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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Opera
Non classifié
3 620
Piano & claviers
Piano, Voix
3 134
Piano seul
2 175
Piano Facile
658
Piano, Voix et Guitare
478
1 Piano, 4 mains
180
Instruments en Do
135
Accompagnement Piano
90
Orgue
77
Piano Trio: piano, violon, violoncelle
53
2 Pianos, 4 mains
27
Piano grosses notes
27
Accordéon
26
Instrument seul et Orgue
16
Piano Quintette: piano, 2 violons, alto, violoncelle
10
Piano Quatuor: piano, violon, alto, violoncelle
9
Orgue, Piano (duo)
8
Piano Quatuor: piano, 2 violons, violoncelle
6
Clavecin
5
Piano (partie séparée)
3
2 Pianos, 8 mains
2
Accordéon, Voix
2
Ligne De Mélodie, Piano
1
Orgue, Trompette (duo)
1
1 Piano, 6 mains
1
+ 19 instrumentations
Retracter
Guitares
Guitare notes et tablatures
175
Guitare
152
Ligne De Mélodie, (Paroles) et Accords
125
Ukulele
38
2 Guitares (duo)
38
Basse electrique
33
Paroles et Accords
13
Piano, Guitare (duo)
13
4 Guitares (Quatuor)
9
Mandoline
5
3 Guitares (trio)
4
Guitare (partie séparée)
4
Mandoline, Guitare (duo)
2
Ensemble de guitares
1
Banjo
1
Orchestre à Plectres
1
Dulcimer
1
+ 12 instrumentations
Retracter
Voix
Chorale SATB
428
Voix Soprano, Piano
213
Chorale 3 parties
170
Voix Tenor, Piano
158
Voix seule
114
Voix Baryton, Piano
98
Voix duo, Piano
79
Chorale 2 parties
78
Chorale TTBB
69
Voix Alto, Piano
66
Voix haute
51
Voix basse, Piano
48
Chorale Unison
47
Voix duo
45
Voix Mezzo-Soprano, Piano
42
Chorale SSAA
37
Voix moyenne, Piano
18
Voix Baryton
16
Chorale
16
Voix Soprano
13
Voix Tenor
12
Pack Instrumental pour Chorale
11
Soli, choeur mixte et accompagnement
4
Voix haute, Piano
4
Voix basse
1
Voix, Guitare
1
Chorale SSATB
1
+ 22 instrumentations
Retracter
Vents
Flûte traversière et Piano
440
Clarinette et Piano
314
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
283
Quatuor de Saxophones: 4 saxophones
279
Hautbois, Piano (duo)
234
Saxophone Alto et Piano
206
Clarinette
195
Flûte traversière
190
Quatuor de Clarinettes: 4 clarinettes
175
2 Flûtes traversières (duo)
164
Flûte, Hautbois, Clarinette, Basson
155
2 Saxophones (duo)
139
Saxophone Soprano et Piano
118
Saxophone Alto
116
Quatuor de Flûtes : 4 flûtes
114
Saxophone Tenor et Piano
100
Quintette de Saxophone: 5 saxophones
93
2 Clarinettes (duo)
76
Hautbois (partie séparée)
76
Saxophone (partie séparée)
75
Ensemble de Clarinettes
72
Saxophone Tenor
68
Ensemble de Flûtes
67
Saxophone
60
Harmonica
50
Ensemble de saxophones
50
Cor anglais, Piano
49
Quintette de Clarinettes: 5 clarinettes
47
Saxophone Baryton, Piano
41
Flûte, Clarinette (duo)
39
Clarinette (partie séparée)
36
3 Clarinettes (trio)
36
Flûte et Guitare
36
3 Saxophones (trio)
34
Clarinette Basse, Piano
28
2 Flûte à bec (duo)
27
2 Hautbois (duo)
27
Instruments en Mib
26
Hautbois, Clarinette (duo)
24
Trio de Flûtes: 3 flûtes
24
Quatuor de Flûtes à bec
24
Saxophone, Clarinette (duo)
22
Clarinette, Violon (duo)
22
Flûte, Clarinette et Basson
21
Flûte, Violon
20
Hautbois
20
Flûte, Trompette (duo)
17
5 Flûtes à bec
17
Flûte à Bec
17
Quintette de Flûte : 5 flûtes
15
Flute (partie séparée)
14
Flûte, Violoncelle, Piano (trio)
14
Hautbois, violon (duo)
14
Flûte à bec Soprano
13
2 Clarinettes, Piano
13
Hautbois, Basson (duo)
13
Hautbois, Clarinette, Basson (trio d'anches)
13
Flûte, Hautbois (duo)
12
Clarinette, Basson (duo)
12
Flûte, Violon, Piano
11
Saxophone Soprano
11
Hautbois, Trompette (duo)
10
Flûte, Clarinette, Cor, Basson (Quartet)
10
Saxophone, Violon (duo)
10
Clarinette, Violoncelle, Piano (trio)
10
Flûte, Clarinette, Piano (trio)
9
Hautbois, Flûte
9
Clarinette, Guitare (duo)
9
Flûte, Saxophone (duo)
8
2 Flûtes traversières, Piano
8
3 Flûtes à bec (trio)
7
Flûte à bec Alto
7
Flûte, Violoncelle
7
Flûte, Hautbois, Piano (trio)
7
Flûte irlandaise
6
Flûte, Violon et Violoncelle
6
Flûte, Hautbois, Basson
6
Clarinette, Trompette (duo)
6
Flûte à bec Tenor
6
Flûte, Hautbois, Clarinette (trio)
6
Cor Anglais
6
Flûte à bec, Guitare (duo)
6
Saxophone Baryton
6
Clarinette, Harpe (duo)
5
2 Saxophones, Piano
5
Clarinette, Violoncelle (duo)
5
Flûte, Basson et Piano
5
Flûte, Violon, Violoncelle et Piano
4
2 Clarinettes, Basson
4
3 Hautbois
4
Flûte à Bec, Piano
4
Flûte, Alto (duo)
4
Flûte à bec Soprano, Piano
3
Clarinette et Alto
3
Clarinette Basse
3
Flûte traversière, Orgue (duo)
2
Clarinette, Trombone (duo)
2
Flûte traversière, Basse continue
2
Hautbois, Violoncelle
2
Saxophone et Orgue
2
Flûte, trombone et piano
2
Piccolo
2
Ensemble De Flûte à bec
1
Flûte de Pan
1
Flûte et Trio à cordes
1
Piccolo, Piano
1
Hautbois, Violoncelle et Piano
1
Clarinette, Basson, Piano (trio)
1
Ocarina
1
Saxophone et Guitare
1
Hautbois, Clarinette, Basson et Piano
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Flute, harpe et violon
1
Hautbois, Clarinette et Piano (Trio)
1
Flûte à bec Alto, Piano
1
Cor anglais, Guitare (duo)
1
Saxophone et violoncelle
1
Hautbois, Harpe
1
4 Hautbois
1
2 Flûtes à bec, Guitare
1
Flûte, Trombone (duo)
1
+ 117 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
260
Trompette, Piano
231
Cor et Piano
173
Trombone et Piano
161
Trompette
160
Quatuor de Cuivres : 2 trompettes, trombone, tuba
129
Cor
121
Trombone
115
Tuba et Piano
94
2 Trombones (duo)
67
Tuba
60
Quatuor de Cuivres: 2 trompettes, Cor, trombone
54
2 Trompettes (duo)
53
Quatuor de cuivres: 4 trombones
49
Cor anglais, Piano
49
Quatuor de cuivres: 4 cors
48
Euphonium, Piano (duo)
43
Trompette (partie séparée)
41
Ensemble de Trombones
38
Trombone (partie séparée)
35
Quatuor de Cuivres
32
Ensemble de Cors
27
Instruments en Sib
25
2 Cors (duo)
23
Cor (partie séparée)
22
Trompette, Trombone (duo)
20
Bass Clef Instruments
18
Trio de Cuivres
18
Trompette, Saxophone (duo)
17
Trombone, violoncelle (duo)
14
Quatuor de cuivres: 4 trompettes
12
3 Trombones (trio)
11
4 Tubas
11
2 Euphoniums (duo)
11
Trompette, violon (duo)
10
Tuba et Orgue
9
3 Trompettes (trio)
9
Ensemble de Trompettes
9
Euphonium
8
Tuba (partie séparée)
8
2 Euphoniums et 2 Tubas
6
Cor Anglais
6
2 Tubas (duo)
6
Trompette, Violoncelle et Piano
6
Euphonium, Tuba (duo)
5
3 Cors (trio)
4
3 Tubas (trio)
4
Trompette, Cor (duo)
3
2 Trompettes, Clavier (piano ou orgue)
3
Trombone, Cor (duo)
3
Quatuor de cuivres: Cor, Trombone, Tuba, Trompette Sib
3
Trombone basse
2
Euphonium (partie séparée)
2
Instruments en Fa
2
Trompette, Tuba (duo)
2
Trombone, Tuba (duo)
2
Trompette, Trombone, Piano
2
Trombone basse et Piano
2
Cor et Orgue
1
Cor, Tuba (duo)
1
Cor, Violoncelle (duo)
1
Cor anglais, Guitare (duo)
1
Euphonium Ou Saxhorn Et Piano
1
2 Cors, Piano
1
+ 59 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
604
Violon et Piano
526
Violoncelle, Piano
381
Alto, Piano
281
Violon
250
Violoncelle
188
Harpe
131
Alto seul
124
Violon, Violoncelle (duo)
102
2 Violons (duo)
88
Trio à Cordes: violon, alto, violoncelle
84
Contrebasse, Piano (duo)
75
Contre Basse
64
2 Violoncelles (duo)
59
Violon (partie séparée)
55
2 Altos (duo)
46
Quintette à cordes: 2 violons, alto, violoncelle, basse
44
Violon, Alto (duo)
41
Alto (partie séparée)
41
4 Violoncelles
35
2 Harpes (duo)
34
Trio à Cordes: 2 violons, violoncelle
32
Harpe, Flûte (duo)
29
Alto, Violoncelle (duo)
26
Violoncelle (partie séparée)
18
Contrebasse (partie séparée)
18
Quatuor à cordes : 4 altos
14
Trio à cordes: 3 violins
14
Trio à Cordes: 3 violoncelles
14
Quatuor à cordes: 4 violons
13
Piano Trio: Violon, Alto, Piano
12
Violon, Guitare (duo)
11
Trio à cordes: 3 altos
10
Trio à cordes
9
2 Contrebasses (duo)
9
Alto, Guitare (duo)
8
Violoncelle, Contrebasse (duo)
8
2 Violons, Piano
7
Harpe, Violon (duo)
7
Violoncelle , Guitare (duo)
6
Quintette à cordes : 2 violons, alto et 2 violoncelles
6
3 Contrebasses
5
Ensemble de Violoncelles
5
Harpe, Violon, Violoncelle
4
Trio à Cordes: 2 violons, alto
4
Harpe et Piano
3
Violon, Basson (duo)
3
2 Altos, Piano
2
Alto et Basson
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
Flûte, Contrebasse (duo)
2
Violoncelle, Orgue
1
Violoncelle, Orchestre
1
Violon, Basse continue
1
Violon, Orgue
1
Harpe, Orchestre
1
Harpe, Voix
1
2 Violoncelles, Piano
1
Harpe et mandoline
1
Violon, Clarinette, Piano (trio)
1
2 Violons et Basse continue
1
+ 56 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
774
Orchestre
491
Orchestre à Cordes
336
Ensemble de cuivres
213
Orchestre de chambre
171
Jazz combo
41
Ensemble Jazz
36
Percussion (partie séparée)
20
Ensemble de Percussions
16
Xylophone, Piano
13
Cloches
13
Fanfare
12
Big band
8
Marimba
7
Timbales (partie séparée)
6
Batterie
4
Xylophone
4
Percussion
4
Quatuor à Vent : 4 instruments à vents
3
Caisse Claire
2
Batterie (partie séparée)
2
Quintette à Vent
2
Timbales
1
Voix et Orchestre
1
Piano et Orchestre
1
+ 20 instrumentations
Retracter
Autres
Théorie de la musique
1
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
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UKULELE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
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ASIE
BLUEGRASS
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CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
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CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
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COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
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FLAMENCO
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FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
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Crtitères actifs :
Opera
Voix Alto, Piano
Partitions à imprimer
66 partitions trouvées
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51
VIVALDI Antonio: Più non si trovano, aria from the opera "L?Olimpiade", - Voice and Pi
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Voix Alto, Piano
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INTERMÉDIAIRE
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Classique
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Antonio VIVALDI
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Sergei PICHUGIN
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VIVALDI Antonio: Più non si t
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Really Good Music, LLC.
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SheetMusicPlus
Alto Voice,Vocal Solo - Level 3 - SKU: A0.868829 Composed by Antonio VIVALDI (1678 â?? 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructiona...
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Alto Voice,Vocal Solo - Level 3 - SKU: A0.868829 Composed by Antonio VIVALDI (1678 â?? 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Opera,Standards. 7 pages. Really Good Music, LLC. #4610127. Published by Really Good Music, LLC. (A0.868829). Più non si trovano is a mezzo-soprano aria from the opera Lâ??Olimpiade, composed in 1734 by Antonio VIVALDI (1678 â?? 1741). It has been realized from the manuscript of the opera and arranged by Sergei Pichugin for voice and piano. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the original key of E minor (D4 â?? E5) for low voice.
$5.95
VIVALDI Antonio: Mentre dormi amor, aria from the opera "L’Olimpiade", - Voice and Pian
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Voix Alto, Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Antonio VIVALDI
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Sergei PICHUGIN
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VIVALDI Antonio: Mentre dormi
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Really Good Music, LLC.
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SheetMusicPlus
Alto Voice,Vocal Solo - Level 4 - SKU: A0.868676 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instruct...
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Alto Voice,Vocal Solo - Level 4 - SKU: A0.868676 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Opera,Standards. 6 pages. Really Good Music, LLC. #4368068. Published by Really Good Music, LLC. (A0.868676). Mentre dormi amor is a beautiful mezzo-soprano aria from the opera L’Olimpiade by Antonio Vivaldi (1678 – 1741). It has been realized from the manuscript of the opera and arranged by Sergei Pichugin for voice and piano. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the key of G major (D4 – E5). .
$5.95
VIVALDI Antonio: Fragil fior ch’appena nasce, aria from the opera "La verità in cimento", arrange
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Voix Alto, Piano
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INTERMÉDIAIRE
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Classique
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Antonio VIVALDI
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Sergei PICHUGIN
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VIVALDI Antonio: Fragil fior c
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Really Good Music, LLC.
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SheetMusicPlus
Alto Voice,Vocal Solo - Level 3 - SKU: A0.868672 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instruct...
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Alto Voice,Vocal Solo - Level 3 - SKU: A0.868672 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Opera,Standards. 5 pages. Really Good Music, LLC. #4368052. Published by Really Good Music, LLC. (A0.868672). Fragil fior ch’appena nasce is a mezzo-soprano aria from from the opera La veritàin cimento (Truth in Contention), composed in 1720 by Antonio VIVALDI (1678 – 1741). It has been realized from the manuscript of the opera and arranged by Sergei Pichugin for voice and piano. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the original key of C major (C4 – D5) for high voice. .
$5.95
VIVALDI Antonio: Scherza l'aura lusinghiera, aria from the opera "Il Farnace", - Voice an
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Voix Alto, Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Antonio VIVALDI
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Sergei PICHUGIN
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VIVALDI Antonio: Scherza l'aur
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Really Good Music, LLC.
#
SheetMusicPlus
Alto Voice,Vocal Solo - Level 4 - SKU: A0.868944 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instruct...
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Alto Voice,Vocal Solo - Level 4 - SKU: A0.868944 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Opera,Standards. 6 pages. Really Good Music, LLC. #5033543. Published by Really Good Music, LLC. (A0.868944). Scherza l'aura lusinghiera is an aria from the opera Il Farnace, composed by Antonio VIVALDI (1678 – 1741) in 1727 and revised several times for its following productions. The realization of the aria for voice and piano, made by Sergei Pichugin, is based on the score manuscript of the version of the opera from 1731. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the key of F major (C4 – F5) for low voice.
$5.95
VIVALDI Antonio: In bosco romito, aria from the opera "L'Atenaide", - Voice and Piano (D
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Voix Alto, Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Antonio VIVALDI
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Sergei PICHUGIN
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VIVALDI Antonio: In bosco romi
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Really Good Music, LLC.
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SheetMusicPlus
Alto Voice,Vocal Solo - Level 4 - SKU: A0.869050 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instruct...
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Alto Voice,Vocal Solo - Level 4 - SKU: A0.869050 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Opera,Standards. 6 pages. Really Good Music, LLC. #6445603. Published by Really Good Music, LLC. (A0.869050). In bosco romito is an aria from the opera L’Atenaide, composed in 1728 by Antonio VIVALDI (1678 – 1741). It has been realized from the score manuscript of the opera and arranged by Sergei Pichugin for voice and piano. The manuscript of the aria also contains alternative text: Mi sento d’intorno Un figlio tradito etc. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the key of D minor (A3 – F5) for low voice.
$5.95
VIVALDI Antonio: Fragil fior ch’appena nasce, aria from the opera "La verità in cimento", arrange
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Voix Alto, Piano
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INTERMÉDIAIRE
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Classique
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Antonio VIVALDI
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Sergei PICHUGIN
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VIVALDI Antonio: Fragil fior c
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Really Good Music, LLC.
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SheetMusicPlus
Alto Voice,Vocal Solo - Level 3 - SKU: A0.868675 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instruct...
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Alto Voice,Vocal Solo - Level 3 - SKU: A0.868675 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Opera,Standards. 5 pages. Really Good Music, LLC. #4368058. Published by Really Good Music, LLC. (A0.868675). Fragil fior ch’appena nasce is a mezzo-soprano aria from from the opera La veritàin cimento (Truth in Contention), composed in 1720 by Antonio VIVALDI (1678 – 1741). It has been realized from the manuscript of the opera and arranged by Sergei Pichugin for voice and piano. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the key of B flat major (Bb3 – C5) for low voice. .
$5.95
VIVALDI Antonio: La pena amara, an aria from the opera "La verità in cimento", - Voice a
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Voix Alto, Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Antonio VIVALDI
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Sergei PICHUGIN
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VIVALDI Antonio: La pena amara
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Really Good Music, LLC.
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SheetMusicPlus
Alto Voice,Vocal Solo - Level 4 - SKU: A0.869047 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instruct...
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Alto Voice,Vocal Solo - Level 4 - SKU: A0.869047 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Opera,Standards. 6 pages. Really Good Music, LLC. #6444203. Published by Really Good Music, LLC. (A0.869047). La pena amara is a mezzo-soprano aria from the opera La veritàin cimento (Truth in Contention), composed in 1720 by Antonio VIVALDI (1678 – 1741). It has been realized from the score manuscript of the opera and arranged by Sergei Pichugin for voice and piano. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the key of D major (B3 – D5) for low voice.
$5.95
Jacopo MELANI: Bionde chiome, aria from the opera "Il Girello", - Voice and Piano (G mino
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Voix Alto, Piano
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INTERMÉDIAIRE
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Jacopo MELANI
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Sergei PICHUGIN
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Jacopo MELANI: Bionde chiome,
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Really Good Music, LLC.
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SheetMusicPlus
Alto Voice,Vocal Solo - Level 3 - SKU: A0.868736 Composed by Jacopo MELANI (1623 – 1676). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructio...
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Alto Voice,Vocal Solo - Level 3 - SKU: A0.868736 Composed by Jacopo MELANI (1623 – 1676). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Opera,Standards. 6 pages. Really Good Music, LLC. #4409123. Published by Really Good Music, LLC. (A0.868736). Bionde chiome is an aria from the opera (dramma musicale burlesco) Il Girello, composed in 1668 by Jacopo MELANI (1623 – 1676). It has been realized from the manuscript of the opera and arranged by Sergei Pichugin for voice and piano. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the key of G minor (C4 – Eb5) for low voice.
$5.95
VIVALDI Antonio: Più non si trovano, aria from the opera "L’Olimpiade", - Voice and Pi
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Voix Alto, Piano
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INTERMÉDIAIRE
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Classique
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Antonio VIVALDI
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Sergei PICHUGIN
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VIVALDI Antonio: Più no
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Really Good Music, LLC.
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SheetMusicPlus
Alto Voice,Vocal Solo - Level 3 - SKU: A0.868831 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instruct...
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Alto Voice,Vocal Solo - Level 3 - SKU: A0.868831 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Opera,Standards. 7 pages. Really Good Music, LLC. #4610131. Published by Really Good Music, LLC. (A0.868831). Più non si trovano is a mezzo-soprano aria from the opera L’Olimpiade, composed in 1734 by Antonio VIVALDI (1678 – 1741). It has been realized from the manuscript of the opera and arranged by Sergei Pichugin for voice and piano. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the key of D minor (C4 – D5) for low voice.
$5.95
VIVALDI Antonio: Il ciglio arciero, an aria from the opera "La verità in cimento", - Voi
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Voix Alto, Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Antonio VIVALDI
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Sergei PICHUGIN
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VIVALDI Antonio: Il ciglio arc
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Really Good Music, LLC.
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SheetMusicPlus
Alto Voice,Vocal Solo - Level 4 - SKU: A0.869037 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instruct...
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Alto Voice,Vocal Solo - Level 4 - SKU: A0.869037 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Opera,Standards. 6 pages. Really Good Music, LLC. #6444125. Published by Really Good Music, LLC. (A0.869037). Il ciglio arciero is a mezzo-soprano aria from the opera La veritàin cimento (Truth in Contention), composed in 1720 by Antonio VIVALDI (1678 – 1741). It has been realized from the score manuscript of the opera and arranged by Sergei Pichugin for voice and piano. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the original key of G minor (Bb3 – Eb5) for low voice.
$5.95
VIVALDI Antonio: Ben conosco, aria from the opera "Arsilda Regina di Ponto", - Voice and
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Voix Alto, Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Antonio VIVALDI
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Sergei PICHUGIN
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VIVALDI Antonio: Ben conosco,
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Really Good Music, LLC.
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SheetMusicPlus
Alto Voice,Vocal Solo - Level 4 - SKU: A0.868838 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instruct...
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Alto Voice,Vocal Solo - Level 4 - SKU: A0.868838 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Opera,Standards. 6 pages. Really Good Music, LLC. #4614781. Published by Really Good Music, LLC. (A0.868838). Ben conosco is an aria from the opera Arsilda Regina di Ponto, composed in 1716 by Antonio VIVALDI (1678 – 1741). It has been realized from the manuscript of the opera and arranged by Sergei Pichugin for voice and piano. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the key of E minor (B3 – E5) for low voice. .
$5.95
VIVALDI Antonio: Da quel ferro, aria from the opera "Il Farnace", - Voice and Piano (F mi
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Voix Alto, Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Antonio VIVALDI
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Sergei PICHUGIN
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VIVALDI Antonio: Da quel ferro
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Really Good Music, LLC.
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SheetMusicPlus
Alto Voice,Vocal Solo - Level 4 - SKU: A0.868840 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instruct...
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Alto Voice,Vocal Solo - Level 4 - SKU: A0.868840 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Opera,Standards. 7 pages. Really Good Music, LLC. #4624057. Published by Really Good Music, LLC. (A0.868840). Da quel ferro is a contralto version of the aria from the opera Il Farnace, composed by Antonio VIVALDI (1678 – 1741) in 1727 and revised several times for its following productions. The realization of the aria for voice and piano, made by Sergei Pichugin, is based on the score manuscript of the late version of the opera from 1738. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the key of F minor (E4 – Gb5) for high voice.
$5.95
VIVALDI Antonio: Senza l'amato ben, an aria from the opera "Il Giustino", - Voice and Pia
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Voix Alto, Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Antonio VIVALDI
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Sergei PICHUGIN
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VIVALDI Antonio: Senza l'amato
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Really Good Music, LLC.
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SheetMusicPlus
Alto Voice,Vocal Solo - Level 4 - SKU: A0.868971 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instruct...
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Alto Voice,Vocal Solo - Level 4 - SKU: A0.868971 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Opera,Standards. 4 pages. Really Good Music, LLC. #5709677. Published by Really Good Music, LLC. (A0.868971). Senza l'amato ben is an aria from the opera Il Giustino, composed in 1724 by Antonio VIVALDI (1678 – 1741). It has been realized from the manuscript of the opera and arranged by Sergei Pichugin for voice and piano. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the key of B minor (C#4 – G5) for low voice.
$5.95
VIVALDI Antonio: Da quel ferro, aria from the opera "Il Farnace", - Voice and Piano (E mi
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Voix Alto, Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Antonio VIVALDI
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Sergei PICHUGIN
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VIVALDI Antonio: Da quel ferro
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Really Good Music, LLC.
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SheetMusicPlus
Alto Voice,Vocal Solo - Level 4 - SKU: A0.868837 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instruct...
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Alto Voice,Vocal Solo - Level 4 - SKU: A0.868837 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Opera,Standards. 7 pages. Really Good Music, LLC. #4624055. Published by Really Good Music, LLC. (A0.868837). Da quel ferro is a contralto version of the aria from the opera Il Farnace, composed by Antonio VIVALDI (1678 – 1741) in 1727 and revised several times for its following productions. The realization of the aria for voice and piano, made by Sergei Pichugin, is based on the score manuscript of the late version of the opera from 1738. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the original key of E minor (D#4 – F5) for high voice.
$5.95
VIVALDI Antonio: Lasciera l’amata salma, aria from the opera ""Il Tigrane", - Voice and
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Voix Alto, Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Antonio VIVALDI
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Sergei PICHUGIN
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VIVALDI Antonio: Lasciera l&rs
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Really Good Music, LLC.
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SheetMusicPlus
Alto Voice,Vocal Solo - Level 4 - SKU: A0.868948 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instruct...
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Alto Voice,Vocal Solo - Level 4 - SKU: A0.868948 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Opera,Standards. 7 pages. Really Good Music, LLC. #5214247. Published by Really Good Music, LLC. (A0.868948). Lasciera l’amata salma is an aria from the opera La virtù trionfante dell’amore e dell’odio, ovvero Il Tigrane (1724), the second act of which was composed by Antonio VIVALDI (1678 – 1741). The aria has been realized from the score manuscript of the opera and arranged by Sergei Pichugin for voice and piano. The aria may be an invaluable addition to the repertoire of vocal teachers and students.It is available in the key of G major (B3 – F4) for low voice.
$5.95
VIVALDI Antonio: Al tribunal d'amore, an aria from the opera "Il Farnace", - Voice and Pi
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Voix Alto, Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Antonio VIVALDI
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Sergei PICHUGIN
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VIVALDI Antonio: Al tribunal d
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Really Good Music, LLC.
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SheetMusicPlus
Alto Voice,Vocal Solo - Level 4 - SKU: A0.868955 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instruct...
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Alto Voice,Vocal Solo - Level 4 - SKU: A0.868955 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Opera,Standards. 6 pages. Really Good Music, LLC. #5309909. Published by Really Good Music, LLC. (A0.868955). Al tribunal d'amore is a mezzo-soprano aria from the opera Il Farnace, composed by Antonio VIVALDI (1678 – 1741). The realization of the aria for voice and piano, made by Sergei Pichugin, is based on the score manuscript of the late version of Il Farnace from 1738. The music of the aria was largely borrowed by composer from the aria of the same title from his earlier opera L’Atenaide (1729); its score manuscript is written in in E flat major and contains significant textural and rhythmic differences (e. g., common time signature) from the late version of Il Farnace. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the original key of D major (D4 – D5) for low voice.
$5.95
VIVALDI Antonio: Da quel ferro, aria from the opera "Il Farnace", - Voice and Piano (D mi
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Voix Alto, Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Antonio VIVALDI
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Sergei PICHUGIN
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VIVALDI Antonio: Da quel ferro
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Really Good Music, LLC.
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SheetMusicPlus
Alto Voice,Vocal Solo - Level 4 - SKU: A0.868842 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instruct...
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Alto Voice,Vocal Solo - Level 4 - SKU: A0.868842 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Opera,Standards. 7 pages. Really Good Music, LLC. #4624059. Published by Really Good Music, LLC. (A0.868842). Da quel ferro is a contralto version of the aria from the opera Il Farnace, composed by Antonio VIVALDI (1678 – 1741) in 1727 and revised several times for its following productions. The realization of the aria for voice and piano, made by Sergei Pichugin, is based on the score manuscript of the late version of the opera from 1738. The aria may be an invaluable addition to the repertoire of vocal teachers and students.It is available in the key of D minor (C#4 – Eb5) for low voice.
$5.95
VIVALDI Antonio: Perchè veggo, aria from the opera "Arsilda Regina di Ponto", - Voice an
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Voix Alto, Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Antonio VIVALDI
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Sergei PICHUGIN
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VIVALDI Antonio: Perchè
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Really Good Music, LLC.
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SheetMusicPlus
Alto Voice,Vocal Solo - Level 4 - SKU: A0.868682 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instruct...
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Alto Voice,Vocal Solo - Level 4 - SKU: A0.868682 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Opera,Standards. 5 pages. Really Good Music, LLC. #4368084. Published by Really Good Music, LLC. (A0.868682). Perchè veggo is a mezzo-soprano aria from the opera Arsilda Regina di Ponto (1716) by Antonio VIVALDI (1678 – 1741). It has been realized from the manuscript of the opera and arranged by Sergei Pichugin for voice and piano. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the key of A major (E4 – E#5). .
$5.95
VIVALDI Antonio: Col piacer della mia fede, aria from the opera "Arsilda Regina di Ponto", arranged
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Voix Alto, Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Antonio VIVALDI
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Sergei PICHUGIN
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VIVALDI Antonio: Col piacer de
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Really Good Music, LLC.
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SheetMusicPlus
Alto Voice,Vocal Solo - Level 4 - SKU: A0.868839 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instruct...
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Alto Voice,Vocal Solo - Level 4 - SKU: A0.868839 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Opera,Standards. 7 pages. Really Good Music, LLC. #4614785. Published by Really Good Music, LLC. (A0.868839). Col piacer della mia fede is an aria from the opera Arsilda Regina di Ponto, composed in 1716 by Antonio VIVALDI (1678 – 1741). It has been realized from the manuscript of the opera and arranged by Sergei Pichugin for voice and piano. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the key of F major (C4 – D5) for low voice. .
$5.95
SCARLATTI, Domenico: Consolati, e spera, aria from the opera "Ifigenia in Tauri", - Voice
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Voix Alto, Piano
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INTERMÉDIAIRE/AVANCÉ
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Domenico SCARLATTI
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Sergei PICHUGIN
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SCARLATTI, Domenico: Consolati
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Really Good Music, LLC.
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SheetMusicPlus
Alto Voice,Vocal Solo - Level 4 - SKU: A0.868641 Composed by Domenico SCARLATTI (1685 – 1757). Arranged by Sergei PICHUGIN. Baroque,Concert,Instr...
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Alto Voice,Vocal Solo - Level 4 - SKU: A0.868641 Composed by Domenico SCARLATTI (1685 – 1757). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Opera,Standards. 7 pages. Really Good Music, LLC. #4365844. Published by Really Good Music, LLC. (A0.868641). Consolati, e spera is an aria from the opera Ifigenia in Tauri (1713) by Domenico SCARLATTI (1685 – 1757), one of the greatest composers of Italian Baroque. It was arranged for voice and piano by Sergei Pichugin. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in G minor (Bb3 – C5) for low voice. .
$5.95
ROSSI Luigi: Mio ben, teco il tormento, lament from the opera "Orfeo", - Voice and Piano
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Voix Alto, Piano
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INTERMÉDIAIRE/AVANCÉ
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Luigi ROSSI
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Sergei PICHUGIN
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ROSSI Luigi: Mio ben, teco il
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Really Good Music, LLC.
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SheetMusicPlus
Alto Voice,Vocal Solo - Level 4 - SKU: A0.869029 Composed by Luigi ROSSI (1597 – 1653). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructiona...
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Alto Voice,Vocal Solo - Level 4 - SKU: A0.869029 Composed by Luigi ROSSI (1597 – 1653). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Opera,Standards. 5 pages. Really Good Music, LLC. #6400583. Published by Really Good Music, LLC. (A0.869029). Mio ben, teco il tormento is an aria (Euridice's lament) from the opera Orfeo, composed in 1647 by Luigi ROSSI (1597 – 1653), one of the most important Italian composers of the early Baroque. It was carefully realized from the score and arranged by Sergei Pichugin for voice and piano. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the key of B minor (B3 – E5) for low voice.
$5.95
Twenty Years (song from the opera The Turing Test)
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Voix Alto, Piano
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WAGSTAFF, Julian
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Twenty Years
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Julian Wagstaff
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SheetMusicPlus
Alto Voice,Vocal Solo - SKU: A0.971732 Composed by WAGSTAFF, Julian. 20th Century,Concert,Contemporary,Opera. 5 pages. Julian Wagstaff #3479761. Publish...
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Alto Voice,Vocal Solo - SKU: A0.971732 Composed by WAGSTAFF, Julian. 20th Century,Concert,Contemporary,Opera. 5 pages. Julian Wagstaff #3479761. Published by Julian Wagstaff (A0.971732). Clarissa's aria from the penultimate scene of the opera, The Turing Test. A short but effective addition to any recital - for mezzo-soprano or alto voice.
$3.99
Lascia Ch'io Pianga - From Opera 'Rinaldo' - G.F. Handel ( Contralto Voice and Piano)
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Voix Alto, Piano
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INTERMÉDIAIRE
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Classique
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George Frideric Handel
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Raymond Fenech
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Lascia Ch'io Pianga - From Ope
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Raymond Fenech
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SheetMusicPlus
Alto Voice,Vocal Solo - Level 3 - SKU: A0.759988 Composed by George Frideric Handel. Arranged by Raymond Fenech. Baroque,Christmas,Easter,Praise & Worsh...
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Alto Voice,Vocal Solo - Level 3 - SKU: A0.759988 Composed by George Frideric Handel. Arranged by Raymond Fenech. Baroque,Christmas,Easter,Praise & Worship,Standards. 13 pages. Raymond Fenech #3478937. Published by Raymond Fenech (A0.759988). Lascia ch’io pianga, originally Lascia la spina, cogli la rosa, is an Italian-language soprano aria by composer George Frideric Handel that has become a popular concert piece. Its melody is first found in Act III of Handel’s 1705 opera Almira as a sarabande. This aria is arranged for CONTRALTO voice and Piano . The Duration is approx. 4 minutes and the level is Advanced Intermediate.
$4.99
Dido's Lament [Low Voice; Key: Dm]
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Voix Alto, Piano
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INTERMÉDIAIRE
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Musique Sacrée
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Henry Purcell
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Maxence Lasserre-Engberts
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Dido's Lament [Low Voice; Key:
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SheetMusicPlus
Composed by Henry Purcell (1659-1695). Arranged by Maxence Lasserre-Engberts. Baroque, Classical, Opera, Renaissance, Standards. 4 pages. Maxence Lass...
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Composed by Henry Purcell (1659-1695). Arranged by Maxence Lasserre-Engberts. Baroque, Classical, Opera, Renaissance, Standards. 4 pages. Maxence Lasserre- Engberts #5742247. Published by Maxence Lasserre-Engberts
Dido's Lament (or When I am laid in earth) is a heartbreaking death aria from Henry Purcell's opera Dido and Æneas. It is definitely amongst the most beautiful baroque music.
For voice and piano (transposed down a perfect fourth)
Range: G3 - D5
Performance time: 4:30 - 5:00
Also included with the sheet music: examples of possible ornamentation, performance notes.
$3.99
Lonely Mother Cry Lullaby for Alto and Piano
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Voix Alto, Piano
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INTERMÉDIAIRE
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Sabrina Pena Young
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Lonely Mother Cry Lullaby for
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Sabrina Peña Young
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SheetMusicPlus
Alto Voice,Vocal Solo - Level 3 - SKU: A0.976930 Composed by Sabrina Pena Young. Children,Film/TV,Holiday,Musical/Show,Opera. 2 pages. Sabrina Peña Y...
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Alto Voice,Vocal Solo - Level 3 - SKU: A0.976930 Composed by Sabrina Pena Young. Children,Film/TV,Holiday,Musical/Show,Opera. 2 pages. Sabrina Peña Young #3430805. Published by Sabrina Peña Young (A0.976930). Sweet moving lullaby from groundbreaking animated opera film Libertaria by award-winning composer. A sad emotional waltz feel as the singer tells her child that she will never leave her. Simple, short, and quite beautiful. Intermediate/Advanced Student or Music Professional.Award-winning Cuban-American Composer S. Peña Younghttps://sabrinapenayoung.wordpress.com/Contact Young directly at FacebookFACEBOOK: https://www.facebook.com/newmusiccomposerLIBERTARIA: THE VIRTUAL OPERAhttps://virtualopera.wordpress.com/ ABOUT LIBERTARIA: In a post-USSA apocalyptic world, the young Libertaria escapes from evil geneticists and teams up with her addict father Simeon to defeat the Collective with a ragtag Underground army of cyborgs and misfits. The world’s first machinima opera, Libertaria has been called Groundbreaking by the Palm Beach Arts Paper. A truly dystopian novelization, the Libertaria Chronicles, is now available at Amazon. One of my favorite things about this story is its odd apocalyptic tone and strong sci-fi/fantasy foundation. The dark quality that comes with it is the cherry on top. –FanboysAnonymous.comWHAT FANS ARE SAYING ABOUT THE LIBERTARIA CHRONICLESBetween the book, virtual opera, soundtrack, and all the extras, Young has created a convincing world…a dark dystopian future for you to get lost in. The characters are complex, flawed, and human, and you are never sure what they will do next. Looking forward to the next book in the series!Award-winning Cuban-American composer S Peña Young has a rich history of creating groundbreaking classical music with cutting edge works like the multimedia oratorio Creation, winner of the IAWM New Genre Prize, World Order #5 for percussion and multimedia, and collaborations with artists in Vox Novus 60×60 and Lee Scott’s interactive web opera The Village. In 2014 Young gave a TED Talk on her animated science fiction opera Libertaria, the world’s first machinima opera. Young is the author of the science fiction series The Libertaria Chronicles and Composer Boot Camp 101: 50 Exercises for Educators, Students, and Music Professionals, (available at AMAZON) and is in production for the animated film Spiritus. Young is a sought-after lecturer and writer on music technology, audio engineering, film music, composition/songwriting, film, social media, online collaboration, marketing, and contemporary music and is an advocate for new music.
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