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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Erin M
Sheetmusicplus
Non classifié
368
Piano & claviers
Piano, Voix
301
Piano seul
117
Piano Facile
86
Piano, Voix et Guitare
15
Instruments en Do
14
Orgue
8
1 Piano, 4 mains
5
Accordéon
4
2 Pianos, 4 mains
2
Piano Quatuor: piano, violon, alto, violoncelle
2
Accompagnement Piano
1
+ 6 instrumentations
Retracter
Guitares
Ligne De Mélodie, (Paroles) et Accords
31
Guitare notes et tablatures
12
Guitare
10
4 Guitares (Quatuor)
6
Ukulele
4
2 Guitares (duo)
4
Paroles et Accords
1
+ 2 instrumentations
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Voix
Chorale SATB
76
Chorale 3 parties
21
Pack Instrumental pour Chorale
17
Chorale TTBB
11
Chorale SSAA
8
Chorale Unison
6
Chorale 2 parties
4
Voix Tenor, Piano
2
Voix Soprano, Piano
2
Voix duo, Piano
2
Voix basse, Piano
2
Voix moyenne, Piano
1
Chorale
1
Voix seule
1
Chorale SSAB, Piano
1
Voix haute
1
+ 11 instrumentations
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Vents
Clarinette et Piano
21
Saxophone Alto et Piano
18
Flûte traversière et Piano
17
Hautbois, Piano (duo)
16
Saxophone Tenor et Piano
15
Ensemble de saxophones
14
Clarinette
13
Flûte à bec Soprano
9
Quintette de Saxophone: 5 saxophones
9
Cor anglais, Piano
9
Saxophone Baryton, Piano
8
Ensemble de Clarinettes
8
Saxophone Tenor
6
Saxophone Soprano et Piano
6
Flûte traversière
6
Ensemble de Flûtes
6
Saxophone Alto
5
Ocarina
5
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
5
Quatuor de Flûtes : 4 flûtes
4
Clarinette Basse, Piano
4
Saxophone Soprano
3
Flute (partie séparée)
3
Trio de Flûtes: 3 flûtes
3
Clarinette, Harpe (duo)
3
Quatuor de Clarinettes: 4 clarinettes
3
2 Flûte à bec (duo)
3
Quatuor de Saxophones: 4 saxophones
3
Flûte, Clarinette (duo)
2
Hautbois
2
Saxophone (partie séparée)
2
Flûte et Guitare
2
2 Flûtes traversières (duo)
2
Quintette de Flûte : 5 flûtes
2
Hautbois (partie séparée)
2
Quatuor de Flûtes à bec
2
Piccolo, Piano
1
Saxophone
1
Flûte à Bec
1
2 Saxophones (duo)
1
2 Flûtes traversières, Piano
1
Flûte à bec Alto
1
Harmonica, Piano
1
Flûte, Hautbois, Clarinette, Basson
1
Clarinette, Violon (duo)
1
Flûte, Violon
1
Saxophone et Orgue
1
3 Clarinettes (trio)
1
3 Saxophones (trio)
1
Hautbois, Harpe
1
+ 45 instrumentations
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Cuivres
Quatuor de Cuivres : 2 trompettes, trombone, tuba
13
Cor et Piano
12
Trompette
12
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
12
Cor anglais, Piano
9
Trombone et Piano
8
Euphonium, Piano (duo)
7
Ensemble de Trombones
6
Trompette, Piano
6
Quatuor de cuivres: 4 cors
4
Cor
4
Trombone
4
Quatuor de Cuivres: 2 trompettes, Cor, trombone
3
Ensemble de Trompettes
2
Tuba
2
Tuba et Piano
2
Trompette (partie séparée)
1
Trompette, Harpe
1
Ensemble de Cors
1
Cor et Harpe
1
Trompette, Cor (duo)
1
3 Trombones (trio)
1
Cor (partie séparée)
1
+ 18 instrumentations
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Cordes
Violon et Piano
42
Quatuor à cordes: 2 violons, alto, violoncelle
26
Harpe
22
Violon
18
Alto, Piano
17
Violoncelle, Piano
14
Violoncelle
9
Alto seul
8
2 Violoncelles (duo)
7
Violon, Violoncelle (duo)
6
2 Violons (duo)
6
2 Altos (duo)
5
Trio à Cordes: violon, alto, violoncelle
4
Contre Basse
3
Violon, Alto (duo)
3
Alto (partie séparée)
3
Ensemble de Violons
3
Ensemble d'Altos
3
Alto et Harpe
2
Piano Trio: Violon, Alto, Piano
1
Violon, Guitare (duo)
1
Harpe, Flûte (duo)
1
Violoncelle, Contrebasse (duo)
1
Harpe, Violon (duo)
1
Trio à cordes: 3 violins
1
Harpe, Violoncelle (duo)
1
Trio à Cordes: 3 violoncelles
1
+ 22 instrumentations
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Orchestre & Percussions
Orchestre à Cordes
26
Orchestre
13
Orchestre d'harmonie
7
Ensemble Jazz
4
Orchestre de chambre
4
Ensemble de cuivres
3
Cloches
2
Jazz combo
2
Fanfare
1
Marimba
1
+ 5 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
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BANJO
BASSE
BASSON
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CHORALE - CHAN…
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CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
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CORNET
DEEJAY
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Vous avez sélectionné:
Erin M
SheetMusicPlus
Partitions à imprimer
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Bach: Wachet auf for String Trio
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for String Tr
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jmsgu3
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SheetMusicPlus
String Ensemble,String Trio - Level 3 - SKU: A0.549856 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sa...
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String Ensemble,String Trio - Level 3 - SKU: A0.549856 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and parts. 12 pages. Jmsgu3 #3555135. Published by jmsgu3 (A0.549856). Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Voyager
$27.95
Silent Night (Bb) (String Octet - 3 Violins, 2 Violas, 3 Cellos)
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE
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Noël
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the 1840's, the song was well
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Franz Xaver Gruber
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Regis Bookshar
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Silent Night
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Regis Bookshar
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SheetMusicPlus
String Ensemble Cello,Viola,Violin - Level 3 - SKU: A0.813995 Composed by Franz Xaver Gruber. Arranged by Regis Bookshar. Christmas,Instructional,Multic...
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String Ensemble Cello,Viola,Violin - Level 3 - SKU: A0.813995 Composed by Franz Xaver Gruber. Arranged by Regis Bookshar. Christmas,Instructional,Multicultural,World. Score and parts. 12 pages. Regis Bookshar #6636653. Published by Regis Bookshar (A0.813995). String Octet - Intermediate - . This arrangement of Silent Night, or in German, Stille Nacht, would be a wonderful addition to any music library and could be performed for Christmas concerts, recitals, and, especially, church services. It is equally suitable for junior and senior high school students and even older musicians. Depending on their ability, younger musicians would also enjoy playing this selection. Included are a score and a complete set of parts (12 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Silent Night is probably the most popular Christmas carol ever written. It was composed in 1818 by Franz Xaver Gruber to lyrics by Joseph Mohr and was first performed on Christmas Eve at St. Nicholas parish church in Oberndorf, a small village in present-day Austria. A young Catholic priest, Father Joseph Mohr, had written the poem, Stille Nacht, in 1816 and had gone to Oberndorf in 1817. The melody was composed by Franz Xaver Gruber, schoolmaster and organist in the nearby village of Arnsdorf. On Christmas Eve, 1818, Mohr brought the words to Gruber and asked him to compose a melody and guitar accompaniment for that night's mass, after river flooding had possibly damaged the church organ. The church was eventually destroyed by repeated flooding and has since been replaced with the Silent-Night-Chapel.According to Gruber, Karl Mauracher, an organ builder who serviced the instrument at the Oberndorf church, was enamored with the song, and took the composition home with him to the Ziller Valley in Tyrol, Austria. From there, two traveling families of folk singers, the Strassers and the Rainers, included the tune in their shows. The Rainers were already singing it around Christmas, 1819, and once performed it for an audience that included Franz I of Austria and Alexander I of Russia. They also gave the first performance of the song in the United States in New York City in 1839. By the 1840's, the song was well known and was reported to be a favorite of Frederick William IV of Prussia. During this period, the melody changed slightly to become the version that is commonly heard today. The version of the melody that is generally used today is a slow, meditative lullaby, or pastoral, differing slightly from Gruber's original which has a moderate tempo. The song has been translated into about 140 languages and has been recorded by many singers across many music genres. The version sung by Bing Crosby in 1935, has sold over 10 million copies as a single.In this arrangement of Silent Night, Regis Bookshar has kept the basic form of this familiar Christmas carol, but has also included a descant during the third verse. Also, in addition to this version for a String Octet, consisting of 3 Violins, 2 Violas and 3 Violoncellos, there are other arrangements of Silent Night available for a variety of instrumental ensembles. There are Quintets and Octets readily available for purchase. Please take the time to look for other versions of this composition. You may find something else that might also suit your needs.I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a wide variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of Silent Night will continue to entertain both performers and audiences alike for years to come.
$8.00
Hark the Herald Angels Sing for String Trio
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Trio à Cordes: violon, alto, violoncelle
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FACILE
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Classique
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Felix Bartholdy Mendelssohn
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James M
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Hark the Herald Angels Sing fo
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jmsgu3
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SheetMusicPlus
String Trio Cello,Viola,Violin - Level 2 - SKU: A0.1324492 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie. Chamber,Christian,Chri...
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String Trio Cello,Viola,Violin - Level 2 - SKU: A0.1324492 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie. Chamber,Christian,Christmas,Historic,Traditional. 9 pages. Jmsgu3 #912690. Published by jmsgu3 (A0.1324492). Hark! The Herald Angels Sing is a well-known Christmas carol with exciting facts surrounding its creation and evolution. Here are some intriguing details about the song:The original song was published as Hark, How All the Welkin Rings in the 1739 Wesley hymnal, Hymns and Sacred Poems. The second line, as written by Charles Wesley, read Glory to the King of kings, not Glory to the newborn King. The change from welkin to herald angels was made by George Whitfield, altering the meaning of Wesley's metaphor.The tune we usually associate with Hark! The Herald was written by Felix Mendelssohn in 1840 and was not intended as a sacred song. Mendelssohn wrote it to commemorate the four-hundredth anniversary of Gutenberg's printing press.The song was initially intended to be sung to the same tune as Charles Wesley's Easter hymn, Christ the Lord Is Risen Today.In 1855, British musician William Hayman Cummings adapted Mendelssohn's secular music to fit the lyrics of Hark! The Herald Angels Sing by Charles Wesley.The hymn highlights the virgin birth, the universal application of the coming of the incarnate Deity to all nations, and the significance of Christ's birth in Bethlehem.These facts shed light on the historical and musical significance of Hark! The Herald Angels Sing, adding depth to its enduring popularity as a Christmas carol.
$24.95
Philips: Cosi moriro for String Trio
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Trio à Cordes: violon, alto, violoncelle
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DÉBUTANT
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Peter Philips, 1560-1628
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James M
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Philips: Cosi moriro for Strin
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jmsgu3
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SheetMusicPlus
String Trio Cello,Viola,Violin - Level 1 - SKU: A0.1264783 Composed by Peter Philips, 1560-1628. Arranged by James M. Guthrie. Chamber,Contest,Early Mus...
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String Trio Cello,Viola,Violin - Level 1 - SKU: A0.1264783 Composed by Peter Philips, 1560-1628. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Lent. 5 pages. Jmsgu3 #857621. Published by jmsgu3 (A0.1264783). Philips: Cosi moriro (So will I die)Peter Philips, the composer, was born in 1560 or 1561 and died in 1628. He was an English composer, organist, and Catholic priest exiled to Flanders. Philips was known for his keyboard virtuosity and transcribing or arranging Italian motets and madrigals for his instruments. He composed a large number of sacred choral works, with his surviving motets numbering in the hundreds. The piece is included in the Fitzwilliam Virginal Book, a primary source of keyboard music from the late Elizabethan and early Jacobean periods in England. The Fitzwilliam Virginal Book contains over 300 pieces for keyboard, including works by William Byrd, John Bull, and Giles Farnaby, among others. Cosi moriro is listed as No. 72 in Volume 1 of the Fitzwilliam Virginal Book.Â
$32.95
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