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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Amber Mark
Sheetmusicplus
Non classifié
293
Piano & claviers
Piano, Voix
99
Piano seul
22
Piano Facile
5
Piano Trio: piano, violon, violoncelle
3
Piano Quintette: piano, 2 violons, alto, violoncelle
3
Piano Quatuor: piano, violon, alto, violoncelle
3
Orgue
2
Piano (partie séparée)
1
+ 3 instrumentations
Retracter
Guitares
Guitare
9
2 Guitares (duo)
2
Guitare notes et tablatures
1
Ligne De Mélodie, (Paroles) et Accords
1
Guitare (partie séparée)
1
3 Guitares (trio)
1
+ 1 instrumentations
Retracter
Voix
Chorale SATB
49
Pack Instrumental pour Chorale
10
Chorale TTBB
7
Chorale 3 parties
6
Voix Soprano, Piano
6
Chorale SSAA
3
Soli, choeur mixte et accompagnement
2
Chorale Unison
2
Voix Baryton, Piano
1
Voix Alto, Piano
1
Voix duo, Piano
1
+ 6 instrumentations
Retracter
Vents
Quatuor de Clarinettes: 4 clarinettes
101
Flûte, Hautbois, Clarinette, Basson
94
Quatuor de Saxophones: 4 saxophones
92
2 Saxophones (duo)
54
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
40
Flûte traversière et Piano
18
Quintette de Saxophone: 5 saxophones
17
Hautbois, Piano (duo)
15
Saxophone Alto et Piano
15
2 Clarinettes (duo)
15
Clarinette et Piano
14
2 Flûtes traversières (duo)
13
Clarinette
11
2 Hautbois (duo)
9
Saxophone Baryton, Piano
9
Flûte traversière
9
Saxophone (partie séparée)
8
Saxophone Soprano et Piano
8
Hautbois (partie séparée)
7
Saxophone Alto
7
Saxophone Tenor et Piano
7
Ensemble de Clarinettes
6
Saxophone Tenor
6
Quatuor de Flûtes : 4 flûtes
5
Quintette de Clarinettes: 5 clarinettes
4
Ensemble de Flûtes
3
Flute (partie séparée)
2
Hautbois
2
Saxophone Baryton
2
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Flûte, Violon et Violoncelle
1
Saxophone Soprano
1
3 Clarinettes (trio)
1
Clarinette (partie séparée)
1
Clarinette Basse
1
Ensemble de saxophones
1
Clarinette, Violoncelle, Piano (trio)
1
Clarinette, Violoncelle (duo)
1
Clarinette Basse, Piano
1
3 Saxophones (trio)
1
Quintette de Flûte : 5 flûtes
1
Cor anglais et Harpe (duo)
1
Flûte et Guitare
1
Clarinette, Alto et Piano (trio)
1
Cor anglais, Piano
1
+ 40 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
45
Quatuor de Cuivres: 2 trompettes, Cor, trombone
15
Quatuor de Cuivres
11
Trompette, Piano
11
Cor et Piano
10
2 Trombones (duo)
9
2 Trompettes (duo)
9
Trombone et Piano
9
Tuba et Piano
9
Cor
8
Trombone
8
Trompette
8
2 Cors (duo)
7
Tuba
6
Quatuor de Cuivres : 2 trompettes, trombone, tuba
5
Trompette (partie séparée)
4
Euphonium, Piano (duo)
3
2 Tubas (duo)
3
Trio de Cuivres
3
Trompette, Trombone (duo)
2
Quatuor de cuivres: 4 trompettes
1
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
1
Trompette, Violoncelle (duo)
1
Cor anglais et Harpe (duo)
1
Ensemble de Cors
1
Quatuor de cuivres: 4 trombones
1
Cor (partie séparée)
1
Trompette, Basson (duo)
1
2 Euphoniums et 2 Tubas
1
Cor anglais, Piano
1
+ 25 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
141
Trio à Cordes: violon, alto, violoncelle
19
Violon et Piano
18
Quintette à cordes: 2 violons, alto, violoncelle, basse
15
Violoncelle, Piano
15
Alto, Piano
14
Violoncelle
14
Violon
13
2 Violoncelles (duo)
13
2 Violons (duo)
13
Contre Basse
11
Contrebasse, Piano (duo)
10
2 Altos (duo)
8
Alto seul
7
Alto (partie séparée)
7
Violon, Violoncelle (duo)
6
Violon (partie séparée)
6
2 Harpes (duo)
5
Trio à Cordes: 2 violons, violoncelle
4
2 Contrebasses (duo)
4
Violon, Alto (duo)
4
Trio à Cordes: 3 violoncelles
3
Violoncelle (partie séparée)
3
Quintette à cordes: 2 violons, 2 altos, violoncelle
3
Harpe, Flûte (duo)
2
Contrebasse (partie séparée)
1
4 Violoncelles
1
Harpe, Quatuor à cordes
1
+ 23 instrumentations
Retracter
Orchestre & Percussions
Orchestre de chambre
108
Orchestre à Cordes
27
Orchestre d'harmonie
8
Orchestre
7
Cloches
4
Ensemble de cuivres
3
Ensemble Jazz
2
Jazz combo
2
Percussion
1
Piano et Orchestre
1
Percussion (partie séparée)
1
Batterie (partie séparée)
1
+ 7 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
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Prix - au +
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Partitions à imprimer
19 partitions trouvées
<
1
Prince of Denmark's March (Trumpet Voluntary) - for String Trio, or 2 Violins and Cello
#
Trio à Cordes: violon, alto, violoncelle
#
FACILE
#
Jeremiah Clarke
#
Abolin
#
Prince of Denmark's March
#
Abolin
#
SheetMusicPlus
String Trio Cello,Viola,Violin - Level 2 - SKU: A0.1138494 Composed by Jeremiah Clarke. Arranged by Abolin. Baroque,Chamber,Classical,March,Wedding. 7 p...
(+)
String Trio Cello,Viola,Violin - Level 2 - SKU: A0.1138494 Composed by Jeremiah Clarke. Arranged by Abolin. Baroque,Chamber,Classical,March,Wedding. 7 pages. Abolin #738826. Published by Abolin (A0.1138494). Score and Parts. This arrangement of Trumpet Voluntary (Prince of Denmark's March) by Clarke is for a string trio (Violin, Viola, Cello), or for 2 Violins and Cello with the alternative Violin II part instead of the viola part. Some bowings are provided.For more chamber music transcriptions for strings, please visit TakeshiAbo.com. Â Besides a list of music available, you will also find articles on violin playing and other useful information for string players at the website.
$6.99
String Trio No. 3 in A major
#
Trio à Cordes: violon, alto, violoncelle
#
INTERMÉDIAIRE
#
Classique
#
/ Wm
#
William Shield
#
Robert Hoskins
#
String Trio No. 3 in A major
#
Artaria Editions
#
SheetMusicPlus
String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1488228 Composed by William Shield. Arranged by Robert Hoskins. Classical. 27 pages. Artaria Editions...
(+)
String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1488228 Composed by William Shield. Arranged by Robert Hoskins. Classical. 27 pages. Artaria Editions #1065115. Published by Artaria Editions (A0.1488228). Shield's Trios, written for a continental audience, are seminal works in the composer's output and mark a new level of compositional attainment in the English chamber music repertory. Technically, they contain a wide variety of ideas which are developed with great ingenuity through a wide range of keys, dynamic contrasts and timbral effects. Aesthetically, they blend 'popular' and 'learned' taste along with 'orchestral' splendour and 18th century notions of beauty. The Trios present a dazzling range of moods and style with each work demonstrating Shield's mastery of the idiom, both in his treatment of individual instruments and in the handling of textures. While there is no shortage of melody and accompaniment, in which the violin takes the lead, there are many memorable solos for the viola and the cello in its high register. The wide range of textures includes melodic decoration, dialogue, contrast of high and low register, legato and staccato, powerful unison and double octaves. Shield's ability to incorporate arioso-like melody, the prevailing 'symphonic' style and folk elements was largely achieved through the cross-generic requirements of English comic opera (a form to which Shield devoted himself during the whole of his creative career). In general, Shield's technique results in a firm control of the way music moves - with sometimes a surprising degree of stylistic restlessness and sometimes of unexpected plainness and simplicity. The trios Shield selected for publication were issued by Longman and Broderip, London, in January 1796 under the inspection of the composer. No autograph of these works survives and Longman and Broderip's printing, a copy of which is preserved in the Bodleian Library, Oxford, under the call number Mus.Instr.I 214(15), is the only source of this edition. The title page, with its dedicatory inscription, reads: Six / TRIOS / FOR / Violin, Tenor and Violoncello, / Composed / And Inscribed to the Memory of / Jacob More Esqr. / By / Wm. SHIELD./ (Musician in Ordinary to His Majesty) / Entd. At Statn. Hall [rule] Price 10/6 / ADVERTISEMENT / These Trios were Composed chiefly for the abovementioned Celebrated Landscape Painter (in Rome) / And are Dedicated to his Memory as a Token of Gratitude for the Services he rendered the Author / during his Residence in that City. The movements which are written in the uncommon Time / of 5/4 have amused some of the most distinguished Professors both in England & Italy which / induces the Author to hope they will not be disagreeable to the Public at Large / Goodge Street, Jany. 1st 1796 / [rule] / London, Printed for the Author by Longman & Broderip, No.26, Cheapside & No.13, Haymarket. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$49.00
String Trio No. 4 in E major
#
Trio à Cordes: violon, alto, violoncelle
#
INTERMÉDIAIRE
#
Classique
#
/ Wm
#
William Shield
#
Robert Hoskins
#
String Trio No. 4 in E major
#
Artaria Editions
#
SheetMusicPlus
String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1488229 Composed by William Shield. Arranged by Robert Hoskins. Classical. 24 pages. Artaria Editions...
(+)
String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1488229 Composed by William Shield. Arranged by Robert Hoskins. Classical. 24 pages. Artaria Editions #1065116. Published by Artaria Editions (A0.1488229). Shield's Trios, written for a continental audience, are seminal works in the composer's output and mark a new level of compositional attainment in the English chamber music repertory. Technically, they contain a wide variety of ideas which are developed with great ingenuity through a wide range of keys, dynamic contrasts and timbral effects. Aesthetically, they blend 'popular' and 'learned' taste along with 'orchestral' splendour and 18th century notions of beauty. The Trios present a dazzling range of moods and style with each work demonstrating Shield's mastery of the idiom, both in his treatment of individual instruments and in the handling of textures. While there is no shortage of melody and accompaniment, in which the violin takes the lead, there are many memorable solos for the viola and the cello in its high register. The wide range of textures includes melodic decoration, dialogue, contrast of high and low register, legato and staccato, powerful unison and double octaves. Shield's ability to incorporate arioso-like melody, the prevailing 'symphonic' style and folk elements was largely achieved through the cross-generic requirements of English comic opera (a form to which Shield devoted himself during the whole of his creative career). In general, Shield's technique results in a firm control of the way music moves - with sometimes a surprising degree of stylistic restlessness and sometimes of unexpected plainness and simplicity. The trios Shield selected for publication were issued by Longman and Broderip, London, in January 1796 under the inspection of the composer. No autograph of these works survives and Longman and Broderip's printing, a copy of which is preserved in the Bodleian Library, Oxford, under the call number Mus.Instr.I 214(15), is the only source of this edition. The title page, with its dedicatory inscription, reads: Six / TRIOS / FOR / Violin, Tenor and Violoncello, / Composed / And Inscribed to the Memory of / Jacob More Esqr. / By / Wm. SHIELD./ (Musician in Ordinary to His Majesty) / Entd. At Statn. Hall [rule] Price 10/6 / ADVERTISEMENT / These Trios were Composed chiefly for the abovementioned Celebrated Landscape Painter (in Rome) / And are Dedicated to his Memory as a Token of Gratitude for the Services he rendered the Author / during his Residence in that City. The movements which are written in the uncommon Time / of 5/4 have amused some of the most distinguished Professors both in England & Italy which / induces the Author to hope they will not be disagreeable to the Public at Large / Goodge Street, Jany. 1st 1796 / [rule] / London, Printed for the Author by Longman & Broderip, No.26, Cheapside & No.13, Haymarket. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$49.00
String Trio No. 6 in B flat major
#
Trio à Cordes: violon, alto, violoncelle
#
INTERMÉDIAIRE
#
Classique
#
/ Wm
#
William Shield
#
Robert Hoskins
#
String Trio No. 6 in B flat ma
#
Artaria Editions
#
SheetMusicPlus
String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1488232 Composed by William Shield. Arranged by Robert Hoskins. Classical. 36 pages. Artaria Editions...
(+)
String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1488232 Composed by William Shield. Arranged by Robert Hoskins. Classical. 36 pages. Artaria Editions #1065119. Published by Artaria Editions (A0.1488232). Shield's Trios, written for a continental audience, are seminal works in the composer's output and mark a new level of compositional attainment in the English chamber music repertory. Technically, they contain a wide variety of ideas which are developed with great ingenuity through a wide range of keys, dynamic contrasts and timbral effects. Aesthetically, they blend 'popular' and 'learned' taste along with 'orchestral' splendour and 18th century notions of beauty. The Trios present a dazzling range of moods and style with each work demonstrating Shield's mastery of the idiom, both in his treatment of individual instruments and in the handling of textures. While there is no shortage of melody and accompaniment, in which the violin takes the lead, there are many memorable solos for the viola and the cello in its high register. The wide range of textures includes melodic decoration, dialogue, contrast of high and low register, legato and staccato, powerful unison and double octaves. Shield's ability to incorporate arioso-like melody, the prevailing 'symphonic' style and folk elements was largely achieved through the cross-generic requirements of English comic opera (a form to which Shield devoted himself during the whole of his creative career). In general, Shield's technique results in a firm control of the way music moves - with sometimes a surprising degree of stylistic restlessness and sometimes of unexpected plainness and simplicity. The trios Shield selected for publication were issued by Longman and Broderip, London, in January 1796 under the inspection of the composer. No autograph of these works survives and Longman and Broderip's printing, a copy of which is preserved in the Bodleian Library, Oxford, under the call number Mus.Instr.I 214(15), is the only source of this edition. The title page, with its dedicatory inscription, reads: Six / TRIOS / FOR / Violin, Tenor and Violoncello, / Composed / And Inscribed to the Memory of / Jacob More Esqr. / By / Wm. SHIELD./ (Musician in Ordinary to His Majesty) / Entd. At Statn. Hall [rule] Price 10/6 / ADVERTISEMENT / These Trios were Composed chiefly for the abovementioned Celebrated Landscape Painter (in Rome) / And are Dedicated to his Memory as a Token of Gratitude for the Services he rendered the Author / during his Residence in that City. The movements which are written in the uncommon Time / of 5/4 have amused some of the most distinguished Professors both in England & Italy which / induces the Author to hope they will not be disagreeable to the Public at Large / Goodge Street, Jany. 1st 1796 / [rule] / London, Printed for the Author by Longman & Broderip, No.26, Cheapside & No.13, Haymarket. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$49.00
String Trio No. 5 in C minor
#
Trio à Cordes: violon, alto, violoncelle
#
INTERMÉDIAIRE
#
Classique
#
/ Wm
#
William Shield
#
Robert Hoskins
#
String Trio No. 5 in C minor
#
Artaria Editions
#
SheetMusicPlus
String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1488231 Composed by William Shield. Arranged by Robert Hoskins. Classical. 23 pages. Artaria Editions...
(+)
String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1488231 Composed by William Shield. Arranged by Robert Hoskins. Classical. 23 pages. Artaria Editions #1065118. Published by Artaria Editions (A0.1488231). Shield's Trios, written for a continental audience, are seminal works in the composer's output and mark a new level of compositional attainment in the English chamber music repertory. Technically, they contain a wide variety of ideas which are developed with great ingenuity through a wide range of keys, dynamic contrasts and timbral effects. Aesthetically, they blend 'popular' and 'learned' taste along with 'orchestral' splendour and 18th century notions of beauty. The Trios present a dazzling range of moods and style with each work demonstrating Shield's mastery of the idiom, both in his treatment of individual instruments and in the handling of textures. While there is no shortage of melody and accompaniment, in which the violin takes the lead, there are many memorable solos for the viola and the cello in its high register. The wide range of textures includes melodic decoration, dialogue, contrast of high and low register, legato and staccato, powerful unison and double octaves. Shield's ability to incorporate arioso-like melody, the prevailing 'symphonic' style and folk elements was largely achieved through the cross-generic requirements of English comic opera (a form to which Shield devoted himself during the whole of his creative career). In general, Shield's technique results in a firm control of the way music moves - with sometimes a surprising degree of stylistic restlessness and sometimes of unexpected plainness and simplicity. The trios Shield selected for publication were issued by Longman and Broderip, London, in January 1796 under the inspection of the composer. No autograph of these works survives and Longman and Broderip's printing, a copy of which is preserved in the Bodleian Library, Oxford, under the call number Mus.Instr.I 214(15), is the only source of this edition. The title page, with its dedicatory inscription, reads: Six / TRIOS / FOR / Violin, Tenor and Violoncello, / Composed / And Inscribed to the Memory of / Jacob More Esqr. / By / Wm. SHIELD./ (Musician in Ordinary to His Majesty) / Entd. At Statn. Hall [rule] Price 10/6 / ADVERTISEMENT / These Trios were Composed chiefly for the abovementioned Celebrated Landscape Painter (in Rome) / And are Dedicated to his Memory as a Token of Gratitude for the Services he rendered the Author / during his Residence in that City. The movements which are written in the uncommon Time / of 5/4 have amused some of the most distinguished Professors both in England & Italy which / induces the Author to hope they will not be disagreeable to the Public at Large / Goodge Street, Jany. 1st 1796 / [rule] / London, Printed for the Author by Longman & Broderip, No.26, Cheapside & No.13, Haymarket. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$49.00
String Trio No. 2 in D major
#
Trio à Cordes: violon, alto, violoncelle
#
Classique
#
/ Wm
#
William Shield
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Robert Hoskins
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String Trio No. 2 in D major
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Artaria Editions
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SheetMusicPlus
String Trio Cello,Viola,Violin - SKU: A0.1488225 Composed by William Shield. Arranged by Robert Hoskins. Classical. 37 pages. Artaria Editions #1065111....
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String Trio Cello,Viola,Violin - SKU: A0.1488225 Composed by William Shield. Arranged by Robert Hoskins. Classical. 37 pages. Artaria Editions #1065111. Published by Artaria Editions (A0.1488225). Shield's Trios, written for a continental audience, are seminal works in the composer's output and mark a new level of compositional attainment in the English chamber music repertory. Technically, they contain a wide variety of ideas which are developed with great ingenuity through a wide range of keys, dynamic contrasts and timbral effects. Aesthetically, they blend 'popular' and 'learned' taste along with 'orchestral' splendour and 18th century notions of beauty. The Trios present a dazzling range of moods and style with each work demonstrating Shield's mastery of the idiom, both in his treatment of individual instruments and in the handling of textures. While there is no shortage of melody and accompaniment, in which the violin takes the lead, there are many memorable solos for the viola and the cello in its high register. The wide range of textures includes melodic decoration, dialogue, contrast of high and low register, legato and staccato, powerful unison and double octaves. Shield's ability to incorporate arioso-like melody, the prevailing 'symphonic' style and folk elements was largely achieved through the cross-generic requirements of English comic opera (a form to which Shield devoted himself during the whole of his creative career). In general, Shield's technique results in a firm control of the way music moves - with sometimes a surprising degree of stylistic restlessness and sometimes of unexpected plainness and simplicity. The trios Shield selected for publication were issued by Longman and Broderip, London, in January 1796 under the inspection of the composer. No autograph of these works survives and Longman and Broderip's printing, a copy of which is preserved in the Bodleian Library, Oxford, under the call number Mus.Instr.I 214(15), is the only source of this edition. The title page, with its dedicatory inscription, reads: Six / TRIOS / FOR / Violin, Tenor and Violoncello, / Composed / And Inscribed to the Memory of / Jacob More Esqr. / By / Wm. SHIELD./ (Musician in Ordinary to His Majesty) / Entd. At Statn. Hall [rule] Price 10/6 / ADVERTISEMENT / These Trios were Composed chiefly for the abovementioned Celebrated Landscape Painter (in Rome) / And are Dedicated to his Memory as a Token of Gratitude for the Services he rendered the Author / during his Residence in that City. The movements which are written in the uncommon Time / of 5/4 have amused some of the most distinguished Professors both in England & Italy which / induces the Author to hope they will not be disagreeable to the Public at Large / Goodge Street, Jany. 1st 1796 / [rule] / London, Printed for the Author by Longman & Broderip, No.26, Cheapside & No.13, Haymarket. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$49.00
String Trio No. 9 in A major
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE
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Classique
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William Shield
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Robert Hoskins
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String Trio No. 9 in A major
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Artaria Editions
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SheetMusicPlus
String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1488294 Composed by William Shield. Arranged by Robert Hoskins. Classical. 29 pages. Artaria Editions...
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String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1488294 Composed by William Shield. Arranged by Robert Hoskins. Classical. 29 pages. Artaria Editions #1065182. Published by Artaria Editions (A0.1488294). Artaria Editions AE429Shield's Trios, written for a continental audience, are seminal works in the composer's output and mark a new level of compositional attainment in the English chamber music repertory. Technically, they contain a wide variety of ideas which are developed with great ingenuity through a wide range of keys, dynamic contrasts and timbral effects. Aesthetically, they blend 'popular' and 'learned' taste along with 'orchestral' splendour and 18th century notions of beauty. The Trios present a dazzling range of moods and style with each work demonstrating Shield's mastery of the idiom, both in his treatment of individual instruments and in the handling of textures. While there is no shortage of melody and accompaniment, in which the violin takes the lead, there are many memorable solos for the viola and the cello in its high register. The wide range of textures includes melodic decoration, dialogue, contrast of high and low register, legato and staccato, powerful unison and double octaves. Shield's ability to incorporate arioso-like melody, the prevailing 'symphonic' style and folk elements was largely achieved through the cross-generic requirements of English comic opera (a form to which Shield devoted himself during the whole of his creative career). In general, Shield's technique results in a firm control of the way music moves - with sometimes a surprising degree of stylistic restlessness and sometimes of unexpected plainness and simplicity. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$49.00
String Trio No. 7 in G major
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE
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Classique
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William Shield
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Robert Hoskins
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String Trio No. 7 in G major
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Artaria Editions
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SheetMusicPlus
String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1488290 Composed by William Shield. Arranged by Robert Hoskins. Classical. 26 pages. Artaria Editions...
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String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1488290 Composed by William Shield. Arranged by Robert Hoskins. Classical. 26 pages. Artaria Editions #1065178. Published by Artaria Editions (A0.1488290). Artaria Editions AE427Shield's Trios, written for a continental audience, are seminal works in the composer's output and mark a new level of compositional attainment in the English chamber music repertory. Technically, they contain a wide variety of ideas which are developed with great ingenuity through a wide range of keys, dynamic contrasts and timbral effects. Aesthetically, they blend 'popular' and 'learned' taste along with 'orchestral' splendour and 18th century notions of beauty. The Trios present a dazzling range of moods and style with each work demonstrating Shield's mastery of the idiom, both in his treatment of individual instruments and in the handling of textures. While there is no shortage of melody and accompaniment, in which the violin takes the lead, there are many memorable solos for the viola and the cello in its high register. The wide range of textures includes melodic decoration, dialogue, contrast of high and low register, legato and staccato, powerful unison and double octaves. Shield's ability to incorporate arioso-like melody, the prevailing 'symphonic' style and folk elements was largely achieved through the cross-generic requirements of English comic opera (a form to which Shield devoted himself during the whole of his creative career). In general, Shield's technique results in a firm control of the way music moves - with sometimes a surprising degree of stylistic restlessness and sometimes of unexpected plainness and simplicity. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$49.00
String Trio No. 8 in F major
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE
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Classique
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William Shield
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Robert Hoskins
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String Trio No. 8 in F major
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Artaria Editions
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SheetMusicPlus
String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1488292 Composed by William Shield. Arranged by Robert Hoskins. Classical. 35 pages. Artaria Editions...
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String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1488292 Composed by William Shield. Arranged by Robert Hoskins. Classical. 35 pages. Artaria Editions #1065180. Published by Artaria Editions (A0.1488292). Artaria Editions AE428Shield's Trios, written for a continental audience, are seminal works in the composer's output and mark a new level of compositional attainment in the English chamber music repertory. Technically, they contain a wide variety of ideas which are developed with great ingenuity through a wide range of keys, dynamic contrasts and timbral effects. Aesthetically, they blend 'popular' and 'learned' taste along with 'orchestral' splendour and 18th century notions of beauty. The Trios present a dazzling range of moods and style with each work demonstrating Shield's mastery of the idiom, both in his treatment of individual instruments and in the handling of textures. While there is no shortage of melody and accompaniment, in which the violin takes the lead, there are many memorable solos for the viola and the cello in its high register. The wide range of textures includes melodic decoration, dialogue, contrast of high and low register, legato and staccato, powerful unison and double octaves. Shield's ability to incorporate arioso-like melody, the prevailing 'symphonic' style and folk elements was largely achieved through the cross-generic requirements of English comic opera (a form to which Shield devoted himself during the whole of his creative career). In general, Shield's technique results in a firm control of the way music moves - with sometimes a surprising degree of stylistic restlessness and sometimes of unexpected plainness and simplicity. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$49.00
Minimally Fantastic Suite for Clarinet and String Trio
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Trio à Cordes: violon, alto, violoncelle
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Steven Kudlo
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Minimally Fantastic Suite for
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Steven Mark Kudlo
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SheetMusicPlus
B-Flat Clarinet,Cello,Viola,Violin - SKU: A0.1116845 Composed by Steven Kudlo. 20th Century,Chamber,Classical,Contemporary. 48 pages. Steven Mark Kudlo ...
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B-Flat Clarinet,Cello,Viola,Violin - SKU: A0.1116845 Composed by Steven Kudlo. 20th Century,Chamber,Classical,Contemporary. 48 pages. Steven Mark Kudlo #718499. Published by Steven Mark Kudlo (A0.1116845). About 13 1/2 minutes long of intermediate difficulty, this composition smiles. It's in six movements, each movement dipping into three general styles: pandiatonic, expressionistic, and common practice tonality (regular music). Its overall tone is neoclassic, using minimal techniques to provide a satisfying experience. The clarinet is for a B-flat model; it gets at least adequate time to breathe. The string parts are fairly easy, though on one occasion the cello bounces around a bit. There are some varied time signatures that might be too challenging for very young people. There are a variety of key signatures. The composition is tonal.
$5.99
Fantasy-Suite for Clarinet and String Trio #2
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE
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Steven Kudlo
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Fantasy-Suite for Clarinet and
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Steven Mark Kudlo
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SheetMusicPlus
B-Flat Clarinet,Cello,Viola,Violin - Level 3 - SKU: A0.1189979 Composed by Steven Kudlo. 20th Century,Chamber,Classical,Contemporary. 80 pages. Steven M...
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B-Flat Clarinet,Cello,Viola,Violin - Level 3 - SKU: A0.1189979 Composed by Steven Kudlo. 20th Century,Chamber,Classical,Contemporary. 80 pages. Steven Mark Kudlo #789594. Published by Steven Mark Kudlo (A0.1189979). In six movements, at about 20 mins in length, this is a polystylistic piece, using tonality mixed with atonality but in a timeless neoclassical style.
$8.99
Mr. Brightside
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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The Killers
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Martin Ash
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Mr. Brightside
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Martin Ash Music
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SheetMusicPlus
String Ensemble,String Trio Cello,Viola,Violin - Level 4 - SKU: A0.1505030 By The Killers. By Brandon Flowers, Dave Keuning, Mark Stoermer, and Ronnie V...
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String Ensemble,String Trio Cello,Viola,Violin - Level 4 - SKU: A0.1505030 By The Killers. By Brandon Flowers, Dave Keuning, Mark Stoermer, and Ronnie Vannucci. Arranged by Martin Ash. Chamber,Rock,Wedding. 15 pages. Martin Ash Music #1080433. Published by Martin Ash Music (A0.1505030). Possibly the most iconic party song of our time, who says a string trio can't play this too? This arrangement specifically for string trio (with viola, not 2 violins) shares the melodic interest between all 3 players and preserves all the most important parts of the original track, including synth interludes and of course THAT guitar riff.
$16.00
Mary, Did You Know?
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE
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Kathy Mattea
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Gerome Stewart
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Mary, Did You Know?
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Gerome Stewart
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SheetMusicPlus
String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1136155 By Kathy Mattea. By Buddy Greene and Mark Lowry. Arranged by Gerome Stewart. A Cappella,Chamb...
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String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1136155 By Kathy Mattea. By Buddy Greene and Mark Lowry. Arranged by Gerome Stewart. A Cappella,Chamber,Christian,Christmas,Pop. 11 pages. Gerome Stewart #736186. Published by Gerome Stewart (A0.1136155). As sung by Pentatonix.
$14.99
Mary, Did You Know?
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE
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Kathy Mattea
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César Madeira
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Mary, Did You Know?
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Sheet Music To Play Editions
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SheetMusicPlus
String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1321322 By Kathy Mattea. By Buddy Greene and Mark Lowry. Arranged by César Madeira. Chamber,Christ...
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String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1321322 By Kathy Mattea. By Buddy Greene and Mark Lowry. Arranged by César Madeira. Chamber,Christian,Christmas,Contemporary,Multicultural,World. 5 pages. Sheet Music To Play Editions #909778. Published by Sheet Music To Play Editions (A0.1321322). Mary, Did You Know? by Buddy Greene. Arrangement for String Trio - Violin, Viola and Violoncello. With Individual Parts. Enjoy it!This file DOES NOT contain Full Score. Individual Parts only.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$12.99
First Date
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE
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Pop musique
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Blink 182
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Stephen W
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First Date
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BurchMusic
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SheetMusicPlus
By Blink 182. By Mark Hoppus, Tom De Longe, and Travis Barker. Arranged by Stephen W. Burch (ASCAP). Chamber, Pop, Wedding. 16 pages. BurchMusic #8245...
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By Blink 182. By Mark Hoppus, Tom De Longe, and Travis Barker. Arranged by Stephen W. Burch (ASCAP). Chamber, Pop, Wedding. 16 pages. BurchMusic #824551. Published by BurchMusic
$15.00
Mary, Did You Know?
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE
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Classique
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Kathy Mattea
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César Madeira
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Mary, Did You Know?
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Sheet Music To Play Editions
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SheetMusicPlus
By Kathy Mattea. By Buddy Greene and Mark Lowry. Arranged by César Madeira. Chamber,Christian,Christmas,Co ntemporary,Standards. 11 pages....
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By Kathy Mattea. By Buddy Greene and Mark Lowry. Arranged by César Madeira. Chamber,Christian,Christmas,Co ntemporary,Standards. 11 pages. Sheet Music To Play Editions #909776. Published by Sheet Music To Play Editions
$17.99
Fairytale Opening
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Trio à Cordes: violon, alto, violoncelle
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DÉBUTANT
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Harry Gregson-Williams and Joh
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Seth Crail
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Fairytale Opening
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Descant Scoring
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SheetMusicPlus
String Trio Cello,Viola,Violin - Level 1 - SKU: A0.1276942 Composed by Harry Gregson-Williams and John Powell. Arranged by Seth Crail. Chamber,Classical...
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String Trio Cello,Viola,Violin - Level 1 - SKU: A0.1276942 Composed by Harry Gregson-Williams and John Powell. Arranged by Seth Crail. Chamber,Classical,Contemporary,Film/TV,Wedding. 13 pages. Descant Scoring #868636. Published by Descant Scoring (A0.1276942). String trio suitable for either [Vln, Vla, Vc] or [Vln 1, Vln 2, Vc] instrumentations.Contains section markers and a loopable chorus to allow for varied lengths.Professional scores and arrangements by Descant Scoring.www.descantscoring.com.
$12.99
A Holly Jolly Christmas
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Noël
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Burl Ives
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Marian Wilson
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A Holly Jolly Christmas
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Marian Wilson
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SheetMusicPlus
String Trio Cello,Viola,Violin - Level 4 - SKU: A0.1335726 By Burl Ives. By Johnny Marks. Arranged by Marian Wilson. 20th Century,Chamber,Christmas,Holi...
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String Trio Cello,Viola,Violin - Level 4 - SKU: A0.1335726 By Burl Ives. By Johnny Marks. Arranged by Marian Wilson. 20th Century,Chamber,Christmas,Holiday,Standards. 5 pages. Marian Wilson #921548. Published by Marian Wilson (A0.1335726). A Holly Jolly Christmas for string trio features your swingin' violist and is sure to be a crowd-pleaser. This arrangement is designed to be sight-readable for professional players and accessible to intermediate and advanced players.
$12.99
Rockin' Around The Christmas Tree
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Noël
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LeAnn Rimes
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Marian Wilson
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Rockin' Around The Christmas T
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Marian Wilson
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SheetMusicPlus
String Trio Cello,Viola,Violin - Level 4 - SKU: A0.1335704 By LeAnn Rimes. By Johnny Marks. Arranged by Marian Wilson. 20th Century,Chamber,Christmas,Ho...
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String Trio Cello,Viola,Violin - Level 4 - SKU: A0.1335704 By LeAnn Rimes. By Johnny Marks. Arranged by Marian Wilson. 20th Century,Chamber,Christmas,Holiday,Rock. 6 pages. Marian Wilson #921528. Published by Marian Wilson (A0.1335704). Rockin' Around The Christmas Tree (made famous by Brenda Lee in 1958) is a great way to open or close a string trio holdiay performance.This arrangement is designed to be sight-readable by professional players and accessible to intermediate to advanced student players.
$12.99
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