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--INSTRUMENTS--
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The Accompanist
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348
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70
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54
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41
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33
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12
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10
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9
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2
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1
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1
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1
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4
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125
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123
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34
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34
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23
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15
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14
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6
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6
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6
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5
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2
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1
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1
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1
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1
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34
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21
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16
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16
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11
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7
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6
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5
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5
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3
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2
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2
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2
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1
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1
2 Flûtes traversières, Piano
1
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1
Piccolo, Piano
1
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1
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1
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1
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1
2 Clarinettes (duo)
1
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1
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1
2 Clarinettes, Piano
1
Cor anglais, Piano
1
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12
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9
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5
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Trompette
3
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2
Tuba et Piano
2
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1
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1
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1
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37
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21
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18
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12
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6
Alto seul
4
Quatuor à cordes: 2 violons, alto, violoncelle
4
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3
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3
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2
2 Violoncelles (duo)
1
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1
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1
2 Violons (duo)
1
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2
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1
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1
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1
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--INSTRUMENTS--
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Vous avez sélectionné:
The Accompanist
Voix Alto, Piano
Partitions à imprimer
6 partitions trouvées
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Wie Du warst (Octavian's Aria) from Der Rosenkavalier - Accessible Accompaniments Edition
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Voix Alto, Piano
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AVANCÉ
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Classique
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Richard Strauss
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Nicole Elyse DiPaolo
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Wie Du warst
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Nicole Elyse DiPaolo
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SheetMusicPlus
Alto Voice,Vocal Solo - Level 5 - SKU: A0.799612 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 6 pages. N...
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Alto Voice,Vocal Solo - Level 5 - SKU: A0.799612 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 6 pages. Nicole Elyse DiPaolo #5022023. Published by Nicole Elyse DiPaolo (A0.799612). The first of its kind, and the third entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Wie Du warst, Octavian's famous aria from Strauss's Der Rosenkavalier (1911). Mezzos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury. This edition also includes a two-measure recomposed ending four measures after rehearsal 25, making this edition a great choice for concert and audition situations in which another singer isn't available to sing the Marschallin's lines.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
Holy Holy Holy--vocal alto solo
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Voix Alto, Piano
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INTERMÉDIAIRE
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Musique Sacrée
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Gospel Spirituel
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Reginald Heber, John B
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Beka Wilson
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Holy Holy Holy--vocal alto sol
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Beka Wilson
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SheetMusicPlus
Alto Voice,Vocal Solo - Level 3 - SKU: A0.786537 Composed by Reginald Heber, John B. Dykes. Arranged by Beka Wilson. Christian,Gospel,Sacred,Spiritual. ...
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Alto Voice,Vocal Solo - Level 3 - SKU: A0.786537 Composed by Reginald Heber, John B. Dykes. Arranged by Beka Wilson. Christian,Gospel,Sacred,Spiritual. 6 pages. Beka Wilson #6246121. Published by Beka Wilson (A0.786537). Holy, Holy, Holy has long been a favorite hymn across many denominations, and this arrangement for vocal solo is a perfect calming special music piece for a church service. The piano accompaniment includes chording so the accompanist may ad lib as they wish. This arrangement is also available on Sheet Music Plus as a solo for soprano voice (key of E flat/F), tenor voice (key of E flat/F), bass voice (key of C/D); as an instrumental solo for flute, oboe, clarinet, bassoon, alto sax, tenor sax, F horn, trumpet, trombone, violin, viola, and cello; and as an instrumental duet for harp/flute, harp/violin, harp/viola, and harp/cello.Length: approximately 4 minutes (85bpm)6 pages (includes score and separate melody/word sheet for the vocalist)Do you like this arrangement but want it in a different key? Shoot me an email at bekmars10@gmail.com for a custom version of this arrangement that I can post on Sheet Music Plus for you.
$6.99
Sandcastles
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Voix Alto, Piano
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INTERMÉDIAIRE
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Pop musique
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Beyonce
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Dimitris Anousis
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Sandcastles
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Dimitris Anousis
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SheetMusicPlus
Alto Voice,Vocal Solo - Level 3 - SKU: A0.784590 By Beyonce. By Beyonce Knowles, Malik Jones, Midian Mathers, and Vincent Berry II. Arranged by Dimitris...
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Alto Voice,Vocal Solo - Level 3 - SKU: A0.784590 By Beyonce. By Beyonce Knowles, Malik Jones, Midian Mathers, and Vincent Berry II. Arranged by Dimitris Anousis. Pop,R & B,Soul. 7 pages. Dimitris Anousis #5740029. Published by Dimitris Anousis (A0.784590). Sandcastles - Amazing vocal (voice & piano) arrangement of this wonderful song by Beyoncé, made by the professional accompanist and arranger Dimitris Anousis. This is the real deal! It's in Bb Major (original tonality). With all the parts of the original song and with the piano part written correctly. Written in a understandable way to be pianistic but to have an orchestral feeling while playing, not for the piece to sounds poor. Ideal for all kinds of events. Appropriate also for students. I hope you'll enjoy it!
$5.99
Vous aimez le danger/Ah! que j'aime les militaires from La Grande-Duchesse de Gérolstein - Duchesse
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Voix Alto, Piano
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AVANCÉ
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Jacques Offenbach
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Nicole Elyse DiPaolo
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Vous aimez le danger/Ah! que j
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Nicole Elyse DiPaolo
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SheetMusicPlus
Alto Voice,Vocal Solo - Level 5 - SKU: A0.799618 Composed by Jacques Offenbach. Arranged by Nicole Elyse DiPaolo. Opera,Romantic Period. 6 pages. Nicole...
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Alto Voice,Vocal Solo - Level 5 - SKU: A0.799618 Composed by Jacques Offenbach. Arranged by Nicole Elyse DiPaolo. Opera,Romantic Period. 6 pages. Nicole Elyse DiPaolo #5306351. Published by Nicole Elyse DiPaolo (A0.799618). The first of its kind, this is a customized La Duchesse-only audition cut of Vous aimez le danger...Ah! que j'aime les militaires from Jacques Offenbach's La Grande-Duchesse de Gérolstein (1867). In the past, singers wishing to audition for this role would have to make a series of awkward cuts to eliminate the gaps created by the choral parts when performing this excerpt. The current edition omits those passages and, as a result, noticeably reduces the page count. In addition, this new engraving is remarkably clearer than the existing vocal score, which has deteriorated from age and is cluttered with instrumental cues that may not be relevant to a sight-reading audition pianist.The piano reduction itself has not been simplified or drastically altered (at the commissioner's request), although the engraving features minor changes from the original edition (for example, eliminating cross-staff chord notation and inserting a few logical enharmonic respellings).About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
All That I Ask of You Is Love (A Wedding Solo for Alto Voice)
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Voix Alto, Piano
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FACILE
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Lyrics by Edgar Seldon and Mel
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Joanna Mills
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All That I Ask of You Is Love
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Joanna Mills Music
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SheetMusicPlus
Alto Voice,Vocal Solo - Level 2 - SKU: A0.781332 Composed by Lyrics by Edgar Seldon and Melody by Herbert Ingraham. Arranged by Joanna Mills. Holiday,Ja...
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Alto Voice,Vocal Solo - Level 2 - SKU: A0.781332 Composed by Lyrics by Edgar Seldon and Melody by Herbert Ingraham. Arranged by Joanna Mills. Holiday,Jazz,Standards,Wedding. 5 pages. Joanna Mills Music #4605215. Published by Joanna Mills Music (A0.781332). This lovely vintage love song from 1910 is updated for the modern singer, but still retains the slightly jazzy feel of the times. Written for alto soloist (D4 - D5) and piano accompanist; approximate performance time is 3:20. Perfect for weddings, engagements, or concerts and recitals.
$7.99
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