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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
For
Non classifié
118 343
Piano & claviers
Piano seul
182 061
Piano, Voix et Guitare
121 132
Piano, Voix
79 093
Piano Facile
39 583
Orgue
11 189
Piano grosses notes
7 132
Instruments en Do
6 844
1 Piano, 4 mains
5 255
Accompagnement Piano
5 179
Accordéon
4 212
Piano Trio: piano, violon, violoncelle
1 424
2 Pianos, 4 mains
929
Piano (partie séparée)
547
Piano Quatuor: piano, violon, alto, violoncelle
394
Orgue, Trompette (duo)
341
Piano Quatuor: piano, 2 violons, violoncelle
307
Orgue, Piano (duo)
225
Accordéon, Voix
209
Ligne De Mélodie, Piano
206
Piano Quintette: piano, 2 violons, alto, violoncelle
204
Clavecin
166
1 Piano, 6 mains
117
Clavier
98
2 Accordéons
51
Instrument seul et Orgue
44
2 Pianos, 8 mains
39
Ensemble d'Accordéons
22
Tous Les Instruments
17
Orgue, Voix
16
Fake Book
13
Accordéon, Piano
12
2 Orgues (duo)
8
Piano Quintette: piano, violon, alto, violoncelle, contre basse
6
Accordéon et Orchestre
6
Ensemble de Pianos
5
Accordéon, Corde(s)
5
Orgue et Orchestre
4
Concertina
3
3 Pianos
2
+ 34 instrumentations
Retracter
Guitares
Guitare notes et tablatures
56 514
Ligne De Mélodie, (Paroles) et Accords
30 223
Guitare
20 391
Paroles et Accords
13 762
Ukulele
10 154
Basse electrique
8 555
2 Guitares (duo)
1 507
Guitare (partie séparée)
1 294
Mandoline
739
Piano, Guitare (duo)
722
4 Guitares (Quatuor)
688
Banjo
662
Ensemble de guitares
489
Dulcimer
445
3 Guitares (trio)
292
Partitions De Groupes
280
Ukulele Baryton
257
Guitare Pedal Steel
155
Basse électrique (partie séparée)
117
Ensemble de Ukulélés
114
Mandoline, Piano (duo)
57
Guitare, Violon, Violoncelle (trio)
38
Mandoline, Guitare (duo)
37
Dobro
36
2 Dulcimers (duo)
25
2 Ukuleles
19
Guitare, Flûte, Clarinette
14
Cithare
7
Guitare, Orchestre
7
2 Mandolines (duo)
6
Guitare, Quatuor à cordes
6
Orchestre à Plectres
5
Luth
4
Guitare Tab, Voix, Basse, Batterie
2
Guitare, Harpe
2
2 Guitares, Clarinette (trio)
1
2 Guitares et Orchestre
1
+ 32 instrumentations
Retracter
Voix
Chorale SATB
41 595
Chorale 3 parties
16 992
Chorale 2 parties
12 086
Chorale
7 066
Voix seule
7 041
Chorale TTBB
6 909
Chorale Unison
4 615
Chorale SSAA
3 939
Voix duo, Piano
3 224
Pack Instrumental pour Chorale
1 323
Voix duo
1 279
Voix haute
1 191
Voix Soprano, Piano
1 020
Voix Alto, Piano
660
Voix Tenor, Piano
613
Voix basse, Piano
610
Voix Baryton, Piano
428
Voix, Guitare
260
Voix moyenne, Piano
259
Voix Moyenne
240
Chorale SSATB
126
Voix Tenor
117
Voix Mezzo-Soprano, Piano
112
Chorale SSAATTBB
104
Voix Soprano
71
Soli, choeur mixte et accompagnement
68
Chorale, Orgue
59
Chorale SSATBB
50
Chorale SSATTB
46
Chorale SSAB a cappella
46
Voix basse
43
Voix d'Enfants
42
Chorale SSAB, Piano
39
Voix Baryton
17
Voix haute, Piano
17
Chorale SSAATB
12
Male Voice
10
Chorale SATBB
10
Voix duo, Orgue
7
Voix Soprano, Orchestre
5
Chorale SATTBB A Cappella
4
Chorale SAATB A Cappella
4
Paroles Seulement
3
Voix et basse continue
2
Chorale SSAATB A Cappella
2
Voix d'Enfants, Piano
2
Chorale SATTB
2
Chorale SATTBB, Clavier
2
+ 43 instrumentations
Retracter
Vents
Saxophone
17 082
Flûte traversière
17 043
Clarinette
15 069
Saxophone (partie séparée)
14 858
Flûte traversière et Piano
10 355
Clarinette (partie séparée)
9 035
Saxophone Alto
8 956
Clarinette et Piano
7 920
Quatuor de Saxophones: 4 saxophones
7 697
Saxophone Tenor
7 668
Hautbois, Piano (duo)
5 967
Saxophone Alto et Piano
5 854
2 Saxophones (duo)
5 772
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
5 750
2 Flûtes traversières (duo)
5 058
Quatuor de Clarinettes: 4 clarinettes
4 869
Flûte, Hautbois, Clarinette, Basson
4 852
Hautbois (partie séparée)
4 439
2 Clarinettes (duo)
4 331
Saxophone Tenor et Piano
4 323
Flute (partie séparée)
3 695
Quatuor de Flûtes : 4 flûtes
2 767
Saxophone Soprano et Piano
2 571
Quintette de Saxophone: 5 saxophones
2 241
Flûte à Bec
2 109
Hautbois
2 075
3 Saxophones (trio)
2 068
3 Clarinettes (trio)
2 029
Flûte, Clarinette (duo)
1 798
Flûte et Guitare
1 762
Ensemble de Clarinettes
1 506
Trio de Flûtes: 3 flûtes
1 444
Ensemble de Flûtes
1 214
Saxophone Soprano
1 163
Saxophone Baryton, Piano
1 113
2 Hautbois (duo)
1 086
Ensemble de saxophones
1 021
Quintette de Clarinettes: 5 clarinettes
972
Cor anglais, Piano
958
Instruments en Mib
892
Quatuor de Flûtes à bec
852
Flûte, Violon
804
Hautbois, Basson (duo)
785
2 Flûte à bec (duo)
772
Clarinette, Violon (duo)
761
Ocarina
676
Flûte à bec Soprano
672
Hautbois, Clarinette (duo)
660
Harmonica
634
Saxophone, Clarinette (duo)
634
Flûte, Clarinette et Basson
550
Flûte, Hautbois, Clarinette (trio)
546
Flûte, Violon, Piano
513
Clarinette, Guitare (duo)
480
Flûte à bec Alto
461
Clarinette Basse, Piano
460
Clarinette, Basson (duo)
458
Flûte, Violoncelle
436
Flûte, Hautbois, Basson
428
3 Flûtes à bec (trio)
423
Flûte, Hautbois (duo)
390
Quintette de Flûte : 5 flûtes
390
Hautbois, Clarinette, Basson (trio d'anches)
361
Piccolo
335
Hautbois, Flûte
333
Clarinette, Trompette (duo)
324
Flûte, Clarinette, Piano (trio)
312
Cor Anglais
311
Flûte, Alto (duo)
300
Flûte, Trompette (duo)
299
Clarinette, Violoncelle (duo)
290
Clarinette et Alto
267
5 Flûtes à bec
264
Flûte, Saxophone (duo)
259
Clarinette, Harpe (duo)
256
Flûte, Violoncelle, Piano (trio)
245
Saxophone Baryton
230
Flûte, Violon et Violoncelle
229
Ensemble De Flûte à bec
221
2 Saxophones, Piano
212
Hautbois, Violoncelle
207
2 Flûtes traversières, Piano
195
Clarinette Basse
195
2 Clarinettes, Piano
180
Hautbois, violon (duo)
177
3 Hautbois
164
Flûte à bec Soprano, Piano
153
Flûte, Trombone (duo)
147
Saxophone et Piano
146
Flûte à bec Alto, Piano
138
Flûte, Hautbois, Violon
122
Saxophone et Guitare
117
Hautbois, Guitare (duo)
115
Flûte, Basson et Piano
111
Flûte à Bec, Piano
111
Flûte irlandaise
111
Clarinette, Violoncelle, Piano (trio)
108
Flûte, Clarinette, Violon (trio)
104
Cor anglais, Guitare (duo)
100
Flûte, Hautbois, Piano (trio)
91
Flûte à bec Tenor
89
Clarinette, Trombone (duo)
87
Saxophone, Violon (duo)
85
2 Clarinettes, Basson
85
Ensemble à vent
79
Flûte, Harpe et Violoncelle
79
Flute, harpe et violon
77
Hautbois, Trompette (duo)
76
Hautbois et alto (duo)
73
4 Hautbois
73
Flûte traversière, Orgue (duo)
70
Flûte, Alto et Piano
67
Saxophone et Orgue
61
Flûte à bec, Guitare (duo)
61
Piccolo, Piano
56
Cornemuse
55
Flûte, Violon, Violoncelle et Piano
53
Flûte, Clarinette, Cor, Basson (Quartet)
52
Hautbois, Harpe
46
Flûte, Tuba (duo)
45
Saxophone et Harpe
44
Flûte à bec Alto, Basse continue
43
Saxophone, Basson (duo)
43
Harmonica, Piano
42
Flûte et Trio à cordes
38
Hautbois, trombone (duo)
36
Clarinette, Basson, Piano (trio)
36
Flûte, trombone et piano
33
Clarinette, Alto et Piano (trio)
33
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
31
Clarinette, Tuba
29
Quintette de Clarinette: Clarinette, Quatuor à Cordes
28
2 Cors Anglais Et Pianoforte
28
Flûte, Violoncelle, Guitare
26
Flûte, Violon, Guitare
26
Flute, Cor (duo)
25
Clarinette, trompette et piano
23
Clarinette, Orgue
21
Flûte traversière, Orchestre
20
Hautbois, Violoncelle et Piano
20
Saxophone et violoncelle
19
Flûte et Quatuor à Cordes
17
2 Hautbois, Piano
17
Hautbois, Basson et Piano
17
Flûte, alto et harpe
16
Clarinette, Contrebasse (duo)
16
2 Flûtes à bec, Piano
14
2 Flûtes traversières, Guitare
13
Clarinette, Orchestre
13
Hautbois, Violon, Piano
13
Hautbois, Clarinette et Piano (Trio)
12
Ensemble de Hautbois
11
Flûte à bec, Harpe
10
Cor anglais et Harpe (duo)
9
Saxophone, Tuba (duo)
9
Hautbois, Violin, Alto et Violoncelle (Quatuor)
8
Hautbois, Orgue
7
Flûte, Alto et Violoncelle
7
Flûte traversière, Basse continue
7
Flûte de Pan
6
Clarinette, Quatuor à cordes et Piano
6
Flûte à bec Soprano, Basse continue
6
2 Hautbois et Cor anglais
5
2 Hautbois et Basson
4
Hautbois, Quatuor à cordes
3
2 Flûtes, 2 Clarinettes (Quatuor)
3
2 Flûtes traversières, Harpe
3
Hautbois, Clarinette, Basson et Piano
2
2 Flûtes à bec, Guitare
2
Melodica
2
Hautbois et Orchestre
2
3 Flûtes à bec, Piano
1
2 clarinettes, 2 bassons
1
2 Hautbois, 2 Cors et 2 Bassons
1
Flute, alto, violoncelle et guitare
1
2 Flûtes, Basse continue
1
Clarinette, Saxophone, Piano
1
Flûte, Guitare, Piano
1
+ 173 instrumentations
Retracter
Cuivres
Trompette
14 539
Trombone
11 764
Trombone (partie séparée)
11 152
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
7 692
Trompette (partie séparée)
7 551
Cor
5 786
Trompette, Piano
5 454
Trombone et Piano
4 574
Cor (partie séparée)
4 042
Tuba (partie séparée)
3 494
Cor et Piano
3 287
Quatuor de Cuivres : 2 trompettes, trombone, tuba
3 149
2 Trompettes (duo)
2 461
Tuba
2 428
2 Trombones (duo)
2 142
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1 544
Tuba et Piano
1 533
Quatuor de Cuivres
1 430
Trompette, Trombone (duo)
1 231
Euphonium
1 104
Quatuor de cuivres: 4 trombones
1 048
Bass Clef Instruments
980
2 Cors (duo)
977
Cor anglais, Piano
958
Instruments en Sib
919
Euphonium, Piano (duo)
898
Quatuor de cuivres: 4 cors
755
Trompette, Saxophone (duo)
599
4 Tubas
557
Trio de Cuivres
489
Trompette, Cor (duo)
484
Ensemble de Trombones
415
Cornet A Pistons
359
3 Trombones (trio)
357
2 Tubas (duo)
315
Cor Anglais
311
Instruments en Fa
296
3 Trompettes (trio)
276
Quatuor de cuivres: 4 trompettes
230
Ensemble de Trompettes
229
2 Euphoniums et 2 Tubas
225
Ensemble de Cors
209
Tuba ou Euphonium ou Saxhorn
203
Euphonium, Tuba (duo)
129
2 Trompettes, Clavier (piano ou orgue)
125
Trompette, violon (duo)
110
Trompette, Tuba (duo)
109
Trombone basse
103
Trompette, Basson (duo)
101
Cor anglais, Guitare (duo)
100
Quatuor de cuivres: 2 trompettes, 2 trombones
99
Trombone, violoncelle (duo)
97
Tuba et Orgue
92
Cor, Violoncelle (duo)
87
Trombone, Tuba (duo)
81
Trombone, Cor (duo)
80
Trombone basse et Piano
79
3 Cors (trio)
77
2 Euphoniums (duo)
76
Trombone, Violon (duo)
75
Trompette, Violoncelle (duo)
72
Ensemble de Tubas
66
Cor, Tuba (duo)
59
Trombone, Orgue
57
Cor et Harpe
52
Trompette, Harpe
39
Trompette, Violoncelle et Piano
39
Quatuor de cuivres: Cor, Trombone, Tuba, Trompette Sib
37
Trompette, Trombone, Piano
36
Cor et Basson (duo)
35
Clarinette, Cor (duo)
31
2 Cors Anglais Et Pianoforte
28
Cor et Orgue
22
3 Tubas (trio)
20
Cor, Trompette, Trombone (trio)
19
Trompette et Guitare
17
2 Trombones, Piano
15
Euphonium (partie séparée)
14
Trombone, Alto (duo)
14
Trompette, Orchestre
12
Cornet et Piano
11
2 Cors, Piano
11
3 Euphoniums
11
Cor anglais et Harpe (duo)
9
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
9
Bugle
7
Cor, Violoncelle et Piano
6
Trombone et orchestre
6
Trompette, Euphonium (duo)
5
G Instruments
4
4 Euphoniums
4
Cor, Orchestre
3
Saxhorn basse ou Euphonium ou Tuba et Piano
2
Euphonium Ou Saxhorn Et Piano
2
Cornet et orchestre
2
+ 90 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
19 835
Violon
16 931
Violon et Piano
13 424
Violoncelle
10 962
Alto seul
9 639
Violoncelle, Piano
8 529
Harpe
6 482
Alto, Piano
6 306
Violon (partie séparée)
5 398
2 Violons (duo)
4 448
Violon, Violoncelle (duo)
4 193
Trio à Cordes: violon, alto, violoncelle
3 420
2 Violoncelles (duo)
3 106
Contrebasse (partie séparée)
3 092
Violon, Alto (duo)
2 140
Violoncelle (partie séparée)
2 076
Alto (partie séparée)
1 789
Contre Basse
1 708
2 Altos (duo)
1 695
Quintette à cordes: 2 violons, alto, violoncelle, basse
1 588
Contrebasse, Piano (duo)
1 273
Trio à Cordes: 2 violons, violoncelle
1 196
Alto, Violoncelle (duo)
942
Trio à cordes: 3 violins
795
4 Violoncelles
781
Violon, Guitare (duo)
737
Piano Trio: Violon, Alto, Piano
709
Harpe, Flûte (duo)
681
Violoncelle , Guitare (duo)
567
Trio à cordes
512
Trio à Cordes: 3 violoncelles
481
2 Harpes (duo)
458
Quatuor à cordes: 4 violons
374
Harpe, Violon (duo)
360
Alto, Guitare (duo)
340
Trio à cordes: 3 altos
271
Trio à Cordes: 2 violons, alto
268
2 Contrebasses (duo)
263
Violoncelle, Contrebasse (duo)
237
Quatuor à cordes : 4 altos
231
Violon, Basson (duo)
194
2 Violons, Piano
152
Alto et Basson
116
Harpe, Violoncelle (duo)
115
Quintette à cordes: 2 violons, 2 altos, violoncelle
92
Alto et Harpe
68
Ensemble de Violoncelles
66
4 Contrebasses
66
Violon, Orgue
62
Harpe, Voix
61
Violon, Clarinette, Piano (trio)
59
Flûte, Contrebasse (duo)
53
Violoncelle, Orgue
51
2 Violoncelles, Piano
50
Quintette à cordes : 2 violons, alto et 2 violoncelles
46
Ensemble de Violons
41
Harpe, Violon, Violoncelle
39
Violoncelle, Orchestre
34
Violon, Tuba (duo)
32
Ensemble d'Altos
31
Harpe et Piano
29
3 Harpes
29
Harpe et mandoline
22
3 Contrebasses
20
Autoharp
18
2 Altos, Piano
17
Violoncelle et Marimba
15
Violon, Violoncelle, Clarinette
15
Alto, Orgue
14
Harpe, Trombone (duo)
14
Harpe (partie séparée)
14
Alto et orchestre
11
4 Harpes
10
Violon, Trompette et Piano
10
Violon, Basse continue
10
Harpe, Orchestre
7
Harpe et Orgue
7
Violoncelle, Basse continue
7
5 Harpes
6
Harpe, Quatuor à cordes
5
Ensemble de Contre basses
3
2 Violons et Basse continue
3
Violon, Contrebasse (duo)
2
+ 78 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
37 596
Orchestre
14 772
Orchestre à Cordes
13 132
Ensemble Jazz
9 744
Batterie
8 395
Percussion (partie séparée)
4 800
Cloches
4 623
Fanfare
4 406
Ensemble de cuivres
4 299
Orchestre de chambre
2 885
Percussion
2 584
Jazz combo
1 662
Timbales (partie séparée)
1 601
Ensemble de Percussions
1 035
Batterie (partie séparée)
984
Marimba
432
Xylophone
366
Vibraphone
299
Timbales
286
Caisse Claire
159
Quintette à Vent
141
Xylophone, Piano
115
Piano et Orchestre
89
Quatuor à Vent : 4 instruments à vents
74
2 Xylophones
56
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
46
Orchestre, Violon
44
Big band
30
Vibraphone et Marimba
29
Vibraphone, Piano
27
Quintette de Cuivres: autres combinaisons
27
Instrumentation Flexible
25
Ensemble d'École
23
Xylophone ou Marimba ou Vibraphone
10
2 Marimbas
9
Marimba, Piano (duo)
9
3 Marimbas
8
Marimba et Orgue
6
Bongos
6
Trio à Vent: 3 instruments à vents
5
Mariachi
4
Cajon
4
2 Caisses Claires (duo)
3
Voix et Orchestre
3
3 Percussions
3
Conga
2
Vibraphone (partie séparée)
2
Orchestre Symphonique
2
Marimba ou Xylophone et Piano
2
Xylophone (partie séparée)
2
2 Percussions
2
Bodhran
2
Marimba, Saxophone (duo)
1
Caisse Claire, Piano
1
Voix Mezzo-Soprano, Orchestre
1
+ 50 instrumentations
Retracter
Autres
Formation musicale - Solfège
276
Théorie de la musique
14
Papeterie
5
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Achats pour Musiciens
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← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
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Trio à Cordes: violon, alto, violoncelle
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Bach: Wachet auf for String Trio
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for String Tr
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jmsgu3
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SheetMusicPlus
String Ensemble,String Trio - Level 3 - SKU: A0.549856 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sa...
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String Ensemble,String Trio - Level 3 - SKU: A0.549856 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and parts. 12 pages. Jmsgu3 #3555135. Published by jmsgu3 (A0.549856). Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Voyager
$27.95
Fuga a tre (3 part fugue) for string trio
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE
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Contemporain
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Joseph Dillon Ford
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Fuga a tre
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David Warin Solomons2
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SheetMusicPlus
String Ensemble,String Trio - Level 3 - SKU: A0.958467 Composed by Joseph Dillon Ford. 20th Century. Score and parts. 7 pages. David Warin Solomons2 #36...
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String Ensemble,String Trio - Level 3 - SKU: A0.958467 Composed by Joseph Dillon Ford. 20th Century. Score and parts. 7 pages. David Warin Solomons2 #3691565. Published by David Warin Solomons2 (A0.958467). The Fuga a tre voci was composed on 28 March 1976 not long before I moved from Miami to Cambridge to begin graduate study in music at Harvard. It remained an imperfect sketch in need of extensive revisions, and languished for a quarter-century in a manila file folder until I rediscovered it late in 2001 and was pleased to find that it was worth the trouble of resurrecting. This was no easy task, as it was my original intention to comply closely with eighteenth-century contrapuntal practices. Although I had written numerous polyphonic pieces in a similar style since 1976, none of these was a fugue. There was also the challenge of reconnecting with musical ideas I had originated at the age of twenty-four at a time in my life when I was rapidly approaching the age of fifty. Still, I persevered in my efforts to revive and improve this early polyphonic essay, and hope the performer and listener will be as pleased with the results as I am. This three-voice fugue can be performed by any instrument or combination of instruments, including the harpsichord.
$7.00
Carson Cooman: Schumann Serenade for string trio
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Trio à Cordes: violon, alto, violoncelle
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AVANCÉ
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Carson Cooman
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Carson Cooman: Schumann Serena
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Musik Fabrik Music Publishing
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SheetMusicPlus
String Ensemble,String Trio Cello,Viola,Violin - Level 5 - SKU: A0.533555 Composed by Carson Cooman. Contemporary,Standards. Score and parts. 19 pages. ...
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String Ensemble,String Trio Cello,Viola,Violin - Level 5 - SKU: A0.533555 Composed by Carson Cooman. Contemporary,Standards. Score and parts. 19 pages. Musik Fabrik Music Publishing #3018603. Published by Musik Fabrik Music Publishing (A0.533555). Schumann Serenade (2007) for string trio was written for the Rosetta Trio and is dedicated to Fordand Susan Schumann with great appreciation. (Thus, the title refers primarily to the dedicatees,rather than composer Robert Schumann.)The work begins with a slow introduction that sets forth much of the musical material for the restof the work. A faster, “flowing†section tries to establish itself but continues to break down into runsand trilling, finally leading to a brief, dancing scherzo. Following the scherzo, a more developedversion of the opening introduction returns before a quiet coda closes the work.In this final section, referencing the name of the dedicatees, recognizable fragments are heard from awork of Robert Schumann: “Der Dichter Sprichtâ€, the evocative final movement from his pianosuite Kinderszenen, op. 15 (1838). Many small allusions (rhythms, harmonies, and melodicfragments) to this piano work have occurred throughout the earlier sections of the trio, but finallythey are allowed to come to the foreground in the closing minutes.
$19.95
Mysterious Moment for alto flute and string trio
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE
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Contemporain
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David Warin Solomons
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Mysterious Moment for alto flu
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David Warin Solomons
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SheetMusicPlus
String Ensemble,String Trio - Level 3 - SKU: A0.576736 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 7 pages. David Wari...
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String Ensemble,String Trio - Level 3 - SKU: A0.576736 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 7 pages. David Warin Solomons #119391. Published by David Warin Solomons (A0.576736). Mysterious piece in octatonic mode, originally written for the short story The Door The pdf file contains score and parts. The sound sample is an electronic preview. High up on the grassy hill behind the town there is a door. It stands there in its frame with nothing before or behind it. It is locked shut. There is no key. We climb the hill each day. We play each side of the door, games of hide and seek. But we cannot go through the door. Each day we go there during this long sultry summer holiday. We are fascinated by the structure. Why would anyone put a door up there, in its frame, eternally locked, with nothing before or behind it? Maybe it is all that remains of an ancient house? We play, we wonder, we laugh and play, and we return regularly to our homes in time for tea. Then, one day, as we climb the hill for the umpteenth time, a lady dressed in white arrives before us. We watch her take the key out of her bag and insert it in the lock. We are too far downhill to catch up before she closes the door behind her. As we arrive, puffing and panting, Steve knocks on the door. No answer. Dave knocks on the door more forcefully. We hear a distant swish of robes. Gloria knocks, perhaps a little more timidly as the swishing sound approaches. Estelle begins to knock in her turn and the door suddenly opens wide. We all gasp as we see the lady standing there in glistening robes. Her face is hidden from view by a white shawl, but her piercing eyes still show. Children, she says, welcome all. Do come in, please, the kettle is on. You are just in time for tea. We hesitate, as well we might. How can we come in when there is nothing before or behind the door? But Estelle puts one foot inside and looks back at us with a curious expression of serenity on her face. We follow her. We look around at the new space beyond the door and at the parquet floor beneath our dew-soaked feet. As our eyes become accustomed to the brightness of the interior we catch sight of many signs of the world we have entered, but only fleetingly. They pass before our eyes in an instant and then flee beyond the range of sight. There is a staircase, a hat stand, a distant gleam of an ancient cooker, a faint whiff of scones and boiling jam. As we walk inside, our senses are overwhelmed with the new reality, we are rooted to the spot. Do please sit down, says the lady with a slight catch in her throat. We are seated on wooden chairs along one side of an oak table, although we cannot recall how we got there, some slip of the memory perhaps. We have no sense of foreboding, Estelle's serenity has passed to all of us. We can stay here eating scones and jam until the end of time. The lady removes her shawl and reveals a face as beautiful as anyone's mother's. Her deep black eyes glisten like obsidian. She beams a smile of welcome and pours the tea. I'm glad you have come. I've been expecting you, she begins. You must have a thousand questions, so do please ask away. Well, says Steve, what is this door that we passed through? Is this another world? There is no other world, the lady replies, this is the only one. But there is! There is! starts Dave excitedly, Look!. He gets up quickly from the chair, knocking it over in his haste and rushes to the door to open it. He pulls at it with all his force and reveals a black nothingness behind it. We were on the hill, where's it gone? he shouts, what have you done to it? There is no hill. But you climbed the hill in front of us says Gloria. There is no hill. Even Estelle of the serene demeanour is beginning to look worried. How did we get here then, how did you get here, she asks the lady nervously. We have all been here since the beginning of time, the catch in the lady's throat is becoming more evident. No, we have our families down there in the town cries Estelle You have no families,.
$8.00
Intermezzo from Cavalleria Rusticana for String Trio in F Major (violin, viola, cello)
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Trio à Cordes: violon, alto, violoncelle
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FACILE
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Pietro Mascagni
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Valdir Maia
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Intermezzo from Cavalleria Rus
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Valdir Maia
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SheetMusicPlus
String Trio Cello,Viola,Violin - Level 2 - SKU: A0.1438919 Composed by Pietro Mascagni. Arranged by Valdir Maia. 19th Century,Opera,Wedding. 6 pages. Va...
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String Trio Cello,Viola,Violin - Level 2 - SKU: A0.1438919 Composed by Pietro Mascagni. Arranged by Valdir Maia. 19th Century,Opera,Wedding. 6 pages. Valdir Maia #1018976. Published by Valdir Maia (A0.1438919). Intermezzo from Cavalleria Rusticana for String Trio in F MajorDive into the enchanting melodies of Intermezzo from Cavalleria Rusticana with our easy arrangement for string trio in F major. Perfect for ensembles seeking a simplified yet expressive rendition, this high-quality PDF features violin, viola, and cello parts, all in the first position. Experience the graceful harmonies effortlessly, as all notes are comfortably within the reach of beginner and intermediate players.- Arranged for string trio (violin, viola, cello)- Simplified arrangement in F major- Easy level suitable for beginner players- All notes in the first position for each instrument- High-quality PDF format for optimal readabilityUnlock the magic of this classical gem and elevate your trio's repertoire. Purchase now and embark on a musical journey filled with elegance and charm!
$16.99
Benedictus from the B Minor Mass (BWV, 232 #24), J.S. Bach, - Cello, Viola or Violin, and
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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Ray Kamada
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Benedictus from the B Minor Ma
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The Lone Arranger
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SheetMusicPlus
String Ensemble,String Trio Cello,Viola,Violin - Level 4 - SKU: A0.757286 Composed by Johann Sebastian Bach. Arranged by Ray Kamada. Baroque,Christmas,C...
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String Ensemble,String Trio Cello,Viola,Violin - Level 4 - SKU: A0.757286 Composed by Johann Sebastian Bach. Arranged by Ray Kamada. Baroque,Christmas,Concert,Easter,Sacred. Score and parts. 10 pages. The Lone Arranger #3007947. Published by The Lone Arranger (A0.757286). Written for chamber orchestra in 1749 but not performed during his life, the Benedictus is part of what some call one of the greatest classical compositions. Here, the cello plays Bach's soprano melody line but in the tenor range. The viola (or violin) plays what was Bach's bass counterpoint in the alto range. And the soprano violin is given an entirely new melody in place of Bach's formerly straight alto harmony. Thus, three contrapuntal melody lines now weave dynamically between fore and background. Suitable for concerts, this arrangement is not recommended as sight reading for gigs, especially for the cello.
$12.99
Landini: Si Dolce Non Sono for String Trio
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Trio à Cordes: violon, alto, violoncelle
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FACILE
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Francesco Landini
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James M
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Landini: Si Dolce Non Sono for
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jmsgu3
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SheetMusicPlus
String Trio Cello,Viola,Violin - Level 2 - SKU: A0.1281002 Composed by Francesco Landini (1325-1397). Arranged by James M. Guthrie. Chamber,Contest,Earl...
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String Trio Cello,Viola,Violin - Level 2 - SKU: A0.1281002 Composed by Francesco Landini (1325-1397). Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Traditional. 13 pages. Jmsgu3 #872337. Published by jmsgu3 (A0.1281002). Si Dolce Non Sono (So sweet I am not ) is Landini's homage to French composer Philippe de Vitry, master of the sophisticated mathematical techniques of isorhythmic motet composition. It is one of his most famous works. It speaks of the sweet torment of loving someone who does not return that love.Landini was a leading composer of 14th-century Italy, famed during his lifetime for his musical memory, skill in improvisation, and virtuosity on the organetto, or portative organ, as well as for his compositions. Landini was blinded in childhood by smallpox. His blindness did not prevent him from becoming a highly skilled and renowned musician, composer, and instrument maker. His blindness may have contributed to his prodigious memory and great skill at improvisation. He was crowned with a laurel wreath as the winner of a poetical contest at Venice in 1364. Â Landini's output, preserved in the Squarcialupi Codex, represents almost a quarter of all surviving 14th-century Italian music. He was by far the most famous composer in Italy and is considered one of the most revered composers of the second half of the 14th century.Landini's music is characterized by lyrical, songlike melodies that possess an easy-flowing grace and are charmingly harmonized. He was the foremost exponent of the Italian Trecento style, sometimes called the Italian ars nova. His output was almost exclusively secular, and he is known for his ballet and madrigals, which were popular forms of Italian secular songs. It is assumed that he wrote the texts for many of his works.Francesco Landini's music is characterized by its lyrical melodies, secular themes, and unique rhythms, which set him apart from his contemporaries and contributed to his enduring legacy as a composer.
$24.95
Landini: Ecco la primavera for String Trio
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Trio à Cordes: violon, alto, violoncelle
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FACILE
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Francesco Landini, 14th Centur
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James M
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Landini: Ecco la primavera for
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jmsgu3
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SheetMusicPlus
String Trio Cello,Viola,Violin - Level 2 - SKU: A0.1282116 Composed by Francesco Landini, 14th Century. Arranged by James M. Guthrie. Chamber,Early Musi...
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String Trio Cello,Viola,Violin - Level 2 - SKU: A0.1282116 Composed by Francesco Landini, 14th Century. Arranged by James M. Guthrie. Chamber,Early Music,Historic,Medieval,Wedding. 13 pages. Jmsgu3 #873388. Published by jmsgu3 (A0.1282116). Landini was a leading composer of 14th-century Italy, famed during his lifetime for his musical memory, skill in improvisation, and virtuosity on the organetto, or portative organ, as well as for his compositions. Landini was blinded in childhood by smallpox. Â His blindness did not prevent him from becoming a highly skilled and renowned musician, composer, and instrument maker. In fact, his blindness may have contributed to his prodigious memory and great skill at improvisation. He was crowned with a laurel wreath as the winner of a poetical contest at Venice in 1364. Â Landini's output, preserved in the Squarcialupi Codex, represents almost a quarter of all surviving 14th-century Italian music. He was by far the most famous composer in Italy and is considered one of the most revered composers of the second half of the 14th century.Landini's music is characterized by lyrical, songlike melodies that possess an easy-flowing grace and are charmingly harmonized. He was the foremost exponent of the Italian Trecento style, sometimes called the Italian ars nova. His output was almost exclusively secular, and he is known for his ballate and madrigals, which were popular forms of Italian secular song. He is assumed to have written his own texts for many of his works.Francesco Landini's music is characterized by its lyrical melodies, secular themes, and unique rhythms, which set him apart from his contemporaries and contributed to his enduring legacy as a composer.
$24.95
Bull: Galliard for String Trio
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE
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Dr
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James M
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Bull: Galliard for String Trio
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jmsgu3
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SheetMusicPlus
String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1282833 Composed by Dr. John Bull. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival...
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String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1282833 Composed by Dr. John Bull. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Renaissance. 11 pages. Jmsgu3 #874076. Published by jmsgu3 (A0.1282833). John Bull was an English composer, organist, virginalist, and organ builder who lived from 1562/63 to 1628. He was educated as a chorister of the Chapel Royal in London and later became a doctor of music at the universities of both Oxford and Cambridge. Bull was one of the most famous composers of keyboard music of the early 17th century, and most of his compositions were written for the virginal, a keyboard instrument popular in the Renaissance period. He was known for his outstanding technical ability and keyboard virtuosity, and his music is distinguished by unfailing resourcefulness in devising new musical ideas. Bull's reputation rests on his extensive compositions for virginals and organ, some 150 extant pieces published in Musica Britannica. He was also one of the contributors to Parthenia, a collection of keyboard music published in 1611. Bull wrote an anthem, God the Father, God the Son, for the 1613 wedding of the princess and the Elector Palatine, in addition to his keyboard compositions, verse anthems, canons, and other works. Bull's music ranked among the foremost composers along with Byrd, Gibbons, and Tomkins.John Bull had several contemporaries who were also prominent composers during the Renaissance period. Some of these composers include:William Byrd: Byrd was an English composer and one of the most influential figures in English Renaissance music. He was a contemporary of John Bull and is considered one of the greatest composers of his time. Byrd's compositions include sacred choral music, keyboard works, and consort music.Orlando Gibbons: Gibbons was an English composer and organist who lived during the same period as John Bull. He was known for his sacred choral music, particularly his anthems and verse anthems. Gibbons' compositions are characterized by their expressive harmonies and intricate counterpoint.Thomas Tomkins: Tomkins was another English composer who was active during the same time as John Bull. He was known for his sacred choral music, including anthems and services. Tomkins' compositions are notable for their rich harmonies and expressive melodies.Jan Pieterszoon Sweelinck: Sweelinck was a Dutch composer and organist who was highly regarded during the Renaissance period. He was known for his keyboard music, particularly his variations and fantasias. Sweelinck's compositions had a significant influence on Bull and other composers of the time.These composers, along with John Bull, were influential figures in the development of Renaissance music and significantly contributed to the repertoire of keyboard and choral music during that era.
$24.95
Bull: Fantasia upon a Plainsong for String Trio
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE
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John Bull
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James M
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Bull: Fantasia upon a Plainson
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jmsgu3
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SheetMusicPlus
String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1283308 Composed by John Bull. Arranged by James M. Guthrie. Chamber,Early Music,Historic,Religious,R...
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String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1283308 Composed by John Bull. Arranged by James M. Guthrie. Chamber,Early Music,Historic,Religious,Renaissance. 12 pages. Jmsgu3 #874502. Published by jmsgu3 (A0.1283308). Fitzwilliam Virginal Book, XXXVIII.John Bull was an English composer, organist, virginalist, and organ builder who lived from 1562/63 to 1628. He was educated as a chorister of the Chapel Royal in London and later became a doctor of music at the universities of both Oxford and Cambridge. Bull was one of the most famous composers of keyboard music of the early 17th century, and most of his compositions were written for the virginal, a keyboard instrument popular in the Renaissance period. He was known for his outstanding technical ability and keyboard virtuosity, and his music is distinguished by unfailing resourcefulness in devising new musical ideas. Bull's reputation rests on his extensive compositions for virginals and organ, some 150 extant pieces published in Musica Britannica. He was also one of the contributors to Parthenia, a collection of keyboard music published in 1611. Bull wrote an anthem, God the Father, God the Son, for the 1613 wedding of the princess and the Elector Palatine, in addition to his keyboard compositions, verse anthems, canons, and other works. Bull's music ranked among the foremost composers along with Byrd, Gibbons, and Tomkins.John Bull had several contemporaries who were also prominent composers during the Renaissance period. Some of these composers include:William Byrd: Byrd was an English composer and one of the most influential figures in English Renaissance music. He was a contemporary of John Bull and is considered one of the greatest composers of his time. Byrd's compositions include sacred choral music, keyboard works, and consort music.Orlando Gibbons: Gibbons was an English composer and organist who lived during the same period as John Bull. He was known for his sacred choral music, particularly his anthems and verse anthems. Gibbons' compositions are characterized by their expressive harmonies and intricate counterpoint.Thomas Tomkins: Tomkins was another English composer who was active during the same time as John Bull. He was known for his sacred choral music, including anthems and services. Tomkins' compositions are notable for their rich harmonies and expressive melodies.Jan Pieterszoon Sweelinck: Sweelinck was a Dutch composer and organist who was highly regarded during the Renaissance period. He was known for his keyboard music, particularly his variations and fantasias. Sweelinck's compositions had a significant influence on Bull and other composers of the time.These composers, along with John Bull, were influential figures in the development of Renaissance music and significantly contributed to the repertoire of keyboard and choral music during that era.
$24.95
Bull: Christe Redemptor for String Trio
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE
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Dr
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James M
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Bull: Christe Redemptor for St
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jmsgu3
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SheetMusicPlus
String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1283457 Composed by Dr. John Bull. Arranged by James M. Guthrie. Chamber,Early Music,Historic,Religio...
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String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1283457 Composed by Dr. John Bull. Arranged by James M. Guthrie. Chamber,Early Music,Historic,Religious,Renaissance. 12 pages. Jmsgu3 #874639. Published by jmsgu3 (A0.1283457). Fitzwilliam Virginal Book CXXV.John Bull was an English composer, organist, virginalist, and organ builder who lived from 1562/63 to 1628. He was educated as a chorister of the Chapel Royal in London and later became a Doctor of Music at both Oxford and Cambridge Universities. Bull was one of the most famous composers of keyboard music of the early 17th century, and most of his compositions were written for the virginal, a keyboard instrument popular in the Renaissance period. He was known for his outstanding technical ability and keyboard virtuosity, and his music is distinguished by unfailing resourcefulness in devising new musical ideas. Bull's reputation rests on his extensive compositions for virginals and organ, some 150 extant pieces published in Musica Britannica. He was also one of the contributors to Parthenia, a collection of keyboard music published in 1611. Bull wrote an anthem, God the Father, God the Son, for the 1613 wedding of the princess and the Elector Palatine, in addition to his keyboard compositions, verse anthems, canons, and other works. Bull's music ranked among the foremost composers along with Byrd, Gibbons, and Tomkins.John Bull had several contemporaries who were also prominent composers during the Renaissance period. Some of these composers include:William Byrd: Byrd was an English composer and one of the most influential figures in English Renaissance music. He was a contemporary of John Bull and is considered one of the greatest composers of his time. Byrd's compositions include sacred choral music, keyboard works, and consort music.Orlando Gibbons: Gibbons was an English composer and organist who lived during the same period as John Bull. He was known for his sacred choral music, particularly his anthems and verse anthems. Gibbons' compositions are characterized by their expressive harmonies and intricate counterpoint.Thomas Tomkins: Tomkins was another English composer who was active during the same time as John Bull. He was known for his sacred choral music, including anthems and services. Tomkins' compositions are notable for their rich harmonies and expressive melodies.Jan Pieterszoon Sweelinck: Sweelinck was a Dutch composer and organist who was highly regarded during the Renaissance period. He was known for his keyboard music, particularly his variations and fantasias. Sweelinck's compositions had a significant influence on Bull and other composers of the time.These composers, along with John Bull, were influential figures in the development of Renaissance music and significantly contributed to the repertoire of keyboard and choral music during that era.
$24.95
Bull: In Nomine for String Trio
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE
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Dr
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James M
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Bull: In Nomine for String Tri
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jmsgu3
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SheetMusicPlus
String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1282881 Composed by Dr. John Bull. Arranged by James M. Guthrie. Chamber,Christian,Historic,Religious...
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String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1282881 Composed by Dr. John Bull. Arranged by James M. Guthrie. Chamber,Christian,Historic,Religious,Renaissance. 9 pages. Jmsgu3 #874131. Published by jmsgu3 (A0.1282881). XXXVII from the Fitzwilliam Virginal Book.John Bull was an English composer, organist, virginalist, and organ builder who lived from 1562/63 to 1628. He was educated as a chorister of the Chapel Royal in London and later became a doctor of music at the universities of both Oxford and Cambridge. Bull was one of the most famous composers of keyboard music of the early 17th century, and most of his compositions were written for the virginal, a keyboard instrument popular in the Renaissance period. He was known for his outstanding technical ability and keyboard virtuosity, and his music is distinguished by unfailing resourcefulness in devising new musical ideas. Bull's reputation rests on his extensive compositions for virginals and organ, some 150 extant pieces published in Musica Britannica. He was also one of the contributors to Parthenia, a collection of keyboard music published in 1611. Bull wrote an anthem, God the Father, God the Son, for the 1613 wedding of the princess and the Elector Palatine, in addition to his keyboard compositions, verse anthems, canons, and other works. Bull's music ranked among the foremost composers along with Byrd, Gibbons, and Tomkins.John Bull had several contemporaries who were also prominent composers during the Renaissance period. Some of these composers include:William Byrd: Byrd was an English composer and one of the most influential figures in English Renaissance music. He was a contemporary of John Bull and is considered one of the greatest composers of his time. Byrd's compositions include sacred choral music, keyboard works, and consort music.Orlando Gibbons: Gibbons was an English composer and organist who lived during the same period as John Bull. He was known for his sacred choral music, particularly his anthems and verse anthems. Gibbons' compositions are characterized by their expressive harmonies and intricate counterpoint.Thomas Tomkins: Tomkins was another English composer who was active during the same time as John Bull. He was known for his sacred choral music, including anthems and services. Tomkins' compositions are notable for their rich harmonies and expressive melodies.Jan Pieterszoon Sweelinck: Sweelinck was a Dutch composer and organist who was highly regarded during the Renaissance period. He was known for his keyboard music, particularly his variations and fantasias. Sweelinck's compositions had a significant influence on Bull and other composers of the time.These composers, along with John Bull, were influential figures in the development of Renaissance music and significantly contributed to the repertoire of keyboard and choral music during that era.
$24.95
Bull: Fantasia CXIII for String Trio
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE
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Dr
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James M
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Bull: Fantasia CXIII for Strin
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jmsgu3
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SheetMusicPlus
String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1284518 Composed by Dr. John Bull. Arranged by James M. Guthrie. Chamber,Early Music,Historic,Renaiss...
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String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1284518 Composed by Dr. John Bull. Arranged by James M. Guthrie. Chamber,Early Music,Historic,Renaissance,Wedding. 16 pages. Jmsgu3 #875691. Published by jmsgu3 (A0.1284518). John Bull was an English composer, organist, virginalist, and organ builder who lived from 1562/63 to 1628. He was educated as a chorister of the Chapel Royal in London and later became a Doctor of Music at both Oxford and Cambridge Universities. Bull was one of the most famous composers of keyboard music of the early 17th century, and most of his compositions were written for the virginal, a keyboard instrument popular in the Renaissance period. He was known for his outstanding technical ability and keyboard virtuosity, and his music is distinguished by unfailing resourcefulness in devising new musical ideas. Bull's reputation rests on his extensive compositions for virginals and organ, some 150 extant pieces published in Musica Britannica. He was also one of the contributors to Parthenia, a collection of keyboard music published in 1611. Bull wrote an anthem, God the Father, God the Son, for the 1613 wedding of the princess and the Elector Palatine, in addition to his keyboard compositions, verse anthems, canons, and other works. Bull's music ranked among the foremost composers along with Byrd, Gibbons, and Tomkins.John Bull had several contemporaries who were also prominent composers during the Renaissance period. Some of these composers include:William Byrd: Byrd was an English composer and one of the most influential figures in English Renaissance music. He was a contemporary of John Bull and is considered one of the greatest composers of his time. Byrd's compositions include sacred choral music, keyboard works, and consort music.Orlando Gibbons: Gibbons was an English composer and organist who lived during the same period as John Bull. He was known for his sacred choral music, particularly his anthems and verse anthems. Gibbons' compositions are characterized by their expressive harmonies and intricate counterpoint.Thomas Tomkins: Tomkins was another English composer who was active during the same time as John Bull. He was known for his sacred choral music, including anthems and services. Tomkins' compositions are notable for their rich harmonies and expressive melodies.Jan Pieterszoon Sweelinck: Sweelinck was a Dutch composer and organist who was highly regarded during the Renaissance period. He was known for his keyboard music, particularly his variations and fantasias. Sweelinck's compositions had a significant influence on Bull and other composers of the time.These composers, along with John Bull, were influential figures in the development of Renaissance music and significantly contributed to the repertoire of keyboard and choral music during that era.
$24.95
Bull: Gloria tibi trinitas for String Trio
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Dr
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James M
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Bull: Gloria tibi trinitas for
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jmsgu3
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SheetMusicPlus
String Trio Cello,Viola,Violin - Level 4 - SKU: A0.1284572 Composed by Dr. John Bull. Arranged by James M. Guthrie. Chamber,Christian,Religious,Renaissa...
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String Trio Cello,Viola,Violin - Level 4 - SKU: A0.1284572 Composed by Dr. John Bull. Arranged by James M. Guthrie. Chamber,Christian,Religious,Renaissance,Wedding. 12 pages. Jmsgu3 #875746. Published by jmsgu3 (A0.1284572). John Bull was an English composer, organist, virginalist, and organ builder who lived from 1562/63 to 1628. He was educated as a chorister of the Chapel Royal in London and later became a Doctor of Music at both Oxford and Cambridge Universities. Bull was one of the most famous composers of keyboard music of the early 17th century, and most of his compositions were written for the virginal, a keyboard instrument popular in the Renaissance period. He was known for his outstanding technical ability and keyboard virtuosity, and his music is distinguished by unfailing resourcefulness in devising new musical ideas. Bull's reputation rests on his extensive compositions for virginals and organ, some 150 extant pieces published in Musica Britannica. He was also one of the contributors to Parthenia, a collection of keyboard music published in 1611. Bull wrote an anthem, God the Father, God the Son, for the 1613 wedding of the princess and the Elector Palatine, in addition to his keyboard compositions, verse anthems, canons, and other works. Bull's music ranked among the foremost composers along with Byrd, Gibbons, and Tomkins.John Bull had several contemporaries who were also prominent composers during the Renaissance period. Some of these composers include:William Byrd: Byrd was an English composer and one of the most influential figures in English Renaissance music. He was a contemporary of John Bull and is considered one of the greatest composers of his time. Byrd's compositions include sacred choral music, keyboard works, and consort music.Orlando Gibbons: Gibbons was an English composer and organist who lived during the same period as John Bull. He was known for his sacred choral music, particularly his anthems and verse anthems. Gibbons' compositions are characterized by their expressive harmonies and intricate counterpoint.Thomas Tomkins: Tomkins was another English composer who was active during the same time as John Bull. He was known for his sacred choral music, including anthems and services. Tomkins' compositions are notable for their rich harmonies and expressive melodies.Jan Pieterszoon Sweelinck: Sweelinck was a Dutch composer and organist who was highly regarded during the Renaissance period. He was known for his keyboard music, particularly his variations and fantasias. Sweelinck's compositions had a significant influence on Bull and other composers of the time.These composers, along with John Bull, were influential figures in the development of Renaissance music and significantly contributed to the repertoire of keyboard and choral music during that era.
$24.95
Bull: Dr. Bull's Juell for String Trio
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Trio à Cordes: violon, alto, violoncelle
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FACILE
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Dr
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James M
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Bull: Dr. Bull's Juell for Str
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jmsgu3
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SheetMusicPlus
String Trio Cello,Viola,Violin - Level 2 - SKU: A0.1283915 Composed by Dr. John Bull. Arranged by James M. Guthrie. Chamber,Early Music,Historic,Renaiss...
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String Trio Cello,Viola,Violin - Level 2 - SKU: A0.1283915 Composed by Dr. John Bull. Arranged by James M. Guthrie. Chamber,Early Music,Historic,Renaissance,Wedding. 10 pages. Jmsgu3 #875096. Published by jmsgu3 (A0.1283915). Fitzwilliam Virginal Book CXXXVIII.John Bull was an English composer, organist, virginalist, and organ builder who lived from 1562/63 to 1628. He was educated as a chorister of the Chapel Royal in London and later became a Doctor of Music at both Oxford and Cambridge Universities. Bull was one of the most famous composers of keyboard music of the early 17th century, and most of his compositions were written for the virginal, a keyboard instrument popular in the Renaissance period. He was known for his outstanding technical ability and keyboard virtuosity, and his music is distinguished by unfailing resourcefulness in devising new musical ideas. Bull's reputation rests on his extensive compositions for virginals and organ, some 150 extant pieces published in Musica Britannica. He was also one of the contributors to Parthenia, a collection of keyboard music published in 1611. Bull wrote an anthem, God the Father, God the Son, for the 1613 wedding of the princess and the Elector Palatine, in addition to his keyboard compositions, verse anthems, canons, and other works. Bull's music ranked among the foremost composers along with Byrd, Gibbons, and Tomkins.John Bull had several contemporaries who were also prominent composers during the Renaissance period. Some of these composers include:William Byrd: Byrd was an English composer and one of the most influential figures in English Renaissance music. He was a contemporary of John Bull and is considered one of the greatest composers of his time. Byrd's compositions include sacred choral music, keyboard works, and consort music.Orlando Gibbons: Gibbons was an English composer and organist who lived during the same period as John Bull. He was known for his sacred choral music, particularly his anthems and verse anthems. Gibbons' compositions are characterized by their expressive harmonies and intricate counterpoint.Thomas Tomkins: Tomkins was another English composer who was active during the same time as John Bull. He was known for his sacred choral music, including anthems and services. Tomkins' compositions are notable for their rich harmonies and expressive melodies.Jan Pieterszoon Sweelinck: Sweelinck was a Dutch composer and organist who was highly regarded during the Renaissance period. He was known for his keyboard music, particularly his variations and fantasias. Sweelinck's compositions had a significant influence on Bull and other composers of the time.These composers, along with John Bull, were influential figures in the development of Renaissance music and significantly contributed to the repertoire of keyboard and choral music during that era.
$24.95
5 Jazz Trios for Strings
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE
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David McKeown
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5 Jazz Trios for Strings
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David McKeown
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SheetMusicPlus
String Ensemble,String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1169256 Composed by David McKeown. Blues,Contemporary,Instructional,Jazz,Ragtime. Sco...
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String Ensemble,String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1169256 Composed by David McKeown. Blues,Contemporary,Instructional,Jazz,Ragtime. Score and parts. 39 pages. David McKeown #769608. Published by David McKeown (A0.1169256). 5 Jazz Trios is a fun, flexible and original collection of Trios written in a Jazz style by David McKeown for Strings. The pdf file contains the scores, separate parts for Violin, Viola and Cello, and also alternative parts for additional Violin and Viola. There are chord symbols on the scores for additional accompaniment on piano, bass or guitar.5 Jazz Trios are suitable for players at an intermediate level and above. The key and range are accessible and there are some simple syncopated rhythms and accidentals. With a total playing-time of around ten minutes, 5 Jazz Trios are a perfect upbeat source for any performance program, formal or informal.The five titles are Swing Thing, Jazz Train, Mini Minor, Pet Rock and Red Rag.Click on the YouTube link to see and hear the clarinet versions of these arrangements. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203.
$12.99
Swing Thing, a jazz piece for String Trio
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Trio à Cordes: violon, alto, violoncelle
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FACILE
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David McKeown
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Swing Thing, a jazz piece for
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David McKeown
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SheetMusicPlus
String Ensemble,String Trio Cello,Viola,Violin - Level 2 - SKU: A0.1158835 Composed by David McKeown. Contemporary,Instructional,Jazz. Score and parts. ...
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String Ensemble,String Trio Cello,Viola,Violin - Level 2 - SKU: A0.1158835 Composed by David McKeown. Contemporary,Instructional,Jazz. Score and parts. 8 pages. David McKeown #759085. Published by David McKeown (A0.1158835). Swing Thing is a fun and original piece written in a jazz style by David McKeown for String trio. The pdf file contains the score, separate parts for Violin, Viola and Cello, and also alternative parts for a second Violin and Viola. There are chord symbols on the score for additional accompaniment on piano, bass or guitar. Swing Thing is suitable for players at an early intermediate level and above. The key and range are accessible and there are some simple syncopated rhythms and accidentals. With a playing-time of around one and a half minutes, Swing Thing is a perfect upbeat addition to any performance program, formal or informal. Click on the YouTube link to see and hear the clarinet version of this arrangement. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$5.99
Red Rag, a jazz piece for String Trio
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE
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David McKeown
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Red Rag, a jazz piece for Stri
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David McKeown
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SheetMusicPlus
String Ensemble,String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1161513 Composed by David McKeown. Contemporary,Instructional,Jazz,Ragtime. Score and...
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String Ensemble,String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1161513 Composed by David McKeown. Contemporary,Instructional,Jazz,Ragtime. Score and parts. 9 pages. David McKeown #761868. Published by David McKeown (A0.1161513). Red Rag is a fun and original piece written in a Ragtime style by David McKeown for String trio. The pdf file contains the score, separate parts for Violin, Viola and Cello, and also alternative parts for a second Violin and Viola. There are chord symbols on the score for additional accompaniment on piano, bass or guitar. Red Rag is suitable for players at an intermediate level and above. The key and range are accessible and there are some simple syncopated rhythms and accidentals. With a playing-time of around two minutes, Red Rag is a perfect upbeat addition to any performance program, formal or informal. Click on the YouTube link to see and hear the clarinet version of this arrangement. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$5.99
Jazz Train, a Jazz Piece for String Trio
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE
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David McKeown
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Jazz Train, a Jazz Piece for S
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David McKeown
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SheetMusicPlus
String Ensemble,String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1168184 Composed by David McKeown. Blues,Contemporary,Instructional,Jazz. Score and p...
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String Ensemble,String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1168184 Composed by David McKeown. Blues,Contemporary,Instructional,Jazz. Score and parts. 9 pages. David McKeown #768538. Published by David McKeown (A0.1168184). Jazz Train is a fun and original piece written in a Jazz style by David McKeown for String trio. The pdf file contains the score, separate parts for Violin, Viola and Cello, and also alternative parts for a second Violin and Viola. There are chord symbols on the score for additional accompaniment on piano, bass or guitar.Jazz Train is suitable for players at an intermediate level and above. The key and range are accessible and there are some simple syncopated rhythms and accidentals. With a playing-time of around two and a half minutes, Jazz Train is a perfect upbeat addition to any performance program, formal or informal.Click on the YouTube link to see and hear the clarinet version of this arrangement. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203.
$5.99
Mini Minor, Jazz Piece for String Trio
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Trio à Cordes: violon, alto, violoncelle
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FACILE
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David McKeown
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Mini Minor, Jazz Piece for Str
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David McKeown
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SheetMusicPlus
String Ensemble,String Trio Cello,Viola,Violin - Level 2 - SKU: A0.1157674 Composed by David McKeown. Blues,Contemporary,Instructional,Jazz. Score and p...
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String Ensemble,String Trio Cello,Viola,Violin - Level 2 - SKU: A0.1157674 Composed by David McKeown. Blues,Contemporary,Instructional,Jazz. Score and parts. 8 pages. David McKeown #758019. Published by David McKeown (A0.1157674). Mini Minor is a fun and original piece written in a jazz style by David McKeown for String trio. The pdf file contains the score, separate parts for Violin, Viola and Cello, and also alternative parts for a second Violin and Viola. There are chord symbols on the score for additional accompaniment on piano, bass or guitar. Mini Minor is suitable for players at an early intermediate level and above. The key and range are accessible and there are some simple syncopated rhythms and accidentals. With a playing-time of around one minute and 15 seconds, Mini Minor is a perfect upbeat addition to any performance program, formal or informal. Click on the YouTube link to see and hear the clarinet version of this arrangement. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203 Â
$5.99
Pet Rock, a Rock Piece for String Trio
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE
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David McKeown
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Pet Rock, a Rock Piece for Str
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David McKeown
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SheetMusicPlus
String Ensemble,String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1163798 Composed by David McKeown. Contemporary,Instructional,Jazz,Rock. Score and pa...
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String Ensemble,String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1163798 Composed by David McKeown. Contemporary,Instructional,Jazz,Rock. Score and parts. 9 pages. David McKeown #764148. Published by David McKeown (A0.1163798). Pet Rock is a fun and original piece written in a Rock style by David McKeown for String Trio. The pdf file contains the score, separate parts for Violin, Viola and Cello, and also alternative parts for a second Violin and Viola. There are chord symbols on the score for additional accompaniment on piano, bass or guitar.Pet Rock is suitable for players at an intermediate level and above. The key and range are accessible and there are some simple syncopated rhythms and accidentals. With a playing-time of around one and a half minutes, Pet Rock is a perfect upbeat addition to any performance program, formal or informal.Click on the YouTube link to see and hear the clarinet version of this arrangement. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203.
$5.99
In the Sweet By and By hymn for string trio
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Trio à Cordes: violon, alto, violoncelle
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and By! Why would not that mak
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SMT Music
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In the Sweet By and By hymn fo
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SMT Music
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SheetMusicPlus
String Ensemble,String Trio - SKU: A0.749761 Arranged by SMT Music. Christian,Folk,Holiday,Patriotic,Sacred,Standards. Score and parts. 10 pages. SMT Mu...
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String Ensemble,String Trio - SKU: A0.749761 Arranged by SMT Music. Christian,Folk,Holiday,Patriotic,Sacred,Standards. Score and parts. 10 pages. SMT Music #6286217. Published by SMT Music (A0.749761). (published in 1868) Mr. Webster, like many musicians, was of an exceedingly nervous and sensitive nature, and subject to periods of depression, in which he looked upon the dark side of all things in life. I had learned his peculiarities so well that on meeting him I could tell at a glance if he was melancholy, and had found that I could rouse him up by giving him a new song to work on. He came into my place of business [in Elkhorn, Wisconsin], walked down to the stove, and turned his back on me without speaking. I was at my desk. Turning to him, I said, Webster, what is the matter now? It's no matter, he replied, it will be all right by and by. The idea of the hymn came me like a flash of sunlight, and I replied, The Sweet By and By! Why would not that make a good hymn? Maybe it would, he said indifferently. Turning to my desk I penned the words of the hymn as fast as I could write. I handed the words to Webster. As he read his eyes kindled, and stepping to the desk he began writing the notes. Taking his violin, he played the melody and then jotted down the notes of the chorus. It was not over thirty minutes from the time I took my pen to write the words before two friends with Webster and myself were singing the hymn.-Sanford Fillmore Bennett (1836-1898)[2].
$12.99
Piccola Marcia, for string trio
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Trio à Cordes: violon, alto, violoncelle
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FACILE
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Christopher A
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Piccola Marcia, for string tri
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Christopher A. Sforza
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SheetMusicPlus
String Ensemble,String Trio Cello,Viola,Violin - Level 2 - SKU: A0.909628 Composed by Christopher A. Sforza. 20th Century,Standards,Wedding. Score and p...
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String Ensemble,String Trio Cello,Viola,Violin - Level 2 - SKU: A0.909628 Composed by Christopher A. Sforza. 20th Century,Standards,Wedding. Score and parts. 12 pages. Christopher A. Sforza #6266661. Published by Christopher A. Sforza (A0.909628). Piccola Marcia is a short trio for violin, viola, and cello written in a light neo-classical style. A second violin part is included to replace the viola. A perfect piece to use for weddings, receptions, ceremonies, etc.
$2.95
MY HEART AT THY SWEET VOICE for String Trio, Advanced Intermediate Level for 2 violins and cello or
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Camille Saint-Saens
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Sherry Lewis Publishing
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MY HEART AT THY SWEET VOICE fo
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Sherry Lewis Publishing
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SheetMusicPlus
String Trio Cello,Viola,Violin - Level 4 - SKU: A0.521587 Composed by Camille Saint-Saens. Arranged by Sherry Lewis Publishing. Holiday,Opera,Romantic P...
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String Trio Cello,Viola,Violin - Level 4 - SKU: A0.521587 Composed by Camille Saint-Saens. Arranged by Sherry Lewis Publishing. Holiday,Opera,Romantic Period,Wedding. 32 pages. Sherry Lewis Publishing #6223801. Published by Sherry Lewis Publishing (A0.521587). My Heart At Thy Sweet Voice, String Trio, Advanced Intermediate Level for 2 violins and cello or violin, viola and cello Score: 17 pages parts: 10 page time: 5'40 ABOUT THE DEMO....I took a big cut to get to the better-known tune but the actual arrangement is complete from beginning to end. I used the original score and true to form. Such a beautiful piece. Really comes off great in strings. MY QUARTET VERSIONS, in short notice usually work fine for solo, two parts and three parts however I also offer individual versions for one, two and three parts that are more detailed for these ensembles. Please visit https://www.sheetmusicplus.com/search?Ntt=sherry+lewis+publishing for all of the titles I offer. If you can’t find a title then contact me through stringquartet@hotmail.com and I’ll give you the link back to Sheet Music Plus’s listing. VERSATILE Titles that include four parts are written with the idea that they can be performed with 1, 2, 3 or 4 musicians. Most of the contemporary/popular titles include a chord chart for a bass instrument. PRACTICE needs would vary according to the level of the performers but my goal is to be sight-readable for most performers and groups. AUDIO SAMPLE The 30 second mp3 is frequently shortened and may not start at the introduction to get to the reprise. The actual introduction will be in the sheet music. LISTENABILITY I have performed thousands of weddings and special events. I make it a goal for the music to carry as well as possible through loud and large space situations. ARRANGEMENTS usually follow the original version. There is an mp3 where you can hear 30 seconds and get a feeling of the originality of the work. EXCELLENT for corporate events, weddings, social gatherings and recitals. APPROPRIATE for students and schools. CHURCH REPERTOIRE I’m always adding more titles. Thank you for your purchase!
$12.99
MY HEART AT THY SWEET VOICE for String Trio, Intermediate Level for 2 violins and cello or violin, v
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE
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Classique
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Camille Saint-Saens
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Sherry Lewis Publishing
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MY HEART AT THY SWEET VOICE fo
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Sherry Lewis Publishing
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SheetMusicPlus
String Trio Cello,Viola,Violin - Level 3 - SKU: A0.521590 Composed by Camille Saint-Saens. Arranged by Sherry Lewis Publishing. Holiday,Opera,Romantic P...
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String Trio Cello,Viola,Violin - Level 3 - SKU: A0.521590 Composed by Camille Saint-Saens. Arranged by Sherry Lewis Publishing. Holiday,Opera,Romantic Period,Wedding. 27 pages. Sherry Lewis Publishing #6232221. Published by Sherry Lewis Publishing (A0.521590). My Heart At Thy Sweet Voice, String Trio, Intermediate Level for 2 violins and cello or violin, viola and cello Score: 14 pages parts:10 page time: 5'40 ABOUT THE DEMO....I took a big cut including the intro to get to the better-known tune but the actual arrangement is complete from beginning to end. I used the original score and true to form. Such a beautiful piece. Really comes off great in strings. MY QUARTET VERSIONS, in short notice usually work fine for solo, two parts and three parts however I also offer individual versions for one, two and three parts that are more detailed for these ensembles. Please visit https://www.sheetmusicplus.com/search?Ntt=sherry+lewis+publishing for all of the titles I offer. If you can’t find a title then contact me through stringquartet@hotmail.com and I’ll give you the link back to Sheet Music Plus’s listing. VERSATILE Titles that include four parts are written with the idea that they can be performed with 1, 2, 3 or 4 musicians. Most of the contemporary/popular titles include a chord chart for a bass instrument. PRACTICE needs would vary according to the level of the performers but my goal is to be sight-readable for most performers and groups. AUDIO SAMPLE The 30 second mp3 is frequently shortened and may not start at the introduction to get to the reprise. The actual introduction will be in the sheet music. LISTENABILITY I have performed thousands of weddings and special events. I make it a goal for the music to carry as well as possible through loud and large space situations. ARRANGEMENTS usually follow the original version. There is an mp3 where you can hear 30 seconds and get a feeling of the originality of the work. EXCELLENT for corporate events, weddings, social gatherings and recitals. APPROPRIATE for students and schools. CHURCH REPERTOIRE I’m always adding more titles. Thank you for your purchase!
$12.50
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