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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Above All - Full Score
Non classifié
486
Piano & claviers
Piano seul
191
Piano, Voix
151
Piano Facile
65
Piano, Voix et Guitare
36
Orgue
21
Accompagnement Piano
17
1 Piano, 4 mains
4
Piano (partie séparée)
3
Piano Trio: piano, violon, violoncelle
3
Piano Quatuor: piano, violon, alto, violoncelle
2
Instruments en Do
1
+ 6 instrumentations
Retracter
Guitares
Ukulele
22
Guitare (partie séparée)
7
Ligne De Mélodie, (Paroles) et Accords
6
Guitare notes et tablatures
4
Dulcimer
3
Guitare
2
Basse electrique
2
3 Guitares (trio)
1
Ensemble de guitares
1
Paroles et Accords
1
Mandoline
1
+ 6 instrumentations
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Voix
Chorale SATB
18
Chorale 3 parties
6
Chorale
3
Chorale 2 parties
3
Chorale Unison
2
Chorale TTBB
2
Voix Tenor, Piano
1
Voix duo, Piano
1
Voix haute
1
Chorale SSAA
1
Voix Soprano, Piano
1
Chorale SSATTB
1
+ 7 instrumentations
Retracter
Vents
Flûte traversière et Piano
67
2 Saxophones (duo)
58
Clarinette et Piano
51
Hautbois, Piano (duo)
42
2 Clarinettes (duo)
40
Saxophone Alto et Piano
37
2 Flûtes traversières (duo)
35
Saxophone Tenor et Piano
34
Saxophone, Clarinette (duo)
32
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
31
Saxophone Soprano et Piano
25
Clarinette, Violon (duo)
22
Saxophone (partie séparée)
19
Cor anglais, Piano
16
Saxophone Baryton, Piano
15
Clarinette, Trompette (duo)
15
Flûte, Clarinette (duo)
14
Clarinette Basse, Piano
13
Clarinette et Alto
12
Saxophone
12
Flûte, Saxophone (duo)
12
Quatuor de Clarinettes: 4 clarinettes
11
2 Hautbois (duo)
10
Flûte, Violon
10
Clarinette
9
Hautbois, Clarinette (duo)
8
Hautbois, Basson (duo)
8
Hautbois, Flûte
8
Flûte, Alto (duo)
6
Quatuor de Saxophones: 4 saxophones
6
3 Clarinettes (trio)
6
Flûte traversière
5
Quatuor de Flûtes : 4 flûtes
5
Flûte, Trompette (duo)
4
Flute (partie séparée)
4
Trio de Flûtes: 3 flûtes
4
Flûte, Violon et Violoncelle
4
Clarinette, Guitare (duo)
4
Flûte et Guitare
3
Ensemble de Flûtes
3
Quintette de Clarinette: Clarinette, Quatuor à Cordes
3
Clarinette, Violoncelle, Piano (trio)
2
Cor anglais, Guitare (duo)
2
Quintette de Flûte : 5 flûtes
2
Quatuor de Flûtes à bec
2
Hautbois
2
Ensemble de Clarinettes
2
Flute, harpe et violon
2
Clarinette, Violoncelle (duo)
2
Ensemble à vent
2
Clarinette, Basson (duo)
2
Flûte, Violoncelle
2
Saxophone et Guitare
2
Flûte, Alto et Piano
1
Flûte, trombone et piano
1
Flûte, Hautbois, Clarinette, Basson
1
Ensemble de saxophones
1
Flûte, Trombone (duo)
1
Flûte, Hautbois, Piano (trio)
1
2 Flûte à bec (duo)
1
Clarinette, Contrebasse (duo)
1
Flûte à bec Soprano, Piano
1
Clarinette, Tuba
1
Clarinette, Harpe (duo)
1
Clarinette, Trombone (duo)
1
Flûte, Violon, Violoncelle et Piano
1
Flûte, Clarinette et Basson
1
Flûte à bec Soprano
1
Flûte à bec Alto, Piano
1
Flûte, Clarinette, Piano (trio)
1
Piccolo, Piano
1
Hautbois, Clarinette, Basson (trio d'anches)
1
+ 67 instrumentations
Retracter
Cuivres
Euphonium, Piano (duo)
30
Trombone et Piano
28
Cor et Piano
26
Trompette, Piano
26
Trompette, Saxophone (duo)
19
Trombone (partie séparée)
19
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
17
Cor anglais, Piano
16
Trompette
13
Quatuor de Cuivres : 2 trompettes, trombone, tuba
11
Trompette (partie séparée)
11
2 Trompettes (duo)
10
2 Trombones (duo)
8
Tuba et Piano
8
Trompette, Trombone (duo)
6
Quatuor de cuivres: 4 trombones
5
Trombone
4
Tuba (partie séparée)
4
Cor (partie séparée)
4
Cor anglais, Guitare (duo)
2
3 Trompettes (trio)
2
Quatuor de cuivres: 4 cors
2
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
2 Euphoniums et 2 Tubas
1
Ensemble de Cors
1
Cor
1
2 Cors (duo)
1
Ensemble de Trombones
1
Quatuor de cuivres: 4 trompettes
1
4 Tubas
1
+ 25 instrumentations
Retracter
Cordes
Harpe
63
Violoncelle, Piano
43
Alto, Piano
40
Violon et Piano
29
Quatuor à cordes: 2 violons, alto, violoncelle
22
Trio à Cordes: violon, alto, violoncelle
15
Violon, Violoncelle (duo)
13
2 Altos (duo)
13
Violoncelle
12
Violon, Alto (duo)
12
2 Violoncelles (duo)
10
2 Violons (duo)
5
Contrebasse (partie séparée)
4
Violon
3
Violon, Guitare (duo)
3
Violoncelle, Contrebasse (duo)
2
4 Violoncelles
2
Trio à Cordes: 2 violons, violoncelle
2
Flûte, Contrebasse (duo)
1
Contrebasse, Piano (duo)
1
2 Contrebasses (duo)
1
Trio à cordes: 3 violins
1
Alto seul
1
Harpe et Piano
1
Trio à Cordes: 2 violons, alto
1
Quatuor à cordes: 4 violons
1
+ 21 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
67
Ensemble Jazz
56
Ensemble de cuivres
33
Orchestre à Cordes
17
Cloches
13
Orchestre
8
Orchestre de chambre
8
Batterie (partie séparée)
4
Jazz combo
4
Ensemble de Percussions
3
Batterie
3
Fanfare
1
Orchestre, Violon
1
Quatuor à Vent : 4 instruments à vents
1
Percussion (partie séparée)
1
Piano et Orchestre
1
+ 11 instrumentations
Retracter
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ACCORDEON
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AUTRES INST…
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CITHARE
CLAIRON
CLARINETTE
CLAVECIN
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COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
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MARIMBA
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PERCU. ORCH…
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SAXOPHONE
SYNTHE
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TROMPETTE
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VIOLONCELLE
XYLOPHONE
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← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
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Vous avez sélectionné:
Above All - Full Score
Trio à Cordes: violon, alto, violoncelle
Partitions à imprimer
15 partitions trouvées
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1
GALLO: TRIO SONATA IN G FOR VIOLIN, VIOLA & CELLO
Trio à Cordes: violon, alto, violoncelle
String Ensemble,String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.811…
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String Ensemble,String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.811801 Composed by Domenico Gallo (1730 - 1768). Arranged by Pat Spence. Baroque,Concert,Standards,Wedding. Score and parts. 24 pages. Piper Publications #6358133. Published by Piper Publications (A0.811801). The first of twelve trio sonatas by Domenico Gallo previously attributed to Pergolesi and made famous by Igor Stravinski in his Pulcinella Suite, this three movement gem has been edited and arranged for violin, viola and cello. Players of intermediate standard and above will enjoy the well contrasted movements, Moderato, Andante and Presto.
$12.00
11.06 €
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Trio à Cordes: violon, alto, violoncelle
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Domenico Gallo
#
Pat Spence
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GALLO: TRIO SONATA IN G FOR VIOLIN, VIOLA & CELLO
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Piper Publications
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SheetMusicPlus
Bach: Wachet auf for String Trio
Trio à Cordes: violon, alto, violoncelle
String Ensemble,String Trio - Level 3 - Digital Download SKU: A0.549856 Composed by…
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String Ensemble,String Trio - Level 3 - Digital Download SKU: A0.549856 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and parts. 12 pages. Jmsgu3 #3555135. Published by jmsgu3 (A0.549856). Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Voyager
$27.95
25.77 €
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Trio à Cordes: violon, alto, violoncelle
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for String Trio
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jmsgu3
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SheetMusicPlus
Hark all ye lovely saints above for string quintet
Trio à Cordes: violon, alto, violoncelle
String Ensemble,String Trio Cello,Viola,Violin - Level 2 - Digital Download SKU: A0.578…
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String Ensemble,String Trio Cello,Viola,Violin - Level 2 - Digital Download SKU: A0.578703 Composed by Thomas Weelkes. Arranged by David Warin Solomons. Classical,Renaissance. Score and parts. 17 pages. David Warin Solomons #2897911. Published by David Warin Solomons (A0.578703). Arrangement for instrumental quintet of a madrigal by the Renaissance composer Thomas Weelkes.
$7.00
6.45 €
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Trio à Cordes: violon, alto, violoncelle
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Thomas Weelkes
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David Warin Solomons
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Hark all ye lovely saints above for string quintet
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David Warin Solomons
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SheetMusicPlus
All Of Me
Trio à Cordes: violon, alto, violoncelle
String Ensemble,String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.852…
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String Ensemble,String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.852041 By John Legend. By John Stephens and Toby Gad. Arranged by Caroline McCaskey. R & B,Soul. Score and parts. 17 pages. AltStrings #2591211. Published by AltStrings (A0.852041). Everyone gets a turn with the melody in this arrangement. Gig-ready, and perfect for middle school or beginning high schoolers and above.
$12.99
11.98 €
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Trio à Cordes: violon, alto, violoncelle
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John Legend
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Caroline McCaskey
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All Of Me
#
AltStrings
#
SheetMusicPlus
String Trio in F(III)
Trio à Cordes: violon, alto, violoncelle
String Ensemble,String Trio - Digital Download SKU: A0.1027985 Composed by Stefan P…
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String Ensemble,String Trio - Digital Download SKU: A0.1027985 Composed by Stefan Perry. Contemporary. Score and parts. 4 pages. Stefan Perry #3121647. Published by Stefan Perry (A0.1027985). This String Trio has been written for general performance and above all for the pleasure of the performer. I am aiming for maximum flexibility for the performers. All written dynamics are not to be taken too literally. Never think too much about volume (eg pianissimo is quiet and forte is loud), but rather think about the application of the bow (as in softer bowing for pianissimo passages and stronger/heavy bowing for forte passages)and think of the rising and falling dynamics as breathing. Also there are no specific bowings (accept for a down bow at the beginning of each movement). I will leave that to the discretion of the performers so they can decide what works best for their playing styles and technical possibilities (there is no need to follow slurs to the letter providing the slurred passages are smooth as I intend). One more thing is that the software I used doesn't make key changes as visible as I like so I have written a note to indicate said key changes. I hope anyone who plays this receives maximum enjoyment from my composition. Happy music making!
$3.00
2.77 €
#
Trio à Cordes: violon, alto, violoncelle
#
Stefan Perry
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String Trio in F(III)
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Stefan Perry
#
SheetMusicPlus
String Trio in F(II)
Trio à Cordes: violon, alto, violoncelle
String Ensemble,String Trio - Digital Download SKU: A0.1027984 Composed by Stefan P…
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String Ensemble,String Trio - Digital Download SKU: A0.1027984 Composed by Stefan Perry. Contemporary. Score and parts. 2 pages. Stefan Perry #3121645. Published by Stefan Perry (A0.1027984). This String Trio has been written for general performance and above all for the pleasure of the performer. I am aiming for maximum flexibility for the performers. All written dynamics are not to be taken too literally. Never think too much about volume (eg pianissimo is quiet and forte is loud), but rather think about the application of the bow (as in softer bowing for pianissimo passages and stronger/heavy bowing for forte passages)and think of the rising and falling dynamics as breathing. Also there are no specific bowings (accept for a down bow at the beginning of each movement). I will leave that to the discretion of the performers so they can decide what works best for their playing styles and technical possibilities (there is no need to follow slurs to the letter providing the slurred passages are smooth as I intend). One more thing is that the software I used doesn't make key changes as visible as I like so I have written a note to indicate said key changes. I hope anyone who plays this receives maximum enjoyment from my composition. Happy music making!
$3.00
2.77 €
#
Trio à Cordes: violon, alto, violoncelle
#
Stefan Perry
#
String Trio in F(II)
#
Stefan Perry
#
SheetMusicPlus
String Trio in F(I)
Trio à Cordes: violon, alto, violoncelle
String Ensemble,String Trio - Digital Download SKU: A0.1027981 Composed by Stefan P…
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String Ensemble,String Trio - Digital Download SKU: A0.1027981 Composed by Stefan Perry. Contemporary. Score and parts. 4 pages. Stefan Perry #3121641. Published by Stefan Perry (A0.1027981). This String Trio has been written for general performance and above all for the pleasure of the performer. I am aiming for maximum flexibility for the performers. All written dynamics are not to be taken too literally. Never think too much about volume (eg pianissimo is quiet and forte is loud), but rather think about the application of the bow (as in softer bowing for pianissimo passages and stronger/heavy bowing for forte passages)and think of the rising and falling dynamics as breathing. Also there are no specific bowings (accept for a down bow at the beginning of each movement). I will leave that to the discretion of the performers so they can decide what works best for their playing styles and technical possibilities (there is no need to follow slurs to the letter providing the slurred passages are smooth as I intend). One more thing is that the software I used doesn't make key changes as visible as I like so I have written a note to indicate said key changes. I hope anyone who plays this receives maximum enjoyment from my composition. Happy music making!
$3.00
2.77 €
#
Trio à Cordes: violon, alto, violoncelle
#
Stefan Perry
#
String Trio in F(I)
#
Stefan Perry
#
SheetMusicPlus
String Trio No. 3 in A major
Trio à Cordes: violon, alto, violoncelle
String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1488228 Compose…
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String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1488228 Composed by William Shield. Arranged by Robert Hoskins. Classical. 27 pages. Artaria Editions #1065115. Published by Artaria Editions (A0.1488228). Shield's Trios, written for a continental audience, are seminal works in the composer's output and mark a new level of compositional attainment in the English chamber music repertory. Technically, they contain a wide variety of ideas which are developed with great ingenuity through a wide range of keys, dynamic contrasts and timbral effects. Aesthetically, they blend 'popular' and 'learned' taste along with 'orchestral' splendour and 18th century notions of beauty. The Trios present a dazzling range of moods and style with each work demonstrating Shield's mastery of the idiom, both in his treatment of individual instruments and in the handling of textures. While there is no shortage of melody and accompaniment, in which the violin takes the lead, there are many memorable solos for the viola and the cello in its high register. The wide range of textures includes melodic decoration, dialogue, contrast of high and low register, legato and staccato, powerful unison and double octaves. Shield's ability to incorporate arioso-like melody, the prevailing 'symphonic' style and folk elements was largely achieved through the cross-generic requirements of English comic opera (a form to which Shield devoted himself during the whole of his creative career). In general, Shield's technique results in a firm control of the way music moves - with sometimes a surprising degree of stylistic restlessness and sometimes of unexpected plainness and simplicity. The trios Shield selected for publication were issued by Longman and Broderip, London, in January 1796 under the inspection of the composer. No autograph of these works survives and Longman and Broderip's printing, a copy of which is preserved in the Bodleian Library, Oxford, under the call number Mus.Instr.I 214(15), is the only source of this edition. The title page, with its dedicatory inscription, reads: Six / TRIOS / FOR / Violin, Tenor and Violoncello, / Composed / And Inscribed to the Memory of / Jacob More Esqr. / By / Wm. SHIELD./ (Musician in Ordinary to His Majesty) / Entd. At Statn. Hall [rule] Price 10/6 / ADVERTISEMENT / These Trios were Composed chiefly for the abovementioned Celebrated Landscape Painter (in Rome) / And are Dedicated to his Memory as a Token of Gratitude for the Services he rendered the Author / during his Residence in that City. The movements which are written in the uncommon Time / of 5/4 have amused some of the most distinguished Professors both in England & Italy which / induces the Author to hope they will not be disagreeable to the Public at Large / Goodge Street, Jany. 1st 1796 / [rule] / London, Printed for the Author by Longman & Broderip, No.26, Cheapside & No.13, Haymarket. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$49.00
45.17 €
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Trio à Cordes: violon, alto, violoncelle
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/ Wm
#
William Shield
#
Robert Hoskins
#
String Trio No. 3 in A major
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Artaria Editions
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SheetMusicPlus
String Trio No. 4 in E major
Trio à Cordes: violon, alto, violoncelle
String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1488229 Compose…
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String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1488229 Composed by William Shield. Arranged by Robert Hoskins. Classical. 24 pages. Artaria Editions #1065116. Published by Artaria Editions (A0.1488229). Shield's Trios, written for a continental audience, are seminal works in the composer's output and mark a new level of compositional attainment in the English chamber music repertory. Technically, they contain a wide variety of ideas which are developed with great ingenuity through a wide range of keys, dynamic contrasts and timbral effects. Aesthetically, they blend 'popular' and 'learned' taste along with 'orchestral' splendour and 18th century notions of beauty. The Trios present a dazzling range of moods and style with each work demonstrating Shield's mastery of the idiom, both in his treatment of individual instruments and in the handling of textures. While there is no shortage of melody and accompaniment, in which the violin takes the lead, there are many memorable solos for the viola and the cello in its high register. The wide range of textures includes melodic decoration, dialogue, contrast of high and low register, legato and staccato, powerful unison and double octaves. Shield's ability to incorporate arioso-like melody, the prevailing 'symphonic' style and folk elements was largely achieved through the cross-generic requirements of English comic opera (a form to which Shield devoted himself during the whole of his creative career). In general, Shield's technique results in a firm control of the way music moves - with sometimes a surprising degree of stylistic restlessness and sometimes of unexpected plainness and simplicity. The trios Shield selected for publication were issued by Longman and Broderip, London, in January 1796 under the inspection of the composer. No autograph of these works survives and Longman and Broderip's printing, a copy of which is preserved in the Bodleian Library, Oxford, under the call number Mus.Instr.I 214(15), is the only source of this edition. The title page, with its dedicatory inscription, reads: Six / TRIOS / FOR / Violin, Tenor and Violoncello, / Composed / And Inscribed to the Memory of / Jacob More Esqr. / By / Wm. SHIELD./ (Musician in Ordinary to His Majesty) / Entd. At Statn. Hall [rule] Price 10/6 / ADVERTISEMENT / These Trios were Composed chiefly for the abovementioned Celebrated Landscape Painter (in Rome) / And are Dedicated to his Memory as a Token of Gratitude for the Services he rendered the Author / during his Residence in that City. The movements which are written in the uncommon Time / of 5/4 have amused some of the most distinguished Professors both in England & Italy which / induces the Author to hope they will not be disagreeable to the Public at Large / Goodge Street, Jany. 1st 1796 / [rule] / London, Printed for the Author by Longman & Broderip, No.26, Cheapside & No.13, Haymarket. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$49.00
45.17 €
#
Trio à Cordes: violon, alto, violoncelle
#
/ Wm
#
William Shield
#
Robert Hoskins
#
String Trio No. 4 in E major
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Artaria Editions
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SheetMusicPlus
String Trio No. 6 in B flat major
Trio à Cordes: violon, alto, violoncelle
String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1488232 Compose…
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String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1488232 Composed by William Shield. Arranged by Robert Hoskins. Classical. 36 pages. Artaria Editions #1065119. Published by Artaria Editions (A0.1488232). Shield's Trios, written for a continental audience, are seminal works in the composer's output and mark a new level of compositional attainment in the English chamber music repertory. Technically, they contain a wide variety of ideas which are developed with great ingenuity through a wide range of keys, dynamic contrasts and timbral effects. Aesthetically, they blend 'popular' and 'learned' taste along with 'orchestral' splendour and 18th century notions of beauty. The Trios present a dazzling range of moods and style with each work demonstrating Shield's mastery of the idiom, both in his treatment of individual instruments and in the handling of textures. While there is no shortage of melody and accompaniment, in which the violin takes the lead, there are many memorable solos for the viola and the cello in its high register. The wide range of textures includes melodic decoration, dialogue, contrast of high and low register, legato and staccato, powerful unison and double octaves. Shield's ability to incorporate arioso-like melody, the prevailing 'symphonic' style and folk elements was largely achieved through the cross-generic requirements of English comic opera (a form to which Shield devoted himself during the whole of his creative career). In general, Shield's technique results in a firm control of the way music moves - with sometimes a surprising degree of stylistic restlessness and sometimes of unexpected plainness and simplicity. The trios Shield selected for publication were issued by Longman and Broderip, London, in January 1796 under the inspection of the composer. No autograph of these works survives and Longman and Broderip's printing, a copy of which is preserved in the Bodleian Library, Oxford, under the call number Mus.Instr.I 214(15), is the only source of this edition. The title page, with its dedicatory inscription, reads: Six / TRIOS / FOR / Violin, Tenor and Violoncello, / Composed / And Inscribed to the Memory of / Jacob More Esqr. / By / Wm. SHIELD./ (Musician in Ordinary to His Majesty) / Entd. At Statn. Hall [rule] Price 10/6 / ADVERTISEMENT / These Trios were Composed chiefly for the abovementioned Celebrated Landscape Painter (in Rome) / And are Dedicated to his Memory as a Token of Gratitude for the Services he rendered the Author / during his Residence in that City. The movements which are written in the uncommon Time / of 5/4 have amused some of the most distinguished Professors both in England & Italy which / induces the Author to hope they will not be disagreeable to the Public at Large / Goodge Street, Jany. 1st 1796 / [rule] / London, Printed for the Author by Longman & Broderip, No.26, Cheapside & No.13, Haymarket. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$49.00
45.17 €
#
Trio à Cordes: violon, alto, violoncelle
#
/ Wm
#
William Shield
#
Robert Hoskins
#
String Trio No. 6 in B flat major
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Artaria Editions
#
SheetMusicPlus
String Trio No. 5 in C minor
Trio à Cordes: violon, alto, violoncelle
String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1488231 Compose…
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String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1488231 Composed by William Shield. Arranged by Robert Hoskins. Classical. 23 pages. Artaria Editions #1065118. Published by Artaria Editions (A0.1488231). Shield's Trios, written for a continental audience, are seminal works in the composer's output and mark a new level of compositional attainment in the English chamber music repertory. Technically, they contain a wide variety of ideas which are developed with great ingenuity through a wide range of keys, dynamic contrasts and timbral effects. Aesthetically, they blend 'popular' and 'learned' taste along with 'orchestral' splendour and 18th century notions of beauty. The Trios present a dazzling range of moods and style with each work demonstrating Shield's mastery of the idiom, both in his treatment of individual instruments and in the handling of textures. While there is no shortage of melody and accompaniment, in which the violin takes the lead, there are many memorable solos for the viola and the cello in its high register. The wide range of textures includes melodic decoration, dialogue, contrast of high and low register, legato and staccato, powerful unison and double octaves. Shield's ability to incorporate arioso-like melody, the prevailing 'symphonic' style and folk elements was largely achieved through the cross-generic requirements of English comic opera (a form to which Shield devoted himself during the whole of his creative career). In general, Shield's technique results in a firm control of the way music moves - with sometimes a surprising degree of stylistic restlessness and sometimes of unexpected plainness and simplicity. The trios Shield selected for publication were issued by Longman and Broderip, London, in January 1796 under the inspection of the composer. No autograph of these works survives and Longman and Broderip's printing, a copy of which is preserved in the Bodleian Library, Oxford, under the call number Mus.Instr.I 214(15), is the only source of this edition. The title page, with its dedicatory inscription, reads: Six / TRIOS / FOR / Violin, Tenor and Violoncello, / Composed / And Inscribed to the Memory of / Jacob More Esqr. / By / Wm. SHIELD./ (Musician in Ordinary to His Majesty) / Entd. At Statn. Hall [rule] Price 10/6 / ADVERTISEMENT / These Trios were Composed chiefly for the abovementioned Celebrated Landscape Painter (in Rome) / And are Dedicated to his Memory as a Token of Gratitude for the Services he rendered the Author / during his Residence in that City. The movements which are written in the uncommon Time / of 5/4 have amused some of the most distinguished Professors both in England & Italy which / induces the Author to hope they will not be disagreeable to the Public at Large / Goodge Street, Jany. 1st 1796 / [rule] / London, Printed for the Author by Longman & Broderip, No.26, Cheapside & No.13, Haymarket. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$49.00
45.17 €
#
Trio à Cordes: violon, alto, violoncelle
#
/ Wm
#
William Shield
#
Robert Hoskins
#
String Trio No. 5 in C minor
#
Artaria Editions
#
SheetMusicPlus
String Trio No. 2 in D major
Trio à Cordes: violon, alto, violoncelle
String Trio Cello,Viola,Violin - Digital Download SKU: A0.1488225 Composed by Willi…
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String Trio Cello,Viola,Violin - Digital Download SKU: A0.1488225 Composed by William Shield. Arranged by Robert Hoskins. Classical. 37 pages. Artaria Editions #1065111. Published by Artaria Editions (A0.1488225). Shield's Trios, written for a continental audience, are seminal works in the composer's output and mark a new level of compositional attainment in the English chamber music repertory. Technically, they contain a wide variety of ideas which are developed with great ingenuity through a wide range of keys, dynamic contrasts and timbral effects. Aesthetically, they blend 'popular' and 'learned' taste along with 'orchestral' splendour and 18th century notions of beauty. The Trios present a dazzling range of moods and style with each work demonstrating Shield's mastery of the idiom, both in his treatment of individual instruments and in the handling of textures. While there is no shortage of melody and accompaniment, in which the violin takes the lead, there are many memorable solos for the viola and the cello in its high register. The wide range of textures includes melodic decoration, dialogue, contrast of high and low register, legato and staccato, powerful unison and double octaves. Shield's ability to incorporate arioso-like melody, the prevailing 'symphonic' style and folk elements was largely achieved through the cross-generic requirements of English comic opera (a form to which Shield devoted himself during the whole of his creative career). In general, Shield's technique results in a firm control of the way music moves - with sometimes a surprising degree of stylistic restlessness and sometimes of unexpected plainness and simplicity. The trios Shield selected for publication were issued by Longman and Broderip, London, in January 1796 under the inspection of the composer. No autograph of these works survives and Longman and Broderip's printing, a copy of which is preserved in the Bodleian Library, Oxford, under the call number Mus.Instr.I 214(15), is the only source of this edition. The title page, with its dedicatory inscription, reads: Six / TRIOS / FOR / Violin, Tenor and Violoncello, / Composed / And Inscribed to the Memory of / Jacob More Esqr. / By / Wm. SHIELD./ (Musician in Ordinary to His Majesty) / Entd. At Statn. Hall [rule] Price 10/6 / ADVERTISEMENT / These Trios were Composed chiefly for the abovementioned Celebrated Landscape Painter (in Rome) / And are Dedicated to his Memory as a Token of Gratitude for the Services he rendered the Author / during his Residence in that City. The movements which are written in the uncommon Time / of 5/4 have amused some of the most distinguished Professors both in England & Italy which / induces the Author to hope they will not be disagreeable to the Public at Large / Goodge Street, Jany. 1st 1796 / [rule] / London, Printed for the Author by Longman & Broderip, No.26, Cheapside & No.13, Haymarket. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$49.00
45.17 €
#
Trio à Cordes: violon, alto, violoncelle
#
/ Wm
#
William Shield
#
Robert Hoskins
#
String Trio No. 2 in D major
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Artaria Editions
#
SheetMusicPlus
String Trio No.1 in E flat major
Trio à Cordes: violon, alto, violoncelle
String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1488224 Compose…
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String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1488224 Composed by William Shield. Arranged by Robert Hoskins. Classical. 24 pages. Artaria Editions #1065110. Published by Artaria Editions (A0.1488224). The trios Shield selected for publication were issued by Longman and Broderip, London, in January 1796 under the inspection of the composer. No autograph of these works survives and Longman and Broderip's printing, a copy of which is preserved in the Bodleian Library, Oxford, under the call number Mus.Instr.I 214(15), is the only source of this edition. The title page, with its dedicatory inscription, reads: Six / TRIOS / FOR / Violin, Tenor and Violoncello, / Composed / And Inscribed to the Memory of / Jacob More Esqr. / By / Wm. SHIELD./ (Musician in Ordinary to His Majesty) / Entd. At Statn. Hall [rule] Price 10/6 / ADVERTISEMENT / These Trios were Composed chiefly for the abovementioned Celebrated Landscape Painter (in Rome) / And are Dedicated to his Memory as a Token of Gratitude for the Services he rendered the Author / during his Residence in that City. The movements which are written in the uncommon Time / of 5/4 have amused some of the most distinguished Professors both in England & Italy which / induces the Author to hope they will not be disagreeable to the Public at Large / Goodge Street, Jany. 1st 1796 / [rule] / London, Printed for the Author by Longman & Broderip, No.26, Cheapside & No.13, Haymarket. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$49.00
45.17 €
#
Trio à Cordes: violon, alto, violoncelle
#
/ Wm
#
William Shield
#
Robert Hoskins
#
String Trio No.1 in E flat major
#
Artaria Editions
#
SheetMusicPlus
There Was An Old Woman
Trio à Cordes: violon, alto, violoncelle
String Ensemble,String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.786…
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String Ensemble,String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.786000 Composed by Unknown. Arranged by Andrew R. Guarrine. Children,Folk. Score and parts. 7 pages. GuarrineMusic #6055775. Published by GuarrineMusic (A0.786000). This short (1:35), nursery song arranged for trio violin, viola (vln. 2 included) and 'cello is in the key of G and a happy 3/4 time. Uses dotted quarter-eighth rhythms, eighth notes, slurs, a few low 1’s, sudden dynamic contrasts, crescendo and decrescendo and a double-stop G in the ‘cello. The melody never goes above high G. Contains easy counterpoint, arpeggios and some neat harmonies. A catchy melody that you will find yourself humming all day! Grade 1+/2
$7.95
7.33 €
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Trio à Cordes: violon, alto, violoncelle
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Unknown
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Andrew R
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There Was An Old Woman
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GuarrineMusic
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SheetMusicPlus
Handel's Hornpipe in F for String Trio
Trio à Cordes: violon, alto, violoncelle
String Ensemble,String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.732…
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String Ensemble,String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.732609 Composed by George Frideric Handel. Arranged by Dave Prudon. Baroque,Christmas,Easter,Sacred,Wedding. Score and parts. 6 pages. Prudon String Ensembles #4324963. Published by Prudon String Ensembles (A0.732609). With its wonderful Baroque ornamentation and beautiful suspensions at the cadences, this arrangement of the Hornipipe in F soars above the others available for sale online. Â Without losing any of Handel's majestic melodies or harmonies, this String Trio arrangement will continually satisfy the musicians as well as the audience. Â Along with the Hornpipe in D, this piece is still requested as part of the music for weddings and would therefore be a great addition to the repertoire list of any performing String Trio.To see a Trio arrangement of the Hornpipe in D, along with a multitude of arrangements for strings, check out: Â Prudon String Ensembles Sheet Music.
$9.99
9.21 €
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Trio à Cordes: violon, alto, violoncelle
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George Frideric Handel
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Dave Prudon
#
Handel's Hornpipe in F for String Trio
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Prudon String Ensembles
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SheetMusicPlus
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