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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Common
Non classifié
1 193
Piano & claviers
Piano seul
328
Instruments en Do
223
Piano, Voix
139
Piano Facile
84
Piano, Voix et Guitare
74
Orgue
60
1 Piano, 4 mains
10
Piano Trio: piano, violon, violoncelle
8
Accompagnement Piano
7
Piano Quatuor: piano, violon, alto, violoncelle
7
Accordéon
4
Orgue, Trompette (duo)
2
Clavecin
2
Piano Quatuor: piano, 2 violons, violoncelle
2
Piano (partie séparée)
1
Orgue, Piano (duo)
1
+ 11 instrumentations
Retracter
Guitares
Guitare notes et tablatures
113
Guitare
57
Ukulele
25
Dulcimer
15
Mandoline
14
Basse electrique
9
Ligne De Mélodie, (Paroles) et Accords
7
Banjo
5
Paroles et Accords
4
2 Guitares (duo)
3
3 Guitares (trio)
2
2 Dulcimers (duo)
1
Piano, Guitare (duo)
1
Mandoline, Guitare (duo)
1
Ensemble de Ukulélés
1
+ 10 instrumentations
Retracter
Voix
Chorale SATB
268
Chorale 2 parties
67
Chorale 3 parties
64
Pack Instrumental pour Chorale
48
Chorale Unison
40
Chorale TTBB
21
Voix duo, Piano
18
Voix duo
11
Chorale SSAA
9
Voix seule
6
Chorale
6
Voix haute
5
Voix Soprano, Piano
4
Soli, choeur mixte et accompagnement
1
Voix Tenor
1
Voix moyenne, Piano
1
Voix Alto, Piano
1
Voix Mezzo-Soprano, Piano
1
+ 13 instrumentations
Retracter
Vents
Flûte traversière et Piano
49
Clarinette et Piano
49
Quatuor de Saxophones: 4 saxophones
40
Ensemble de saxophones
39
Saxophone Alto et Piano
37
Quatuor de Clarinettes: 4 clarinettes
35
Hautbois, Piano (duo)
35
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
35
Flûte, Hautbois, Clarinette, Basson
28
Quintette de Saxophone: 5 saxophones
28
Flûte traversière
27
Saxophone Soprano et Piano
26
Saxophone Tenor et Piano
26
Ensemble de Clarinettes
18
2 Saxophones (duo)
18
Clarinette
18
2 Flûtes traversières (duo)
17
Saxophone Alto
15
2 Clarinettes (duo)
11
Saxophone Baryton, Piano
11
Quatuor de Flûtes : 4 flûtes
9
Saxophone (partie séparée)
8
Ensemble de Flûtes
8
Hautbois (partie séparée)
8
Saxophone Tenor
7
Cor anglais, Piano
7
Flûte, Clarinette (duo)
7
3 Saxophones (trio)
7
Clarinette (partie séparée)
7
Clarinette Basse, Piano
6
Ocarina
6
Trio de Flûtes: 3 flûtes
5
3 Clarinettes (trio)
5
2 Hautbois (duo)
5
Harmonica
5
Quintette de Flûte : 5 flûtes
4
Saxophone et Harpe
4
Saxophone, Clarinette (duo)
3
Flûte, Hautbois, Clarinette (trio)
3
Flûte, Violon, Piano
3
Flute (partie séparée)
3
Clarinette, Violon (duo)
2
Clarinette et Alto
2
Clarinette, Trompette (duo)
2
Hautbois, Basson (duo)
2
Flûte à bec Soprano
2
Hautbois
2
Flûte, Violon
2
3 Flûtes à bec (trio)
2
Saxophone Soprano
2
Clarinette, Guitare (duo)
2
Saxophone
2
Saxophone et Guitare
2
5 Flûtes à bec
1
Flûte à bec Alto, Piano
1
Flûte, Saxophone (duo)
1
Flûte, Alto (duo)
1
Flûte, Trombone (duo)
1
Hautbois, Violoncelle
1
Clarinette, Harpe (duo)
1
Clarinette, Tuba
1
Flûte à bec Alto
1
Flûte, Trompette (duo)
1
Instruments en Mib
1
Flûte, Violon et Violoncelle
1
Piccolo
1
Cor Anglais
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Quatuor de Flûtes à bec
1
Hautbois, Flûte
1
2 Flûte à bec (duo)
1
Hautbois, Harpe
1
Quintette de Clarinettes: 5 clarinettes
1
Hautbois, Clarinette (duo)
1
Clarinette, Contrebasse (duo)
1
Flûte, Clarinette, Piano (trio)
1
Cor anglais et Harpe (duo)
1
Clarinette, Trombone (duo)
1
+ 73 instrumentations
Retracter
Cuivres
Quatuor de Cuivres : 2 trompettes, trombone, tuba
71
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
54
Trompette
38
Trombone et Piano
35
Trompette, Piano
28
Cor et Piano
24
Trombone
15
Trompette (partie séparée)
13
Quatuor de Cuivres
13
Ensemble de Trombones
12
Quatuor de Cuivres: 2 trompettes, Cor, trombone
12
Euphonium, Piano (duo)
11
2 Trompettes (duo)
10
Tuba et Piano
10
Cor
8
Ensemble de Trompettes
8
Cor anglais, Piano
7
2 Trombones (duo)
7
Trombone (partie séparée)
6
Quatuor de cuivres: 4 cors
5
2 Cors (duo)
5
Cor (partie séparée)
4
Ensemble de Cors
4
Quatuor de cuivres: 4 trombones
3
Trompette, Trombone (duo)
3
Trompette, Cor (duo)
3
Trompette, Saxophone (duo)
2
Tuba
2
Cor et Harpe
2
Quatuor de cuivres: 2 trompettes, 2 trombones
2
Trio de Cuivres
2
Trombone basse et Piano
1
Trompette, Harpe
1
Euphonium
1
Cor Anglais
1
2 Tubas (duo)
1
Tuba et Orgue
1
Bass Clef Instruments
1
4 Tubas
1
3 Trombones (trio)
1
Tuba (partie séparée)
1
3 Trompettes (trio)
1
Instruments en Sib
1
Cor anglais et Harpe (duo)
1
+ 39 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
90
Violon et Piano
62
Violoncelle, Piano
46
Alto, Piano
39
Harpe
37
Trio à Cordes: violon, alto, violoncelle
28
Violon
27
Violoncelle
24
2 Violons (duo)
15
Violon (partie séparée)
12
Violon, Violoncelle (duo)
11
2 Harpes (duo)
11
Trio à Cordes: 2 violons, violoncelle
10
2 Violoncelles (duo)
10
Piano Trio: Violon, Alto, Piano
7
Contrebasse (partie séparée)
7
Violon, Alto (duo)
6
Quintette à cordes: 2 violons, alto, violoncelle, basse
6
Alto seul
6
Ensemble d'Altos
5
Ensemble de Violons
5
Harpe, Flûte (duo)
4
Contrebasse, Piano (duo)
4
Contre Basse
4
2 Altos (duo)
4
Violoncelle (partie séparée)
4
Harpe, Violon (duo)
3
Violon, Guitare (duo)
3
Flûte, Contrebasse (duo)
3
Quintette à cordes: 2 violons, 2 altos, violoncelle
3
Alto (partie séparée)
3
Violoncelle , Guitare (duo)
3
Quatuor à cordes: 4 violons
2
Violoncelle, Contrebasse (duo)
2
Trio à Cordes: 3 violoncelles
2
Alto, Guitare (duo)
1
Violon, Basson (duo)
1
Harpe, Violoncelle (duo)
1
Harpe, Trombone (duo)
1
Violon, Basse continue
1
Trio à cordes: 3 altos
1
4 Violoncelles
1
Alto et Harpe
1
Trio à cordes: 3 violins
1
+ 39 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
398
Orchestre à Cordes
73
Orchestre
37
Ensemble de cuivres
33
Cloches
31
Orchestre de chambre
27
Ensemble Jazz
16
Ensemble de Percussions
14
Instrumentation Flexible
7
Batterie
7
Percussion (partie séparée)
6
Fanfare
5
Marimba
4
Ensemble d'École
3
Timbales (partie séparée)
3
Jazz combo
2
Vibraphone
1
Batterie (partie séparée)
1
+ 13 instrumentations
Retracter
Autres
Théorie de la musique
1
Formation musicale - Solfège
1
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Achats pour Musiciens
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
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avancé
expert
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Vous avez sélectionné:
Common
Trio à Cordes: violon, alto, violoncelle
Partitions à imprimer
28 partitions trouvées
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1
26
A Salute to the Commonwealth
#
Trio à Cordes: violon, alto, violoncelle
#
INTERMÉDIAIRE/AVANCÉ
#
Jordan Grigg
#
A Salute to the Commonwealth
#
Jordan Grigg
#
SheetMusicPlus
String Ensemble,String Trio Cello,Viola,Violin - Level 4 - SKU: A0.863074 Composed by Jordan Grigg. Concert,Romantic Period,Standards. Score and parts. ...
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String Ensemble,String Trio Cello,Viola,Violin - Level 4 - SKU: A0.863074 Composed by Jordan Grigg. Concert,Romantic Period,Standards. Score and parts. 57 pages. Jordan Grigg #3385665. Published by Jordan Grigg (A0.863074).
$15.95
A Salute to the Commonwealth
#
Trio à Cordes: violon, alto, violoncelle
#
Jordan Grigg
#
A Salute to the Commonwealth
#
Jordan Grigg
#
SheetMusicPlus
Cello,Viola,Violin - SKU: A0.1056896 Composed by Jordan Grigg. 20th Century,Concert,Patriotic,Standards. Full Performance. Duration 764. Jordan Grigg #3...
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Cello,Viola,Violin - SKU: A0.1056896 Composed by Jordan Grigg. 20th Century,Concert,Patriotic,Standards. Full Performance. Duration 764. Jordan Grigg #3459069. Published by Jordan Grigg (A0.1056896).
$3.99
Minimally Fantastic Suite for Clarinet and String Trio
#
Trio à Cordes: violon, alto, violoncelle
#
Steven Kudlo
#
Minimally Fantastic Suite for
#
Steven Mark Kudlo
#
SheetMusicPlus
B-Flat Clarinet,Cello,Viola,Violin - SKU: A0.1116845 Composed by Steven Kudlo. 20th Century,Chamber,Classical,Contemporary. 48 pages. Steven Mark Kudlo ...
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B-Flat Clarinet,Cello,Viola,Violin - SKU: A0.1116845 Composed by Steven Kudlo. 20th Century,Chamber,Classical,Contemporary. 48 pages. Steven Mark Kudlo #718499. Published by Steven Mark Kudlo (A0.1116845). About 13 1/2 minutes long of intermediate difficulty, this composition smiles. It's in six movements, each movement dipping into three general styles: pandiatonic, expressionistic, and common practice tonality (regular music). Its overall tone is neoclassic, using minimal techniques to provide a satisfying experience. The clarinet is for a B-flat model; it gets at least adequate time to breathe. The string parts are fairly easy, though on one occasion the cello bounces around a bit. There are some varied time signatures that might be too challenging for very young people. There are a variety of key signatures. The composition is tonal.
$5.99
Air in F from Water Music
#
Trio à Cordes: violon, alto, violoncelle
#
FACILE
#
G
#
Lena Seeger
#
Air in F from Water Music
#
Lena A Seeger
#
SheetMusicPlus
String Ensemble,String Trio - Level 2 - SKU: A0.716239 Composed by G. F. Handel. Arranged by Lena Seeger. Baroque,Wedding. Score and parts. 5 pages. Len...
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String Ensemble,String Trio - Level 2 - SKU: A0.716239 Composed by G. F. Handel. Arranged by Lena Seeger. Baroque,Wedding. Score and parts. 5 pages. Lena A Seeger #5355303. Published by Lena A Seeger (A0.716239). The popular Air in F from Handel's Water Music Suite. A common selection for weddings and banquets.
$2.99
Hornpipe in D from Water Music
#
Trio à Cordes: violon, alto, violoncelle
#
INTERMÉDIAIRE
#
G
#
Lena Seeger
#
Hornpipe in D from Water Music
#
Lena A Seeger
#
SheetMusicPlus
String Ensemble,String Trio - Level 3 - SKU: A0.716255 Composed by G. F. Handel. Arranged by Lena Seeger. Baroque,Holiday,Patriotic,Wedding. Score and p...
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String Ensemble,String Trio - Level 3 - SKU: A0.716255 Composed by G. F. Handel. Arranged by Lena Seeger. Baroque,Holiday,Patriotic,Wedding. Score and parts. 6 pages. Lena A Seeger #5771801. Published by Lena A Seeger (A0.716255). The popular and iconic Hornpipe in D from Handel's first Water Music suite. This movement is an excellent introduction to the Baroque repertoire for young musicians, as well as a common selection for wedding ceremonies and banquets.
$3.99
Hornpipe in F from Water Music
#
Trio à Cordes: violon, alto, violoncelle
#
FACILE
#
G
#
Lena Seeger
#
Hornpipe in F from Water Music
#
Lena A Seeger
#
SheetMusicPlus
String Ensemble,String Trio - Level 2 - SKU: A0.716247 Composed by G. F. Handel. Arranged by Lena Seeger. Baroque,Wedding. Score and parts. 5 pages. Len...
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String Ensemble,String Trio - Level 2 - SKU: A0.716247 Composed by G. F. Handel. Arranged by Lena Seeger. Baroque,Wedding. Score and parts. 5 pages. Lena A Seeger #5733031. Published by Lena A Seeger (A0.716247). The popular Hornpipe in F from Handel's Water Music, Suite No. 1. A common selection for wedding ceremonies.
$3.99
Bourree in F from Water Music
#
Trio à Cordes: violon, alto, violoncelle
#
FACILE
#
G
#
Lena Seeger
#
Bourree in F from Water Music
#
Lena A Seeger
#
SheetMusicPlus
String Ensemble,String Trio - Level 2 - SKU: A0.716243 Composed by G. F. Handel. Arranged by Lena Seeger. Baroque,Wedding. Score and parts. 6 pages. Len...
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String Ensemble,String Trio - Level 2 - SKU: A0.716243 Composed by G. F. Handel. Arranged by Lena Seeger. Baroque,Wedding. Score and parts. 6 pages. Lena A Seeger #5362779. Published by Lena A Seeger (A0.716243). The popular Bourree in F from Handel's Water Music, Suite No. 1. A common selection for wedding ceremonies.
$1.99
String Trio No. 3 in A major
#
Trio à Cordes: violon, alto, violoncelle
#
INTERMÉDIAIRE
#
Classique
#
/ Wm
#
William Shield
#
Robert Hoskins
#
String Trio No. 3 in A major
#
Artaria Editions
#
SheetMusicPlus
String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1488228 Composed by William Shield. Arranged by Robert Hoskins. Classical. 27 pages. Artaria Editions...
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String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1488228 Composed by William Shield. Arranged by Robert Hoskins. Classical. 27 pages. Artaria Editions #1065115. Published by Artaria Editions (A0.1488228). Shield's Trios, written for a continental audience, are seminal works in the composer's output and mark a new level of compositional attainment in the English chamber music repertory. Technically, they contain a wide variety of ideas which are developed with great ingenuity through a wide range of keys, dynamic contrasts and timbral effects. Aesthetically, they blend 'popular' and 'learned' taste along with 'orchestral' splendour and 18th century notions of beauty. The Trios present a dazzling range of moods and style with each work demonstrating Shield's mastery of the idiom, both in his treatment of individual instruments and in the handling of textures. While there is no shortage of melody and accompaniment, in which the violin takes the lead, there are many memorable solos for the viola and the cello in its high register. The wide range of textures includes melodic decoration, dialogue, contrast of high and low register, legato and staccato, powerful unison and double octaves. Shield's ability to incorporate arioso-like melody, the prevailing 'symphonic' style and folk elements was largely achieved through the cross-generic requirements of English comic opera (a form to which Shield devoted himself during the whole of his creative career). In general, Shield's technique results in a firm control of the way music moves - with sometimes a surprising degree of stylistic restlessness and sometimes of unexpected plainness and simplicity. The trios Shield selected for publication were issued by Longman and Broderip, London, in January 1796 under the inspection of the composer. No autograph of these works survives and Longman and Broderip's printing, a copy of which is preserved in the Bodleian Library, Oxford, under the call number Mus.Instr.I 214(15), is the only source of this edition. The title page, with its dedicatory inscription, reads: Six / TRIOS / FOR / Violin, Tenor and Violoncello, / Composed / And Inscribed to the Memory of / Jacob More Esqr. / By / Wm. SHIELD./ (Musician in Ordinary to His Majesty) / Entd. At Statn. Hall [rule] Price 10/6 / ADVERTISEMENT / These Trios were Composed chiefly for the abovementioned Celebrated Landscape Painter (in Rome) / And are Dedicated to his Memory as a Token of Gratitude for the Services he rendered the Author / during his Residence in that City. The movements which are written in the uncommon Time / of 5/4 have amused some of the most distinguished Professors both in England & Italy which / induces the Author to hope they will not be disagreeable to the Public at Large / Goodge Street, Jany. 1st 1796 / [rule] / London, Printed for the Author by Longman & Broderip, No.26, Cheapside & No.13, Haymarket. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$49.00
String Trio No. 4 in E major
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Trio à Cordes: violon, alto, violoncelle
#
INTERMÉDIAIRE
#
Classique
#
/ Wm
#
William Shield
#
Robert Hoskins
#
String Trio No. 4 in E major
#
Artaria Editions
#
SheetMusicPlus
String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1488229 Composed by William Shield. Arranged by Robert Hoskins. Classical. 24 pages. Artaria Editions...
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String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1488229 Composed by William Shield. Arranged by Robert Hoskins. Classical. 24 pages. Artaria Editions #1065116. Published by Artaria Editions (A0.1488229). Shield's Trios, written for a continental audience, are seminal works in the composer's output and mark a new level of compositional attainment in the English chamber music repertory. Technically, they contain a wide variety of ideas which are developed with great ingenuity through a wide range of keys, dynamic contrasts and timbral effects. Aesthetically, they blend 'popular' and 'learned' taste along with 'orchestral' splendour and 18th century notions of beauty. The Trios present a dazzling range of moods and style with each work demonstrating Shield's mastery of the idiom, both in his treatment of individual instruments and in the handling of textures. While there is no shortage of melody and accompaniment, in which the violin takes the lead, there are many memorable solos for the viola and the cello in its high register. The wide range of textures includes melodic decoration, dialogue, contrast of high and low register, legato and staccato, powerful unison and double octaves. Shield's ability to incorporate arioso-like melody, the prevailing 'symphonic' style and folk elements was largely achieved through the cross-generic requirements of English comic opera (a form to which Shield devoted himself during the whole of his creative career). In general, Shield's technique results in a firm control of the way music moves - with sometimes a surprising degree of stylistic restlessness and sometimes of unexpected plainness and simplicity. The trios Shield selected for publication were issued by Longman and Broderip, London, in January 1796 under the inspection of the composer. No autograph of these works survives and Longman and Broderip's printing, a copy of which is preserved in the Bodleian Library, Oxford, under the call number Mus.Instr.I 214(15), is the only source of this edition. The title page, with its dedicatory inscription, reads: Six / TRIOS / FOR / Violin, Tenor and Violoncello, / Composed / And Inscribed to the Memory of / Jacob More Esqr. / By / Wm. SHIELD./ (Musician in Ordinary to His Majesty) / Entd. At Statn. Hall [rule] Price 10/6 / ADVERTISEMENT / These Trios were Composed chiefly for the abovementioned Celebrated Landscape Painter (in Rome) / And are Dedicated to his Memory as a Token of Gratitude for the Services he rendered the Author / during his Residence in that City. The movements which are written in the uncommon Time / of 5/4 have amused some of the most distinguished Professors both in England & Italy which / induces the Author to hope they will not be disagreeable to the Public at Large / Goodge Street, Jany. 1st 1796 / [rule] / London, Printed for the Author by Longman & Broderip, No.26, Cheapside & No.13, Haymarket. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$49.00
String Trio No. 6 in B flat major
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE
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Classique
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/ Wm
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William Shield
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Robert Hoskins
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String Trio No. 6 in B flat ma
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Artaria Editions
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SheetMusicPlus
String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1488232 Composed by William Shield. Arranged by Robert Hoskins. Classical. 36 pages. Artaria Editions...
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String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1488232 Composed by William Shield. Arranged by Robert Hoskins. Classical. 36 pages. Artaria Editions #1065119. Published by Artaria Editions (A0.1488232). Shield's Trios, written for a continental audience, are seminal works in the composer's output and mark a new level of compositional attainment in the English chamber music repertory. Technically, they contain a wide variety of ideas which are developed with great ingenuity through a wide range of keys, dynamic contrasts and timbral effects. Aesthetically, they blend 'popular' and 'learned' taste along with 'orchestral' splendour and 18th century notions of beauty. The Trios present a dazzling range of moods and style with each work demonstrating Shield's mastery of the idiom, both in his treatment of individual instruments and in the handling of textures. While there is no shortage of melody and accompaniment, in which the violin takes the lead, there are many memorable solos for the viola and the cello in its high register. The wide range of textures includes melodic decoration, dialogue, contrast of high and low register, legato and staccato, powerful unison and double octaves. Shield's ability to incorporate arioso-like melody, the prevailing 'symphonic' style and folk elements was largely achieved through the cross-generic requirements of English comic opera (a form to which Shield devoted himself during the whole of his creative career). In general, Shield's technique results in a firm control of the way music moves - with sometimes a surprising degree of stylistic restlessness and sometimes of unexpected plainness and simplicity. The trios Shield selected for publication were issued by Longman and Broderip, London, in January 1796 under the inspection of the composer. No autograph of these works survives and Longman and Broderip's printing, a copy of which is preserved in the Bodleian Library, Oxford, under the call number Mus.Instr.I 214(15), is the only source of this edition. The title page, with its dedicatory inscription, reads: Six / TRIOS / FOR / Violin, Tenor and Violoncello, / Composed / And Inscribed to the Memory of / Jacob More Esqr. / By / Wm. SHIELD./ (Musician in Ordinary to His Majesty) / Entd. At Statn. Hall [rule] Price 10/6 / ADVERTISEMENT / These Trios were Composed chiefly for the abovementioned Celebrated Landscape Painter (in Rome) / And are Dedicated to his Memory as a Token of Gratitude for the Services he rendered the Author / during his Residence in that City. The movements which are written in the uncommon Time / of 5/4 have amused some of the most distinguished Professors both in England & Italy which / induces the Author to hope they will not be disagreeable to the Public at Large / Goodge Street, Jany. 1st 1796 / [rule] / London, Printed for the Author by Longman & Broderip, No.26, Cheapside & No.13, Haymarket. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$49.00
String Trio No. 5 in C minor
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE
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Classique
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/ Wm
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William Shield
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Robert Hoskins
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String Trio No. 5 in C minor
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Artaria Editions
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SheetMusicPlus
String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1488231 Composed by William Shield. Arranged by Robert Hoskins. Classical. 23 pages. Artaria Editions...
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String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1488231 Composed by William Shield. Arranged by Robert Hoskins. Classical. 23 pages. Artaria Editions #1065118. Published by Artaria Editions (A0.1488231). Shield's Trios, written for a continental audience, are seminal works in the composer's output and mark a new level of compositional attainment in the English chamber music repertory. Technically, they contain a wide variety of ideas which are developed with great ingenuity through a wide range of keys, dynamic contrasts and timbral effects. Aesthetically, they blend 'popular' and 'learned' taste along with 'orchestral' splendour and 18th century notions of beauty. The Trios present a dazzling range of moods and style with each work demonstrating Shield's mastery of the idiom, both in his treatment of individual instruments and in the handling of textures. While there is no shortage of melody and accompaniment, in which the violin takes the lead, there are many memorable solos for the viola and the cello in its high register. The wide range of textures includes melodic decoration, dialogue, contrast of high and low register, legato and staccato, powerful unison and double octaves. Shield's ability to incorporate arioso-like melody, the prevailing 'symphonic' style and folk elements was largely achieved through the cross-generic requirements of English comic opera (a form to which Shield devoted himself during the whole of his creative career). In general, Shield's technique results in a firm control of the way music moves - with sometimes a surprising degree of stylistic restlessness and sometimes of unexpected plainness and simplicity. The trios Shield selected for publication were issued by Longman and Broderip, London, in January 1796 under the inspection of the composer. No autograph of these works survives and Longman and Broderip's printing, a copy of which is preserved in the Bodleian Library, Oxford, under the call number Mus.Instr.I 214(15), is the only source of this edition. The title page, with its dedicatory inscription, reads: Six / TRIOS / FOR / Violin, Tenor and Violoncello, / Composed / And Inscribed to the Memory of / Jacob More Esqr. / By / Wm. SHIELD./ (Musician in Ordinary to His Majesty) / Entd. At Statn. Hall [rule] Price 10/6 / ADVERTISEMENT / These Trios were Composed chiefly for the abovementioned Celebrated Landscape Painter (in Rome) / And are Dedicated to his Memory as a Token of Gratitude for the Services he rendered the Author / during his Residence in that City. The movements which are written in the uncommon Time / of 5/4 have amused some of the most distinguished Professors both in England & Italy which / induces the Author to hope they will not be disagreeable to the Public at Large / Goodge Street, Jany. 1st 1796 / [rule] / London, Printed for the Author by Longman & Broderip, No.26, Cheapside & No.13, Haymarket. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$49.00
String Trio No. 2 in D major
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Trio à Cordes: violon, alto, violoncelle
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Classique
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/ Wm
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William Shield
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Robert Hoskins
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String Trio No. 2 in D major
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Artaria Editions
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SheetMusicPlus
String Trio Cello,Viola,Violin - SKU: A0.1488225 Composed by William Shield. Arranged by Robert Hoskins. Classical. 37 pages. Artaria Editions #1065111....
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String Trio Cello,Viola,Violin - SKU: A0.1488225 Composed by William Shield. Arranged by Robert Hoskins. Classical. 37 pages. Artaria Editions #1065111. Published by Artaria Editions (A0.1488225). Shield's Trios, written for a continental audience, are seminal works in the composer's output and mark a new level of compositional attainment in the English chamber music repertory. Technically, they contain a wide variety of ideas which are developed with great ingenuity through a wide range of keys, dynamic contrasts and timbral effects. Aesthetically, they blend 'popular' and 'learned' taste along with 'orchestral' splendour and 18th century notions of beauty. The Trios present a dazzling range of moods and style with each work demonstrating Shield's mastery of the idiom, both in his treatment of individual instruments and in the handling of textures. While there is no shortage of melody and accompaniment, in which the violin takes the lead, there are many memorable solos for the viola and the cello in its high register. The wide range of textures includes melodic decoration, dialogue, contrast of high and low register, legato and staccato, powerful unison and double octaves. Shield's ability to incorporate arioso-like melody, the prevailing 'symphonic' style and folk elements was largely achieved through the cross-generic requirements of English comic opera (a form to which Shield devoted himself during the whole of his creative career). In general, Shield's technique results in a firm control of the way music moves - with sometimes a surprising degree of stylistic restlessness and sometimes of unexpected plainness and simplicity. The trios Shield selected for publication were issued by Longman and Broderip, London, in January 1796 under the inspection of the composer. No autograph of these works survives and Longman and Broderip's printing, a copy of which is preserved in the Bodleian Library, Oxford, under the call number Mus.Instr.I 214(15), is the only source of this edition. The title page, with its dedicatory inscription, reads: Six / TRIOS / FOR / Violin, Tenor and Violoncello, / Composed / And Inscribed to the Memory of / Jacob More Esqr. / By / Wm. SHIELD./ (Musician in Ordinary to His Majesty) / Entd. At Statn. Hall [rule] Price 10/6 / ADVERTISEMENT / These Trios were Composed chiefly for the abovementioned Celebrated Landscape Painter (in Rome) / And are Dedicated to his Memory as a Token of Gratitude for the Services he rendered the Author / during his Residence in that City. The movements which are written in the uncommon Time / of 5/4 have amused some of the most distinguished Professors both in England & Italy which / induces the Author to hope they will not be disagreeable to the Public at Large / Goodge Street, Jany. 1st 1796 / [rule] / London, Printed for the Author by Longman & Broderip, No.26, Cheapside & No.13, Haymarket. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$49.00
String Trio No.1 in E flat major
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE
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Classique
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/ Wm
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William Shield
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Robert Hoskins
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String Trio No.1 in E flat maj
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Artaria Editions
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SheetMusicPlus
String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1488224 Composed by William Shield. Arranged by Robert Hoskins. Classical. 24 pages. Artaria Editions...
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String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1488224 Composed by William Shield. Arranged by Robert Hoskins. Classical. 24 pages. Artaria Editions #1065110. Published by Artaria Editions (A0.1488224). The trios Shield selected for publication were issued by Longman and Broderip, London, in January 1796 under the inspection of the composer. No autograph of these works survives and Longman and Broderip's printing, a copy of which is preserved in the Bodleian Library, Oxford, under the call number Mus.Instr.I 214(15), is the only source of this edition. The title page, with its dedicatory inscription, reads: Six / TRIOS / FOR / Violin, Tenor and Violoncello, / Composed / And Inscribed to the Memory of / Jacob More Esqr. / By / Wm. SHIELD./ (Musician in Ordinary to His Majesty) / Entd. At Statn. Hall [rule] Price 10/6 / ADVERTISEMENT / These Trios were Composed chiefly for the abovementioned Celebrated Landscape Painter (in Rome) / And are Dedicated to his Memory as a Token of Gratitude for the Services he rendered the Author / during his Residence in that City. The movements which are written in the uncommon Time / of 5/4 have amused some of the most distinguished Professors both in England & Italy which / induces the Author to hope they will not be disagreeable to the Public at Large / Goodge Street, Jany. 1st 1796 / [rule] / London, Printed for the Author by Longman & Broderip, No.26, Cheapside & No.13, Haymarket. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$49.00
It Came Upon a Midnight Clear for String Trio
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Trio à Cordes: violon, alto, violoncelle
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FACILE
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Traditional
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James M
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It Came Upon a Midnight Clear
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jmsgu3
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SheetMusicPlus
String Trio Cello,Viola,Violin - Level 2 - SKU: A0.1324522 Composed by Traditional. Arranged by James M. Guthrie. Chamber,Christian,Christmas,Historic,T...
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String Trio Cello,Viola,Violin - Level 2 - SKU: A0.1324522 Composed by Traditional. Arranged by James M. Guthrie. Chamber,Christian,Christmas,Historic,Traditional. 6 pages. Jmsgu3 #912719. Published by jmsgu3 (A0.1324522). It Came Upon the Midnight Clear is an 1849 poem and Christmas carol written by Edmund Sears, a pastor of the Unitarian Church in Wayland, Massachusetts. The lyrics were set to the tune Carol by Richard Storrs Willis in the United States, while in Commonwealth countries, the lyrics are set to Noel, a later adaptation by Arthur Sullivan from an English melody. The whole song comprises five stanzas, and some versions omit certain verses. Interestingly, the Christmas carol doesn't explicitly mention the birth of the Savior, making it unique among Christmas songs.
$24.95
A Thousand Years
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Pop musique
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Christina Perri
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Alexander Lau
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A Thousand Years
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Alexander Lau
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SheetMusicPlus
String Ensemble,String Trio Cello,Viola,Violin - Level 4 - SKU: A0.873015 By Christina Perri. By Christina Perri and David Hodges. Arranged by Alexander...
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String Ensemble,String Trio Cello,Viola,Violin - Level 4 - SKU: A0.873015 By Christina Perri. By Christina Perri and David Hodges. Arranged by Alexander Lau. Pop. Score and parts. 12 pages. Alexander Lau #3906969. Published by Alexander Lau (A0.873015). A Thousand Years by Christina Perri has been arranged for a standard string trio. Suitable for advanced intermediate players. A Thousand Years for String Trio is licensed under a Creative Commons Attribution 4.0 International License. Duration: 4 minutes Released: 2018 Perfect for weddings or busking! Arranged by Alexander Lau, an experienced arranger for strings. Any queries or questions? Please send an email to alexanderlau203@gmail.com. I can also arrange other pieces for any ensemble, just contact me via my email above.
$12.99
Kreće se lađa francuska - for string sextet
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE
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serbian folk song
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Zoran Radanovic
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lit
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Kreće se lađa francusk
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Zoran Radanovic
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SheetMusicPlus
String Ensemble Cello,Viola,Violin - Level 3 - SKU: A0.1389312 Composed by serbian folk song. Arranged by Zoran Radanovic. Folk,Multicultural,Patriotic,...
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String Ensemble Cello,Viola,Violin - Level 3 - SKU: A0.1389312 Composed by serbian folk song. Arranged by Zoran Radanovic. Folk,Multicultural,Patriotic,Traditional,Wedding,World. 14 pages. Zoran Radanovic #972894. Published by Zoran Radanovic (A0.1389312). This very famous serbian folk song arrangement is for string sextet with set of parts.Diese sehr berühmte serbische Volkslied Arrangement ist für String Sextett mit Partitüren.Kreće se laÄ‘a francuska (Serbian Cyrillic: Креће Ñе лађа француÑка; lit. 'The French Boat is Sailing') is a Serbian war song from the First World War, first sung in a Salonika harbor, where the Serbian army was recuperating after a long and painful withdrawal through the Albanian mountains. The author of the original text of the poem is Serbian officer colonel Branislav Milosavljević.[1] The song was frequently performed in both France and Serbia after the war and is commonly used as a symbol of Serbian and French friendship
$8.99
Silent Night (Bb) (String Octet - 3 Violins, 2 Violas, 3 Cellos)
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE
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Noël
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the 1840's, the song was well
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Franz Xaver Gruber
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Regis Bookshar
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Silent Night
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Regis Bookshar
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SheetMusicPlus
String Ensemble Cello,Viola,Violin - Level 3 - SKU: A0.813995 Composed by Franz Xaver Gruber. Arranged by Regis Bookshar. Christmas,Instructional,Multic...
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String Ensemble Cello,Viola,Violin - Level 3 - SKU: A0.813995 Composed by Franz Xaver Gruber. Arranged by Regis Bookshar. Christmas,Instructional,Multicultural,World. Score and parts. 12 pages. Regis Bookshar #6636653. Published by Regis Bookshar (A0.813995). String Octet - Intermediate - . This arrangement of Silent Night, or in German, Stille Nacht, would be a wonderful addition to any music library and could be performed for Christmas concerts, recitals, and, especially, church services. It is equally suitable for junior and senior high school students and even older musicians. Depending on their ability, younger musicians would also enjoy playing this selection. Included are a score and a complete set of parts (12 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Silent Night is probably the most popular Christmas carol ever written. It was composed in 1818 by Franz Xaver Gruber to lyrics by Joseph Mohr and was first performed on Christmas Eve at St. Nicholas parish church in Oberndorf, a small village in present-day Austria. A young Catholic priest, Father Joseph Mohr, had written the poem, Stille Nacht, in 1816 and had gone to Oberndorf in 1817. The melody was composed by Franz Xaver Gruber, schoolmaster and organist in the nearby village of Arnsdorf. On Christmas Eve, 1818, Mohr brought the words to Gruber and asked him to compose a melody and guitar accompaniment for that night's mass, after river flooding had possibly damaged the church organ. The church was eventually destroyed by repeated flooding and has since been replaced with the Silent-Night-Chapel.According to Gruber, Karl Mauracher, an organ builder who serviced the instrument at the Oberndorf church, was enamored with the song, and took the composition home with him to the Ziller Valley in Tyrol, Austria. From there, two traveling families of folk singers, the Strassers and the Rainers, included the tune in their shows. The Rainers were already singing it around Christmas, 1819, and once performed it for an audience that included Franz I of Austria and Alexander I of Russia. They also gave the first performance of the song in the United States in New York City in 1839. By the 1840's, the song was well known and was reported to be a favorite of Frederick William IV of Prussia. During this period, the melody changed slightly to become the version that is commonly heard today. The version of the melody that is generally used today is a slow, meditative lullaby, or pastoral, differing slightly from Gruber's original which has a moderate tempo. The song has been translated into about 140 languages and has been recorded by many singers across many music genres. The version sung by Bing Crosby in 1935, has sold over 10 million copies as a single.In this arrangement of Silent Night, Regis Bookshar has kept the basic form of this familiar Christmas carol, but has also included a descant during the third verse. Also, in addition to this version for a String Octet, consisting of 3 Violins, 2 Violas and 3 Violoncellos, there are other arrangements of Silent Night available for a variety of instrumental ensembles. There are Quintets and Octets readily available for purchase. Please take the time to look for other versions of this composition. You may find something else that might also suit your needs.I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a wide variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of Silent Night will continue to entertain both performers and audiences alike for years to come.
$8.00
Recordare (from "Requiem") (F) (String Septet - 3 Violins, 1 Viola, 3 Cellos)
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Wolfgang Amadeus Mozart
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Regis Bookshar
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Recordare
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Regis Bookshar
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SheetMusicPlus
String Ensemble Cello,Viola,Violin - Level 4 - SKU: A0.1112138 Composed by Wolfgang Amadeus Mozart. Arranged by Regis Bookshar. Chamber,Christian,Classi...
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String Ensemble Cello,Viola,Violin - Level 4 - SKU: A0.1112138 Composed by Wolfgang Amadeus Mozart. Arranged by Regis Bookshar. Chamber,Christian,Classical,Instructional,Religious. 41 pages. Regis Bookshar #714324. Published by Regis Bookshar (A0.1112138). Recordare (from Requiem (K. 626) - Wolfgang Amadeus Mozart/Franz Xaver Sussmayr - String Septet - Advanced/Intermediate - . Hauntingly beautiful is how the Recordare from Mozart's Requiem is often described. Originally written for an orchestra and four vocal soloists, it has now been transcribed by Regis Bookshar for a String Sextet, consisting of 3 Violins, 1 Viola and 3 Violoncellos, and would be a wonderful addition to any music library. This arrangement will provide students with the opportunity to play this beautiful composition, something which they may not have had the opportunity to do, otherwise. This selection could be performed for concerts, recitals and church services and is suitable for high school and college students but professional musicians would also enjoy playing this arrangement. Included are a score and a complete set of parts (41 pages). The Regis Bookshar Trumpet Ensemble has performed the Trumpet Quintet version of the Recordare for funerals, providing beautiful, introspective music for the occasion. There is some controversy surrounding the circumstances of the Requiem's composition because Mozart died before he could complete it. Count Franz von Walsegg had commissioned a Requiem Mass but Mozart had received only half of the payment in advance. So, upon his death on December 5th, 1791, his widow, Constanze, wished to have the work completed secretly by someone else and submit it to the count as having been completed by Mozart to collect the final payment. Joseph von Eybler was one of the first composers to be asked to complete the score and had worked on a number of movements but felt unable to complete the remainder and gave the manuscript back to Constanze Mozart. The task was then given to another composer, Franz Xaver Sussmayr. Sussmayr borrowed some of Eybler's work in making his completion, added his own orchestration to other movements and added several new movements which a Requiem Mass would normally comprise. He then added a final section by adapting the opening two movements which Mozart had written to the different words which finish the Requiem Mass, which according to both Sussmayr and Mozart's wife, was done according to Mozart's directions. The completed score, initially by Mozart but largely finished by Sussmayr, was then dispatched to Count Walsegg complete with a counterfeited signature of Mozart dated 1792. Despite the controversy over how much of the music is actually Mozart's, the commonly performed Sussmayr version has become widely accepted by the public, and is considered one of Mozart's finest compositions. The Recordare is considered by many people to be one of the most beautiful compositions in Mozart's entire catalogue. Regis Bookshar, a trumpet player, has performed the Requiem in concert with a full orchestra, soloists and a chorus and felt that other musicians should have the opportunity to play the hauntingly beautiful Recordare as well. So, in addition to this arrangement for a String Septet, he has made quite a few other arrangements of this beautiful composition. There are Quintets, Sextets, Septets and Octets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may fine something else which may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this beautiful arrangement of Mozart's Recordare, will continue to entertain both performers and audiences alike for years to come.
$36.00
Wedding March from "A Midsummer Night's Dream"
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE
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Felix Mendelssohn
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Stephen W
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Wedding March from "A Mid
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BurchMusic
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SheetMusicPlus
String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1242662 Composed by Felix Mendelssohn (1809-1847). Arranged by Stephen W. Burch (ASCAP). Chamber,Clas...
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String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1242662 Composed by Felix Mendelssohn (1809-1847). Arranged by Stephen W. Burch (ASCAP). Chamber,Classical,Wedding. 6 pages. BurchMusic #837791. Published by BurchMusic (A0.1242662). This is an arrangement for String Trio of the Wedding March from “A Midsummer Night’s Dream†composed by Felix Mendelssohn, commonly used as a wedding recessional. Sections can be repeated or circumvented as needed to lengthen or shorten the piece, depending on the duration of the recessional.
$2.00
Recordare (from "Requiem") (F) (String Sextet - 2 Violins, 1 Viola, 3 Cellos)
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Wolfgang Amadeus Mozart
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Regis Bookshar
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Recordare
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Regis Bookshar
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SheetMusicPlus
String Ensemble Cello,Viola,Violin - Level 4 - SKU: A0.1111374 Composed by Wolfgang Amadeus Mozart. Arranged by Regis Bookshar. Chamber,Christian,Classi...
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String Ensemble Cello,Viola,Violin - Level 4 - SKU: A0.1111374 Composed by Wolfgang Amadeus Mozart. Arranged by Regis Bookshar. Chamber,Christian,Classical,Instructional,Religious. 28 pages. Regis Bookshar #713661. Published by Regis Bookshar (A0.1111374). Recordare (from Requiem (K. 626) - Wolfgang Amadeus Mozart/Franz Xaver Sussmayr - String Sextet - Advanced/Intermediate - . Hauntingly beautiful is how the Recordare from Mozart's Requiem is often described. Originally written for an orchestra and four vocal soloists, it has now been transcribed by Regis Bookshar for a String Sextet, consisting of 2 Violins, 1 Viola and 3 Violoncellos, and would be a wonderful addition to any music library. This arrangement will provide students with the opportunity to play this beautiful composition, something which they may not have had the opportunity to do, otherwise. This selection could be performed for concerts, recitals and church services and is suitable for high school and college students but professional musicians would also enjoy playing this arrangement. Included are a score and a complete set of parts (28 pages). The Regis Bookshar Trumpet Ensemble has performed the Trumpet Quintet version of the Recordare for funerals, providing beautiful, introspective music for the occasion. There is some controversy surrounding the circumstances of the Requiem's composition because Mozart died before he could complete it. Count Franz von Walsegg had commissioned a Requiem Mass but Mozart had received only half of the payment in advance. So, upon his death on December 5th, 1791, his widow, Constanze, wished to have the work completed secretly by someone else and submit it to the count as having been completed by Mozart to collect the final payment. Joseph von Eybler was one of the first composers to be asked to complete the score and had worked on a number of movements but felt unable to complete the remainder and gave the manuscript back to Constanze Mozart. The task was then given to another composer, Franz Xaver Sussmayr. Sussmayr borrowed some of Eybler's work in making his completion, added his own orchestration to other movements and added several new movements which a Requiem Mass would normally comprise. He then added a final section by adapting the opening two movements which Mozart had written to the different words which finish the Requiem Mass, which according to both Sussmayr and Mozart's wife, was done according to Mozart's directions. The completed score, initially by Mozart but largely finished by Sussmayr, was then dispatched to Count Walsegg complete with a counterfeited signature of Mozart dated 1792. Despite the controversy over how much of the music is actually Mozart's, the commonly performed Sussmayr version has become widely accepted by the public, and is considered one of Mozart's finest compositions. The Recordare is considered by many people to be one of the most beautiful compositions in Mozart's entire catalogue. Regis Bookshar, a trumpet player, has performed the Requiem in concert with a full orchestra, soloists and a chorus and felt that other musicians should have the opportunity to play the hauntingly beautiful Recordare as well. So, in addition to this arrangement for a String Sextet, he has made quite a few other arrangements of this beautiful composition. There are Quintets, Sextets, Septets and Octets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may fine something else which may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this beautiful arrangement of Mozart's Recordare, will continue to entertain both performers and audiences alike for years to come.
$32.00
Lo, How a Rose E'er Blooming for String Trio
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Trio à Cordes: violon, alto, violoncelle
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FACILE
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Traditional German
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James M
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Lo, How a Rose E'er Blooming f
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jmsgu3
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SheetMusicPlus
String Trio Cello,Viola,Violin - Level 2 - SKU: A0.1325092 Composed by Traditional German. Arranged by James M. Guthrie. Chamber,Christian,Christmas,His...
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String Trio Cello,Viola,Violin - Level 2 - SKU: A0.1325092 Composed by Traditional German. Arranged by James M. Guthrie. Chamber,Christian,Christmas,Historic,Traditional. 6 pages. Jmsgu3 #913314. Published by jmsgu3 (A0.1325092). Lo, How a Rose E'er Blooming is a Christmas carol with a rich history and deep theological significance. It is most commonly translated from the original German hymn Es ist ein Ros entsprungen. The hymn emphasizes the royal genealogy of Jesus and Christian messianic prophecies, describing a rose sprouting from the stem of the Tree of Jesse, symbolizing the descent of Jesus from Jesse of Bethlehem, the father of King David. The hymn has been set to music by various composers, with the familiar harmonization by Michael Praetorius dating back to the early 17th century. The English translation by Theodore Baker, Lo, How a Rose E'er Blooming, was written in 1894 and has been widely used in English-language hymnals. The hymn's enduring appeal lies in its theological depth, musical beauty, and historical significance, making it a cherished part of the Christmas tradition for many.
$24.95
Londonderry Air
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Trio à Cordes: violon, alto, violoncelle
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FACILE
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Celtique/Irlandais
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Traditional Irish
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Karlie Boyle
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Londonderry Air
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Karlie Boyle Arrangements
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SheetMusicPlus
String Ensemble,String Trio Cello,Viola,Violin - Level 2 - SKU: A0.959138 Composed by Traditional Irish. Arranged by Karlie Boyle. Celtic. Score and par...
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String Ensemble,String Trio Cello,Viola,Violin - Level 2 - SKU: A0.959138 Composed by Traditional Irish. Arranged by Karlie Boyle. Celtic. Score and parts. 6 pages. Karlie Boyle Arrangements #5715183. Published by Karlie Boyle Arrangements (A0.959138). More commonly known as O Danny Boy.
$7.99
Tartini, G. - Sonata No. 6 for Violin, Viola and Cello
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Trio à Cordes: violon, alto, violoncelle
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FACILE
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Classique
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Giuseppe Tartini
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Linda M
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Tartini, G. - Sonata No. 6 for
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Linda M Scott
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SheetMusicPlus
String Ensemble,String Trio Cello,Viola,Violin - Level 2 - SKU: A0.540543 Composed by Giuseppe Tartini. Arranged by Linda M. Scott. Baroque,Classical. S...
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String Ensemble,String Trio Cello,Viola,Violin - Level 2 - SKU: A0.540543 Composed by Giuseppe Tartini. Arranged by Linda M. Scott. Baroque,Classical. Score and parts. 5 pages. Linda M Scott #4295879. Published by Linda M Scott (A0.540543). Guiseppe Tartini, (1692-1770) an Italian, was a violinist and wrote many works featuring this instrument. He is most well known for writing the violin sonata commonly called the Devil's Trill.This pleasing, brisk movement from one of Tartini's Trio Sonatas is fun to play for all. Some third position but the rhythms are easy and often in unison with another part. Perfect for beginning intermediate students, amateurs and professionals.
$5.99
Recordare (from "Requiem") (F) (String Sextet - 3 Violins, 1 Viola, 2 Cellos)
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Wolfgang Amadeus Mozart
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Regis Bookshar
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Recordare
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Regis Bookshar
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SheetMusicPlus
String Ensemble Cello,Viola,Violin - Level 4 - SKU: A0.1111378 Composed by Wolfgang Amadeus Mozart. Arranged by Regis Bookshar. Chamber,Christian,Classi...
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String Ensemble Cello,Viola,Violin - Level 4 - SKU: A0.1111378 Composed by Wolfgang Amadeus Mozart. Arranged by Regis Bookshar. Chamber,Christian,Classical,Instructional,Religious. 28 pages. Regis Bookshar #713665. Published by Regis Bookshar (A0.1111378). Recordare (from Requiem (K. 626) - Wolfgang Amadeus Mozart/Franz Xaver Sussmayr - String Sextet - Advanced/Intermediate - . Hauntingly beautiful is how the Recordare from Mozart's Requiem is often described. Originally written for an orchestra and four vocal soloists, it has now been transcribed by Regis Bookshar for a String Sextet, consisting of 3 Violins, 1 Viola and 2 Violoncellos, and would be a wonderful addition to any music library. This arrangement will provide students with the opportunity to play this beautiful composition, something which they may not have had the opportunity to do, otherwise. This selection could be performed for concerts, recitals and church services and is suitable for high school and college students but professional musicians would also enjoy playing this arrangement. Included are a score and a complete set of parts (28 pages). The Regis Bookshar Trumpet Ensemble has performed the Trumpet Quintet version of the Recordare for funerals, providing beautiful, introspective music for the occasion. There is some controversy surrounding the circumstances of the Requiem's composition because Mozart died before he could complete it. Count Franz von Walsegg had commissioned a Requiem Mass but Mozart had received only half of the payment in advance. So, upon his death on December 5th, 1791, his widow, Constanze, wished to have the work completed secretly by someone else and submit it to the count as having been completed by Mozart to collect the final payment. Joseph von Eybler was one of the first composers to be asked to complete the score and had worked on a number of movements but felt unable to complete the remainder and gave the manuscript back to Constanze Mozart. The task was then given to another composer, Franz Xaver Sussmayr. Sussmayr borrowed some of Eybler's work in making his completion, added his own orchestration to other movements and added several new movements which a Requiem Mass would normally comprise. He then added a final section by adapting the opening two movements which Mozart had written to the different words which finish the Requiem Mass, which according to both Sussmayr and Mozart's wife, was done according to Mozart's directions. The completed score, initially by Mozart but largely finished by Sussmayr, was then dispatched to Count Walsegg complete with a counterfeited signature of Mozart dated 1792. Despite the controversy over how much of the music is actually Mozart's, the commonly performed Sussmayr version has become widely accepted by the public, and is considered one of Mozart's finest compositions. The Recordare is considered by many people to be one of the most beautiful compositions in Mozart's entire catalogue. Regis Bookshar, a trumpet player, has performed the Requiem in concert with a full orchestra, soloists and a chorus and felt that other musicians should have the opportunity to play the hauntingly beautiful Recordare as well. So, in addition to this arrangement for a String Sextet, he has made quite a few other arrangements of this beautiful composition. There are Quintets, Sextets, Septets and Octets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may fine something else which may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this beautiful arrangement of Mozart's Recordare, will continue to entertain both performers and audiences alike for years to come.
$32.00
Recordare (from "Requiem") (F) (String Sextet - 2 Violins, 2 Violas, 2 Cellos)
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Wolfgang Amadeus Mozart
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Regis Bookshar
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Recordare
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Regis Bookshar
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SheetMusicPlus
String Ensemble Cello,Viola,Violin - Level 4 - SKU: A0.1111377 Composed by Wolfgang Amadeus Mozart. Arranged by Regis Bookshar. Chamber,Christian,Classi...
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String Ensemble Cello,Viola,Violin - Level 4 - SKU: A0.1111377 Composed by Wolfgang Amadeus Mozart. Arranged by Regis Bookshar. Chamber,Christian,Classical,Instructional,Religious. 28 pages. Regis Bookshar #713664. Published by Regis Bookshar (A0.1111377). Recordare (from Requiem (K. 626) - Wolfgang Amadeus Mozart/Franz Xaver Sussmayr - String Sextet - Advanced/Intermediate - . Hauntingly beautiful is how the Recordare from Mozart's Requiem is often described. Originally written for an orchestra and four vocal soloists, it has now been transcribed by Regis Bookshar for a String Sextet, consisting of 2 Violins, 2 Violas and 2 Violoncellos, and would be a wonderful addition to any music library. This arrangement will provide students with the opportunity to play this beautiful composition, something which they may not have had the opportunity to do, otherwise. This selection could be performed for concerts, recitals and church services and is suitable for high school and college students but professional musicians would also enjoy playing this arrangement. Included are a score and a complete set of parts (28 pages). The Regis Bookshar Trumpet Ensemble has performed the Trumpet Quintet version of the Recordare for funerals, providing beautiful, introspective music for the occasion. There is some controversy surrounding the circumstances of the Requiem's composition because Mozart died before he could complete it. Count Franz von Walsegg had commissioned a Requiem Mass but Mozart had received only half of the payment in advance. So, upon his death on December 5th, 1791, his widow, Constanze, wished to have the work completed secretly by someone else and submit it to the count as having been completed by Mozart to collect the final payment. Joseph von Eybler was one of the first composers to be asked to complete the score and had worked on a number of movements but felt unable to complete the remainder and gave the manuscript back to Constanze Mozart. The task was then given to another composer, Franz Xaver Sussmayr. Sussmayr borrowed some of Eybler's work in making his completion, added his own orchestration to other movements and added several new movements which a Requiem Mass would normally comprise. He then added a final section by adapting the opening two movements which Mozart had written to the different words which finish the Requiem Mass, which according to both Sussmayr and Mozart's wife, was done according to Mozart's directions. The completed score, initially by Mozart but largely finished by Sussmayr, was then dispatched to Count Walsegg complete with a counterfeited signature of Mozart dated 1792. Despite the controversy over how much of the music is actually Mozart's, the commonly performed Sussmayr version has become widely accepted by the public, and is considered one of Mozart's finest compositions. The Recordare is considered by many people to be one of the most beautiful compositions in Mozart's entire catalogue. Regis Bookshar, a trumpet player, has performed the Requiem in concert with a full orchestra, soloists and a chorus and felt that other musicians should have the opportunity to play the hauntingly beautiful Recordare as well. So, in addition to this arrangement for a String Sextet, he has made quite a few other arrangements of this beautiful composition. There are Quintets, Sextets, Septets and Octets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may fine something else which may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this beautiful arrangement of Mozart's Recordare, will continue to entertain both performers and audiences alike for years to come.
$32.00
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