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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Times
Non classifié
602
Piano & claviers
Piano seul
517
Piano, Voix et Guitare
133
Piano, Voix
95
1 Piano, 4 mains
55
Orgue
38
Instruments en Do
15
Piano Trio: piano, violon, violoncelle
15
Piano Facile
14
2 Pianos, 4 mains
8
Accompagnement Piano
5
Piano Quatuor: piano, violon, alto, violoncelle
3
Piano Quintette: piano, 2 violons, alto, violoncelle
2
Orgue, Piano (duo)
1
Orgue, Trompette (duo)
1
Accordéon
1
+ 10 instrumentations
Retracter
Guitares
Guitare notes et tablatures
59
Ligne De Mélodie, (Paroles) et Accords
54
Guitare
48
Paroles et Accords
40
Ukulele
31
2 Guitares (duo)
20
Basse electrique
12
4 Guitares (Quatuor)
6
Piano, Guitare (duo)
6
Dulcimer
3
Mandoline
2
Ensemble de guitares
2
Mandoline, Guitare (duo)
1
Banjo
1
3 Guitares (trio)
1
+ 10 instrumentations
Retracter
Voix
Chorale SATB
276
Chorale 3 parties
73
Chorale TTBB
54
Chorale SSAA
29
Chorale 2 parties
20
Voix duo, Piano
8
Chorale
7
Chorale Unison
7
Voix basse, Piano
4
Voix haute
3
Voix Alto, Piano
2
Voix duo
2
Voix seule
2
Chorale SSAATTBB
1
Voix Baryton, Piano
1
Voix basse
1
Voix Soprano, Orchestre
1
Chorale SSATB
1
Voix Tenor, Piano
1
Voix Soprano, Piano
1
+ 15 instrumentations
Retracter
Vents
2 Saxophones (duo)
112
Saxophone, Clarinette (duo)
55
2 Clarinettes (duo)
54
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
54
Flûte traversière et Piano
50
Quatuor de Saxophones: 4 saxophones
42
2 Flûtes traversières (duo)
41
Clarinette, Violon (duo)
39
Clarinette, Trompette (duo)
39
Hautbois, Piano (duo)
39
Clarinette et Piano
29
Quatuor de Clarinettes: 4 clarinettes
27
Saxophone Alto et Piano
27
Flûte, Hautbois, Clarinette, Basson
27
Flûte, Clarinette (duo)
25
Flûte et Guitare
24
Hautbois, Basson (duo)
21
Clarinette
21
Quatuor de Flûtes : 4 flûtes
20
Clarinette et Alto
20
Hautbois, Clarinette (duo)
19
2 Hautbois (duo)
19
Saxophone Tenor et Piano
19
Flûte, Saxophone (duo)
18
Quintette de Saxophone: 5 saxophones
17
Flûte traversière
17
Ensemble de saxophones
17
Flûte, Alto (duo)
16
Flûte, Violon
16
Hautbois, Flûte
16
Flûte, Trompette (duo)
15
Ensemble de Flûtes
14
Ensemble de Clarinettes
14
Saxophone Soprano et Piano
13
Quintette de Clarinettes: 5 clarinettes
12
Saxophone Alto
9
Saxophone Tenor
8
Clarinette, Guitare (duo)
8
Saxophone Baryton, Piano
7
Saxophone
6
Quintette de Flûte : 5 flûtes
6
Clarinette Basse, Piano
5
Cor anglais, Piano
5
Hautbois (partie séparée)
4
Flûte à bec Soprano
4
3 Saxophones (trio)
4
Flûte, Violoncelle, Piano (trio)
3
Trio de Flûtes: 3 flûtes
3
Clarinette, Violoncelle, Piano (trio)
3
Ocarina
3
Saxophone (partie séparée)
3
Flûte à bec Alto, Piano
2
Harmonica
2
2 Flûte à bec (duo)
2
Flûte, Violon, Piano
2
Flûte, Alto et Piano
2
3 Clarinettes (trio)
2
Clarinette, Harpe (duo)
2
Hautbois, Guitare (duo)
2
Quatuor de Flûtes à bec
2
Hautbois, Clarinette, Basson (trio d'anches)
1
2 Saxophones, Piano
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Flûte à bec Alto
1
Flûte à bec Soprano, Piano
1
Flûte, Clarinette et Basson
1
Flûte, Basson et Piano
1
Flûte, Violoncelle
1
Flûte, Clarinette, Piano (trio)
1
2 Clarinettes, Piano
1
Instruments en Mib
1
Hautbois, Harpe
1
Cor anglais, Guitare (duo)
1
2 Flûtes traversières, Piano
1
Flûte à Bec
1
+ 70 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
56
Trompette, Saxophone (duo)
42
Quatuor de Cuivres : 2 trompettes, trombone, tuba
29
2 Trombones (duo)
23
Trombone et Piano
23
2 Trompettes (duo)
21
Trompette, Piano
19
Trompette
18
Trompette, Trombone (duo)
18
Cor et Piano
14
Quatuor de Cuivres
13
Trombone
13
Quatuor de Cuivres: 2 trompettes, Cor, trombone
8
Euphonium, Piano (duo)
7
Cor
7
2 Cors (duo)
6
Cor anglais, Piano
5
Quatuor de cuivres: 4 cors
4
Ensemble de Trompettes
2
Tuba et Piano
2
2 Euphoniums et 2 Tubas
2
Tuba
1
Trombone basse
1
Trio de Cuivres
1
Trompette, Cor (duo)
1
Euphonium
1
Instruments en Sib
1
Quatuor de cuivres: 4 trombones
1
Ensemble de Tubas
1
3 Trompettes (trio)
1
Quatuor de cuivres: 4 trompettes
1
Cor anglais, Guitare (duo)
1
Bass Clef Instruments
1
+ 28 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
94
Violon et Piano
76
Alto, Piano
39
Violon, Violoncelle (duo)
35
Harpe
35
Violoncelle, Piano
35
Violon
25
Trio à Cordes: 2 violons, violoncelle
23
2 Violons (duo)
23
Violon, Alto (duo)
22
2 Violoncelles (duo)
22
2 Altos (duo)
21
Trio à Cordes: violon, alto, violoncelle
19
Violoncelle
17
2 Harpes (duo)
14
Alto seul
10
Quintette à cordes: 2 violons, alto, violoncelle, basse
7
Trio à Cordes: 3 violoncelles
5
Violoncelle , Guitare (duo)
3
Violon, Guitare (duo)
3
Alto (partie séparée)
2
Harpe, Flûte (duo)
2
Ensemble de Violons
1
Trio à Cordes: 2 violons, alto
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Trio à cordes: 3 violins
1
Alto et Basson
1
Piano Trio: Violon, Alto, Piano
1
2 Violons, Piano
1
Harpe, Voix
1
Violon, Violoncelle, Clarinette
1
Harpe, Violon (duo)
1
4 Violoncelles
1
Violoncelle, Orgue
1
+ 29 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
70
Fanfare
56
Orchestre
45
Orchestre à Cordes
44
Ensemble Jazz
31
Cloches
27
Ensemble de cuivres
26
Orchestre de chambre
20
Batterie
15
Marimba
7
Ensemble de Percussions
5
Jazz combo
5
Percussion
1
Xylophone
1
+ 9 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Crtitères actifs :
Times
intermédiaire
Trio à Cordes: violon, alto, violoncelle
Partitions à imprimer
19 partitions trouvées
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1
I Just Wasn't Made For These Times
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE
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Rock
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The Beach Boys
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Andrew R
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part included.
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I Just Wasn't Made For These T
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GuarrineMusic
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SheetMusicPlus
String Ensemble,String Trio Cello,Viola,Violin - Level 3 - SKU: A0.785984 By The Beach Boys. By Brian Wilson and Tony Asher. Arranged by Andrew R. Guarr...
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String Ensemble,String Trio Cello,Viola,Violin - Level 3 - SKU: A0.785984 By The Beach Boys. By Brian Wilson and Tony Asher. Arranged by Andrew R. Guarrine. Pop,Rock. Score and parts. 7 pages. GuarrineMusic #5721153. Published by GuarrineMusic (A0.785984). I Just Wasn’t Made Made For These Times (B. Wilson and T. Asher)Great song from the Pet Sounds album arranged for string trio (Vln, Vla and Vlc) with an alternate Vln 2 part included. Very expressive with tempo alterations, syncopation, pizzicato and the ‘cello playing up to high G. It will become a favorite in your catalog.Key of Bb Grade 2+/3
$12.99
TRUMPET TUNE, Jeremiah Clarke (sometimes attributed to H.Purcell), String Trio, Intermediate Level f
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE
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Jeremiah Clarke
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Sherry Lewis Publishing
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TRUMPET TUNE, Jeremiah Clarke
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Sherry Lewis Publishing
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SheetMusicPlus
String Trio Cello,Viola,Violin - Level 3 - SKU: A0.521025 Composed by Jeremiah Clarke. Arranged by Sherry Lewis Publishing. Baroque,Wedding. 9 pages. Sh...
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String Trio Cello,Viola,Violin - Level 3 - SKU: A0.521025 Composed by Jeremiah Clarke. Arranged by Sherry Lewis Publishing. Baroque,Wedding. 9 pages. Sherry Lewis Publishing #3383879. Published by Sherry Lewis Publishing (A0.521025). TRUMPET TUNE, Jeremiah Clarke (sometimes attributed to H.Purcell), String Trio, Intermediate Level for 2 violins and cello or violin, viola and celloScore: 2 pagesParts: 4 pages Time: 1'15MY QUARTET VERSIONS, in short notice work fine for solo, two parts and three parts however I also offer individual versions for one, two and three parts that are more detailed for these ensembles.Please visit https://www.sheetmusicplus.com/search?Ntt=sherry+lewis+publishing for all of the titles I offer.If you can’t find a title then contact me through www.baysbest.com/smp-arrangeme/ and I’ll give you the link back to Sheet Music Plus’s listing.VERSATILE Titles that include four parts are written with the idea that they can be performed with 1, 2, 3 or 4 musicians. Most of the contemporary/popular titles include a chord chart for a bass instrument.PRACTICE needs would vary according to the level of the performers but my goal is to be sight-readable for most performers and groups. AUDIO SAMPLE The 30 second mp3 is frequently shortened and may not start at the introduction to get to the reprise. The actual introduction will be in the sheet music.LISTENABILITY I have performed thousands of weddings and special events. I make it a goal for the music to carry as well as possible through loud and large space situations. ARRANGEMENTS usually follow the original version. There is an mp3 where you can hear 30 seconds and get a feeling of the originality of the work.EXCELLENT for corporate events, weddings, social gatherings and recitals.APPROPRIATE for students and schools.CHURCH REPERTOIRE I’m always adding more titles. Sherry Lewis is a professional arranger and musician residing in Northern California. Thank you for your purchase!
$6.50
Bach: Wachet auf for String Trio
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for String Tr
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jmsgu3
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SheetMusicPlus
String Ensemble,String Trio - Level 3 - SKU: A0.549856 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sa...
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String Ensemble,String Trio - Level 3 - SKU: A0.549856 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and parts. 12 pages. Jmsgu3 #3555135. Published by jmsgu3 (A0.549856). Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Voyager
$27.95
The Way You Look Tonight
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE
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Frank Sinatra
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Krista Broadway Swider
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The Way You Look Tonight
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Krista Swider
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SheetMusicPlus
String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1404067 By Frank Sinatra. By Dorothy Fields and Jerome Kern. Arranged by Krista Broadway Swider. Jazz...
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String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1404067 By Frank Sinatra. By Dorothy Fields and Jerome Kern. Arranged by Krista Broadway Swider. Jazz,Pop. 12 pages. Krista Swider #987240. Published by Krista Swider (A0.1404067). The Way You Look Tonight is a classic that was made famous by Frank Sinatra and has since been used a thousand times in our favorite rom-coms. With sweet lyrics and a memorable tune, the song has a simple form although it switches almost effortlessly from C Major to C minor between verse and chorus. I've written a slightly melancholy intro in which the melody to the verse is introduced in the violin part and the cello and viola sit on sonorous harmonies, many containing sustained sevenths, biding their time until they all join in a robust version of the verse. The cello takes the part of an upright bass, plucking the bass line while the viola fills in harmonies and the violin plays the vocal line. When the key changes and the chorus begins, the three instruments are all arco and trade turns on the melody. The music is marked with measure numbers and rehearsal letters, and all parts are bowed.
$13.99
(Everything I Do) I Do It For You
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE
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Rock
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Bryan Adams
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Susie Winkworth winkmusic
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(Everything I Do) I Do It For
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winkmusic.co.uk
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SheetMusicPlus
String Ensemble,String Trio Cello,Viola,Violin - Level 3 - SKU: A0.847129 By Bryan Adams. By Bryan Adams, Michael Kamen, and Robert John Mutt Lange. Arr...
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String Ensemble,String Trio Cello,Viola,Violin - Level 3 - SKU: A0.847129 By Bryan Adams. By Bryan Adams, Michael Kamen, and Robert John Mutt Lange. Arranged by Susie Winkworth winkmusic.co.uk. Contemporary,Pop. Score and parts. 10 pages. Winkmusic.co.uk #4791407. Published by winkmusic.co.uk (A0.847129). Bryan Adams' classic from the movie Robin Hood, Prince of Thieves hit the top of the charts for a record length of time and won a host of awards. Ever since, it has been a favourite wedding song and romantic power ballad, so get your 90s rock on with the ultimate string trio version. No more dubious long notes - it actually sounds like the original!Winkmusic.co.uk produces the highest quality arrangements. Tried and tested at 5* venues and concert halls, only the best make the cut. Previous commissions have appeared on Sunday Times Top 100 Albums of 2016, and are played by Classic FM chart-toppers and at festivals across the world.
$15.00
Air from Orchestral Suite 3 BWV1068 by Bach ("On the G String) for String Trio
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE
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Classique
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Johann Sebastian Bach
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Dandenong Ranges Strings
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Air from Orchestral Suite 3 BW
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Dandenong Ranges Strings
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SheetMusicPlus
String Ensemble,String Trio Cello,Viola,Violin - Level 3 - SKU: A0.529343 Composed by Johann Sebastian Bach. Arranged by Dandenong Ranges Strings. Baroq...
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String Ensemble,String Trio Cello,Viola,Violin - Level 3 - SKU: A0.529343 Composed by Johann Sebastian Bach. Arranged by Dandenong Ranges Strings. Baroque,Classical,Traditional,Wedding. Score and parts. 5 pages. Dandenong Ranges Strings #139744. Published by Dandenong Ranges Strings (A0.529343). The beautiful Air, from Bach's 3rd Orchestral Suite, often referred to as Air on the G String. I was frustrated every time I played the original without the Violin 2 part, as many of the beautiful inner melodies were missing. Here's my arrangement for String Trio, that has been performed many times at Weddings. For Violin, Viola and Cello.
$9.00
Bach - Prelude & Fugue in F Minor BWV881 - String Trio (Violin, Viola & Cello) - Score and parts
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE
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Classique
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Johann Sebastian Bach
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Tim TK Murray
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tkmurraycomp@aol.com
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Bach - Prelude & Fugue in
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TK
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SheetMusicPlus
String Ensemble,String Trio Cello,Viola,Violin - Level 3 - SKU: A0.824080 Composed by Johann Sebastian Bach. Arranged by Tim TK Murray. Baroque,Concert,...
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String Ensemble,String Trio Cello,Viola,Violin - Level 3 - SKU: A0.824080 Composed by Johann Sebastian Bach. Arranged by Tim TK Murray. Baroque,Concert,Standards. Score and parts. 13 pages. TK (Tim) Murray #4980141. Published by TK (Tim) Murray (A0.824080). This beautiful Prelude and Fugue in F minor from the 'Well-Tempered Klavier' makes the perfect addition to the String Trio repertoire. It would be an ideal concert opener with its deeply heartfelt prelude followed by a rhythmic and vibrant fugue. Originally from Glasgow, Timothy studied at the Royal College of Music, London and the Banff Centre, Canada. He was the Pianist for the Isis Piano Trio and Ballet Creations and is now in demand as an accompanist and chamber musician having performed with artists such as Dame Sarah Connolly and Tasmin Little. He has toured widely internationally and has recorded for BBC Radio 3 and Classic FM as well as TV appearances in Russia and Egypt. Murray’s compositions have been recorded by The Fibbonnaci Sequence and Piers Lane among others with reviews such as ‘Corruscating’ (Independent) and ‘Highly imaginative’ (The Sunday Times). Contact; tkmurraycomp@aol.com
$5.95
3 Pairs of Pieces for String Trio - Mozart, Brahms, Reger
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE
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Classique
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Johannes Brahms, Max Reger, an
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Tim TK Murray
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3 Pairs of Pieces for String T
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TK
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SheetMusicPlus
String Ensemble,String Trio - Level 3 - SKU: A0.824083 Composed by Johannes Brahms, Max Reger, and Wolfgang Amadeus Mozart. Arranged by Tim TK Murray. C...
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String Ensemble,String Trio - Level 3 - SKU: A0.824083 Composed by Johannes Brahms, Max Reger, and Wolfgang Amadeus Mozart. Arranged by Tim TK Murray. Classical,Concert,Romantic Period,Standards. Score and parts. 28 pages. TK (Tim) Murray #5360933. Published by TK (Tim) Murray (A0.824083). 3 Pairs of Pieces for String Trio (Violin, Viola & Cello) consists of 2 short pieces by Mozart, 2 by Brahms and 2 by Reger.Mozart's beautiful Andantino K355 is paired with his brilliant 'Eine Kleine Gigue' K574. Brahm's famous lullaby waltz Op 39 No14 is followed by a livelier Waltz in G min from the same set. Thirdly, Reger's gentle Improvisation Op18 No1 is followed by a lively Scherzo-like Gigue. All satisfying and fun to play for your own pleasure but good for audiences in a concert too. Originally from Glasgow, Timothy studied at the Royal College of Music, London and the Banff Centre, Canada. He was the Pianist for the Isis Piano Trio and Ballet Creations and is now in demand as an accompanist and chamber musician having performed with artists such as Dame Sarah Connolly and Tasmin Little. He has toured widely internationally and has recorded for BBC Radio 3 and Classic FM as well as TV appearances in Russia and Egypt. Murray’s compositions have been recorded by The Fibbonnaci Sequence and Piers Lane among others with reviews such as ‘Corruscating’ (Independent) and ‘Highly imaginative’ (The Sunday Times). Contact; tkmurraycomp@aol.com
$8.95
Bourree from Water Music for String Trio
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE
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Classique
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George Frideric Handel
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Dave Prudon
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Bourree from Water Music for S
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Prudon String Ensembles
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SheetMusicPlus
String Ensemble,String Trio Cello,Viola,Violin - Level 3 - SKU: A0.732608 Composed by George Frideric Handel. Arranged by Dave Prudon. Baroque,Christmas...
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String Ensemble,String Trio Cello,Viola,Violin - Level 3 - SKU: A0.732608 Composed by George Frideric Handel. Arranged by Dave Prudon. Baroque,Christmas,Easter,Sacred,Wedding. Score and parts. 6 pages. Prudon String Ensembles #4312121. Published by Prudon String Ensembles (A0.732608). This famous Baroque standard has been arranged many times for various instruments and this particular arrangement for a String Trio is one of the best. Nicely written harmony parts blend beautifully with the melody which makes for a very well-balanced result. This is a must have for any String Trio that regularly plays for weddings & other special occasions. To give the ensemble another performance option, a 2nd violin part is included in this set.You'll find hundreds of other arrangements for strings at: Prudon String Ensembles Sheet Music.
$9.99
Day 1
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE
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Annexie Miyares, Daniel Santac
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KoaliMusic
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Day 1
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Koali
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SheetMusicPlus
String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1214921 Composed by Annexie Miyares, Daniel Santacruz, and Leslie Grace Martinez. Arranged by KoaliMu...
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String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1214921 Composed by Annexie Miyares, Daniel Santacruz, and Leslie Grace Martinez. Arranged by KoaliMusic. Latin,Multicultural,Pop,World. 6 pages. Koali #811810. Published by Koali (A0.1214921). String Trio of the Bachata hit so popular in Europe and Latin America! It's easily sightreadable, yet with only the 3 parts everyone has the tune at different times and the parts are interesting to play! All parts include bowing and dynamics.
$14.99
Bach - Prelude & Fugue in E Major BWV854- String Trio ( Violin, Viola, Cello )
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE
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Classique
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Johann Sebastian Bach
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Tim TK Murray
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Bach - Prelude & Fugue in
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TK
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SheetMusicPlus
String Ensemble,String Trio - Level 3 - SKU: A0.824057 Composed by Johann Sebastian Bach. Arranged by Tim TK Murray. Baroque,Concert,Standards. Score an...
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String Ensemble,String Trio - Level 3 - SKU: A0.824057 Composed by Johann Sebastian Bach. Arranged by Tim TK Murray. Baroque,Concert,Standards. Score and parts. 10 pages. TK (Tim) Murray #4810017. Published by TK (Tim) Murray (A0.824057). This beautiful Prelude and Fugue in E Major from the 'Well-Tempered Klavier' makes the perfect addition to the String Trio repertoire. It would be an ideal concert opener with its gently flowing prelude followed by a joyful fugue. Originally from Glasgow, Timothy studied at the Royal College of Music, London and the Banff Centre, Canada. He was the Pianist for the Isis Piano Trio and Ballet Creations and is now in demand as an accompanist and chamber musician having performed with artists such as Dame Sarah Connolly and Tasmin Little. He has toured widely internationally and has recorded for BBC Radio 3 and Classic FM as well as TV appearances in Russia and Egypt. Murray’s compositions have been recorded by The Fibbonnaci Sequence and Piers Lane among others with reviews such as ‘Corruscating’ (Independent) and ‘Highly imaginative’ (The Sunday Times). Contact; tkmurraycomp@aol.com
$5.95
Stay
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE
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Pop musique
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Shakespear's Sister
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KoaliMusic
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Stay
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Koali
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SheetMusicPlus
String Ensemble,String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1159334 By Shakespear's Sister. By Jean Guiot, Marcella Levy, and Siobhan Fahey. Arra...
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String Ensemble,String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1159334 By Shakespear's Sister. By Jean Guiot, Marcella Levy, and Siobhan Fahey. Arranged by KoaliMusic. Pop. Score and parts. 6 pages. Koali #759605. Published by Koali (A0.1159334). This string trio of the huge pop ballad Stay gives the tune at various times to each player, and is faithfull to the lush harmonies/backing vocals of the original record. Easy to play, and all parts print to a single page each - perfect for folders! All KoaliMusic arrangements are by string players.
$14.99
String Trio No. 3 in A major
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE
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Classique
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/ Wm
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William Shield
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Robert Hoskins
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String Trio No. 3 in A major
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Artaria Editions
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SheetMusicPlus
String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1488228 Composed by William Shield. Arranged by Robert Hoskins. Classical. 27 pages. Artaria Editions...
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String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1488228 Composed by William Shield. Arranged by Robert Hoskins. Classical. 27 pages. Artaria Editions #1065115. Published by Artaria Editions (A0.1488228). Shield's Trios, written for a continental audience, are seminal works in the composer's output and mark a new level of compositional attainment in the English chamber music repertory. Technically, they contain a wide variety of ideas which are developed with great ingenuity through a wide range of keys, dynamic contrasts and timbral effects. Aesthetically, they blend 'popular' and 'learned' taste along with 'orchestral' splendour and 18th century notions of beauty. The Trios present a dazzling range of moods and style with each work demonstrating Shield's mastery of the idiom, both in his treatment of individual instruments and in the handling of textures. While there is no shortage of melody and accompaniment, in which the violin takes the lead, there are many memorable solos for the viola and the cello in its high register. The wide range of textures includes melodic decoration, dialogue, contrast of high and low register, legato and staccato, powerful unison and double octaves. Shield's ability to incorporate arioso-like melody, the prevailing 'symphonic' style and folk elements was largely achieved through the cross-generic requirements of English comic opera (a form to which Shield devoted himself during the whole of his creative career). In general, Shield's technique results in a firm control of the way music moves - with sometimes a surprising degree of stylistic restlessness and sometimes of unexpected plainness and simplicity. The trios Shield selected for publication were issued by Longman and Broderip, London, in January 1796 under the inspection of the composer. No autograph of these works survives and Longman and Broderip's printing, a copy of which is preserved in the Bodleian Library, Oxford, under the call number Mus.Instr.I 214(15), is the only source of this edition. The title page, with its dedicatory inscription, reads: Six / TRIOS / FOR / Violin, Tenor and Violoncello, / Composed / And Inscribed to the Memory of / Jacob More Esqr. / By / Wm. SHIELD./ (Musician in Ordinary to His Majesty) / Entd. At Statn. Hall [rule] Price 10/6 / ADVERTISEMENT / These Trios were Composed chiefly for the abovementioned Celebrated Landscape Painter (in Rome) / And are Dedicated to his Memory as a Token of Gratitude for the Services he rendered the Author / during his Residence in that City. The movements which are written in the uncommon Time / of 5/4 have amused some of the most distinguished Professors both in England & Italy which / induces the Author to hope they will not be disagreeable to the Public at Large / Goodge Street, Jany. 1st 1796 / [rule] / London, Printed for the Author by Longman & Broderip, No.26, Cheapside & No.13, Haymarket. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$49.00
String Trio No. 4 in E major
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE
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Classique
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/ Wm
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William Shield
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Robert Hoskins
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String Trio No. 4 in E major
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Artaria Editions
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SheetMusicPlus
String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1488229 Composed by William Shield. Arranged by Robert Hoskins. Classical. 24 pages. Artaria Editions...
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String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1488229 Composed by William Shield. Arranged by Robert Hoskins. Classical. 24 pages. Artaria Editions #1065116. Published by Artaria Editions (A0.1488229). Shield's Trios, written for a continental audience, are seminal works in the composer's output and mark a new level of compositional attainment in the English chamber music repertory. Technically, they contain a wide variety of ideas which are developed with great ingenuity through a wide range of keys, dynamic contrasts and timbral effects. Aesthetically, they blend 'popular' and 'learned' taste along with 'orchestral' splendour and 18th century notions of beauty. The Trios present a dazzling range of moods and style with each work demonstrating Shield's mastery of the idiom, both in his treatment of individual instruments and in the handling of textures. While there is no shortage of melody and accompaniment, in which the violin takes the lead, there are many memorable solos for the viola and the cello in its high register. The wide range of textures includes melodic decoration, dialogue, contrast of high and low register, legato and staccato, powerful unison and double octaves. Shield's ability to incorporate arioso-like melody, the prevailing 'symphonic' style and folk elements was largely achieved through the cross-generic requirements of English comic opera (a form to which Shield devoted himself during the whole of his creative career). In general, Shield's technique results in a firm control of the way music moves - with sometimes a surprising degree of stylistic restlessness and sometimes of unexpected plainness and simplicity. The trios Shield selected for publication were issued by Longman and Broderip, London, in January 1796 under the inspection of the composer. No autograph of these works survives and Longman and Broderip's printing, a copy of which is preserved in the Bodleian Library, Oxford, under the call number Mus.Instr.I 214(15), is the only source of this edition. The title page, with its dedicatory inscription, reads: Six / TRIOS / FOR / Violin, Tenor and Violoncello, / Composed / And Inscribed to the Memory of / Jacob More Esqr. / By / Wm. SHIELD./ (Musician in Ordinary to His Majesty) / Entd. At Statn. Hall [rule] Price 10/6 / ADVERTISEMENT / These Trios were Composed chiefly for the abovementioned Celebrated Landscape Painter (in Rome) / And are Dedicated to his Memory as a Token of Gratitude for the Services he rendered the Author / during his Residence in that City. The movements which are written in the uncommon Time / of 5/4 have amused some of the most distinguished Professors both in England & Italy which / induces the Author to hope they will not be disagreeable to the Public at Large / Goodge Street, Jany. 1st 1796 / [rule] / London, Printed for the Author by Longman & Broderip, No.26, Cheapside & No.13, Haymarket. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$49.00
String Trio No. 9 in A major
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE
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Classique
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William Shield
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Robert Hoskins
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String Trio No. 9 in A major
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Artaria Editions
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SheetMusicPlus
String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1488294 Composed by William Shield. Arranged by Robert Hoskins. Classical. 29 pages. Artaria Editions...
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String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1488294 Composed by William Shield. Arranged by Robert Hoskins. Classical. 29 pages. Artaria Editions #1065182. Published by Artaria Editions (A0.1488294). Artaria Editions AE429Shield's Trios, written for a continental audience, are seminal works in the composer's output and mark a new level of compositional attainment in the English chamber music repertory. Technically, they contain a wide variety of ideas which are developed with great ingenuity through a wide range of keys, dynamic contrasts and timbral effects. Aesthetically, they blend 'popular' and 'learned' taste along with 'orchestral' splendour and 18th century notions of beauty. The Trios present a dazzling range of moods and style with each work demonstrating Shield's mastery of the idiom, both in his treatment of individual instruments and in the handling of textures. While there is no shortage of melody and accompaniment, in which the violin takes the lead, there are many memorable solos for the viola and the cello in its high register. The wide range of textures includes melodic decoration, dialogue, contrast of high and low register, legato and staccato, powerful unison and double octaves. Shield's ability to incorporate arioso-like melody, the prevailing 'symphonic' style and folk elements was largely achieved through the cross-generic requirements of English comic opera (a form to which Shield devoted himself during the whole of his creative career). In general, Shield's technique results in a firm control of the way music moves - with sometimes a surprising degree of stylistic restlessness and sometimes of unexpected plainness and simplicity. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$49.00
String Trio No. 6 in B flat major
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE
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Classique
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/ Wm
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William Shield
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Robert Hoskins
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String Trio No. 6 in B flat ma
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Artaria Editions
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SheetMusicPlus
String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1488232 Composed by William Shield. Arranged by Robert Hoskins. Classical. 36 pages. Artaria Editions...
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String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1488232 Composed by William Shield. Arranged by Robert Hoskins. Classical. 36 pages. Artaria Editions #1065119. Published by Artaria Editions (A0.1488232). Shield's Trios, written for a continental audience, are seminal works in the composer's output and mark a new level of compositional attainment in the English chamber music repertory. Technically, they contain a wide variety of ideas which are developed with great ingenuity through a wide range of keys, dynamic contrasts and timbral effects. Aesthetically, they blend 'popular' and 'learned' taste along with 'orchestral' splendour and 18th century notions of beauty. The Trios present a dazzling range of moods and style with each work demonstrating Shield's mastery of the idiom, both in his treatment of individual instruments and in the handling of textures. While there is no shortage of melody and accompaniment, in which the violin takes the lead, there are many memorable solos for the viola and the cello in its high register. The wide range of textures includes melodic decoration, dialogue, contrast of high and low register, legato and staccato, powerful unison and double octaves. Shield's ability to incorporate arioso-like melody, the prevailing 'symphonic' style and folk elements was largely achieved through the cross-generic requirements of English comic opera (a form to which Shield devoted himself during the whole of his creative career). In general, Shield's technique results in a firm control of the way music moves - with sometimes a surprising degree of stylistic restlessness and sometimes of unexpected plainness and simplicity. The trios Shield selected for publication were issued by Longman and Broderip, London, in January 1796 under the inspection of the composer. No autograph of these works survives and Longman and Broderip's printing, a copy of which is preserved in the Bodleian Library, Oxford, under the call number Mus.Instr.I 214(15), is the only source of this edition. The title page, with its dedicatory inscription, reads: Six / TRIOS / FOR / Violin, Tenor and Violoncello, / Composed / And Inscribed to the Memory of / Jacob More Esqr. / By / Wm. SHIELD./ (Musician in Ordinary to His Majesty) / Entd. At Statn. Hall [rule] Price 10/6 / ADVERTISEMENT / These Trios were Composed chiefly for the abovementioned Celebrated Landscape Painter (in Rome) / And are Dedicated to his Memory as a Token of Gratitude for the Services he rendered the Author / during his Residence in that City. The movements which are written in the uncommon Time / of 5/4 have amused some of the most distinguished Professors both in England & Italy which / induces the Author to hope they will not be disagreeable to the Public at Large / Goodge Street, Jany. 1st 1796 / [rule] / London, Printed for the Author by Longman & Broderip, No.26, Cheapside & No.13, Haymarket. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$49.00
String Trio No. 7 in G major
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE
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Classique
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William Shield
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Robert Hoskins
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String Trio No. 7 in G major
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Artaria Editions
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SheetMusicPlus
String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1488290 Composed by William Shield. Arranged by Robert Hoskins. Classical. 26 pages. Artaria Editions...
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String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1488290 Composed by William Shield. Arranged by Robert Hoskins. Classical. 26 pages. Artaria Editions #1065178. Published by Artaria Editions (A0.1488290). Artaria Editions AE427Shield's Trios, written for a continental audience, are seminal works in the composer's output and mark a new level of compositional attainment in the English chamber music repertory. Technically, they contain a wide variety of ideas which are developed with great ingenuity through a wide range of keys, dynamic contrasts and timbral effects. Aesthetically, they blend 'popular' and 'learned' taste along with 'orchestral' splendour and 18th century notions of beauty. The Trios present a dazzling range of moods and style with each work demonstrating Shield's mastery of the idiom, both in his treatment of individual instruments and in the handling of textures. While there is no shortage of melody and accompaniment, in which the violin takes the lead, there are many memorable solos for the viola and the cello in its high register. The wide range of textures includes melodic decoration, dialogue, contrast of high and low register, legato and staccato, powerful unison and double octaves. Shield's ability to incorporate arioso-like melody, the prevailing 'symphonic' style and folk elements was largely achieved through the cross-generic requirements of English comic opera (a form to which Shield devoted himself during the whole of his creative career). In general, Shield's technique results in a firm control of the way music moves - with sometimes a surprising degree of stylistic restlessness and sometimes of unexpected plainness and simplicity. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$49.00
String Trio No. 5 in C minor
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE
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Classique
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/ Wm
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William Shield
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Robert Hoskins
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String Trio No. 5 in C minor
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Artaria Editions
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SheetMusicPlus
String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1488231 Composed by William Shield. Arranged by Robert Hoskins. Classical. 23 pages. Artaria Editions...
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String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1488231 Composed by William Shield. Arranged by Robert Hoskins. Classical. 23 pages. Artaria Editions #1065118. Published by Artaria Editions (A0.1488231). Shield's Trios, written for a continental audience, are seminal works in the composer's output and mark a new level of compositional attainment in the English chamber music repertory. Technically, they contain a wide variety of ideas which are developed with great ingenuity through a wide range of keys, dynamic contrasts and timbral effects. Aesthetically, they blend 'popular' and 'learned' taste along with 'orchestral' splendour and 18th century notions of beauty. The Trios present a dazzling range of moods and style with each work demonstrating Shield's mastery of the idiom, both in his treatment of individual instruments and in the handling of textures. While there is no shortage of melody and accompaniment, in which the violin takes the lead, there are many memorable solos for the viola and the cello in its high register. The wide range of textures includes melodic decoration, dialogue, contrast of high and low register, legato and staccato, powerful unison and double octaves. Shield's ability to incorporate arioso-like melody, the prevailing 'symphonic' style and folk elements was largely achieved through the cross-generic requirements of English comic opera (a form to which Shield devoted himself during the whole of his creative career). In general, Shield's technique results in a firm control of the way music moves - with sometimes a surprising degree of stylistic restlessness and sometimes of unexpected plainness and simplicity. The trios Shield selected for publication were issued by Longman and Broderip, London, in January 1796 under the inspection of the composer. No autograph of these works survives and Longman and Broderip's printing, a copy of which is preserved in the Bodleian Library, Oxford, under the call number Mus.Instr.I 214(15), is the only source of this edition. The title page, with its dedicatory inscription, reads: Six / TRIOS / FOR / Violin, Tenor and Violoncello, / Composed / And Inscribed to the Memory of / Jacob More Esqr. / By / Wm. SHIELD./ (Musician in Ordinary to His Majesty) / Entd. At Statn. Hall [rule] Price 10/6 / ADVERTISEMENT / These Trios were Composed chiefly for the abovementioned Celebrated Landscape Painter (in Rome) / And are Dedicated to his Memory as a Token of Gratitude for the Services he rendered the Author / during his Residence in that City. The movements which are written in the uncommon Time / of 5/4 have amused some of the most distinguished Professors both in England & Italy which / induces the Author to hope they will not be disagreeable to the Public at Large / Goodge Street, Jany. 1st 1796 / [rule] / London, Printed for the Author by Longman & Broderip, No.26, Cheapside & No.13, Haymarket. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$49.00
String Trio No. 8 in F major
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE
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Classique
#
William Shield
#
Robert Hoskins
#
String Trio No. 8 in F major
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Artaria Editions
#
SheetMusicPlus
String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1488292 Composed by William Shield. Arranged by Robert Hoskins. Classical. 35 pages. Artaria Editions...
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String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1488292 Composed by William Shield. Arranged by Robert Hoskins. Classical. 35 pages. Artaria Editions #1065180. Published by Artaria Editions (A0.1488292). Artaria Editions AE428Shield's Trios, written for a continental audience, are seminal works in the composer's output and mark a new level of compositional attainment in the English chamber music repertory. Technically, they contain a wide variety of ideas which are developed with great ingenuity through a wide range of keys, dynamic contrasts and timbral effects. Aesthetically, they blend 'popular' and 'learned' taste along with 'orchestral' splendour and 18th century notions of beauty. The Trios present a dazzling range of moods and style with each work demonstrating Shield's mastery of the idiom, both in his treatment of individual instruments and in the handling of textures. While there is no shortage of melody and accompaniment, in which the violin takes the lead, there are many memorable solos for the viola and the cello in its high register. The wide range of textures includes melodic decoration, dialogue, contrast of high and low register, legato and staccato, powerful unison and double octaves. Shield's ability to incorporate arioso-like melody, the prevailing 'symphonic' style and folk elements was largely achieved through the cross-generic requirements of English comic opera (a form to which Shield devoted himself during the whole of his creative career). In general, Shield's technique results in a firm control of the way music moves - with sometimes a surprising degree of stylistic restlessness and sometimes of unexpected plainness and simplicity. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$49.00
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