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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
So What
Non classifié
503
Piano & claviers
Piano seul
1 001
Piano Facile
474
Piano, Voix
150
Piano, Voix et Guitare
106
Orgue
18
Instruments en Do
18
1 Piano, 4 mains
11
Accompagnement Piano
5
Piano (partie séparée)
4
Piano Quatuor: piano, violon, alto, violoncelle
4
Piano Trio: piano, violon, violoncelle
3
Orgue, Piano (duo)
2
Piano grosses notes
2
Accordéon
1
2 Pianos, 8 mains
1
Orgue, Trompette (duo)
1
Clavecin
1
1 Piano, 6 mains
1
Piano Quatuor: piano, 2 violons, violoncelle
1
+ 14 instrumentations
Retracter
Guitares
Guitare notes et tablatures
39
Ligne De Mélodie, (Paroles) et Accords
26
Guitare
25
Basse electrique
14
Paroles et Accords
8
Guitare (partie séparée)
8
Ukulele
8
Piano, Guitare (duo)
4
Banjo
3
2 Guitares (duo)
3
3 Guitares (trio)
2
Basse électrique (partie séparée)
1
Ensemble de guitares
1
Mandoline
1
+ 9 instrumentations
Retracter
Voix
Chorale SATB
110
Chorale 2 parties
37
Chorale 3 parties
36
Chorale TTBB
13
Chorale Unison
10
Voix Soprano, Piano
10
Voix duo, Piano
6
Chorale SSAA
4
Voix Baryton, Piano
4
Voix Alto, Piano
4
Voix duo
3
Voix haute
3
Voix seule
2
Voix moyenne, Piano
2
Voix basse, Piano
1
Chorale SSAATTBB
1
Chorale SSATBB
1
Voix Tenor
1
Chorale SSATTB
1
+ 14 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
88
Quintette de Saxophone: 5 saxophones
73
Flûte, Hautbois, Clarinette, Basson
70
Quatuor de Saxophones: 4 saxophones
60
Saxophone (partie séparée)
56
2 Saxophones (duo)
43
Clarinette
27
Flûte traversière
26
Saxophone Alto et Piano
24
Saxophone Tenor et Piano
24
Hautbois, Piano (duo)
23
Flûte traversière et Piano
23
Hautbois (partie séparée)
20
Quatuor de Clarinettes: 4 clarinettes
19
Saxophone Alto
19
Saxophone Tenor
18
Clarinette et Piano
17
Saxophone Soprano et Piano
14
Saxophone Baryton, Piano
12
Ensemble de Clarinettes
12
Cor Anglais
12
Saxophone
12
Ensemble de saxophones
12
Cor anglais, Piano
8
Flûte, Clarinette, Cor, Basson (Quartet)
8
Ensemble de Flûtes
8
Clarinette (partie séparée)
7
Quintette de Flûte : 5 flûtes
6
Flute (partie séparée)
6
2 Clarinettes (duo)
4
Quatuor de Flûtes : 4 flûtes
4
Trio de Flûtes: 3 flûtes
4
Flûte irlandaise
3
Clarinette, Guitare (duo)
3
2 Flûtes traversières (duo)
3
Flûte, Clarinette (duo)
2
Clarinette, Violon (duo)
2
Instruments en Mib
2
Quintette de Clarinettes: 5 clarinettes
2
3 Clarinettes (trio)
2
Saxophone et Orgue
1
Ocarina
1
Clarinette, Violoncelle, Piano (trio)
1
3 Saxophones (trio)
1
Flûte et Guitare
1
Ensemble De Flûte à bec
1
Clarinette, Trompette (duo)
1
Flûte et Trio à cordes
1
2 Flûte à bec (duo)
1
2 Clarinettes, Piano
1
Harmonica
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Flûte à bec Alto, Piano
1
Flûte, Violon
1
Flûte, Clarinette, Piano (trio)
1
+ 50 instrumentations
Retracter
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
80
Quatuor de Cuivres
62
Trompette
39
Trompette (partie séparée)
26
Trombone et Piano
24
Trombone
22
Trombone (partie séparée)
22
Trompette, Piano
22
Quatuor de Cuivres : 2 trompettes, trombone, tuba
21
Cor
21
Tuba
16
Cor et Piano
15
Cor Anglais
12
Tuba et Piano
12
Cor anglais, Piano
8
Trompette, Saxophone (duo)
8
Ensemble de Trombones
7
Quatuor de Cuivres: 2 trompettes, Cor, trombone
7
Cor (partie séparée)
6
Tuba (partie séparée)
5
Ensemble de Trompettes
4
Bass Clef Instruments
4
Quatuor de cuivres: 4 cors
3
Instruments en Sib
2
Ensemble de Cors
2
2 Trombones (duo)
2
2 Trompettes (duo)
1
Quatuor de cuivres: 4 trompettes
1
4 Tubas
1
Euphonium
1
Euphonium, Piano (duo)
1
2 Cors (duo)
1
2 Tubas (duo)
1
Trompette, Trombone (duo)
1
Trombone, Orgue
1
Quatuor de cuivres: 4 trombones
1
Trombone basse et Piano
1
Trombone et orchestre
1
3 Trompettes (trio)
1
+ 34 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
123
Quintette à cordes: 2 violons, alto, violoncelle, basse
61
Violon et Piano
45
Harpe
39
Violon
38
Alto, Piano
30
Violoncelle
26
Violoncelle, Piano
23
Contrebasse, Piano (duo)
17
Contre Basse
15
Alto seul
12
Trio à Cordes: violon, alto, violoncelle
10
Alto (partie séparée)
9
2 Violons (duo)
7
Contrebasse (partie séparée)
5
Violon, Alto (duo)
5
Ensemble de Violons
4
Violon (partie séparée)
3
Violon, Violoncelle (duo)
3
Harpe, Voix
3
Trio à Cordes: 2 violons, violoncelle
2
2 Violoncelles (duo)
2
Ensemble d'Altos
2
Harpe, Flûte (duo)
2
Violoncelle, Contrebasse (duo)
2
Trio à cordes: 3 violins
2
4 Contrebasses
1
Alto, Guitare (duo)
1
Harpe, Violon (duo)
1
2 Harpes (duo)
1
Quatuor à cordes : 4 altos
1
2 Altos (duo)
1
+ 27 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
115
Ensemble Jazz
82
Orchestre
32
Orchestre à Cordes
28
Orchestre de chambre
17
Ensemble de cuivres
14
Fanfare
12
Batterie
10
Jazz combo
9
Cloches
7
Batterie (partie séparée)
7
Percussion (partie séparée)
4
Ensemble de Percussions
3
Marimba
3
Ensemble d'École
1
Piano et Orchestre
1
Vibraphone
1
+ 12 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
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ORGUE
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Crtitères actifs :
So What
Voix Alto, Piano
Partitions à imprimer
4 partitions trouvées
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Release
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Voix Alto, Piano
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INTERMÉDIAIRE
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Bill Taylor music, Bill Taylor
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Bill Taylor
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Release
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William R Taylor
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SheetMusicPlus
Alto Voice,Vocal Solo - Level 3 - SKU: A0.1022084 Composed by Bill Taylor music, Bill Taylor with Jaye Alison Moscariello, and Lyrics. Arranged by Bill ...
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Alto Voice,Vocal Solo - Level 3 - SKU: A0.1022084 Composed by Bill Taylor music, Bill Taylor with Jaye Alison Moscariello, and Lyrics. Arranged by Bill Taylor. Broadway,Contemporary,Jazz. 3 pages. William R Taylor #6475595. Published by William R Taylor (A0.1022084). Release ©2006, lyrics©2010. Bill’s mom Priscilla Alden Taylor (nee Rowe) passed on at age 90 in January, 2010. This piece was one she loved, but the words did not come until 2 months after her death and 2 days before Jaye and I were to perform Mom’s song Every Time We Meet at the Anderson Valley Variety Show. We sung it as best we could with so little practice time and in a key way too high. This version is transposed down a fifth. Listeners with parents who have gone on, and those who haven’t, may find some familiar themes here. If inspired, support your local elder and/or hospice organizations. I love my children to be happy. What’s new with you Mom? Charlotte’s got a bakery. Hannah is teaching, playing in San Jose. Tom and Jeanne expecting, he’s flying a new plane. Lucy’s kids are doing well, I’m seeing Uncle Jay. My life is going on in a most pleasant way. When are you coming here to visit, it’s been way too long? When we were children everything was made into a song. Father’s jazzy flute, brother’s boogie woogie She left Julliard to help her family Factory in the war, music she wrote A job at Schirmers she met my Dad had 5 kids Trips to Vermont and Jersey and New York Kept house, school lunch, kind words, praising Now she is running and swimming Dancing and flying, she’s singing All new adventures, new worlds to learn and know Earth body left behind, all life is love and flow Walker made her so tired, shuffling oh so slow She learned to ask for help from all of us below Gathered her children all around her at her time to go Now she’s with her God.
$2.99
Bottleneck Gavotte
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Voix Alto, Piano
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FACILE
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Contemporain
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David Warin Solomons
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Bottleneck Gavotte
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David Warin Solomons
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SheetMusicPlus
Alto Voice,Vocal Solo - Level 2 - SKU: A0.1036215 Composed by David Warin Solomons. 20th Century. 3 pages. David Warin Solomons #641322. Published by Da...
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Alto Voice,Vocal Solo - Level 2 - SKU: A0.1036215 Composed by David Warin Solomons. 20th Century. 3 pages. David Warin Solomons #641322. Published by David Warin Solomons (A0.1036215). Song based on the poem by Ogden Nash: I know a dance, a perilous dance A demoniac duet It's a ritual now habitual with the older married set It's danced in the seven-room co-op And ivied ranch-style cot It's that conjugal collidoscope The bottle-neck gavotte What celibate pseudo-architect What very prince of asses built such complex of bottlenecks and networks of impasses Now man and wife twixt bed and bath or oven and china shelf in kitchen door at bureau drawer for ever meet themself Advance and bump retreat Repeat with many a-sparkling glance It's eye to eye and rump to thigh So goes the intricate dance. She raises the soup above her head While he props door with knee He steps to left and she to right and again they're vis-a-vis.
$7.00
Wie Du warst (Octavian's Aria) from Der Rosenkavalier - Accessible Accompaniments Edition
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Voix Alto, Piano
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AVANCÉ
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Classique
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Richard Strauss
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Nicole Elyse DiPaolo
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Wie Du warst
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Nicole Elyse DiPaolo
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SheetMusicPlus
Alto Voice,Vocal Solo - Level 5 - SKU: A0.799612 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 6 pages. N...
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Alto Voice,Vocal Solo - Level 5 - SKU: A0.799612 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 6 pages. Nicole Elyse DiPaolo #5022023. Published by Nicole Elyse DiPaolo (A0.799612). The first of its kind, and the third entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Wie Du warst, Octavian's famous aria from Strauss's Der Rosenkavalier (1911). Mezzos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury. This edition also includes a two-measure recomposed ending four measures after rehearsal 25, making this edition a great choice for concert and audition situations in which another singer isn't available to sing the Marschallin's lines.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
To Marie (alto and guitar)
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Voix Alto, Piano
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INTERMÉDIAIRE
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David Warin Solomons
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To Marie
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David Warin Solomons
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SheetMusicPlus
Alto Voice,Vocal Solo - Level 3 - SKU: A0.1096313 Composed by David Warin Solomons. 20th Century,Chamber,Classical,Singer/Songwriter. 4 pages. David War...
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Alto Voice,Vocal Solo - Level 3 - SKU: A0.1096313 Composed by David Warin Solomons. 20th Century,Chamber,Classical,Singer/Songwriter. 4 pages. David Warin Solomons #700277. Published by David Warin Solomons (A0.1096313). This manuscript is the origin of the flute and guitar piece To Marie ( https://www.sheetmusicplus.com/title/19984390?aff_id=175705 ). It has not been notated on computer, and not yet recorded, but I present it here just for interest. As you can see, it takes advantage of the many puns available on the French phrase for weeping willow. It is addressed to the poet Marie Keyser. The references to Chatterton, Enderby and Buddenbrooks relate to Marie's studies in German literature, in particular Chatterton's suicide. To Marie Sad soul, why don't you weep in company? Saule pleureur, seule pleureuse Why luxuriate in your nomadic liturgy? Saoule pluvieuse, seule pleureuse. The others do not seek to understand The power that holds you ever banned Sales pleurs de sel pluvieux A unicorn has carried off your innocence Saule pleureur, seule pleureuse But no ambition comes to conquer indigence Saoule pluvieuse, seule pleureuse. So on you wander, homeless poetess, Begging shelter for your misconstrued distress Sales pleurs de sel pluvieux. Hold down a job, my girl, hold down a job from nine to five. Souple leurre s'il le peut To keep you happy, settled and alive Saule pleureur For this short time - day in day out Forget you do not know what life's about Sales pleurs de ciel plus vieux. And then, when evening comes, too tired Saule pleureur, seule pleureuse. Your sad old inspiration all expired Saoule pluvieuse, seule pleureuse. You will cease to understand the power that held you forever banned. Souple leurre s'il le peut. No, in the name of Chatterton and Enderby! For who could wilful poetry's defender be? Long live poor Buddenbrooks and poor Marie With mind or body hopelessly at sea. Saules pleureurs, seuls plus vieux.
$7.00
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So What
