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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
AST Publications
Non classifié
851
Piano & claviers
Piano, Voix
4 687
Piano seul
553
Piano, Voix et Guitare
55
Piano Facile
43
Orgue
33
2 Pianos, 4 mains
10
Accordéon
10
Instruments en Do
10
Orgue, Piano (duo)
4
Piano Trio: piano, violon, violoncelle
4
Piano Quatuor: piano, violon, alto, violoncelle
3
Accompagnement Piano
3
1 Piano, 4 mains
3
Piano Quintette: piano, 2 violons, alto, violoncelle
2
1 Piano, 6 mains
2
Clavier
1
Clavecin
1
Orgue, Trompette (duo)
1
Piano grosses notes
1
+ 14 instrumentations
Retracter
Guitares
Guitare
231
Guitare notes et tablatures
151
Piano, Guitare (duo)
113
2 Guitares (duo)
41
Mandoline
24
Basse electrique
19
Banjo
17
Ukulele
17
Dulcimer
7
4 Guitares (Quatuor)
3
Ligne De Mélodie, (Paroles) et Accords
2
Ensemble de guitares
1
Guitare Pedal Steel
1
+ 8 instrumentations
Retracter
Voix
Chorale SATB
205
Voix seule
166
Chorale 3 parties
67
Voix duo, Piano
46
Chorale 2 parties
14
Chorale Unison
12
Voix haute
11
Chorale TTBB
7
Voix Soprano, Piano
4
Voix basse, Piano
3
Voix Baryton, Piano
3
Voix basse
3
Chorale SSAA
3
Voix Tenor, Piano
2
Voix duo
2
Voix, Guitare
1
Voix Alto, Piano
1
+ 12 instrumentations
Retracter
Vents
Hautbois, Piano (duo)
208
Flûte traversière et Piano
208
Clarinette et Piano
195
Saxophone Alto et Piano
157
Saxophone Tenor et Piano
133
Flûte et Guitare
116
Quatuor de Saxophones: 4 saxophones
64
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
64
2 Saxophones (duo)
53
Flûte, Hautbois, Clarinette, Basson
47
Quatuor de Clarinettes: 4 clarinettes
46
Quintette de Saxophone: 5 saxophones
45
Flûte traversière
30
Clarinette
26
2 Clarinettes (duo)
24
2 Flûtes traversières (duo)
24
Harmonica
15
Hautbois (partie séparée)
14
Flûte, Hautbois, Clarinette (trio)
13
Saxophone Soprano et Piano
13
Quatuor de Flûtes : 4 flûtes
11
2 Flûte à bec (duo)
9
Saxophone Baryton, Piano
9
Ensemble de Clarinettes
9
Saxophone Alto
7
Cor anglais, Piano
7
Trio de Flûtes: 3 flûtes
7
Flûte à bec Soprano
5
3 Saxophones (trio)
5
Flûte, Hautbois, Basson
4
Quatuor de Flûtes à bec
4
Ensemble de saxophones
4
Quintette de Clarinettes: 5 clarinettes
4
3 Clarinettes (trio)
4
Clarinette Basse, Piano
3
2 Clarinettes, Basson
3
Ensemble de Flûtes
3
Quintette de Flûte : 5 flûtes
3
Saxophone Tenor
2
Flûte à bec Alto
2
Saxophone
2
5 Flûtes à bec
2
Flûte à bec Soprano, Piano
2
Flûte, Violon et Violoncelle
2
4 Hautbois
1
Saxophone (partie séparée)
1
Flûte, Violon, Piano
1
Flûte irlandaise
1
Flûte à Bec
1
Flûte, Violoncelle
1
3 Flûtes à bec (trio)
1
Clarinette, Harpe (duo)
1
Hautbois, Basson (duo)
1
Flûte, Clarinette (duo)
1
Flûte, Saxophone (duo)
1
Flûte et Quatuor à Cordes
1
Hautbois, Guitare (duo)
1
Flûte, Violon
1
Saxophone, Clarinette (duo)
1
Flûte, Clarinette, Piano (trio)
1
Clarinette, Basson (duo)
1
Piccolo, Piano
1
Flûte, Clarinette et Basson
1
Flûte, Clarinette, Cor, Basson (Quartet)
1
Ensemble de Hautbois
1
+ 60 instrumentations
Retracter
Cuivres
Trombone et Piano
155
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
101
Trompette
93
Trompette, Piano
73
Ensemble de Trompettes
47
2 Trompettes (duo)
23
Quatuor de Cuivres : 2 trompettes, trombone, tuba
22
Trombone
20
Trompette (partie séparée)
17
Cor et Piano
16
Euphonium, Piano (duo)
11
Quatuor de Cuivres: 2 trompettes, Cor, trombone
9
Cor anglais, Piano
7
Trombone (partie séparée)
6
Ensemble de Cors
5
Quatuor de cuivres: 4 trombones
5
Tuba et Piano
5
Ensemble de Trombones
4
Quatuor de cuivres: 4 trompettes
3
Quatuor de cuivres: 4 cors
3
3 Trompettes (trio)
2
2 Cors (duo)
2
Trompette, Trombone (duo)
2
Cor
2
2 Trombones (duo)
2
3 Tubas (trio)
1
3 Cors (trio)
1
2 Tubas (duo)
1
Trompette, Cor (duo)
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Trio de Cuivres
1
Quatuor de Cuivres
1
Trombone, Cor (duo)
1
4 Tubas
1
+ 29 instrumentations
Retracter
Cordes
Alto, Piano
185
Violon et Piano
172
Violoncelle, Piano
154
Quatuor à cordes: 2 violons, alto, violoncelle
111
Violon
49
2 Violons (duo)
27
Violoncelle
24
Trio à Cordes: violon, alto, violoncelle
16
Harpe
15
Violon, Violoncelle (duo)
12
Alto (partie séparée)
11
Alto seul
10
2 Altos (duo)
5
Violon, Alto (duo)
4
Contrebasse, Piano (duo)
3
Alto, Violoncelle (duo)
3
Trio à Cordes: 3 violoncelles
2
Violoncelle , Guitare (duo)
2
2 Violoncelles (duo)
2
Quatuor à cordes: 4 violons
2
Trio à cordes
2
Trio à cordes: 3 altos
1
Violon (partie séparée)
1
Violoncelle, Orgue
1
Quatuor à cordes : 4 altos
1
Harpe et Piano
1
Alto, Guitare (duo)
1
Violon, Basse continue
1
Contre Basse
1
Harpe, Flûte (duo)
1
Violoncelle, Contrebasse (duo)
1
Trio à cordes: 3 violins
1
Ensemble de Violoncelles
1
4 Contrebasses
1
Violon, Guitare (duo)
1
Autoharp
1
+ 31 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
192
Ensemble de cuivres
50
Orchestre
48
Orchestre à Cordes
39
Batterie
33
Ensemble Jazz
26
Orchestre de chambre
20
Cloches
15
Ensemble de Percussions
8
Fanfare
7
Percussion
5
Jazz combo
4
Cajon
2
Bodhran
1
Marimba
1
Caisse Claire
1
Bongos
1
Quatuor à Vent : 4 instruments à vents
1
+ 13 instrumentations
Retracter
Autres
Théorie de la musique
2
Formation musicale - Solfège
1
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Crtitères actifs :
AST Publications
Trio à Cordes: violon, alto, violoncelle
Partitions à imprimer
16 partitions trouvées
<
1
Feeling Good for String Trio
#
Trio à Cordes: violon, alto, violoncelle
#
INTERMÉDIAIRE/AVANCÉ
#
Rock
#
Michael Buble
#
Feeling Good for String Trio
#
Stringtastic Publications
#
SheetMusicPlus
String Trio - Advanced Intermediate - Digital Download By Michael Buble. Arranged by Nina Kopparhed. Score, Set of Parts. 13 pages. Published by Stringtast...
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String Trio - Advanced Intermediate - Digital Download By Michael Buble. Arranged by Nina Kopparhed. Score, Set of Parts. 13 pages. Published by Stringtastic Publications
"Feeling Good" (also known as "Feelin' Good") is a song written by English composers Anthony Newley and Leslie Bricusse for the musical The Roar of the Greasepaint ? The Smell of the Crowd. It was first performed on stage in 1964 by Cy Grant on the UK tour and by Gilbert Price in 1965 with the original Broadway cast.[1]
Nina Simone recorded "Feeling Good" for her 1965 album I Put a Spell on You. The song has also been covered by Traffic, Michael Bublé, John Coltrane, George Michael, Victory, Eels, Joe Bonamassa, EDEN, Muse, and Black Cat Bones, among others.
$12.99
Vivaldi: Autumn (complete) for string trio
#
Trio à Cordes: violon, alto, violoncelle
#
AVANCÉ
#
Classique
#
Antonio Vivaldi
#
Nina Kopparhed
#
Vivaldi: Autumn
#
Stringtastic Publications
#
SheetMusicPlus
String Trio Cello,Viola,Violin - Level 5 - SKU: A0.1097861 Composed by Antonio Vivaldi. Arranged by Nina Kopparhed. Baroque,Chamber,Wedding. 39 pages. S...
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String Trio Cello,Viola,Violin - Level 5 - SKU: A0.1097861 Composed by Antonio Vivaldi. Arranged by Nina Kopparhed. Baroque,Chamber,Wedding. 39 pages. Stringtastic Publications #701804. Published by Stringtastic Publications (A0.1097861). Vivaldi's violin concerto Autumn, part of his very well known 4 Seasons, here arranged for String Trio! There has been no cuts and no simplifications made in this arrangement, and we have added English translations of the most important bits of the poem which inspired Vivaldi to write the concerto. Some may be a bit surprising, as not everyone knows that the 1st movement depicts a village feast, the 2nd is the villagers sleeping after the feast, and the 3rd is an illustration of a hunt. We hope that you enjoy playing this arrangement as much as we do.
$15.00
Vivaldi: Winter (complete) for string trio
#
Trio à Cordes: violon, alto, violoncelle
#
AVANCÉ
#
Classique
#
Antonio Vivaldi
#
Nina Kopparhed
#
Vivaldi: Winter
#
Stringtastic Publications
#
SheetMusicPlus
String Trio Cello,Viola,Violin - Level 5 - SKU: A0.1097855 Composed by Antonio Vivaldi. Arranged by Nina Kopparhed. Baroque,Chamber,Wedding. 30 pages. S...
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String Trio Cello,Viola,Violin - Level 5 - SKU: A0.1097855 Composed by Antonio Vivaldi. Arranged by Nina Kopparhed. Baroque,Chamber,Wedding. 30 pages. Stringtastic Publications #701800. Published by Stringtastic Publications (A0.1097855). Vivaldi's Winter, part of his popular 4 seasons for violin and orchestra, here arranged for string trio! There are no cuts or simplifications in this arrangement, so prepare to be very busy indeed! We have also added English translations of all the Italian bits of the poem which inspired Vivaldi to write this concerto, to add an extra dimension. We hope that you enjoy playing this fantastic concerto in our String Trio arrangement.
$15.00
String Trio No. 3 in A major
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Trio à Cordes: violon, alto, violoncelle
#
INTERMÉDIAIRE
#
Classique
#
/ Wm
#
William Shield
#
Robert Hoskins
#
String Trio No. 3 in A major
#
Artaria Editions
#
SheetMusicPlus
String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1488228 Composed by William Shield. Arranged by Robert Hoskins. Classical. 27 pages. Artaria Editions...
(+)
String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1488228 Composed by William Shield. Arranged by Robert Hoskins. Classical. 27 pages. Artaria Editions #1065115. Published by Artaria Editions (A0.1488228). Shield's Trios, written for a continental audience, are seminal works in the composer's output and mark a new level of compositional attainment in the English chamber music repertory. Technically, they contain a wide variety of ideas which are developed with great ingenuity through a wide range of keys, dynamic contrasts and timbral effects. Aesthetically, they blend 'popular' and 'learned' taste along with 'orchestral' splendour and 18th century notions of beauty. The Trios present a dazzling range of moods and style with each work demonstrating Shield's mastery of the idiom, both in his treatment of individual instruments and in the handling of textures. While there is no shortage of melody and accompaniment, in which the violin takes the lead, there are many memorable solos for the viola and the cello in its high register. The wide range of textures includes melodic decoration, dialogue, contrast of high and low register, legato and staccato, powerful unison and double octaves. Shield's ability to incorporate arioso-like melody, the prevailing 'symphonic' style and folk elements was largely achieved through the cross-generic requirements of English comic opera (a form to which Shield devoted himself during the whole of his creative career). In general, Shield's technique results in a firm control of the way music moves - with sometimes a surprising degree of stylistic restlessness and sometimes of unexpected plainness and simplicity. The trios Shield selected for publication were issued by Longman and Broderip, London, in January 1796 under the inspection of the composer. No autograph of these works survives and Longman and Broderip's printing, a copy of which is preserved in the Bodleian Library, Oxford, under the call number Mus.Instr.I 214(15), is the only source of this edition. The title page, with its dedicatory inscription, reads: Six / TRIOS / FOR / Violin, Tenor and Violoncello, / Composed / And Inscribed to the Memory of / Jacob More Esqr. / By / Wm. SHIELD./ (Musician in Ordinary to His Majesty) / Entd. At Statn. Hall [rule] Price 10/6 / ADVERTISEMENT / These Trios were Composed chiefly for the abovementioned Celebrated Landscape Painter (in Rome) / And are Dedicated to his Memory as a Token of Gratitude for the Services he rendered the Author / during his Residence in that City. The movements which are written in the uncommon Time / of 5/4 have amused some of the most distinguished Professors both in England & Italy which / induces the Author to hope they will not be disagreeable to the Public at Large / Goodge Street, Jany. 1st 1796 / [rule] / London, Printed for the Author by Longman & Broderip, No.26, Cheapside & No.13, Haymarket. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$49.00
String Trio No. 4 in E major
#
Trio à Cordes: violon, alto, violoncelle
#
INTERMÉDIAIRE
#
Classique
#
/ Wm
#
William Shield
#
Robert Hoskins
#
String Trio No. 4 in E major
#
Artaria Editions
#
SheetMusicPlus
String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1488229 Composed by William Shield. Arranged by Robert Hoskins. Classical. 24 pages. Artaria Editions...
(+)
String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1488229 Composed by William Shield. Arranged by Robert Hoskins. Classical. 24 pages. Artaria Editions #1065116. Published by Artaria Editions (A0.1488229). Shield's Trios, written for a continental audience, are seminal works in the composer's output and mark a new level of compositional attainment in the English chamber music repertory. Technically, they contain a wide variety of ideas which are developed with great ingenuity through a wide range of keys, dynamic contrasts and timbral effects. Aesthetically, they blend 'popular' and 'learned' taste along with 'orchestral' splendour and 18th century notions of beauty. The Trios present a dazzling range of moods and style with each work demonstrating Shield's mastery of the idiom, both in his treatment of individual instruments and in the handling of textures. While there is no shortage of melody and accompaniment, in which the violin takes the lead, there are many memorable solos for the viola and the cello in its high register. The wide range of textures includes melodic decoration, dialogue, contrast of high and low register, legato and staccato, powerful unison and double octaves. Shield's ability to incorporate arioso-like melody, the prevailing 'symphonic' style and folk elements was largely achieved through the cross-generic requirements of English comic opera (a form to which Shield devoted himself during the whole of his creative career). In general, Shield's technique results in a firm control of the way music moves - with sometimes a surprising degree of stylistic restlessness and sometimes of unexpected plainness and simplicity. The trios Shield selected for publication were issued by Longman and Broderip, London, in January 1796 under the inspection of the composer. No autograph of these works survives and Longman and Broderip's printing, a copy of which is preserved in the Bodleian Library, Oxford, under the call number Mus.Instr.I 214(15), is the only source of this edition. The title page, with its dedicatory inscription, reads: Six / TRIOS / FOR / Violin, Tenor and Violoncello, / Composed / And Inscribed to the Memory of / Jacob More Esqr. / By / Wm. SHIELD./ (Musician in Ordinary to His Majesty) / Entd. At Statn. Hall [rule] Price 10/6 / ADVERTISEMENT / These Trios were Composed chiefly for the abovementioned Celebrated Landscape Painter (in Rome) / And are Dedicated to his Memory as a Token of Gratitude for the Services he rendered the Author / during his Residence in that City. The movements which are written in the uncommon Time / of 5/4 have amused some of the most distinguished Professors both in England & Italy which / induces the Author to hope they will not be disagreeable to the Public at Large / Goodge Street, Jany. 1st 1796 / [rule] / London, Printed for the Author by Longman & Broderip, No.26, Cheapside & No.13, Haymarket. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$49.00
String Trio No. 6 in B flat major
#
Trio à Cordes: violon, alto, violoncelle
#
INTERMÉDIAIRE
#
Classique
#
/ Wm
#
William Shield
#
Robert Hoskins
#
String Trio No. 6 in B flat ma
#
Artaria Editions
#
SheetMusicPlus
String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1488232 Composed by William Shield. Arranged by Robert Hoskins. Classical. 36 pages. Artaria Editions...
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String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1488232 Composed by William Shield. Arranged by Robert Hoskins. Classical. 36 pages. Artaria Editions #1065119. Published by Artaria Editions (A0.1488232). Shield's Trios, written for a continental audience, are seminal works in the composer's output and mark a new level of compositional attainment in the English chamber music repertory. Technically, they contain a wide variety of ideas which are developed with great ingenuity through a wide range of keys, dynamic contrasts and timbral effects. Aesthetically, they blend 'popular' and 'learned' taste along with 'orchestral' splendour and 18th century notions of beauty. The Trios present a dazzling range of moods and style with each work demonstrating Shield's mastery of the idiom, both in his treatment of individual instruments and in the handling of textures. While there is no shortage of melody and accompaniment, in which the violin takes the lead, there are many memorable solos for the viola and the cello in its high register. The wide range of textures includes melodic decoration, dialogue, contrast of high and low register, legato and staccato, powerful unison and double octaves. Shield's ability to incorporate arioso-like melody, the prevailing 'symphonic' style and folk elements was largely achieved through the cross-generic requirements of English comic opera (a form to which Shield devoted himself during the whole of his creative career). In general, Shield's technique results in a firm control of the way music moves - with sometimes a surprising degree of stylistic restlessness and sometimes of unexpected plainness and simplicity. The trios Shield selected for publication were issued by Longman and Broderip, London, in January 1796 under the inspection of the composer. No autograph of these works survives and Longman and Broderip's printing, a copy of which is preserved in the Bodleian Library, Oxford, under the call number Mus.Instr.I 214(15), is the only source of this edition. The title page, with its dedicatory inscription, reads: Six / TRIOS / FOR / Violin, Tenor and Violoncello, / Composed / And Inscribed to the Memory of / Jacob More Esqr. / By / Wm. SHIELD./ (Musician in Ordinary to His Majesty) / Entd. At Statn. Hall [rule] Price 10/6 / ADVERTISEMENT / These Trios were Composed chiefly for the abovementioned Celebrated Landscape Painter (in Rome) / And are Dedicated to his Memory as a Token of Gratitude for the Services he rendered the Author / during his Residence in that City. The movements which are written in the uncommon Time / of 5/4 have amused some of the most distinguished Professors both in England & Italy which / induces the Author to hope they will not be disagreeable to the Public at Large / Goodge Street, Jany. 1st 1796 / [rule] / London, Printed for the Author by Longman & Broderip, No.26, Cheapside & No.13, Haymarket. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$49.00
String Trio No. 5 in C minor
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE
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Classique
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/ Wm
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William Shield
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Robert Hoskins
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String Trio No. 5 in C minor
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Artaria Editions
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SheetMusicPlus
String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1488231 Composed by William Shield. Arranged by Robert Hoskins. Classical. 23 pages. Artaria Editions...
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String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1488231 Composed by William Shield. Arranged by Robert Hoskins. Classical. 23 pages. Artaria Editions #1065118. Published by Artaria Editions (A0.1488231). Shield's Trios, written for a continental audience, are seminal works in the composer's output and mark a new level of compositional attainment in the English chamber music repertory. Technically, they contain a wide variety of ideas which are developed with great ingenuity through a wide range of keys, dynamic contrasts and timbral effects. Aesthetically, they blend 'popular' and 'learned' taste along with 'orchestral' splendour and 18th century notions of beauty. The Trios present a dazzling range of moods and style with each work demonstrating Shield's mastery of the idiom, both in his treatment of individual instruments and in the handling of textures. While there is no shortage of melody and accompaniment, in which the violin takes the lead, there are many memorable solos for the viola and the cello in its high register. The wide range of textures includes melodic decoration, dialogue, contrast of high and low register, legato and staccato, powerful unison and double octaves. Shield's ability to incorporate arioso-like melody, the prevailing 'symphonic' style and folk elements was largely achieved through the cross-generic requirements of English comic opera (a form to which Shield devoted himself during the whole of his creative career). In general, Shield's technique results in a firm control of the way music moves - with sometimes a surprising degree of stylistic restlessness and sometimes of unexpected plainness and simplicity. The trios Shield selected for publication were issued by Longman and Broderip, London, in January 1796 under the inspection of the composer. No autograph of these works survives and Longman and Broderip's printing, a copy of which is preserved in the Bodleian Library, Oxford, under the call number Mus.Instr.I 214(15), is the only source of this edition. The title page, with its dedicatory inscription, reads: Six / TRIOS / FOR / Violin, Tenor and Violoncello, / Composed / And Inscribed to the Memory of / Jacob More Esqr. / By / Wm. SHIELD./ (Musician in Ordinary to His Majesty) / Entd. At Statn. Hall [rule] Price 10/6 / ADVERTISEMENT / These Trios were Composed chiefly for the abovementioned Celebrated Landscape Painter (in Rome) / And are Dedicated to his Memory as a Token of Gratitude for the Services he rendered the Author / during his Residence in that City. The movements which are written in the uncommon Time / of 5/4 have amused some of the most distinguished Professors both in England & Italy which / induces the Author to hope they will not be disagreeable to the Public at Large / Goodge Street, Jany. 1st 1796 / [rule] / London, Printed for the Author by Longman & Broderip, No.26, Cheapside & No.13, Haymarket. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$49.00
String Trio No. 2 in D major
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Trio à Cordes: violon, alto, violoncelle
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Classique
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/ Wm
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William Shield
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Robert Hoskins
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String Trio No. 2 in D major
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Artaria Editions
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SheetMusicPlus
String Trio Cello,Viola,Violin - SKU: A0.1488225 Composed by William Shield. Arranged by Robert Hoskins. Classical. 37 pages. Artaria Editions #1065111....
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String Trio Cello,Viola,Violin - SKU: A0.1488225 Composed by William Shield. Arranged by Robert Hoskins. Classical. 37 pages. Artaria Editions #1065111. Published by Artaria Editions (A0.1488225). Shield's Trios, written for a continental audience, are seminal works in the composer's output and mark a new level of compositional attainment in the English chamber music repertory. Technically, they contain a wide variety of ideas which are developed with great ingenuity through a wide range of keys, dynamic contrasts and timbral effects. Aesthetically, they blend 'popular' and 'learned' taste along with 'orchestral' splendour and 18th century notions of beauty. The Trios present a dazzling range of moods and style with each work demonstrating Shield's mastery of the idiom, both in his treatment of individual instruments and in the handling of textures. While there is no shortage of melody and accompaniment, in which the violin takes the lead, there are many memorable solos for the viola and the cello in its high register. The wide range of textures includes melodic decoration, dialogue, contrast of high and low register, legato and staccato, powerful unison and double octaves. Shield's ability to incorporate arioso-like melody, the prevailing 'symphonic' style and folk elements was largely achieved through the cross-generic requirements of English comic opera (a form to which Shield devoted himself during the whole of his creative career). In general, Shield's technique results in a firm control of the way music moves - with sometimes a surprising degree of stylistic restlessness and sometimes of unexpected plainness and simplicity. The trios Shield selected for publication were issued by Longman and Broderip, London, in January 1796 under the inspection of the composer. No autograph of these works survives and Longman and Broderip's printing, a copy of which is preserved in the Bodleian Library, Oxford, under the call number Mus.Instr.I 214(15), is the only source of this edition. The title page, with its dedicatory inscription, reads: Six / TRIOS / FOR / Violin, Tenor and Violoncello, / Composed / And Inscribed to the Memory of / Jacob More Esqr. / By / Wm. SHIELD./ (Musician in Ordinary to His Majesty) / Entd. At Statn. Hall [rule] Price 10/6 / ADVERTISEMENT / These Trios were Composed chiefly for the abovementioned Celebrated Landscape Painter (in Rome) / And are Dedicated to his Memory as a Token of Gratitude for the Services he rendered the Author / during his Residence in that City. The movements which are written in the uncommon Time / of 5/4 have amused some of the most distinguished Professors both in England & Italy which / induces the Author to hope they will not be disagreeable to the Public at Large / Goodge Street, Jany. 1st 1796 / [rule] / London, Printed for the Author by Longman & Broderip, No.26, Cheapside & No.13, Haymarket. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$49.00
Vivaldi: Spring (complete) for string trio
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Trio à Cordes: violon, alto, violoncelle
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AVANCÉ
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Classique
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Antonio Vivaldi
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Nina Kopparhed
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Vivaldi: Spring
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Stringtastic Publications
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SheetMusicPlus
Composed by Antonio Vivaldi (1678-1741). Arranged by Nina Kopparhed. 158, Baroque, Wedding. Score and parts. 32 pages. Stringtastic Publications #7017...
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Composed by Antonio Vivaldi (1678-1741). Arranged by Nina Kopparhed. 158, Baroque, Wedding. Score and parts. 32 pages. Stringtastic Publications #701798. Published by Stringtastic Publications
$15.00
All You Need Is Love for String Trio
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Rock
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The Beatles
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All You Need Is Love for Strin
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Stringtastic Publications
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SheetMusicPlus
String Trio - Advanced Intermediate - Digital Download By The Beatles. Arranged by Nina Kopparhed and Mark Wilson. Score, Set of Parts. 12 pages. Pub...
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String Trio - Advanced Intermediate - Digital Download By The Beatles. Arranged by Nina Kopparhed and Mark Wilson. Score, Set of Parts. 12 pages. Published by Stringtastic Publications
The all time favourite, All You Need is Love, now arranged for String Trio! We have played this arrangement at many weddings and receptions and it is one of our top requests.
The Trio instrumentation for this arrangement is: violin, viola and cello.
$12.99
Bach: Wachet auf for String Trio
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for String Tr
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jmsgu3
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SheetMusicPlus
String Ensemble,String Trio - Level 3 - SKU: A0.549856 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sa...
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String Ensemble,String Trio - Level 3 - SKU: A0.549856 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and parts. 12 pages. Jmsgu3 #3555135. Published by jmsgu3 (A0.549856). Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Voyager
$27.95
GALLO: TRIO SONATA IN G FOR VIOLIN, VIOLA & CELLO
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE
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Domenico Gallo
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Pat Spence
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GALLO: TRIO SONATA IN G FOR VI
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Piper Publications
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SheetMusicPlus
String Ensemble,String Trio Cello,Viola,Violin - Level 3 - SKU: A0.811801 Composed by Domenico Gallo (1730 - 1768). Arranged by Pat Spence. Baroque,Conc...
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String Ensemble,String Trio Cello,Viola,Violin - Level 3 - SKU: A0.811801 Composed by Domenico Gallo (1730 - 1768). Arranged by Pat Spence. Baroque,Concert,Standards,Wedding. Score and parts. 24 pages. Piper Publications #6358133. Published by Piper Publications (A0.811801). The first of twelve trio sonatas by Domenico Gallo previously attributed to Pergolesi and made famous by Igor Stravinski in his Pulcinella Suite, this three movement gem has been edited and arranged for violin, viola and cello. Players of intermediate standard and above will enjoy the well contrasted movements, Moderato, Andante and Presto.
$12.00
Romance (Study in E) - Anon./Sor/Yepes (Vn, Va, Vc)
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Trio à Cordes: violon, alto, violoncelle
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FACILE
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Contemporain
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Anon
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Shigeo Ida & Peet du Toit
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Romance
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Peet du Toit
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SheetMusicPlus
String Ensemble,String Trio Cello,Viola,Violin - Level 2 - SKU: A0.802693 Composed by Anon. or Fernando Sor, or Narciso Yepes. Arranged by Shigeo Ida & ...
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String Ensemble,String Trio Cello,Viola,Violin - Level 2 - SKU: A0.802693 Composed by Anon. or Fernando Sor, or Narciso Yepes. Arranged by Shigeo Ida & Peet du Toit. Contemporary. Score and parts. 6 pages. Peet du Toit #6513457. Published by Peet du Toit (A0.802693). Romance Anónimo (Anonymous Romance) is a piece for guitar, also known as Estudio en Mi de Rubira (Study in E by Rubira), Spanish Romance, Romance de España, Romance de Amor, Romance of the Guitar, Romanza and Romance d'Amour among other names.Its origins and authorship are currently in question. It is suspected of originally being a solo instrumental guitar work, from the 19th century. It has variously been attributed to Antonio Rubira, David del Castillo, Francisco Tárrega, Fernando Sor, Daniel Fortea, Miguel Llobet, Antonio Cano, Vicente Gómez, and Narciso Yepes. The Anónimo (anonymous) part of its name has been incorporated over the years due to this uncertainty. The question of authorship has probably been propagated by three main reasons: the lack of claim by its true author, the desire to avoid paying copyright fees, and the desire of publishing companies to claim the lucrative copyright of this world-famous piece.The style of the piece is that of the Parlour music of the late 19th century in Spain or South America, having a closed three-part form: the first in the minor key and the second being in the major key, with the third being a restatement of the first.Narciso Yepes (1927 - 1997) interpreted and is listed as the author of the piece in René Clément's 1952 film Jeux interdits (Forbidden Games). The popularity of the film gave the piece worldwide fame. Yepes currently has the copyright of this composition in Spain although recordings and manuscripts of this song predate 1952. Newer publications show Yepes as the arranger and the piece being of anonymous authorship, or authored by Fernando Sor.The official statement from Narciso Yepes and the Yepes heirs is that Narciso Yepes, being a young boy, originally composed the piece for his mother when he was about seven years old (c.1934) and soon thereafter performed it between acts at the Teatro Guerra, in Lorca, Spain. Some time later, he recounts, when he was thirteen years old he attended a performance in Valencia and heard his composition performed by another guitarist, who indicated the authorship as anonymous. Yepes contends that the melody had been plagiarized (with some changes to the arrangement) by someone who, he assumes, must have attended that first performance. However, Yepes was born 1927 and cannot be the author of the work, since it was already recorded in 1900 and published before 1925 (possibly 1913) by J.A. MEDINA e HIJO; and in 1919 in themethod of Pedro Mascaró y Reissig, etc. Vicente Gomez (1911-2001) published it and performed it in 1941 in the Hollywood movie Blood and Sand with Tyrone Powerand Rita Hayworth, also attributing authorship of the song to himself. Anyway, the piano arrangement of the brilliant Shigeo Ida caught my attention and I decided to rework it somewhat into this trio for strings. Enjoy!
$14.50
Prelude and Fugue in D
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE
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Classique
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Johann Sebastian Bach
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Norman Phillip Hart
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Prelude and Fugue in D
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Hathor Publications
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SheetMusicPlus
String Ensemble,String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1081925 Composed by Johann Sebastian Bach. Arranged by Norman Phillip Hart. Baroque,C...
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String Ensemble,String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1081925 Composed by Johann Sebastian Bach. Arranged by Norman Phillip Hart. Baroque,Classical. Score and parts. 9 pages. Hathor Publications #686058. Published by Hathor Publications (A0.1081925). An accessible introduction to Bach for Violin, Viola, and Cello string trios.
$6.00
Symphonia
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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Norman Phillip Hart
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Symphonia
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Hathor Publications
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SheetMusicPlus
String Ensemble,String Trio Cello,Viola,Violin - Level 4 - SKU: A0.1087946 Composed by Johann Sebastian Bach. Arranged by Norman Phillip Hart. Baroque,C...
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String Ensemble,String Trio Cello,Viola,Violin - Level 4 - SKU: A0.1087946 Composed by Johann Sebastian Bach. Arranged by Norman Phillip Hart. Baroque,Classical. Score and parts. 26 pages. Hathor Publications #692181. Published by Hathor Publications (A0.1087946). Four three-part sinfonias by J. S. Bach arranged in a classical symphonic form.
$8.00
O Chanukah! [Hanukkah] for Strings
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Trio à Cordes: violon, alto, violoncelle
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Musique Sacrée
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Tradition Hebrew melody
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Edited Robert C
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O Chanukah! [Hanukkah] for Str
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Robert C. Olivia
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SheetMusicPlus
String Ensemble Cello,Viola,Violin - SKU: A0.496138 Composed by Tradition Hebrew melody. Arranged by Edited Robert C. Olivia and Robert R. Olivia. Hanuk...
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String Ensemble Cello,Viola,Violin - SKU: A0.496138 Composed by Tradition Hebrew melody. Arranged by Edited Robert C. Olivia and Robert R. Olivia. Hanukkah,Holiday,Jewish,Praise & Worship,Sacred. Score and parts. 17 pages. Published by Robert C. Olivia (A0.496138). Arrangement for Strings of this beloved and popular melody. This is a well written arrangement with excellent voice leading for any level ensemble and constructed for a minimum of K 6-12. You will receive conductor score and parts all-inclusive in one pdf download. Midi audio sample is available listen to. Instrumentation: String Quartet or string ensemble About the arranger: Robert R. Olivia Robert R. Olivia was an elementary band director from 1959 to 1975 in the Plainfield Public Schools [NJ]. He wrote many arrangements for his bands and jazz bands. Teaching young people to learn to play an instrument and music education was a passion of his life. My website: www.robertolivia.com My contact: robertolivia655@comcast.net or via www.robertolivia.com.
$20.00
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