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The Last To Know
Non classifié
321
Piano & claviers
Piano seul
163
Piano, Voix et Guitare
41
Piano, Voix
35
Piano Facile
31
Instruments en Do
7
Orgue
5
Accompagnement Piano
3
1 Piano, 4 mains
3
Piano Trio: piano, violon, violoncelle
2
Piano Quatuor: piano, violon, alto, violoncelle
1
2 Pianos, 4 mains
1
+ 6 instrumentations
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Guitares
Guitare notes et tablatures
11
Guitare
10
Basse electrique
4
Ligne De Mélodie, (Paroles) et Accords
3
Paroles et Accords
2
4 Guitares (Quatuor)
2
3 Guitares (trio)
2
Ukulele
1
2 Guitares (duo)
1
+ 4 instrumentations
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Voix
Chorale SATB
60
Chorale 3 parties
22
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11
Voix Soprano, Piano
9
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8
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4
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4
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4
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3
Voix Baryton, Piano
3
Voix Alto, Piano
3
Voix moyenne, Piano
2
Voix Tenor
2
Voix basse
1
Voix basse, Piano
1
Voix duo
1
+ 11 instrumentations
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Vents
Quatuor de Saxophones: 4 saxophones
37
2 Saxophones (duo)
34
2 Flûtes traversières (duo)
27
Quatuor de Clarinettes: 4 clarinettes
23
2 Clarinettes (duo)
17
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
16
Flûte, Hautbois, Clarinette, Basson
15
3 Saxophones (trio)
14
Flûte traversière et Piano
14
Quintette de Saxophone: 5 saxophones
13
Flûte, Clarinette (duo)
10
Saxophone Alto et Piano
10
Hautbois (partie séparée)
9
Clarinette
9
Clarinette et Piano
9
Hautbois, Piano (duo)
6
Saxophone, Clarinette (duo)
6
Quatuor de Flûtes : 4 flûtes
6
Quintette de Flûte : 5 flûtes
5
Clarinette, Violon (duo)
5
Clarinette, Trompette (duo)
5
3 Clarinettes (trio)
5
Saxophone Baryton, Piano
4
Saxophone Tenor
4
2 Hautbois (duo)
4
Saxophone Soprano et Piano
4
Trio de Flûtes: 3 flûtes
4
Saxophone Alto
4
Hautbois, Basson (duo)
4
Saxophone Tenor et Piano
4
2 Flûte à bec (duo)
4
Hautbois, Clarinette (duo)
3
Clarinette et Alto
3
Quintette de Clarinettes: 5 clarinettes
3
Flûte, Saxophone (duo)
3
Hautbois, Clarinette, Basson (trio d'anches)
3
Flûte, Violon
3
Flûte traversière
3
Quatuor de Flûtes à bec
3
Ensemble de saxophones
3
Flûte, Alto (duo)
3
Flûte, Hautbois, Clarinette (trio)
3
Saxophone (partie séparée)
2
Flûte à bec Alto
2
5 Flûtes à bec
2
Cor anglais, Piano
2
Clarinette Basse, Piano
2
Clarinette, Basson (duo)
2
Flûte à bec Alto, Piano
2
Ensemble de Clarinettes
2
Hautbois, Flûte
2
Flûte à Bec
1
Ensemble de Hautbois
1
Flûte et Guitare
1
Flûte, Violon, Piano
1
Flûte à bec Soprano
1
3 Flûtes à bec (trio)
1
Clarinette, Violoncelle (duo)
1
Flûte, Hautbois (duo)
1
Ensemble de Flûtes
1
Flûte à bec Soprano, Piano
1
Flûte, Trompette (duo)
1
Hautbois, Violoncelle
1
Flûte, Clarinette, Piano (trio)
1
Hautbois, violon (duo)
1
Harmonica
1
Flûte à bec Tenor
1
+ 62 instrumentations
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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
16
Quatuor de Cuivres : 2 trompettes, trombone, tuba
12
2 Trompettes (duo)
9
Trombone et Piano
8
2 Trombones (duo)
7
Quatuor de cuivres: 4 trombones
7
Trompette, Cor (duo)
6
Trompette, Saxophone (duo)
5
Trompette
5
Trompette, Trombone (duo)
5
Cor et Piano
5
2 Cors (duo)
4
Quatuor de cuivres: 4 cors
4
Trompette, Piano
4
3 Cors (trio)
3
3 Trombones (trio)
3
Ensemble de Cors
3
3 Tubas (trio)
3
Ensemble de Trombones
3
Quatuor de cuivres: 4 trompettes
2
Tuba et Piano
2
4 Tubas
2
Cor anglais, Piano
2
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
Quatuor de Cuivres
2
Tuba et Orgue
1
Ensemble de Tubas
1
Ensemble de Trompettes
1
Euphonium, Tuba (duo)
1
2 Tubas (duo)
1
Trombone, Cor (duo)
1
+ 26 instrumentations
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Cordes
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49
Violon et Piano
17
2 Violons (duo)
16
Violon, Violoncelle (duo)
12
Trio à Cordes: violon, alto, violoncelle
10
Violon, Alto (duo)
9
Alto, Piano
8
Violon
7
Violoncelle
7
2 Violoncelles (duo)
6
Harpe
6
Violoncelle, Piano
5
2 Altos (duo)
4
Trio à Cordes: 3 violoncelles
3
Quatuor à cordes: 4 violons
3
Trio à cordes: 3 violins
3
4 Violoncelles
2
Violon (partie séparée)
2
Alto, Violoncelle (duo)
2
Quatuor à cordes : 4 altos
2
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2
2 Harpes (duo)
2
Trio à cordes: 3 altos
2
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1
Alto (partie séparée)
1
Contre Basse
1
Harpe, Violon (duo)
1
Alto seul
1
4 Contrebasses
1
Violoncelle (partie séparée)
1
Trio à Cordes: 2 violons, violoncelle
1
+ 26 instrumentations
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Orchestre & Percussions
Orchestre d'harmonie
71
Orchestre à Cordes
26
Orchestre
18
Cloches
11
Ensemble de cuivres
9
Orchestre de chambre
5
Ensemble de Percussions
4
Jazz combo
3
Ensemble Jazz
3
Batterie
2
Piano et Orchestre
1
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--INSTRUMENTS--
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Vous avez sélectionné:
The Last To Know
Voix Alto, Piano
Partitions à imprimer
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To be Called Children of God (piano/alto)
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Voix Alto, Piano
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Melody Mills
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Jon Burr
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To be Called Children of God
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Melody Mills
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SheetMusicPlus
Alto Voice,Vocal Solo - SKU: A0.993101 Composed by Melody Mills. Arranged by Jon Burr. Christian,Sacred,Spiritual. 7 pages. Melody Mills #3686947. Publi...
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Alto Voice,Vocal Solo - SKU: A0.993101 Composed by Melody Mills. Arranged by Jon Burr. Christian,Sacred,Spiritual. 7 pages. Melody Mills #3686947. Published by Melody Mills (A0.993101). Sacred solo for church service. Inspired by I John 3:1 and Isaiah 66:13. Available in 3 versions: piano for contralto or soprano, and organ for soprano. Lyric sheet included as last page of document. The lyrics include:Take a moment to consideran incredible love we hardly can grasp:God, our Father, clearly loves us,To have named us as heirs to all that will last;Think of it! Born of Love!Ponder it! Heirs of Life!Sons and daughters of all Truth!This is the greatest love that could be given you:to be called children of God;to be known as God's own.To be called children of God!
$4.27
Nature's Dream
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Voix Alto, Piano
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FACILE
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Bill Taylor and Jaye Alison Mo
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Nature's Dream
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William R Taylor
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SheetMusicPlus
Alto Voice,Vocal Solo - Level 2 - SKU: A0.1022081 Composed by Bill Taylor and Jaye Alison Moscariello, lyrics and Bill Taylor music. Contemporary,Jazz,S...
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Alto Voice,Vocal Solo - Level 2 - SKU: A0.1022081 Composed by Bill Taylor and Jaye Alison Moscariello, lyrics and Bill Taylor music. Contemporary,Jazz,Sacred. 7 pages. William R Taylor #6475263. Published by William R Taylor (A0.1022081). Nature’s Dream (©2012) – Piano, Vocal, Flute, Soprano Sax, Upright Bass. The first several bars came to me in a 2011 vivid dream in which Paul McCandless was playing soaring soprano sax melodies and Jaye Alison Moscariello was singing lyrics I did not remember from the dream. It was originally in D with some Dad-related chord progressions. This version is in A to better fit the alto voice. After writing 3 verses of rather convoluted lyrics about healing the planet, Jaye helped pare it down to one powerful verse that could be a world anthem. George and Paul play solos during the instrumental break. We think this would make a great national, or international, anthem. This is our planet, the one that we all share Let us remember that all life breathes the air Our world is sacred, its future in our trust And it continues after bodies turn to dust Shall we continue to think we own the beasts? Or know the truth that all of us share the feast? Grow for each other and for the creatures too Plant life and fungi nourish the whole zoo Lessons we’ve learned from species that have passed Transform our ways or we may not last Take time to learn what ancestors teach us Honor the spirit residing in that which feeds us Act for the future of seven generations And together we can share in this dance of life Act for the future of seven generations Act for the welfare of seven generations
$3.99
Wie Du warst (Octavian's Aria) from Der Rosenkavalier - Accessible Accompaniments Edition
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Voix Alto, Piano
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AVANCÉ
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Classique
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Richard Strauss
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Nicole Elyse DiPaolo
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Wie Du warst
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Nicole Elyse DiPaolo
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SheetMusicPlus
Alto Voice,Vocal Solo - Level 5 - SKU: A0.799612 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 6 pages. N...
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Alto Voice,Vocal Solo - Level 5 - SKU: A0.799612 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 6 pages. Nicole Elyse DiPaolo #5022023. Published by Nicole Elyse DiPaolo (A0.799612). The first of its kind, and the third entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Wie Du warst, Octavian's famous aria from Strauss's Der Rosenkavalier (1911). Mezzos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury. This edition also includes a two-measure recomposed ending four measures after rehearsal 25, making this edition a great choice for concert and audition situations in which another singer isn't available to sing the Marschallin's lines.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
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