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AUTOHARPE
BANJO
BASSE
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BATTERIE
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CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
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CORNET
DEEJAY
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Richard King
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286
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311
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107
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43
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40
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36
Instruments en Do
30
Orgue
12
Piano (partie séparée)
10
Accompagnement Piano
9
1 Piano, 4 mains
9
Piano grosses notes
4
2 Pianos, 4 mains
3
Ligne De Mélodie, Piano
1
Piano Quatuor: piano, 2 violons, violoncelle
1
+ 9 instrumentations
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Guitare notes et tablatures
22
Guitare
20
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14
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9
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7
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3
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2
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1
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1
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1
Piano, Guitare (duo)
1
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Pack Instrumental pour Chorale
230
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125
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23
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18
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13
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13
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6
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6
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5
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4
Voix haute
3
Chorale
2
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1
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1
Voix Baryton, Piano
1
Voix Soprano, Orchestre
1
Voix basse, Piano
1
Voix Tenor, Piano
1
Voix moyenne, Piano
1
Chorale SSAATTBB
1
+ 15 instrumentations
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Vents
Saxophone
36
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33
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28
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22
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21
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19
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16
Clarinette
14
Saxophone Alto
14
Flûte traversière et Piano
12
Quatuor de Saxophones: 4 saxophones
11
Clarinette et Piano
11
Quatuor de Flûtes : 4 flûtes
9
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9
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9
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8
Hautbois
7
Saxophone Soprano et Piano
7
2 Flûtes traversières (duo)
7
2 Saxophones (duo)
7
Saxophone Tenor et Piano
6
Flûte, Hautbois, Clarinette, Basson
4
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4
Flûte, Clarinette (duo)
3
Saxophone Tenor
3
Saxophone, Clarinette (duo)
2
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2
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2
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2
2 Clarinettes (duo)
2
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1
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1
Ensemble de Flûtes
1
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1
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1
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1
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1
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1
Flûte, Violon
1
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1
2 Flûte à bec (duo)
1
Clarinette, Violon (duo)
1
Flûte à bec Soprano
1
3 Saxophones (trio)
1
Flûte, Hautbois, Clarinette (trio)
1
Saxophone Baryton, Piano
1
Flûte, Violoncelle
1
+ 44 instrumentations
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Trompette (partie séparée)
39
Trombone (partie séparée)
24
Trompette
20
Cor (partie séparée)
12
Trompette, Piano
12
Cor
11
Trombone et Piano
11
Trombone
9
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
7
Quatuor de Cuivres : 2 trompettes, trombone, tuba
5
Cor et Piano
4
Ensemble de Trombones
4
2 Trombones (duo)
3
Tuba et Piano
2
Tuba (partie séparée)
2
2 Trompettes (duo)
2
Trompette, Trombone (duo)
2
Trompette, Saxophone (duo)
1
Trompette, Cor (duo)
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
Ensemble de Trompettes
1
Trompette, violon (duo)
1
2 Cors (duo)
1
Trombone et orchestre
1
Bass Clef Instruments
1
Instruments en Sib
1
Instruments en Fa
1
Quatuor de cuivres: 4 cors
1
Quatuor de Cuivres
1
Euphonium
1
+ 25 instrumentations
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Quatuor à cordes: 2 violons, alto, violoncelle
44
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36
Violon
33
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25
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16
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16
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14
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13
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12
Harpe (partie séparée)
9
Violoncelle, Piano
9
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8
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7
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5
2 Violoncelles (duo)
4
Violon, Alto (duo)
4
2 Violons (duo)
3
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2
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2
Violon, Guitare (duo)
2
Alto, Violoncelle (duo)
2
Harpe
1
Trio à Cordes: 2 violons, violoncelle
1
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1
Violon, Clarinette, Piano (trio)
1
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1
Violoncelle, Contrebasse (duo)
1
Quatuor à cordes: 4 violons
1
2 Altos (duo)
1
Piano Trio: Violon, Alto, Piano
1
2 Harpes (duo)
1
Contrebasse, Piano (duo)
1
+ 27 instrumentations
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52
Orchestre d'harmonie
50
Orchestre à Cordes
37
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20
Cloches
11
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10
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8
Fanfare
8
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6
Jazz combo
4
Percussion
4
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4
Marimba
1
Timbales
1
Vibraphone et Marimba
1
Timbales (partie séparée)
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Piano et Orchestre
1
Orchestre de chambre
1
Xylophone, Piano
1
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--INSTRUMENTS--
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Richard King
Voix Alto, Piano
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1 partition trouvée
Wie Du warst (Octavian's Aria) from Der Rosenkavalier - Accessible Accompaniments Edition
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Voix Alto, Piano
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AVANCÉ
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Classique
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Richard Strauss
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Nicole Elyse DiPaolo
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Wie Du warst
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Nicole Elyse DiPaolo
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SheetMusicPlus
Alto Voice,Vocal Solo - Level 5 - SKU: A0.799612 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 6 pages. N...
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Alto Voice,Vocal Solo - Level 5 - SKU: A0.799612 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 6 pages. Nicole Elyse DiPaolo #5022023. Published by Nicole Elyse DiPaolo (A0.799612). The first of its kind, and the third entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Wie Du warst, Octavian's famous aria from Strauss's Der Rosenkavalier (1911). Mezzos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury. This edition also includes a two-measure recomposed ending four measures after rehearsal 25, making this edition a great choice for concert and audition situations in which another singer isn't available to sing the Marschallin's lines.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
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