Page d'accueil
Parcourir Free-scores.com
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
One Voice for All
Non classifié
4 331
Piano & claviers
Piano, Voix
2 060
Piano, Voix et Guitare
1 064
Piano seul
186
Piano Facile
88
Accompagnement Piano
86
Instruments en Do
70
Orgue
20
Piano grosses notes
12
2 Pianos, 4 mains
4
1 Piano, 4 mains
4
Piano Trio: piano, violon, violoncelle
3
Orgue, Piano (duo)
2
Accordéon
1
Piano Quatuor: piano, 2 violons, violoncelle
1
Clavecin
1
Orgue, Trompette (duo)
1
+ 11 instrumentations
Retracter
Guitares
Ligne De Mélodie, (Paroles) et Accords
103
Guitare notes et tablatures
52
Ukulele
39
Guitare
22
Paroles et Accords
15
4 Guitares (Quatuor)
4
Basse electrique
3
2 Guitares (duo)
3
Guitare (partie séparée)
2
Mandoline
2
Dulcimer
1
Ensemble de guitares
1
+ 7 instrumentations
Retracter
Voix
Chorale SATB
656
Chorale TTBB
280
Chorale 3 parties
250
Chorale 2 parties
179
Voix Baryton, Piano
165
Voix duo, Piano
123
Chorale SSAA
121
Chorale Unison
103
Voix duo
97
Voix Soprano, Piano
95
Voix Tenor, Piano
70
Voix Alto, Piano
70
Voix haute
54
Voix seule
26
Voix moyenne, Piano
15
Voix basse, Piano
10
Voix Tenor
9
Voix Soprano
8
Chorale SSAATTBB
4
Chorale
3
Voix Mezzo-Soprano, Piano
3
Chorale SSAB, Piano
3
Soli, choeur mixte et accompagnement
2
Chorale SSATB
2
Chorale SSATTB
2
Voix Soprano, Orchestre
1
Voix, Guitare
1
Voix basse
1
Voix Baryton
1
+ 24 instrumentations
Retracter
Vents
Quatuor de Saxophones: 4 saxophones
90
Quintette de Saxophone: 5 saxophones
58
Saxophone Alto et Piano
47
2 Saxophones (duo)
42
Quatuor de Clarinettes: 4 clarinettes
40
3 Saxophones (trio)
39
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
38
Flûte, Hautbois, Clarinette, Basson
36
Saxophone Soprano et Piano
33
Saxophone Tenor et Piano
30
Flûte traversière et Piano
27
2 Flûtes traversières, Piano
25
2 Clarinettes (duo)
23
3 Clarinettes (trio)
23
Clarinette et Piano
22
Saxophone Baryton, Piano
21
Quintette de Clarinettes: 5 clarinettes
21
Saxophone (partie séparée)
20
Clarinette
17
2 Flûtes traversières (duo)
16
Saxophone Alto
16
Hautbois, Piano (duo)
15
Ensemble de saxophones
15
Ensemble de Clarinettes
14
Hautbois (partie séparée)
13
Trio de Flûtes: 3 flûtes
11
Flûte traversière
11
Quatuor de Flûtes : 4 flûtes
10
Saxophone Tenor
10
Flûte, Clarinette (duo)
8
Ensemble de Flûtes
8
Cor anglais, Piano
8
Flute (partie séparée)
7
Quatuor de Flûtes à bec
6
Hautbois, Basson (duo)
6
Quintette de Flûte : 5 flûtes
6
Saxophone, Clarinette (duo)
5
Clarinette, Guitare (duo)
4
Clarinette, Violon (duo)
3
Flûte, Hautbois, Clarinette (trio)
3
Flûte et Guitare
3
Clarinette Basse, Piano
3
Saxophone Baryton
2
Flûte, Hautbois, Basson
2
Clarinette, Basson (duo)
2
Hautbois
2
Saxophone Soprano
2
5 Flûtes à bec
2
Saxophone et Harpe
2
Flûte à Bec
2
Cor anglais, Guitare (duo)
2
2 Hautbois (duo)
1
Saxophone et Guitare
1
Hautbois, Violoncelle
1
Flûte, Trompette (duo)
1
3 Flûtes à bec (trio)
1
Hautbois, Clarinette (duo)
1
Piccolo
1
Clarinette, Violoncelle (duo)
1
Clarinette, Trompette (duo)
1
Ensemble de Hautbois
1
Flûte à bec Alto
1
Hautbois, Flûte
1
Flûte, Violon et Violoncelle
1
2 Flûte à bec (duo)
1
Flûte, Violon, Piano
1
Clarinette, Trombone (duo)
1
Flûte, Violon
1
Flûte, Violoncelle
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Flute, harpe et violon
1
Flûte, Hautbois, Piano (trio)
1
Cor Anglais
1
Flûte à bec Alto, Piano
1
Flûte, Saxophone (duo)
1
Flûte irlandaise
1
Clarinette et Alto
1
Flûte à bec Soprano, Piano
1
Flûte, Clarinette, Piano (trio)
1
+ 74 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
110
Quatuor de Cuivres : 2 trompettes, trombone, tuba
75
Trombone et Piano
52
Trombone
22
Quatuor de cuivres: 4 trombones
18
Cor et Piano
14
Quatuor de Cuivres: 2 trompettes, Cor, trombone
14
Ensemble de Trombones
14
Cor
13
2 Trombones (duo)
13
Trompette
12
Trompette, Piano
11
Trompette, Trombone (duo)
11
Tuba
10
Trombone (partie séparée)
10
Trompette (partie séparée)
10
Tuba et Piano
10
Quatuor de Cuivres
10
2 Trompettes (duo)
8
Euphonium, Piano (duo)
8
Cor anglais, Piano
8
Quatuor de cuivres: 4 cors
6
3 Trombones (trio)
5
2 Euphoniums et 2 Tubas
5
Ensemble de Trompettes
4
2 Cors (duo)
3
Ensemble de Cors
3
Trompette, Saxophone (duo)
2
Trio de Cuivres
2
Cor anglais, Guitare (duo)
2
Trombone basse et Piano
1
Trombone, Tuba (duo)
1
3 Trompettes (trio)
1
Ensemble de Tubas
1
Trombone basse
1
Euphonium, Tuba (duo)
1
Tuba et Orgue
1
Trompette, Violoncelle (duo)
1
Cor Anglais
1
3 Euphoniums
1
+ 35 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
127
Harpe
66
Trio à Cordes: violon, alto, violoncelle
38
Violon et Piano
33
Quintette à cordes: 2 violons, alto, violoncelle, basse
28
Violoncelle, Piano
25
Violon
24
Violon, Violoncelle (duo)
23
Alto, Piano
15
2 Violons (duo)
14
Harpe, Voix
13
Violoncelle
13
Violon, Alto (duo)
9
Contre Basse
9
Contrebasse, Piano (duo)
7
2 Violoncelles (duo)
7
4 Violoncelles
6
Trio à Cordes: 2 violons, violoncelle
6
Alto seul
6
2 Altos (duo)
5
2 Harpes (duo)
4
Contrebasse (partie séparée)
3
Quatuor à cordes : 4 altos
3
Alto (partie séparée)
3
Harpe, Flûte (duo)
3
Ensemble de Violons
2
Ensemble d'Altos
2
Violon, Guitare (duo)
2
Quatuor à cordes: 4 violons
2
Trio à cordes: 3 violins
2
Alto, Violoncelle (duo)
2
Ensemble de Violoncelles
1
Trio à cordes: 3 altos
1
Violoncelle, Contrebasse (duo)
1
Violon, Basson (duo)
1
Violoncelle , Guitare (duo)
1
Violoncelle, Orchestre
1
Violon (partie séparée)
1
Alto, Guitare (duo)
1
Trio à Cordes: 3 violoncelles
1
Violon, Clarinette, Piano (trio)
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Harpe, Violon, Violoncelle
1
Harpe, Trombone (duo)
1
+ 39 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
138
Ensemble Jazz
114
Orchestre
113
Orchestre de chambre
44
Orchestre à Cordes
43
Ensemble de cuivres
43
Jazz combo
23
Cloches
19
Ensemble de Percussions
10
Fanfare
6
2 Xylophones
5
Batterie
3
Marimba
2
Piano et Orchestre
1
Xylophone
1
Quintette de Cuivres: autres combinaisons
1
Vibraphone
1
+ 12 instrumentations
Retracter
Autres
Formation musicale - Solfège
2
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Achats pour Musiciens
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
A propos de free-scores.com
€
€
EUR €
USD $
GBP £
CAD $
CNY ¥
English
Partitions Gratuites
3
Partitions Numériques
70
Librairie Musicale
5
Matériel de Musique
814
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Vous avez sélectionné:
One Voice for All
Voix Alto, Piano
Partitions à imprimer
70 partitions trouvées
<
1
26
51
Alleys
#
Voix Alto, Piano
#
INTERMÉDIAIRE
#
Sydney Stevens
#
Alleys
#
Sydney Stevens, Water Music
#
SheetMusicPlus
Alto Voice,Vocal Solo - Level 3 - SKU: A0.859665 Composed by Sydney Stevens. Folk,New Age,Pop. 10 pages. Sydney Stevens, Water Music #2959555. Published...
(+)
Alto Voice,Vocal Solo - Level 3 - SKU: A0.859665 Composed by Sydney Stevens. Folk,New Age,Pop. 10 pages. Sydney Stevens, Water Music #2959555. Published by Sydney Stevens, Water Music (A0.859665). Contact: sydneystevenspianostudio@gmail.comAlleys: Deeply heartfelt piano/vocal composed by Sydney Stevens (ASCAP). Sheet music is arranged for piano/vocal/chords. From Album: Cycles of Life Theme: Coming into one's own: Alleys, back roads of our lives they find us.. Mood: Contemplative, soulful. Nurturing one's own strength. Musical Traits: Major key that modulates into a minor interlude. Right hand reflects the vocal line. Performance Time: 5:07 Sydney Stevens music is available on: Pandora, Spotify, iTunes, Amazon, Whisperings Solo Piano Radio, AllMusicMore Links: www.sydneystevenswatermusic.comhttp://www.linkedin.com/in/sydney-stevens-532a113aBIOGRAPHY:Sydney Stevens began writing melodies on the piano before she could reach the pedals. Her earliest memory was watching her mother play classical piano. She began piano lessons at the age of 8, and started composing shortly thereafter.Stevens approaches her compositions as an artist. She paints musical portraits of the things that bring meaning to life: relationship to living things, emotional healing, discovering what matters most and honoring that as best we are able. Stevens' beautiful piano-based music aligns one with their own heart. Although some of her music can be described as New Age, her roots are heavily based in classical and jazz. Her study of classical composition makes her music more complex than some New Age music. Her music has been likened to the impressionistic composers such as Claude Debussy. Sydney's formal training is also reflected in her ability to compose for orchestral instruments. Her latest release, Cycles of Life, was solely recorded and produced by Sydney, programming all of the virtual instruments.Sydney has a great love for jazz. Keith Jarrett was an influence on her with his innovative and improvisational piano recordings and performances. She was particularly impressed with the freedom of style he portrayed in his performances. Bill Evans was something Sydney heard played as a young child. Where her mother was a classical pianist, her father was a jazz pianist. Perhaps that's why some of Sydney’s music can be described as a crossover between classical and jazz--remnants from those early years. Joni Mitchell and Judy Collins were big inspirations for Sydney's songwriting. She was especially drawn to the deeply emotional lyrics in many of their songs.Cycles of Life, the title track from Sydney's current release, was composed for her late step dad. The song is about the cycle of birth and death: Cycles of life go on, yet we carry all that we've known and loved through the ages. Time, another track on Sydney's current release, is a song about how time passes more quickly when we are doing something we cherish. Brian's Song, inspired by the loss of her father-in-law, reflects: All that really matters is the way we fill our heart, and the ways that it has loved. Dawn, a track from Sydney's album Seasons, is a beautiful piano-based instrumental with light string background. It portrays that very peaceful hour as the sun slowly lights up the world -- the hour of dawn.Sydney is a poet. She sees the world through a heart that feels the joy and sorrow of the world and those she meets. Her gift is the ability to transfer that emotion into music. Listening to her music is like taking a journey. She delves into depths of emotion, often taking the listener to places that can be difficult to go without the comfort of a beautiful song to.
$4.95
Mahler (arr. Lee): Symphony No. 3 5th movement, Piano Vocal Score (Version D for Alto solo)
#
Voix Alto, Piano
#
AVANCÉ
#
Classique
#
Gustav Mahler
#
Yoon Jae Lee
#
Mahler
#
Ondine Press
#
SheetMusicPlus
Alto Voice,Vocal Solo - Level 5 - SKU: A0.866108 Composed by Gustav Mahler. Arranged by Yoon Jae Lee. Romantic Period,Sacred. 12 pages. Ondine Press #31...
(+)
Alto Voice,Vocal Solo - Level 5 - SKU: A0.866108 Composed by Gustav Mahler. Arranged by Yoon Jae Lee. Romantic Period,Sacred. 12 pages. Ondine Press #3114457. Published by Ondine Press (A0.866108). This is the piano vocal score to an arrangement of the 5th movement of Mahler's Third Symphony, Es Sungen Drei Engel from Des Knaben Wunderhorn. This arrangement is one of 4 versions by Yoon Jae Lee, the curator of the Mahler Chamber Project. Version D is solo voice (alto solo). This version omits the boy’s (children’s choir) and women's chorus allowing for performances of this work to be sung by only one singer. The vocal is nearly identical to Mahler's original Lieder version but the revisions made to the final symphonic version, both rhythmic and structural, have been incorporated into this arrangement. Given the wide tessitura of the vocal part, it may be a stretch to say that it is ideally suited for alto. A few ossia parts with lower notes are given where the voice goes to a high register. This arrangement can be performed as a stand alone work with piano, or with Yoon Jae Lee’s reduction for chamber orchestra or with Mahler’s original forces.
$7.50
Lonely Mother Cry Lullaby for Alto and Piano
#
Voix Alto, Piano
#
INTERMÉDIAIRE
#
Sabrina Pena Young
#
Lonely Mother Cry Lullaby for
#
Sabrina Peña Young
#
SheetMusicPlus
Alto Voice,Vocal Solo - Level 3 - SKU: A0.976930 Composed by Sabrina Pena Young. Children,Film/TV,Holiday,Musical/Show,Opera. 2 pages. Sabrina Peña Y...
(+)
Alto Voice,Vocal Solo - Level 3 - SKU: A0.976930 Composed by Sabrina Pena Young. Children,Film/TV,Holiday,Musical/Show,Opera. 2 pages. Sabrina Peña Young #3430805. Published by Sabrina Peña Young (A0.976930). Sweet moving lullaby from groundbreaking animated opera film Libertaria by award-winning composer. A sad emotional waltz feel as the singer tells her child that she will never leave her. Simple, short, and quite beautiful. Intermediate/Advanced Student or Music Professional.Award-winning Cuban-American Composer S. Peña Younghttps://sabrinapenayoung.wordpress.com/Contact Young directly at FacebookFACEBOOK: https://www.facebook.com/newmusiccomposerLIBERTARIA: THE VIRTUAL OPERAhttps://virtualopera.wordpress.com/ ABOUT LIBERTARIA: In a post-USSA apocalyptic world, the young Libertaria escapes from evil geneticists and teams up with her addict father Simeon to defeat the Collective with a ragtag Underground army of cyborgs and misfits. The world’s first machinima opera, Libertaria has been called Groundbreaking by the Palm Beach Arts Paper. A truly dystopian novelization, the Libertaria Chronicles, is now available at Amazon. One of my favorite things about this story is its odd apocalyptic tone and strong sci-fi/fantasy foundation. The dark quality that comes with it is the cherry on top. –FanboysAnonymous.comWHAT FANS ARE SAYING ABOUT THE LIBERTARIA CHRONICLESBetween the book, virtual opera, soundtrack, and all the extras, Young has created a convincing world…a dark dystopian future for you to get lost in. The characters are complex, flawed, and human, and you are never sure what they will do next. Looking forward to the next book in the series!Award-winning Cuban-American composer S Peña Young has a rich history of creating groundbreaking classical music with cutting edge works like the multimedia oratorio Creation, winner of the IAWM New Genre Prize, World Order #5 for percussion and multimedia, and collaborations with artists in Vox Novus 60×60 and Lee Scott’s interactive web opera The Village. In 2014 Young gave a TED Talk on her animated science fiction opera Libertaria, the world’s first machinima opera. Young is the author of the science fiction series The Libertaria Chronicles and Composer Boot Camp 101: 50 Exercises for Educators, Students, and Music Professionals, (available at AMAZON) and is in production for the animated film Spiritus. Young is a sought-after lecturer and writer on music technology, audio engineering, film music, composition/songwriting, film, social media, online collaboration, marketing, and contemporary music and is an advocate for new music.
$6.99
O Holy Night (for SAB - Medium/Low Key - Alto Part Rehearsal Track)
#
Voix Alto, Piano
#
Musique Sacrée
#
Adolphe-Charles Adam
#
Stephen DeCesare
#
O Holy Night
#
Exultet Music
#
SheetMusicPlus
Alto Voice,Piano - SKU: A0.1052334 Composed by Adolphe-Charles Adam. Arranged by Stephen DeCesare. Christian,Christmas,Praise & Worship,Sacred. Accompan...
(+)
Alto Voice,Piano - SKU: A0.1052334 Composed by Adolphe-Charles Adam. Arranged by Stephen DeCesare. Christian,Christmas,Praise & Worship,Sacred. Accompaniment. Duration 235. Exultet Music #4980669. Published by Exultet Music (A0.1052334). (French: Cantique de Noël) One of the most popular and beloved Christmas carols ever written. This is the Alto part only (computer generated) with the Piano accompaniment. Accessible for all levels of singing and can be easily used in any church or concert setting. (Key of Bb).
$3.99
O Holy Night (for SAB - High Key - Alto Part Rehearsal Track)
#
Voix Alto, Piano
#
Musique Sacrée
#
Adolphe-Charles Adam
#
Stephen DeCesare
#
O Holy Night
#
Exultet Music
#
SheetMusicPlus
Alto Voice,Piano - SKU: A0.1052339 Composed by Adolphe-Charles Adam. Arranged by Stephen DeCesare. Christian,Christmas,Praise & Worship,Sacred. Accompan...
(+)
Alto Voice,Piano - SKU: A0.1052339 Composed by Adolphe-Charles Adam. Arranged by Stephen DeCesare. Christian,Christmas,Praise & Worship,Sacred. Accompaniment. Duration 235. Exultet Music #4980683. Published by Exultet Music (A0.1052339). (French: Cantique de Noël) One of the most popular and beloved Christmas carols ever written. This is the Alto part only (computer generated) with the Piano accompaniment. Accessible for all levels of singing and can be easily used in any church or concert setting. (Key of Db).
$3.99
In God's Holy Presence, sacred music for vocal solo
#
Voix Alto, Piano
#
INTERMÉDIAIRE/AVANCÉ
#
Musique Sacrée
#
Kevin G
#
In God's Holy Presence, sacred
#
Kevin G. Pace
#
SheetMusicPlus
Alto Voice,Vocal Solo - Level 4 - SKU: A0.1038152 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Praise & Worship,Sacred,Spiritual. 9 pages. K...
(+)
Alto Voice,Vocal Solo - Level 4 - SKU: A0.1038152 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Praise & Worship,Sacred,Spiritual. 9 pages. Kevin G. Pace #643083. Published by Kevin G. Pace (A0.1038152). A beautiful, sacred vocal solo with music by Kevin G. Pace and text by Mary Ann W. Snowball. Text: In God’s holy presence I will yet abide. As I show a pure heart, He will be my Guide. Praying daily through his Son whisperings arise, Promising a future day when I will view his eyes. In God’s holy presence, at his throne of grace, I will look upon Him, gazing at his face. Knowing of my weaknesses He’ll help purge my heart. As I trust true covenants, we’ll never be apart. In God’s holy presence I will shed a tear, With his arms around me and his love so near. Giving all my gratitude for his precious plan, I will kneel in thankfulness for Father’s Son of Man. In God’s holy presence He will make me whole. He will claim his offspring as I give my soul. Knowing I am his blessed child grants me greater sight. As I offer all I have, He’ll be my heavn’ly light.
$3.99
Animal Farm (Count the Animals) - with solo, piano and sound effects
#
Voix Alto, Piano
#
DÉBUTANT
#
Enfant
#
Connie Boss
#
Animal Farm
#
Connie Boss
#
SheetMusicPlus
Alto Voice,Piano - Level 1 - SKU: A0.1168820 By Connie Boss. By Connie Boss. Children. Full Performance. Duration 267. Connie Boss #769159. Published by...
(+)
Alto Voice,Piano - Level 1 - SKU: A0.1168820 By Connie Boss. By Connie Boss. Children. Full Performance. Duration 267. Connie Boss #769159. Published by Connie Boss (A0.1168820). Fun learning song for kids - learn counting to 10, phonics and rhyming and also animal sounds. Clara the cow, is feeling down because she is all alone, so she invites her friends over. Have fun! solo and easy piano. Look for this as a solo or in a 30 song book at https://www.sheetmusicdirect.com/en-U... and https://www.sheetmusicplus.com/title/.... 30 song book https://www.sheetmusicdirect.com/en-U... and at https://www.sheetmusicplus.com/title/... And in book form on Amazon. Questions or requests email cdboss@cvalley.net See Lyrics Below Animal Farm Count the Animals By Connie Boss 1, 2, 3, 4, 5, 6, 7, 8, 9, 10 Count the animals Let the fun begin Clara the cow Wore a big frown She was at her home She felt all alone. So…. Clara used her phone to call….. Harold the horse Has a loud voice He gallops to cow’s home Then there were 2…..Neigh Clara used her phone to call….. Pearlie the pig Wore a pink wig She wiggled to cow’s home Then there were 3…..Oink Clara used her phone to call….. Daniel the dog Chases a frog He runs fast to cow’s home Then there were 4……Woof Clara used her phone to call….. Gavin the goat Gets in his boat He paddles to cow’s home Then there were 5……Bleat Clara used her phone to call….. Carol the cat Sat on a mat She pounces to cow’s home Then there were 6…..Meow.
$1.99
"Love shattered my mind,..." for mezzo-soprano and piano
#
Voix Alto, Piano
#
AVANCÉ
#
Panagiotis Theodossiou
#
"Love shattered my mind,.
#
Panagiotis Theodossiou
#
SheetMusicPlus
Alto Voice,Vocal Solo - Level 5 - SKU: A0.886715 Composed by Panagiotis Theodossiou. 20th Century,Concert,Contemporary,Standards. 15 pages. Panagiotis T...
(+)
Alto Voice,Vocal Solo - Level 5 - SKU: A0.886715 Composed by Panagiotis Theodossiou. 20th Century,Concert,Contemporary,Standards. 15 pages. Panagiotis Theodossiou #4728949. Published by Panagiotis Theodossiou (A0.886715). Love shattered my mind,... Eros d' etinaxe moi frenas... for mezzo-soprano and piano (2013) op.52 The work is based on 5 saved fragments of ancient lyrical poetry, on love, by Greek poetess Sappho (Lobel-Page 47, 48, 49, 34, Diehl 94). Love shattered my mind... The sinking moon has left the sky, the Pleiades have also gone... The coming of α mistress...The turbulent expression of Love...The stars about the fair moon in their turn hide their bright face...lights up all earth with silver. It is dedicated to alto singer Anna Mouzaki by whom was performed at Athenaeum Concert Hall in 2013. Second performance by Margarita Sygeniotou and Christos Marinos in 3d Greek Chios Contemporary Music Festival, Chios Island 2019.
$15.00
This Earth Was Once a Garden Place—Medium-Range Solo Voice, Fiddle, and Piano
#
Voix Alto, Piano
#
AVANCÉ
#
Musique Sacrée
#
Anonymous
#
Daniel Carter
#
This Earth Was Once a Garden P
#
Daniel Carter
#
SheetMusicPlus
Alto Voice,Vocal Solo - Level 5 - SKU: A0.1047360 Composed by Anonymous. Arranged by Daniel Carter. Classical,Folk,Praise & Worship,Sacred. 7 pages. Dan...
(+)
Alto Voice,Vocal Solo - Level 5 - SKU: A0.1047360 Composed by Anonymous. Arranged by Daniel Carter. Classical,Folk,Praise & Worship,Sacred. 7 pages. Daniel Carter #651918. Published by Daniel Carter (A0.1047360). NOTE: The performance demo recording is in the HIGH VOICE key, BUT is IDENTICAL to the Medium-Range Voice arrangement. The medium-range voice pitch range is A below treble clef to E (top space). Traditional, anonymous pioneer hymn tune PROSPECT OF HEAVEN, first published in Southern Harmony in 1835, was combined with pioneer LDS poet, William W. Phelps' text about the Garden of Eden with the future hope of Christ's return to the valley of Adam-ondi-Ahman, which the LDS faith believes is the original location of the Garden. Arranged with a dance-like piano accompaniment and complimentary fiddle obbligato of Jesu, Joy of Man's Desiring make a delightful special musical number for worship, concert settings, historical music, and hymn studies. Arranged for both high- and medium-range vocal solos. Obbligato part included on the last page.
$5.99
It is no Dream of Mine for Alto solo and Piano
#
Voix Alto, Piano
#
Contemporain
#
Leslie Kleen
#
It is no Dream of Mine for Alt
#
Music From Riverside
#
SheetMusicPlus
Alto Voice,Vocal Solo - SKU: A0.1004827 Composed by Leslie Kleen. Contemporary. 5 pages. Music From Riverside #4805117. Published by Music From Riversid...
(+)
Alto Voice,Vocal Solo - SKU: A0.1004827 Composed by Leslie Kleen. Contemporary. 5 pages. Music From Riverside #4805117. Published by Music From Riverside (A0.1004827). It is no Dream of Mine is a setting of the words by Henry Thoreau in which he sings the praises of the beauty of Walden Pond. It is from a collection called 'WALDEN' (titled after his book about his stay there) which consists of readings and musical settings of words by all by Henry Thoreau. This is one of the sixteen songs from that collection.It is a celebration of Thoreau and Nature. The complete orchestral score as well as a piano-vocal score is also available.
$1.99
Shy - an original pop or country song for solo voice
#
Voix Alto, Piano
#
FACILE
#
Connie Boss
#
Shy - an original pop or count
#
Connie Boss
#
SheetMusicPlus
Alto Voice,Vocal Solo - Level 2 - SKU: A0.1090169 Composed by Connie Boss. Country,Pop. 2 pages. Connie Boss #694347. Published by Connie Boss (A0.10901...
(+)
Alto Voice,Vocal Solo - Level 2 - SKU: A0.1090169 Composed by Connie Boss. Country,Pop. 2 pages. Connie Boss #694347. Published by Connie Boss (A0.1090169). Are you one of the shy people growing up like me? It was so hard to go through school that way. At age 64, I'm not nearly as shy as I was back then. I hope you enjoy this song and can maybe identify with it. It would be a great pop or country song. Any questions email me at cdboss@cvalley.net.
$5.99
SCARLATTI, Domenico: Consolati, e spera, aria from the opera "Ifigenia in Tauri", - Voice
#
Voix Alto, Piano
#
INTERMÉDIAIRE/AVANCÉ
#
Domenico SCARLATTI
#
Sergei PICHUGIN
#
SCARLATTI, Domenico: Consolati
#
Really Good Music, LLC.
#
SheetMusicPlus
Alto Voice,Vocal Solo - Level 4 - SKU: A0.868641 Composed by Domenico SCARLATTI (1685 – 1757). Arranged by Sergei PICHUGIN. Baroque,Concert,Instr...
(+)
Alto Voice,Vocal Solo - Level 4 - SKU: A0.868641 Composed by Domenico SCARLATTI (1685 – 1757). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Opera,Standards. 7 pages. Really Good Music, LLC. #4365844. Published by Really Good Music, LLC. (A0.868641). Consolati, e spera is an aria from the opera Ifigenia in Tauri (1713) by Domenico SCARLATTI (1685 – 1757), one of the greatest composers of Italian Baroque. It was arranged for voice and piano by Sergei Pichugin. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in G minor (Bb3 – C5) for low voice. .
$5.95
ROSSI Luigi: Mio ben, teco il tormento, lament from the opera "Orfeo", - Voice and Piano
#
Voix Alto, Piano
#
INTERMÉDIAIRE/AVANCÉ
#
Luigi ROSSI
#
Sergei PICHUGIN
#
ROSSI Luigi: Mio ben, teco il
#
Really Good Music, LLC.
#
SheetMusicPlus
Alto Voice,Vocal Solo - Level 4 - SKU: A0.869029 Composed by Luigi ROSSI (1597 – 1653). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructiona...
(+)
Alto Voice,Vocal Solo - Level 4 - SKU: A0.869029 Composed by Luigi ROSSI (1597 – 1653). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Opera,Standards. 5 pages. Really Good Music, LLC. #6400583. Published by Really Good Music, LLC. (A0.869029). Mio ben, teco il tormento is an aria (Euridice's lament) from the opera Orfeo, composed in 1647 by Luigi ROSSI (1597 – 1653), one of the most important Italian composers of the early Baroque. It was carefully realized from the score and arranged by Sergei Pichugin for voice and piano. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the key of B minor (B3 – E5) for low voice.
$5.95
All Good Gifts
#
Voix Alto, Piano
#
INTERMÉDIAIRE/AVANCÉ
#
Comédie Musicale
#
Stephen Schwartz
#
W
#
All Good Gifts
#
Diamond S Music
#
SheetMusicPlus
Alto Voice,Vocal Solo - Level 4 - SKU: A0.790033 By Stephen Schwartz. By Stephen Schwartz. Arranged by W. Brent Sawyer. Broadway. 9 pages. Diamond S Mus...
(+)
Alto Voice,Vocal Solo - Level 4 - SKU: A0.790033 By Stephen Schwartz. By Stephen Schwartz. Arranged by W. Brent Sawyer. Broadway. 9 pages. Diamond S Music #3553685. Published by Diamond S Music (A0.790033). ALL GOOD GIFTS from the musical GODSPELL. VOCAL SOLO in the KEY OF G (for Alto Voice) with piano accompaniment. This is a pop contemporary arrangement of the song from the beloved popular 1970s musical. The arrangement is similar in style to the original with a more modern take to it. The hymn is predominantly used as a hymn to give thanks to God for the harvest and it has also been used in the United States as a hymn for Thanksgiving. In 1862 in England, Jane Montgomery Campbell translated the original German poem by Matthias Clauduis into English. She translated Wir pflÑŒgen und wir streuen into English as We Plough the Fields and Scatter. The hymn was later published in Charles Bere's Garland of Songs and Children's Chorale Book. And Stephen Schwartz used these lyrics for his setting that was used in GODSPELL. GODSPELL was made into a motion picture in 1973 and has had several revivals in NYC and around the world, the most recent Broadway revival was in 2011. This arrangement is available in the KEY of A (for Mezzo Soprano or Bass Voice), KEY of C (for Soprano or Baritone), KEY of D (for Tenor Voice), KEY of G (for Alto Voice). Other similar arrangements from DIAMOND S MUSIC available at: https://www.sheetmusicplus.com/publishers/diamond-s-music/6940
$9.99
Wie Du warst (Octavian's Aria) from Der Rosenkavalier - Accessible Accompaniments Edition
#
Voix Alto, Piano
#
AVANCÉ
#
Classique
#
Richard Strauss
#
Nicole Elyse DiPaolo
#
Wie Du warst
#
Nicole Elyse DiPaolo
#
SheetMusicPlus
Alto Voice,Vocal Solo - Level 5 - SKU: A0.799612 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 6 pages. N...
(+)
Alto Voice,Vocal Solo - Level 5 - SKU: A0.799612 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 6 pages. Nicole Elyse DiPaolo #5022023. Published by Nicole Elyse DiPaolo (A0.799612). The first of its kind, and the third entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Wie Du warst, Octavian's famous aria from Strauss's Der Rosenkavalier (1911). Mezzos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury. This edition also includes a two-measure recomposed ending four measures after rehearsal 25, making this edition a great choice for concert and audition situations in which another singer isn't available to sing the Marschallin's lines.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
Back to the Heart
#
Voix Alto, Piano
#
INTERMÉDIAIRE
#
Sydney Stevens
#
Back to the Heart
#
Sydney Stevens, Water Music
#
SheetMusicPlus
Alto Voice,Vocal Solo - Level 3 - SKU: A0.859668 Composed by Sydney Stevens. Folk,New Age,Pop. 7 pages. Sydney Stevens, Water Music #2959571. Published ...
(+)
Alto Voice,Vocal Solo - Level 3 - SKU: A0.859668 Composed by Sydney Stevens. Folk,New Age,Pop. 7 pages. Sydney Stevens, Water Music #2959571. Published by Sydney Stevens, Water Music (A0.859668). Contact: sydneystevenspianostudio@gmail.comBack to the Heart: Emotional, heartfelt piano/vocal composed by Sydney Stevens (ASCAP). Sheet music arrangement is for piano/vocal/chords. From Album: Cycles of Life Theme: Going away, the sister that I know. Estrangement from someone who was once close. Mood: Serious, reflective, sad, emotionally moving. Musical Traits: Simple left hand piano, right hand reflects vocal part. Performance Time: 3:50 Sydney Stevens music is available on: Pandora, Spotify, iTunes, Amazon, Whisperings Solo Piano Radio, AllMusic More Links: www.sydneystevenswatermusic.comhttp://www.linkedin.com/in/sydney-stevens-532a113a BIOGRAPHY:Sydney Stevens began writing melodies on the piano before she could reach the pedals. Her earliest memory was watching her mother play classical piano. She began piano lessons at the age of 8, and started composing shortly thereafter.Stevens approaches her compositions as an artist. She paints musical portraits of the things that bring meaning to life: relationship to living things, emotional healing, discovering what matters most and honoring that as best we are able. Stevens' beautiful piano-based music aligns one with their own heart. Although some of her music can be described as New Age, her roots are heavily based in classical and jazz. Her study of classical composition makes her music more complex than some New Age music. Her music has been likened to the impressionistic composers such as Claude Debussy. Sydney's formal training is also reflected in her ability to compose for orchestral instruments. Her latest release, Cycles of Life, was solely recorded and produced by Sydney, programming all of the virtual instruments.Sydney has a great love for jazz. Keith Jarrett was an influence on her with his innovative and improvisational piano recordings and performances. She was particularly impressed with the freedom of style he portrayed in his performances. Bill Evans was something Sydney heard played as a young child. Where her mother was a classical pianist, her father was a jazz pianist. Perhaps that's why some of Sydney’s music can be described as a crossover between classical and jazz--remnants from those early years. Joni Mitchell and Judy Collins were big inspirations for Sydney's songwriting. She was especially drawn to the deeply emotional lyrics in many of their songs.Cycles of Life, the title track from Sydney's current release, was composed for her late step dad. The song is about the cycle of birth and death: Cycles of life go on, yet we carry all that we've known and loved through the ages. Time, another track on Sydney's current release, is a song about how time passes more quickly when we are doing something we cherish. Brian's Song, inspired by the loss of her father-in-law, reflects: All that really matters is the way we fill our heart, and the ways that it has loved. Dawn, a track from Sydney's album Seasons, is a beautiful piano-based instrumental with light string background. It portrays that very peaceful hour as the sun slowly lights up the world -- the hour of dawn.Sydney is a poet. She sees the world through a heart that feels the joy and sorrow of the world and those she meets. Her gift is the ability to transfer that emotion into music. Listening to her music is like taking a journey. She delves into depths of emotion, often taking the listener to places that can be difficult to go without the comfort of a beautiful song to accompany them.In addition to being a prolific.
$4.95
Herbie
#
Voix Alto, Piano
#
INTERMÉDIAIRE
#
Sydney Stevens
#
Herbie
#
Sydney Stevens, Water Music
#
SheetMusicPlus
Alto Voice,Vocal Solo - Level 3 - SKU: A0.859667 Composed by Sydney Stevens. Contemporary,Country,Folk,New Age,Pop. 6 pages. Sydney Stevens, Water Music...
(+)
Alto Voice,Vocal Solo - Level 3 - SKU: A0.859667 Composed by Sydney Stevens. Contemporary,Country,Folk,New Age,Pop. 6 pages. Sydney Stevens, Water Music #2959565. Published by Sydney Stevens, Water Music (A0.859667). Contact: sydneystevenspianostudio@gmail.comHerbie: Emotional, heartfelt piano/vocal composed by Sydney Stevens (ASCAP). Sheet music arrangement is for piano/vocal/chords. From Album: Cycles of Life Theme: What a pal, what a joyful friend. Appropriate for the loss of a loved one. Song was inspired by the loss of a pet. Mood: Flowing, reflective, tender, comforting Musical Traits: Strong melody, arpeggiated left hand piano, right hand reflects vocal part. Performance Time: 2:48 Sydney Stevens music is available on: Pandora, Spotify, iTunes, Amazon, Whisperings Solo Piano Radio, AllMusic More Links: www.sydneystevenswatermusic.com http://www.linkedin.com/in/sydney-stevens-532a113a BIOGRAPHY:Sydney Stevens began writing melodies on the piano before she could reach the pedals. Her earliest memory was watching her mother play classical piano. She began piano lessons at the age of 8, and started composing shortly thereafter.Stevens approaches her compositions as an artist. She paints musical portraits of the things that bring meaning to life: relationship to living things, emotional healing, discovering what matters most and honoring that as best we are able. Stevens' beautiful piano-based music aligns one with their own heart. Although some of her music can be described as New Age, her roots are heavily based in classical and jazz. Her study of classical composition makes her music more complex than some New Age music. Her music has been likened to the impressionistic composers such as Claude Debussy. Sydney's formal training is also reflected in her ability to compose for orchestral instruments. Her latest release, Cycles of Life, was solely recorded and produced by Sydney, programming all of the virtual instruments.Sydney has a great love for jazz. Keith Jarrett was an influence on her with his innovative and improvisational piano recordings and performances. She was particularly impressed with the freedom of style he portrayed in his performances. Bill Evans was something Sydney heard played as a young child. Where her mother was a classical pianist, her father was a jazz pianist. Perhaps that's why some of Sydney’s music can be described as a crossover between classical and jazz--remnants from those early years. Joni Mitchell and Judy Collins were big inspirations for Sydney's songwriting. She was especially drawn to the deeply emotional lyrics in many of their songs.Cycles of Life, the title track from Sydney's current release, was composed for her late step dad. The song is about the cycle of birth and death: Cycles of life go on, yet we carry all that we've known and loved through the ages. Time, another track on Sydney's current release, is a song about how time passes more quickly when we are doing something we cherish. Brian's Song, inspired by the loss of her father-in-law, reflects: All that really matters is the way we fill our heart, and the ways that it has loved. Dawn, a track from Sydney's album Seasons, is a beautiful piano-based instrumental with light string background. It portrays that very peaceful hour as the sun slowly lights up the world -- the hour of dawn.Sydney is a poet. She sees the world through a heart that feels the joy and sorrow of the world and those she meets. Her gift is the ability to transfer that emotion into music. Listening to her music is like taking a journey. She delves into depths of emotion, often taking the listener to places that can be difficult to go without the comfort of a beautiful song to accompany them.
$4.95
"Tumbleweed" - (Part Scores)
#
Voix Alto, Piano
#
INTERMÉDIAIRE
#
Sydney Stevens
#
"Tumbleweed" -
#
Sydney Stevens, Water Music
#
SheetMusicPlus
Alto Voice,Vocal Solo - Level 3 - SKU: A0.859710 Composed by Sydney Stevens. Children,Country,Folk,New Age. 31 pages. Sydney Stevens, Water Music #59541...
(+)
Alto Voice,Vocal Solo - Level 3 - SKU: A0.859710 Composed by Sydney Stevens. Children,Country,Folk,New Age. 31 pages. Sydney Stevens, Water Music #5954113. Published by Sydney Stevens, Water Music (A0.859710). Contact: sydneystevenspianostudio@gmail.comTumbleweed: Gentle folk-based piano/vocal by Sydney Stevens (ASCAP). Arrangement is for piano/vocal/chords/Vln I, II. Full score and part scores included with download.Sounds like: Dar Williams, Rose Polenzani, Christina PerriFrom Album: Cycles of Life Theme: I am a tumbleweed tumbling todayMood: Gentle, warm, emotional, comforting, innocent.Musical Traits: Simple, broken chords in the left hand piano along with right hand melody that reflects the vocal line.Performance Time: 3:17Sydney Stevens music is available on: Pandora, Spotify, iTunes, Amazon, Whisperings Solo Piano Radio, AllMusicMore Links:www.sydneystevenswatermusic.comhttp://www.linkedin.com/in/sydney-stevens-532a113aBIOGRAPHY: Sydney Stevens began writing melodies on the piano before she could reach the pedals. Her earliest memory was watching her mother play classical piano. She began piano lessons at the age of 8, and started composing shortly thereafter. Stevens approaches her compositions as an artist. She paints musical portraits of the things that bring meaning to life: relationship to living things, emotional healing, discovering what matters most and honoring that as best we are able. Stevens' beautiful piano-based music aligns one with their own heart. Although some of her music can be described as New Age, her roots are heavily based in classical and jazz. Her study of classical composition makes her music more complex than some New Age music. Her music has been likened to the impressionistic composers such as Claude Debussy. Sydney's formal training is also reflected in her ability to compose for orchestral instruments. Her latest release, Cycles of Life, was solely recorded and produced by Sydney, programming all of the virtual instruments.Sydney has a great love for jazz. Keith Jarrett was an influence on her with his innovative and improvisational piano recordings and performances. She was particularly impressed with the freedom of style he portrayed in his performances. Bill Evans was something Sydney heard played as a young child. Where her mother was a classical pianist, her father was a jazz pianist. Perhaps that's why some of Sydney’s music can be described as a crossover between classical and jazz--remnants from those early years. Joni Mitchell and Judy Collins were big inspirations for Sydney's songwriting. She was especially drawn to the deeply emotional lyrics in many of their songs.Cycles of Life, the title track from Sydney's current release, was composed for her late step dad. The song is about the cycle of birth and death: Cycles of life go on, yet we carry all that we've known and loved through the ages. Time, another track on Sydney's current release, is a song about how time passes more quickly when we are doing something we cherish. Brian's Song, inspired by the loss of her father-in-law, reflects: All that really matters is the way we fill our heart, and the ways that it has loved. Dawn, a track from Sydney's album Seasons, is a beautiful piano-based instrumental with light string background. It portrays that very peaceful hour as the sun slowly lights up the world -- the hour of dawn.Sydney is a poet. She sees the world through a heart that feels the joy and sorrow of the world and those she meets. Her gift is the ability to transfer that emotion into music. Listening to her music is like taking a journey. She delves into depths of emotion, often taking the listener to places that can be difficult to go without the comfort of a beautiful song to accompany them.In addition to being a prolific composer, Stevens runs a b.
$9.95
The River
#
Voix Alto, Piano
#
INTERMÉDIAIRE
#
Sydney Stevens
#
The River
#
Sydney Stevens, Water Music
#
SheetMusicPlus
Alto Voice,Vocal Solo - Level 3 - SKU: A0.859664 Composed by Sydney Stevens. Country,Folk,Pop,Wedding. 8 pages. Sydney Stevens, Water Music #2949779. Pu...
(+)
Alto Voice,Vocal Solo - Level 3 - SKU: A0.859664 Composed by Sydney Stevens. Country,Folk,Pop,Wedding. 8 pages. Sydney Stevens, Water Music #2949779. Published by Sydney Stevens, Water Music (A0.859664). Contact: sydneystevenspianostudio@gmail.comThe River: Uplifting piano/vocal by Sydney Stevens (ASCAP). Sheet music arrangement is for piano/vocal/chords.Sounds like: Dar Williams, Judy Collins, Christina PerriFrom Album: Cycles of Life Theme: Long awaited true love, new love.Mood: Happy, romantic, inspired.Musical Traits: Broken chords in the left hand piano, right hand melody that reflects the vocal line.Performance Time: 3:17Sydney Stevens music is available on: Pandora, Spotify, iTunes, Amazon, Whisperings Solo Piano Radio, AllMusicMore Links: www.sydneystevenswatermusic.com http://www.linkedin.com/in/sydney-stevens-532a113aBIOGRAPHY:Sydney Stevens began writing melodies on the piano before she could reach the pedals. Her earliest memory was watching her mother play classical piano. She began piano lessons at the age of 8, and started composing shortly thereafter.Stevens approaches her compositions as an artist. She paints musical portraits of the things that bring meaning to life: relationship to living things, emotional healing, discovering what matters most and honoring that as best we are able. Stevens' beautiful piano-based music aligns one with their own heart. Although some of her music can be described as New Age, her roots are heavily based in classical and jazz. Her study of classical composition makes her music more complex than some New Age music. Her music has been likened to the impressionistic composers such as Claude Debussy. Sydney's formal training is also reflected in her ability to compose for orchestral instruments. Her latest release, Cycles of Life, was solely recorded and produced by Sydney, programming all of the virtual instruments.Sydney has a great love for jazz. Keith Jarrett was an influence on her with his innovative and improvisational piano recordings and performances. She was particularly impressed with the freedom of style he portrayed in his performances. Bill Evans was something Sydney heard played as a young child. Where her mother was a classical pianist, her father was a jazz pianist. Perhaps that's why some of Sydney’s music can be described as a crossover between classical and jazz--remnants from those early years. Joni Mitchell and Judy Collins were big inspirations for Sydney's songwriting. She was especially drawn to the deeply emotional lyrics in many of their songs.Cycles of Life, the title track from Sydney's current release, was composed for her late step dad. The song is about the cycle of birth and death: Cycles of life go on, yet we carry all that we've known and loved through the ages. Time, another track on Sydney's current release, is a song about how time passes more quickly when we are doing something we cherish. Brian's Song, inspired by the loss of her father-in-law, reflects: All that really matters is the way we fill our heart, and the ways that it has loved. Dawn, a track from Sydney's album Seasons, is a beautiful piano-based instrumental with light string background. It portrays that very peaceful hour as the sun slowly lights up the world -- the hour of dawn.Sydney is a poet. She sees the world through a heart that feels the joy and sorrow of the world and those she meets. Her gift is the ability to transfer that emotion into music. Listening to her music is like taking a journey. She delves into depths of emotion, often taking the listener to places that can be difficult to go without the comfort of a beautiful song to accompany them.In addition to being a prolific composer,.
$4.95
Brian's Song
#
Voix Alto, Piano
#
INTERMÉDIAIRE
#
Sydney Stevens
#
Brian's Song
#
Sydney Stevens, Water Music
#
SheetMusicPlus
Alto Voice,Vocal Solo - Level 3 - SKU: A0.859662 Composed by Sydney Stevens. Contemporary,Folk,Holiday,Pop. 7 pages. Sydney Stevens, Water Music #294975...
(+)
Alto Voice,Vocal Solo - Level 3 - SKU: A0.859662 Composed by Sydney Stevens. Contemporary,Folk,Holiday,Pop. 7 pages. Sydney Stevens, Water Music #2949759. Published by Sydney Stevens, Water Music (A0.859662). Contact: sydneystevenspianostudio@gmail.comBrian's Song: Emotional piano/vocal composed by Sydney Stevens (ASCAP). Arrangement is for piano/vocal/chords.Sounds like: Lucy Kaplansky, Loreena McKennittFrom Album: Cycles of Life Theme: The passing of, (letting go of) a father.Mood: Heartfelt, emotional, hopeful.Musical Traits: Strong melody in right hand piano that reflects the vocal line.Performance Time: 2:56Sydney Stevens music is available on: Pandora, Spotify, iTunes, Amazon, Whisperings Solo Piano Radio, AllMusicMore Links: www.sydneystevenswatermusic.comhttp://www.linkedin.com/in/sydney-stevens-532a113aBIOGRAPHY:Sydney Stevens began writing melodies on the piano before she could reach the pedals. Her earliest memory was watching her mother play classical piano. She began piano lessons at the age of 8, and started composing shortly thereafter.Stevens approaches her compositions as an artist. She paints musical portraits of the things that bring meaning to life: relationship to living things, emotional healing, discovering what matters most and honoring that as best we are able. Stevens' beautiful piano-based music aligns one with their own heart. Although some of her music can be described as New Age, her roots are heavily based in classical and jazz. Her study of classical composition makes her music more complex than some New Age music. Her music has been likened to the impressionistic composers such as Claude Debussy. Sydney's formal training is also reflected in her ability to compose for orchestral instruments. Her latest release, Cycles of Life, was solely recorded and produced by Sydney, programming all of the virtual instruments.Sydney has a great love for jazz. Keith Jarrett was an influence on her with his innovative and improvisational piano recordings and performances. She was particularly impressed with the freedom of style he portrayed in his performances. Bill Evans was something Sydney heard played as a young child. Where her mother was a classical pianist, her father was a jazz pianist. Perhaps that's why some of Sydney’s music can be described as a crossover between classical and jazz--remnants from those early years. Joni Mitchell and Judy Collins were big inspirations for Sydney's songwriting. She was especially drawn to the deeply emotional lyrics in many of their songs.Cycles of Life, the title track from Sydney's current release, was composed for her late step dad. The song is about the cycle of birth and death: Cycles of life go on, yet we carry all that we've known and loved through the ages. Time, another track on Sydney's current release, is a song about how time passes more quickly when we are doing something we cherish. Brian's Song, inspired by the loss of her father-in-law, reflects: All that really matters is the way we fill our heart, and the ways that it has loved. Dawn, a track from Sydney's album Seasons, is a beautiful piano-based instrumental with light string background. It portrays that very peaceful hour as the sun slowly lights up the world -- the hour of dawn.Sydney is a poet. She sees the world through a heart that feels the joy and sorrow of the world and those she meets. Her gift is the ability to transfer that emotion into music. Listening to her music is like taking a journey. She delves into depths of emotion, often taking the listener to places that can be difficult to go without the comfort of a beautiful song to accompany them.In addition to being a prolific compose.
$4.95
Another Day
#
Voix Alto, Piano
#
INTERMÉDIAIRE
#
Sydney Stevens
#
Another Day
#
Sydney Stevens, Water Music
#
SheetMusicPlus
Alto Voice,Vocal Solo - Level 3 - SKU: A0.859660 Composed by Sydney Stevens. Country,Folk,New Age,Pop. 7 pages. Sydney Stevens, Water Music #2942889. Pu...
(+)
Alto Voice,Vocal Solo - Level 3 - SKU: A0.859660 Composed by Sydney Stevens. Country,Folk,New Age,Pop. 7 pages. Sydney Stevens, Water Music #2942889. Published by Sydney Stevens, Water Music (A0.859660). Contact: sydneystevenspianostudio@gmail.comAnother Day: Refreshing, passionate piano/vocal composed by Sydney Stevens (ASCAP). Sheet music arrangement is for piano/vocal/chords.Sounds like: Christina Perri, Enya, Judy CollinsFrom Album: Cycles of Life Theme: New love, love's longing. Mood: Passionate, romantic, heartfelt. Musical Traits: Strong melody in right hand piano that reflects the vocal line. Performance Time: 3:41 Sydney Stevens music is available on: Pandora, Spotify, iTunes, Amazon, Whisperings Solo Piano Radio, AllMusic More Links: www.sydneystevenswatermusic.com http://www.linkedin.com/in/sydney-stevens-532a113a BIOGRAPHY:Sydney Stevens began writing melodies on the piano before she could reach the pedals. Her earliest memory was watching her mother play classical piano. She began piano lessons at the age of 8, and started composing shortly thereafter.Stevens approaches her compositions as an artist. She paints musical portraits of the things that bring meaning to life: relationship to living things, emotional healing, discovering what matters most and honoring that as best we are able. Stevens' beautiful piano-based music aligns one with their own heart. Although some of her music can be described as New Age, her roots are heavily based in classical and jazz. Her study of classical composition makes her music more complex than some New Age music. Her music has been likened to the impressionistic composers such as Claude Debussy. Sydney's formal training is also reflected in her ability to compose for orchestral instruments. Her latest release, Cycles of Life, was solely recorded and produced by Sydney, programming all of the virtual instruments.Sydney has a great love for jazz. Keith Jarrett was an influence on her with his innovative and improvisational piano recordings and performances. She was particularly impressed with the freedom of style he portrayed in his performances. Bill Evans was something Sydney heard played as a young child. Where her mother was a classical pianist, her father was a jazz pianist. Perhaps that's why some of Sydney’s music can be described as a crossover between classical and jazz--remnants from those early years. Joni Mitchell and Judy Collins were big inspirations for Sydney's songwriting. She was especially drawn to the deeply emotional lyrics in many of their songs.Cycles of Life, the title track from Sydney's current release, was composed for her late step dad. The song is about the cycle of birth and death: Cycles of life go on, yet we carry all that we've known and loved through the ages. Time, another track on Sydney's current release, is a song about how time passes more quickly when we are doing something we cherish. Brian's Song, inspired by the loss of her father-in-law, reflects: All that really matters is the way we fill our heart, and the ways that it has loved. Dawn, a track from Sydney's album Seasons, is a beautiful piano-based instrumental with light string background. It portrays that very peaceful hour as the sun slowly lights up the world -- the hour of dawn.Sydney is a poet. She sees the world through a heart that feels the joy and sorrow of the world and those she meets. Her gift is the ability to transfer that emotion into music. Listening to her music is like taking a journey. She delves into depths of emotion, often taking the listener to places that can be difficult to go without the comfort of a beautiful song to accompany them.In addition to being a prolific composer, Stevens runs a.
$4.95
I Can See (Andorra, the Witch of Andor, King Saul & Samuel) from "The Kings"
#
Voix Alto, Piano
#
INTERMÉDIAIRE
#
McCorkle, Dennis F
#
I Can See
#
DF McCorkle Music and eBook Publications
#
SheetMusicPlus
Alto Voice,Vocal Solo - Level 3 - SKU: A0.784838 Composed by McCorkle, Dennis F. Broadway,Christian,Jewish,Musical/Show,Rock. 28 pages. DF McCorkle Musi...
(+)
Alto Voice,Vocal Solo - Level 3 - SKU: A0.784838 Composed by McCorkle, Dennis F. Broadway,Christian,Jewish,Musical/Show,Rock. 28 pages. DF McCorkle Music and eBook Publications #11767. Published by DF McCorkle Music and eBook Publications (A0.784838). CUT FROM SHOW: I Can See. The King, by Dennis McCorkle, is a contemporary pop-rock musical of the first two kings of Israel, Saul ben Kish and David ben Jesse and explores the contrasting lives and outcome of each man’s choices in life. [1 Samuel 28:7-18 - Then said Saul unto his servants, Seek me a woman that hath a familiar spirit, that I may go to her, and inquire of her. And his servants said to him, Behold, there is a woman that hath a familiar spirit at Endor. And Saul disguised himself, and put on other raiment, and he went, and two men with him, and they came to the woman by night: and he said, I pray thee, divine unto me by the familiar spirit, and bring me him up, whom I shall name unto thee. And the woman said unto him, Behold, thou knowest what Saul hath done, how he hath cut off those that have familiar spirits, and the wizards, out of the land: wherefore then layest thou a snare for my life, to cause me to die? And Saul sware to her by Yahweh, saying, As Yahweh liveth, there shall no punishment happen to thee for this thing. Then said the woman, Whom shall I bring up unto thee? And he said, Bring me up Samuel. And when the woman saw Samuel, she cried with a loud voice: and the woman spake to Saul, saying, Why hast thou deceived me? for thou art Saul. And the king said unto her, Be not afraid: for what sawest thou? And the woman said unto Saul, I saw gods ascending out of the earth. And he said unto her, What form is he of? And she said, An old man cometh up; and he is covered with a mantle. And Saul perceived that it was Samuel, and he stooped with his face to the ground, and bowed himself. And Samuel said to Saul, Why hast thou disquieted me, to bring me up? And Saul answered, I am sore distressed; for the Philistines make war against me, and God is departed from me, and answereth me no more, neither by prophets, nor by dreams: therefore I have called thee, that thou mayest make known unto me what I shall do. Then said Samuel, Wherefore then dost thou ask of me, seeing Yahweh is departed from thee, and is become thine enemy? And Yahweh hath done to him, as he spake by me: for Yahweh hath rent the kingdom out of thine hand, and given it to thy neighbor, even to David: Because thou obeyedst not the voice of Yahweh, nor executedst his fierce wrath upon Amalek, therefore hath Yahweh done this thing unto thee this day. Also included with your order is our new 20 page catalog of over 150 titles at no additional charge.
$2.99
Nature's Dream
#
Voix Alto, Piano
#
FACILE
#
Bill Taylor and Jaye Alison Mo
#
Nature's Dream
#
William R Taylor
#
SheetMusicPlus
Alto Voice,Vocal Solo - Level 2 - SKU: A0.1022081 Composed by Bill Taylor and Jaye Alison Moscariello, lyrics and Bill Taylor music. Contemporary,Jazz,S...
(+)
Alto Voice,Vocal Solo - Level 2 - SKU: A0.1022081 Composed by Bill Taylor and Jaye Alison Moscariello, lyrics and Bill Taylor music. Contemporary,Jazz,Sacred. 7 pages. William R Taylor #6475263. Published by William R Taylor (A0.1022081). Nature’s Dream (©2012) – Piano, Vocal, Flute, Soprano Sax, Upright Bass. The first several bars came to me in a 2011 vivid dream in which Paul McCandless was playing soaring soprano sax melodies and Jaye Alison Moscariello was singing lyrics I did not remember from the dream. It was originally in D with some Dad-related chord progressions. This version is in A to better fit the alto voice. After writing 3 verses of rather convoluted lyrics about healing the planet, Jaye helped pare it down to one powerful verse that could be a world anthem. George and Paul play solos during the instrumental break. We think this would make a great national, or international, anthem. This is our planet, the one that we all share Let us remember that all life breathes the air Our world is sacred, its future in our trust And it continues after bodies turn to dust Shall we continue to think we own the beasts? Or know the truth that all of us share the feast? Grow for each other and for the creatures too Plant life and fungi nourish the whole zoo Lessons we’ve learned from species that have passed Transform our ways or we may not last Take time to learn what ancestors teach us Honor the spirit residing in that which feeds us Act for the future of seven generations And together we can share in this dance of life Act for the future of seven generations Act for the welfare of seven generations
$3.99
Cycles of Life
#
Voix Alto, Piano
#
INTERMÉDIAIRE
#
Sydney Stevens
#
Cycles of Life
#
Sydney Stevens, Water Music
#
SheetMusicPlus
Alto Voice,Vocal Solo - Level 3 - SKU: A0.859659 Composed by Sydney Stevens. 20th Century,Contemporary,Folk,New Age. 6 pages. Sydney Stevens, Water Musi...
(+)
Alto Voice,Vocal Solo - Level 3 - SKU: A0.859659 Composed by Sydney Stevens. 20th Century,Contemporary,Folk,New Age. 6 pages. Sydney Stevens, Water Music #2942883. Published by Sydney Stevens, Water Music (A0.859659). Contact: sydneystevenspianostudio@gmail.comCycles of Life: Emotional, heartfelt piano/vocal composed by Sydney Stevens (ASCAP). Sheet music arrangement is for piano/vocal/chords.Sounds like: Loreena McKennitt, Lucy Kaplansky, Giorgia FumantiFrom Album: Cycles of Life Theme: The only constant in life is change. Appropriate for the loss of a loved one.Mood: Contemplative, soulful, reflective.Musical Traits: Strong melody, gorgeous arrangement.Performance Time: 3:55.Sydney Stevens music is available on: Pandora, Spotify, iTunes, Amazon, Whisperings Solo Piano Radio, AllMusicMore Links: www.sydneystevenswatermusic.com http://www.linkedin.com/in/sydney-stevens-532a113aBIOGRAPHY:Sydney Stevens began writing melodies on the piano before she could reach the pedals. Her earliest memory was watching her mother play classical piano. She began piano lessons at the age of 8, and started composing shortly thereafter.Stevens approaches her compositions as an artist. She paints musical portraits of the things that bring meaning to life: relationship to living things, emotional healing, discovering what matters most and honoring that as best we are able. Stevens' beautiful piano-based music aligns one with their own heart. Although some of her music can be described as New Age, her roots are heavily based in classical and jazz. Her study of classical composition makes her music more complex than some New Age music. Her music has been likened to the impressionistic composers such as Claude Debussy. Sydney's formal training is also reflected in her ability to compose for orchestral instruments. Her latest release, Cycles of Life, was solely recorded and produced by Sydney, programming all of the virtual instruments.Sydney has a great love for jazz. Keith Jarrett was an influence on her with his innovative and improvisational piano recordings and performances. She was particularly impressed with the freedom of style he portrayed in his performances. Bill Evans was something Sydney heard played as a young child. Where her mother was a classical pianist, her father was a jazz pianist. Perhaps that's why some of Sydney’s music can be described as a crossover between classical and jazz--remnants from those early years. Joni Mitchell and Judy Collins were big inspirations for Sydney's songwriting. She was especially drawn to the deeply emotional lyrics in many of their songs.Cycles of Life, the title track from Sydney's current release, was composed for her late step dad. The song is about the cycle of birth and death: Cycles of life go on, yet we carry all that we've known and loved through the ages. Time, another track on Sydney's current release, is a song about how time passes more quickly when we are doing something we cherish. Brian's Song, inspired by the loss of her father-in-law, reflects: All that really matters is the way we fill our heart, and the ways that it has loved. Dawn, a track from Sydney's album Seasons, is a beautiful piano-based instrumental with light string background. It portrays that very peaceful hour as the sun slowly lights up the world -- the hour of dawn.Sydney is a poet. She sees the world through a heart that feels the joy and sorrow of the world and those she meets. Her gift is the ability to transfer that emotion into music. Listening to her music is like taking a journey. She delves into depths of emotion, often taking the listener to places that can be dif.
$4.95
Time
#
Voix Alto, Piano
#
INTERMÉDIAIRE
#
Sydney Stevens
#
Time
#
Sydney Stevens, Water Music
#
SheetMusicPlus
Alto Voice,Vocal Solo - Level 3 - SKU: A0.859661 Composed by Sydney Stevens. Country,Folk,New Age,Pop. 5 pages. Sydney Stevens, Water Music #2942895. Pu...
(+)
Alto Voice,Vocal Solo - Level 3 - SKU: A0.859661 Composed by Sydney Stevens. Country,Folk,New Age,Pop. 5 pages. Sydney Stevens, Water Music #2942895. Published by Sydney Stevens, Water Music (A0.859661). Contact: sydneystevenspianostudio@gmail.comTime: Peaceful piano/vocal composed by Sydney Stevens (ASCAP). Sheet music arrangement is for piano/vocal/chords.Sounds like: Sarah McLachlan, Vanessa Carlton, Loreena McKennittFrom Album: Cycles of Life Theme: Contemplative theme of time passing more quickly the longer we're here -- the hourglass effect. Also, how time seems to pass faster when we are doing something we love.Mood: Romantic, gentle, warm, emotional.Musical Traits: Strong melody in right hand piano that reflects the vocal line.Performance Time: 4:17Sydney Stevens music is available on: Pandora, Spotify, iTunes, Amazon, Whisperings Solo Piano Radio, AllMusicMore Links: www.sydneystevenswatermusic.com http://www.linkedin.com/in/sydney-stevens-532a113aBIOGRAPHY:Sydney Stevens began writing melodies on the piano before she could reach the pedals. Her earliest memory was watching her mother play classical piano. She began piano lessons at the age of 8, and started composing shortly thereafter.Stevens approaches her compositions as an artist. She paints musical portraits of the things that bring meaning to life: relationship to living things, emotional healing, discovering what matters most and honoring that as best we are able. Stevens' beautiful piano-based music aligns one with their own heart. Although some of her music can be described as New Age, her roots are heavily based in classical and jazz. Her study of classical composition makes her music more complex than some New Age music. Her music has been likened to the impressionistic composers such as Claude Debussy. Sydney's formal training is also reflected in her ability to compose for orchestral instruments. Her latest release, Cycles of Life, was solely recorded and produced by Sydney, programming all of the virtual instruments.Sydney has a great love for jazz. Keith Jarrett was an influence on her with his innovative and improvisational piano recordings and performances. She was particularly impressed with the freedom of style he portrayed in his performances. Bill Evans was something Sydney heard played as a young child. Where her mother was a classical pianist, her father was a jazz pianist. Perhaps that's why some of Sydney’s music can be described as a crossover between classical and jazz--remnants from those early years. Joni Mitchell and Judy Collins were big inspirations for Sydney's songwriting. She was especially drawn to the deeply emotional lyrics in many of their songs.Cycles of Life, the title track from Sydney's current release, was composed for her late step dad. The song is about the cycle of birth and death: Cycles of life go on, yet we carry all that we've known and loved through the ages. Time, another track on Sydney's current release, is a song about how time passes more quickly when we are doing something we cherish. Brian's Song, inspired by the loss of her father-in-law, reflects: All that really matters is the way we fill our heart, and the ways that it has loved. Dawn, a track from Sydney's album Seasons, is a beautiful piano-based instrumental with light string background. It portrays that very peaceful hour as the sun slowly lights up the world -- the hour of dawn.Sydney is a poet. She sees the world through a heart that feels the joy and sorrow of the world and those she meets. Her gift is the ability to transfer that emotion into music. Listening to her music is like taking a journey. She delves into depths of emotion, often taking the lis.
$4.95
<
1
26
51
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale