Page d'accueil
Parcourir Free-scores.com
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
They Don
Non classifié
142
Piano & claviers
Piano seul
69
Piano, Voix
59
Piano, Voix et Guitare
17
1 Piano, 4 mains
6
Piano Facile
6
Orgue
4
Clavecin
1
2 Pianos, 4 mains
1
Instruments en Do
1
+ 4 instrumentations
Retracter
Guitares
Guitare notes et tablatures
8
Guitare
6
Basse electrique
3
Ligne De Mélodie, (Paroles) et Accords
2
Piano, Guitare (duo)
1
Guitare, Violon, Violoncelle (trio)
1
Paroles et Accords
1
+ 2 instrumentations
Retracter
Voix
Chorale SATB
33
Chorale 3 parties
10
Chorale TTBB
9
Chorale 2 parties
6
Voix duo, Piano
5
Chorale SSAA
4
Chorale Unison
3
Voix Baryton, Piano
2
Voix Alto, Piano
1
Chorale
1
Voix basse, Piano
1
Voix duo
1
+ 7 instrumentations
Retracter
Vents
Clarinette et Piano
21
Flûte traversière et Piano
21
Saxophone Alto et Piano
16
Saxophone Tenor et Piano
14
Hautbois, Piano (duo)
13
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
13
Saxophone Soprano et Piano
11
Quintette de Saxophone: 5 saxophones
10
Saxophone Baryton, Piano
8
Clarinette Basse, Piano
7
Clarinette
7
Cor anglais, Piano
6
2 Flûte à bec (duo)
6
2 Flûtes traversières (duo)
6
Quatuor de Saxophones: 4 saxophones
5
Ensemble de Clarinettes
4
Saxophone Alto
4
Hautbois (partie séparée)
4
Ensemble de saxophones
3
Quatuor de Clarinettes: 4 clarinettes
3
2 Saxophones (duo)
3
Flûte traversière
2
Quintette de Clarinettes: 5 clarinettes
2
2 Clarinettes (duo)
2
Flûte à bec Soprano
2
Flûte, Hautbois, Clarinette (trio)
2
Flûte et Guitare
2
Clarinette, Guitare (duo)
2
Flûte, Hautbois, Clarinette, Basson
2
Quintette de Flûte : 5 flûtes
2
5 Flûtes à bec
1
Quatuor de Flûtes : 4 flûtes
1
Cor anglais, Guitare (duo)
1
3 Clarinettes (trio)
1
Flûte à bec Alto
1
Flûte à bec Tenor
1
Hautbois, Guitare (duo)
1
Quatuor de Flûtes à bec
1
Flûte, Basson et Piano
1
Ensemble de Flûtes
1
Cor Anglais
1
2 Hautbois (duo)
1
Saxophone (partie séparée)
1
2 Clarinettes, Basson
1
Flûte à Bec
1
+ 40 instrumentations
Retracter
Cuivres
Trombone et Piano
16
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
16
Cor et Piano
13
Euphonium, Piano (duo)
10
Quatuor de Cuivres : 2 trompettes, trombone, tuba
10
Trompette, Piano
7
Cor anglais, Piano
6
Trompette
6
Trombone
5
Ensemble de Trompettes
5
2 Trombones (duo)
3
Tuba
3
2 Trompettes (duo)
3
Quatuor de cuivres: 4 trombones
2
2 Tubas (duo)
2
Cor
2
Quatuor de Cuivres
2
Tuba et Piano
1
Ensemble de Cors
1
Cor anglais, Guitare (duo)
1
2 Euphoniums (duo)
1
Trompette, Trombone (duo)
1
Trombone basse
1
Ensemble de Tubas
1
Cor (partie séparée)
1
2 Cors (duo)
1
Cor Anglais
1
4 Tubas
1
Ensemble de Trombones
1
+ 24 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
21
Trio à Cordes: violon, alto, violoncelle
16
Violoncelle, Piano
15
Violon et Piano
13
Alto, Piano
12
Violon, Violoncelle (duo)
9
Violon
8
2 Violons (duo)
7
Harpe
5
Quintette à cordes: 2 violons, alto, violoncelle, basse
5
2 Violoncelles (duo)
4
Alto seul
3
Violoncelle
3
Trio à Cordes: 2 violons, violoncelle
2
2 Altos (duo)
2
Violon, Alto (duo)
2
Violoncelle , Guitare (duo)
2
4 Contrebasses
1
Violoncelle (partie séparée)
1
Contrebasse, Piano (duo)
1
+ 15 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
29
Orchestre
18
Orchestre à Cordes
10
Ensemble de cuivres
5
Fanfare
4
Ensemble Jazz
4
Jazz combo
2
Ensemble de Percussions
2
Orchestre de chambre
1
Xylophone, Piano
1
+ 5 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Achats pour Musiciens
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
Autres Services
Autres Services
Top 100
Annuaire Web
Portées musicales
Metronome
A propos de free-scores.com
€
€
EUR €
USD $
GBP £
CAD $
CNY ¥
English
Partitions Gratuites
10
Partitions Numériques
16
Librairie Musicale
0
Matériel de Musique
441
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Vous avez sélectionné:
They Don
intermédiaire
Trio à Cordes: violon, alto, violoncelle
Partitions à imprimer
16 partitions trouvées
<
1
Hallelujah for String Trio
#
Trio à Cordes: violon, alto, violoncelle
#
INTERMÉDIAIRE
#
Rock
#
Leonard Cohen
#
Dave Prudon
#
Hallelujah for String Trio
#
Prudon String Ensembles
#
SheetMusicPlus
String Trio - Intermediate - By Leonard Cohen. Arranged by Dave Prudon. Score, Set of Parts. 6 pages. Published by Prudon String Ensembles...
(+)
String Trio - Intermediate - By Leonard Cohen. Arranged by Dave Prudon. Score, Set of Parts. 6 pages. Published by Prudon String Ensembles
This much-loved classic is made even better with the use of beautiful suspensions & passing tones. Violists will love playing this version because they get a chance to play part of the melody. To give the ensemble another performance option, a second violin part is included in this set.
$12.99
100 Years
#
Trio à Cordes: violon, alto, violoncelle
#
INTERMÉDIAIRE
#
Five for Fighting
#
Dave Prudon
#
100 Years
#
Prudon String Ensembles
#
SheetMusicPlus
String Ensemble,String Trio Cello,Viola,Violin - Level 3 - SKU: A0.732619 By Five for Fighting. By John Ondrasik. Arranged by Dave Prudon. Contemporary,...
(+)
String Ensemble,String Trio Cello,Viola,Violin - Level 3 - SKU: A0.732619 By Five for Fighting. By John Ondrasik. Arranged by Dave Prudon. Contemporary,Pop,Standards,Wedding. Score and parts. 6 pages. Prudon String Ensembles #4603825. Published by Prudon String Ensembles (A0.732619). All the lyricism and charm of this popular Five For Fighting tune is captured in this nicely-written arrangement for String Trio.  Violists will especially like playing this arrangement because they get a chance to play the melody for a change.  Perfect for use as part of the music for a wedding or any other festive occasion.    To see tons of nice string arrangements, take a peek at:  Prudon String Ensembles Sheet Music.
$12.99
She's Always A Woman
#
Trio à Cordes: violon, alto, violoncelle
#
INTERMÉDIAIRE
#
Billy Joel
#
Dave Prudon
#
She's Always A Woman
#
Prudon String Ensembles
#
SheetMusicPlus
String Ensemble,String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1122056 By Billy Joel. By Billy Joel. Arranged by Dave Prudon. Pop,Rock,Wedding. Scor...
(+)
String Ensemble,String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1122056 By Billy Joel. By Billy Joel. Arranged by Dave Prudon. Pop,Rock,Wedding. Score and parts. 6 pages. Prudon String Ensembles #723219. Published by Prudon String Ensembles (A0.1122056). All the heartwarming affection of this popular love song is captured in this beautiful arrangement for String Trio. Â The parts are filled with gorgeous suspensions that will melt the hearts of any audience. Â Violists will like this arrangement because they get a chance to play the lovely melody. Â Perfect for use as part of the music for a wedding, or for any joyous occasion.To see a large selection of beautiful arrangements for strings, take a look at: Prudon String Ensembles Sheet Music.
$12.99
Sheep May Safely Graze for String Trio
#
Trio à Cordes: violon, alto, violoncelle
#
INTERMÉDIAIRE
#
Classique
#
Johann Sebastian Bach
#
Dave Prudon
#
Sheep May Safely Graze for Str
#
Prudon String Ensembles
#
SheetMusicPlus
String Ensemble,String Trio Cello,Viola,Violin - Level 3 - SKU: A0.732599 Composed by Johann Sebastian Bach. Arranged by Dave Prudon. Baroque,Christmas,...
(+)
String Ensemble,String Trio Cello,Viola,Violin - Level 3 - SKU: A0.732599 Composed by Johann Sebastian Bach. Arranged by Dave Prudon. Baroque,Christmas,Sacred,Wedding. Score and parts. 8 pages. Prudon String Ensembles #4286291. Published by Prudon String Ensembles (A0.732599). Here is a very thoughtful and touching arrangement of this very beautiful standard. With careful use of passing tones & suspensions, the inner parts not only enhance the melody, they are also a joy to play. To give the ensemble another performance option, a Violin 2 part that works perfectly with the other two parts is included in this set.Do a search for: Prudon String Ensembles Sheet Music, and you'll find hundreds of nice arrangements for strings.
$9.99
Boyce Symphony #1 (1st Mvt.) for String Trio
#
Trio à Cordes: violon, alto, violoncelle
#
INTERMÉDIAIRE
#
Boyce
#
Dave Prudon
#
Boyce Symphony #1
#
Prudon String Ensembles
#
SheetMusicPlus
String Ensemble,String Trio Cello,Viola,Violin - Level 3 - SKU: A0.732709 Composed by Boyce. Arranged by Dave Prudon. Baroque,Easter,Sacred,Wedding. Sco...
(+)
String Ensemble,String Trio Cello,Viola,Violin - Level 3 - SKU: A0.732709 Composed by Boyce. Arranged by Dave Prudon. Baroque,Easter,Sacred,Wedding. Score and parts. 7 pages. Prudon String Ensembles #5020011. Published by Prudon String Ensembles (A0.732709). Played at Prince Harry & Meghan Markel's wedding, this wonderful little gem is a perfect addition to the repertoire list of any String Trio, especially if they're hired to play for a wedding. Â All the majestic flavor and royal splendor is nicely contained in this arrangement and on top of that, it's fun to play.To see a huge selection of nice arrangements for strings, visit: Â Prudon String Ensembles Sheet Music.
$9.99
String Trio No. 3 in A major
#
Trio à Cordes: violon, alto, violoncelle
#
INTERMÉDIAIRE
#
Classique
#
/ Wm
#
William Shield
#
Robert Hoskins
#
String Trio No. 3 in A major
#
Artaria Editions
#
SheetMusicPlus
String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1488228 Composed by William Shield. Arranged by Robert Hoskins. Classical. 27 pages. Artaria Editions...
(+)
String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1488228 Composed by William Shield. Arranged by Robert Hoskins. Classical. 27 pages. Artaria Editions #1065115. Published by Artaria Editions (A0.1488228). Shield's Trios, written for a continental audience, are seminal works in the composer's output and mark a new level of compositional attainment in the English chamber music repertory. Technically, they contain a wide variety of ideas which are developed with great ingenuity through a wide range of keys, dynamic contrasts and timbral effects. Aesthetically, they blend 'popular' and 'learned' taste along with 'orchestral' splendour and 18th century notions of beauty. The Trios present a dazzling range of moods and style with each work demonstrating Shield's mastery of the idiom, both in his treatment of individual instruments and in the handling of textures. While there is no shortage of melody and accompaniment, in which the violin takes the lead, there are many memorable solos for the viola and the cello in its high register. The wide range of textures includes melodic decoration, dialogue, contrast of high and low register, legato and staccato, powerful unison and double octaves. Shield's ability to incorporate arioso-like melody, the prevailing 'symphonic' style and folk elements was largely achieved through the cross-generic requirements of English comic opera (a form to which Shield devoted himself during the whole of his creative career). In general, Shield's technique results in a firm control of the way music moves - with sometimes a surprising degree of stylistic restlessness and sometimes of unexpected plainness and simplicity. The trios Shield selected for publication were issued by Longman and Broderip, London, in January 1796 under the inspection of the composer. No autograph of these works survives and Longman and Broderip's printing, a copy of which is preserved in the Bodleian Library, Oxford, under the call number Mus.Instr.I 214(15), is the only source of this edition. The title page, with its dedicatory inscription, reads: Six / TRIOS / FOR / Violin, Tenor and Violoncello, / Composed / And Inscribed to the Memory of / Jacob More Esqr. / By / Wm. SHIELD./ (Musician in Ordinary to His Majesty) / Entd. At Statn. Hall [rule] Price 10/6 / ADVERTISEMENT / These Trios were Composed chiefly for the abovementioned Celebrated Landscape Painter (in Rome) / And are Dedicated to his Memory as a Token of Gratitude for the Services he rendered the Author / during his Residence in that City. The movements which are written in the uncommon Time / of 5/4 have amused some of the most distinguished Professors both in England & Italy which / induces the Author to hope they will not be disagreeable to the Public at Large / Goodge Street, Jany. 1st 1796 / [rule] / London, Printed for the Author by Longman & Broderip, No.26, Cheapside & No.13, Haymarket. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$49.00
String Trio No. 4 in E major
#
Trio à Cordes: violon, alto, violoncelle
#
INTERMÉDIAIRE
#
Classique
#
/ Wm
#
William Shield
#
Robert Hoskins
#
String Trio No. 4 in E major
#
Artaria Editions
#
SheetMusicPlus
String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1488229 Composed by William Shield. Arranged by Robert Hoskins. Classical. 24 pages. Artaria Editions...
(+)
String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1488229 Composed by William Shield. Arranged by Robert Hoskins. Classical. 24 pages. Artaria Editions #1065116. Published by Artaria Editions (A0.1488229). Shield's Trios, written for a continental audience, are seminal works in the composer's output and mark a new level of compositional attainment in the English chamber music repertory. Technically, they contain a wide variety of ideas which are developed with great ingenuity through a wide range of keys, dynamic contrasts and timbral effects. Aesthetically, they blend 'popular' and 'learned' taste along with 'orchestral' splendour and 18th century notions of beauty. The Trios present a dazzling range of moods and style with each work demonstrating Shield's mastery of the idiom, both in his treatment of individual instruments and in the handling of textures. While there is no shortage of melody and accompaniment, in which the violin takes the lead, there are many memorable solos for the viola and the cello in its high register. The wide range of textures includes melodic decoration, dialogue, contrast of high and low register, legato and staccato, powerful unison and double octaves. Shield's ability to incorporate arioso-like melody, the prevailing 'symphonic' style and folk elements was largely achieved through the cross-generic requirements of English comic opera (a form to which Shield devoted himself during the whole of his creative career). In general, Shield's technique results in a firm control of the way music moves - with sometimes a surprising degree of stylistic restlessness and sometimes of unexpected plainness and simplicity. The trios Shield selected for publication were issued by Longman and Broderip, London, in January 1796 under the inspection of the composer. No autograph of these works survives and Longman and Broderip's printing, a copy of which is preserved in the Bodleian Library, Oxford, under the call number Mus.Instr.I 214(15), is the only source of this edition. The title page, with its dedicatory inscription, reads: Six / TRIOS / FOR / Violin, Tenor and Violoncello, / Composed / And Inscribed to the Memory of / Jacob More Esqr. / By / Wm. SHIELD./ (Musician in Ordinary to His Majesty) / Entd. At Statn. Hall [rule] Price 10/6 / ADVERTISEMENT / These Trios were Composed chiefly for the abovementioned Celebrated Landscape Painter (in Rome) / And are Dedicated to his Memory as a Token of Gratitude for the Services he rendered the Author / during his Residence in that City. The movements which are written in the uncommon Time / of 5/4 have amused some of the most distinguished Professors both in England & Italy which / induces the Author to hope they will not be disagreeable to the Public at Large / Goodge Street, Jany. 1st 1796 / [rule] / London, Printed for the Author by Longman & Broderip, No.26, Cheapside & No.13, Haymarket. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$49.00
String Trio No. 6 in B flat major
#
Trio à Cordes: violon, alto, violoncelle
#
INTERMÉDIAIRE
#
Classique
#
/ Wm
#
William Shield
#
Robert Hoskins
#
String Trio No. 6 in B flat ma
#
Artaria Editions
#
SheetMusicPlus
String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1488232 Composed by William Shield. Arranged by Robert Hoskins. Classical. 36 pages. Artaria Editions...
(+)
String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1488232 Composed by William Shield. Arranged by Robert Hoskins. Classical. 36 pages. Artaria Editions #1065119. Published by Artaria Editions (A0.1488232). Shield's Trios, written for a continental audience, are seminal works in the composer's output and mark a new level of compositional attainment in the English chamber music repertory. Technically, they contain a wide variety of ideas which are developed with great ingenuity through a wide range of keys, dynamic contrasts and timbral effects. Aesthetically, they blend 'popular' and 'learned' taste along with 'orchestral' splendour and 18th century notions of beauty. The Trios present a dazzling range of moods and style with each work demonstrating Shield's mastery of the idiom, both in his treatment of individual instruments and in the handling of textures. While there is no shortage of melody and accompaniment, in which the violin takes the lead, there are many memorable solos for the viola and the cello in its high register. The wide range of textures includes melodic decoration, dialogue, contrast of high and low register, legato and staccato, powerful unison and double octaves. Shield's ability to incorporate arioso-like melody, the prevailing 'symphonic' style and folk elements was largely achieved through the cross-generic requirements of English comic opera (a form to which Shield devoted himself during the whole of his creative career). In general, Shield's technique results in a firm control of the way music moves - with sometimes a surprising degree of stylistic restlessness and sometimes of unexpected plainness and simplicity. The trios Shield selected for publication were issued by Longman and Broderip, London, in January 1796 under the inspection of the composer. No autograph of these works survives and Longman and Broderip's printing, a copy of which is preserved in the Bodleian Library, Oxford, under the call number Mus.Instr.I 214(15), is the only source of this edition. The title page, with its dedicatory inscription, reads: Six / TRIOS / FOR / Violin, Tenor and Violoncello, / Composed / And Inscribed to the Memory of / Jacob More Esqr. / By / Wm. SHIELD./ (Musician in Ordinary to His Majesty) / Entd. At Statn. Hall [rule] Price 10/6 / ADVERTISEMENT / These Trios were Composed chiefly for the abovementioned Celebrated Landscape Painter (in Rome) / And are Dedicated to his Memory as a Token of Gratitude for the Services he rendered the Author / during his Residence in that City. The movements which are written in the uncommon Time / of 5/4 have amused some of the most distinguished Professors both in England & Italy which / induces the Author to hope they will not be disagreeable to the Public at Large / Goodge Street, Jany. 1st 1796 / [rule] / London, Printed for the Author by Longman & Broderip, No.26, Cheapside & No.13, Haymarket. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$49.00
String Trio No. 5 in C minor
#
Trio à Cordes: violon, alto, violoncelle
#
INTERMÉDIAIRE
#
Classique
#
/ Wm
#
William Shield
#
Robert Hoskins
#
String Trio No. 5 in C minor
#
Artaria Editions
#
SheetMusicPlus
String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1488231 Composed by William Shield. Arranged by Robert Hoskins. Classical. 23 pages. Artaria Editions...
(+)
String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1488231 Composed by William Shield. Arranged by Robert Hoskins. Classical. 23 pages. Artaria Editions #1065118. Published by Artaria Editions (A0.1488231). Shield's Trios, written for a continental audience, are seminal works in the composer's output and mark a new level of compositional attainment in the English chamber music repertory. Technically, they contain a wide variety of ideas which are developed with great ingenuity through a wide range of keys, dynamic contrasts and timbral effects. Aesthetically, they blend 'popular' and 'learned' taste along with 'orchestral' splendour and 18th century notions of beauty. The Trios present a dazzling range of moods and style with each work demonstrating Shield's mastery of the idiom, both in his treatment of individual instruments and in the handling of textures. While there is no shortage of melody and accompaniment, in which the violin takes the lead, there are many memorable solos for the viola and the cello in its high register. The wide range of textures includes melodic decoration, dialogue, contrast of high and low register, legato and staccato, powerful unison and double octaves. Shield's ability to incorporate arioso-like melody, the prevailing 'symphonic' style and folk elements was largely achieved through the cross-generic requirements of English comic opera (a form to which Shield devoted himself during the whole of his creative career). In general, Shield's technique results in a firm control of the way music moves - with sometimes a surprising degree of stylistic restlessness and sometimes of unexpected plainness and simplicity. The trios Shield selected for publication were issued by Longman and Broderip, London, in January 1796 under the inspection of the composer. No autograph of these works survives and Longman and Broderip's printing, a copy of which is preserved in the Bodleian Library, Oxford, under the call number Mus.Instr.I 214(15), is the only source of this edition. The title page, with its dedicatory inscription, reads: Six / TRIOS / FOR / Violin, Tenor and Violoncello, / Composed / And Inscribed to the Memory of / Jacob More Esqr. / By / Wm. SHIELD./ (Musician in Ordinary to His Majesty) / Entd. At Statn. Hall [rule] Price 10/6 / ADVERTISEMENT / These Trios were Composed chiefly for the abovementioned Celebrated Landscape Painter (in Rome) / And are Dedicated to his Memory as a Token of Gratitude for the Services he rendered the Author / during his Residence in that City. The movements which are written in the uncommon Time / of 5/4 have amused some of the most distinguished Professors both in England & Italy which / induces the Author to hope they will not be disagreeable to the Public at Large / Goodge Street, Jany. 1st 1796 / [rule] / London, Printed for the Author by Longman & Broderip, No.26, Cheapside & No.13, Haymarket. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$49.00
Christmas Medley III
#
Trio à Cordes: violon, alto, violoncelle
#
INTERMÉDIAIRE
#
Musique Sacrée
#
Donna Rod
#
Christmas Medley III
#
Donna Rod
#
SheetMusicPlus
String Ensemble,String Trio - Level 3 - SKU: A0.993816 Arranged by Donna Rod. Christmas,Praise & Worship,Sacred. Score and parts. 27 pages. Donna Rod #6...
(+)
String Ensemble,String Trio - Level 3 - SKU: A0.993816 Arranged by Donna Rod. Christmas,Praise & Worship,Sacred. Score and parts. 27 pages. Donna Rod #6047327. Published by Donna Rod (A0.993816). This arrangement includes five Christmas carols, listed below. They can be played as a continuous medley or separately. For more carols, please see Christmas Medley I and Christmas Medley II, also arranged by Donna Rod. Carols: Hark the Herald Angels Sing, It Came Upon a Midnight Clear, Deck the Halls, Jingle Bells and We Wish You a Merry Christmas I have been a member of a string trio for over 30 years. I arranged this and many of the other pieces we play at our gigs. For more of them, search Donna Rod.
$14.99
String Trio No.1 in E flat major
#
Trio à Cordes: violon, alto, violoncelle
#
INTERMÉDIAIRE
#
Classique
#
/ Wm
#
William Shield
#
Robert Hoskins
#
String Trio No.1 in E flat maj
#
Artaria Editions
#
SheetMusicPlus
String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1488224 Composed by William Shield. Arranged by Robert Hoskins. Classical. 24 pages. Artaria Editions...
(+)
String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1488224 Composed by William Shield. Arranged by Robert Hoskins. Classical. 24 pages. Artaria Editions #1065110. Published by Artaria Editions (A0.1488224). The trios Shield selected for publication were issued by Longman and Broderip, London, in January 1796 under the inspection of the composer. No autograph of these works survives and Longman and Broderip's printing, a copy of which is preserved in the Bodleian Library, Oxford, under the call number Mus.Instr.I 214(15), is the only source of this edition. The title page, with its dedicatory inscription, reads: Six / TRIOS / FOR / Violin, Tenor and Violoncello, / Composed / And Inscribed to the Memory of / Jacob More Esqr. / By / Wm. SHIELD./ (Musician in Ordinary to His Majesty) / Entd. At Statn. Hall [rule] Price 10/6 / ADVERTISEMENT / These Trios were Composed chiefly for the abovementioned Celebrated Landscape Painter (in Rome) / And are Dedicated to his Memory as a Token of Gratitude for the Services he rendered the Author / during his Residence in that City. The movements which are written in the uncommon Time / of 5/4 have amused some of the most distinguished Professors both in England & Italy which / induces the Author to hope they will not be disagreeable to the Public at Large / Goodge Street, Jany. 1st 1796 / [rule] / London, Printed for the Author by Longman & Broderip, No.26, Cheapside & No.13, Haymarket. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$49.00
Let's Get Married
#
Trio à Cordes: violon, alto, violoncelle
#
INTERMÉDIAIRE
#
Jagged Edge
#
Sherry Lewis
#
Let's Get Married
#
Sherry Lewis Publishing
#
SheetMusicPlus
String Ensemble,String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1512239 By Jagged Edge. By Brandon Casey, Brian Casey, Bryan Michael Cox, and Jermain...
(+)
String Ensemble,String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1512239 By Jagged Edge. By Brandon Casey, Brian Casey, Bryan Michael Cox, and Jermaine Dupri. Arranged by Sherry Lewis. Contemporary,Wedding. 9 pages. Sherry Lewis Publishing #1087287. Published by Sherry Lewis Publishing (A0.1512239). LET’S GET MARRIED - Jagged EdgeSTRING TRIO Intermediate Level for 2 violins and cello or violin, viola and celloABOUT THE DEMO: I took out some of the repeats, only in the demo they are in the scores, to get to the chorus section in the allotted time for a demoParts: 4 pagesScore: YesTime: 3:10If you can't find a title then contact me through https://baysbest.com/contact/ and I'll give you the link back to SMP.
$12.99
Mysterious Moment for alto flute and string trio
#
Trio à Cordes: violon, alto, violoncelle
#
INTERMÉDIAIRE
#
Contemporain
#
David Warin Solomons
#
Mysterious Moment for alto flu
#
David Warin Solomons
#
SheetMusicPlus
String Ensemble,String Trio - Level 3 - SKU: A0.576736 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 7 pages. David Wari...
(+)
String Ensemble,String Trio - Level 3 - SKU: A0.576736 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 7 pages. David Warin Solomons #119391. Published by David Warin Solomons (A0.576736). Mysterious piece in octatonic mode, originally written for the short story The Door The pdf file contains score and parts. The sound sample is an electronic preview. High up on the grassy hill behind the town there is a door. It stands there in its frame with nothing before or behind it. It is locked shut. There is no key. We climb the hill each day. We play each side of the door, games of hide and seek. But we cannot go through the door. Each day we go there during this long sultry summer holiday. We are fascinated by the structure. Why would anyone put a door up there, in its frame, eternally locked, with nothing before or behind it? Maybe it is all that remains of an ancient house? We play, we wonder, we laugh and play, and we return regularly to our homes in time for tea. Then, one day, as we climb the hill for the umpteenth time, a lady dressed in white arrives before us. We watch her take the key out of her bag and insert it in the lock. We are too far downhill to catch up before she closes the door behind her. As we arrive, puffing and panting, Steve knocks on the door. No answer. Dave knocks on the door more forcefully. We hear a distant swish of robes. Gloria knocks, perhaps a little more timidly as the swishing sound approaches. Estelle begins to knock in her turn and the door suddenly opens wide. We all gasp as we see the lady standing there in glistening robes. Her face is hidden from view by a white shawl, but her piercing eyes still show. Children, she says, welcome all. Do come in, please, the kettle is on. You are just in time for tea. We hesitate, as well we might. How can we come in when there is nothing before or behind the door? But Estelle puts one foot inside and looks back at us with a curious expression of serenity on her face. We follow her. We look around at the new space beyond the door and at the parquet floor beneath our dew-soaked feet. As our eyes become accustomed to the brightness of the interior we catch sight of many signs of the world we have entered, but only fleetingly. They pass before our eyes in an instant and then flee beyond the range of sight. There is a staircase, a hat stand, a distant gleam of an ancient cooker, a faint whiff of scones and boiling jam. As we walk inside, our senses are overwhelmed with the new reality, we are rooted to the spot. Do please sit down, says the lady with a slight catch in her throat. We are seated on wooden chairs along one side of an oak table, although we cannot recall how we got there, some slip of the memory perhaps. We have no sense of foreboding, Estelle's serenity has passed to all of us. We can stay here eating scones and jam until the end of time. The lady removes her shawl and reveals a face as beautiful as anyone's mother's. Her deep black eyes glisten like obsidian. She beams a smile of welcome and pours the tea. I'm glad you have come. I've been expecting you, she begins. You must have a thousand questions, so do please ask away. Well, says Steve, what is this door that we passed through? Is this another world? There is no other world, the lady replies, this is the only one. But there is! There is! starts Dave excitedly, Look!. He gets up quickly from the chair, knocking it over in his haste and rushes to the door to open it. He pulls at it with all his force and reveals a black nothingness behind it. We were on the hill, where's it gone? he shouts, what have you done to it? There is no hill. But you climbed the hill in front of us says Gloria. There is no hill. Even Estelle of the serene demeanour is beginning to look worried. How did we get here then, how did you get here, she asks the lady nervously. We have all been here since the beginning of time, the catch in the lady's throat is becoming more evident. No, we have our families down there in the town cries Estelle You have no families,.
$8.00
Psalm 22-Mendelssohn-String octet
#
Trio à Cordes: violon, alto, violoncelle
#
INTERMÉDIAIRE
#
Classique
#
Felix Bartholdy Mendelssohn
#
Phil Beaman
#
Psalm 22-Mendelssohn-String oc
#
Phil Beaman
#
SheetMusicPlus
String Ensemble Cello,Viola,Violin - Level 3 - SKU: A0.845197 Composed by Felix Bartholdy Mendelssohn. Arranged by Phil Beaman. Classical,Concert,Romant...
(+)
String Ensemble Cello,Viola,Violin - Level 3 - SKU: A0.845197 Composed by Felix Bartholdy Mendelssohn. Arranged by Phil Beaman. Classical,Concert,Romantic Period,Sacred,Standards. Score and parts. 48 pages. Phil Beaman #6355261. Published by Phil Beaman (A0.845197). Psalm 22 is a well-known and loved choral work by Felix Mendelssohn. I have here arranged it for Instrumental Octet. Since it no longer has lyrics to convey the meaning I have added extra markings and altered some harmonies and rhythms to add the appropriate interest and emotion. Several parts now contain short unmetered solos to be done freely in recitative fashion. The individual parts are not difficult with just basic notes and rhythms; the beauty is in the way they fit together creating harmony and polyphony. With a 6 minute performance time, this is a major work which bridges the Classical and Romantic eras.
$16.99
Gallo: Trio Sonata No.2 in Bb Mvt.I ( "Pulcinella Suite"Mvt 3a Scherzino) - string trio
#
Trio à Cordes: violon, alto, violoncelle
#
INTERMÉDIAIRE
#
Domenico Gallo
#
Ray Thompson
#
Gallo: Trio Sonata No.2 in Bb
#
RayThompsonMusic
#
SheetMusicPlus
String Ensemble,String Trio Cello,Viola,Violin - Level 3 - SKU: A0.553761 Composed by Domenico Gallo. Arranged by Ray Thompson. Baroque,Holiday. Score a...
(+)
String Ensemble,String Trio Cello,Viola,Violin - Level 3 - SKU: A0.553761 Composed by Domenico Gallo. Arranged by Ray Thompson. Baroque,Holiday. Score and parts. 6 pages. RayThompsonMusic #4265103. Published by RayThompsonMusic (A0.553761). This music was originally attributed to Giovanni Pergolesi, as they were in a Mr R. Bremner's original 1780 London publication and also arranged by Hugo Riemann, and again wrongly attributed to Giovanni Pergolesi.It is actually the 1st movement of Gallo's 2nd Trio Sonata in Bb.It was used by Igor Stravinsky as a basis of the opening section of the 3rd mvt titled Scherzinoof his Neo Classical Pulcinella Suite. He labels his version 3a.ScherzinoThe Pulcinella Suite for small chamber orchestra and 3 vocalists which was derived from the ballet, was written in 1922 and has no vocal parts. But even though Stravinsky used Pergolesi's(which were in this case Gallo's) melodies and bass lines with little change, he managed to put his own unmistakable stamp on the music through his use of modern harmonies and occasional rhythmic modifications.Arranged string trio with alternative violin 2 for viola.
$11.95
Gallo: Trio Sonata No.2 in Bb Mvt.3 (Reworked as "Pulcinella Suite” Mvt.3b Scherzino,) - string trio
#
Trio à Cordes: violon, alto, violoncelle
#
INTERMÉDIAIRE
#
Domenico Gallo
#
Ray Thompson
#
Gallo: Trio Sonata No.2 in Bb
#
RayThompsonMusic
#
SheetMusicPlus
String Ensemble,String Trio Cello,Viola,Violin - Level 3 - SKU: A0.553759 Composed by Domenico Gallo. Arranged by Ray Thompson. Baroque,Holiday,Wedding....
(+)
String Ensemble,String Trio Cello,Viola,Violin - Level 3 - SKU: A0.553759 Composed by Domenico Gallo. Arranged by Ray Thompson. Baroque,Holiday,Wedding. Score and parts. 6 pages. RayThompsonMusic #4111413. Published by RayThompsonMusic (A0.553759). This music was originally attributed to Giovanni Pergolesi, as they were in a Mr R. Bremner's original 1780 London publication and also arranged by Hugo Riemann, and again wrongly attributed to Giovanni Pergolesi.It is actually the 3rd movement of Gallo's 2nd Trio Sonata in Bb.It was used by Igor Stravinsky as a basis of a section of the 3rd mvt titled Scherzinoof his Neo Classical Pulcinella Suite. He labels his version 3b.The Pulcinella Suite for small chamber orchestra and 3 vocalists which was derived from the ballet, was written in 1922 and has no vocal parts. But even though Stravinsky used Pergolesi's(which were in this case Gallo's) melodies and bass lines with little change, he managed to put his own unmistakable stamp on the music through his use of modern harmonies and occasional rhythmic modifications.Arranged string trio with alternative violin 2 for viola.
$11.95
<
1
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale
They Don
