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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Piano Concert No. 3
Non classifié
363
Piano & claviers
Piano seul
767
Piano Facile
69
Piano, Voix
22
1 Piano, 4 mains
14
2 Pianos, 4 mains
12
Piano Trio: piano, violon, violoncelle
8
Piano Quintette: piano, 2 violons, alto, violoncelle
7
Piano, Voix et Guitare
7
Accompagnement Piano
6
Piano Quatuor: piano, violon, alto, violoncelle
4
Orgue
3
Orgue, Piano (duo)
2
Piano (partie séparée)
2
2 Pianos, 8 mains
1
+ 9 instrumentations
Retracter
Guitares
Guitare
7
Piano, Guitare (duo)
7
Guitare notes et tablatures
3
2 Guitares (duo)
1
4 Guitares (Quatuor)
1
Basse electrique
1
Ukulele
1
+ 2 instrumentations
Retracter
Voix
Chorale 3 parties
51
Chorale SATB
17
Voix Soprano, Piano
8
Voix haute
6
Voix Baryton, Piano
3
Chorale 2 parties
3
Voix duo, Piano
3
Chorale SSAA
1
Voix basse, Piano
1
Voix Alto, Piano
1
Chorale TTBB
1
+ 6 instrumentations
Retracter
Vents
Flûte traversière et Piano
123
Clarinette et Piano
115
Hautbois, Piano (duo)
91
Saxophone Alto et Piano
82
Saxophone Soprano et Piano
54
Saxophone Tenor et Piano
51
Cor anglais, Piano
38
Saxophone Baryton, Piano
28
Clarinette
28
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
26
2 Flûtes traversières (duo)
21
3 Saxophones (trio)
20
Clarinette Basse, Piano
18
2 Saxophones (duo)
17
2 Clarinettes (duo)
13
Quatuor de Saxophones: 4 saxophones
11
Quatuor de Clarinettes: 4 clarinettes
9
Flûte, Hautbois, Clarinette, Basson
9
Ensemble de Clarinettes
8
Flûte, Hautbois, Clarinette (trio)
6
Clarinette (partie séparée)
6
Hautbois
6
Flûte traversière
6
Quatuor de Flûtes : 4 flûtes
6
Saxophone Alto
5
Flûte, Violon, Piano
5
Hautbois, Clarinette, Basson (trio d'anches)
4
3 Clarinettes (trio)
4
Quintette de Clarinettes: 5 clarinettes
4
2 Clarinettes, Piano
4
Hautbois (partie séparée)
4
2 Hautbois (duo)
4
Saxophone Tenor
3
Saxophone (partie séparée)
3
Piccolo, Piano
3
2 Flûtes traversières, Piano
3
Quintette de Saxophone: 5 saxophones
3
2 Saxophones, Piano
2
Clarinette, Violon (duo)
2
Flûte, trombone et piano
2
Flûte, Clarinette (duo)
2
Flûte, Clarinette, Piano (trio)
2
Ensemble de saxophones
2
2 Flûte à bec (duo)
2
Flûte et Guitare
2
Saxophone
1
Clarinette, Basson (duo)
1
Flûte à bec Soprano, Piano
1
Clarinette, Violoncelle, Piano (trio)
1
3 Flûtes à bec (trio)
1
Flûte, Hautbois, Piano (trio)
1
Flûte, Alto et Piano
1
Flûte, Violoncelle, Piano (trio)
1
Clarinette et Alto
1
Ensemble de Flûtes
1
Flûte, Saxophone (duo)
1
Flûte à bec Alto
1
Clarinette Basse
1
Flûte à Bec, Piano
1
3 Hautbois
1
Quatuor de Flûtes à bec
1
Trio de Flûtes: 3 flûtes
1
Flûte à bec Tenor
1
+ 58 instrumentations
Retracter
Cuivres
Cor et Piano
63
Trombone et Piano
58
Trompette, Piano
50
Cor anglais, Piano
38
Euphonium, Piano (duo)
36
Trompette
23
Tuba et Piano
16
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
13
Quatuor de Cuivres : 2 trompettes, trombone, tuba
12
2 Trompettes (duo)
8
Trombone
6
2 Trombones (duo)
5
Trompette (partie séparée)
4
Cor
4
Trombone basse et Piano
4
2 Cors (duo)
4
Tuba et Orgue
4
Quatuor de Cuivres: 2 trompettes, Cor, trombone
3
Tuba (partie séparée)
2
2 Euphoniums (duo)
2
Trombone (partie séparée)
2
Quatuor de cuivres: 4 cors
2
Cor (partie séparée)
2
2 Tubas (duo)
1
Trompette, Trombone (duo)
1
Quatuor de Cuivres
1
+ 21 instrumentations
Retracter
Cordes
Violon et Piano
189
Violoncelle, Piano
130
Alto, Piano
94
Violon
35
Quatuor à cordes: 2 violons, alto, violoncelle
31
Harpe
22
2 Violons (duo)
18
Contrebasse, Piano (duo)
16
Violoncelle
14
Alto seul
11
Violon (partie séparée)
6
Trio à Cordes: violon, alto, violoncelle
6
2 Violoncelles (duo)
5
Quintette à cordes: 2 violons, alto, violoncelle, basse
5
2 Violons, Piano
4
Contre Basse
3
Trio à Cordes: 3 violoncelles
3
Alto (partie séparée)
2
2 Altos (duo)
2
Trio à cordes: 3 altos
2
Harpe, Violon (duo)
2
Trio à cordes: 3 violins
2
Contrebasse (partie séparée)
2
Violon, Alto (duo)
2
Violon, Violoncelle (duo)
2
Harpe, Flûte (duo)
1
Alto, Violoncelle (duo)
1
Violoncelle , Guitare (duo)
1
Violon, Guitare (duo)
1
Alto et Harpe
1
Violoncelle, Basse continue
1
+ 26 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
74
Orchestre
72
Orchestre à Cordes
30
Orchestre de chambre
13
Cloches
8
Ensemble Jazz
5
Percussion (partie séparée)
4
Piano et Orchestre
3
Ensemble de cuivres
3
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
2
Ensemble de Percussions
1
Quintette de Cuivres: autres combinaisons
1
Vibraphone (partie séparée)
1
+ 8 instrumentations
Retracter
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FLUTE A DIX…
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
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GUITARE LAP ST…
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HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
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Vous avez sélectionné:
Piano Concert No. 3
Voix Alto, Piano
Partitions à imprimer
1 partition trouvée
Wie Du warst (Octavian's Aria) from Der Rosenkavalier - Accessible Accompaniments Edition
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Voix Alto, Piano
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AVANCÉ
#
Classique
#
Richard Strauss
#
Nicole Elyse DiPaolo
#
Wie Du warst
#
Nicole Elyse DiPaolo
#
SheetMusicPlus
Alto Voice,Vocal Solo - Level 5 - SKU: A0.799612 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 6 pages. N...
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Alto Voice,Vocal Solo - Level 5 - SKU: A0.799612 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 6 pages. Nicole Elyse DiPaolo #5022023. Published by Nicole Elyse DiPaolo (A0.799612). The first of its kind, and the third entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Wie Du warst, Octavian's famous aria from Strauss's Der Rosenkavalier (1911). Mezzos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury. This edition also includes a two-measure recomposed ending four measures after rehearsal 25, making this edition a great choice for concert and audition situations in which another singer isn't available to sing the Marschallin's lines.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
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Piano Concert No. 3
