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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Them
Sheetmusicplus
Non classifié
11 271
Piano & claviers
Piano seul
7 613
Piano Facile
2 890
Piano, Voix
1 390
Piano, Voix et Guitare
1 082
Instruments en Do
654
Orgue
543
1 Piano, 4 mains
261
Accompagnement Piano
245
Piano grosses notes
160
Piano Trio: piano, violon, violoncelle
122
Accordéon
87
2 Pianos, 4 mains
70
Piano (partie séparée)
41
Piano Quatuor: piano, 2 violons, violoncelle
31
Piano Quatuor: piano, violon, alto, violoncelle
27
Piano Quintette: piano, 2 violons, alto, violoncelle
27
Orgue, Trompette (duo)
19
Clavecin
18
Orgue, Piano (duo)
12
1 Piano, 6 mains
7
Clavier
7
2 Pianos, 8 mains
7
Accordéon, Piano
5
2 Accordéons
3
Ensemble d'Accordéons
2
2 Orgues (duo)
1
Fake Book
1
Accordéon, Corde(s)
1
+ 23 instrumentations
Retracter
Guitares
Guitare notes et tablatures
769
Guitare
560
Basse electrique
398
Ligne De Mélodie, (Paroles) et Accords
328
Ukulele
187
Mandoline
128
Paroles et Accords
81
Piano, Guitare (duo)
64
2 Guitares (duo)
59
Guitare (partie séparée)
39
4 Guitares (Quatuor)
38
Dulcimer
28
Banjo
20
3 Guitares (trio)
19
Ensemble de guitares
18
Basse électrique (partie séparée)
9
Ensemble de Ukulélés
3
Ukulele Baryton
3
Mandoline, Guitare (duo)
3
Guitare, Violon, Violoncelle (trio)
2
2 Dulcimers (duo)
2
Guitare, Quatuor à cordes
1
Guitare, Orchestre
1
Guitare Tab, Voix, Basse, Batterie
1
Bouzouki
1
2 Mandolines (duo)
1
+ 21 instrumentations
Retracter
Voix
Chorale SATB
7 660
Chorale 3 parties
1 495
Chorale Unison
1 179
Chorale 2 parties
1 164
Chorale TTBB
454
Voix duo, Piano
278
Chorale SSAA
242
Pack Instrumental pour Chorale
130
Voix duo
103
Voix Soprano, Piano
52
Voix Alto, Piano
51
Voix seule
40
Chorale
39
Voix Baryton, Piano
39
Voix Tenor, Piano
36
Voix haute
29
Voix moyenne, Piano
19
Chorale SSATB
18
Voix basse, Piano
12
Chorale SSAATTBB
11
Chorale SSATTB
6
Voix Tenor
5
Voix Mezzo-Soprano, Piano
3
Soli, choeur mixte et accompagnement
2
Voix basse
2
Chorale, Orgue
2
Voix Soprano
2
Chorale SSAB, Piano
2
Chorale SATBB
2
Voix haute, Piano
1
Chorale SSAB a cappella
1
Chorale SSATBB
1
Chorale SSAATB
1
Male Voice
1
+ 29 instrumentations
Retracter
Vents
Quatuor de Saxophones: 4 saxophones
797
Flûte traversière et Piano
738
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
708
2 Saxophones (duo)
692
Saxophone (partie séparée)
669
Clarinette et Piano
554
Flûte traversière
507
Flûte, Hautbois, Clarinette, Basson
502
Clarinette
473
Clarinette (partie séparée)
456
Hautbois, Piano (duo)
450
Saxophone Alto et Piano
418
Quatuor de Clarinettes: 4 clarinettes
404
2 Flûtes traversières (duo)
402
2 Clarinettes (duo)
391
Saxophone Alto
362
Quintette de Saxophone: 5 saxophones
332
Saxophone Tenor et Piano
326
Hautbois (partie séparée)
300
Saxophone Tenor
252
Saxophone Soprano et Piano
248
Flute (partie séparée)
184
Flûte, Clarinette (duo)
180
Ensemble de Clarinettes
165
Quatuor de Flûtes : 4 flûtes
162
3 Saxophones (trio)
161
2 Hautbois (duo)
153
Ensemble de saxophones
144
Saxophone, Clarinette (duo)
143
Ensemble de Flûtes
143
Flûte à bec Soprano
136
Saxophone Baryton, Piano
123
3 Clarinettes (trio)
115
Hautbois, Basson (duo)
111
Flûte et Guitare
110
Clarinette, Violon (duo)
99
Hautbois
93
Hautbois, Clarinette (duo)
93
2 Flûte à bec (duo)
90
Clarinette, Trompette (duo)
86
Quintette de Clarinettes: 5 clarinettes
86
Trio de Flûtes: 3 flûtes
83
Flûte à bec Alto
69
Harmonica
63
Flûte, Violon
61
Cor anglais, Piano
61
Clarinette Basse, Piano
59
Hautbois, Flûte
59
Flûte, Alto (duo)
49
Flûte, Saxophone (duo)
47
Flûte, Trompette (duo)
47
Clarinette et Alto
47
Quatuor de Flûtes à bec
43
Saxophone Soprano
40
Quintette de Flûte : 5 flûtes
40
Flûte, Hautbois (duo)
37
Flûte, Clarinette et Basson
35
Clarinette, Basson (duo)
34
Flûte à Bec
29
Flûte, Hautbois, Clarinette (trio)
29
Hautbois, Clarinette, Basson (trio d'anches)
27
Flûte, Hautbois, Basson
26
Flûte, Violoncelle
24
Clarinette, Violoncelle (duo)
23
5 Flûtes à bec
21
Saxophone Baryton
20
Flûte, Violon, Piano
20
Cor Anglais
18
Hautbois, Guitare (duo)
17
Clarinette, Guitare (duo)
17
Flûte, Clarinette, Cor, Basson (Quartet)
14
Clarinette, Trombone (duo)
14
Piccolo
13
Clarinette Basse
13
Hautbois, Violoncelle
13
Flûte, Hautbois, Piano (trio)
12
Ocarina
12
Flûte à bec Alto, Piano
11
3 Flûtes à bec (trio)
10
Flûte à bec Tenor
10
2 Saxophones, Piano
10
2 Clarinettes, Piano
10
Flûte, Clarinette, Piano (trio)
10
Piccolo, Piano
10
Hautbois, violon (duo)
9
Hautbois, Trompette (duo)
9
3 Hautbois
9
Flûte à bec Soprano, Piano
9
Flûte, Basson et Piano
9
Saxophone, Violon (duo)
8
Saxophone
8
Flûte, Violoncelle, Piano (trio)
8
Saxophone et Guitare
8
Ensemble De Flûte à bec
7
Flûte, Violon et Violoncelle
6
Flûte traversière, Orgue (duo)
6
Clarinette, Violoncelle, Piano (trio)
6
Cor anglais, Guitare (duo)
5
Flûte, Alto et Piano
5
4 Hautbois
5
2 Flûtes traversières, Piano
5
Flute, harpe et violon
5
Saxophone et Orgue
4
Clarinette, Basson, Piano (trio)
4
Saxophone et Harpe
4
Flûte, Violon, Violoncelle et Piano
4
Ensemble à vent
4
Flûte, Trombone (duo)
4
Saxophone, Basson (duo)
3
Hautbois et alto (duo)
3
Flûte à Bec, Piano
3
2 Cors Anglais Et Pianoforte
3
2 Clarinettes, Basson
3
Hautbois, Clarinette et Piano (Trio)
2
Flûte, trombone et piano
2
Clarinette, Harpe (duo)
2
Flûte, Violon, Guitare
2
Flûte, Tuba (duo)
2
Clarinette, trompette et piano
2
Hautbois, Harpe
2
Flûte et Trio à cordes
2
Clarinette, Orgue
2
Flûte, Alto et Violoncelle
2
Ensemble de Hautbois
2
Clarinette, Alto et Piano (trio)
2
Hautbois, Basson et Piano
1
Flute, Cor (duo)
1
Melodica
1
2 Harmonicas
1
Harmonica, Piano
1
Flûte, Clarinette, Violon (trio)
1
Hautbois, trombone (duo)
1
2 Hautbois, Piano
1
2 Flûtes à bec, Guitare
1
Clarinette, Tuba
1
Flûte de Pan
1
Flûte traversière, Basse continue
1
2 Hautbois et Cor anglais
1
Flûte à bec, Guitare (duo)
1
2 Flûtes à bec, Piano
1
Flûte, Harpe et Violoncelle
1
Flûte, Hautbois, Violon
1
Flûte irlandaise
1
Hautbois, Violoncelle et Piano
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Cornemuse
1
Flûte à bec Alto, Basse continue
1
+ 142 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
1 138
Trompette, Piano
461
Trompette
459
Trombone et Piano
452
Trompette (partie séparée)
442
Trombone (partie séparée)
431
Quatuor de Cuivres : 2 trompettes, trombone, tuba
348
Trombone
324
Cor et Piano
308
Cor
308
2 Trompettes (duo)
230
Quatuor de Cuivres
206
2 Trombones (duo)
200
Cor (partie séparée)
194
Tuba et Piano
169
Tuba
160
Tuba (partie séparée)
150
Quatuor de Cuivres: 2 trompettes, Cor, trombone
143
Trompette, Trombone (duo)
117
Trompette, Saxophone (duo)
108
2 Cors (duo)
103
Euphonium, Piano (duo)
83
Quatuor de cuivres: 4 trombones
81
Ensemble de Trompettes
66
Cor anglais, Piano
61
Ensemble de Trombones
60
Quatuor de cuivres: 4 cors
60
Trompette, Cor (duo)
48
2 Tubas (duo)
43
2 Euphoniums et 2 Tubas
43
Ensemble de Cors
38
Quatuor de cuivres: 4 trompettes
29
3 Trompettes (trio)
25
4 Tubas
25
Trio de Cuivres
23
3 Trombones (trio)
23
Trombone, Tuba (duo)
23
Quatuor de cuivres: 2 trompettes, 2 trombones
22
Euphonium
21
Tuba et Orgue
20
Tuba ou Euphonium ou Saxhorn
18
Cor Anglais
18
2 Euphoniums (duo)
12
Trompette, Tuba (duo)
12
Trompette, Basson (duo)
11
Trombone, Cor (duo)
11
Trombone basse
11
Trombone basse et Piano
11
Cor, Violoncelle (duo)
10
Trompette, violon (duo)
8
Trombone, violoncelle (duo)
8
Cor, Tuba (duo)
7
3 Cors (trio)
7
Euphonium, Tuba (duo)
6
Trompette, Violoncelle (duo)
6
Cor anglais, Guitare (duo)
5
Clarinette, Cor (duo)
4
Cornet A Pistons
4
Cor et Basson (duo)
4
Trombone, Orgue
3
Cornet et Piano
3
Trombone, Violon (duo)
3
2 Cors Anglais Et Pianoforte
3
Cor et Harpe
3
Bass Clef Instruments
3
3 Tubas (trio)
2
2 Trompettes, Clavier (piano ou orgue)
2
3 Euphoniums
2
Cor, Trompette, Trombone (trio)
2
Trompette, Orchestre
2
2 Cors, Piano
2
Cornet et orchestre
1
Trompette, Euphonium (duo)
1
Ensemble de Tubas
1
2 Trombones, Piano
1
Cor, Orchestre
1
Cor et Orgue
1
Trombone et orchestre
1
Trompette, Trombone, Piano
1
Trompette, Violoncelle et Piano
1
+ 75 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
1 875
Violon et Piano
795
Violon
744
Violoncelle, Piano
568
Violoncelle
515
Violon (partie séparée)
453
Alto, Piano
439
Violon, Violoncelle (duo)
395
Alto seul
368
2 Violons (duo)
323
2 Violoncelles (duo)
277
Trio à Cordes: violon, alto, violoncelle
256
Harpe
251
Quintette à cordes: 2 violons, alto, violoncelle, basse
222
2 Altos (duo)
191
Contrebasse (partie séparée)
181
Violon, Alto (duo)
180
Contre Basse
156
Alto (partie séparée)
146
Contrebasse, Piano (duo)
126
Violoncelle (partie séparée)
117
Trio à Cordes: 2 violons, violoncelle
112
Alto, Violoncelle (duo)
82
4 Violoncelles
58
Piano Trio: Violon, Alto, Piano
57
Trio à Cordes: 3 violoncelles
41
Trio à cordes: 3 violins
35
Violon, Guitare (duo)
34
Trio à cordes: 3 altos
25
2 Harpes (duo)
24
Quatuor à cordes: 4 violons
24
Trio à Cordes: 2 violons, alto
22
Violoncelle , Guitare (duo)
21
2 Contrebasses (duo)
21
Quatuor à cordes : 4 altos
21
Violoncelle, Contrebasse (duo)
17
Violon, Basson (duo)
17
Alto, Guitare (duo)
13
Quintette à cordes: 2 violons, 2 altos, violoncelle
12
Alto et Basson
12
Harpe, Voix
11
Trio à cordes
11
Ensemble de Violons
9
Harpe, Violon (duo)
9
Harpe, Flûte (duo)
8
Ensemble d'Altos
7
Ensemble de Violoncelles
7
Flûte, Contrebasse (duo)
6
4 Contrebasses
6
2 Violons, Piano
6
Quintette à cordes : 2 violons, alto et 2 violoncelles
5
Violoncelle, Orchestre
5
Violon, Clarinette, Piano (trio)
5
2 Violoncelles, Piano
4
Harpe, Violoncelle (duo)
3
Violon, Orgue
3
Harpe (partie séparée)
2
Alto et Harpe
2
Violoncelle, Orgue
2
4 Harpes
1
Harpe et mandoline
1
Violon, Violoncelle, Clarinette
1
Violon, Tuba (duo)
1
Harpe et Piano
1
2 Altos, Piano
1
Harpe, Trombone (duo)
1
Alto, Orgue
1
+ 62 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
5 370
Orchestre à Cordes
1 256
Orchestre
1 146
Fanfare
854
Ensemble de cuivres
455
Ensemble Jazz
422
Cloches
406
Percussion (partie séparée)
313
Orchestre de chambre
207
Jazz combo
121
Batterie
116
Ensemble de Percussions
84
Percussion
80
Timbales (partie séparée)
63
Batterie (partie séparée)
48
Marimba
39
Xylophone, Piano
22
Timbales
17
Vibraphone
17
Xylophone
16
2 Xylophones
14
Quintette à Vent
12
Piano et Orchestre
9
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
8
Ensemble d'École
8
Instrumentation Flexible
6
Quintette de Cuivres: autres combinaisons
6
Big band
3
Vibraphone et Marimba
2
Marimba, Piano (duo)
1
Marimba ou Xylophone et Piano
1
3 Marimbas
1
Xylophone ou Marimba ou Vibraphone
1
Orchestre, Violon
1
Vibraphone (partie séparée)
1
Caisse Claire
1
+ 31 instrumentations
Retracter
Autres
Formation musicale - Solfège
2
Théorie de la musique
1
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
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COR ANGLAIS
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METHODE : TECHNIQUES
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POP ROCK - POP MUSIC
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Partitions à imprimer
51 partitions trouvées
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51
God's Creatures Children's song
#
Voix Alto, Piano
#
DÉBUTANT
#
Connie Boss
#
God's Creatures Children's son
#
Connie Boss
#
SheetMusicPlus
Alto Voice,Piano - Level 1 - SKU: A0.1168441 By Connie Boss. By Connie Boss. Children,Christian. Full Performance. Duration 193. Connie Boss #768773. Pu...
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Alto Voice,Piano - Level 1 - SKU: A0.1168441 By Connie Boss. By Connie Boss. Children,Christian. Full Performance. Duration 193. Connie Boss #768773. Published by Connie Boss (A0.1168441). This is a sweet song about God's creation of animals and humans with lots of sound effects.  The mp3 attached is in the key of C. This song is in the key of G which can be song either high or low (I also have them for sale in the key of C - melody in the alto range ) It has a simple piano accompaniment. A great children's song. The mp3 and YouTube video are in the key of C. Questions or requests email cdboss@cvalley.net.See lyrics below:God’s Creatures Refrain:God’s creatures, God’s creatures, God’s creatures, God’s Creatures Some are great and some are smallSome are short and some are tallGod made them one and allGod’s creaturesSome of like day and some like nightSome of them an awesome sightSome of them fill us with delightGod’s creatures Refrain: Some crawl, some walk aroundSome can slither on the groundSome don’t even make a soundGod’s creaturesSome can swim and some can flySome of them can climb up highSome can make us ask God whyGod’s creatures Refrain: Some give us food to eatSome lay gently at our feetSome are kind and O so sweetGod’s creatures. Refrain:We are all – God’s creatures.
$1.99
"Tumbleweed" - (Part Scores)
#
Voix Alto, Piano
#
INTERMÉDIAIRE
#
Sydney Stevens
#
"Tumbleweed" -
#
Sydney Stevens, Water Music
#
SheetMusicPlus
Alto Voice,Vocal Solo - Level 3 - SKU: A0.859710 Composed by Sydney Stevens. Children,Country,Folk,New Age. 31 pages. Sydney Stevens, Water Music #59541...
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Alto Voice,Vocal Solo - Level 3 - SKU: A0.859710 Composed by Sydney Stevens. Children,Country,Folk,New Age. 31 pages. Sydney Stevens, Water Music #5954113. Published by Sydney Stevens, Water Music (A0.859710). Contact: sydneystevenspianostudio@gmail.comTumbleweed: Gentle folk-based piano/vocal by Sydney Stevens (ASCAP). Arrangement is for piano/vocal/chords/Vln I, II. Full score and part scores included with download.Sounds like: Dar Williams, Rose Polenzani, Christina PerriFrom Album: Cycles of Life Theme: I am a tumbleweed tumbling todayMood: Gentle, warm, emotional, comforting, innocent.Musical Traits: Simple, broken chords in the left hand piano along with right hand melody that reflects the vocal line.Performance Time: 3:17Sydney Stevens music is available on: Pandora, Spotify, iTunes, Amazon, Whisperings Solo Piano Radio, AllMusicMore Links:www.sydneystevenswatermusic.comhttp://www.linkedin.com/in/sydney-stevens-532a113aBIOGRAPHY: Sydney Stevens began writing melodies on the piano before she could reach the pedals. Her earliest memory was watching her mother play classical piano. She began piano lessons at the age of 8, and started composing shortly thereafter. Stevens approaches her compositions as an artist. She paints musical portraits of the things that bring meaning to life: relationship to living things, emotional healing, discovering what matters most and honoring that as best we are able. Stevens' beautiful piano-based music aligns one with their own heart. Although some of her music can be described as New Age, her roots are heavily based in classical and jazz. Her study of classical composition makes her music more complex than some New Age music. Her music has been likened to the impressionistic composers such as Claude Debussy. Sydney's formal training is also reflected in her ability to compose for orchestral instruments. Her latest release, Cycles of Life, was solely recorded and produced by Sydney, programming all of the virtual instruments.Sydney has a great love for jazz. Keith Jarrett was an influence on her with his innovative and improvisational piano recordings and performances. She was particularly impressed with the freedom of style he portrayed in his performances. Bill Evans was something Sydney heard played as a young child. Where her mother was a classical pianist, her father was a jazz pianist. Perhaps that's why some of Sydney’s music can be described as a crossover between classical and jazz--remnants from those early years. Joni Mitchell and Judy Collins were big inspirations for Sydney's songwriting. She was especially drawn to the deeply emotional lyrics in many of their songs.Cycles of Life, the title track from Sydney's current release, was composed for her late step dad. The song is about the cycle of birth and death: Cycles of life go on, yet we carry all that we've known and loved through the ages. Time, another track on Sydney's current release, is a song about how time passes more quickly when we are doing something we cherish. Brian's Song, inspired by the loss of her father-in-law, reflects: All that really matters is the way we fill our heart, and the ways that it has loved. Dawn, a track from Sydney's album Seasons, is a beautiful piano-based instrumental with light string background. It portrays that very peaceful hour as the sun slowly lights up the world -- the hour of dawn.Sydney is a poet. She sees the world through a heart that feels the joy and sorrow of the world and those she meets. Her gift is the ability to transfer that emotion into music. Listening to her music is like taking a journey. She delves into depths of emotion, often taking the listener to places that can be difficult to go without the comfort of a beautiful song to accompany them.In addition to being a prolific composer, Stevens runs a b.
$9.95
The River
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Voix Alto, Piano
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INTERMÉDIAIRE
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Sydney Stevens
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The River
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Sydney Stevens, Water Music
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SheetMusicPlus
Alto Voice,Vocal Solo - Level 3 - SKU: A0.859664 Composed by Sydney Stevens. Country,Folk,Pop,Wedding. 8 pages. Sydney Stevens, Water Music #2949779. Pu...
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Alto Voice,Vocal Solo - Level 3 - SKU: A0.859664 Composed by Sydney Stevens. Country,Folk,Pop,Wedding. 8 pages. Sydney Stevens, Water Music #2949779. Published by Sydney Stevens, Water Music (A0.859664). Contact: sydneystevenspianostudio@gmail.comThe River: Uplifting piano/vocal by Sydney Stevens (ASCAP). Sheet music arrangement is for piano/vocal/chords.Sounds like: Dar Williams, Judy Collins, Christina PerriFrom Album: Cycles of Life Theme: Long awaited true love, new love.Mood: Happy, romantic, inspired.Musical Traits: Broken chords in the left hand piano, right hand melody that reflects the vocal line.Performance Time: 3:17Sydney Stevens music is available on: Pandora, Spotify, iTunes, Amazon, Whisperings Solo Piano Radio, AllMusicMore Links: www.sydneystevenswatermusic.com http://www.linkedin.com/in/sydney-stevens-532a113aBIOGRAPHY:Sydney Stevens began writing melodies on the piano before she could reach the pedals. Her earliest memory was watching her mother play classical piano. She began piano lessons at the age of 8, and started composing shortly thereafter.Stevens approaches her compositions as an artist. She paints musical portraits of the things that bring meaning to life: relationship to living things, emotional healing, discovering what matters most and honoring that as best we are able. Stevens' beautiful piano-based music aligns one with their own heart. Although some of her music can be described as New Age, her roots are heavily based in classical and jazz. Her study of classical composition makes her music more complex than some New Age music. Her music has been likened to the impressionistic composers such as Claude Debussy. Sydney's formal training is also reflected in her ability to compose for orchestral instruments. Her latest release, Cycles of Life, was solely recorded and produced by Sydney, programming all of the virtual instruments.Sydney has a great love for jazz. Keith Jarrett was an influence on her with his innovative and improvisational piano recordings and performances. She was particularly impressed with the freedom of style he portrayed in his performances. Bill Evans was something Sydney heard played as a young child. Where her mother was a classical pianist, her father was a jazz pianist. Perhaps that's why some of Sydney’s music can be described as a crossover between classical and jazz--remnants from those early years. Joni Mitchell and Judy Collins were big inspirations for Sydney's songwriting. She was especially drawn to the deeply emotional lyrics in many of their songs.Cycles of Life, the title track from Sydney's current release, was composed for her late step dad. The song is about the cycle of birth and death: Cycles of life go on, yet we carry all that we've known and loved through the ages. Time, another track on Sydney's current release, is a song about how time passes more quickly when we are doing something we cherish. Brian's Song, inspired by the loss of her father-in-law, reflects: All that really matters is the way we fill our heart, and the ways that it has loved. Dawn, a track from Sydney's album Seasons, is a beautiful piano-based instrumental with light string background. It portrays that very peaceful hour as the sun slowly lights up the world -- the hour of dawn.Sydney is a poet. She sees the world through a heart that feels the joy and sorrow of the world and those she meets. Her gift is the ability to transfer that emotion into music. Listening to her music is like taking a journey. She delves into depths of emotion, often taking the listener to places that can be difficult to go without the comfort of a beautiful song to accompany them.In addition to being a prolific composer,.
$4.95
Brian's Song
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Voix Alto, Piano
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INTERMÉDIAIRE
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Sydney Stevens
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Brian's Song
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Sydney Stevens, Water Music
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SheetMusicPlus
Alto Voice,Vocal Solo - Level 3 - SKU: A0.859662 Composed by Sydney Stevens. Contemporary,Folk,Holiday,Pop. 7 pages. Sydney Stevens, Water Music #294975...
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Alto Voice,Vocal Solo - Level 3 - SKU: A0.859662 Composed by Sydney Stevens. Contemporary,Folk,Holiday,Pop. 7 pages. Sydney Stevens, Water Music #2949759. Published by Sydney Stevens, Water Music (A0.859662). Contact: sydneystevenspianostudio@gmail.comBrian's Song: Emotional piano/vocal composed by Sydney Stevens (ASCAP). Arrangement is for piano/vocal/chords.Sounds like: Lucy Kaplansky, Loreena McKennittFrom Album: Cycles of Life Theme: The passing of, (letting go of) a father.Mood: Heartfelt, emotional, hopeful.Musical Traits: Strong melody in right hand piano that reflects the vocal line.Performance Time: 2:56Sydney Stevens music is available on: Pandora, Spotify, iTunes, Amazon, Whisperings Solo Piano Radio, AllMusicMore Links: www.sydneystevenswatermusic.comhttp://www.linkedin.com/in/sydney-stevens-532a113aBIOGRAPHY:Sydney Stevens began writing melodies on the piano before she could reach the pedals. Her earliest memory was watching her mother play classical piano. She began piano lessons at the age of 8, and started composing shortly thereafter.Stevens approaches her compositions as an artist. She paints musical portraits of the things that bring meaning to life: relationship to living things, emotional healing, discovering what matters most and honoring that as best we are able. Stevens' beautiful piano-based music aligns one with their own heart. Although some of her music can be described as New Age, her roots are heavily based in classical and jazz. Her study of classical composition makes her music more complex than some New Age music. Her music has been likened to the impressionistic composers such as Claude Debussy. Sydney's formal training is also reflected in her ability to compose for orchestral instruments. Her latest release, Cycles of Life, was solely recorded and produced by Sydney, programming all of the virtual instruments.Sydney has a great love for jazz. Keith Jarrett was an influence on her with his innovative and improvisational piano recordings and performances. She was particularly impressed with the freedom of style he portrayed in his performances. Bill Evans was something Sydney heard played as a young child. Where her mother was a classical pianist, her father was a jazz pianist. Perhaps that's why some of Sydney’s music can be described as a crossover between classical and jazz--remnants from those early years. Joni Mitchell and Judy Collins were big inspirations for Sydney's songwriting. She was especially drawn to the deeply emotional lyrics in many of their songs.Cycles of Life, the title track from Sydney's current release, was composed for her late step dad. The song is about the cycle of birth and death: Cycles of life go on, yet we carry all that we've known and loved through the ages. Time, another track on Sydney's current release, is a song about how time passes more quickly when we are doing something we cherish. Brian's Song, inspired by the loss of her father-in-law, reflects: All that really matters is the way we fill our heart, and the ways that it has loved. Dawn, a track from Sydney's album Seasons, is a beautiful piano-based instrumental with light string background. It portrays that very peaceful hour as the sun slowly lights up the world -- the hour of dawn.Sydney is a poet. She sees the world through a heart that feels the joy and sorrow of the world and those she meets. Her gift is the ability to transfer that emotion into music. Listening to her music is like taking a journey. She delves into depths of emotion, often taking the listener to places that can be difficult to go without the comfort of a beautiful song to accompany them.In addition to being a prolific compose.
$4.95
Another Day
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Voix Alto, Piano
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INTERMÉDIAIRE
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Sydney Stevens
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Another Day
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Sydney Stevens, Water Music
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SheetMusicPlus
Alto Voice,Vocal Solo - Level 3 - SKU: A0.859660 Composed by Sydney Stevens. Country,Folk,New Age,Pop. 7 pages. Sydney Stevens, Water Music #2942889. Pu...
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Alto Voice,Vocal Solo - Level 3 - SKU: A0.859660 Composed by Sydney Stevens. Country,Folk,New Age,Pop. 7 pages. Sydney Stevens, Water Music #2942889. Published by Sydney Stevens, Water Music (A0.859660). Contact: sydneystevenspianostudio@gmail.comAnother Day: Refreshing, passionate piano/vocal composed by Sydney Stevens (ASCAP). Sheet music arrangement is for piano/vocal/chords.Sounds like: Christina Perri, Enya, Judy CollinsFrom Album: Cycles of Life Theme: New love, love's longing. Mood: Passionate, romantic, heartfelt. Musical Traits: Strong melody in right hand piano that reflects the vocal line. Performance Time: 3:41 Sydney Stevens music is available on: Pandora, Spotify, iTunes, Amazon, Whisperings Solo Piano Radio, AllMusic More Links: www.sydneystevenswatermusic.com http://www.linkedin.com/in/sydney-stevens-532a113a BIOGRAPHY:Sydney Stevens began writing melodies on the piano before she could reach the pedals. Her earliest memory was watching her mother play classical piano. She began piano lessons at the age of 8, and started composing shortly thereafter.Stevens approaches her compositions as an artist. She paints musical portraits of the things that bring meaning to life: relationship to living things, emotional healing, discovering what matters most and honoring that as best we are able. Stevens' beautiful piano-based music aligns one with their own heart. Although some of her music can be described as New Age, her roots are heavily based in classical and jazz. Her study of classical composition makes her music more complex than some New Age music. Her music has been likened to the impressionistic composers such as Claude Debussy. Sydney's formal training is also reflected in her ability to compose for orchestral instruments. Her latest release, Cycles of Life, was solely recorded and produced by Sydney, programming all of the virtual instruments.Sydney has a great love for jazz. Keith Jarrett was an influence on her with his innovative and improvisational piano recordings and performances. She was particularly impressed with the freedom of style he portrayed in his performances. Bill Evans was something Sydney heard played as a young child. Where her mother was a classical pianist, her father was a jazz pianist. Perhaps that's why some of Sydney’s music can be described as a crossover between classical and jazz--remnants from those early years. Joni Mitchell and Judy Collins were big inspirations for Sydney's songwriting. She was especially drawn to the deeply emotional lyrics in many of their songs.Cycles of Life, the title track from Sydney's current release, was composed for her late step dad. The song is about the cycle of birth and death: Cycles of life go on, yet we carry all that we've known and loved through the ages. Time, another track on Sydney's current release, is a song about how time passes more quickly when we are doing something we cherish. Brian's Song, inspired by the loss of her father-in-law, reflects: All that really matters is the way we fill our heart, and the ways that it has loved. Dawn, a track from Sydney's album Seasons, is a beautiful piano-based instrumental with light string background. It portrays that very peaceful hour as the sun slowly lights up the world -- the hour of dawn.Sydney is a poet. She sees the world through a heart that feels the joy and sorrow of the world and those she meets. Her gift is the ability to transfer that emotion into music. Listening to her music is like taking a journey. She delves into depths of emotion, often taking the listener to places that can be difficult to go without the comfort of a beautiful song to accompany them.In addition to being a prolific composer, Stevens runs a.
$4.95
Who's Driving the Bus?
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Voix Alto, Piano
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INTERMÉDIAIRE
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Bill Taylor and Jaye Alison Mo
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Bill Taylor
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Who's Driving the Bus?
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William R Taylor
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SheetMusicPlus
Alto Voice,Vocal Solo - Level 3 - SKU: A0.1022086 Composed by Bill Taylor and Jaye Alison Moscariello, Bill Taylor music, and Lyrics. Arranged by Bill T...
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Alto Voice,Vocal Solo - Level 3 - SKU: A0.1022086 Composed by Bill Taylor and Jaye Alison Moscariello, Bill Taylor music, and Lyrics. Arranged by Bill Taylor. Broadway,Contemporary,Pop. 3 pages. William R Taylor #6475621. Published by William R Taylor (A0.1022086). Who’s Driving the Bus (©2014, lyrics ©2018 Bill Taylor and Jaye Alison Moscariello) – Piano, Vocals. The intense theme and title came in a dream. This is the fast and angry version of the sentiment in Nature's Dream. Jaye and Bill wrote the lyrics and both sing them. Bill Taylor, music, lyrics, piano and vocals; Jaye Alison Moscariello, lyrics and vocals Am I cause in my life or just obeying orders? Listening to Gaia or stuck in human quarters? Who is driving this bus? Standing and feeling the beauty of the Earth Life pushing out on the knife of human greed We live for life, it’s time to grow up Live as the whales, take what is given Oceans now are dying, greed exceeding hunger Land around us frying, power killing spying Life gives us all we ever need Standing and feeling the beauty of the Earth Life pushing out on the knife of human greed We live for life, it’s time to grow up Live wise as whales, take what is given I am here for all life, healthy, dying, growing What we take we honor, keep the cycles flowing Let the love enfold us
$1.99
Back to the Heart
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Voix Alto, Piano
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INTERMÉDIAIRE
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Sydney Stevens
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Back to the Heart
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Sydney Stevens, Water Music
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SheetMusicPlus
Alto Voice,Vocal Solo - Level 3 - SKU: A0.859668 Composed by Sydney Stevens. Folk,New Age,Pop. 7 pages. Sydney Stevens, Water Music #2959571. Published ...
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Alto Voice,Vocal Solo - Level 3 - SKU: A0.859668 Composed by Sydney Stevens. Folk,New Age,Pop. 7 pages. Sydney Stevens, Water Music #2959571. Published by Sydney Stevens, Water Music (A0.859668). Contact: sydneystevenspianostudio@gmail.comBack to the Heart: Emotional, heartfelt piano/vocal composed by Sydney Stevens (ASCAP). Sheet music arrangement is for piano/vocal/chords. From Album: Cycles of Life Theme: Going away, the sister that I know. Estrangement from someone who was once close. Mood: Serious, reflective, sad, emotionally moving. Musical Traits: Simple left hand piano, right hand reflects vocal part. Performance Time: 3:50 Sydney Stevens music is available on: Pandora, Spotify, iTunes, Amazon, Whisperings Solo Piano Radio, AllMusic More Links: www.sydneystevenswatermusic.comhttp://www.linkedin.com/in/sydney-stevens-532a113a BIOGRAPHY:Sydney Stevens began writing melodies on the piano before she could reach the pedals. Her earliest memory was watching her mother play classical piano. She began piano lessons at the age of 8, and started composing shortly thereafter.Stevens approaches her compositions as an artist. She paints musical portraits of the things that bring meaning to life: relationship to living things, emotional healing, discovering what matters most and honoring that as best we are able. Stevens' beautiful piano-based music aligns one with their own heart. Although some of her music can be described as New Age, her roots are heavily based in classical and jazz. Her study of classical composition makes her music more complex than some New Age music. Her music has been likened to the impressionistic composers such as Claude Debussy. Sydney's formal training is also reflected in her ability to compose for orchestral instruments. Her latest release, Cycles of Life, was solely recorded and produced by Sydney, programming all of the virtual instruments.Sydney has a great love for jazz. Keith Jarrett was an influence on her with his innovative and improvisational piano recordings and performances. She was particularly impressed with the freedom of style he portrayed in his performances. Bill Evans was something Sydney heard played as a young child. Where her mother was a classical pianist, her father was a jazz pianist. Perhaps that's why some of Sydney’s music can be described as a crossover between classical and jazz--remnants from those early years. Joni Mitchell and Judy Collins were big inspirations for Sydney's songwriting. She was especially drawn to the deeply emotional lyrics in many of their songs.Cycles of Life, the title track from Sydney's current release, was composed for her late step dad. The song is about the cycle of birth and death: Cycles of life go on, yet we carry all that we've known and loved through the ages. Time, another track on Sydney's current release, is a song about how time passes more quickly when we are doing something we cherish. Brian's Song, inspired by the loss of her father-in-law, reflects: All that really matters is the way we fill our heart, and the ways that it has loved. Dawn, a track from Sydney's album Seasons, is a beautiful piano-based instrumental with light string background. It portrays that very peaceful hour as the sun slowly lights up the world -- the hour of dawn.Sydney is a poet. She sees the world through a heart that feels the joy and sorrow of the world and those she meets. Her gift is the ability to transfer that emotion into music. Listening to her music is like taking a journey. She delves into depths of emotion, often taking the listener to places that can be difficult to go without the comfort of a beautiful song to accompany them.In addition to being a prolific.
$4.95
Herbie
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Voix Alto, Piano
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INTERMÉDIAIRE
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Sydney Stevens
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Herbie
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Sydney Stevens, Water Music
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SheetMusicPlus
Alto Voice,Vocal Solo - Level 3 - SKU: A0.859667 Composed by Sydney Stevens. Contemporary,Country,Folk,New Age,Pop. 6 pages. Sydney Stevens, Water Music...
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Alto Voice,Vocal Solo - Level 3 - SKU: A0.859667 Composed by Sydney Stevens. Contemporary,Country,Folk,New Age,Pop. 6 pages. Sydney Stevens, Water Music #2959565. Published by Sydney Stevens, Water Music (A0.859667). Contact: sydneystevenspianostudio@gmail.comHerbie: Emotional, heartfelt piano/vocal composed by Sydney Stevens (ASCAP). Sheet music arrangement is for piano/vocal/chords. From Album: Cycles of Life Theme: What a pal, what a joyful friend. Appropriate for the loss of a loved one. Song was inspired by the loss of a pet. Mood: Flowing, reflective, tender, comforting Musical Traits: Strong melody, arpeggiated left hand piano, right hand reflects vocal part. Performance Time: 2:48 Sydney Stevens music is available on: Pandora, Spotify, iTunes, Amazon, Whisperings Solo Piano Radio, AllMusic More Links: www.sydneystevenswatermusic.com http://www.linkedin.com/in/sydney-stevens-532a113a BIOGRAPHY:Sydney Stevens began writing melodies on the piano before she could reach the pedals. Her earliest memory was watching her mother play classical piano. She began piano lessons at the age of 8, and started composing shortly thereafter.Stevens approaches her compositions as an artist. She paints musical portraits of the things that bring meaning to life: relationship to living things, emotional healing, discovering what matters most and honoring that as best we are able. Stevens' beautiful piano-based music aligns one with their own heart. Although some of her music can be described as New Age, her roots are heavily based in classical and jazz. Her study of classical composition makes her music more complex than some New Age music. Her music has been likened to the impressionistic composers such as Claude Debussy. Sydney's formal training is also reflected in her ability to compose for orchestral instruments. Her latest release, Cycles of Life, was solely recorded and produced by Sydney, programming all of the virtual instruments.Sydney has a great love for jazz. Keith Jarrett was an influence on her with his innovative and improvisational piano recordings and performances. She was particularly impressed with the freedom of style he portrayed in his performances. Bill Evans was something Sydney heard played as a young child. Where her mother was a classical pianist, her father was a jazz pianist. Perhaps that's why some of Sydney’s music can be described as a crossover between classical and jazz--remnants from those early years. Joni Mitchell and Judy Collins were big inspirations for Sydney's songwriting. She was especially drawn to the deeply emotional lyrics in many of their songs.Cycles of Life, the title track from Sydney's current release, was composed for her late step dad. The song is about the cycle of birth and death: Cycles of life go on, yet we carry all that we've known and loved through the ages. Time, another track on Sydney's current release, is a song about how time passes more quickly when we are doing something we cherish. Brian's Song, inspired by the loss of her father-in-law, reflects: All that really matters is the way we fill our heart, and the ways that it has loved. Dawn, a track from Sydney's album Seasons, is a beautiful piano-based instrumental with light string background. It portrays that very peaceful hour as the sun slowly lights up the world -- the hour of dawn.Sydney is a poet. She sees the world through a heart that feels the joy and sorrow of the world and those she meets. Her gift is the ability to transfer that emotion into music. Listening to her music is like taking a journey. She delves into depths of emotion, often taking the listener to places that can be difficult to go without the comfort of a beautiful song to accompany them.
$4.95
Wie Du warst (Octavian's Aria) from Der Rosenkavalier - Accessible Accompaniments Edition
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Voix Alto, Piano
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AVANCÉ
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Classique
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Richard Strauss
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Nicole Elyse DiPaolo
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Wie Du warst
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Nicole Elyse DiPaolo
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SheetMusicPlus
Alto Voice,Vocal Solo - Level 5 - SKU: A0.799612 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 6 pages. N...
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Alto Voice,Vocal Solo - Level 5 - SKU: A0.799612 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 6 pages. Nicole Elyse DiPaolo #5022023. Published by Nicole Elyse DiPaolo (A0.799612). The first of its kind, and the third entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Wie Du warst, Octavian's famous aria from Strauss's Der Rosenkavalier (1911). Mezzos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury. This edition also includes a two-measure recomposed ending four measures after rehearsal 25, making this edition a great choice for concert and audition situations in which another singer isn't available to sing the Marschallin's lines.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
Seeking the King
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Voix Alto, Piano
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DÉBUTANT
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Pattie A
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Seeking the King
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Pattie A. Dunlap
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SheetMusicPlus
Alto Voice,Vocal Solo - Level 1 - SKU: A0.818588 Composed by Pattie A. Dunlap. Christian,Christmas,Concert,Sacred,Standards. 3 pages. Pattie A. Dunlap #...
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Alto Voice,Vocal Solo - Level 1 - SKU: A0.818588 Composed by Pattie A. Dunlap. Christian,Christmas,Concert,Sacred,Standards. 3 pages. Pattie A. Dunlap #3676067. Published by Pattie A. Dunlap (A0.818588). An easy piano piece written in A-minor with two verses of lyrics based on Matthew 2:1-12. Suggested fingering included. An older beginning piano student could easily learn this piece. Perfect for recitals, worship services, or Christmas programs, We are following the star that brought us traveling from afar.We are seeking after One who is a King.Finest gifts we have to bring, to lay them down before this King. Where is He, the One we're seeking with our hearts?Gold and myrrh we have to bring, Frankincense fit for a King.We are seeking after One who is a King.For His star is shining bright, Bringing light to darkest night.Where is He, the One we're seeking with our hearts?
$2.50
A Cradle Song (poem by Padriac Colum)
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Voix Alto, Piano
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FACILE
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Mary Ann Joyce
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A Cradle Song
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Mary Ann Joyce-Walter
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SheetMusicPlus
Alto Voice,Vocal Solo - Level 2 - SKU: A0.989248 Composed by Mary Ann Joyce. Celtic,Concert,Spiritual. 4 pages. Mary Ann Joyce-Walter #6253379. Publishe...
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Alto Voice,Vocal Solo - Level 2 - SKU: A0.989248 Composed by Mary Ann Joyce. Celtic,Concert,Spiritual. 4 pages. Mary Ann Joyce-Walter #6253379. Published by Mary Ann Joyce-Walter (A0.989248). Setting of an Irish poem by the Irish poet, Padriac Colum. It is a portrait of a child sleeping, and women in the cottage telling them O men from the fields, come gently within....tread softly.... Mary is putting round him her mantle of blue. The song is a kind of lullaby based on pentatonic/modal scales and is gentle, sweet, but not sentimental.
$5.00
Be More Like Jesus - (Lent/Good Friday) solo cello and piano
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Voix Alto, Piano
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FACILE
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Musique Sacrée
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Connie Boss
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Be More Like Jesus -
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Connie Boss
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SheetMusicPlus
Alto Voice,Vocal Solo - Level 2 - SKU: A0.801753 Composed by Connie Boss. Easter,Sacred. 4 pages. Connie Boss #6697043. Published by Connie Boss (A0.801...
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Alto Voice,Vocal Solo - Level 2 - SKU: A0.801753 Composed by Connie Boss. Easter,Sacred. 4 pages. Connie Boss #6697043. Published by Connie Boss (A0.801753). This original song has lyrics that work great for Lent and Good Friday, but it could be sung at any time. Sometimes when we feel very low and things don't seem to going well for us or we think life isn't fair, we should think about what Jesus went through with strength and courage. Any questions or request please email me at cdboss@cvalley.netBe More Like Jesus composed by Connie BossVerse 1:Be more like Jesus in strength and courage,When they whipped Him till He bled.Be more like Jesus in strength and courage,When they placed the thorns on His head Refrain:Be more like JesusBe more like JesusBe more like Jesus, Christ Verse 2: Be more like Jesus in strength and courage,When He carried the cross to that placeBe more like Jesus in strength and courage,As the blood streamed down His face. RefrainVerse 3: Be more like Jesus in strength and courage,When they nailed His feet and His handsBe more like Jesus in strength and courage,When forgive them is what He said RefrainRefrain to end.
$5.50
Bottleneck Gavotte
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Voix Alto, Piano
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FACILE
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Contemporain
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David Warin Solomons
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Bottleneck Gavotte
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David Warin Solomons
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SheetMusicPlus
Alto Voice,Vocal Solo - Level 2 - SKU: A0.1036215 Composed by David Warin Solomons. 20th Century. 3 pages. David Warin Solomons #641322. Published by Da...
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Alto Voice,Vocal Solo - Level 2 - SKU: A0.1036215 Composed by David Warin Solomons. 20th Century. 3 pages. David Warin Solomons #641322. Published by David Warin Solomons (A0.1036215). Song based on the poem by Ogden Nash: I know a dance, a perilous dance A demoniac duet It's a ritual now habitual with the older married set It's danced in the seven-room co-op And ivied ranch-style cot It's that conjugal collidoscope The bottle-neck gavotte What celibate pseudo-architect What very prince of asses built such complex of bottlenecks and networks of impasses Now man and wife twixt bed and bath or oven and china shelf in kitchen door at bureau drawer for ever meet themself Advance and bump retreat Repeat with many a-sparkling glance It's eye to eye and rump to thigh So goes the intricate dance. She raises the soup above her head While he props door with knee He steps to left and she to right and again they're vis-a-vis.
$7.00
Nature's Dream
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Voix Alto, Piano
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FACILE
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Bill Taylor and Jaye Alison Mo
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Nature's Dream
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William R Taylor
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SheetMusicPlus
Alto Voice,Vocal Solo - Level 2 - SKU: A0.1022081 Composed by Bill Taylor and Jaye Alison Moscariello, lyrics and Bill Taylor music. Contemporary,Jazz,S...
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Alto Voice,Vocal Solo - Level 2 - SKU: A0.1022081 Composed by Bill Taylor and Jaye Alison Moscariello, lyrics and Bill Taylor music. Contemporary,Jazz,Sacred. 7 pages. William R Taylor #6475263. Published by William R Taylor (A0.1022081). Nature’s Dream (©2012) – Piano, Vocal, Flute, Soprano Sax, Upright Bass. The first several bars came to me in a 2011 vivid dream in which Paul McCandless was playing soaring soprano sax melodies and Jaye Alison Moscariello was singing lyrics I did not remember from the dream. It was originally in D with some Dad-related chord progressions. This version is in A to better fit the alto voice. After writing 3 verses of rather convoluted lyrics about healing the planet, Jaye helped pare it down to one powerful verse that could be a world anthem. George and Paul play solos during the instrumental break. We think this would make a great national, or international, anthem. This is our planet, the one that we all share Let us remember that all life breathes the air Our world is sacred, its future in our trust And it continues after bodies turn to dust Shall we continue to think we own the beasts? Or know the truth that all of us share the feast? Grow for each other and for the creatures too Plant life and fungi nourish the whole zoo Lessons we’ve learned from species that have passed Transform our ways or we may not last Take time to learn what ancestors teach us Honor the spirit residing in that which feeds us Act for the future of seven generations And together we can share in this dance of life Act for the future of seven generations Act for the welfare of seven generations
$3.99
The Last Rose of Summer - Alto with piano in Gb
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Voix Alto, Piano
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DÉBUTANT
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Thomas Moore
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Alex Nunes Rodrigues
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The Last Rose of Summer - Alto
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Alex Rodrigues
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SheetMusicPlus
Alto Voice,Vocal Solo - Level 1 - SKU: A0.1492563 Composed by Thomas Moore. Arranged by Alex Nunes Rodrigues. Folk. 2 pages. Alex Rodrigues #1069242. Pu...
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Alto Voice,Vocal Solo - Level 1 - SKU: A0.1492563 Composed by Thomas Moore. Arranged by Alex Nunes Rodrigues. Folk. 2 pages. Alex Rodrigues #1069242. Published by Alex Rodrigues (A0.1492563). The Last Rose of Summer is a work deeply rooted in Irish culture, originally penned as a poem by the renowned poet and composer Thomas Moore in 1805. Moore, regarded as Ireland’s national poet, was inspired by an 'Old Blush' rose while staying at Jenkinstown Castle in County Kilkenny, Ireland. The poem was published as part of his Irish Melodies collection between 1807 and 1834, and later set to music by fellow Irishman John Stevenson. The song gained widespread popularity and was incorporated into the opera Martha by the German composer Friedrich von Flotow, which premiered in 1847 in Vienna.This sheet music has been adapted for voice and piano, preserving the original melody true to the composition by Moore and Stevenson. The piano arrangement has been simplified to provide an accessible experience for music teachers who, even without extensive piano skills, wish to accompany their students. This arrangement maintains the melodic and emotional essence of the piece, offering a version that honors its traditional nuances while making it approachable for beginner to intermediate musicians.The Last Rose of Summer captures the essence of melancholy and the passage of time—universal themes reflected in the farewell to the last vestige of a vibrant summer. The melody, paired with Moore’s poetry, evokes a profound sense of loss and longing, with the solitary rose serving as a metaphor for the fleeting nature of life and the seasons. The simplicity and beauty of this piece have made it a classic, both in literature and music, perpetuating Irish tradition and touching the hearts of listeners worldwide.
$4.99
The Last Rose of Summer - Alto with piano and chords in B
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Voix Alto, Piano
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DÉBUTANT
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Thomas Moore
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Alex Nunes Rodrigues
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The Last Rose of Summer - Alto
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Alex Rodrigues
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SheetMusicPlus
Alto Voice,Vocal Solo - Level 1 - SKU: A0.1492534 Composed by Thomas Moore. Arranged by Alex Nunes Rodrigues. Folk. 2 pages. Alex Rodrigues #1069214. Pu...
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Alto Voice,Vocal Solo - Level 1 - SKU: A0.1492534 Composed by Thomas Moore. Arranged by Alex Nunes Rodrigues. Folk. 2 pages. Alex Rodrigues #1069214. Published by Alex Rodrigues (A0.1492534). The Last Rose of Summer is a work deeply rooted in Irish culture, originally penned as a poem by the renowned poet and composer Thomas Moore in 1805. Moore, regarded as Ireland’s national poet, was inspired by an 'Old Blush' rose while staying at Jenkinstown Castle in County Kilkenny, Ireland. The poem was published as part of his Irish Melodies collection between 1807 and 1834, and later set to music by fellow Irishman John Stevenson. The song gained widespread popularity and was incorporated into the opera Martha by the German composer Friedrich von Flotow, which premiered in 1847 in Vienna.This sheet music has been adapted for voice and piano, preserving the original melody true to the composition by Moore and Stevenson. The piano arrangement has been simplified to provide an accessible experience for music teachers who, even without extensive piano skills, wish to accompany their students. This arrangement maintains the melodic and emotional essence of the piece, offering a version that honors its traditional nuances while making it approachable for beginner to intermediate musicians.The Last Rose of Summer captures the essence of melancholy and the passage of time—universal themes reflected in the farewell to the last vestige of a vibrant summer. The melody, paired with Moore’s poetry, evokes a profound sense of loss and longing, with the solitary rose serving as a metaphor for the fleeting nature of life and the seasons. The simplicity and beauty of this piece have made it a classic, both in literature and music, perpetuating Irish tradition and touching the hearts of listeners worldwide.
$4.99
The Last Rose of Summer - Alto with piano and chords in C
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Voix Alto, Piano
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DÉBUTANT
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Thomas Moore
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Alex Nunes Rodrigues
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The Last Rose of Summer - Alto
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Alex Rodrigues
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SheetMusicPlus
Alto Voice,Vocal Solo - Level 1 - SKU: A0.1492536 Composed by Thomas Moore. Arranged by Alex Nunes Rodrigues. Folk. 2 pages. Alex Rodrigues #1069216. Pu...
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Alto Voice,Vocal Solo - Level 1 - SKU: A0.1492536 Composed by Thomas Moore. Arranged by Alex Nunes Rodrigues. Folk. 2 pages. Alex Rodrigues #1069216. Published by Alex Rodrigues (A0.1492536). The Last Rose of Summer is a work deeply rooted in Irish culture, originally penned as a poem by the renowned poet and composer Thomas Moore in 1805. Moore, regarded as Ireland’s national poet, was inspired by an 'Old Blush' rose while staying at Jenkinstown Castle in County Kilkenny, Ireland. The poem was published as part of his Irish Melodies collection between 1807 and 1834, and later set to music by fellow Irishman John Stevenson. The song gained widespread popularity and was incorporated into the opera Martha by the German composer Friedrich von Flotow, which premiered in 1847 in Vienna.This sheet music has been adapted for voice and piano, preserving the original melody true to the composition by Moore and Stevenson. The piano arrangement has been simplified to provide an accessible experience for music teachers who, even without extensive piano skills, wish to accompany their students. This arrangement maintains the melodic and emotional essence of the piece, offering a version that honors its traditional nuances while making it approachable for beginner to intermediate musicians.The Last Rose of Summer captures the essence of melancholy and the passage of time—universal themes reflected in the farewell to the last vestige of a vibrant summer. The melody, paired with Moore’s poetry, evokes a profound sense of loss and longing, with the solitary rose serving as a metaphor for the fleeting nature of life and the seasons. The simplicity and beauty of this piece have made it a classic, both in literature and music, perpetuating Irish tradition and touching the hearts of listeners worldwide.
$4.99
The Last Rose of Summer - Alto with piano in F
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Voix Alto, Piano
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DÉBUTANT
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Thomas Moore
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Alex Nunes Rodrigues
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The Last Rose of Summer - Alto
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Alex Rodrigues
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SheetMusicPlus
Alto Voice,Vocal Solo - Level 1 - SKU: A0.1492559 Composed by Thomas Moore. Arranged by Alex Nunes Rodrigues. Folk. 2 pages. Alex Rodrigues #1069238. Pu...
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Alto Voice,Vocal Solo - Level 1 - SKU: A0.1492559 Composed by Thomas Moore. Arranged by Alex Nunes Rodrigues. Folk. 2 pages. Alex Rodrigues #1069238. Published by Alex Rodrigues (A0.1492559). The Last Rose of Summer is a work deeply rooted in Irish culture, originally penned as a poem by the renowned poet and composer Thomas Moore in 1805. Moore, regarded as Ireland’s national poet, was inspired by an 'Old Blush' rose while staying at Jenkinstown Castle in County Kilkenny, Ireland. The poem was published as part of his Irish Melodies collection between 1807 and 1834, and later set to music by fellow Irishman John Stevenson. The song gained widespread popularity and was incorporated into the opera Martha by the German composer Friedrich von Flotow, which premiered in 1847 in Vienna.This sheet music has been adapted for voice and piano, preserving the original melody true to the composition by Moore and Stevenson. The piano arrangement has been simplified to provide an accessible experience for music teachers who, even without extensive piano skills, wish to accompany their students. This arrangement maintains the melodic and emotional essence of the piece, offering a version that honors its traditional nuances while making it approachable for beginner to intermediate musicians.The Last Rose of Summer captures the essence of melancholy and the passage of time—universal themes reflected in the farewell to the last vestige of a vibrant summer. The melody, paired with Moore’s poetry, evokes a profound sense of loss and longing, with the solitary rose serving as a metaphor for the fleeting nature of life and the seasons. The simplicity and beauty of this piece have made it a classic, both in literature and music, perpetuating Irish tradition and touching the hearts of listeners worldwide.
$4.99
The Last Rose of Summer - Alto with piano in E
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Voix Alto, Piano
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DÉBUTANT
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Thomas Moore
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Alex Nunes Rodrigues
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The Last Rose of Summer - Alto
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Alex Rodrigues
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SheetMusicPlus
Alto Voice,Vocal Solo - Level 1 - SKU: A0.1492555 Composed by Thomas Moore. Arranged by Alex Nunes Rodrigues. Folk. 2 pages. Alex Rodrigues #1069234. Pu...
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Alto Voice,Vocal Solo - Level 1 - SKU: A0.1492555 Composed by Thomas Moore. Arranged by Alex Nunes Rodrigues. Folk. 2 pages. Alex Rodrigues #1069234. Published by Alex Rodrigues (A0.1492555). The Last Rose of Summer is a work deeply rooted in Irish culture, originally penned as a poem by the renowned poet and composer Thomas Moore in 1805. Moore, regarded as Ireland’s national poet, was inspired by an 'Old Blush' rose while staying at Jenkinstown Castle in County Kilkenny, Ireland. The poem was published as part of his Irish Melodies collection between 1807 and 1834, and later set to music by fellow Irishman John Stevenson. The song gained widespread popularity and was incorporated into the opera Martha by the German composer Friedrich von Flotow, which premiered in 1847 in Vienna.This sheet music has been adapted for voice and piano, preserving the original melody true to the composition by Moore and Stevenson. The piano arrangement has been simplified to provide an accessible experience for music teachers who, even without extensive piano skills, wish to accompany their students. This arrangement maintains the melodic and emotional essence of the piece, offering a version that honors its traditional nuances while making it approachable for beginner to intermediate musicians.The Last Rose of Summer captures the essence of melancholy and the passage of time—universal themes reflected in the farewell to the last vestige of a vibrant summer. The melody, paired with Moore’s poetry, evokes a profound sense of loss and longing, with the solitary rose serving as a metaphor for the fleeting nature of life and the seasons. The simplicity and beauty of this piece have made it a classic, both in literature and music, perpetuating Irish tradition and touching the hearts of listeners worldwide.
$4.99
The Last Rose of Summer - Alto with piano and chords in F
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Voix Alto, Piano
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DÉBUTANT
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Thomas Moore
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Alex Nunes Rodrigues
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The Last Rose of Summer - Alto
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Alex Rodrigues
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SheetMusicPlus
Alto Voice,Vocal Solo - Level 1 - SKU: A0.1492542 Composed by Thomas Moore. Arranged by Alex Nunes Rodrigues. Folk. 2 pages. Alex Rodrigues #1069222. Pu...
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Alto Voice,Vocal Solo - Level 1 - SKU: A0.1492542 Composed by Thomas Moore. Arranged by Alex Nunes Rodrigues. Folk. 2 pages. Alex Rodrigues #1069222. Published by Alex Rodrigues (A0.1492542). The Last Rose of Summer is a work deeply rooted in Irish culture, originally penned as a poem by the renowned poet and composer Thomas Moore in 1805. Moore, regarded as Ireland’s national poet, was inspired by an 'Old Blush' rose while staying at Jenkinstown Castle in County Kilkenny, Ireland. The poem was published as part of his Irish Melodies collection between 1807 and 1834, and later set to music by fellow Irishman John Stevenson. The song gained widespread popularity and was incorporated into the opera Martha by the German composer Friedrich von Flotow, which premiered in 1847 in Vienna.This sheet music has been adapted for voice and piano, preserving the original melody true to the composition by Moore and Stevenson. The piano arrangement has been simplified to provide an accessible experience for music teachers who, even without extensive piano skills, wish to accompany their students. This arrangement maintains the melodic and emotional essence of the piece, offering a version that honors its traditional nuances while making it approachable for beginner to intermediate musicians.The Last Rose of Summer captures the essence of melancholy and the passage of time—universal themes reflected in the farewell to the last vestige of a vibrant summer. The melody, paired with Moore’s poetry, evokes a profound sense of loss and longing, with the solitary rose serving as a metaphor for the fleeting nature of life and the seasons. The simplicity and beauty of this piece have made it a classic, both in literature and music, perpetuating Irish tradition and touching the hearts of listeners worldwide.
$4.99
The Last Rose of Summer - Alto with piano and chords in Eb
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Voix Alto, Piano
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DÉBUTANT
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Thomas Moore
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Alex Nunes Rodrigues
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The Last Rose of Summer - Alto
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Alex Rodrigues
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SheetMusicPlus
Alto Voice,Vocal Solo - Level 1 - SKU: A0.1492540 Composed by Thomas Moore. Arranged by Alex Nunes Rodrigues. Folk. 2 pages. Alex Rodrigues #1069220. Pu...
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Alto Voice,Vocal Solo - Level 1 - SKU: A0.1492540 Composed by Thomas Moore. Arranged by Alex Nunes Rodrigues. Folk. 2 pages. Alex Rodrigues #1069220. Published by Alex Rodrigues (A0.1492540). The Last Rose of Summer is a work deeply rooted in Irish culture, originally penned as a poem by the renowned poet and composer Thomas Moore in 1805. Moore, regarded as Ireland’s national poet, was inspired by an 'Old Blush' rose while staying at Jenkinstown Castle in County Kilkenny, Ireland. The poem was published as part of his Irish Melodies collection between 1807 and 1834, and later set to music by fellow Irishman John Stevenson. The song gained widespread popularity and was incorporated into the opera Martha by the German composer Friedrich von Flotow, which premiered in 1847 in Vienna.This sheet music has been adapted for voice and piano, preserving the original melody true to the composition by Moore and Stevenson. The piano arrangement has been simplified to provide an accessible experience for music teachers who, even without extensive piano skills, wish to accompany their students. This arrangement maintains the melodic and emotional essence of the piece, offering a version that honors its traditional nuances while making it approachable for beginner to intermediate musicians.The Last Rose of Summer captures the essence of melancholy and the passage of time—universal themes reflected in the farewell to the last vestige of a vibrant summer. The melody, paired with Moore’s poetry, evokes a profound sense of loss and longing, with the solitary rose serving as a metaphor for the fleeting nature of life and the seasons. The simplicity and beauty of this piece have made it a classic, both in literature and music, perpetuating Irish tradition and touching the hearts of listeners worldwide.
$4.99
The Last Rose of Summer - Alto with piano and chords in Db
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Voix Alto, Piano
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DÉBUTANT
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Thomas Moore
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Alex Nunes Rodrigues
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The Last Rose of Summer - Alto
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Alex Rodrigues
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SheetMusicPlus
Alto Voice,Vocal Solo - Level 1 - SKU: A0.1492538 Composed by Thomas Moore. Arranged by Alex Nunes Rodrigues. Folk. 2 pages. Alex Rodrigues #1069218. Pu...
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Alto Voice,Vocal Solo - Level 1 - SKU: A0.1492538 Composed by Thomas Moore. Arranged by Alex Nunes Rodrigues. Folk. 2 pages. Alex Rodrigues #1069218. Published by Alex Rodrigues (A0.1492538). The Last Rose of Summer is a work deeply rooted in Irish culture, originally penned as a poem by the renowned poet and composer Thomas Moore in 1805. Moore, regarded as Ireland’s national poet, was inspired by an 'Old Blush' rose while staying at Jenkinstown Castle in County Kilkenny, Ireland. The poem was published as part of his Irish Melodies collection between 1807 and 1834, and later set to music by fellow Irishman John Stevenson. The song gained widespread popularity and was incorporated into the opera Martha by the German composer Friedrich von Flotow, which premiered in 1847 in Vienna.This sheet music has been adapted for voice and piano, preserving the original melody true to the composition by Moore and Stevenson. The piano arrangement has been simplified to provide an accessible experience for music teachers who, even without extensive piano skills, wish to accompany their students. This arrangement maintains the melodic and emotional essence of the piece, offering a version that honors its traditional nuances while making it approachable for beginner to intermediate musicians.The Last Rose of Summer captures the essence of melancholy and the passage of time—universal themes reflected in the farewell to the last vestige of a vibrant summer. The melody, paired with Moore’s poetry, evokes a profound sense of loss and longing, with the solitary rose serving as a metaphor for the fleeting nature of life and the seasons. The simplicity and beauty of this piece have made it a classic, both in literature and music, perpetuating Irish tradition and touching the hearts of listeners worldwide.
$4.99
The Last Rose of Summer - Alto with piano and chords in D
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Voix Alto, Piano
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DÉBUTANT
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Thomas Moore
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Alex Nunes Rodrigues
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The Last Rose of Summer - Alto
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Alex Rodrigues
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SheetMusicPlus
Alto Voice,Vocal Solo - Level 1 - SKU: A0.1492537 Composed by Thomas Moore. Arranged by Alex Nunes Rodrigues. Folk. 2 pages. Alex Rodrigues #1069217. Pu...
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Alto Voice,Vocal Solo - Level 1 - SKU: A0.1492537 Composed by Thomas Moore. Arranged by Alex Nunes Rodrigues. Folk. 2 pages. Alex Rodrigues #1069217. Published by Alex Rodrigues (A0.1492537). The Last Rose of Summer is a work deeply rooted in Irish culture, originally penned as a poem by the renowned poet and composer Thomas Moore in 1805. Moore, regarded as Ireland’s national poet, was inspired by an 'Old Blush' rose while staying at Jenkinstown Castle in County Kilkenny, Ireland. The poem was published as part of his Irish Melodies collection between 1807 and 1834, and later set to music by fellow Irishman John Stevenson. The song gained widespread popularity and was incorporated into the opera Martha by the German composer Friedrich von Flotow, which premiered in 1847 in Vienna.This sheet music has been adapted for voice and piano, preserving the original melody true to the composition by Moore and Stevenson. The piano arrangement has been simplified to provide an accessible experience for music teachers who, even without extensive piano skills, wish to accompany their students. This arrangement maintains the melodic and emotional essence of the piece, offering a version that honors its traditional nuances while making it approachable for beginner to intermediate musicians.The Last Rose of Summer captures the essence of melancholy and the passage of time—universal themes reflected in the farewell to the last vestige of a vibrant summer. The melody, paired with Moore’s poetry, evokes a profound sense of loss and longing, with the solitary rose serving as a metaphor for the fleeting nature of life and the seasons. The simplicity and beauty of this piece have made it a classic, both in literature and music, perpetuating Irish tradition and touching the hearts of listeners worldwide.
$4.99
The Last Rose of Summer - Alto with piano in A
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Voix Alto, Piano
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DÉBUTANT
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Thomas Moore
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Alex Nunes Rodrigues
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The Last Rose of Summer - Alto
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Alex Rodrigues
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SheetMusicPlus
Alto Voice,Vocal Solo - Level 1 - SKU: A0.1492545 Composed by Thomas Moore. Arranged by Alex Nunes Rodrigues. Folk. 2 pages. Alex Rodrigues #1069225. Pu...
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Alto Voice,Vocal Solo - Level 1 - SKU: A0.1492545 Composed by Thomas Moore. Arranged by Alex Nunes Rodrigues. Folk. 2 pages. Alex Rodrigues #1069225. Published by Alex Rodrigues (A0.1492545). The Last Rose of Summer is a work deeply rooted in Irish culture, originally penned as a poem by the renowned poet and composer Thomas Moore in 1805. Moore, regarded as Ireland’s national poet, was inspired by an 'Old Blush' rose while staying at Jenkinstown Castle in County Kilkenny, Ireland. The poem was published as part of his Irish Melodies collection between 1807 and 1834, and later set to music by fellow Irishman John Stevenson. The song gained widespread popularity and was incorporated into the opera Martha by the German composer Friedrich von Flotow, which premiered in 1847 in Vienna.This sheet music has been adapted for voice and piano, preserving the original melody true to the composition by Moore and Stevenson. The piano arrangement has been simplified to provide an accessible experience for music teachers who, even without extensive piano skills, wish to accompany their students. This arrangement maintains the melodic and emotional essence of the piece, offering a version that honors its traditional nuances while making it approachable for beginner to intermediate musicians.The Last Rose of Summer captures the essence of melancholy and the passage of time—universal themes reflected in the farewell to the last vestige of a vibrant summer. The melody, paired with Moore’s poetry, evokes a profound sense of loss and longing, with the solitary rose serving as a metaphor for the fleeting nature of life and the seasons. The simplicity and beauty of this piece have made it a classic, both in literature and music, perpetuating Irish tradition and touching the hearts of listeners worldwide.
$4.99
The Last Rose of Summer - Alto with piano and chords in G
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Voix Alto, Piano
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DÉBUTANT
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Thomas Moore
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Alex Nunes Rodrigues
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The Last Rose of Summer - Alto
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Alex Rodrigues
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SheetMusicPlus
Alto Voice,Vocal Solo - Level 1 - SKU: A0.1492543 Composed by Thomas Moore. Arranged by Alex Nunes Rodrigues. Folk. 2 pages. Alex Rodrigues #1069223. Pu...
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Alto Voice,Vocal Solo - Level 1 - SKU: A0.1492543 Composed by Thomas Moore. Arranged by Alex Nunes Rodrigues. Folk. 2 pages. Alex Rodrigues #1069223. Published by Alex Rodrigues (A0.1492543). The Last Rose of Summer is a work deeply rooted in Irish culture, originally penned as a poem by the renowned poet and composer Thomas Moore in 1805. Moore, regarded as Ireland’s national poet, was inspired by an 'Old Blush' rose while staying at Jenkinstown Castle in County Kilkenny, Ireland. The poem was published as part of his Irish Melodies collection between 1807 and 1834, and later set to music by fellow Irishman John Stevenson. The song gained widespread popularity and was incorporated into the opera Martha by the German composer Friedrich von Flotow, which premiered in 1847 in Vienna.This sheet music has been adapted for voice and piano, preserving the original melody true to the composition by Moore and Stevenson. The piano arrangement has been simplified to provide an accessible experience for music teachers who, even without extensive piano skills, wish to accompany their students. This arrangement maintains the melodic and emotional essence of the piece, offering a version that honors its traditional nuances while making it approachable for beginner to intermediate musicians.The Last Rose of Summer captures the essence of melancholy and the passage of time—universal themes reflected in the farewell to the last vestige of a vibrant summer. The melody, paired with Moore’s poetry, evokes a profound sense of loss and longing, with the solitary rose serving as a metaphor for the fleeting nature of life and the seasons. The simplicity and beauty of this piece have made it a classic, both in literature and music, perpetuating Irish tradition and touching the hearts of listeners worldwide.
$4.99
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