash-up of today’s slang with the preciosity (refined speech) of some 16th century Parisians.
$3.95
3.61 €
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Voix Alto, Piano
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Dave Flippo - music, Marie Yuen- lyrics
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LOVE IS WASTED ON THE YOUNG - from "Roxane of Bergerac" - a full length musica.
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David William Flippo
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SheetMusicPlus
A Still and Quiet Night
Voix Alto, Piano
Alto Voice,Vocal Solo - Level 2 - Digital Download SKU: A0.1009895 Composed by Jen …
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Alto Voice,Vocal Solo - Level 2 - Digital Download SKU: A0.1009895 Composed by Jen Haugland Music. Christian,Christmas,Contemporary,Jazz. 8 pages. Jen Haugland Music #11077. Published by Jen Haugland Music (A0.1009895). A Still and Quit Night. Words and Music by Jen Haugland & Eric Copeland. A romantic Christmas song for those who have hit the Empty Nest years. Smooth Jazz/Inspirational and encouraging. Quiet listening and reflective. It has a hint of traditional Silent Night giving it a nostalgic feel. For piano/vocal, with chord notation and lyric. A great way to celebrate marriage at Christmas time for the older generations. Younger generations enjoy it too!
$3.99
3.65 €
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Voix Alto, Piano
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Jen Haugland Music
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A Still and Quiet Night
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Jen Haugland Music
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SheetMusicPlus
O Mio Babbino Caro - G.Puccini - Alto voice and Piano
Voix Alto, Piano
Alto Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.1050055 Composed by Giac…
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Alto Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.1050055 Composed by Giacomo Puccini. Arranged by Raymond Fenech. Christmas,Easter,Opera,Romantic Period,Wedding. 10 pages. Raymond Fenech #654458. Published by Raymond Fenech (A0.1050055). O mio babbino caro (Oh my dear Papaâ€) is an aria from the opera Gianni Schicchi (1918) by Giacomo Puccini to a libretto by Giovacchino Forzano. It is sung by Lauretta after tensions between her father Schicchi and the family of Rinuccio, the boy she loves, have reached a breaking point that threatens to separate her from Rinuccio. It provides an interlude expressing lyrical simplicity and love in contrast with the atmosphere of hypocrisy, jealousy, double-dealing, and feuding in medieval Florence. It provides the only set-piece in the through-composed opera. This Aria is arranged by Raymond Fenech The duration is 3.21 minutes and it is an Intermediate level piece.
$4.50
4.11 €
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Voix Alto, Piano
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Giacomo Puccini
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Raymond Fenech
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O Mio Babbino Caro - G.Puccini - Alto voice and Piano
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Raymond Fenech
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SheetMusicPlus
Mahler (arr. Lee): Symphony No. 3 5th movement, Piano Vocal Score (Version D for Alto solo)
Voix Alto, Piano
Alto Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.866108 Composed by Gusta…
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Alto Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.866108 Composed by Gustav Mahler. Arranged by Yoon Jae Lee. Romantic Period,Sacred. 12 pages. Ondine Press #3114457. Published by Ondine Press (A0.866108). This is the piano vocal score to an arrangement of the 5th movement of Mahler's Third Symphony, Es Sungen Drei Engel from Des Knaben Wunderhorn. This arrangement is one of 4 versions by Yoon Jae Lee, the curator of the Mahler Chamber Project. Version D is solo voice (alto solo). This version omits the boy’s (children’s choir) and women's chorus allowing for performances of this work to be sung by only one singer. The vocal is nearly identical to Mahler's original Lieder version but the revisions made to the final symphonic version, both rhythmic and structural, have been incorporated into this arrangement. Given the wide tessitura of the vocal part, it may be a stretch to say that it is ideally suited for alto. A few ossia parts with lower notes are given where the voice goes to a high register. This arrangement can be performed as a stand alone work with piano, or with Yoon Jae Lee’s reduction for chamber orchestra or with Mahler’s original forces.
$7.50
6.86 €
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Voix Alto, Piano
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Gustav Mahler
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Yoon Jae Lee
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Mahler
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Ondine Press
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SheetMusicPlus
Spring and Fall: to a Young Child, poem by G.M. Hopkins
Voix Alto, Piano
Alto Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.989218 Composed by Mary …
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Alto Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.989218 Composed by Mary Ann Joyce. 20th Century,Concert,Contemporary,Romantic Period. 4 pages. Mary Ann Joyce-Walter #6203595. Published by Mary Ann Joyce-Walter (A0.989218). In this poem, Hopkins speaks to a young child. His message to Margaret, is that when she grieves, It is Margaret you mourn for.
$4.99
4.56 €
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Voix Alto, Piano
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Mary Ann Joyce
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His message to Margaret,
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Spring and Fall: to a Young Child, poem by G.M. Hopkins
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Mary Ann Joyce-Walter
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SheetMusicPlus
Vous aimez le danger/Ah! que j'aime les militaires from La Grande-Duchesse de Gérolstein - Duchesse
Voix Alto, Piano
Alto Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799618 Composed by Jacqu…
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Alto Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799618 Composed by Jacques Offenbach. Arranged by Nicole Elyse DiPaolo. Opera,Romantic Period. 6 pages. Nicole Elyse DiPaolo #5306351. Published by Nicole Elyse DiPaolo (A0.799618). The first of its kind, this is a customized La Duchesse-only audition cut of Vous aimez le danger...Ah! que j'aime les militaires from Jacques Offenbach's La Grande-Duchesse de Gérolstein (1867). In the past, singers wishing to audition for this role would have to make a series of awkward cuts to eliminate the gaps created by the choral parts when performing this excerpt. The current edition omits those passages and, as a result, noticeably reduces the page count. In addition, this new engraving is remarkably clearer than the existing vocal score, which has deteriorated from age and is cluttered with instrumental cues that may not be relevant to a sight-reading audition pianist.The piano reduction itself has not been simplified or drastically altered (at the commissioner's request), although the engraving features minor changes from the original edition (for example, eliminating cross-staff chord notation and inserting a few logical enharmonic respellings).About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
8.18 €
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Voix Alto, Piano
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Jacques Offenbach
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Nicole Elyse DiPaolo
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Vous aimez le danger/Ah! que j'aime les militaires from La Grande-Duchesse de Gérolstein - Duchesse
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Nicole Elyse DiPaolo
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SheetMusicPlus
Another Day
Voix Alto, Piano
Alto Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.859660 Composed by Sydne…
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Alto Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.859660 Composed by Sydney Stevens. Country,Folk,New Age,Pop. 7 pages. Sydney Stevens, Water Music #2942889. Published by Sydney Stevens, Water Music (A0.859660). Contact: sydneystevenspianostudio@gmail.comAnother Day: Refreshing, passionate piano/vocal composed by Sydney Stevens (ASCAP). Sheet music arrangement is for piano/vocal/chords.Sounds like: Christina Perri, Enya, Judy CollinsFrom Album: Cycles of Life Theme: New love, love's longing. Mood: Passionate, romantic, heartfelt. Musical Traits: Strong melody in right hand piano that reflects the vocal line. Performance Time: 3:41 Sydney Stevens music is available on: Pandora, Spotify, iTunes, Amazon, Whisperings Solo Piano Radio, AllMusic More Links: www.sydneystevenswatermusic.com http://www.linkedin.com/in/sydney-stevens-532a113a BIOGRAPHY:Sydney Stevens began writing melodies on the piano before she could reach the pedals. Her earliest memory was watching her mother play classical piano. She began piano lessons at the age of 8, and started composing shortly thereafter.Stevens approaches her compositions as an artist. She paints musical portraits of the things that bring meaning to life: relationship to living things, emotional healing, discovering what matters most and honoring that as best we are able. Stevens' beautiful piano-based music aligns one with their own heart. Although some of her music can be described as New Age, her roots are heavily based in classical and jazz. Her study of classical composition makes her music more complex than some New Age music. Her music has been likened to the impressionistic composers such as Claude Debussy. Sydney's formal training is also reflected in her ability to compose for orchestral instruments. Her latest release, Cycles of Life, was solely recorded and produced by Sydney, programming all of the virtual instruments.Sydney has a great love for jazz. Keith Jarrett was an influence on her with his innovative and improvisational piano recordings and performances. She was particularly impressed with the freedom of style he portrayed in his performances. Bill Evans was something Sydney heard played as a young child. Where her mother was a classical pianist, her father was a jazz pianist. Perhaps that's why some of Sydney’s music can be described as a crossover between classical and jazz--remnants from those early years. Joni Mitchell and Judy Collins were big inspirations for Sydney's songwriting. She was especially drawn to the deeply emotional lyrics in many of their songs.Cycles of Life, the title track from Sydney's current release, was composed for her late step dad. The song is about the cycle of birth and death: Cycles of life go on, yet we carry all that we've known and loved through the ages. Time, another track on Sydney's current release, is a song about how time passes more quickly when we are doing something we cherish. Brian's Song, inspired by the loss of her father-in-law, reflects: All that really matters is the way we fill our heart, and the ways that it has loved. Dawn, a track from Sydney's album Seasons, is a beautiful piano-based instrumental with light string background. It portrays that very peaceful hour as the sun slowly lights up the world -- the hour of dawn.Sydney is a poet. She sees the world through a heart that feels the joy and sorrow of the world and those she meets. Her gift is the ability to transfer that emotion into music. Listening to her music is like taking a journey. She delves into depths of emotion, often taking the listener to places that can be difficult to go without the comfort of a beautiful song to accompany them.In addition to being a prolific composer, Stevens runs a.
$4.95
4.53 €
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Voix Alto, Piano
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Sydney Stevens
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Another Day
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Sydney Stevens, Water Music
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SheetMusicPlus
The River
Voix Alto, Piano
Alto Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.859664 Composed by Sydne…
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Alto Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.859664 Composed by Sydney Stevens. Country,Folk,Pop,Wedding. 8 pages. Sydney Stevens, Water Music #2949779. Published by Sydney Stevens, Water Music (A0.859664). Contact: sydneystevenspianostudio@gmail.comThe River: Uplifting piano/vocal by Sydney Stevens (ASCAP). Sheet music arrangement is for piano/vocal/chords.Sounds like: Dar Williams, Judy Collins, Christina PerriFrom Album: Cycles of Life Theme: Long awaited true love, new love.Mood: Happy, romantic, inspired.Musical Traits: Broken chords in the left hand piano, right hand melody that reflects the vocal line.Performance Time: 3:17Sydney Stevens music is available on: Pandora, Spotify, iTunes, Amazon, Whisperings Solo Piano Radio, AllMusicMore Links: www.sydneystevenswatermusic.com http://www.linkedin.com/in/sydney-stevens-532a113aBIOGRAPHY:Sydney Stevens began writing melodies on the piano before she could reach the pedals. Her earliest memory was watching her mother play classical piano. She began piano lessons at the age of 8, and started composing shortly thereafter.Stevens approaches her compositions as an artist. She paints musical portraits of the things that bring meaning to life: relationship to living things, emotional healing, discovering what matters most and honoring that as best we are able. Stevens' beautiful piano-based music aligns one with their own heart. Although some of her music can be described as New Age, her roots are heavily based in classical and jazz. Her study of classical composition makes her music more complex than some New Age music. Her music has been likened to the impressionistic composers such as Claude Debussy. Sydney's formal training is also reflected in her ability to compose for orchestral instruments. Her latest release, Cycles of Life, was solely recorded and produced by Sydney, programming all of the virtual instruments.Sydney has a great love for jazz. Keith Jarrett was an influence on her with his innovative and improvisational piano recordings and performances. She was particularly impressed with the freedom of style he portrayed in his performances. Bill Evans was something Sydney heard played as a young child. Where her mother was a classical pianist, her father was a jazz pianist. Perhaps that's why some of Sydney’s music can be described as a crossover between classical and jazz--remnants from those early years. Joni Mitchell and Judy Collins were big inspirations for Sydney's songwriting. She was especially drawn to the deeply emotional lyrics in many of their songs.Cycles of Life, the title track from Sydney's current release, was composed for her late step dad. The song is about the cycle of birth and death: Cycles of life go on, yet we carry all that we've known and loved through the ages. Time, another track on Sydney's current release, is a song about how time passes more quickly when we are doing something we cherish. Brian's Song, inspired by the loss of her father-in-law, reflects: All that really matters is the way we fill our heart, and the ways that it has loved. Dawn, a track from Sydney's album Seasons, is a beautiful piano-based instrumental with light string background. It portrays that very peaceful hour as the sun slowly lights up the world -- the hour of dawn.Sydney is a poet. She sees the world through a heart that feels the joy and sorrow of the world and those she meets. Her gift is the ability to transfer that emotion into music. Listening to her music is like taking a journey. She delves into depths of emotion, often taking the listener to places that can be difficult to go without the comfort of a beautiful song to accompany them.In addition to being a prolific composer,.
$4.95
4.53 €
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Voix Alto, Piano
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Sydney Stevens
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The River
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Sydney Stevens, Water Music
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SheetMusicPlus
Time
Voix Alto, Piano
Alto Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.859661 Composed by Sydne…
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Alto Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.859661 Composed by Sydney Stevens. Country,Folk,New Age,Pop. 5 pages. Sydney Stevens, Water Music #2942895. Published by Sydney Stevens, Water Music (A0.859661). Contact: sydneystevenspianostudio@gmail.comTime: Peaceful piano/vocal composed by Sydney Stevens (ASCAP). Sheet music arrangement is for piano/vocal/chords.Sounds like: Sarah McLachlan, Vanessa Carlton, Loreena McKennittFrom Album: Cycles of Life Theme: Contemplative theme of time passing more quickly the longer we're here -- the hourglass effect. Also, how time seems to pass faster when we are doing something we love.Mood: Romantic, gentle, warm, emotional.Musical Traits: Strong melody in right hand piano that reflects the vocal line.Performance Time: 4:17Sydney Stevens music is available on: Pandora, Spotify, iTunes, Amazon, Whisperings Solo Piano Radio, AllMusicMore Links: www.sydneystevenswatermusic.com http://www.linkedin.com/in/sydney-stevens-532a113aBIOGRAPHY:Sydney Stevens began writing melodies on the piano before she could reach the pedals. Her earliest memory was watching her mother play classical piano. She began piano lessons at the age of 8, and started composing shortly thereafter.Stevens approaches her compositions as an artist. She paints musical portraits of the things that bring meaning to life: relationship to living things, emotional healing, discovering what matters most and honoring that as best we are able. Stevens' beautiful piano-based music aligns one with their own heart. Although some of her music can be described as New Age, her roots are heavily based in classical and jazz. Her study of classical composition makes her music more complex than some New Age music. Her music has been likened to the impressionistic composers such as Claude Debussy. Sydney's formal training is also reflected in her ability to compose for orchestral instruments. Her latest release, Cycles of Life, was solely recorded and produced by Sydney, programming all of the virtual instruments.Sydney has a great love for jazz. Keith Jarrett was an influence on her with his innovative and improvisational piano recordings and performances. She was particularly impressed with the freedom of style he portrayed in his performances. Bill Evans was something Sydney heard played as a young child. Where her mother was a classical pianist, her father was a jazz pianist. Perhaps that's why some of Sydney’s music can be described as a crossover between classical and jazz--remnants from those early years. Joni Mitchell and Judy Collins were big inspirations for Sydney's songwriting. She was especially drawn to the deeply emotional lyrics in many of their songs.Cycles of Life, the title track from Sydney's current release, was composed for her late step dad. The song is about the cycle of birth and death: Cycles of life go on, yet we carry all that we've known and loved through the ages. Time, another track on Sydney's current release, is a song about how time passes more quickly when we are doing something we cherish. Brian's Song, inspired by the loss of her father-in-law, reflects: All that really matters is the way we fill our heart, and the ways that it has loved. Dawn, a track from Sydney's album Seasons, is a beautiful piano-based instrumental with light string background. It portrays that very peaceful hour as the sun slowly lights up the world -- the hour of dawn.Sydney is a poet. She sees the world through a heart that feels the joy and sorrow of the world and those she meets. Her gift is the ability to transfer that emotion into music. Listening to her music is like taking a journey. She delves into depths of emotion, often taking the lis.
$4.95
4.53 €
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Voix Alto, Piano
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Sydney Stevens
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Time
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Sydney Stevens, Water Music
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SheetMusicPlus
ME AND MY MUSIC
Voix Alto, Piano
Alto Voice,Vocal Solo - Digital Download SKU: A0.1017881 Composed by Hilary Brooks,…
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Alto Voice,Vocal Solo - Digital Download SKU: A0.1017881 Composed by Hilary Brooks, Lyrics by Clive King. Broadway,Celtic,Film/TV,Musical/Show. 15 pages. Hilary Brooks #6344933. Published by Hilary Brooks (A0.1017881). Musical theatre. A travelling song. An adventure song. A song full of idealistic expectation. The opening number from WEE FREE! The Musical Piano/Voice. 15p. For F solo. 1984. Morna escapes the city to teach music on the remote Isle of Munst. When she accidentally marries a pillar of the community, she finds herself at odds with the quirks of The Kirk and the strange ways of the locals. Can a New Romantic survive on an island ruled by The Old Testament? Cleverly written... great songs... outstanding cast... crisp direction. **** The Herald Delightful performances... fine sings of love and disappointment... has the audience rolling in the aisles. **** The Scotsman A rare and scintillating treat... funny and cannily observant. **** Mumble Musicals A chamber musical for four actors - 2F, 2M. Original production length: 57 minutes. Suitable for MT students, colleges, MT societies. contact: @BrooksandKing Brooks & King are represented by Micheline Steinberg Associates: micheline@steinplays.com. 020 3214 8282 Script perusal and hires can be arranged through MSA
$5.86
5.36 €
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Voix Alto, Piano
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Hilary Brooks, Lyrics by Clive King
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ME AND MY MUSIC
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Hilary Brooks
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SheetMusicPlus
PARTY ON THE SABBATH
Voix Alto, Piano
Alto Voice,Vocal Solo - Digital Download SKU: A0.1017886 Composed by Hilary Brooks,…
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Alto Voice,Vocal Solo - Digital Download SKU: A0.1017886 Composed by Hilary Brooks, Lyrics by Clive King. Dance,Musical/Show,Pop. 2 pages. Hilary Brooks #6344955. Published by Hilary Brooks (A0.1017886). Musical theatre. A 'club' instrumental - bows music from WEE FREE! The Musical Piano/Voice. 2p. 1984. Morna escapes the city to teach music on the remote Isle of Munst. When she accidentally marries a pillar of the community, she finds herself at odds with the quirks of The Kirk and the strange ways of the locals. Can a New Romantic survive on an island ruled by The Old Testament? Cleverly written... great songs... outstanding cast... crisp direction. **** The Herald Delightful performances... fine sings of love and disappointment... has the audience rolling in the aisles. **** The Scotsman A rare and scintillating treat... funny and cannily observant. **** Mumble Musicals A chamber musical for four actors - 2F, 2M. Original production length: 57 minutes. Suitable for MT students, colleges, MT societies. contact: @BrooksandKing Brooks & King are represented by Micheline Steinberg Associates: micheline@steinplays.com. 020 3214 8282 Script perusal and hires can be arranged through MSA
$4.37
4 €
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Voix Alto, Piano
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Hilary Brooks, Lyrics by Clive King
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PARTY ON THE SABBATH
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Hilary Brooks
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SheetMusicPlus
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