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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
More
Non classifié
11 626
Piano & claviers
Piano, Voix
13 857
Piano seul
7 982
Piano Facile
3 530
Piano grosses notes
3 325
Piano, Voix et Guitare
2 034
Orgue
1 924
Instruments en Do
432
1 Piano, 4 mains
249
Accompagnement Piano
114
Piano Trio: piano, violon, violoncelle
109
Accordéon
108
2 Pianos, 4 mains
97
Clavier
66
Piano (partie séparée)
30
Piano Quatuor: piano, violon, alto, violoncelle
29
Orgue, Trompette (duo)
15
Piano Quatuor: piano, 2 violons, violoncelle
10
Clavecin
9
Piano Quintette: piano, 2 violons, alto, violoncelle
9
Orgue, Piano (duo)
6
Ligne De Mélodie, Piano
4
Orgue, Voix
3
2 Pianos, 8 mains
3
1 Piano, 6 mains
2
Accordéon, Voix
1
2 Accordéons
1
+ 21 instrumentations
Retracter
Guitares
Guitare notes et tablatures
1 473
Guitare
771
Ligne De Mélodie, (Paroles) et Accords
471
Ukulele
274
2 Guitares (duo)
165
Paroles et Accords
161
Basse electrique
145
Mandoline
58
Dulcimer
39
Banjo
35
Guitare (partie séparée)
34
4 Guitares (Quatuor)
28
Ensemble de guitares
26
Piano, Guitare (duo)
25
3 Guitares (trio)
15
2 Ukuleles
9
Ukulele Baryton
7
Mandoline, Guitare (duo)
4
Dobro
4
Guitare Pedal Steel
3
Ensemble de Ukulélés
2
Guitare, Violon, Violoncelle (trio)
2
2 Dulcimers (duo)
1
Basse électrique (partie séparée)
1
+ 19 instrumentations
Retracter
Voix
Chorale SATB
2 901
Chorale 3 parties
952
Chorale TTBB
706
Chorale SSAA
570
Chorale 2 parties
507
Chorale Unison
496
Pack Instrumental pour Chorale
366
Voix seule
203
Voix duo, Piano
87
Voix haute
60
Voix duo
50
Voix Soprano, Piano
48
Chorale
45
Voix Alto, Piano
32
Voix Baryton, Piano
27
Voix Tenor, Piano
19
Voix moyenne, Piano
19
Voix basse, Piano
13
Chorale SSAATTBB
10
Voix, Guitare
6
Voix Soprano
6
Voix Soprano, Orchestre
5
Voix Tenor
5
Voix basse
5
Chorale SSATTB
4
Chorale SSAB a cappella
4
Chorale SSATB
3
Chorale SSAB, Piano
3
Voix Mezzo-Soprano, Piano
2
Soli, choeur mixte et accompagnement
2
Chorale SAATB A Cappella
2
Chorale SATTB
1
Voix et basse continue
1
Voix Baryton
1
Chorale SSAATB
1
Chorale SATBB
1
Voix Moyenne
1
+ 32 instrumentations
Retracter
Vents
2 Saxophones (duo)
1 273
Flûte traversière et Piano
960
Quatuor de Saxophones: 4 saxophones
772
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
772
2 Clarinettes (duo)
644
Clarinette et Piano
631
Clarinette
609
2 Flûtes traversières (duo)
585
Saxophone Alto et Piano
566
Hautbois, Piano (duo)
565
Flûte traversière
549
Flûte, Hautbois, Clarinette, Basson
539
Quatuor de Clarinettes: 4 clarinettes
496
Saxophone, Clarinette (duo)
435
Saxophone Alto
433
Saxophone Tenor et Piano
396
Saxophone Soprano et Piano
367
Saxophone (partie séparée)
359
Quintette de Saxophone: 5 saxophones
355
Clarinette, Violon (duo)
347
Saxophone Tenor
333
Flûte, Clarinette (duo)
290
2 Hautbois (duo)
284
Clarinette, Trompette (duo)
265
Saxophone Baryton, Piano
239
Hautbois, Basson (duo)
224
Hautbois (partie séparée)
219
Hautbois, Clarinette (duo)
211
3 Saxophones (trio)
182
Flûte, Violon
181
Ensemble de saxophones
180
Clarinette et Alto
176
Flûte, Alto (duo)
168
Quatuor de Flûtes : 4 flûtes
159
Flûte, Saxophone (duo)
153
Hautbois
134
Hautbois, Flûte
133
Flûte, Trompette (duo)
123
3 Clarinettes (trio)
119
Cor anglais, Piano
116
Ensemble de Clarinettes
114
Quintette de Clarinettes: 5 clarinettes
113
Ensemble de Flûtes
112
Saxophone Soprano
97
Saxophone
95
2 Flûte à bec (duo)
95
Clarinette (partie séparée)
93
Trio de Flûtes: 3 flûtes
87
Quintette de Flûte : 5 flûtes
77
Clarinette Basse, Piano
76
Flûte à Bec
70
Clarinette, Basson (duo)
68
Flûte et Guitare
67
Flûte à bec Soprano
62
Flûte, Violoncelle
58
Hautbois, Clarinette, Basson (trio d'anches)
55
Flute (partie séparée)
51
Flûte à bec Tenor
43
Hautbois, Violoncelle
43
Flûte, Clarinette et Basson
43
Clarinette, Violoncelle (duo)
41
Saxophone Baryton
40
Flûte, Hautbois (duo)
39
2 Flûtes traversières, Piano
38
Ensemble De Flûte à bec
36
Flûte, Hautbois, Clarinette (trio)
34
Flûte à bec Alto
34
Hautbois et alto (duo)
33
Quatuor de Flûtes à bec
32
Hautbois, violon (duo)
30
Harmonica
29
Flûte, Violon, Piano
28
Cor Anglais
28
Flûte à bec Alto, Piano
28
Flûte à bec Soprano, Piano
27
Piccolo, Piano
25
Flûte à Bec, Piano
20
Clarinette, Guitare (duo)
19
3 Flûtes à bec (trio)
19
Flûte, Tuba (duo)
17
Flûte, Clarinette, Piano (trio)
17
Clarinette, Trombone (duo)
14
Hautbois, trombone (duo)
14
Clarinette, Tuba
14
Ocarina
14
Instruments en Mib
14
Flûte, Trombone (duo)
13
Flûte, Violoncelle, Piano (trio)
12
Flûte, Hautbois, Basson
12
Hautbois, Guitare (duo)
12
2 Clarinettes, Piano
11
5 Flûtes à bec
11
Saxophone et Guitare
11
3 Hautbois
10
Flûte, Basson et Piano
9
Flûte, Clarinette, Cor, Basson (Quartet)
9
2 Saxophones, Piano
8
Flûte, Hautbois, Piano (trio)
8
Flûte irlandaise
8
4 Hautbois
8
Flûte, Violon et Violoncelle
7
Hautbois, Violin, Alto et Violoncelle (Quatuor)
6
Saxophone et Orgue
5
Flûte et Trio à cordes
5
Flûte, Alto et Piano
4
Clarinette, Violoncelle, Piano (trio)
4
Hautbois, Basson et Piano
4
Clarinette Basse
4
2 Cors Anglais Et Pianoforte
4
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
4
Hautbois, Clarinette et Piano (Trio)
3
Piccolo
3
2 Flûtes, 2 Clarinettes (Quatuor)
3
Clarinette, Alto et Piano (trio)
3
Ensemble à vent
3
Clarinette, Harpe (duo)
2
Hautbois, Violoncelle et Piano
2
Flûte, Violoncelle, Guitare
2
Flûte traversière, Orgue (duo)
2
2 Flûtes traversières, Guitare
2
Quintette de Clarinette: Clarinette, Quatuor à Cordes
2
2 Clarinettes, Basson
2
Clarinette, Basson, Piano (trio)
2
Ensemble de Hautbois
1
Flûte, Violon, Violoncelle et Piano
1
Flûte à bec Alto, Basse continue
1
Cor anglais, Guitare (duo)
1
Flute, Cor (duo)
1
Cornemuse
1
Saxophone, Basson (duo)
1
Hautbois et Orchestre
1
Flûte traversière, Orchestre
1
Flûte de Pan
1
Clarinette, Orgue
1
Hautbois, Violon, Piano
1
Clarinette, Orchestre
1
Flute, harpe et violon
1
Flûte, trombone et piano
1
2 Hautbois, Piano
1
Flûte à bec, Guitare (duo)
1
+ 135 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
962
Trompette
551
Trombone et Piano
508
Trompette, Piano
427
Trombone
387
Cor et Piano
348
Quatuor de Cuivres : 2 trompettes, trombone, tuba
330
2 Trombones (duo)
321
Trompette, Saxophone (duo)
303
2 Trompettes (duo)
274
Cor
273
Quatuor de Cuivres: 2 trompettes, Cor, trombone
244
Tuba et Piano
236
Trompette, Trombone (duo)
228
Quatuor de cuivres: 4 cors
211
Trompette (partie séparée)
209
Trombone (partie séparée)
170
Tuba
160
Quatuor de Cuivres
141
Euphonium, Piano (duo)
122
Cor anglais, Piano
116
2 Cors (duo)
105
Quatuor de cuivres: 4 trombones
103
Ensemble de Cors
93
2 Tubas (duo)
49
Cor (partie séparée)
49
Ensemble de Trombones
48
Ensemble de Trompettes
47
Trompette, Tuba (duo)
37
2 Euphoniums et 2 Tubas
33
Trompette, Cor (duo)
30
Tuba (partie séparée)
28
Cor Anglais
28
Trio de Cuivres
26
3 Trombones (trio)
25
Euphonium, Tuba (duo)
22
Euphonium
22
Trombone, Violon (duo)
20
3 Trompettes (trio)
19
Trombone, Tuba (duo)
17
2 Euphoniums (duo)
16
Trombone basse et Piano
16
Instruments en Sib
14
Bass Clef Instruments
12
4 Tubas
11
Quatuor de cuivres: 4 trompettes
11
Cor, Tuba (duo)
10
Trombone, Cor (duo)
10
Tuba et Orgue
9
Trompette, Violoncelle et Piano
6
Cor, Orchestre
5
Quatuor de cuivres: 2 trompettes, 2 trombones
5
2 Trompettes, Clavier (piano ou orgue)
4
4 Euphoniums
4
Trompette, Basson (duo)
4
3 Cors (trio)
4
Trompette, Trombone, Piano
4
2 Cors Anglais Et Pianoforte
4
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
4
3 Tubas (trio)
3
Trombone basse
3
Trompette, violon (duo)
3
Trombone, Orgue
2
Cor, Violoncelle (duo)
2
Ensemble de Tubas
2
Trompette, Violoncelle (duo)
2
3 Euphoniums
2
Clarinette, Cor (duo)
1
Trompette, Orchestre
1
Tuba ou Euphonium ou Saxhorn
1
Trompette et Guitare
1
Cor anglais, Guitare (duo)
1
Cor et Orgue
1
Trombone et orchestre
1
+ 69 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
2 347
Violon et Piano
1 099
Violon
922
Violoncelle, Piano
847
Violon, Violoncelle (duo)
707
Alto, Piano
623
Violoncelle
552
Trio à Cordes: violon, alto, violoncelle
541
2 Violons (duo)
461
2 Violoncelles (duo)
400
Harpe
348
Violon, Alto (duo)
343
Alto seul
333
2 Altos (duo)
332
Quintette à cordes: 2 violons, alto, violoncelle, basse
308
Contrebasse, Piano (duo)
261
Contre Basse
176
Trio à Cordes: 2 violons, violoncelle
95
Violon (partie séparée)
87
Alto (partie séparée)
85
Alto, Violoncelle (duo)
81
Contrebasse (partie séparée)
66
4 Violoncelles
47
2 Harpes (duo)
46
Trio à cordes: 3 violins
42
Violon, Basson (duo)
40
2 Contrebasses (duo)
40
Violon, Guitare (duo)
36
Trio à Cordes: 3 violoncelles
35
Violoncelle (partie séparée)
29
Trio à cordes: 3 altos
27
Piano Trio: Violon, Alto, Piano
25
Trio à Cordes: 2 violons, alto
23
Violon, Tuba (duo)
22
Quatuor à cordes: 4 violons
22
Violoncelle, Contrebasse (duo)
22
Violoncelle , Guitare (duo)
21
Quatuor à cordes : 4 altos
20
Harpe, Flûte (duo)
13
Violoncelle, Orchestre
13
Alto, Guitare (duo)
11
Quintette à cordes: 2 violons, 2 altos, violoncelle
10
Harpe (partie séparée)
10
Violon, Clarinette, Piano (trio)
8
Harpe, Voix
7
Ensemble d'Altos
7
Ensemble de Violons
6
Ensemble de Violoncelles
6
Harpe, Violon (duo)
6
Violoncelle, Orgue
5
Flûte, Contrebasse (duo)
5
2 Violoncelles, Piano
5
Harpe et mandoline
4
Trio à cordes
4
Violon, Orgue
3
Harpe, Quatuor à cordes
3
Alto, Orgue
3
3 Contrebasses
3
Harpe et Piano
2
2 Violons, Piano
2
Autoharp
2
Alto et Basson
2
Harpe, Violon, Violoncelle
2
4 Contrebasses
2
Violon, Basse continue
1
Quintette à cordes : 2 violons, alto et 2 violoncelles
1
Violon, Violoncelle, Clarinette
1
Alto et Harpe
1
Harpe, Trombone (duo)
1
2 Altos, Piano
1
4 Harpes
1
Violoncelle, Basse continue
1
+ 67 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
2 458
Orchestre
1 262
Ensemble Jazz
866
Orchestre à Cordes
812
Cloches
729
Ensemble de cuivres
401
Orchestre de chambre
262
Jazz combo
259
Batterie
232
Fanfare
200
Ensemble de Percussions
137
Marimba
47
Percussion (partie séparée)
46
Vibraphone
41
Piano et Orchestre
38
Xylophone, Piano
30
Percussion
27
Batterie (partie séparée)
27
Xylophone
25
Orchestre, Violon
19
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
10
Big band
8
Timbales (partie séparée)
7
Ensemble d'École
6
Quintette de Cuivres: autres combinaisons
4
Instrumentation Flexible
4
Caisse Claire
3
Marimba, Piano (duo)
2
2 Xylophones
2
3 Marimbas
2
2 Percussions
1
Vibraphone et Marimba
1
Batterie-Fanfare
1
Timbales
1
Marimba ou Xylophone et Piano
1
Marimba et Orgue
1
2 Marimbas
1
Voix et Orchestre
1
+ 33 instrumentations
Retracter
Autres
Formation musicale - Solfège
137
Théorie de la musique
2
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
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COR ANGLAIS
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
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EUPHONIUM
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FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
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HARMONICA
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HAUTBOIS
LIVRES
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KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
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POP ROCK - ROCK CLAS…
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Voix Alto, Piano
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26
Be More Like Jesus - (Lent/Good Friday) solo cello and piano
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Voix Alto, Piano
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FACILE
#
Musique Sacrée
#
Connie Boss
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Be More Like Jesus -
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Connie Boss
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SheetMusicPlus
Alto Voice,Vocal Solo - Level 2 - SKU: A0.801753 Composed by Connie Boss. Easter,Sacred. 4 pages. Connie Boss #6697043. Published by Connie Boss (A0.801...
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Alto Voice,Vocal Solo - Level 2 - SKU: A0.801753 Composed by Connie Boss. Easter,Sacred. 4 pages. Connie Boss #6697043. Published by Connie Boss (A0.801753). This original song has lyrics that work great for Lent and Good Friday, but it could be sung at any time. Sometimes when we feel very low and things don't seem to going well for us or we think life isn't fair, we should think about what Jesus went through with strength and courage. Any questions or request please email me at cdboss@cvalley.netBe More Like Jesus composed by Connie BossVerse 1:Be more like Jesus in strength and courage,When they whipped Him till He bled.Be more like Jesus in strength and courage,When they placed the thorns on His head Refrain:Be more like JesusBe more like JesusBe more like Jesus, Christ Verse 2: Be more like Jesus in strength and courage,When He carried the cross to that placeBe more like Jesus in strength and courage,As the blood streamed down His face. RefrainVerse 3: Be more like Jesus in strength and courage,When they nailed His feet and His handsBe more like Jesus in strength and courage,When forgive them is what He said RefrainRefrain to end.
$5.50
VIVALDI Antonio: Al tribunal d'amore, an aria from the opera "Il Farnace", - Voice and Pi
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Voix Alto, Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Antonio VIVALDI
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Sergei PICHUGIN
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VIVALDI Antonio: Al tribunal d
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Really Good Music, LLC.
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SheetMusicPlus
Alto Voice,Vocal Solo - Level 4 - SKU: A0.868955 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instruct...
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Alto Voice,Vocal Solo - Level 4 - SKU: A0.868955 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Opera,Standards. 6 pages. Really Good Music, LLC. #5309909. Published by Really Good Music, LLC. (A0.868955). Al tribunal d'amore is a mezzo-soprano aria from the opera Il Farnace, composed by Antonio VIVALDI (1678 – 1741). The realization of the aria for voice and piano, made by Sergei Pichugin, is based on the score manuscript of the late version of Il Farnace from 1738. The music of the aria was largely borrowed by composer from the aria of the same title from his earlier opera L’Atenaide (1729); its score manuscript is written in in E flat major and contains significant textural and rhythmic differences (e. g., common time signature) from the late version of Il Farnace. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the original key of D major (D4 – D5) for low voice.
$5.95
Ho fuggito Amore, HWV 118
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Voix Alto, Piano
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Classique
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George Frideric Handel
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Ho fuggito Amore, HWV 118
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Oxford University Press Digital
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SheetMusicPlus
Alto voice and continuo - SKU: OX.9780193571211 Composed by George Frideric Handel. Edited by Ellen T. Harris. Score. 9 pages. Oxford University Press D...
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Alto voice and continuo - SKU: OX.9780193571211 Composed by George Frideric Handel. Edited by Ellen T. Harris. Score. 9 pages. Oxford University Press Digital #9780193571211. Published by Oxford University Press Digital (OX.9780193571211). ISBN 9780193571211.For solo alto and continuo. This aria has been dated to 1722, and, also like Deh! Lasciate, it may have been written for the castrato Senesino.
$5.95
Time
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Voix Alto, Piano
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INTERMÉDIAIRE
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Sydney Stevens
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Time
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Sydney Stevens, Water Music
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SheetMusicPlus
Alto Voice,Vocal Solo - Level 3 - SKU: A0.859661 Composed by Sydney Stevens. Country,Folk,New Age,Pop. 5 pages. Sydney Stevens, Water Music #2942895. Pu...
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Alto Voice,Vocal Solo - Level 3 - SKU: A0.859661 Composed by Sydney Stevens. Country,Folk,New Age,Pop. 5 pages. Sydney Stevens, Water Music #2942895. Published by Sydney Stevens, Water Music (A0.859661). Contact: sydneystevenspianostudio@gmail.comTime: Peaceful piano/vocal composed by Sydney Stevens (ASCAP). Sheet music arrangement is for piano/vocal/chords.Sounds like: Sarah McLachlan, Vanessa Carlton, Loreena McKennittFrom Album: Cycles of Life Theme: Contemplative theme of time passing more quickly the longer we're here -- the hourglass effect. Also, how time seems to pass faster when we are doing something we love.Mood: Romantic, gentle, warm, emotional.Musical Traits: Strong melody in right hand piano that reflects the vocal line.Performance Time: 4:17Sydney Stevens music is available on: Pandora, Spotify, iTunes, Amazon, Whisperings Solo Piano Radio, AllMusicMore Links: www.sydneystevenswatermusic.com http://www.linkedin.com/in/sydney-stevens-532a113aBIOGRAPHY:Sydney Stevens began writing melodies on the piano before she could reach the pedals. Her earliest memory was watching her mother play classical piano. She began piano lessons at the age of 8, and started composing shortly thereafter.Stevens approaches her compositions as an artist. She paints musical portraits of the things that bring meaning to life: relationship to living things, emotional healing, discovering what matters most and honoring that as best we are able. Stevens' beautiful piano-based music aligns one with their own heart. Although some of her music can be described as New Age, her roots are heavily based in classical and jazz. Her study of classical composition makes her music more complex than some New Age music. Her music has been likened to the impressionistic composers such as Claude Debussy. Sydney's formal training is also reflected in her ability to compose for orchestral instruments. Her latest release, Cycles of Life, was solely recorded and produced by Sydney, programming all of the virtual instruments.Sydney has a great love for jazz. Keith Jarrett was an influence on her with his innovative and improvisational piano recordings and performances. She was particularly impressed with the freedom of style he portrayed in his performances. Bill Evans was something Sydney heard played as a young child. Where her mother was a classical pianist, her father was a jazz pianist. Perhaps that's why some of Sydney’s music can be described as a crossover between classical and jazz--remnants from those early years. Joni Mitchell and Judy Collins were big inspirations for Sydney's songwriting. She was especially drawn to the deeply emotional lyrics in many of their songs.Cycles of Life, the title track from Sydney's current release, was composed for her late step dad. The song is about the cycle of birth and death: Cycles of life go on, yet we carry all that we've known and loved through the ages. Time, another track on Sydney's current release, is a song about how time passes more quickly when we are doing something we cherish. Brian's Song, inspired by the loss of her father-in-law, reflects: All that really matters is the way we fill our heart, and the ways that it has loved. Dawn, a track from Sydney's album Seasons, is a beautiful piano-based instrumental with light string background. It portrays that very peaceful hour as the sun slowly lights up the world -- the hour of dawn.Sydney is a poet. She sees the world through a heart that feels the joy and sorrow of the world and those she meets. Her gift is the ability to transfer that emotion into music. Listening to her music is like taking a journey. She delves into depths of emotion, often taking the lis.
$4.95
"Tumbleweed" - (Part Scores)
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Voix Alto, Piano
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INTERMÉDIAIRE
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Sydney Stevens
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"Tumbleweed" -
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Sydney Stevens, Water Music
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SheetMusicPlus
Alto Voice,Vocal Solo - Level 3 - SKU: A0.859710 Composed by Sydney Stevens. Children,Country,Folk,New Age. 31 pages. Sydney Stevens, Water Music #59541...
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Alto Voice,Vocal Solo - Level 3 - SKU: A0.859710 Composed by Sydney Stevens. Children,Country,Folk,New Age. 31 pages. Sydney Stevens, Water Music #5954113. Published by Sydney Stevens, Water Music (A0.859710). Contact: sydneystevenspianostudio@gmail.comTumbleweed: Gentle folk-based piano/vocal by Sydney Stevens (ASCAP). Arrangement is for piano/vocal/chords/Vln I, II. Full score and part scores included with download.Sounds like: Dar Williams, Rose Polenzani, Christina PerriFrom Album: Cycles of Life Theme: I am a tumbleweed tumbling todayMood: Gentle, warm, emotional, comforting, innocent.Musical Traits: Simple, broken chords in the left hand piano along with right hand melody that reflects the vocal line.Performance Time: 3:17Sydney Stevens music is available on: Pandora, Spotify, iTunes, Amazon, Whisperings Solo Piano Radio, AllMusicMore Links:www.sydneystevenswatermusic.comhttp://www.linkedin.com/in/sydney-stevens-532a113aBIOGRAPHY: Sydney Stevens began writing melodies on the piano before she could reach the pedals. Her earliest memory was watching her mother play classical piano. She began piano lessons at the age of 8, and started composing shortly thereafter. Stevens approaches her compositions as an artist. She paints musical portraits of the things that bring meaning to life: relationship to living things, emotional healing, discovering what matters most and honoring that as best we are able. Stevens' beautiful piano-based music aligns one with their own heart. Although some of her music can be described as New Age, her roots are heavily based in classical and jazz. Her study of classical composition makes her music more complex than some New Age music. Her music has been likened to the impressionistic composers such as Claude Debussy. Sydney's formal training is also reflected in her ability to compose for orchestral instruments. Her latest release, Cycles of Life, was solely recorded and produced by Sydney, programming all of the virtual instruments.Sydney has a great love for jazz. Keith Jarrett was an influence on her with his innovative and improvisational piano recordings and performances. She was particularly impressed with the freedom of style he portrayed in his performances. Bill Evans was something Sydney heard played as a young child. Where her mother was a classical pianist, her father was a jazz pianist. Perhaps that's why some of Sydney’s music can be described as a crossover between classical and jazz--remnants from those early years. Joni Mitchell and Judy Collins were big inspirations for Sydney's songwriting. She was especially drawn to the deeply emotional lyrics in many of their songs.Cycles of Life, the title track from Sydney's current release, was composed for her late step dad. The song is about the cycle of birth and death: Cycles of life go on, yet we carry all that we've known and loved through the ages. Time, another track on Sydney's current release, is a song about how time passes more quickly when we are doing something we cherish. Brian's Song, inspired by the loss of her father-in-law, reflects: All that really matters is the way we fill our heart, and the ways that it has loved. Dawn, a track from Sydney's album Seasons, is a beautiful piano-based instrumental with light string background. It portrays that very peaceful hour as the sun slowly lights up the world -- the hour of dawn.Sydney is a poet. She sees the world through a heart that feels the joy and sorrow of the world and those she meets. Her gift is the ability to transfer that emotion into music. Listening to her music is like taking a journey. She delves into depths of emotion, often taking the listener to places that can be difficult to go without the comfort of a beautiful song to accompany them.In addition to being a prolific composer, Stevens runs a b.
$9.95
The River
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Voix Alto, Piano
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INTERMÉDIAIRE
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Sydney Stevens
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The River
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Sydney Stevens, Water Music
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SheetMusicPlus
Alto Voice,Vocal Solo - Level 3 - SKU: A0.859664 Composed by Sydney Stevens. Country,Folk,Pop,Wedding. 8 pages. Sydney Stevens, Water Music #2949779. Pu...
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Alto Voice,Vocal Solo - Level 3 - SKU: A0.859664 Composed by Sydney Stevens. Country,Folk,Pop,Wedding. 8 pages. Sydney Stevens, Water Music #2949779. Published by Sydney Stevens, Water Music (A0.859664). Contact: sydneystevenspianostudio@gmail.comThe River: Uplifting piano/vocal by Sydney Stevens (ASCAP). Sheet music arrangement is for piano/vocal/chords.Sounds like: Dar Williams, Judy Collins, Christina PerriFrom Album: Cycles of Life Theme: Long awaited true love, new love.Mood: Happy, romantic, inspired.Musical Traits: Broken chords in the left hand piano, right hand melody that reflects the vocal line.Performance Time: 3:17Sydney Stevens music is available on: Pandora, Spotify, iTunes, Amazon, Whisperings Solo Piano Radio, AllMusicMore Links: www.sydneystevenswatermusic.com http://www.linkedin.com/in/sydney-stevens-532a113aBIOGRAPHY:Sydney Stevens began writing melodies on the piano before she could reach the pedals. Her earliest memory was watching her mother play classical piano. She began piano lessons at the age of 8, and started composing shortly thereafter.Stevens approaches her compositions as an artist. She paints musical portraits of the things that bring meaning to life: relationship to living things, emotional healing, discovering what matters most and honoring that as best we are able. Stevens' beautiful piano-based music aligns one with their own heart. Although some of her music can be described as New Age, her roots are heavily based in classical and jazz. Her study of classical composition makes her music more complex than some New Age music. Her music has been likened to the impressionistic composers such as Claude Debussy. Sydney's formal training is also reflected in her ability to compose for orchestral instruments. Her latest release, Cycles of Life, was solely recorded and produced by Sydney, programming all of the virtual instruments.Sydney has a great love for jazz. Keith Jarrett was an influence on her with his innovative and improvisational piano recordings and performances. She was particularly impressed with the freedom of style he portrayed in his performances. Bill Evans was something Sydney heard played as a young child. Where her mother was a classical pianist, her father was a jazz pianist. Perhaps that's why some of Sydney’s music can be described as a crossover between classical and jazz--remnants from those early years. Joni Mitchell and Judy Collins were big inspirations for Sydney's songwriting. She was especially drawn to the deeply emotional lyrics in many of their songs.Cycles of Life, the title track from Sydney's current release, was composed for her late step dad. The song is about the cycle of birth and death: Cycles of life go on, yet we carry all that we've known and loved through the ages. Time, another track on Sydney's current release, is a song about how time passes more quickly when we are doing something we cherish. Brian's Song, inspired by the loss of her father-in-law, reflects: All that really matters is the way we fill our heart, and the ways that it has loved. Dawn, a track from Sydney's album Seasons, is a beautiful piano-based instrumental with light string background. It portrays that very peaceful hour as the sun slowly lights up the world -- the hour of dawn.Sydney is a poet. She sees the world through a heart that feels the joy and sorrow of the world and those she meets. Her gift is the ability to transfer that emotion into music. Listening to her music is like taking a journey. She delves into depths of emotion, often taking the listener to places that can be difficult to go without the comfort of a beautiful song to accompany them.In addition to being a prolific composer,.
$4.95
Alleys
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Voix Alto, Piano
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INTERMÉDIAIRE
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Sydney Stevens
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Alleys
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Sydney Stevens, Water Music
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SheetMusicPlus
Alto Voice,Vocal Solo - Level 3 - SKU: A0.859665 Composed by Sydney Stevens. Folk,New Age,Pop. 10 pages. Sydney Stevens, Water Music #2959555. Published...
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Alto Voice,Vocal Solo - Level 3 - SKU: A0.859665 Composed by Sydney Stevens. Folk,New Age,Pop. 10 pages. Sydney Stevens, Water Music #2959555. Published by Sydney Stevens, Water Music (A0.859665). Contact: sydneystevenspianostudio@gmail.comAlleys: Deeply heartfelt piano/vocal composed by Sydney Stevens (ASCAP). Sheet music is arranged for piano/vocal/chords. From Album: Cycles of Life Theme: Coming into one's own: Alleys, back roads of our lives they find us.. Mood: Contemplative, soulful. Nurturing one's own strength. Musical Traits: Major key that modulates into a minor interlude. Right hand reflects the vocal line. Performance Time: 5:07 Sydney Stevens music is available on: Pandora, Spotify, iTunes, Amazon, Whisperings Solo Piano Radio, AllMusicMore Links: www.sydneystevenswatermusic.comhttp://www.linkedin.com/in/sydney-stevens-532a113aBIOGRAPHY:Sydney Stevens began writing melodies on the piano before she could reach the pedals. Her earliest memory was watching her mother play classical piano. She began piano lessons at the age of 8, and started composing shortly thereafter.Stevens approaches her compositions as an artist. She paints musical portraits of the things that bring meaning to life: relationship to living things, emotional healing, discovering what matters most and honoring that as best we are able. Stevens' beautiful piano-based music aligns one with their own heart. Although some of her music can be described as New Age, her roots are heavily based in classical and jazz. Her study of classical composition makes her music more complex than some New Age music. Her music has been likened to the impressionistic composers such as Claude Debussy. Sydney's formal training is also reflected in her ability to compose for orchestral instruments. Her latest release, Cycles of Life, was solely recorded and produced by Sydney, programming all of the virtual instruments.Sydney has a great love for jazz. Keith Jarrett was an influence on her with his innovative and improvisational piano recordings and performances. She was particularly impressed with the freedom of style he portrayed in his performances. Bill Evans was something Sydney heard played as a young child. Where her mother was a classical pianist, her father was a jazz pianist. Perhaps that's why some of Sydney’s music can be described as a crossover between classical and jazz--remnants from those early years. Joni Mitchell and Judy Collins were big inspirations for Sydney's songwriting. She was especially drawn to the deeply emotional lyrics in many of their songs.Cycles of Life, the title track from Sydney's current release, was composed for her late step dad. The song is about the cycle of birth and death: Cycles of life go on, yet we carry all that we've known and loved through the ages. Time, another track on Sydney's current release, is a song about how time passes more quickly when we are doing something we cherish. Brian's Song, inspired by the loss of her father-in-law, reflects: All that really matters is the way we fill our heart, and the ways that it has loved. Dawn, a track from Sydney's album Seasons, is a beautiful piano-based instrumental with light string background. It portrays that very peaceful hour as the sun slowly lights up the world -- the hour of dawn.Sydney is a poet. She sees the world through a heart that feels the joy and sorrow of the world and those she meets. Her gift is the ability to transfer that emotion into music. Listening to her music is like taking a journey. She delves into depths of emotion, often taking the listener to places that can be difficult to go without the comfort of a beautiful song to.
$4.95
Brian's Song
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Voix Alto, Piano
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INTERMÉDIAIRE
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Sydney Stevens
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Brian's Song
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Sydney Stevens, Water Music
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SheetMusicPlus
Alto Voice,Vocal Solo - Level 3 - SKU: A0.859662 Composed by Sydney Stevens. Contemporary,Folk,Holiday,Pop. 7 pages. Sydney Stevens, Water Music #294975...
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Alto Voice,Vocal Solo - Level 3 - SKU: A0.859662 Composed by Sydney Stevens. Contemporary,Folk,Holiday,Pop. 7 pages. Sydney Stevens, Water Music #2949759. Published by Sydney Stevens, Water Music (A0.859662). Contact: sydneystevenspianostudio@gmail.comBrian's Song: Emotional piano/vocal composed by Sydney Stevens (ASCAP). Arrangement is for piano/vocal/chords.Sounds like: Lucy Kaplansky, Loreena McKennittFrom Album: Cycles of Life Theme: The passing of, (letting go of) a father.Mood: Heartfelt, emotional, hopeful.Musical Traits: Strong melody in right hand piano that reflects the vocal line.Performance Time: 2:56Sydney Stevens music is available on: Pandora, Spotify, iTunes, Amazon, Whisperings Solo Piano Radio, AllMusicMore Links: www.sydneystevenswatermusic.comhttp://www.linkedin.com/in/sydney-stevens-532a113aBIOGRAPHY:Sydney Stevens began writing melodies on the piano before she could reach the pedals. Her earliest memory was watching her mother play classical piano. She began piano lessons at the age of 8, and started composing shortly thereafter.Stevens approaches her compositions as an artist. She paints musical portraits of the things that bring meaning to life: relationship to living things, emotional healing, discovering what matters most and honoring that as best we are able. Stevens' beautiful piano-based music aligns one with their own heart. Although some of her music can be described as New Age, her roots are heavily based in classical and jazz. Her study of classical composition makes her music more complex than some New Age music. Her music has been likened to the impressionistic composers such as Claude Debussy. Sydney's formal training is also reflected in her ability to compose for orchestral instruments. Her latest release, Cycles of Life, was solely recorded and produced by Sydney, programming all of the virtual instruments.Sydney has a great love for jazz. Keith Jarrett was an influence on her with his innovative and improvisational piano recordings and performances. She was particularly impressed with the freedom of style he portrayed in his performances. Bill Evans was something Sydney heard played as a young child. Where her mother was a classical pianist, her father was a jazz pianist. Perhaps that's why some of Sydney’s music can be described as a crossover between classical and jazz--remnants from those early years. Joni Mitchell and Judy Collins were big inspirations for Sydney's songwriting. She was especially drawn to the deeply emotional lyrics in many of their songs.Cycles of Life, the title track from Sydney's current release, was composed for her late step dad. The song is about the cycle of birth and death: Cycles of life go on, yet we carry all that we've known and loved through the ages. Time, another track on Sydney's current release, is a song about how time passes more quickly when we are doing something we cherish. Brian's Song, inspired by the loss of her father-in-law, reflects: All that really matters is the way we fill our heart, and the ways that it has loved. Dawn, a track from Sydney's album Seasons, is a beautiful piano-based instrumental with light string background. It portrays that very peaceful hour as the sun slowly lights up the world -- the hour of dawn.Sydney is a poet. She sees the world through a heart that feels the joy and sorrow of the world and those she meets. Her gift is the ability to transfer that emotion into music. Listening to her music is like taking a journey. She delves into depths of emotion, often taking the listener to places that can be difficult to go without the comfort of a beautiful song to accompany them.In addition to being a prolific compose.
$4.95
Another Day
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Voix Alto, Piano
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INTERMÉDIAIRE
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Sydney Stevens
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Another Day
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Sydney Stevens, Water Music
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SheetMusicPlus
Alto Voice,Vocal Solo - Level 3 - SKU: A0.859660 Composed by Sydney Stevens. Country,Folk,New Age,Pop. 7 pages. Sydney Stevens, Water Music #2942889. Pu...
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Alto Voice,Vocal Solo - Level 3 - SKU: A0.859660 Composed by Sydney Stevens. Country,Folk,New Age,Pop. 7 pages. Sydney Stevens, Water Music #2942889. Published by Sydney Stevens, Water Music (A0.859660). Contact: sydneystevenspianostudio@gmail.comAnother Day: Refreshing, passionate piano/vocal composed by Sydney Stevens (ASCAP). Sheet music arrangement is for piano/vocal/chords.Sounds like: Christina Perri, Enya, Judy CollinsFrom Album: Cycles of Life Theme: New love, love's longing. Mood: Passionate, romantic, heartfelt. Musical Traits: Strong melody in right hand piano that reflects the vocal line. Performance Time: 3:41 Sydney Stevens music is available on: Pandora, Spotify, iTunes, Amazon, Whisperings Solo Piano Radio, AllMusic More Links: www.sydneystevenswatermusic.com http://www.linkedin.com/in/sydney-stevens-532a113a BIOGRAPHY:Sydney Stevens began writing melodies on the piano before she could reach the pedals. Her earliest memory was watching her mother play classical piano. She began piano lessons at the age of 8, and started composing shortly thereafter.Stevens approaches her compositions as an artist. She paints musical portraits of the things that bring meaning to life: relationship to living things, emotional healing, discovering what matters most and honoring that as best we are able. Stevens' beautiful piano-based music aligns one with their own heart. Although some of her music can be described as New Age, her roots are heavily based in classical and jazz. Her study of classical composition makes her music more complex than some New Age music. Her music has been likened to the impressionistic composers such as Claude Debussy. Sydney's formal training is also reflected in her ability to compose for orchestral instruments. Her latest release, Cycles of Life, was solely recorded and produced by Sydney, programming all of the virtual instruments.Sydney has a great love for jazz. Keith Jarrett was an influence on her with his innovative and improvisational piano recordings and performances. She was particularly impressed with the freedom of style he portrayed in his performances. Bill Evans was something Sydney heard played as a young child. Where her mother was a classical pianist, her father was a jazz pianist. Perhaps that's why some of Sydney’s music can be described as a crossover between classical and jazz--remnants from those early years. Joni Mitchell and Judy Collins were big inspirations for Sydney's songwriting. She was especially drawn to the deeply emotional lyrics in many of their songs.Cycles of Life, the title track from Sydney's current release, was composed for her late step dad. The song is about the cycle of birth and death: Cycles of life go on, yet we carry all that we've known and loved through the ages. Time, another track on Sydney's current release, is a song about how time passes more quickly when we are doing something we cherish. Brian's Song, inspired by the loss of her father-in-law, reflects: All that really matters is the way we fill our heart, and the ways that it has loved. Dawn, a track from Sydney's album Seasons, is a beautiful piano-based instrumental with light string background. It portrays that very peaceful hour as the sun slowly lights up the world -- the hour of dawn.Sydney is a poet. She sees the world through a heart that feels the joy and sorrow of the world and those she meets. Her gift is the ability to transfer that emotion into music. Listening to her music is like taking a journey. She delves into depths of emotion, often taking the listener to places that can be difficult to go without the comfort of a beautiful song to accompany them.In addition to being a prolific composer, Stevens runs a.
$4.95
Cycles of Life
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Voix Alto, Piano
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INTERMÉDIAIRE
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Sydney Stevens
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Cycles of Life
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Sydney Stevens, Water Music
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SheetMusicPlus
Alto Voice,Vocal Solo - Level 3 - SKU: A0.859659 Composed by Sydney Stevens. 20th Century,Contemporary,Folk,New Age. 6 pages. Sydney Stevens, Water Musi...
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Alto Voice,Vocal Solo - Level 3 - SKU: A0.859659 Composed by Sydney Stevens. 20th Century,Contemporary,Folk,New Age. 6 pages. Sydney Stevens, Water Music #2942883. Published by Sydney Stevens, Water Music (A0.859659). Contact: sydneystevenspianostudio@gmail.comCycles of Life: Emotional, heartfelt piano/vocal composed by Sydney Stevens (ASCAP). Sheet music arrangement is for piano/vocal/chords.Sounds like: Loreena McKennitt, Lucy Kaplansky, Giorgia FumantiFrom Album: Cycles of Life Theme: The only constant in life is change. Appropriate for the loss of a loved one.Mood: Contemplative, soulful, reflective.Musical Traits: Strong melody, gorgeous arrangement.Performance Time: 3:55.Sydney Stevens music is available on: Pandora, Spotify, iTunes, Amazon, Whisperings Solo Piano Radio, AllMusicMore Links: www.sydneystevenswatermusic.com http://www.linkedin.com/in/sydney-stevens-532a113aBIOGRAPHY:Sydney Stevens began writing melodies on the piano before she could reach the pedals. Her earliest memory was watching her mother play classical piano. She began piano lessons at the age of 8, and started composing shortly thereafter.Stevens approaches her compositions as an artist. She paints musical portraits of the things that bring meaning to life: relationship to living things, emotional healing, discovering what matters most and honoring that as best we are able. Stevens' beautiful piano-based music aligns one with their own heart. Although some of her music can be described as New Age, her roots are heavily based in classical and jazz. Her study of classical composition makes her music more complex than some New Age music. Her music has been likened to the impressionistic composers such as Claude Debussy. Sydney's formal training is also reflected in her ability to compose for orchestral instruments. Her latest release, Cycles of Life, was solely recorded and produced by Sydney, programming all of the virtual instruments.Sydney has a great love for jazz. Keith Jarrett was an influence on her with his innovative and improvisational piano recordings and performances. She was particularly impressed with the freedom of style he portrayed in his performances. Bill Evans was something Sydney heard played as a young child. Where her mother was a classical pianist, her father was a jazz pianist. Perhaps that's why some of Sydney’s music can be described as a crossover between classical and jazz--remnants from those early years. Joni Mitchell and Judy Collins were big inspirations for Sydney's songwriting. She was especially drawn to the deeply emotional lyrics in many of their songs.Cycles of Life, the title track from Sydney's current release, was composed for her late step dad. The song is about the cycle of birth and death: Cycles of life go on, yet we carry all that we've known and loved through the ages. Time, another track on Sydney's current release, is a song about how time passes more quickly when we are doing something we cherish. Brian's Song, inspired by the loss of her father-in-law, reflects: All that really matters is the way we fill our heart, and the ways that it has loved. Dawn, a track from Sydney's album Seasons, is a beautiful piano-based instrumental with light string background. It portrays that very peaceful hour as the sun slowly lights up the world -- the hour of dawn.Sydney is a poet. She sees the world through a heart that feels the joy and sorrow of the world and those she meets. Her gift is the ability to transfer that emotion into music. Listening to her music is like taking a journey. She delves into depths of emotion, often taking the listener to places that can be dif.
$4.95
Back to the Heart
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Voix Alto, Piano
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INTERMÉDIAIRE
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Sydney Stevens
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Back to the Heart
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Sydney Stevens, Water Music
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SheetMusicPlus
Alto Voice,Vocal Solo - Level 3 - SKU: A0.859668 Composed by Sydney Stevens. Folk,New Age,Pop. 7 pages. Sydney Stevens, Water Music #2959571. Published ...
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Alto Voice,Vocal Solo - Level 3 - SKU: A0.859668 Composed by Sydney Stevens. Folk,New Age,Pop. 7 pages. Sydney Stevens, Water Music #2959571. Published by Sydney Stevens, Water Music (A0.859668). Contact: sydneystevenspianostudio@gmail.comBack to the Heart: Emotional, heartfelt piano/vocal composed by Sydney Stevens (ASCAP). Sheet music arrangement is for piano/vocal/chords. From Album: Cycles of Life Theme: Going away, the sister that I know. Estrangement from someone who was once close. Mood: Serious, reflective, sad, emotionally moving. Musical Traits: Simple left hand piano, right hand reflects vocal part. Performance Time: 3:50 Sydney Stevens music is available on: Pandora, Spotify, iTunes, Amazon, Whisperings Solo Piano Radio, AllMusic More Links: www.sydneystevenswatermusic.comhttp://www.linkedin.com/in/sydney-stevens-532a113a BIOGRAPHY:Sydney Stevens began writing melodies on the piano before she could reach the pedals. Her earliest memory was watching her mother play classical piano. She began piano lessons at the age of 8, and started composing shortly thereafter.Stevens approaches her compositions as an artist. She paints musical portraits of the things that bring meaning to life: relationship to living things, emotional healing, discovering what matters most and honoring that as best we are able. Stevens' beautiful piano-based music aligns one with their own heart. Although some of her music can be described as New Age, her roots are heavily based in classical and jazz. Her study of classical composition makes her music more complex than some New Age music. Her music has been likened to the impressionistic composers such as Claude Debussy. Sydney's formal training is also reflected in her ability to compose for orchestral instruments. Her latest release, Cycles of Life, was solely recorded and produced by Sydney, programming all of the virtual instruments.Sydney has a great love for jazz. Keith Jarrett was an influence on her with his innovative and improvisational piano recordings and performances. She was particularly impressed with the freedom of style he portrayed in his performances. Bill Evans was something Sydney heard played as a young child. Where her mother was a classical pianist, her father was a jazz pianist. Perhaps that's why some of Sydney’s music can be described as a crossover between classical and jazz--remnants from those early years. Joni Mitchell and Judy Collins were big inspirations for Sydney's songwriting. She was especially drawn to the deeply emotional lyrics in many of their songs.Cycles of Life, the title track from Sydney's current release, was composed for her late step dad. The song is about the cycle of birth and death: Cycles of life go on, yet we carry all that we've known and loved through the ages. Time, another track on Sydney's current release, is a song about how time passes more quickly when we are doing something we cherish. Brian's Song, inspired by the loss of her father-in-law, reflects: All that really matters is the way we fill our heart, and the ways that it has loved. Dawn, a track from Sydney's album Seasons, is a beautiful piano-based instrumental with light string background. It portrays that very peaceful hour as the sun slowly lights up the world -- the hour of dawn.Sydney is a poet. She sees the world through a heart that feels the joy and sorrow of the world and those she meets. Her gift is the ability to transfer that emotion into music. Listening to her music is like taking a journey. She delves into depths of emotion, often taking the listener to places that can be difficult to go without the comfort of a beautiful song to accompany them.In addition to being a prolific.
$4.95
Herbie
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Voix Alto, Piano
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INTERMÉDIAIRE
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Sydney Stevens
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Herbie
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Sydney Stevens, Water Music
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SheetMusicPlus
Alto Voice,Vocal Solo - Level 3 - SKU: A0.859667 Composed by Sydney Stevens. Contemporary,Country,Folk,New Age,Pop. 6 pages. Sydney Stevens, Water Music...
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Alto Voice,Vocal Solo - Level 3 - SKU: A0.859667 Composed by Sydney Stevens. Contemporary,Country,Folk,New Age,Pop. 6 pages. Sydney Stevens, Water Music #2959565. Published by Sydney Stevens, Water Music (A0.859667). Contact: sydneystevenspianostudio@gmail.comHerbie: Emotional, heartfelt piano/vocal composed by Sydney Stevens (ASCAP). Sheet music arrangement is for piano/vocal/chords. From Album: Cycles of Life Theme: What a pal, what a joyful friend. Appropriate for the loss of a loved one. Song was inspired by the loss of a pet. Mood: Flowing, reflective, tender, comforting Musical Traits: Strong melody, arpeggiated left hand piano, right hand reflects vocal part. Performance Time: 2:48 Sydney Stevens music is available on: Pandora, Spotify, iTunes, Amazon, Whisperings Solo Piano Radio, AllMusic More Links: www.sydneystevenswatermusic.com http://www.linkedin.com/in/sydney-stevens-532a113a BIOGRAPHY:Sydney Stevens began writing melodies on the piano before she could reach the pedals. Her earliest memory was watching her mother play classical piano. She began piano lessons at the age of 8, and started composing shortly thereafter.Stevens approaches her compositions as an artist. She paints musical portraits of the things that bring meaning to life: relationship to living things, emotional healing, discovering what matters most and honoring that as best we are able. Stevens' beautiful piano-based music aligns one with their own heart. Although some of her music can be described as New Age, her roots are heavily based in classical and jazz. Her study of classical composition makes her music more complex than some New Age music. Her music has been likened to the impressionistic composers such as Claude Debussy. Sydney's formal training is also reflected in her ability to compose for orchestral instruments. Her latest release, Cycles of Life, was solely recorded and produced by Sydney, programming all of the virtual instruments.Sydney has a great love for jazz. Keith Jarrett was an influence on her with his innovative and improvisational piano recordings and performances. She was particularly impressed with the freedom of style he portrayed in his performances. Bill Evans was something Sydney heard played as a young child. Where her mother was a classical pianist, her father was a jazz pianist. Perhaps that's why some of Sydney’s music can be described as a crossover between classical and jazz--remnants from those early years. Joni Mitchell and Judy Collins were big inspirations for Sydney's songwriting. She was especially drawn to the deeply emotional lyrics in many of their songs.Cycles of Life, the title track from Sydney's current release, was composed for her late step dad. The song is about the cycle of birth and death: Cycles of life go on, yet we carry all that we've known and loved through the ages. Time, another track on Sydney's current release, is a song about how time passes more quickly when we are doing something we cherish. Brian's Song, inspired by the loss of her father-in-law, reflects: All that really matters is the way we fill our heart, and the ways that it has loved. Dawn, a track from Sydney's album Seasons, is a beautiful piano-based instrumental with light string background. It portrays that very peaceful hour as the sun slowly lights up the world -- the hour of dawn.Sydney is a poet. She sees the world through a heart that feels the joy and sorrow of the world and those she meets. Her gift is the ability to transfer that emotion into music. Listening to her music is like taking a journey. She delves into depths of emotion, often taking the listener to places that can be difficult to go without the comfort of a beautiful song to accompany them.
$4.95
VIVALDI Antonio: Lasciera l’amata salma, aria from the opera ""Il Tigrane", - Voice and
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Voix Alto, Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Antonio VIVALDI
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Sergei PICHUGIN
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VIVALDI Antonio: Lasciera l&rs
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Really Good Music, LLC.
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SheetMusicPlus
Alto Voice,Vocal Solo - Level 4 - SKU: A0.868948 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instruct...
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Alto Voice,Vocal Solo - Level 4 - SKU: A0.868948 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Opera,Standards. 7 pages. Really Good Music, LLC. #5214247. Published by Really Good Music, LLC. (A0.868948). Lasciera l’amata salma is an aria from the opera La virtù trionfante dell’amore e dell’odio, ovvero Il Tigrane (1724), the second act of which was composed by Antonio VIVALDI (1678 – 1741). The aria has been realized from the score manuscript of the opera and arranged by Sergei Pichugin for voice and piano. The aria may be an invaluable addition to the repertoire of vocal teachers and students.It is available in the key of G major (B3 – F4) for low voice.
$5.95
How Beautiful (Is the Love Between the Two of Us) - Alto solo and piano
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Voix Alto, Piano
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FACILE
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Mariage/Ballade
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Connie Boss
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How Beautiful
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Connie Boss
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SheetMusicPlus
Alto Voice,Vocal Solo - Level 2 - SKU: A0.1074310 Composed by Connie Boss. Wedding. 3 pages. Connie Boss #678598. Published by Connie Boss (A0.1074310)....
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Alto Voice,Vocal Solo - Level 2 - SKU: A0.1074310 Composed by Connie Boss. Wedding. 3 pages. Connie Boss #678598. Published by Connie Boss (A0.1074310). Here is the perfect song for an alto soloist for a wedding/ engagement or anniversary. It is an original composition, so it's one of a kind. There are other arrangements as well for sale if you want more voices. For questions or requests, email cdboss@cvalley.net Lyrics below: How Beautiful (Is the Love Between the Two of Us) Refrain: How beautiful is your love for me How beautiful is my love for you How beautiful is the love between the two of us Is the love that we trust Verse 1: It’s like the fresh air after it rains It’s like the flowers blooming in the Spring It’s like the sound of voices when they sing When our hearts are beating….in synch Refrain: Verse 2: It’s the moment when we both knew I said I love you and you said it too That special feeling that our love was true Our wedding day when we said… “I do†Outro: How beautiful……. How beautiful…….
$5.99
But Who May Abide - Messiah (D Minor)
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Voix Alto, Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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George Frideric Handel
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Jonathan Prentice
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But Who May Abide - Messiah
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Jonathan Prentice
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SheetMusicPlus
Alto Voice,Vocal Solo - Level 4 - SKU: A0.884931 Composed by George Frideric Handel. Arranged by Jonathan Prentice. Baroque,Christmas,Easter,Sacred. 10 ...
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Alto Voice,Vocal Solo - Level 4 - SKU: A0.884931 Composed by George Frideric Handel. Arranged by Jonathan Prentice. Baroque,Christmas,Easter,Sacred. 10 pages. Jonathan Prentice #6591589. Published by Jonathan Prentice (A0.884931). Written as a virtuoso piece for the famous, alto castrato, Guadagni, this aria from Messiah, shows off Handel’s operatic credentials to the full, with the beautiful lilting Larghetto melody, contrasting with the fire and brimstone of the driving Prestissimo sections. In this edition the accompaniment to these fast sections has been arranged to more pianistic. (Here in D Minor, suitable for altos)
$1.99
Silent Night for Mezzo-Soprano and Piano
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Voix Alto, Piano
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INTERMÉDIAIRE
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Noël
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Franz Xaver Gruber
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Mark D Hettle
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Silent Night for Mezzo-Soprano
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Goomba Publishing Company
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SheetMusicPlus
Alto Voice,Vocal Solo - Level 3 - SKU: A0.908681 Composed by Franz Xaver Gruber. Arranged by Mark D Hettle. Christmas,Contemporary. 5 pages. Goomba Publ...
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Alto Voice,Vocal Solo - Level 3 - SKU: A0.908681 Composed by Franz Xaver Gruber. Arranged by Mark D Hettle. Christmas,Contemporary. 5 pages. Goomba Publishing Company (GPC) #5896743. Published by Goomba Publishing Company (GPC) (A0.908681). I arranged this beautiful Christmas Carol for an intermediate mezzo-soprano with piano accompaniment.I used a more contemporary harmonization in the accompaniment to give it a modern feel while retaining the traditional melody. I hope you and your student(s) enjoy rehearsing and performing my arrangement. Thank you!
$10.00
There's Something About That Name
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Voix Alto, Piano
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FACILE
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Contemporain
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Bill Gaither
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Ellen Foncannon Stephenson
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There's Something About That N
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Ellen Foncannon Stephenson
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SheetMusicPlus
Alto Voice,Vocal Solo - Level 2 - SKU: A0.864572 Composed by Bill Gaither. Arranged by Ellen Foncannon Stephenson. Contemporary. 6 pages. Ellen Foncanno...
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Alto Voice,Vocal Solo - Level 2 - SKU: A0.864572 Composed by Bill Gaither. Arranged by Ellen Foncannon Stephenson. Contemporary. 6 pages. Ellen Foncannon Stephenson #4289027. Published by Ellen Foncannon Stephenson (A0.864572). A beloved solo for low voice (other keys available) for There's Something About That Name. Easy solo line, B below middle C to next octave B, with a more difficult accompaniment. 6 pages with 96 measures. Builds to a moving climatic moment at King and kingdoms. (L88keys@gmail.com).
$4.99
All Good Gifts
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Voix Alto, Piano
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INTERMÉDIAIRE/AVANCÉ
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Comédie Musicale
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Stephen Schwartz
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W
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All Good Gifts
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Diamond S Music
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SheetMusicPlus
Alto Voice,Vocal Solo - Level 4 - SKU: A0.790033 By Stephen Schwartz. By Stephen Schwartz. Arranged by W. Brent Sawyer. Broadway. 9 pages. Diamond S Mus...
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Alto Voice,Vocal Solo - Level 4 - SKU: A0.790033 By Stephen Schwartz. By Stephen Schwartz. Arranged by W. Brent Sawyer. Broadway. 9 pages. Diamond S Music #3553685. Published by Diamond S Music (A0.790033). ALL GOOD GIFTS from the musical GODSPELL. VOCAL SOLO in the KEY OF G (for Alto Voice) with piano accompaniment. This is a pop contemporary arrangement of the song from the beloved popular 1970s musical. The arrangement is similar in style to the original with a more modern take to it. The hymn is predominantly used as a hymn to give thanks to God for the harvest and it has also been used in the United States as a hymn for Thanksgiving. In 1862 in England, Jane Montgomery Campbell translated the original German poem by Matthias Clauduis into English. She translated Wir pflÑŒgen und wir streuen into English as We Plough the Fields and Scatter. The hymn was later published in Charles Bere's Garland of Songs and Children's Chorale Book. And Stephen Schwartz used these lyrics for his setting that was used in GODSPELL. GODSPELL was made into a motion picture in 1973 and has had several revivals in NYC and around the world, the most recent Broadway revival was in 2011. This arrangement is available in the KEY of A (for Mezzo Soprano or Bass Voice), KEY of C (for Soprano or Baritone), KEY of D (for Tenor Voice), KEY of G (for Alto Voice). Other similar arrangements from DIAMOND S MUSIC available at: https://www.sheetmusicplus.com/publishers/diamond-s-music/6940
$9.99
The Pursuit (mezzo-soprano version)
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Voix Alto, Piano
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INTERMÉDIAIRE
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Maria Lord-Kniveton
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The Pursuit
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MaLoMaLo Press
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SheetMusicPlus
Alto Voice,Vocal Solo - Level 3 - SKU: A0.1008950 Composed by Maria Lord-Kniveton. Concert,Contemporary,Easter,Sacred. 11 pages. MaLoMaLo Press #5720891...
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Alto Voice,Vocal Solo - Level 3 - SKU: A0.1008950 Composed by Maria Lord-Kniveton. Concert,Contemporary,Easter,Sacred. 11 pages. MaLoMaLo Press #5720891. Published by MaLoMaLo Press (A0.1008950). The Pursuit recounts a beautiful story of estrangement and reconciliation found in Hosea 6:1-3. The piece emphasizes a commitment to seek God and alludes to resurrection, corresponding to the liturgical seasons of Lent and Easter. It would also be appropriate for a student with a strong rhythmic foundation. A version for soprano is also available on sheetmusicplus.com. To request versions in other keys or to learn more about the composer and her other works, visit marialordknivetonmusic.com.Duration: 5:45
$5.00
No Hiding Place--Alto
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Voix Alto, Piano
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INTERMÉDIAIRE/AVANCÉ
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Spiritual
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Maria Thompson Corley
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No Hiding Place--Alto
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Maria Thompson Corley
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SheetMusicPlus
Alto Voice,Vocal Solo - Level 4 - SKU: A0.845952 Composed by Spiritual. Arranged by Maria Thompson Corley. Christian,Concert,Gospel,Spiritual. 5 pages. ...
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Alto Voice,Vocal Solo - Level 4 - SKU: A0.845952 Composed by Spiritual. Arranged by Maria Thompson Corley. Christian,Concert,Gospel,Spiritual. 5 pages. Maria Thompson Corley #6496323. Published by Maria Thompson Corley (A0.845952). This playful arrangement was commissioned by Benjamin Polite, bass. The accompaniment starts out spare, becoming more emphatic with each verse. .
$9.99
Wie Du warst (Octavian's Aria) from Der Rosenkavalier - Accessible Accompaniments Edition
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Voix Alto, Piano
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AVANCÉ
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Classique
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Richard Strauss
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Nicole Elyse DiPaolo
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Wie Du warst
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Nicole Elyse DiPaolo
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SheetMusicPlus
Alto Voice,Vocal Solo - Level 5 - SKU: A0.799612 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 6 pages. N...
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Alto Voice,Vocal Solo - Level 5 - SKU: A0.799612 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 6 pages. Nicole Elyse DiPaolo #5022023. Published by Nicole Elyse DiPaolo (A0.799612). The first of its kind, and the third entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Wie Du warst, Octavian's famous aria from Strauss's Der Rosenkavalier (1911). Mezzos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury. This edition also includes a two-measure recomposed ending four measures after rehearsal 25, making this edition a great choice for concert and audition situations in which another singer isn't available to sing the Marschallin's lines.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
I Can See (Andorra, the Witch of Andor, King Saul & Samuel) from "The Kings"
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Voix Alto, Piano
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INTERMÉDIAIRE
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McCorkle, Dennis F
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I Can See
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DF McCorkle Music and eBook Publications
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SheetMusicPlus
Alto Voice,Vocal Solo - Level 3 - SKU: A0.784838 Composed by McCorkle, Dennis F. Broadway,Christian,Jewish,Musical/Show,Rock. 28 pages. DF McCorkle Musi...
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Alto Voice,Vocal Solo - Level 3 - SKU: A0.784838 Composed by McCorkle, Dennis F. Broadway,Christian,Jewish,Musical/Show,Rock. 28 pages. DF McCorkle Music and eBook Publications #11767. Published by DF McCorkle Music and eBook Publications (A0.784838). CUT FROM SHOW: I Can See. The King, by Dennis McCorkle, is a contemporary pop-rock musical of the first two kings of Israel, Saul ben Kish and David ben Jesse and explores the contrasting lives and outcome of each man’s choices in life. [1 Samuel 28:7-18 - Then said Saul unto his servants, Seek me a woman that hath a familiar spirit, that I may go to her, and inquire of her. And his servants said to him, Behold, there is a woman that hath a familiar spirit at Endor. And Saul disguised himself, and put on other raiment, and he went, and two men with him, and they came to the woman by night: and he said, I pray thee, divine unto me by the familiar spirit, and bring me him up, whom I shall name unto thee. And the woman said unto him, Behold, thou knowest what Saul hath done, how he hath cut off those that have familiar spirits, and the wizards, out of the land: wherefore then layest thou a snare for my life, to cause me to die? And Saul sware to her by Yahweh, saying, As Yahweh liveth, there shall no punishment happen to thee for this thing. Then said the woman, Whom shall I bring up unto thee? And he said, Bring me up Samuel. And when the woman saw Samuel, she cried with a loud voice: and the woman spake to Saul, saying, Why hast thou deceived me? for thou art Saul. And the king said unto her, Be not afraid: for what sawest thou? And the woman said unto Saul, I saw gods ascending out of the earth. And he said unto her, What form is he of? And she said, An old man cometh up; and he is covered with a mantle. And Saul perceived that it was Samuel, and he stooped with his face to the ground, and bowed himself. And Samuel said to Saul, Why hast thou disquieted me, to bring me up? And Saul answered, I am sore distressed; for the Philistines make war against me, and God is departed from me, and answereth me no more, neither by prophets, nor by dreams: therefore I have called thee, that thou mayest make known unto me what I shall do. Then said Samuel, Wherefore then dost thou ask of me, seeing Yahweh is departed from thee, and is become thine enemy? And Yahweh hath done to him, as he spake by me: for Yahweh hath rent the kingdom out of thine hand, and given it to thy neighbor, even to David: Because thou obeyedst not the voice of Yahweh, nor executedst his fierce wrath upon Amalek, therefore hath Yahweh done this thing unto thee this day. Also included with your order is our new 20 page catalog of over 150 titles at no additional charge.
$2.99
"Methane Man" for voice and piano
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Voix Alto, Piano
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INTERMÉDIAIRE/AVANCÉ
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Jason A
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"Methane Man" for vo
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Call of the Wild Publishing
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SheetMusicPlus
Alto Voice,Vocal Solo - Level 4 - SKU: A0.978197 Composed by Jason A. Heald. Contemporary,Jazz,Musical/Show,R & B. 10 pages. Call of the Wild Publishing...
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Alto Voice,Vocal Solo - Level 4 - SKU: A0.978197 Composed by Jason A. Heald. Contemporary,Jazz,Musical/Show,R & B. 10 pages. Call of the Wild Publishing #6321195. Published by Call of the Wild Publishing (A0.978197). Methane Man for mezzo-soprano and piano, is from the Cabaret Collection by Jason Heald. Originally from the full-length musical, CHOIR GIRLS ON THE ROAD, Methane Man is an outrageously funny perspective on a distinctly male digestion characteristic. To peruse or purchase more music from Jason Heald, visit www.jasonheald.com .
$2.50
Vous aimez le danger/Ah! que j'aime les militaires from La Grande-Duchesse de Gérolstein - Duchesse
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Voix Alto, Piano
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AVANCÉ
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Jacques Offenbach
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Nicole Elyse DiPaolo
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Vous aimez le danger/Ah! que j
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Nicole Elyse DiPaolo
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SheetMusicPlus
Alto Voice,Vocal Solo - Level 5 - SKU: A0.799618 Composed by Jacques Offenbach. Arranged by Nicole Elyse DiPaolo. Opera,Romantic Period. 6 pages. Nicole...
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Alto Voice,Vocal Solo - Level 5 - SKU: A0.799618 Composed by Jacques Offenbach. Arranged by Nicole Elyse DiPaolo. Opera,Romantic Period. 6 pages. Nicole Elyse DiPaolo #5306351. Published by Nicole Elyse DiPaolo (A0.799618). The first of its kind, this is a customized La Duchesse-only audition cut of Vous aimez le danger...Ah! que j'aime les militaires from Jacques Offenbach's La Grande-Duchesse de Gérolstein (1867). In the past, singers wishing to audition for this role would have to make a series of awkward cuts to eliminate the gaps created by the choral parts when performing this excerpt. The current edition omits those passages and, as a result, noticeably reduces the page count. In addition, this new engraving is remarkably clearer than the existing vocal score, which has deteriorated from age and is cluttered with instrumental cues that may not be relevant to a sight-reading audition pianist.The piano reduction itself has not been simplified or drastically altered (at the commissioner's request), although the engraving features minor changes from the original edition (for example, eliminating cross-staff chord notation and inserting a few logical enharmonic respellings).About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
Classic Christmas Songs (Alto Voice) - The "Boughs of Holly" Series
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Voix Alto, Piano
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DÉBUTANT
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Noël
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Christopher Esther
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Classic Christmas Songs
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Christopher Esther
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SheetMusicPlus
Alto Voice,Vocal Solo - Level 1 - SKU: A0.796164 Arranged by Christopher Esther. Christmas. 21 pages. Christopher Esther #6129689. Published by Christop...
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Alto Voice,Vocal Solo - Level 1 - SKU: A0.796164 Arranged by Christopher Esther. Christmas. 21 pages. Christopher Esther #6129689. Published by Christopher Esther (A0.796164). The Boughs of Holly series features twelve classic Christmas songs and carols perfect for any occasion. Each is arranged in an easy-to-read format including chord symbols, lyrics, and extended song notes. Songs included are Away in a Manger, Deck the Halls, Jingle Bells, Silent Night, Up on the Housetop, Joy to the World, We Wish You a Merry Christmas, O Christmas Tree, The First Noel, God Rest Ye Merry Gentlemen, Hark! The Herald Angels Sing, and The Twelve Days of Christmas. Perfect for beginners and experienced players alike, the lead sheet format makes this series a great starting point for younger players or a detailed improvisational guide for experts. This book is also available in almost twenty more instrumentations, all completely cross compatible with any other book in the series! Pieces can be purchased separately, but you save over 140% when buying the complete collection!
$9.99
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