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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
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An Open World
Non classifié
204
Piano & claviers
Piano seul
96
Piano Facile
49
Piano, Voix
13
Instruments en Do
7
Piano, Voix et Guitare
6
Orgue
4
Piano grosses notes
3
2 Pianos, 4 mains
3
Accompagnement Piano
2
Piano Quintette: piano, 2 violons, alto, violoncelle
2
Clavecin
1
1 Piano, 4 mains
1
+ 7 instrumentations
Retracter
Guitares
Guitare notes et tablatures
27
Guitare
14
4 Guitares (Quatuor)
3
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3
Mandoline
2
3 Guitares (trio)
1
Banjo
1
Mandoline, Guitare (duo)
1
Ukulele
1
Ensemble de guitares
1
+ 5 instrumentations
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Voix
Chorale SATB
45
Chorale TTBB
8
Chorale 3 parties
8
Chorale 2 parties
5
Chorale SSAA
3
Chorale Unison
2
Voix moyenne, Piano
1
Voix Soprano, Piano
1
Chorale SSATB
1
Chorale
1
+ 5 instrumentations
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Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
22
Ensemble de saxophones
20
Quintette de Saxophone: 5 saxophones
18
Flûte traversière et Piano
11
Clarinette
7
Saxophone Tenor et Piano
7
Ensemble de Clarinettes
7
Hautbois, Piano (duo)
7
Quatuor de Saxophones: 4 saxophones
6
2 Flûtes traversières (duo)
5
Clarinette et Piano
5
Saxophone Alto et Piano
4
Quintette de Flûte : 5 flûtes
4
2 Saxophones (duo)
3
2 Clarinettes (duo)
3
Ensemble de Flûtes
3
Saxophone, Clarinette (duo)
2
Saxophone Soprano et Piano
2
Saxophone (partie séparée)
2
Quintette de Clarinettes: 5 clarinettes
2
Flûte, Hautbois, Clarinette, Basson
2
Flûte, Clarinette (duo)
2
Quatuor de Clarinettes: 4 clarinettes
2
Clarinette Basse, Piano
1
Flûte, Violon, Piano
1
Flûte, Clarinette et Basson
1
Clarinette, Trompette (duo)
1
Saxophone Alto
1
Quatuor de Flûtes : 4 flûtes
1
Saxophone Tenor
1
Flûte, Saxophone (duo)
1
Flûte traversière
1
5 Flûtes à bec
1
Clarinette, Violon (duo)
1
+ 29 instrumentations
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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
21
Quatuor de Cuivres : 2 trompettes, trombone, tuba
18
Ensemble de Trompettes
12
Quatuor de Cuivres: 2 trompettes, Cor, trombone
7
Trompette, Piano
7
Trombone et Piano
6
Ensemble de Trombones
4
2 Trompettes (duo)
3
Cor et Piano
3
Trompette
2
Trombone (partie séparée)
2
Ensemble de Cors
2
2 Trombones (duo)
2
Quatuor de cuivres: 4 trompettes
1
Trompette, Trombone (duo)
1
Tuba
1
Trombone, Tuba (duo)
1
Trompette, Saxophone (duo)
1
+ 13 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
26
Violon et Piano
17
Alto, Piano
7
2 Violons (duo)
7
Violon, Violoncelle (duo)
6
Violon
6
Violoncelle, Piano
6
Trio à Cordes: violon, alto, violoncelle
5
Ensemble de Violons
3
2 Violoncelles (duo)
3
Harpe
2
Quintette à cordes: 2 violons, alto, violoncelle, basse
2
Alto seul
2
Trio à Cordes: 2 violons, violoncelle
2
4 Violoncelles
1
Ensemble d'Altos
1
Piano Trio: Violon, Alto, Piano
1
Violoncelle , Guitare (duo)
1
Contrebasse (partie séparée)
1
Violon, Alto (duo)
1
Harpe, Flûte (duo)
1
Violon, Basson (duo)
1
Violoncelle
1
Contre Basse
1
Trio à cordes: 3 violins
1
+ 20 instrumentations
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Orchestre & Percussions
Orchestre d'harmonie
268
Orchestre
34
Orchestre à Cordes
24
Ensemble Jazz
12
Ensemble de cuivres
11
Orchestre de chambre
7
Jazz combo
5
Fanfare
4
Cloches
4
Batterie
1
Ensemble de Percussions
1
Batterie (partie séparée)
1
Marimba
1
2 Marimbas
1
+ 9 instrumentations
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FLUTE A BEC
FLUTE A DIX…
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FORMATION M…
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GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
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JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
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An Open World
Trio à Cordes: violon, alto, violoncelle
Partitions à imprimer
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String Trio in E-flat (Benton 401)
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Trio à Cordes: violon, alto, violoncelle
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Classique
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Ignaz Josef Pleyel
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Artaria Editions
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String Trio in E-flat
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Artaria Editions
#
SheetMusicPlus
String Ensemble,String Trio Cello,Viola,Violin - SKU: A0.961407 Composed by Ignaz Josef Pleyel. Arranged by Artaria Editions. Classical. Score and parts...
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String Ensemble,String Trio Cello,Viola,Violin - SKU: A0.961407 Composed by Ignaz Josef Pleyel. Arranged by Artaria Editions. Classical. Score and parts. 18 pages. Artaria Editions #4365296. Published by Artaria Editions (A0.961407). ScoreArtaria Editions AE439Edited by Allan Badley 14 pagesIgnaz Pleyel (1757-1831) was at one time the most famous composer in the world. The popularity of his music eclipsed that of even his teacher Haydn and publishers vied to bring out his latest works as soon as they were finished. Some 2000 separate prints of Pleyel works had appeared by 1800 and his fame extended to every corner of Europe and as far afield as North America. Pleyel's career as a composer spanned less than thirty years with the majority of his works composed in the 1780s. He founded a successful publishing house in Paris in the mid-1790s and later began manufacturing keyboard instruments. With increasing demands on his time from his business concerns Pleyel's productivity as a composer dropped sharply and he ceased composing around 1805. Pleyel's three Trios Concertants, as they are styled in the earliest extant editions, appeared in 1787. Unlike the composer's quartets and quintets, which are generally in three movements, the string trios are cast in two movements - an opening Allegro and a Rondo - a practice unusual in Vienna but popular in France. The use of the term 'concertant' in the title signifies an equality of parts; that is, each of the instruments in the ensemble plays an important role in presenting thematic material. Pleyel's trios share many stylistic qualities with his quartets and quintets. His feel for the medium is at once apparent in his impressive exploitation of contrasting musical textures which range from bold, homophonic writing in a quasi-orchestral style to brief sections of canonic writing. The beauty and sophistication of these small-scale works can only make one regret that he did not write more works in the medium. Allan Badley.
$28.00
Mysterious Moment for alto flute and string trio
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE
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Contemporain
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David Warin Solomons
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Mysterious Moment for alto flu
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David Warin Solomons
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SheetMusicPlus
String Ensemble,String Trio - Level 3 - SKU: A0.576736 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 7 pages. David Wari...
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String Ensemble,String Trio - Level 3 - SKU: A0.576736 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 7 pages. David Warin Solomons #119391. Published by David Warin Solomons (A0.576736). Mysterious piece in octatonic mode, originally written for the short story The Door The pdf file contains score and parts. The sound sample is an electronic preview. High up on the grassy hill behind the town there is a door. It stands there in its frame with nothing before or behind it. It is locked shut. There is no key. We climb the hill each day. We play each side of the door, games of hide and seek. But we cannot go through the door. Each day we go there during this long sultry summer holiday. We are fascinated by the structure. Why would anyone put a door up there, in its frame, eternally locked, with nothing before or behind it? Maybe it is all that remains of an ancient house? We play, we wonder, we laugh and play, and we return regularly to our homes in time for tea. Then, one day, as we climb the hill for the umpteenth time, a lady dressed in white arrives before us. We watch her take the key out of her bag and insert it in the lock. We are too far downhill to catch up before she closes the door behind her. As we arrive, puffing and panting, Steve knocks on the door. No answer. Dave knocks on the door more forcefully. We hear a distant swish of robes. Gloria knocks, perhaps a little more timidly as the swishing sound approaches. Estelle begins to knock in her turn and the door suddenly opens wide. We all gasp as we see the lady standing there in glistening robes. Her face is hidden from view by a white shawl, but her piercing eyes still show. Children, she says, welcome all. Do come in, please, the kettle is on. You are just in time for tea. We hesitate, as well we might. How can we come in when there is nothing before or behind the door? But Estelle puts one foot inside and looks back at us with a curious expression of serenity on her face. We follow her. We look around at the new space beyond the door and at the parquet floor beneath our dew-soaked feet. As our eyes become accustomed to the brightness of the interior we catch sight of many signs of the world we have entered, but only fleetingly. They pass before our eyes in an instant and then flee beyond the range of sight. There is a staircase, a hat stand, a distant gleam of an ancient cooker, a faint whiff of scones and boiling jam. As we walk inside, our senses are overwhelmed with the new reality, we are rooted to the spot. Do please sit down, says the lady with a slight catch in her throat. We are seated on wooden chairs along one side of an oak table, although we cannot recall how we got there, some slip of the memory perhaps. We have no sense of foreboding, Estelle's serenity has passed to all of us. We can stay here eating scones and jam until the end of time. The lady removes her shawl and reveals a face as beautiful as anyone's mother's. Her deep black eyes glisten like obsidian. She beams a smile of welcome and pours the tea. I'm glad you have come. I've been expecting you, she begins. You must have a thousand questions, so do please ask away. Well, says Steve, what is this door that we passed through? Is this another world? There is no other world, the lady replies, this is the only one. But there is! There is! starts Dave excitedly, Look!. He gets up quickly from the chair, knocking it over in his haste and rushes to the door to open it. He pulls at it with all his force and reveals a black nothingness behind it. We were on the hill, where's it gone? he shouts, what have you done to it? There is no hill. But you climbed the hill in front of us says Gloria. There is no hill. Even Estelle of the serene demeanour is beginning to look worried. How did we get here then, how did you get here, she asks the lady nervously. We have all been here since the beginning of time, the catch in the lady's throat is becoming more evident. No, we have our families down there in the town cries Estelle You have no families,.
$8.00
Feitiço - Bezauberung - Enchantment (Strings)
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Trio à Cordes: violon, alto, violoncelle
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FACILE
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Rudesindo Soutelo
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Feitiço - Bezauberung -
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Publisher by Rudesindo Soutelo
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SheetMusicPlus
String Ensemble,String Trio Cello,Viola,Violin - Level 2 - SKU: A0.1013232 Composed by Rudesindo Soutelo. Contemporary,Instructional,Standards,World. Sc...
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String Ensemble,String Trio Cello,Viola,Violin - Level 2 - SKU: A0.1013232 Composed by Rudesindo Soutelo. Contemporary,Instructional,Standards,World. Score and parts. 18 pages. Publisher by Rudesindo Soutelo #6094669. Published by Publisher by Rudesindo Soutelo (A0.1013232). This enchantment is a string trio –there is one version for woodwind instruments and another for brass– and is built on four notes, the four most emblematic notes in the history of Western Music, the notes that constitute the name of BACH (Bb-A-C-B). These four notes establish a complex {1,3,1} and its complement {3,1,3}. With these complexes, rigorously elaborated in a counterpoint texture of increasing tension, emotions are aroused which open us to a different perception. The enchantment may be Bach or the contemplation of any other sublime beauty, but the listener does not need to know the sound material used to feel bewitched. The enchantment is an abstract emotional state that each listener experiences in a particular and different way.==
$7.00
Coronation March (Db) (String Octet - 4 Violins, 2 Violas, 2 Cellos)
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Peter Ilyich Tchaikovsky
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Regis Bookshar
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Coronation March
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Regis Bookshar
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SheetMusicPlus
String Ensemble Cello,Viola,Violin - Level 4 - SKU: A0.1087399 Composed by Peter Ilyich Tchaikovsky. Arranged by Regis Bookshar. Classical,Contest,Festi...
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String Ensemble Cello,Viola,Violin - Level 4 - SKU: A0.1087399 Composed by Peter Ilyich Tchaikovsky. Arranged by Regis Bookshar. Classical,Contest,Festival,Instructional,Multicultural,Romantic Period,World. Score and parts. 26 pages. Regis Bookshar #691619. Published by Regis Bookshar (A0.1087399). Coronation March, TH 50, CW 47 by Peter Ilyich Tchaikovsky. String Octet - Advanced/Intermediate - . This marvelous arrangement of Peter Tchaikovsky's Coronation March, sometimes called Festival March or Festival Coronation March, would be a fabulous addition to any music library and could be performed for concerts, recitals and other festive occasions. This arrangement keeps all of the intensity and excitement of the original composition and is suitable for high school and college students. Professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (26 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available to the public for the first time. The Coronation March was ordered by the city of Moscow for the coronation of Tsar Alexander III in 1883. It was written during March of 1883 and was performed for the first time on June 4, 1883 in Sokolniky Park in Moscow, conducted by Sergei Taneyev. The music then included excerpts of the anthem, God Save the Tsar. The American premiere was on May 5, 1891, for the opening concert of Carnegie Hall in New York City, conducted by Tchaikovsky himself. During the Soviet Era, Russian performances and recordings of the music were revised to omit the excerpts from the Czarist national anthem, replacing it with thematic material used earlier in the march, due to an official Soviet ban on the anthem. Starting with Dmitri Medvedev's inauguration in 2008, an abbreviated version of this piece is played during the Russian presidential inauguration accompanying the entrance of the incoming president, and ends well before the playing in this piece of the Tsarist anthem God Save the Tsar. Unlike Tchaikovsky's other major compositions, the Coronation March does not have an opus number. It has been given alternative catalogue designations TH 50 and CW 47. Tchaikovsky's Coronation March was originally scored for a full orchestra and written in the key of D Major. Regis Bookshar has now created an abbreviated version, written in Db Major, and has arranged it for a String Octet, consisting of 4 Violins, 2 Violas and 2 Violoncellos. In addition to this arrangement of Tchaikovsky's Coronation March for a String Octet, other arrangements of this festive composition for various instrumental ensembles are also available. Please feel free to search for other arrangements by Regis Bookshar as there are many more arrangements in a variety of styles, also available for purchase. You may find something else which might interest you as well, and please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of Tchaikovsky's Coronation March will continue to entertain both audiences and performers alike for years to come.
$26.00
Coronation March (Db) (String Octet - 3 Violins, 2 Violas, 3 Cellos)
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Classique
#
Peter Ilyich Tchaikovsky
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Regis Bookshar
#
Coronation March
#
Regis Bookshar
#
SheetMusicPlus
String Ensemble Cello,Viola,Violin - Level 4 - SKU: A0.1087392 Composed by Peter Ilyich Tchaikovsky. Arranged by Regis Bookshar. Classical,Contest,Festi...
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String Ensemble Cello,Viola,Violin - Level 4 - SKU: A0.1087392 Composed by Peter Ilyich Tchaikovsky. Arranged by Regis Bookshar. Classical,Contest,Festival,Instructional,Multicultural,Romantic Period,World. Score and parts. 26 pages. Regis Bookshar #691612. Published by Regis Bookshar (A0.1087392). Coronation March, TH 50, CW 47 by Peter Ilyich Tchaikovsky. String Octet - Advanced/Intermediate - . This marvelous arrangement of Peter Tchaikovsky's Coronation March, sometimes called Festival March or Festival Coronation March, would be a fabulous addition to any music library and could be performed for concerts, recitals and other festive occasions. This arrangement keeps all of the intensity and excitement of the original composition and is suitable for high school and college students. Professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (26 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available to the public for the first time. The Coronation March was ordered by the city of Moscow for the coronation of Tsar Alexander III in 1883. It was written during March of 1883 and was performed for the first time on June 4, 1883 in Sokolniky Park in Moscow, conducted by Sergei Taneyev. The music then included excerpts of the anthem, God Save the Tsar. The American premiere was on May 5, 1891, for the opening concert of Carnegie Hall in New York City, conducted by Tchaikovsky himself. During the Soviet Era, Russian performances and recordings of the music were revised to omit the excerpts from the Czarist national anthem, replacing it with thematic material used earlier in the march, due to an official Soviet ban on the anthem. Starting with Dmitri Medvedev's inauguration in 2008, an abbreviated version of this piece is played during the Russian presidential inauguration accompanying the entrance of the incoming president, and ends well before the playing in this piece of the Tsarist anthem God Save the Tsar. Unlike Tchaikovsky's other major compositions, the Coronation March does not have an opus number. It has been given alternative catalogue designations TH 50 and CW 47. Tchaikovsky's Coronation March was originally scored for a full orchestra and written in the key of D Major. Regis Bookshar has now created an abbreviated version, written in Db Major, and has arranged it for a String Octet, consisting of 3 Violins, 2 Violas and 3 Violoncellos. In addition to this arrangement of Tchaikovsky's Coronation March for a String Octet, other arrangements of this festive composition for various instrumental ensembles are also available. Please feel free to search for other arrangements by Regis Bookshar as there are many more arrangements in a variety of styles, also available for purchase. You may find something else which might interest you as well, and please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of Tchaikovsky's Coronation March will continue to entertain both audiences and performers alike for years to come.
$26.00
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An Open World
