Partitions Numériques de Player pour Voix Alto, Piano

Player

Classic Christmas Songs (Alto Voice) - The "Boughs of Holly" Series #Voix Alto, Piano #DÉBUTANT #Noël #Christopher Esther #Classic Christmas Songs #Christopher Esther #SheetMusicPlus

Alto Voice,Vocal Solo - Level 1 - SKU: A0.796164 Arranged by Christopher Esther. Christmas. 21 pages. Christopher Esther #6129689. Published by Christop...(+)

Alto Voice,Vocal Solo - Level 1 - SKU: A0.796164 Arranged by Christopher Esther. Christmas. 21 pages. Christopher Esther #6129689. Published by Christopher Esther (A0.796164). The Boughs of Holly series features twelve classic Christmas songs and carols perfect for any occasion. Each is arranged in an easy-to-read format including chord symbols, lyrics, and extended song notes. Songs included are Away in a Manger, Deck the Halls, Jingle Bells, Silent Night, Up on the Housetop, Joy to the World, We Wish You a Merry Christmas, O Christmas Tree, The First Noel, God Rest Ye Merry Gentlemen, Hark! The Herald Angels Sing, and The Twelve Days of Christmas. Perfect for beginners and experienced players alike, the lead sheet format makes this series a great starting point for younger players or a detailed improvisational guide for experts. This book is also available in almost twenty more instrumentations, all completely cross compatible with any other book in the series! Pieces can be purchased separately, but you save over 140% when buying the complete collection!

Alto Voice,Vocal Solo - Level 5 - SKU: A0.799612 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 6 pages. Nicole Elyse DiPaolo #5022023. Published by Nicole Elyse DiPaolo (A0.799612). The first of its kind, and the third entry in Nicole Elyse DiPaolo's Accessible AccompanimentsÂ series of aria reductions, this is aÂ genuinely playableÂ and piano/vocal reduction of Wie Du warst, Octavian's famous aria from Strauss'sÂ Der RosenkavalierÂ (1911). Mezzos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury. This edition also includes a two-measure recomposed ending four measures after rehearsal 25, making this edition a great choice for concert and audition situations in which another singer isn't available to sing the Marschallin's lines.AllÂ Accessible Accompaniments,Â including this one,Â boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what Iâ€™ve provided.2. Iâ€™ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composerâ€™s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, Iâ€™ve included the next downbeatâ€™s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, Iâ€™ve noted alternate cuts that singers might like to take within certain arias.6. In some cases Iâ€™ve modernized spelling conventions for easier readability (for example, by replacing ÃŸ with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger:Â Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula.Â For more information, please visit http://ndipaolo.musicaneo.com .

Vous aimez le danger/Ah! que j'aime les militaires from La Grande-Duchesse de Gérolstein - Duchesse #Voix Alto, Piano #AVANCÉ #Jacques Offenbach #Nicole Elyse DiPaolo #Vous aimez le danger/Ah! que j #Nicole Elyse DiPaolo #SheetMusicPlus

Alto Voice,Vocal Solo - Level 5 - SKU: A0.799618 Composed by Jacques Offenbach. Arranged by Nicole Elyse DiPaolo. Opera,Romantic Period. 6 pages. Nicole...(+)

Alto Voice,Vocal Solo - Level 5 - SKU: A0.799618 Composed by Jacques Offenbach. Arranged by Nicole Elyse DiPaolo. Opera,Romantic Period. 6 pages. Nicole Elyse DiPaolo #5306351. Published by Nicole Elyse DiPaolo (A0.799618). The first of its kind, this is a customized La Duchesse-only audition cut of Vous aimez le danger...Ah! que j'aime les militaires from Jacques Offenbach's La Grande-Duchesse de GÃ©rolstein (1867).Â In the past, singers wishing to audition for this role would have to make a series of awkward cuts to eliminate the gaps created by the choral parts when performing this excerpt. The current edition omits those passages and, as a result, noticeably reduces the page count. In addition, this new engraving is remarkably clearer than the existing vocal score, which has deteriorated from age and is cluttered with instrumental cues that may not be relevant to a sight-reading audition pianist.The piano reduction itself has not been simplified or drastically altered (at the commissioner's request), although the engraving features minor changes from the original edition (for example, eliminating cross-staff chord notation and inserting a few logical enharmonic respellings).About the Arranger:Â Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula.Â For more information, please visit http://ndipaolo.musicaneo.com .