Page d'accueil
Parcourir Librairie Musicale
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Hope
Non classifié
858
Piano & claviers
Piano seul
852
Piano, Voix
438
Piano, Voix et Guitare
138
Orgue
108
Instruments en Do
23
Piano Facile
17
1 Piano, 4 mains
17
Orgue, Piano (duo)
9
Accordéon
8
Piano Quatuor: piano, violon, alto, violoncelle
6
Piano Trio: piano, violon, violoncelle
6
Accompagnement Piano
4
Clavier
4
2 Pianos, 4 mains
4
1 Piano, 6 mains
2
Clavecin
2
2 Pianos, 8 mains
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Orgue, Trompette (duo)
1
+ 14 instrumentations
Retracter
Guitares
Guitare notes et tablatures
79
Guitare
71
Mandoline
57
Ukulele
31
Ligne De Mélodie, (Paroles) et Accords
30
2 Guitares (duo)
27
Paroles et Accords
16
4 Guitares (Quatuor)
13
Piano, Guitare (duo)
5
3 Guitares (trio)
4
Banjo
2
Basse electrique
2
Ensemble de guitares
2
Partitions De Groupes
2
+ 9 instrumentations
Retracter
Voix
Chorale SATB
385
Chorale 3 parties
98
Chorale TTBB
49
Chorale SSAA
27
Chorale 2 parties
26
Chorale
17
Voix Soprano, Piano
10
Voix haute
9
Voix duo
8
Voix Tenor, Piano
8
Chorale Unison
7
Voix Baryton, Piano
6
Voix Alto, Piano
6
Voix moyenne, Piano
5
Voix duo, Piano
5
Voix seule
3
Voix Soprano
2
Chorale SSATB
1
Voix basse
1
+ 14 instrumentations
Retracter
Vents
Ocarina
155
Flûte à bec Alto
131
Flûte à bec Soprano
80
Flûte traversière et Piano
59
Hautbois, Piano (duo)
37
Saxophone Alto et Piano
35
Flûte traversière
33
Flûte à bec Alto, Piano
30
Flûte et Guitare
28
Quatuor de Saxophones: 4 saxophones
27
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
25
Saxophone Alto
22
Clarinette
22
Ensemble de Flûtes
21
Clarinette et Piano
19
Flûte, Hautbois, Clarinette, Basson
16
2 Flûtes traversières (duo)
16
Saxophone Tenor
15
Saxophone Tenor et Piano
14
Quatuor de Clarinettes: 4 clarinettes
13
Quintette de Saxophone: 5 saxophones
12
Saxophone Soprano et Piano
11
Hautbois (partie séparée)
10
Hautbois
8
Clarinette (partie séparée)
8
Ensemble de saxophones
8
2 Saxophones (duo)
8
2 Clarinettes (duo)
7
Saxophone Baryton, Piano
6
Flûte, Clarinette (duo)
6
Ensemble de Clarinettes
6
Quatuor de Flûtes : 4 flûtes
6
Quintette de Clarinettes: 5 clarinettes
6
2 Clarinettes, Piano
6
Clarinette, Guitare (duo)
5
Clarinette, Violoncelle, Piano (trio)
4
Flûte, Violoncelle
4
Flûte, Violon
4
2 Flûtes traversières, Piano
3
Clarinette, Basson (duo)
3
Hautbois, Basson (duo)
3
Quintette de Flûte : 5 flûtes
3
Flûte, Alto et Piano
2
3 Saxophones (trio)
2
Saxophone (partie séparée)
2
Cor anglais, Piano
2
Clarinette, trompette et piano
2
Clarinette Basse, Piano
2
Trio de Flûtes: 3 flûtes
2
Flûte, trombone et piano
2
Cor anglais, Guitare (duo)
2
Saxophone
2
Flute (partie séparée)
2
3 Clarinettes (trio)
2
Clarinette, Violoncelle (duo)
2
Flûte, Violon et Violoncelle
2
Flûte, Trompette (duo)
2
Clarinette et Alto
2
Flûte, Alto (duo)
1
Flûte, Clarinette et Basson
1
Flûte, Violon, Violoncelle et Piano
1
Flute, Cor (duo)
1
Flûte à Bec
1
Flûte, Clarinette, Piano (trio)
1
Saxophone et Guitare
1
Clarinette, Violon (duo)
1
Hautbois, Guitare (duo)
1
Flûte à bec Tenor
1
Flûte, Violon, Piano
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Flûte, Violoncelle, Piano (trio)
1
Flûte à Bec, Piano
1
2 Hautbois (duo)
1
2 Flûte à bec (duo)
1
+ 69 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
34
Trompette
28
Cor et Piano
27
Trombone et Piano
25
Trompette, Piano
21
Trombone
20
Tuba et Piano
15
Cor
15
Quatuor de Cuivres : 2 trompettes, trombone, tuba
13
Quatuor de Cuivres
12
Trompette (partie séparée)
10
Ensemble de Trompettes
8
Trombone (partie séparée)
7
Tuba
7
Quatuor de cuivres: 4 trombones
6
Quatuor de cuivres: 4 cors
4
Cor (partie séparée)
4
2 Trompettes (duo)
3
2 Cors (duo)
3
Trompette, Trombone (duo)
3
2 Trombones (duo)
2
Quatuor de cuivres: 4 trompettes
2
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
Cor anglais, Piano
2
Euphonium, Piano (duo)
2
Cor anglais, Guitare (duo)
2
2 Euphoniums et 2 Tubas
1
2 Tubas (duo)
1
Trio de Cuivres
1
Trompette, Tuba (duo)
1
Cor et Orgue
1
Trombone basse
1
Tuba (partie séparée)
1
Clarinette, Cor (duo)
1
+ 29 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
125
Violon et Piano
57
Violoncelle
49
Violon
48
Violoncelle, Piano
36
Alto, Piano
34
Violon, Violoncelle (duo)
25
Alto seul
23
2 Violoncelles (duo)
18
Harpe
17
Trio à Cordes: violon, alto, violoncelle
13
Trio à Cordes: 2 violons, violoncelle
12
Contrebasse, Piano (duo)
10
2 Violons (duo)
10
Contre Basse
8
Quintette à cordes: 2 violons, alto, violoncelle, basse
6
Violon, Alto (duo)
6
4 Violoncelles
5
Alto, Violoncelle (duo)
5
Violoncelle , Guitare (duo)
4
Alto (partie séparée)
4
Harpe, Voix
3
2 Altos (duo)
3
Trio à cordes: 3 violins
3
Violon (partie séparée)
3
Quintette à cordes: 2 violons, 2 altos, violoncelle
3
Quatuor à cordes: 4 violons
2
Ensemble de Violoncelles
1
Contrebasse (partie séparée)
1
Violon, Guitare (duo)
1
Harpe et Piano
1
2 Harpes (duo)
1
Harpe, Flûte (duo)
1
Trio à Cordes: 3 violoncelles
1
+ 29 instrumentations
Retracter
Orchestre & Percussions
Cloches
427
Orchestre d'harmonie
124
Ensemble Jazz
106
Orchestre
75
Orchestre à Cordes
66
Ensemble de cuivres
22
Fanfare
21
Jazz combo
19
Batterie
17
Orchestre de chambre
11
Ensemble de Percussions
7
Percussion
5
Percussion (partie séparée)
3
Vibraphone
2
Big band
2
Xylophone
1
Timbales (partie séparée)
1
Xylophone, Piano
1
Marimba
1
+ 14 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Instrumentations
Editeurs
Artistes
Formation Musicale
Play-along
Idées Cadeaux Partitions
Les artistes les plus consultés du mois de novembre
Artistes Francophones
1 - Charles Aznavour
2 - Edith Piaf
3 - Mylene Farmer
4 - Maurane
5 - Michel Legrand
6 - Eddy Mitchell
7 - Françoise Hardy
8 - Barbara
9 - Francis Cabrel
10 - Jacques Brel
11 - Emma Daumas
12 - Georges Brassens
13 - Céline Dion
14 - Yann Tiersen
15 - William Sheller
Liste complète Francophone
Artistes Internationaux
1 - John Williams
2 - The Beatles
3 - Astor Piazzolla
4 - Jean Sibelius
5 - Camille Saint-Saens
6 - Dan Coates
7 - George Gershwin
8 - Mark Hayes
9 - Leonard Bernstein
10 - Andrew Lloyd Webber
11 - Bela Bartok
12 - John Rutter
13 - Lloyd Larson
14 - Scott Joplin
15 - Maurice Ravel
16 - Jérôme Naulais
17 - Taylor Swift
18 - Ralph Vaughan Williams
19 - Irving Berlin
20 - Gustav Holst
21 - Erik Satie
22 - Miles Davis
23 - Sergei Rachmaninoff
24 - Dmitri Shostakovich
25 - Benjamin Britten
Liste complète Internationale
Achats pour Musiciens
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
Autres Services
Autres Services
Top 100
Annuaire Web
Portées musicales
Metronome
A propos de free-scores.com
€
€
EUR €
USD $
GBP £
CAD $
CNY ¥
English
Partitions Gratuites
0
Partitions Numériques
13
Librairie Musicale
0
Matériel de Musique
13
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Crtitères actifs :
Hope
intermédiaire
Trio à Cordes: violon, alto, violoncelle
Partitions à imprimer
13 partitions trouvées
<
1
HERE
#
Trio à Cordes: violon, alto, violoncelle
#
INTERMÉDIAIRE
#
Guillotine Mae
#
HERE
#
Guillotine Mae
#
SheetMusicPlus
Cello,Viola,Violin - Level 3 - Interactive Download SKU: A0.1412840 By Guillotine Mae. By Music and Lyrics by Megan Rae. This edition: Interactive Downlo...
(+)
Cello,Viola,Violin - Level 3 - Interactive Download SKU: A0.1412840 By Guillotine Mae. By Music and Lyrics by Megan Rae. This edition: Interactive Download. Standards,Wedding. 26 pages. Duration 317. Guillotine Mae #4bJrNdqWtE0lTES41foHMr. Published by Guillotine Mae (A0.1412840). Key: G major.Written in 2024 for Megan Rae's upcoming wedding, this arrangement for string quartet will capture the soul and heart of the listener. The melody is set on the idea of almost losing hope that the love written in pages is simply that, a fairytale. Yet in the depths of hopelessness, a suitor reaches out his hand after finding his own path in life to pull you near giving you solace and showing you that love truly exists.
$14.99
High Hopes
#
Trio à Cordes: violon, alto, violoncelle
#
INTERMÉDIAIRE
#
Rock
#
Panic! At the Disco
#
High Hopes
#
Sarah Cellobat Chaffee
#
SheetMusicPlus
By Panic! At the Disco. By Brendon Urie, Ilsey Juber, Jacob Sinclair, Jenny Owen Youngs, Jonas Jeberg, Lauren Pritchard, Samuel Hollander, Tayla Parx,...
(+)
By Panic! At the Disco. By Brendon Urie, Ilsey Juber, Jacob Sinclair, Jenny Owen Youngs, Jonas Jeberg, Lauren Pritchard, Samuel Hollander, Tayla Parx, Taylor Parks, and William Lobban Bean. Arranged by Sarah Cellobat Chaffee. Contemporary, Pop, Wedding. Score and parts. 16 pages. Sarah Cellobat Chaffee #5019899. Published by Sarah Cellobat Chaffee
$14.99
String Trio No. 3 in A major
#
Trio à Cordes: violon, alto, violoncelle
#
INTERMÉDIAIRE
#
Classique
#
/ Wm
#
William Shield
#
Robert Hoskins
#
String Trio No. 3 in A major
#
Artaria Editions
#
SheetMusicPlus
String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1488228 Composed by William Shield. Arranged by Robert Hoskins. Classical. 27 pages. Artaria Editions...
(+)
String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1488228 Composed by William Shield. Arranged by Robert Hoskins. Classical. 27 pages. Artaria Editions #1065115. Published by Artaria Editions (A0.1488228). Shield's Trios, written for a continental audience, are seminal works in the composer's output and mark a new level of compositional attainment in the English chamber music repertory. Technically, they contain a wide variety of ideas which are developed with great ingenuity through a wide range of keys, dynamic contrasts and timbral effects. Aesthetically, they blend 'popular' and 'learned' taste along with 'orchestral' splendour and 18th century notions of beauty. The Trios present a dazzling range of moods and style with each work demonstrating Shield's mastery of the idiom, both in his treatment of individual instruments and in the handling of textures. While there is no shortage of melody and accompaniment, in which the violin takes the lead, there are many memorable solos for the viola and the cello in its high register. The wide range of textures includes melodic decoration, dialogue, contrast of high and low register, legato and staccato, powerful unison and double octaves. Shield's ability to incorporate arioso-like melody, the prevailing 'symphonic' style and folk elements was largely achieved through the cross-generic requirements of English comic opera (a form to which Shield devoted himself during the whole of his creative career). In general, Shield's technique results in a firm control of the way music moves - with sometimes a surprising degree of stylistic restlessness and sometimes of unexpected plainness and simplicity. The trios Shield selected for publication were issued by Longman and Broderip, London, in January 1796 under the inspection of the composer. No autograph of these works survives and Longman and Broderip's printing, a copy of which is preserved in the Bodleian Library, Oxford, under the call number Mus.Instr.I 214(15), is the only source of this edition. The title page, with its dedicatory inscription, reads: Six / TRIOS / FOR / Violin, Tenor and Violoncello, / Composed / And Inscribed to the Memory of / Jacob More Esqr. / By / Wm. SHIELD./ (Musician in Ordinary to His Majesty) / Entd. At Statn. Hall [rule] Price 10/6 / ADVERTISEMENT / These Trios were Composed chiefly for the abovementioned Celebrated Landscape Painter (in Rome) / And are Dedicated to his Memory as a Token of Gratitude for the Services he rendered the Author / during his Residence in that City. The movements which are written in the uncommon Time / of 5/4 have amused some of the most distinguished Professors both in England & Italy which / induces the Author to hope they will not be disagreeable to the Public at Large / Goodge Street, Jany. 1st 1796 / [rule] / London, Printed for the Author by Longman & Broderip, No.26, Cheapside & No.13, Haymarket. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$49.00
String Trio No. 4 in E major
#
Trio à Cordes: violon, alto, violoncelle
#
INTERMÉDIAIRE
#
Classique
#
/ Wm
#
William Shield
#
Robert Hoskins
#
String Trio No. 4 in E major
#
Artaria Editions
#
SheetMusicPlus
String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1488229 Composed by William Shield. Arranged by Robert Hoskins. Classical. 24 pages. Artaria Editions...
(+)
String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1488229 Composed by William Shield. Arranged by Robert Hoskins. Classical. 24 pages. Artaria Editions #1065116. Published by Artaria Editions (A0.1488229). Shield's Trios, written for a continental audience, are seminal works in the composer's output and mark a new level of compositional attainment in the English chamber music repertory. Technically, they contain a wide variety of ideas which are developed with great ingenuity through a wide range of keys, dynamic contrasts and timbral effects. Aesthetically, they blend 'popular' and 'learned' taste along with 'orchestral' splendour and 18th century notions of beauty. The Trios present a dazzling range of moods and style with each work demonstrating Shield's mastery of the idiom, both in his treatment of individual instruments and in the handling of textures. While there is no shortage of melody and accompaniment, in which the violin takes the lead, there are many memorable solos for the viola and the cello in its high register. The wide range of textures includes melodic decoration, dialogue, contrast of high and low register, legato and staccato, powerful unison and double octaves. Shield's ability to incorporate arioso-like melody, the prevailing 'symphonic' style and folk elements was largely achieved through the cross-generic requirements of English comic opera (a form to which Shield devoted himself during the whole of his creative career). In general, Shield's technique results in a firm control of the way music moves - with sometimes a surprising degree of stylistic restlessness and sometimes of unexpected plainness and simplicity. The trios Shield selected for publication were issued by Longman and Broderip, London, in January 1796 under the inspection of the composer. No autograph of these works survives and Longman and Broderip's printing, a copy of which is preserved in the Bodleian Library, Oxford, under the call number Mus.Instr.I 214(15), is the only source of this edition. The title page, with its dedicatory inscription, reads: Six / TRIOS / FOR / Violin, Tenor and Violoncello, / Composed / And Inscribed to the Memory of / Jacob More Esqr. / By / Wm. SHIELD./ (Musician in Ordinary to His Majesty) / Entd. At Statn. Hall [rule] Price 10/6 / ADVERTISEMENT / These Trios were Composed chiefly for the abovementioned Celebrated Landscape Painter (in Rome) / And are Dedicated to his Memory as a Token of Gratitude for the Services he rendered the Author / during his Residence in that City. The movements which are written in the uncommon Time / of 5/4 have amused some of the most distinguished Professors both in England & Italy which / induces the Author to hope they will not be disagreeable to the Public at Large / Goodge Street, Jany. 1st 1796 / [rule] / London, Printed for the Author by Longman & Broderip, No.26, Cheapside & No.13, Haymarket. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$49.00
String Trio No. 6 in B flat major
#
Trio à Cordes: violon, alto, violoncelle
#
INTERMÉDIAIRE
#
Classique
#
/ Wm
#
William Shield
#
Robert Hoskins
#
String Trio No. 6 in B flat ma
#
Artaria Editions
#
SheetMusicPlus
String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1488232 Composed by William Shield. Arranged by Robert Hoskins. Classical. 36 pages. Artaria Editions...
(+)
String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1488232 Composed by William Shield. Arranged by Robert Hoskins. Classical. 36 pages. Artaria Editions #1065119. Published by Artaria Editions (A0.1488232). Shield's Trios, written for a continental audience, are seminal works in the composer's output and mark a new level of compositional attainment in the English chamber music repertory. Technically, they contain a wide variety of ideas which are developed with great ingenuity through a wide range of keys, dynamic contrasts and timbral effects. Aesthetically, they blend 'popular' and 'learned' taste along with 'orchestral' splendour and 18th century notions of beauty. The Trios present a dazzling range of moods and style with each work demonstrating Shield's mastery of the idiom, both in his treatment of individual instruments and in the handling of textures. While there is no shortage of melody and accompaniment, in which the violin takes the lead, there are many memorable solos for the viola and the cello in its high register. The wide range of textures includes melodic decoration, dialogue, contrast of high and low register, legato and staccato, powerful unison and double octaves. Shield's ability to incorporate arioso-like melody, the prevailing 'symphonic' style and folk elements was largely achieved through the cross-generic requirements of English comic opera (a form to which Shield devoted himself during the whole of his creative career). In general, Shield's technique results in a firm control of the way music moves - with sometimes a surprising degree of stylistic restlessness and sometimes of unexpected plainness and simplicity. The trios Shield selected for publication were issued by Longman and Broderip, London, in January 1796 under the inspection of the composer. No autograph of these works survives and Longman and Broderip's printing, a copy of which is preserved in the Bodleian Library, Oxford, under the call number Mus.Instr.I 214(15), is the only source of this edition. The title page, with its dedicatory inscription, reads: Six / TRIOS / FOR / Violin, Tenor and Violoncello, / Composed / And Inscribed to the Memory of / Jacob More Esqr. / By / Wm. SHIELD./ (Musician in Ordinary to His Majesty) / Entd. At Statn. Hall [rule] Price 10/6 / ADVERTISEMENT / These Trios were Composed chiefly for the abovementioned Celebrated Landscape Painter (in Rome) / And are Dedicated to his Memory as a Token of Gratitude for the Services he rendered the Author / during his Residence in that City. The movements which are written in the uncommon Time / of 5/4 have amused some of the most distinguished Professors both in England & Italy which / induces the Author to hope they will not be disagreeable to the Public at Large / Goodge Street, Jany. 1st 1796 / [rule] / London, Printed for the Author by Longman & Broderip, No.26, Cheapside & No.13, Haymarket. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$49.00
String Trio No. 5 in C minor
#
Trio à Cordes: violon, alto, violoncelle
#
INTERMÉDIAIRE
#
Classique
#
/ Wm
#
William Shield
#
Robert Hoskins
#
String Trio No. 5 in C minor
#
Artaria Editions
#
SheetMusicPlus
String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1488231 Composed by William Shield. Arranged by Robert Hoskins. Classical. 23 pages. Artaria Editions...
(+)
String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1488231 Composed by William Shield. Arranged by Robert Hoskins. Classical. 23 pages. Artaria Editions #1065118. Published by Artaria Editions (A0.1488231). Shield's Trios, written for a continental audience, are seminal works in the composer's output and mark a new level of compositional attainment in the English chamber music repertory. Technically, they contain a wide variety of ideas which are developed with great ingenuity through a wide range of keys, dynamic contrasts and timbral effects. Aesthetically, they blend 'popular' and 'learned' taste along with 'orchestral' splendour and 18th century notions of beauty. The Trios present a dazzling range of moods and style with each work demonstrating Shield's mastery of the idiom, both in his treatment of individual instruments and in the handling of textures. While there is no shortage of melody and accompaniment, in which the violin takes the lead, there are many memorable solos for the viola and the cello in its high register. The wide range of textures includes melodic decoration, dialogue, contrast of high and low register, legato and staccato, powerful unison and double octaves. Shield's ability to incorporate arioso-like melody, the prevailing 'symphonic' style and folk elements was largely achieved through the cross-generic requirements of English comic opera (a form to which Shield devoted himself during the whole of his creative career). In general, Shield's technique results in a firm control of the way music moves - with sometimes a surprising degree of stylistic restlessness and sometimes of unexpected plainness and simplicity. The trios Shield selected for publication were issued by Longman and Broderip, London, in January 1796 under the inspection of the composer. No autograph of these works survives and Longman and Broderip's printing, a copy of which is preserved in the Bodleian Library, Oxford, under the call number Mus.Instr.I 214(15), is the only source of this edition. The title page, with its dedicatory inscription, reads: Six / TRIOS / FOR / Violin, Tenor and Violoncello, / Composed / And Inscribed to the Memory of / Jacob More Esqr. / By / Wm. SHIELD./ (Musician in Ordinary to His Majesty) / Entd. At Statn. Hall [rule] Price 10/6 / ADVERTISEMENT / These Trios were Composed chiefly for the abovementioned Celebrated Landscape Painter (in Rome) / And are Dedicated to his Memory as a Token of Gratitude for the Services he rendered the Author / during his Residence in that City. The movements which are written in the uncommon Time / of 5/4 have amused some of the most distinguished Professors both in England & Italy which / induces the Author to hope they will not be disagreeable to the Public at Large / Goodge Street, Jany. 1st 1796 / [rule] / London, Printed for the Author by Longman & Broderip, No.26, Cheapside & No.13, Haymarket. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$49.00
String Trio No.1 in E flat major
#
Trio à Cordes: violon, alto, violoncelle
#
INTERMÉDIAIRE
#
Classique
#
/ Wm
#
William Shield
#
Robert Hoskins
#
String Trio No.1 in E flat maj
#
Artaria Editions
#
SheetMusicPlus
String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1488224 Composed by William Shield. Arranged by Robert Hoskins. Classical. 24 pages. Artaria Editions...
(+)
String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1488224 Composed by William Shield. Arranged by Robert Hoskins. Classical. 24 pages. Artaria Editions #1065110. Published by Artaria Editions (A0.1488224). The trios Shield selected for publication were issued by Longman and Broderip, London, in January 1796 under the inspection of the composer. No autograph of these works survives and Longman and Broderip's printing, a copy of which is preserved in the Bodleian Library, Oxford, under the call number Mus.Instr.I 214(15), is the only source of this edition. The title page, with its dedicatory inscription, reads: Six / TRIOS / FOR / Violin, Tenor and Violoncello, / Composed / And Inscribed to the Memory of / Jacob More Esqr. / By / Wm. SHIELD./ (Musician in Ordinary to His Majesty) / Entd. At Statn. Hall [rule] Price 10/6 / ADVERTISEMENT / These Trios were Composed chiefly for the abovementioned Celebrated Landscape Painter (in Rome) / And are Dedicated to his Memory as a Token of Gratitude for the Services he rendered the Author / during his Residence in that City. The movements which are written in the uncommon Time / of 5/4 have amused some of the most distinguished Professors both in England & Italy which / induces the Author to hope they will not be disagreeable to the Public at Large / Goodge Street, Jany. 1st 1796 / [rule] / London, Printed for the Author by Longman & Broderip, No.26, Cheapside & No.13, Haymarket. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$49.00
Bach G maj Cello Prelude for String Trio - Melody in Cello
#
Trio à Cordes: violon, alto, violoncelle
#
INTERMÉDIAIRE
#
Classique
#
Johann Sebastian Bach
#
S
#
Bach G maj Cello Prelude for S
#
Sterling and Strings
#
SheetMusicPlus
String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1438476 Composed by Johann Sebastian Bach. Arranged by S.Reilly. Baroque,Chamber,Classical,Early Musi...
(+)
String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1438476 Composed by Johann Sebastian Bach. Arranged by S.Reilly. Baroque,Chamber,Classical,Early Music,Wedding. 6 pages. Sterling and Strings #1018495. Published by Sterling and Strings (A0.1438476). JS Bach's popular Prelude in G major for solo cello is often requested for weddings and other occasions. As a cellist, it occurred to me that rest of my trio might like to play along, so one morning I felt inspired to create this arrangement! It had to be relatively simple, so the cello melody was easy to follow, but also add some harmonic interest here and there. I hope this version will be a fun way for the entire group to participate in what would normally be a solo venture.
$10.00
Sunlight in the Cathedral (String Trio): Violin, Viola and Cello
#
Trio à Cordes: violon, alto, violoncelle
#
INTERMÉDIAIRE
#
John A
#
Sunlight in the Cathedral
#
John A. Dempsey
#
SheetMusicPlus
String Trio Cello,Viola,Violin - Level 3 - SKU: A0.524646 Composed by John A. Dempsey. Christmas,Contemporary,Easter,Sacred,Wedding. 16 pages. John A. D...
(+)
String Trio Cello,Viola,Violin - Level 3 - SKU: A0.524646 Composed by John A. Dempsey. Christmas,Contemporary,Easter,Sacred,Wedding. 16 pages. John A. Dempsey #6114031. Published by John A. Dempsey (A0.524646). This warm, flowing music, a celebration of faith and hope, is arranged here as a string trio for violin, viola and cello. Â Recommended for concerts, recitals, weddings, traditional church services and other worship events. Â Suggested worship uses: a prelude, postlude, an offertory, interlude, silent prayer accompaniment and special music. Â Suggested wedding uses: prelude, unity candle music, a bridesmaid processional and a wedding march. 12 pages of music (that includes the score and separate two-page parts for each stringed instrument). Â Key: D major.
$9.99
A STRING TRIO FOR PEACE
#
Trio à Cordes: violon, alto, violoncelle
#
INTERMÉDIAIRE
#
Contemporain
#
Marilena Zlatanou
#
A STRING TRIO FOR PEACE
#
Marilena Zlatanou
#
SheetMusicPlus
String Ensemble,String Trio - Level 3 - SKU: A0.1160061 Composed by Marilena Zlatanou. Contemporary. Score and parts. 14 pages. Marilena Zlatanou #76030...
(+)
String Ensemble,String Trio - Level 3 - SKU: A0.1160061 Composed by Marilena Zlatanou. Contemporary. Score and parts. 14 pages. Marilena Zlatanou #760304. Published by Marilena Zlatanou (A0.1160061). Duration: just under 7 min. The challenge was to compose a trio honouring the principals of Peace, Democracy, and Hope for our planet. In my efforts to do so I have tried to keep the style as melodious, harmonious and traditional as I could. Wishing to include an element of spirituality I have partly used a Byzantine Music inspired mode in the first part, and a hymn-like, bucolic melody in the second half. The melancholic atmosphere permeating the whole piece should speak for itself... The composer is a member of TONO, the Norwegian Copyright org. For more information on her work please visit websIte www.zlatanou.net Â
$25.00
Fuga a tre (3 part fugue) for string trio
#
Trio à Cordes: violon, alto, violoncelle
#
INTERMÉDIAIRE
#
Contemporain
#
Joseph Dillon Ford
#
Fuga a tre
#
David Warin Solomons2
#
SheetMusicPlus
String Ensemble,String Trio - Level 3 - SKU: A0.958467 Composed by Joseph Dillon Ford. 20th Century. Score and parts. 7 pages. David Warin Solomons2 #36...
(+)
String Ensemble,String Trio - Level 3 - SKU: A0.958467 Composed by Joseph Dillon Ford. 20th Century. Score and parts. 7 pages. David Warin Solomons2 #3691565. Published by David Warin Solomons2 (A0.958467). The Fuga a tre voci was composed on 28 March 1976 not long before I moved from Miami to Cambridge to begin graduate study in music at Harvard. It remained an imperfect sketch in need of extensive revisions, and languished for a quarter-century in a manila file folder until I rediscovered it late in 2001 and was pleased to find that it was worth the trouble of resurrecting. This was no easy task, as it was my original intention to comply closely with eighteenth-century contrapuntal practices. Although I had written numerous polyphonic pieces in a similar style since 1976, none of these was a fugue. There was also the challenge of reconnecting with musical ideas I had originated at the age of twenty-four at a time in my life when I was rapidly approaching the age of fifty. Still, I persevered in my efforts to revive and improve this early polyphonic essay, and hope the performer and listener will be as pleased with the results as I am. This three-voice fugue can be performed by any instrument or combination of instruments, including the harpsichord.
$7.00
Prelude and Dance for String Quartet
#
Trio à Cordes: violon, alto, violoncelle
#
INTERMÉDIAIRE
#
Classique
#
Ethan Tai
#
Prelude and Dance for String Q
#
Ethan T.
#
SheetMusicPlus
Cello,Viola,Violin - Level 3 - Interactive Download SKU: A0.1425553 Composed by Ethan Tai. This edition: Interactive Download. Classical. 21 pages. Durat...
(+)
Cello,Viola,Violin - Level 3 - Interactive Download SKU: A0.1425553 Composed by Ethan Tai. This edition: Interactive Download. Classical. 21 pages. Duration 255. Ethan T. #5m6PuZBVwNWzz7ecR9FHpe. Published by Ethan T. (A0.1425553). Key: B minor.A small string quartet about 4 minutes long with 2 movements, a Prelude followed a Dance. There is a short break in between the two movements via a fermata to allow the quartet to transition into the Dance from the Prelude. Program Notes: The slow and passionate opening of the Prelude gives way to a more melancholic melody, passed around the quartet by the violins and cello. A new, more hopeful and animated melody is introduced by the violin and viola shortly after the first theme, but is cut short by the sudden introduction of a short and more subtle transition, led by the violin, viola, and cello, which then leads into a yearning melody. The melody is passed back and forth between the violin and viola in a call and response gesture, as if the viola and violin are having a romantic conversation with each other. The dreamy melody slowly fades into a peaceful moment of silence and a resolution between the violin and viola, signaling the end of the Prelude. Suddenly, a lighthearted and spirited violin melody is introduced, leading into the Dance. The melody by the violin is passed around the quartet by the violins and viola, eventually leading to the climax of the Dance. A determined and more driving melody is passed around through the quartet, led by the violins and cello, which then gives way to a shorter, but slower and more delicate theme, led by the cello. The theme quickly resolves into another peaceful and resolute moment of silence as the Dance comes to an end, signaling the end of the performance.
$2.99
I Heard The Bells On Christmas Day
#
Trio à Cordes: violon, alto, violoncelle
#
INTERMÉDIAIRE
#
Noël
#
Pierre Marchand, Sarah Ann Mcl
#
Veronica Joines
#
I Heard The Bells On Christmas
#
Veronica Joines
#
SheetMusicPlus
String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1333723 Composed by Pierre Marchand, Sarah Ann Mclachlan, and Traditional. Arranged by Veronica Joine...
(+)
String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1333723 Composed by Pierre Marchand, Sarah Ann Mclachlan, and Traditional. Arranged by Veronica Joines. Christmas,Holiday,Pop,Traditional. 11 pages. Veronica Joines #920019. Published by Veronica Joines (A0.1333723). This string trio arrangement beautifully captures the melancholy yet hopeful spirit of the original version by Sarah Mclachlan. It is richly voiced and each instrument has a turn at the beautiful melody. A must have for Christmas services and other holiday events!
$14.99
<
1
Hope
