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AUTOHARPE
BANJO
BASSE
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BATTERIE
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CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
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FORMATION MUSI…
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LIVRES
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OCARINA
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A Day in the Life of Me
Non classifié
90
Piano & claviers
Piano seul
76
Piano, Voix
35
Piano, Voix et Guitare
32
Instruments en Do
21
Piano Facile
5
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2
Orgue
2
Piano Quatuor: piano, 2 violons, violoncelle
1
1 Piano, 4 mains
1
Piano grosses notes
1
2 Pianos, 4 mains
1
+ 6 instrumentations
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Guitares
Guitare
3
Ligne De Mélodie, (Paroles) et Accords
2
Mandoline
1
Voix
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46
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8
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5
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5
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3
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3
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2
Voix duo, Piano
2
Voix haute
2
Voix seule
1
Voix Baryton, Piano
1
Voix basse
1
Voix Alto, Piano
1
Chorale SSAA
1
+ 9 instrumentations
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Vents
Quatuor de Saxophones: 4 saxophones
3
Clarinette et Piano
3
Quatuor de Clarinettes: 4 clarinettes
3
Clarinette
2
Hautbois, Piano (duo)
2
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
2
Saxophone et Orgue
1
Clarinette, Guitare (duo)
1
Saxophone Alto
1
Saxophone Tenor
1
Saxophone (partie séparée)
1
Flûte à bec Soprano
1
Flûte, Hautbois, Clarinette, Basson
1
Quintette de Flûte : 5 flûtes
1
Ensemble de Clarinettes
1
Flûte traversière
1
Ensemble de Flûtes
1
Flûte traversière et Piano
1
Hautbois (partie séparée)
1
+ 14 instrumentations
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Cuivres
Trompette
5
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
4
Cor et Piano
2
Quatuor de cuivres: 4 cors
1
4 Tubas
1
Trombone
1
Quatuor de Cuivres
1
Trombone et Piano
1
Tuba
1
Ensemble de Trompettes
1
+ 5 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
17
Violon et Piano
7
Violon
5
Harpe, Voix
4
Trio à Cordes: violon, alto, violoncelle
2
Violoncelle
2
Trio à Cordes: 3 violoncelles
1
4 Violoncelles
1
2 Violoncelles (duo)
1
Violon, Violoncelle (duo)
1
Harpe
1
Violoncelle, Piano
1
2 Violons (duo)
1
Harpe, Flûte (duo)
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
+ 10 instrumentations
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Orchestre
10
Orchestre d'harmonie
10
Orchestre à Cordes
5
Ensemble Jazz
5
Orchestre de chambre
4
Jazz combo
4
Marimba
1
+ 2 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
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HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
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ORGUE
PERCUSSION
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Vous avez sélectionné:
A Day in the Life of Me
Trio à Cordes: violon, alto, violoncelle
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The Sundials: II; Pereunt et Imputantur (They pass and are counted)
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Trio à Cordes: violon, alto, violoncelle
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Contemporain
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Matthew Scott Phillips
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The Sundials: II; Pereunt et I
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Matthew Scott Phillips
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SheetMusicPlus
String Ensemble,String Trio - SKU: A0.1004149 Composed by Matthew Scott Phillips. 20th Century,Contemporary. Score and parts. 13 pages. Matthew Scott Ph...
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String Ensemble,String Trio - SKU: A0.1004149 Composed by Matthew Scott Phillips. 20th Century,Contemporary. Score and parts. 13 pages. Matthew Scott Phillips #3510885. Published by Matthew Scott Phillips (A0.1004149). Throughout the centuries, sundials (a flat plate that marks the time of the day by the shadow of a gnomon which is cast onto it) have been used by civilizations to tell time. Unlike modern clocks and digital watches, in which every single second has its own momentary significance, telling time by sundial is more evolutionary. The seconds, and hours, melt into one another. It is perhaps for this reason that sundials have often been conceived not only as practical time pieces, but as works of art, metaphors, and creations that are inherent expressions of the personality of their creators. Etched in many sundials across the world, in Latin, English, German, and other languages are often found mottoes that reflect the thoughts of the sundial's creator. These mottoes can be fatalistic, humorous, transient, morbid, or serene, and almost always involve the subjects of time, the passing of the hours, life and its brevity, or metaphors involving shadows. Many times these mottoes feature some witticism, such as I only count the sunny hours (since a shadow must be present for a sundial to function). Other times, they can be revealingly existential (We are but shadow), and other times offer advice (Use the hours, don't count them).It is these statements of philosophy, etched in sundials throughout the centuries, that most interests me. I am currently composing a set of movements for piano trio (Piano, Violin, Cello) dedicated to the mottoes found on sundials, and their significance to me. The first movement, subtitled Tempus Edax Rerum (Time devours things) is expansive and attempts a feeling of eternity, into which all seemingly fast moving workings of human beings are inevitably subsumed. For the second movement I am considering the phrase Pereunt et Imputantur (They pass and are counted referring to the hours of the day), and its implication of the way in which time can slip away, whether we observe it or not.
$2.00
In the Sweet By and By hymn for string trio
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Trio à Cordes: violon, alto, violoncelle
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and By! Why would not that mak
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SMT Music
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In the Sweet By and By hymn fo
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SMT Music
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SheetMusicPlus
String Ensemble,String Trio - SKU: A0.749761 Arranged by SMT Music. Christian,Folk,Holiday,Patriotic,Sacred,Standards. Score and parts. 10 pages. SMT Mu...
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String Ensemble,String Trio - SKU: A0.749761 Arranged by SMT Music. Christian,Folk,Holiday,Patriotic,Sacred,Standards. Score and parts. 10 pages. SMT Music #6286217. Published by SMT Music (A0.749761). (published in 1868) Mr. Webster, like many musicians, was of an exceedingly nervous and sensitive nature, and subject to periods of depression, in which he looked upon the dark side of all things in life. I had learned his peculiarities so well that on meeting him I could tell at a glance if he was melancholy, and had found that I could rouse him up by giving him a new song to work on. He came into my place of business [in Elkhorn, Wisconsin], walked down to the stove, and turned his back on me without speaking. I was at my desk. Turning to him, I said, Webster, what is the matter now? It's no matter, he replied, it will be all right by and by. The idea of the hymn came me like a flash of sunlight, and I replied, The Sweet By and By! Why would not that make a good hymn? Maybe it would, he said indifferently. Turning to my desk I penned the words of the hymn as fast as I could write. I handed the words to Webster. As he read his eyes kindled, and stepping to the desk he began writing the notes. Taking his violin, he played the melody and then jotted down the notes of the chorus. It was not over thirty minutes from the time I took my pen to write the words before two friends with Webster and myself were singing the hymn.-Sanford Fillmore Bennett (1836-1898)[2].
$12.99
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A Day in the Life of Me
