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CHORALE - CHAN…
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FLUTE A BEC
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FORMATION MUSI…
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HARMONICA
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Non classifié
4170
PIANO & CLAVIERS
Piano, Voix
4821
Piano seul
3026
Piano, Voix et Guitare
1275
Piano Facile
1055
Orgue
239
Instruments en Do
231
1 Piano, 4 mains
93
Accordéon
78
2 Pianos, 4 mains
46
Piano grosses notes
45
Piano Trio: piano, violon, violoncelle
44
Accompagnement Piano
38
Piano (partie séparée)
30
Piano Quatuor: piano, violon, alto, violoncelle
15
Piano Quintette: piano, 2 violons, alto, violoncelle
12
Piano Quatuor: piano, 2 violons, violoncelle
9
Orgue, Trompette (duo)
7
Clavecin
3
Ligne De Mélodie, Piano
3
Orgue, Piano (duo)
3
Ensemble d'Accordéons
3
2 Pianos, 8 mains
1
1 Piano, 6 mains
1
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GUITARES
Guitare notes et tablatures
543
Guitare
328
Ligne De Mélodie, (Paroles) et Accords
308
Ukulele
142
Paroles et Accords
100
Basse electrique
67
2 Guitares (duo)
41
Ensemble de guitares
20
Mandoline
18
4 Guitares (Quatuor)
17
Banjo
10
Basse électrique (partie séparée)
8
Piano, Guitare (duo)
7
Guitare (partie séparée)
5
Dulcimer
4
3 Guitares (trio)
3
Guitare, Violon, Violoncelle (trio)
1
Ensemble de Ukulélés
1
2 Dulcimers (duo)
1
Ukulele Baryton
1
Mandoline, Guitare (duo)
1
Guitare, Orchestre
1
Partitions De Groupes
1
3 Dulcimers (trio)
1
Orchestre à Plectres
1
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VOIX
Chorale SATB
1180
Chorale 3 parties
334
Chorale TTBB
207
Chorale 2 parties
174
Chorale SSAA
106
Voix Soprano, Piano
89
Chorale Unison
73
Voix duo, Piano
65
Voix seule
44
Chorale
41
Voix duo
35
Voix basse, Piano
16
Voix et basse continue
14
Voix Alto, Piano
13
Voix Tenor, Piano
11
Voix Tenor
10
Voix haute
8
Voix moyenne, Piano
7
Voix, Guitare
7
Voix Soprano
6
Voix basse
3
Voix duo, Orgue
2
Chorale SSAATTBB
2
Chorale SSATTB
2
Voix Baryton
1
Chorale SSAB, Piano
1
Chorale SATTBB A Cappella
1
Chorale SATBB
1
Voix Mezzo-Soprano, Piano
1
Voix Baryton, Piano
1
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VENTS
Saxophone (partie séparée)
357
Flûte traversière et Piano
330
Quatuor de Saxophones: 4 saxophones
326
Clarinette
319
Flûte traversière
281
Clarinette et Piano
270
Saxophone Alto et Piano
241
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
228
Flûte, Hautbois, Clarinette, Basson
210
Saxophone Alto
204
Hautbois, Piano (duo)
201
2 Saxophones (duo)
182
Saxophone Tenor et Piano
170
Saxophone Soprano et Piano
169
Hautbois (partie séparée)
164
Quatuor de Clarinettes: 4 clarinettes
157
Clarinette (partie séparée)
148
Quintette de Saxophone: 5 saxophones
137
2 Clarinettes (duo)
131
2 Flûtes traversières (duo)
126
Cor anglais, Piano
77
Saxophone Tenor
73
Saxophone Baryton, Piano
72
Quatuor de Flûtes : 4 flûtes
71
Flûte, Clarinette (duo)
67
Flute (partie séparée)
66
Flûte à bec Soprano
55
Flûte à bec Alto
52
Saxophone, Clarinette (duo)
52
Saxophone
44
Ensemble de Flûtes
44
3 Saxophones (trio)
42
Hautbois
42
Flûte à Bec
41
Ensemble de Clarinettes
39
Clarinette, Violon (duo)
39
2 Hautbois (duo)
39
Ensemble de saxophones
37
Quintette de Clarinettes: 5 clarinettes
36
Flûte et Guitare
35
3 Clarinettes (trio)
34
Saxophone Soprano
33
Clarinette, Trompette (duo)
31
Clarinette Basse, Piano
29
Trio de Flûtes: 3 flûtes
26
Flûte, Violon
26
Hautbois, Flûte
26
Hautbois, Basson (duo)
25
Hautbois, Clarinette (duo)
22
Flûte, Saxophone (duo)
20
2 Flûte à bec (duo)
17
Clarinette et Alto
16
Flûte, Alto (duo)
15
Flûte à bec Alto, Piano
15
Quatuor de Flûtes à bec
14
Harmonica
13
Quintette de Flûte : 5 flûtes
11
Flûte, Trompette (duo)
11
Flûte, Clarinette et Basson
10
Flûte, Hautbois, Clarinette (trio)
9
Clarinette, Basson (duo)
9
Flûte, Hautbois (duo)
9
Flûte, Violon, Piano
9
Clarinette, Harpe (duo)
9
Instruments en Mib
9
Flûte à bec Soprano, Piano
9
Clarinette, Guitare (duo)
9
Clarinette, Violoncelle (duo)
8
5 Flûtes à bec
8
Hautbois, Clarinette, Basson (trio d'anches)
8
Flûte, Hautbois, Basson
7
2 Flûtes traversières, Piano
7
Saxophone et Harpe
7
Flûte, Violon et Violoncelle
6
Flûte, Violoncelle
6
Piccolo
6
3 Flûtes à bec (trio)
6
Piccolo, Piano
6
2 Saxophones, Piano
5
Flûte, Harpe et Violoncelle
5
Flûte à Bec, Piano
5
Saxophone Baryton
5
Flûte à bec Tenor
4
Cor Anglais
4
Ensemble De Flûte à bec
4
Saxophone et Piano
4
Hautbois, Harpe
4
Flute, harpe et violon
3
Flûte, Hautbois, Violon
3
Hautbois, Guitare (duo)
3
Clarinette Basse
3
Flûte, Clarinette, Piano (trio)
3
3 Hautbois
2
Ocarina
2
Cor anglais, Guitare (duo)
2
Flûte, Violoncelle, Piano (trio)
2
Cornemuse
2
2 Clarinettes, Basson
2
Flûte et Trio à cordes
2
Hautbois, Violoncelle
2
Flûte traversière, Basse continue
2
Saxophone et Guitare
2
Flûte, Basson et Piano
2
Harmonica, Piano
2
Flûte irlandaise
2
Saxophone et violoncelle
1
Cor anglais et Harpe (duo)
1
2 Flûtes traversières, Harpe
1
2 Clarinettes, Piano
1
Ensemble à vent
1
Clarinette, Violoncelle, Piano (trio)
1
Hautbois et Orchestre
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Flûte et Quatuor à Cordes
1
Flûte à bec Alto, Basse continue
1
Saxophone, Basson (duo)
1
Flûte, Clarinette, Violon (trio)
1
Flûte, Violon, Violoncelle et Piano
1
Saxophone et Orgue
1
Flûte, Trombone (duo)
1
Flûte, Violoncelle, Guitare
1
Hautbois, trombone (duo)
1
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
327
Trompette
287
Trombone
203
Trombone et Piano
196
Trompette, Piano
170
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170
Cor
164
Trombone (partie séparée)
147
Trompette (partie séparée)
140
Cor et Piano
129
Tuba
105
Quatuor de Cuivres
102
Tuba et Piano
86
Cor anglais, Piano
77
2 Trompettes (duo)
73
Euphonium, Piano (duo)
69
Cor (partie séparée)
63
2 Trombones (duo)
60
Trompette, Trombone (duo)
41
Quatuor de cuivres: 4 trombones
40
Trompette, Saxophone (duo)
37
Quatuor de Cuivres: 2 trompettes, Cor, trombone
32
Tuba (partie séparée)
31
2 Cors (duo)
28
Quatuor de cuivres: 4 cors
23
Euphonium
22
2 Euphoniums et 2 Tubas
20
Ensemble de Trombones
20
Trompette, Cor (duo)
16
Ensemble de Trompettes
15
Trio de Cuivres
13
2 Tubas (duo)
11
Quatuor de cuivres: 4 trompettes
10
Instruments en Sib
9
4 Tubas
8
Euphonium, Tuba (duo)
6
Trombone basse et Piano
6
Bass Clef Instruments
6
Tuba ou Euphonium ou Saxhorn
5
Trombone, Tuba (duo)
5
Cor et Harpe
5
Tuba et Orgue
4
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
4
Trompette, Tuba (duo)
4
3 Trompettes (trio)
4
Cor Anglais
4
Trompette, Harpe
4
Trompette, violon (duo)
3
Ensemble de Cors
3
Cornet A Pistons
3
Trombone, Cor (duo)
3
Instruments en Fa
3
2 Euphoniums (duo)
2
Cor anglais, Guitare (duo)
2
Ensemble de Tubas
2
Cor, Tuba (duo)
2
Trombone, Orgue
2
3 Cors (trio)
2
Trompette, Trombone, Piano
2
3 Trombones (trio)
2
Cor anglais et Harpe (duo)
1
Trombone basse
1
Trombone et orchestre
1
Cor, Violoncelle (duo)
1
Trompette, Violoncelle (duo)
1
Trombone, Alto (duo)
1
3 Tubas (trio)
1
Cor et Basson (duo)
1
Trombone, Violon (duo)
1
Cor et Orgue
1
Quatuor de cuivres: Cor, Trombone, Tuba, Trompette Sib
1
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
838
Violon et Piano
489
Violon
389
Violoncelle, Piano
292
Alto, Piano
255
Violoncelle (partie séparée)
188
Violon, Violoncelle (duo)
174
Alto seul
168
Harpe
136
2 Violoncelles (duo)
122
2 Violons (duo)
121
Violoncelle
115
Contre Basse
105
Violon, Alto (duo)
105
Violon (partie séparée)
98
Quintette à cordes: 2 violons, alto, violoncelle, basse
91
Trio à Cordes: violon, alto, violoncelle
83
Alto (partie séparée)
78
2 Altos (duo)
70
Contrebasse (partie séparée)
68
2 Harpes (duo)
55
Trio à Cordes: 2 violons, violoncelle
51
Contrebasse, Piano (duo)
44
Quintette à cordes: 2 violons, 2 altos, violoncelle
30
Harpe (partie séparée)
26
Alto, Violoncelle (duo)
25
Violon, Guitare (duo)
22
Violoncelle, Contrebasse (duo)
20
Harpe, Violon (duo)
17
Trio à Cordes: 3 violoncelles
17
Trio à cordes
17
Harpe, Flûte (duo)
17
4 Violoncelles
16
Trio à cordes: 3 violins
14
Piano Trio: Violon, Alto, Piano
14
Violoncelle , Guitare (duo)
14
Harpe, Voix
11
2 Contrebasses (duo)
10
Quintette à cordes : 2 violons, alto et 2 violoncelles
8
Harpe, Violoncelle (duo)
8
Trio à cordes: 3 altos
7
Quatuor à cordes: 4 violons
7
Trio à Cordes: 2 violons, alto
6
Quatuor à cordes : 4 altos
5
Violoncelle, Orchestre
5
Alto et Harpe
5
2 Violons, Piano
5
Violoncelle, Orgue
4
Alto, Guitare (duo)
4
Violon, Clarinette, Piano (trio)
3
Ensemble d'Altos
3
Ensemble de Violoncelles
3
Ensemble de Violons
3
Harpe, Trombone (duo)
2
2 Violoncelles, Piano
2
Violon, Basson (duo)
2
4 Contrebasses
1
2 Altos, Piano
1
Harpe, Violon, Violoncelle
1
Alto, Orgue
1
Violon, Tuba (duo)
1
Harpe et Piano
1
Violon, Basse continue
1
Violon, Orgue
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
1010
Orchestre
421
Orchestre à Cordes
330
Ensemble Jazz
261
Ensemble de cuivres
197
Fanfare
104
Batterie
92
Orchestre de chambre
91
Percussion (partie séparée)
87
Cloches
62
Batterie (partie séparée)
32
Percussion
26
Marimba
24
Ensemble de Percussions
23
Jazz combo
22
Timbales (partie séparée)
16
Xylophone
7
Orchestre, Violon
5
Vibraphone
5
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
4
Vibraphone (partie séparée)
3
Piano et Orchestre
3
Timbales
2
Quintette à Vent
2
2 Xylophones
1
Instrumentation Flexible
1
Caisse Claire
1
Vibraphone et Marimba
1
2 Marimbas
1
Quintette de Cuivres: autres combinaisons
1
Instrumentations suivantes
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AUTRES
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Trio à Cordes: violon, alto, violoncelle
Partitions à imprimer
83 partitions trouvées
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It Came Upon a Midnight Clear for String Trio
Trio à Cordes: violon, alto, violoncelle
String Trio Cello,Viola,Violin - Level 2 - Digital Download SKU: A0.1324522 Compose…
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String Trio Cello,Viola,Violin - Level 2 - Digital Download SKU: A0.1324522 Composed by Traditional. Arranged by James M. Guthrie. Chamber,Christian,Christmas,Historic,Traditional. 6 pages. Jmsgu3 #912719. Published by jmsgu3 (A0.1324522). It Came Upon the Midnight Clear is an 1849 poem and Christmas carol written by Edmund Sears, a pastor of the Unitarian Church in Wayland, Massachusetts. The lyrics were set to the tune Carol by Richard Storrs Willis in the United States, while in Commonwealth countries, the lyrics are set to Noel, a later adaptation by Arthur Sullivan from an English melody. The whole song comprises five stanzas, and some versions omit certain verses. Interestingly, the Christmas carol doesn't explicitly mention the birth of the Savior, making it unique among Christmas songs.
$24.95
22.91 €
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Trio à Cordes: violon, alto, violoncelle
#
Traditional
#
James M
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It Came Upon a Midnight Clear for String Trio
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jmsgu3
#
SheetMusicPlus
It Came Upon The Midnight Clear, for String Trio
Trio à Cordes: violon, alto, violoncelle
String Trio Cello,Viola,Violin - Level 2 - Digital Download SKU: A0.763322 Composed…
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String Trio Cello,Viola,Violin - Level 2 - Digital Download SKU: A0.763322 Composed by Richard Storrs Willis. Arranged by Nigel Williams. Christmas,Folk,Standards. 9 pages. Nigel Williams #4767441. Published by Nigel Williams (A0.763322). This popular American Christmas carol melody is arranged here for string trio. Each instrument leads with the melody and all three instruments have an accompaniment role which features attractive counter melodies working in counterpoint. The performance duration is two and a half minutes and the full score has some phrasing suggestions and all individual parts attached. This arrangement is ideal for High School and church ensembles looking for accessible and innovative repertoire for the Christmas season. You might also enjoy browsing my other string trio and quartet arrangements on SMP.
$7.99
7.34 €
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Trio à Cordes: violon, alto, violoncelle
#
Richard Storrs Willis
#
Nigel Williams
#
It Came Upon The Midnight Clear, for String Trio
#
Nigel Williams
#
SheetMusicPlus
Two Carols for String Trio - Hark The Herald Angels Sing & It Came Upon A Midnight Clear
Trio à Cordes: violon, alto, violoncelle
String Ensemble,String Trio - Digital Download SKU: A0.1010896 Composed by Felix Me…
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String Ensemble,String Trio - Digital Download SKU: A0.1010896 Composed by Felix Mendelssohn, John Storrs Willis. Arranged by John McNeil Johnston. Christmas,Classical. Score and parts. 6 pages. John M. Johnston #2959129. Published by John M. Johnston (A0.1010896). Scored very traditionally for string trio [Violin, Viola & Cello], these two carols are classics that go together beautifully.
$5.00
4.59 €
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Trio à Cordes: violon, alto, violoncelle
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Felix Mendelssohn, John Storrs Willis
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John McNeil Johnston
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Two Carols for String Trio - Hark The Herald Angels Sing & It Came Upon A Midnight Clear
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John M. Johnston
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SheetMusicPlus
It Came Upon a Midnight Clear (for String Trio)
Trio à Cordes: violon, alto, violoncelle
String Trio Cello,Viola,Violin - Level 4 - Digital Download SKU: A0.1143750 Compose…
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String Trio Cello,Viola,Violin - Level 4 - Digital Download SKU: A0.1143750 Composed by Willis & Sears. Arranged by Wendy Loder, ASCAP. Christmas,Holiday,Instructional,Religious,Traditional. 4 pages. LarkAngel Productions #744068. Published by LarkAngel Productions (A0.1143750). This peaceful Christmas Carol is arranged for String Trio (with both violin-viola-cello or 2 violins & cello combinations), with the melody in the first violin. Lots of beautiful arpeggios give a gentle sense of movement and calm support. Lush and gorgeous sounding!
$9.99
9.17 €
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Trio à Cordes: violon, alto, violoncelle
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Willis & Sears
#
Wendy Loder, ASCAP
#
It Came Upon a Midnight Clear
#
LarkAngel Productions
#
SheetMusicPlus
It Came Upon the Midnight Clear, for Violin, Viola and Cello
Trio à Cordes: violon, alto, violoncelle
String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1321535 Compose…
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String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1321535 Composed by Richard Storrs Willis. Arranged by Cindy Blevins. Christmas. 7 pages. Cindy Blevins #910003. Published by Cindy Blevins (A0.1321535). Beautifully arranged for violin, viola and cello. You receive the score and the separate parts.
$5.99
5.5 €
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Trio à Cordes: violon, alto, violoncelle
#
Richard Storrs Willis
#
Cindy Blevins
#
It Came Upon the Midnight Clear, for Violin, Viola and Cello
#
Cindy Blevins
#
SheetMusicPlus
It Came Upon The Midnight Clear
Trio à Cordes: violon, alto, violoncelle
String Ensemble,String Trio Cello,Viola,Violin - Level 2 - Digital Download SKU: A0.113…
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String Ensemble,String Trio Cello,Viola,Violin - Level 2 - Digital Download SKU: A0.1134379 Composed by Chapman, Sears, and Willis. Arranged by Alicia S. Christian,Christmas,Holiday,Praise & Worship,Sacred. Score and parts. 12 pages. Alicia S. #734467. Published by Alicia S. (A0.1134379). By Richard Willis and Edmund Sears. Arranged by Alicia S. Score & Parts, with Interchangeable Violin 2 and Viola Parts. 8 Pages.
$14.99
13.76 €
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Trio à Cordes: violon, alto, violoncelle
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Richard Willis and Edmund Sears
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Chapman, Sears, and Willis
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Alicia S
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It Came Upon The Midnight Clear
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Alicia S.
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SheetMusicPlus
It Came Upon The Midnight Clear
Trio à Cordes: violon, alto, violoncelle
String Ensemble,String Trio Cello,Viola,Violin - Level 1 - Digital Download SKU: A0.677…
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String Ensemble,String Trio Cello,Viola,Violin - Level 1 - Digital Download SKU: A0.677050 Composed by Richard Storrs Willis. Arranged by Gert Th. Walter. Children,Christmas. Score and parts. 10 pages. Gert Th. Walter #3107709. Published by Gert Th. Walter (A0.677050). Christmas Song.
$1.99
1.83 €
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Trio à Cordes: violon, alto, violoncelle
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Richard Storrs Willis
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Gert Th
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It Came Upon The Midnight Clear
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Gert Th. Walter
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SheetMusicPlus
Butterfly's Day Out (double bass part - mandolin/misc. instr., cel, bs)
Trio à Cordes: violon, alto, violoncelle
String Ensemble,String Trio - Level 5 - Digital Download SKU: A0.861880 Composed by…
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String Ensemble,String Trio - Level 5 - Digital Download SKU: A0.861880 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 11 pages. Mark O'Connor Musik International #6205027. Published by Mark O'Connor Musik International (A0.861880). Butterfly’s Day Out (double bass part – mandolin/misc instr., cel, bs) MO110DDouble Bass Part (score and parts available)Music by Mark O’Connor4 pages - 4:45 minutes in length Butterfly’s Day Out for mandolin/misc. instr., cello and doublebass by O’Connor is on the album Appalachia Waltz featuring Yo-Yo Ma and Edgar Meyer. The piece was one of the stand-out cuts, receiving a wide variety of radio play, and bringing the trio’s music to new audiences. Written originally for the mandolin, it surely is one of O’Connor’s most memorable mandolin melodies. With the aid of Edgar Meyer arranging the fabulous cello and bass solo sections, the piece can be performed in a variety of instrumental settings. The mandolin part could be also covered by guitar, piano, harp or most any chordal instrument. The piece was named by a young music student at an inner-city camp for underprivileged youths. At his workshop, O’Connor performed his new piece on the mandolin and asked for the kids to help him name it. The title, Butterfly’s Day Out, helped O’Connor complete his vision for the tune. The whole experience also inspired the idea for O’Connor to start his own Fiddle Camps. The music is suited for advanced and intermediate levels. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1994 Composed by Mark O’ConnorOriginally released on Appalachian Waltz featuring Mark O’Connor, Yo-Yo Ma and Edgar Meyer, Sony ClassicalOther versions of Butterfly’s Day Out can be heard on Mark O’Connor’s Thirty-Year Retrospective OMAC Records, A Musical Legacy OMAC Records and The Essential Mark O’Connor Sony Classical Catalogue Number MO110DCopyright © 1994 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$4.50
4.13 €
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Trio à Cordes: violon, alto, violoncelle
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Mark O'Connor
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Butterfly's Day Out
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Mark O'Connor Musik International
#
SheetMusicPlus
Butterfly's Day Out (cello part - mandolin/misc. instr., cel, bs)
Trio à Cordes: violon, alto, violoncelle
String Ensemble,String Trio - Level 5 - Digital Download SKU: A0.861876 Composed by…
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String Ensemble,String Trio - Level 5 - Digital Download SKU: A0.861876 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 7 pages. Mark O'Connor Musik International #6205025. Published by Mark O'Connor Musik International (A0.861876). Butterfly’s Day Out (cello part – mandolin/misc instr., cel, bs) MO110CCello Part (score and parts available)Music by Mark O’Connor3 pages - 4:45 minutes in length Butterfly’s Day Out for mandolin/misc. instr., cello and doublebass by O’Connor is on the album Appalachia Waltz featuring Yo-Yo Ma and Edgar Meyer. The piece was one of the stand-out cuts, receiving a wide variety of radio play, and bringing the trio’s music to new audiences. Written originally for the mandolin, it surely is one of O’Connor’s most memorable mandolin melodies. With the aid of Edgar Meyer arranging the fabulous cello and bass solo sections, the piece can be performed in a variety of instrumental settings. The mandolin part could be also covered by guitar, piano, harp or most any chordal instrument. The piece was named by a young music student at an inner-city camp for underprivileged youths. At his workshop, O’Connor performed his new piece on the mandolin and asked for the kids to help him name it. The title, Butterfly’s Day Out, helped O’Connor complete his vision for the tune. The whole experience also inspired the idea for O’Connor to start his own Fiddle Camps. The music is suited for advanced and intermediate levels. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1994 Composed by Mark O’ConnorOriginally released on Appalachian Waltz featuring Mark O’Connor, Yo-Yo Ma and Edgar Meyer, Sony ClassicalOther versions of Butterfly’s Day Out can be heard on Mark O’Connor’s Thirty-Year Retrospective OMAC Records, A Musical Legacy OMAC Records and The Essential Mark O’Connor Sony Classical Catalogue Number MO110CCopyright © 1994 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$4.50
4.13 €
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Trio à Cordes: violon, alto, violoncelle
#
Mark O'Connor
#
Butterfly's Day Out
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Mark O'Connor Musik International
#
SheetMusicPlus
Butterfly's Day Out (mandolin part - mandolin/misc. instr., vla, cel)
Trio à Cordes: violon, alto, violoncelle
String Ensemble,String Trio - Level 5 - Digital Download SKU: A0.861879 Composed by…
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String Ensemble,String Trio - Level 5 - Digital Download SKU: A0.861879 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 8 pages. Mark O'Connor Musik International #6205029. Published by Mark O'Connor Musik International (A0.861879). Butterfly’s Day Out (score – mandolin/misc instr., vla, cel) MO111AMandolin Part (score - cel/bs, parts available)Music by Mark O’Connor4 pages - 4:45 minutes in length Butterfly’s Day Out adapted for mandolin/misc. instr., viola and cello by O’Connor is on the album Appalachia Waltz featuring Yo-Yo Ma and Edgar Meyer. The piece was one of the stand-out cuts, receiving a wide variety of radio play, and bringing the trio’s music to new audiences. Written originally for the mandolin, it surely is one of O’Connor’s most memorable mandolin melodies. With the aid of Edgar Meyer arranging the fabulous cello and bass solo sections, the piece can be performed in a variety of instrumental settings. The mandolin part could be also covered by guitar, piano, harp or most any chordal instrument. The piece was named by a young music student at an inner-city camp for underprivileged youths. At his workshop, O’Connor performed his new piece on the mandolin and asked for the kids to help him name it. The title, Butterfly’s Day Out, helped O’Connor complete his vision for the tune. The whole experience also inspired the idea for O’Connor to start his own Fiddle Camps. The music is suited for advanced and intermediate levels. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1994 Composed by Mark O’ConnorOriginally released on Appalachian Waltz featuring Mark O’Connor, Yo-Yo Ma and Edgar Meyer, Sony ClassicalOther versions of Butterfly’s Day Out can be heard on Mark O’Connor’s Thirty-Year Retrospective OMAC Records, A Musical Legacy OMAC Records and The Essential Mark O’Connor Sony Classical Catalogue Number MO111ACopyright © 1994 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$4.50
4.13 €
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Trio à Cordes: violon, alto, violoncelle
#
Mark O'Connor
#
Butterfly's Day Out
#
Mark O'Connor Musik International
#
SheetMusicPlus
Bull: Galliard for String Trio
Trio à Cordes: violon, alto, violoncelle
String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1282833 Compose…
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String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1282833 Composed by Dr. John Bull. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Renaissance. 11 pages. Jmsgu3 #874076. Published by jmsgu3 (A0.1282833). John Bull was an English composer, organist, virginalist, and organ builder who lived from 1562/63 to 1628. He was educated as a chorister of the Chapel Royal in London and later became a doctor of music at the universities of both Oxford and Cambridge. Bull was one of the most famous composers of keyboard music of the early 17th century, and most of his compositions were written for the virginal, a keyboard instrument popular in the Renaissance period. He was known for his outstanding technical ability and keyboard virtuosity, and his music is distinguished by unfailing resourcefulness in devising new musical ideas. Bull's reputation rests on his extensive compositions for virginals and organ, some 150 extant pieces published in Musica Britannica. He was also one of the contributors to Parthenia, a collection of keyboard music published in 1611. Bull wrote an anthem, God the Father, God the Son, for the 1613 wedding of the princess and the Elector Palatine, in addition to his keyboard compositions, verse anthems, canons, and other works. Bull's music ranked among the foremost composers along with Byrd, Gibbons, and Tomkins.John Bull had several contemporaries who were also prominent composers during the Renaissance period. Some of these composers include:William Byrd: Byrd was an English composer and one of the most influential figures in English Renaissance music. He was a contemporary of John Bull and is considered one of the greatest composers of his time. Byrd's compositions include sacred choral music, keyboard works, and consort music.Orlando Gibbons: Gibbons was an English composer and organist who lived during the same period as John Bull. He was known for his sacred choral music, particularly his anthems and verse anthems. Gibbons' compositions are characterized by their expressive harmonies and intricate counterpoint.Thomas Tomkins: Tomkins was another English composer who was active during the same time as John Bull. He was known for his sacred choral music, including anthems and services. Tomkins' compositions are notable for their rich harmonies and expressive melodies.Jan Pieterszoon Sweelinck: Sweelinck was a Dutch composer and organist who was highly regarded during the Renaissance period. He was known for his keyboard music, particularly his variations and fantasias. Sweelinck's compositions had a significant influence on Bull and other composers of the time.These composers, along with John Bull, were influential figures in the development of Renaissance music and significantly contributed to the repertoire of keyboard and choral music during that era.
$24.95
22.91 €
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Trio à Cordes: violon, alto, violoncelle
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Dr
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James M
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Bull: Galliard for String Trio
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jmsgu3
#
SheetMusicPlus
Bull: Fantasia upon a Plainsong for String Trio
Trio à Cordes: violon, alto, violoncelle
String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1283308 Compose…
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String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1283308 Composed by John Bull. Arranged by James M. Guthrie. Chamber,Early Music,Historic,Religious,Renaissance. 12 pages. Jmsgu3 #874502. Published by jmsgu3 (A0.1283308). Fitzwilliam Virginal Book, XXXVIII.John Bull was an English composer, organist, virginalist, and organ builder who lived from 1562/63 to 1628. He was educated as a chorister of the Chapel Royal in London and later became a doctor of music at the universities of both Oxford and Cambridge. Bull was one of the most famous composers of keyboard music of the early 17th century, and most of his compositions were written for the virginal, a keyboard instrument popular in the Renaissance period. He was known for his outstanding technical ability and keyboard virtuosity, and his music is distinguished by unfailing resourcefulness in devising new musical ideas. Bull's reputation rests on his extensive compositions for virginals and organ, some 150 extant pieces published in Musica Britannica. He was also one of the contributors to Parthenia, a collection of keyboard music published in 1611. Bull wrote an anthem, God the Father, God the Son, for the 1613 wedding of the princess and the Elector Palatine, in addition to his keyboard compositions, verse anthems, canons, and other works. Bull's music ranked among the foremost composers along with Byrd, Gibbons, and Tomkins.John Bull had several contemporaries who were also prominent composers during the Renaissance period. Some of these composers include:William Byrd: Byrd was an English composer and one of the most influential figures in English Renaissance music. He was a contemporary of John Bull and is considered one of the greatest composers of his time. Byrd's compositions include sacred choral music, keyboard works, and consort music.Orlando Gibbons: Gibbons was an English composer and organist who lived during the same period as John Bull. He was known for his sacred choral music, particularly his anthems and verse anthems. Gibbons' compositions are characterized by their expressive harmonies and intricate counterpoint.Thomas Tomkins: Tomkins was another English composer who was active during the same time as John Bull. He was known for his sacred choral music, including anthems and services. Tomkins' compositions are notable for their rich harmonies and expressive melodies.Jan Pieterszoon Sweelinck: Sweelinck was a Dutch composer and organist who was highly regarded during the Renaissance period. He was known for his keyboard music, particularly his variations and fantasias. Sweelinck's compositions had a significant influence on Bull and other composers of the time.These composers, along with John Bull, were influential figures in the development of Renaissance music and significantly contributed to the repertoire of keyboard and choral music during that era.
$24.95
22.91 €
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Trio à Cordes: violon, alto, violoncelle
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John Bull
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James M
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Bull: Fantasia upon a Plainsong for String Trio
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jmsgu3
#
SheetMusicPlus
Bull: Christe Redemptor for String Trio
Trio à Cordes: violon, alto, violoncelle
String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1283457 Compose…
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String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1283457 Composed by Dr. John Bull. Arranged by James M. Guthrie. Chamber,Early Music,Historic,Religious,Renaissance. 12 pages. Jmsgu3 #874639. Published by jmsgu3 (A0.1283457). Fitzwilliam Virginal Book CXXV.John Bull was an English composer, organist, virginalist, and organ builder who lived from 1562/63 to 1628. He was educated as a chorister of the Chapel Royal in London and later became a Doctor of Music at both Oxford and Cambridge Universities. Bull was one of the most famous composers of keyboard music of the early 17th century, and most of his compositions were written for the virginal, a keyboard instrument popular in the Renaissance period. He was known for his outstanding technical ability and keyboard virtuosity, and his music is distinguished by unfailing resourcefulness in devising new musical ideas. Bull's reputation rests on his extensive compositions for virginals and organ, some 150 extant pieces published in Musica Britannica. He was also one of the contributors to Parthenia, a collection of keyboard music published in 1611. Bull wrote an anthem, God the Father, God the Son, for the 1613 wedding of the princess and the Elector Palatine, in addition to his keyboard compositions, verse anthems, canons, and other works. Bull's music ranked among the foremost composers along with Byrd, Gibbons, and Tomkins.John Bull had several contemporaries who were also prominent composers during the Renaissance period. Some of these composers include:William Byrd: Byrd was an English composer and one of the most influential figures in English Renaissance music. He was a contemporary of John Bull and is considered one of the greatest composers of his time. Byrd's compositions include sacred choral music, keyboard works, and consort music.Orlando Gibbons: Gibbons was an English composer and organist who lived during the same period as John Bull. He was known for his sacred choral music, particularly his anthems and verse anthems. Gibbons' compositions are characterized by their expressive harmonies and intricate counterpoint.Thomas Tomkins: Tomkins was another English composer who was active during the same time as John Bull. He was known for his sacred choral music, including anthems and services. Tomkins' compositions are notable for their rich harmonies and expressive melodies.Jan Pieterszoon Sweelinck: Sweelinck was a Dutch composer and organist who was highly regarded during the Renaissance period. He was known for his keyboard music, particularly his variations and fantasias. Sweelinck's compositions had a significant influence on Bull and other composers of the time.These composers, along with John Bull, were influential figures in the development of Renaissance music and significantly contributed to the repertoire of keyboard and choral music during that era.
$24.95
22.91 €
#
Trio à Cordes: violon, alto, violoncelle
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Dr
#
James M
#
Bull: Christe Redemptor for String Trio
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jmsgu3
#
SheetMusicPlus
Bull: In Nomine for String Trio
Trio à Cordes: violon, alto, violoncelle
String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1282881 Compose…
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String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1282881 Composed by Dr. John Bull. Arranged by James M. Guthrie. Chamber,Christian,Historic,Religious,Renaissance. 9 pages. Jmsgu3 #874131. Published by jmsgu3 (A0.1282881). XXXVII from the Fitzwilliam Virginal Book.John Bull was an English composer, organist, virginalist, and organ builder who lived from 1562/63 to 1628. He was educated as a chorister of the Chapel Royal in London and later became a doctor of music at the universities of both Oxford and Cambridge. Bull was one of the most famous composers of keyboard music of the early 17th century, and most of his compositions were written for the virginal, a keyboard instrument popular in the Renaissance period. He was known for his outstanding technical ability and keyboard virtuosity, and his music is distinguished by unfailing resourcefulness in devising new musical ideas. Bull's reputation rests on his extensive compositions for virginals and organ, some 150 extant pieces published in Musica Britannica. He was also one of the contributors to Parthenia, a collection of keyboard music published in 1611. Bull wrote an anthem, God the Father, God the Son, for the 1613 wedding of the princess and the Elector Palatine, in addition to his keyboard compositions, verse anthems, canons, and other works. Bull's music ranked among the foremost composers along with Byrd, Gibbons, and Tomkins.John Bull had several contemporaries who were also prominent composers during the Renaissance period. Some of these composers include:William Byrd: Byrd was an English composer and one of the most influential figures in English Renaissance music. He was a contemporary of John Bull and is considered one of the greatest composers of his time. Byrd's compositions include sacred choral music, keyboard works, and consort music.Orlando Gibbons: Gibbons was an English composer and organist who lived during the same period as John Bull. He was known for his sacred choral music, particularly his anthems and verse anthems. Gibbons' compositions are characterized by their expressive harmonies and intricate counterpoint.Thomas Tomkins: Tomkins was another English composer who was active during the same time as John Bull. He was known for his sacred choral music, including anthems and services. Tomkins' compositions are notable for their rich harmonies and expressive melodies.Jan Pieterszoon Sweelinck: Sweelinck was a Dutch composer and organist who was highly regarded during the Renaissance period. He was known for his keyboard music, particularly his variations and fantasias. Sweelinck's compositions had a significant influence on Bull and other composers of the time.These composers, along with John Bull, were influential figures in the development of Renaissance music and significantly contributed to the repertoire of keyboard and choral music during that era.
$24.95
22.91 €
#
Trio à Cordes: violon, alto, violoncelle
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Dr
#
James M
#
Bull: In Nomine for String Trio
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jmsgu3
#
SheetMusicPlus
Bull: Fantasia CXIII for String Trio
Trio à Cordes: violon, alto, violoncelle
String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1284518 Compose…
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String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1284518 Composed by Dr. John Bull. Arranged by James M. Guthrie. Chamber,Early Music,Historic,Renaissance,Wedding. 16 pages. Jmsgu3 #875691. Published by jmsgu3 (A0.1284518). John Bull was an English composer, organist, virginalist, and organ builder who lived from 1562/63 to 1628. He was educated as a chorister of the Chapel Royal in London and later became a Doctor of Music at both Oxford and Cambridge Universities. Bull was one of the most famous composers of keyboard music of the early 17th century, and most of his compositions were written for the virginal, a keyboard instrument popular in the Renaissance period. He was known for his outstanding technical ability and keyboard virtuosity, and his music is distinguished by unfailing resourcefulness in devising new musical ideas. Bull's reputation rests on his extensive compositions for virginals and organ, some 150 extant pieces published in Musica Britannica. He was also one of the contributors to Parthenia, a collection of keyboard music published in 1611. Bull wrote an anthem, God the Father, God the Son, for the 1613 wedding of the princess and the Elector Palatine, in addition to his keyboard compositions, verse anthems, canons, and other works. Bull's music ranked among the foremost composers along with Byrd, Gibbons, and Tomkins.John Bull had several contemporaries who were also prominent composers during the Renaissance period. Some of these composers include:William Byrd: Byrd was an English composer and one of the most influential figures in English Renaissance music. He was a contemporary of John Bull and is considered one of the greatest composers of his time. Byrd's compositions include sacred choral music, keyboard works, and consort music.Orlando Gibbons: Gibbons was an English composer and organist who lived during the same period as John Bull. He was known for his sacred choral music, particularly his anthems and verse anthems. Gibbons' compositions are characterized by their expressive harmonies and intricate counterpoint.Thomas Tomkins: Tomkins was another English composer who was active during the same time as John Bull. He was known for his sacred choral music, including anthems and services. Tomkins' compositions are notable for their rich harmonies and expressive melodies.Jan Pieterszoon Sweelinck: Sweelinck was a Dutch composer and organist who was highly regarded during the Renaissance period. He was known for his keyboard music, particularly his variations and fantasias. Sweelinck's compositions had a significant influence on Bull and other composers of the time.These composers, along with John Bull, were influential figures in the development of Renaissance music and significantly contributed to the repertoire of keyboard and choral music during that era.
$24.95
22.91 €
#
Trio à Cordes: violon, alto, violoncelle
#
Dr
#
James M
#
Bull: Fantasia CXIII for String Trio
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jmsgu3
#
SheetMusicPlus
Bull: Gloria tibi trinitas for String Trio
Trio à Cordes: violon, alto, violoncelle
String Trio Cello,Viola,Violin - Level 4 - Digital Download SKU: A0.1284572 Compose…
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String Trio Cello,Viola,Violin - Level 4 - Digital Download SKU: A0.1284572 Composed by Dr. John Bull. Arranged by James M. Guthrie. Chamber,Christian,Religious,Renaissance,Wedding. 12 pages. Jmsgu3 #875746. Published by jmsgu3 (A0.1284572). John Bull was an English composer, organist, virginalist, and organ builder who lived from 1562/63 to 1628. He was educated as a chorister of the Chapel Royal in London and later became a Doctor of Music at both Oxford and Cambridge Universities. Bull was one of the most famous composers of keyboard music of the early 17th century, and most of his compositions were written for the virginal, a keyboard instrument popular in the Renaissance period. He was known for his outstanding technical ability and keyboard virtuosity, and his music is distinguished by unfailing resourcefulness in devising new musical ideas. Bull's reputation rests on his extensive compositions for virginals and organ, some 150 extant pieces published in Musica Britannica. He was also one of the contributors to Parthenia, a collection of keyboard music published in 1611. Bull wrote an anthem, God the Father, God the Son, for the 1613 wedding of the princess and the Elector Palatine, in addition to his keyboard compositions, verse anthems, canons, and other works. Bull's music ranked among the foremost composers along with Byrd, Gibbons, and Tomkins.John Bull had several contemporaries who were also prominent composers during the Renaissance period. Some of these composers include:William Byrd: Byrd was an English composer and one of the most influential figures in English Renaissance music. He was a contemporary of John Bull and is considered one of the greatest composers of his time. Byrd's compositions include sacred choral music, keyboard works, and consort music.Orlando Gibbons: Gibbons was an English composer and organist who lived during the same period as John Bull. He was known for his sacred choral music, particularly his anthems and verse anthems. Gibbons' compositions are characterized by their expressive harmonies and intricate counterpoint.Thomas Tomkins: Tomkins was another English composer who was active during the same time as John Bull. He was known for his sacred choral music, including anthems and services. Tomkins' compositions are notable for their rich harmonies and expressive melodies.Jan Pieterszoon Sweelinck: Sweelinck was a Dutch composer and organist who was highly regarded during the Renaissance period. He was known for his keyboard music, particularly his variations and fantasias. Sweelinck's compositions had a significant influence on Bull and other composers of the time.These composers, along with John Bull, were influential figures in the development of Renaissance music and significantly contributed to the repertoire of keyboard and choral music during that era.
$24.95
22.91 €
#
Trio à Cordes: violon, alto, violoncelle
#
Dr
#
James M
#
Bull: Gloria tibi trinitas for String Trio
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jmsgu3
#
SheetMusicPlus
Bull: Dr. Bull's Juell for String Trio
Trio à Cordes: violon, alto, violoncelle
String Trio Cello,Viola,Violin - Level 2 - Digital Download SKU: A0.1283915 Compose…
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String Trio Cello,Viola,Violin - Level 2 - Digital Download SKU: A0.1283915 Composed by Dr. John Bull. Arranged by James M. Guthrie. Chamber,Early Music,Historic,Renaissance,Wedding. 10 pages. Jmsgu3 #875096. Published by jmsgu3 (A0.1283915). Fitzwilliam Virginal Book CXXXVIII.John Bull was an English composer, organist, virginalist, and organ builder who lived from 1562/63 to 1628. He was educated as a chorister of the Chapel Royal in London and later became a Doctor of Music at both Oxford and Cambridge Universities. Bull was one of the most famous composers of keyboard music of the early 17th century, and most of his compositions were written for the virginal, a keyboard instrument popular in the Renaissance period. He was known for his outstanding technical ability and keyboard virtuosity, and his music is distinguished by unfailing resourcefulness in devising new musical ideas. Bull's reputation rests on his extensive compositions for virginals and organ, some 150 extant pieces published in Musica Britannica. He was also one of the contributors to Parthenia, a collection of keyboard music published in 1611. Bull wrote an anthem, God the Father, God the Son, for the 1613 wedding of the princess and the Elector Palatine, in addition to his keyboard compositions, verse anthems, canons, and other works. Bull's music ranked among the foremost composers along with Byrd, Gibbons, and Tomkins.John Bull had several contemporaries who were also prominent composers during the Renaissance period. Some of these composers include:William Byrd: Byrd was an English composer and one of the most influential figures in English Renaissance music. He was a contemporary of John Bull and is considered one of the greatest composers of his time. Byrd's compositions include sacred choral music, keyboard works, and consort music.Orlando Gibbons: Gibbons was an English composer and organist who lived during the same period as John Bull. He was known for his sacred choral music, particularly his anthems and verse anthems. Gibbons' compositions are characterized by their expressive harmonies and intricate counterpoint.Thomas Tomkins: Tomkins was another English composer who was active during the same time as John Bull. He was known for his sacred choral music, including anthems and services. Tomkins' compositions are notable for their rich harmonies and expressive melodies.Jan Pieterszoon Sweelinck: Sweelinck was a Dutch composer and organist who was highly regarded during the Renaissance period. He was known for his keyboard music, particularly his variations and fantasias. Sweelinck's compositions had a significant influence on Bull and other composers of the time.These composers, along with John Bull, were influential figures in the development of Renaissance music and significantly contributed to the repertoire of keyboard and choral music during that era.
$24.95
22.91 €
#
Trio à Cordes: violon, alto, violoncelle
#
Dr
#
James M
#
Bull: Dr. Bull's Juell for String Trio
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jmsgu3
#
SheetMusicPlus
In The Summertime (cello part - vln, vla, cel)
Trio à Cordes: violon, alto, violoncelle
String Ensemble,String Trio - Level 4 - Digital Download SKU: A0.861852 Composed by…
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String Ensemble,String Trio - Level 4 - Digital Download SKU: A0.861852 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 8 pages. Mark O'Connor Musik International #6203889. Published by Mark O'Connor Musik International (A0.861852). In The Summertime (cello – vln, vla, cel) MO167DCello Part (score and parts available)Music by Mark O’Connor4 pages - 6:00 minutes in length In The Summertime is comprised of two parts, with two distinct messages. The first speaks to the space of wonderment in our lives, where good friends and experiences surround us. A time spent looking forward to the continuing joy and merrymaking of the innocence and purpose that brought us together.We then travel to where agelessness ends, where innocence no longer lingers. The bitterness within a life that begins to be complicated where it wasn¹t before starts to overwhelm the sweetness on the tongue. Still, the B-section of the piece yearns backward and forward at the same time. Tugging at the memory of what came before to find and create meaning farther on.So many of us expect life to continue to deliver its many delights, without realizing that it was the innocence and freedom, the faith in the possible that created the delightful condition of youth. After a playful frolic with the instruments dancing about in the musical forest, the A and B parts return, reminding us that unlike time that moves ever forward, the journey back to the wonder and freedom of childhood awaits us all. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2006 Composed by Mark O’ConnorThe accompanying MP3 is of Mark O’Connor’s Appalachia Waltz Trio (touring ensemble) with Becca Albers and Mike Block, performing live in 2007 at the Aspen Music Festival. Catalogue Number MO167DCopyright © 2006 by Mark O’Connor Music InternationalFor more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$4.50
4.13 €
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Trio à Cordes: violon, alto, violoncelle
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Mark O'Connor
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In The Summertime
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Mark O'Connor Musik International
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SheetMusicPlus
Bach: Wachet auf for String Trio
Trio à Cordes: violon, alto, violoncelle
String Ensemble,String Trio - Level 3 - Digital Download SKU: A0.549856 Composed by…
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String Ensemble,String Trio - Level 3 - Digital Download SKU: A0.549856 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and parts. 12 pages. Jmsgu3 #3555135. Published by jmsgu3 (A0.549856). Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Voyager
$27.95
25.67 €
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Trio à Cordes: violon, alto, violoncelle
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for String Trio
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jmsgu3
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SheetMusicPlus
Señorita
Trio à Cordes: violon, alto, violoncelle
String Ensemble,String Trio Cello,Viola,Violin - Level 2 - Digital Download SKU: A0.115…
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String Ensemble,String Trio Cello,Viola,Violin - Level 2 - Digital Download SKU: A0.1159331 By Shawn Mendes & Camila Cabello. By Ali Tamposi, Andrew Wotman, Benjamin Levin, Camila Cabello, Charlotte Aitchison, Jack Patterson, Magnus Hoiberg, and Shawn Mendes. Arranged by KoaliMusic. Pop. Score and parts. 7 pages. Koali #759602. Published by Koali (A0.1159331). This string trio of Senorita gives several variations of the tune, mixing pizz, bridgerton style, legato bowed or spiky, to keep the tune fresh each time - sometimes with intruments in duet, or with a solo tune. Easy to play, but sounds bigger than a trio! All KoaliMusic arrangements are by string players - and all parts include bowing and dynamic suggestions.
$12.99
11.93 €
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Trio à Cordes: violon, alto, violoncelle
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Shawn Mendes & Camila Cabello
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KoaliMusic
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Señorita
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Koali
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SheetMusicPlus
Senorita
Trio à Cordes: violon, alto, violoncelle
String Ensemble,String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.108…
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String Ensemble,String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1082342 By Shawn Mendes & Camila Cabello. By Ali Tamposi, Andrew Wotman, Benjamin Levin, Camila Cabello, Charlotte Aitchison, Jack Patterson, Magnus Hoiberg, and Shawn Mendes. Arranged by DaSola Arranging. Pop,Wedding. Score and parts. 18 pages. DaSola Arranging #686492. Published by DaSola Arranging (A0.1082342). This arrangement is sweetly acoustic, but still retains the passionate Latin groove that made the original so popular. Perfect for any setlist.
$12.99
11.93 €
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Trio à Cordes: violon, alto, violoncelle
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Shawn Mendes & Camila Cabello
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DaSola Arranging
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Senorita
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DaSola Arranging
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SheetMusicPlus
Havana
Trio à Cordes: violon, alto, violoncelle
String Ensemble,String Trio - Level 3 - Digital Download SKU: A0.894857 By Camila C…
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String Ensemble,String Trio - Level 3 - Digital Download SKU: A0.894857 By Camila Cabello. By Adam Feeney, Alexandra Leah Tamposi, Ali Tamposi, Andrew Watt, Andrew Wotman, Brandon Perry, Brian Dong Ho Lee, Brian Lee, Brittany Hazzard, Camila Cabello, Jeffery Lamar Williams, Kaan Gunesberk, Louis Bell, Pharrell, Ramon Ayala, and etc. Arranged by Samuel ValentÃn. Pop. Score and parts. 15 pages. Pianiolist Music #5726459. Published by Pianiolist Music (A0.894857). A string trio arrangement of this epic song.
$14.99
13.76 €
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Trio à Cordes: violon, alto, violoncelle
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Camila Cabello
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Samuel ValentÃn
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Havana
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Pianiolist Music
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SheetMusicPlus
Havana
Trio à Cordes: violon, alto, violoncelle
By Camila Cabello. By Adam Feeney, Ali Tamposi, Andrew Wotman, Brian Lee, Brittany H…
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By Camila Cabello. By Adam Feeney, Ali Tamposi, Andrew Wotman, Brian Lee, Brittany Hazzard, Jeffery Lamar Williams, Kaan Gunesberk, Louis Bell, Pharrell, and Camila Cabello. Arranged by Sarah Cellobat Chaffee. Contemporary, Latin, Pop, Wedding. Score and parts. 13 pages. Sarah Cellobat Chaffee #737908. Published by Sarah Cellobat Chaffee
$14.99
13.76 €
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Trio à Cordes: violon, alto, violoncelle
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Camila Cabello
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Sarah Cellobat Chaffee
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Havana
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Sarah Cellobat Chaffee
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SheetMusicPlus
Fuga a tre (3 part fugue) for string trio
Trio à Cordes: violon, alto, violoncelle
String Ensemble,String Trio - Level 3 - Digital Download SKU: A0.958467 Composed by…
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String Ensemble,String Trio - Level 3 - Digital Download SKU: A0.958467 Composed by Joseph Dillon Ford. 20th Century. Score and parts. 7 pages. David Warin Solomons2 #3691565. Published by David Warin Solomons2 (A0.958467). The Fuga a tre voci was composed on 28 March 1976 not long before I moved from Miami to Cambridge to begin graduate study in music at Harvard. It remained an imperfect sketch in need of extensive revisions, and languished for a quarter-century in a manila file folder until I rediscovered it late in 2001 and was pleased to find that it was worth the trouble of resurrecting. This was no easy task, as it was my original intention to comply closely with eighteenth-century contrapuntal practices. Although I had written numerous polyphonic pieces in a similar style since 1976, none of these was a fugue. There was also the challenge of reconnecting with musical ideas I had originated at the age of twenty-four at a time in my life when I was rapidly approaching the age of fifty. Still, I persevered in my efforts to revive and improve this early polyphonic essay, and hope the performer and listener will be as pleased with the results as I am. This three-voice fugue can be performed by any instrument or combination of instruments, including the harpsichord.
$7.00
6.43 €
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Trio à Cordes: violon, alto, violoncelle
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Joseph Dillon Ford
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Fuga a tre
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David Warin Solomons2
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SheetMusicPlus
Songbird
Trio à Cordes: violon, alto, violoncelle
String Ensemble,String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.737…
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String Ensemble,String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.737297 By Fleetwood Mac. By Christine Mcvie. Arranged by Katrina Wreede. Pop,Rock. Score and parts. 5 pages. Vlazville Music-Digital #3878757. Published by Vlazville Music-Digital (A0.737297). Lovely, gentle song made popular by Fleetwood Mac and Eva Cassidy. Sounds very full with just a string trio. Great for intermediate through advanced players. Use at school programs, music camps, chamber music parties and all kinds of wedding gigs. Could easily translate to small string orchestra with all violins on the melody.
$13.99
12.85 €
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Trio à Cordes: violon, alto, violoncelle
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Fleetwood Mac
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Katrina Wreede
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Songbird
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Vlazville Music-Digital
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SheetMusicPlus
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