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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
For No One
Non classifié
3 604
Piano & claviers
Piano seul
1 412
Piano, Voix
851
Piano, Voix et Guitare
325
Piano Facile
315
Instruments en Do
87
Orgue
67
Accompagnement Piano
56
1 Piano, 4 mains
39
Piano Trio: piano, violon, violoncelle
24
Piano (partie séparée)
17
2 Pianos, 4 mains
13
Piano Quatuor: piano, violon, alto, violoncelle
11
Piano Quintette: piano, 2 violons, alto, violoncelle
5
Piano Quatuor: piano, 2 violons, violoncelle
4
Accordéon
4
Piano grosses notes
3
2 Pianos, 8 mains
2
Orgue, Trompette (duo)
2
Orgue, Piano (duo)
2
Clavier
1
Clavecin
1
+ 16 instrumentations
Retracter
Guitares
Guitare
195
Guitare notes et tablatures
171
Ligne De Mélodie, (Paroles) et Accords
64
Basse electrique
44
Guitare (partie séparée)
39
2 Guitares (duo)
27
Ukulele
24
Paroles et Accords
23
Piano, Guitare (duo)
16
4 Guitares (Quatuor)
10
Dulcimer
7
2 Dulcimers (duo)
6
Mandoline
6
Ensemble de guitares
5
3 Guitares (trio)
4
Mandoline, Guitare (duo)
2
Banjo
1
Ukulele Baryton
1
+ 13 instrumentations
Retracter
Voix
Chorale SATB
416
Voix seule
191
Chorale 3 parties
133
Chorale TTBB
92
Chorale 2 parties
73
Chorale SSAA
39
Voix Baryton, Piano
35
Chorale Unison
29
Voix haute
16
Voix Soprano, Piano
16
Voix duo, Piano
13
Voix moyenne, Piano
9
Voix duo
7
Voix Alto, Piano
6
Voix Tenor, Piano
2
Voix basse, Piano
2
Voix Tenor
1
Voix Mezzo-Soprano, Piano
1
Chorale
1
Chorale SSAATTBB
1
Voix Soprano
1
+ 16 instrumentations
Retracter
Vents
Saxophone
918
Quatuor de Saxophones: 4 saxophones
592
2 Saxophones (duo)
493
Saxophone (partie séparée)
444
Saxophone Alto
397
Saxophone Alto et Piano
348
Saxophone Tenor
309
Flûte traversière et Piano
279
Saxophone Tenor et Piano
232
3 Saxophones (trio)
202
Saxophone Soprano et Piano
189
Quintette de Saxophone: 5 saxophones
186
Clarinette et Piano
180
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
177
Hautbois, Piano (duo)
132
Clarinette
129
2 Flûtes traversières (duo)
127
Ensemble de saxophones
123
Flûte, Hautbois, Clarinette, Basson
115
Quatuor de Clarinettes: 4 clarinettes
111
2 Clarinettes (duo)
109
Saxophone Baryton, Piano
101
Flûte traversière
87
Hautbois
73
Quatuor de Flûtes : 4 flûtes
57
Saxophone Soprano
53
Cor anglais, Piano
50
Flûte, Clarinette (duo)
48
Ensemble de Clarinettes
44
Quintette de Clarinettes: 5 clarinettes
41
2 Hautbois (duo)
37
Saxophone, Clarinette (duo)
36
Hautbois, Basson (duo)
34
Hautbois (partie séparée)
34
Hautbois, Clarinette (duo)
31
3 Clarinettes (trio)
27
Clarinette, Violon (duo)
25
Clarinette Basse, Piano
24
Ensemble de Flûtes
23
Flûte à Bec
21
3 Flûtes à bec (trio)
21
Quatuor de Flûtes à bec
20
Flute (partie séparée)
19
Hautbois, Flûte
19
Quintette de Flûte : 5 flûtes
18
Clarinette et Alto
17
Clarinette (partie séparée)
17
Flûte, Hautbois, Clarinette (trio)
17
Trio de Flûtes: 3 flûtes
17
Clarinette, Trompette (duo)
17
Saxophone Baryton
16
2 Flûte à bec (duo)
16
Flûte, Alto (duo)
15
Flûte, Saxophone (duo)
14
Hautbois, Clarinette, Basson (trio d'anches)
14
Flûte, Violon
14
Flûte et Guitare
14
Flûte à bec Soprano
12
Clarinette, Guitare (duo)
10
Flûte, Trompette (duo)
9
Ensemble De Flûte à bec
9
Piccolo, Piano
9
5 Flûtes à bec
9
Flûte, Violoncelle
8
Clarinette, Basson (duo)
8
Cor Anglais
8
Piccolo
6
Flûte à bec Tenor
6
Flûte, Trombone (duo)
6
Flûte à bec Alto, Piano
5
Flûte, Hautbois, Basson
5
Saxophone et Piano
5
Flûte à Bec, Piano
5
Flûte à bec Alto
5
Flûte, Violon, Piano
5
Ocarina
5
Clarinette, Violoncelle (duo)
4
Flûte irlandaise
4
2 Saxophones, Piano
4
Instruments en Mib
4
Flute, harpe et violon
3
Flûte, Clarinette et Basson
3
Saxophone et Guitare
3
Flûte, Hautbois (duo)
3
Flûte, Violon, Violoncelle et Piano
2
Clarinette, Harpe (duo)
2
Clarinette, Trombone (duo)
2
Flûte, Hautbois, Piano (trio)
2
2 Cors Anglais Et Pianoforte
2
Flûte à bec Soprano, Piano
2
Flûte, Violon et Violoncelle
2
Hautbois, Guitare (duo)
2
3 Hautbois
2
2 Clarinettes, Basson
2
2 Flûtes traversières, Piano
2
Harmonica
2
Saxophone et violoncelle
1
Ensemble de Hautbois
1
Saxophone et Orgue
1
Hautbois, Violoncelle
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Saxophone, Violon (duo)
1
Cor anglais, Guitare (duo)
1
Hautbois et alto (duo)
1
Flûte, Violoncelle, Piano (trio)
1
Flûte et Trio à cordes
1
Clarinette Basse
1
4 Hautbois
1
Saxophone, Basson (duo)
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Flûte traversière, Orgue (duo)
1
2 Clarinettes, Piano
1
+ 107 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
606
Trombone
515
Trombone (partie séparée)
372
Trombone et Piano
310
Quatuor de Cuivres : 2 trompettes, trombone, tuba
300
2 Trombones (duo)
149
Trompette
116
Quatuor de cuivres: 4 trombones
96
Cor et Piano
92
Trompette, Piano
90
Quatuor de Cuivres: 2 trompettes, Cor, trombone
84
Trompette, Trombone (duo)
74
Quatuor de Cuivres
71
Trompette (partie séparée)
66
Euphonium, Piano (duo)
61
Ensemble de Trombones
55
Cor anglais, Piano
50
2 Trompettes (duo)
44
Tuba et Piano
40
Cor
37
Trio de Cuivres
33
Tuba
31
Ensemble de Trompettes
27
Trompette, Saxophone (duo)
26
2 Cors (duo)
26
3 Trombones (trio)
24
Trombone basse et Piano
21
Trombone basse
20
Quatuor de cuivres: 4 cors
19
Trombone, Tuba (duo)
15
4 Tubas
14
Cor (partie séparée)
14
Trombone, Cor (duo)
14
Tuba (partie séparée)
13
Quatuor de cuivres: 4 trompettes
13
Euphonium
13
Trompette, Cor (duo)
13
2 Tubas (duo)
9
Cor Anglais
8
Ensemble de Cors
8
Instruments en Sib
7
Euphonium, Tuba (duo)
7
Tuba et Orgue
6
2 Euphoniums (duo)
5
Trompette, Trombone, Piano
5
3 Tubas (trio)
5
3 Trompettes (trio)
5
Bass Clef Instruments
4
Tuba ou Euphonium ou Saxhorn
4
Cornet A Pistons
3
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
3
Trompette et Guitare
3
3 Cors (trio)
3
Trombone, Orgue
3
Cor, Tuba (duo)
2
2 Euphoniums et 2 Tubas
2
Trombone, violoncelle (duo)
2
2 Cors Anglais Et Pianoforte
2
2 Trompettes, Clavier (piano ou orgue)
2
Quatuor de cuivres: Cor, Trombone, Tuba, Trompette Sib
1
Ensemble de Tubas
1
Trompette, Tuba (duo)
1
Cor anglais, Guitare (duo)
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Cor, Violoncelle (duo)
1
Trombone, Violon (duo)
1
+ 61 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
425
Harpe
304
Violon et Piano
257
Violon
219
Violoncelle, Piano
206
Alto, Piano
164
Violoncelle
116
Trio à Cordes: violon, alto, violoncelle
101
Violon, Violoncelle (duo)
100
Violon, Alto (duo)
65
2 Violons (duo)
64
Alto seul
58
2 Violoncelles (duo)
52
2 Altos (duo)
45
Trio à Cordes: 2 violons, violoncelle
35
4 Violoncelles
27
Contrebasse, Piano (duo)
25
Contrebasse (partie séparée)
23
Quintette à cordes: 2 violons, alto, violoncelle, basse
22
Violoncelle, Contrebasse (duo)
18
Trio à cordes: 3 violins
18
Alto, Violoncelle (duo)
17
Trio à Cordes: 3 violoncelles
15
Harpe, Flûte (duo)
15
Violon (partie séparée)
14
Violon, Guitare (duo)
13
Contre Basse
11
Alto (partie séparée)
11
Trio à cordes: 3 altos
11
Quatuor à cordes: 4 violons
11
Quatuor à cordes : 4 altos
10
2 Harpes (duo)
10
Alto, Guitare (duo)
8
Violoncelle , Guitare (duo)
7
Piano Trio: Violon, Alto, Piano
6
2 Contrebasses (duo)
6
Harpe, Voix
5
Flûte, Contrebasse (duo)
5
Ensemble de Violons
4
Violoncelle (partie séparée)
4
Trio à Cordes: 2 violons, alto
4
Quintette à cordes: 2 violons, 2 altos, violoncelle
3
Harpe, Violon (duo)
3
Ensemble d'Altos
2
5 Harpes
2
3 Harpes
2
4 Contrebasses
2
Violon, Basson (duo)
1
Alto et Harpe
1
Harpe, Quatuor à cordes
1
Violon, Basse continue
1
Ensemble de Violoncelles
1
+ 47 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
582
Orchestre
326
Ensemble Jazz
248
Orchestre à Cordes
246
Ensemble de cuivres
197
Orchestre de chambre
86
Batterie
50
Cloches
49
Jazz combo
46
Percussion
36
Fanfare
28
Batterie (partie séparée)
21
Marimba
19
Ensemble de Percussions
11
Percussion (partie séparée)
7
2 Xylophones
7
Xylophone, Piano
5
Xylophone
3
Piano et Orchestre
2
Quintette de Cuivres: autres combinaisons
2
Timbales (partie séparée)
1
Vibraphone
1
Vibraphone et Marimba
1
Instrumentation Flexible
1
Marimba et Orgue
1
Orchestre, Violon
1
+ 21 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
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For No One
Trio à Cordes: violon, alto, violoncelle
Partitions à imprimer
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101
Mysterious Moment for alto flute and string trio
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE
#
Contemporain
#
David Warin Solomons
#
Mysterious Moment for alto flu
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David Warin Solomons
#
SheetMusicPlus
String Ensemble,String Trio - Level 3 - SKU: A0.576736 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 7 pages. David Wari...
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String Ensemble,String Trio - Level 3 - SKU: A0.576736 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 7 pages. David Warin Solomons #119391. Published by David Warin Solomons (A0.576736). Mysterious piece in octatonic mode, originally written for the short story The Door The pdf file contains score and parts. The sound sample is an electronic preview. High up on the grassy hill behind the town there is a door. It stands there in its frame with nothing before or behind it. It is locked shut. There is no key. We climb the hill each day. We play each side of the door, games of hide and seek. But we cannot go through the door. Each day we go there during this long sultry summer holiday. We are fascinated by the structure. Why would anyone put a door up there, in its frame, eternally locked, with nothing before or behind it? Maybe it is all that remains of an ancient house? We play, we wonder, we laugh and play, and we return regularly to our homes in time for tea. Then, one day, as we climb the hill for the umpteenth time, a lady dressed in white arrives before us. We watch her take the key out of her bag and insert it in the lock. We are too far downhill to catch up before she closes the door behind her. As we arrive, puffing and panting, Steve knocks on the door. No answer. Dave knocks on the door more forcefully. We hear a distant swish of robes. Gloria knocks, perhaps a little more timidly as the swishing sound approaches. Estelle begins to knock in her turn and the door suddenly opens wide. We all gasp as we see the lady standing there in glistening robes. Her face is hidden from view by a white shawl, but her piercing eyes still show. Children, she says, welcome all. Do come in, please, the kettle is on. You are just in time for tea. We hesitate, as well we might. How can we come in when there is nothing before or behind the door? But Estelle puts one foot inside and looks back at us with a curious expression of serenity on her face. We follow her. We look around at the new space beyond the door and at the parquet floor beneath our dew-soaked feet. As our eyes become accustomed to the brightness of the interior we catch sight of many signs of the world we have entered, but only fleetingly. They pass before our eyes in an instant and then flee beyond the range of sight. There is a staircase, a hat stand, a distant gleam of an ancient cooker, a faint whiff of scones and boiling jam. As we walk inside, our senses are overwhelmed with the new reality, we are rooted to the spot. Do please sit down, says the lady with a slight catch in her throat. We are seated on wooden chairs along one side of an oak table, although we cannot recall how we got there, some slip of the memory perhaps. We have no sense of foreboding, Estelle's serenity has passed to all of us. We can stay here eating scones and jam until the end of time. The lady removes her shawl and reveals a face as beautiful as anyone's mother's. Her deep black eyes glisten like obsidian. She beams a smile of welcome and pours the tea. I'm glad you have come. I've been expecting you, she begins. You must have a thousand questions, so do please ask away. Well, says Steve, what is this door that we passed through? Is this another world? There is no other world, the lady replies, this is the only one. But there is! There is! starts Dave excitedly, Look!. He gets up quickly from the chair, knocking it over in his haste and rushes to the door to open it. He pulls at it with all his force and reveals a black nothingness behind it. We were on the hill, where's it gone? he shouts, what have you done to it? There is no hill. But you climbed the hill in front of us says Gloria. There is no hill. Even Estelle of the serene demeanour is beginning to look worried. How did we get here then, how did you get here, she asks the lady nervously. We have all been here since the beginning of time, the catch in the lady's throat is becoming more evident. No, we have our families down there in the town cries Estelle You have no families,.
$8.00
For No One
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE
#
Rock
#
The Beatles
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Gary Wolk
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For No One
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Gary Wolk Music
#
SheetMusicPlus
String Ensemble Cello,Viola,Violin - Level 3 - SKU: A0.1239544 By The Beatles. By John Lennon and Paul McCartney. Arranged by Gary Wolk. 20th Century,Ba...
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String Ensemble Cello,Viola,Violin - Level 3 - SKU: A0.1239544 By The Beatles. By John Lennon and Paul McCartney. Arranged by Gary Wolk. 20th Century,Baroque,Pop. 13 pages. Gary Wolk Music #834922. Published by Gary Wolk Music (A0.1239544). An instrumental version of The Beatles song off of the Revolver' album written for string sextet. Has a very Baroque sound to it.
$12.99
Bach: Wachet auf for String Trio
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE
#
Classique
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Johann Sebastian Bach
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James M
#
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Bach: Wachet auf for String Tr
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jmsgu3
#
SheetMusicPlus
String Ensemble,String Trio - Level 3 - SKU: A0.549856 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sa...
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String Ensemble,String Trio - Level 3 - SKU: A0.549856 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and parts. 12 pages. Jmsgu3 #3555135. Published by jmsgu3 (A0.549856). Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Voyager
$27.95
Fuga a tre (3 part fugue) for string trio
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE
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Contemporain
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Joseph Dillon Ford
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Fuga a tre
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David Warin Solomons2
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SheetMusicPlus
String Ensemble,String Trio - Level 3 - SKU: A0.958467 Composed by Joseph Dillon Ford. 20th Century. Score and parts. 7 pages. David Warin Solomons2 #36...
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String Ensemble,String Trio - Level 3 - SKU: A0.958467 Composed by Joseph Dillon Ford. 20th Century. Score and parts. 7 pages. David Warin Solomons2 #3691565. Published by David Warin Solomons2 (A0.958467). The Fuga a tre voci was composed on 28 March 1976 not long before I moved from Miami to Cambridge to begin graduate study in music at Harvard. It remained an imperfect sketch in need of extensive revisions, and languished for a quarter-century in a manila file folder until I rediscovered it late in 2001 and was pleased to find that it was worth the trouble of resurrecting. This was no easy task, as it was my original intention to comply closely with eighteenth-century contrapuntal practices. Although I had written numerous polyphonic pieces in a similar style since 1976, none of these was a fugue. There was also the challenge of reconnecting with musical ideas I had originated at the age of twenty-four at a time in my life when I was rapidly approaching the age of fifty. Still, I persevered in my efforts to revive and improve this early polyphonic essay, and hope the performer and listener will be as pleased with the results as I am. This three-voice fugue can be performed by any instrument or combination of instruments, including the harpsichord.
$7.00
String Trio No. 3 in A major
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE
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Classique
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/ Wm
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William Shield
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Robert Hoskins
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String Trio No. 3 in A major
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Artaria Editions
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SheetMusicPlus
String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1488228 Composed by William Shield. Arranged by Robert Hoskins. Classical. 27 pages. Artaria Editions...
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String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1488228 Composed by William Shield. Arranged by Robert Hoskins. Classical. 27 pages. Artaria Editions #1065115. Published by Artaria Editions (A0.1488228). Shield's Trios, written for a continental audience, are seminal works in the composer's output and mark a new level of compositional attainment in the English chamber music repertory. Technically, they contain a wide variety of ideas which are developed with great ingenuity through a wide range of keys, dynamic contrasts and timbral effects. Aesthetically, they blend 'popular' and 'learned' taste along with 'orchestral' splendour and 18th century notions of beauty. The Trios present a dazzling range of moods and style with each work demonstrating Shield's mastery of the idiom, both in his treatment of individual instruments and in the handling of textures. While there is no shortage of melody and accompaniment, in which the violin takes the lead, there are many memorable solos for the viola and the cello in its high register. The wide range of textures includes melodic decoration, dialogue, contrast of high and low register, legato and staccato, powerful unison and double octaves. Shield's ability to incorporate arioso-like melody, the prevailing 'symphonic' style and folk elements was largely achieved through the cross-generic requirements of English comic opera (a form to which Shield devoted himself during the whole of his creative career). In general, Shield's technique results in a firm control of the way music moves - with sometimes a surprising degree of stylistic restlessness and sometimes of unexpected plainness and simplicity. The trios Shield selected for publication were issued by Longman and Broderip, London, in January 1796 under the inspection of the composer. No autograph of these works survives and Longman and Broderip's printing, a copy of which is preserved in the Bodleian Library, Oxford, under the call number Mus.Instr.I 214(15), is the only source of this edition. The title page, with its dedicatory inscription, reads: Six / TRIOS / FOR / Violin, Tenor and Violoncello, / Composed / And Inscribed to the Memory of / Jacob More Esqr. / By / Wm. SHIELD./ (Musician in Ordinary to His Majesty) / Entd. At Statn. Hall [rule] Price 10/6 / ADVERTISEMENT / These Trios were Composed chiefly for the abovementioned Celebrated Landscape Painter (in Rome) / And are Dedicated to his Memory as a Token of Gratitude for the Services he rendered the Author / during his Residence in that City. The movements which are written in the uncommon Time / of 5/4 have amused some of the most distinguished Professors both in England & Italy which / induces the Author to hope they will not be disagreeable to the Public at Large / Goodge Street, Jany. 1st 1796 / [rule] / London, Printed for the Author by Longman & Broderip, No.26, Cheapside & No.13, Haymarket. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$49.00
String Trio No. 4 in E major
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE
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Classique
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/ Wm
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William Shield
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Robert Hoskins
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String Trio No. 4 in E major
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Artaria Editions
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SheetMusicPlus
String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1488229 Composed by William Shield. Arranged by Robert Hoskins. Classical. 24 pages. Artaria Editions...
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String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1488229 Composed by William Shield. Arranged by Robert Hoskins. Classical. 24 pages. Artaria Editions #1065116. Published by Artaria Editions (A0.1488229). Shield's Trios, written for a continental audience, are seminal works in the composer's output and mark a new level of compositional attainment in the English chamber music repertory. Technically, they contain a wide variety of ideas which are developed with great ingenuity through a wide range of keys, dynamic contrasts and timbral effects. Aesthetically, they blend 'popular' and 'learned' taste along with 'orchestral' splendour and 18th century notions of beauty. The Trios present a dazzling range of moods and style with each work demonstrating Shield's mastery of the idiom, both in his treatment of individual instruments and in the handling of textures. While there is no shortage of melody and accompaniment, in which the violin takes the lead, there are many memorable solos for the viola and the cello in its high register. The wide range of textures includes melodic decoration, dialogue, contrast of high and low register, legato and staccato, powerful unison and double octaves. Shield's ability to incorporate arioso-like melody, the prevailing 'symphonic' style and folk elements was largely achieved through the cross-generic requirements of English comic opera (a form to which Shield devoted himself during the whole of his creative career). In general, Shield's technique results in a firm control of the way music moves - with sometimes a surprising degree of stylistic restlessness and sometimes of unexpected plainness and simplicity. The trios Shield selected for publication were issued by Longman and Broderip, London, in January 1796 under the inspection of the composer. No autograph of these works survives and Longman and Broderip's printing, a copy of which is preserved in the Bodleian Library, Oxford, under the call number Mus.Instr.I 214(15), is the only source of this edition. The title page, with its dedicatory inscription, reads: Six / TRIOS / FOR / Violin, Tenor and Violoncello, / Composed / And Inscribed to the Memory of / Jacob More Esqr. / By / Wm. SHIELD./ (Musician in Ordinary to His Majesty) / Entd. At Statn. Hall [rule] Price 10/6 / ADVERTISEMENT / These Trios were Composed chiefly for the abovementioned Celebrated Landscape Painter (in Rome) / And are Dedicated to his Memory as a Token of Gratitude for the Services he rendered the Author / during his Residence in that City. The movements which are written in the uncommon Time / of 5/4 have amused some of the most distinguished Professors both in England & Italy which / induces the Author to hope they will not be disagreeable to the Public at Large / Goodge Street, Jany. 1st 1796 / [rule] / London, Printed for the Author by Longman & Broderip, No.26, Cheapside & No.13, Haymarket. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$49.00
String Trio No. 6 in B flat major
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE
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Classique
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/ Wm
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William Shield
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Robert Hoskins
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String Trio No. 6 in B flat ma
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Artaria Editions
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SheetMusicPlus
String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1488232 Composed by William Shield. Arranged by Robert Hoskins. Classical. 36 pages. Artaria Editions...
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String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1488232 Composed by William Shield. Arranged by Robert Hoskins. Classical. 36 pages. Artaria Editions #1065119. Published by Artaria Editions (A0.1488232). Shield's Trios, written for a continental audience, are seminal works in the composer's output and mark a new level of compositional attainment in the English chamber music repertory. Technically, they contain a wide variety of ideas which are developed with great ingenuity through a wide range of keys, dynamic contrasts and timbral effects. Aesthetically, they blend 'popular' and 'learned' taste along with 'orchestral' splendour and 18th century notions of beauty. The Trios present a dazzling range of moods and style with each work demonstrating Shield's mastery of the idiom, both in his treatment of individual instruments and in the handling of textures. While there is no shortage of melody and accompaniment, in which the violin takes the lead, there are many memorable solos for the viola and the cello in its high register. The wide range of textures includes melodic decoration, dialogue, contrast of high and low register, legato and staccato, powerful unison and double octaves. Shield's ability to incorporate arioso-like melody, the prevailing 'symphonic' style and folk elements was largely achieved through the cross-generic requirements of English comic opera (a form to which Shield devoted himself during the whole of his creative career). In general, Shield's technique results in a firm control of the way music moves - with sometimes a surprising degree of stylistic restlessness and sometimes of unexpected plainness and simplicity. The trios Shield selected for publication were issued by Longman and Broderip, London, in January 1796 under the inspection of the composer. No autograph of these works survives and Longman and Broderip's printing, a copy of which is preserved in the Bodleian Library, Oxford, under the call number Mus.Instr.I 214(15), is the only source of this edition. The title page, with its dedicatory inscription, reads: Six / TRIOS / FOR / Violin, Tenor and Violoncello, / Composed / And Inscribed to the Memory of / Jacob More Esqr. / By / Wm. SHIELD./ (Musician in Ordinary to His Majesty) / Entd. At Statn. Hall [rule] Price 10/6 / ADVERTISEMENT / These Trios were Composed chiefly for the abovementioned Celebrated Landscape Painter (in Rome) / And are Dedicated to his Memory as a Token of Gratitude for the Services he rendered the Author / during his Residence in that City. The movements which are written in the uncommon Time / of 5/4 have amused some of the most distinguished Professors both in England & Italy which / induces the Author to hope they will not be disagreeable to the Public at Large / Goodge Street, Jany. 1st 1796 / [rule] / London, Printed for the Author by Longman & Broderip, No.26, Cheapside & No.13, Haymarket. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$49.00
String Trio No. 5 in C minor
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE
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Classique
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/ Wm
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William Shield
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Robert Hoskins
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String Trio No. 5 in C minor
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Artaria Editions
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SheetMusicPlus
String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1488231 Composed by William Shield. Arranged by Robert Hoskins. Classical. 23 pages. Artaria Editions...
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String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1488231 Composed by William Shield. Arranged by Robert Hoskins. Classical. 23 pages. Artaria Editions #1065118. Published by Artaria Editions (A0.1488231). Shield's Trios, written for a continental audience, are seminal works in the composer's output and mark a new level of compositional attainment in the English chamber music repertory. Technically, they contain a wide variety of ideas which are developed with great ingenuity through a wide range of keys, dynamic contrasts and timbral effects. Aesthetically, they blend 'popular' and 'learned' taste along with 'orchestral' splendour and 18th century notions of beauty. The Trios present a dazzling range of moods and style with each work demonstrating Shield's mastery of the idiom, both in his treatment of individual instruments and in the handling of textures. While there is no shortage of melody and accompaniment, in which the violin takes the lead, there are many memorable solos for the viola and the cello in its high register. The wide range of textures includes melodic decoration, dialogue, contrast of high and low register, legato and staccato, powerful unison and double octaves. Shield's ability to incorporate arioso-like melody, the prevailing 'symphonic' style and folk elements was largely achieved through the cross-generic requirements of English comic opera (a form to which Shield devoted himself during the whole of his creative career). In general, Shield's technique results in a firm control of the way music moves - with sometimes a surprising degree of stylistic restlessness and sometimes of unexpected plainness and simplicity. The trios Shield selected for publication were issued by Longman and Broderip, London, in January 1796 under the inspection of the composer. No autograph of these works survives and Longman and Broderip's printing, a copy of which is preserved in the Bodleian Library, Oxford, under the call number Mus.Instr.I 214(15), is the only source of this edition. The title page, with its dedicatory inscription, reads: Six / TRIOS / FOR / Violin, Tenor and Violoncello, / Composed / And Inscribed to the Memory of / Jacob More Esqr. / By / Wm. SHIELD./ (Musician in Ordinary to His Majesty) / Entd. At Statn. Hall [rule] Price 10/6 / ADVERTISEMENT / These Trios were Composed chiefly for the abovementioned Celebrated Landscape Painter (in Rome) / And are Dedicated to his Memory as a Token of Gratitude for the Services he rendered the Author / during his Residence in that City. The movements which are written in the uncommon Time / of 5/4 have amused some of the most distinguished Professors both in England & Italy which / induces the Author to hope they will not be disagreeable to the Public at Large / Goodge Street, Jany. 1st 1796 / [rule] / London, Printed for the Author by Longman & Broderip, No.26, Cheapside & No.13, Haymarket. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$49.00
String Trio No. 2 in D major
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Trio à Cordes: violon, alto, violoncelle
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Classique
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/ Wm
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William Shield
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Robert Hoskins
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String Trio No. 2 in D major
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Artaria Editions
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SheetMusicPlus
String Trio Cello,Viola,Violin - SKU: A0.1488225 Composed by William Shield. Arranged by Robert Hoskins. Classical. 37 pages. Artaria Editions #1065111....
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String Trio Cello,Viola,Violin - SKU: A0.1488225 Composed by William Shield. Arranged by Robert Hoskins. Classical. 37 pages. Artaria Editions #1065111. Published by Artaria Editions (A0.1488225). Shield's Trios, written for a continental audience, are seminal works in the composer's output and mark a new level of compositional attainment in the English chamber music repertory. Technically, they contain a wide variety of ideas which are developed with great ingenuity through a wide range of keys, dynamic contrasts and timbral effects. Aesthetically, they blend 'popular' and 'learned' taste along with 'orchestral' splendour and 18th century notions of beauty. The Trios present a dazzling range of moods and style with each work demonstrating Shield's mastery of the idiom, both in his treatment of individual instruments and in the handling of textures. While there is no shortage of melody and accompaniment, in which the violin takes the lead, there are many memorable solos for the viola and the cello in its high register. The wide range of textures includes melodic decoration, dialogue, contrast of high and low register, legato and staccato, powerful unison and double octaves. Shield's ability to incorporate arioso-like melody, the prevailing 'symphonic' style and folk elements was largely achieved through the cross-generic requirements of English comic opera (a form to which Shield devoted himself during the whole of his creative career). In general, Shield's technique results in a firm control of the way music moves - with sometimes a surprising degree of stylistic restlessness and sometimes of unexpected plainness and simplicity. The trios Shield selected for publication were issued by Longman and Broderip, London, in January 1796 under the inspection of the composer. No autograph of these works survives and Longman and Broderip's printing, a copy of which is preserved in the Bodleian Library, Oxford, under the call number Mus.Instr.I 214(15), is the only source of this edition. The title page, with its dedicatory inscription, reads: Six / TRIOS / FOR / Violin, Tenor and Violoncello, / Composed / And Inscribed to the Memory of / Jacob More Esqr. / By / Wm. SHIELD./ (Musician in Ordinary to His Majesty) / Entd. At Statn. Hall [rule] Price 10/6 / ADVERTISEMENT / These Trios were Composed chiefly for the abovementioned Celebrated Landscape Painter (in Rome) / And are Dedicated to his Memory as a Token of Gratitude for the Services he rendered the Author / during his Residence in that City. The movements which are written in the uncommon Time / of 5/4 have amused some of the most distinguished Professors both in England & Italy which / induces the Author to hope they will not be disagreeable to the Public at Large / Goodge Street, Jany. 1st 1796 / [rule] / London, Printed for the Author by Longman & Broderip, No.26, Cheapside & No.13, Haymarket. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$49.00
String Trio No.1 in E flat major
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE
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Classique
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/ Wm
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William Shield
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Robert Hoskins
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String Trio No.1 in E flat maj
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Artaria Editions
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SheetMusicPlus
String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1488224 Composed by William Shield. Arranged by Robert Hoskins. Classical. 24 pages. Artaria Editions...
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String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1488224 Composed by William Shield. Arranged by Robert Hoskins. Classical. 24 pages. Artaria Editions #1065110. Published by Artaria Editions (A0.1488224). The trios Shield selected for publication were issued by Longman and Broderip, London, in January 1796 under the inspection of the composer. No autograph of these works survives and Longman and Broderip's printing, a copy of which is preserved in the Bodleian Library, Oxford, under the call number Mus.Instr.I 214(15), is the only source of this edition. The title page, with its dedicatory inscription, reads: Six / TRIOS / FOR / Violin, Tenor and Violoncello, / Composed / And Inscribed to the Memory of / Jacob More Esqr. / By / Wm. SHIELD./ (Musician in Ordinary to His Majesty) / Entd. At Statn. Hall [rule] Price 10/6 / ADVERTISEMENT / These Trios were Composed chiefly for the abovementioned Celebrated Landscape Painter (in Rome) / And are Dedicated to his Memory as a Token of Gratitude for the Services he rendered the Author / during his Residence in that City. The movements which are written in the uncommon Time / of 5/4 have amused some of the most distinguished Professors both in England & Italy which / induces the Author to hope they will not be disagreeable to the Public at Large / Goodge Street, Jany. 1st 1796 / [rule] / London, Printed for the Author by Longman & Broderip, No.26, Cheapside & No.13, Haymarket. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$49.00
Mozart: Sonata K. 284 “Durnitz” for String Trio
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Classique
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W
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James M
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Mozart: Sonata K. 284 “D
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jmsgu3
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SheetMusicPlus
String Trio Cello,Viola,Violin - Level 4 - SKU: A0.1201012 Composed by W. A. Mozart (1756 – 1791). Arranged by James M. Guthrie, ASCAP. Chamber,C...
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String Trio Cello,Viola,Violin - Level 4 - SKU: A0.1201012 Composed by W. A. Mozart (1756 – 1791). Arranged by James M. Guthrie, ASCAP. Chamber,Classical,Contest,Festival,Standards,Wedding. 70 pages. Jmsgu3 #798993. Published by jmsgu3 (A0.1201012). Sonata No. 6, “Durnitz†for String TrioScore and performance parts:  Score: 32 pages. Duration: ca. 28:54Mozart's Sonata in D major, K. 284, also known as the Durnitz Sonata, is a solo piano piece that was composed by Wolfgang Amadeus Mozart in 1775. It is one of Mozart's more complex and ambitious piano sonatas and is generally regarded as one of his greatest works for the instrument.The sonata is divided into three movements:1.   Allegro - The first movement is a fast-paced and energetic sonata-allegro form, characterized by its lively theme and virtuosic passages. The movement begins with a bold and dramatic opening statement, followed by a series of contrasting themes and variations. The development section explores new harmonic and rhythmic territory, while the recapitulation brings the movement full circle with a restatement of the main themes.2.   Rondeau en Polonaise - The second movement is a graceful and elegant rondo in the style of a polonaise, a popular dance of the time. The main theme is a lilting melody that is first presented by the right hand and then repeated with variations throughout the movement. The middle section features a contrasting theme in a minor key, which is then developed and expanded upon in the latter half of the movement.3.   Theme and Variations - The final movement is a set of six variations on a theme, which is introduced at the beginning of the movement. Each variation explores a different aspect of the theme, from playful embellishments to dramatic flourishes. The final variation brings the piece to a rousing and triumphant close.Overall, Mozart's Sonata in D major, K. 284, is a masterful example of the composer's virtuosity and innovation and remains a beloved and influential work in the piano repertoire. Mozart's Sonata in D major, K. 284 is also known as the Dürnitz Sonata because it is believed to have been composed for Count Johann Joseph Anton von Dürnitz, an accomplished amateur flautist who was a patron of Mozart.Mozart was in Munich in 1775, and he met Dürnitz there. According to Mozart's letters to his father, Dürnitz played the flute very well, and Mozart was impressed by his abilities. It is believed that Mozart composed this sonata specifically for Dürnitz, who may have performed it with Mozart accompanying him on the piano.There is no concrete evidence to support the theory that the sonata was named after Dürnitz, but it is widely accepted as the most likely explanation for the nickname. In any case, the sonata remains one of Mozart's most popular and beloved works for solo piano.
$42.95
Hungarian Dance No. 5
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE
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Johannes Brahms
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Glauco Fernandes
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Hungarian Dance No. 5
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Glauco Fernandes
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SheetMusicPlus
String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1463812 Composed by Johannes Brahms. Arranged by Glauco Fernandes. Chamber,Classical,Romantic Period,...
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String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1463812 Composed by Johannes Brahms. Arranged by Glauco Fernandes. Chamber,Classical,Romantic Period,Wedding. 10 pages. Glauco Fernandes #1042181. Published by Glauco Fernandes (A0.1463812). Hungarian Dance No. 5 by Johannes Brahms - Intermediate ArrangementAre you passionate about music? We have the perfect offer for you! Introducing the exclusive sheet music arrangement of Hungarian Dance No. 5 by Johannes Brahms, tailored for intermediate-level musicians.Why choose our arrangement?This arrangement has been carefully crafted to capture the essence and beauty of the original piece, making it accessible for intermediate-level musicians. Each note has been thoughtfully placed to provide the best musical experience.The sheet music is easy to follow, ideal for students learning to play, teachers seeking quality educational material, and professionals performing at events, including weddings. With precise instructions, you'll be able to perform the music confidently and effortlessly.Moreover, Hungarian Dance No. 5 is a versatile piece suitable for various occasions, from intimate concerts to larger events. Its captivating melody is sure to captivate any audience.Add Hungarian Dance No. 5 to your repertoire and enchant everyone with this timeless melody. Get your sheet music now!Purchase Sheet MusicTags: Hungarian Dance No. 5, Johannes Brahms, Intermediate Arrangement, Sheet Music, Music Students, Music Teachers, Wedding Music, Classical Music, Brahms Hungarian Dance, Hungarian Dance Sheet, Hungarian Dance Sheet Music, Hungarian Dance Music, Hungarian Dance Sheet Music PDF, Classical Dance Music, Hungarian Dance Tutorial, Hungarian Dance, Brahms Dance, Hungarian Dance, Piano.
$12.99
Hungarian Dance No. 5
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE
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Johannes Brahms
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Glauco Fernandes
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Hungarian Dance No. 5
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Glauco Fernandes
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SheetMusicPlus
String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1463811 Composed by Johannes Brahms. Arranged by Glauco Fernandes. Chamber,Classical,Romantic Period,...
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String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1463811 Composed by Johannes Brahms. Arranged by Glauco Fernandes. Chamber,Classical,Romantic Period,Wedding. 10 pages. Glauco Fernandes #1042180. Published by Glauco Fernandes (A0.1463811). Hungarian Dance No. 5 by Johannes Brahms - Intermediate ArrangementAre you passionate about music? We have the perfect offer for you! Introducing the exclusive sheet music arrangement of Hungarian Dance No. 5 by Johannes Brahms, tailored for intermediate-level musicians.Why choose our arrangement?This arrangement has been carefully crafted to capture the essence and beauty of the original piece, making it accessible for intermediate-level musicians. Each note has been thoughtfully placed to provide the best musical experience.The sheet music is easy to follow, ideal for students learning to play, teachers seeking quality educational material, and professionals performing at events, including weddings. With precise instructions, you'll be able to perform the music confidently and effortlessly.Moreover, Hungarian Dance No. 5 is a versatile piece suitable for various occasions, from intimate concerts to larger events. Its captivating melody is sure to captivate any audience.Add Hungarian Dance No. 5 to your repertoire and enchant everyone with this timeless melody. Get your sheet music now!Purchase Sheet MusicTags: Hungarian Dance No. 5, Johannes Brahms, Intermediate Arrangement, Sheet Music, Music Students, Music Teachers, Wedding Music, Classical Music, Brahms Hungarian Dance, Hungarian Dance Sheet, Hungarian Dance Sheet Music, Hungarian Dance Music, Hungarian Dance Sheet Music PDF, Classical Dance Music, Hungarian Dance Tutorial, Hungarian Dance, Brahms Dance, Hungarian Dance, Piano.
$12.99
Hungarian Dance No. 5
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE
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Johannes Brahms
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Glauco Fernandes
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Hungarian Dance No. 5
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Glauco Fernandes
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SheetMusicPlus
String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1463809 Composed by Johannes Brahms. Arranged by Glauco Fernandes. Chamber,Classical,Romantic Period,...
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String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1463809 Composed by Johannes Brahms. Arranged by Glauco Fernandes. Chamber,Classical,Romantic Period,Wedding. 12 pages. Glauco Fernandes #1042178. Published by Glauco Fernandes (A0.1463809). Hungarian Dance No. 5 by Johannes Brahms - Intermediate ArrangementAre you passionate about music? We have the perfect offer for you! Introducing the exclusive sheet music arrangement of Hungarian Dance No. 5 by Johannes Brahms, tailored for intermediate-level musicians.Why choose our arrangement?This arrangement has been carefully crafted to capture the essence and beauty of the original piece, making it accessible for intermediate-level musicians. Each note has been thoughtfully placed to provide the best musical experience.The sheet music is easy to follow, ideal for students learning to play, teachers seeking quality educational material, and professionals performing at events, including weddings. With precise instructions, you'll be able to perform the music confidently and effortlessly.Moreover, Hungarian Dance No. 5 is a versatile piece suitable for various occasions, from intimate concerts to larger events. Its captivating melody is sure to captivate any audience.Add Hungarian Dance No. 5 to your repertoire and enchant everyone with this timeless melody. Get your sheet music now!Purchase Sheet MusicTags: Hungarian Dance No. 5, Johannes Brahms, Intermediate Arrangement, Sheet Music, Music Students, Music Teachers, Wedding Music, Classical Music, Brahms Hungarian Dance, Hungarian Dance Sheet, Hungarian Dance Sheet Music, Hungarian Dance Music, Hungarian Dance Sheet Music PDF, Classical Dance Music, Hungarian Dance Tutorial, Hungarian Dance, Brahms Dance, Hungarian Dance, Piano.
$14.99
Hungarian Dance No. 5
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE
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Johannes Brahms
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Glauco Fernandes
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Hungarian Dance No. 5
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Glauco Fernandes
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SheetMusicPlus
String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1463810 Composed by Johannes Brahms. Arranged by Glauco Fernandes. Chamber,Classical,Romantic Period,...
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String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1463810 Composed by Johannes Brahms. Arranged by Glauco Fernandes. Chamber,Classical,Romantic Period,Wedding. 12 pages. Glauco Fernandes #1042179. Published by Glauco Fernandes (A0.1463810). Hungarian Dance No. 5 by Johannes Brahms - Intermediate ArrangementAre you passionate about music? We have the perfect offer for you! Introducing the exclusive sheet music arrangement of Hungarian Dance No. 5 by Johannes Brahms, tailored for intermediate-level musicians.Why choose our arrangement?This arrangement has been carefully crafted to capture the essence and beauty of the original piece, making it accessible for intermediate-level musicians. Each note has been thoughtfully placed to provide the best musical experience.The sheet music is easy to follow, ideal for students learning to play, teachers seeking quality educational material, and professionals performing at events, including weddings. With precise instructions, you'll be able to perform the music confidently and effortlessly.Moreover, Hungarian Dance No. 5 is a versatile piece suitable for various occasions, from intimate concerts to larger events. Its captivating melody is sure to captivate any audience.Add Hungarian Dance No. 5 to your repertoire and enchant everyone with this timeless melody. Get your sheet music now!Purchase Sheet MusicTags: Hungarian Dance No. 5, Johannes Brahms, Intermediate Arrangement, Sheet Music, Music Students, Music Teachers, Wedding Music, Classical Music, Brahms Hungarian Dance, Hungarian Dance Sheet, Hungarian Dance Sheet Music, Hungarian Dance Music, Hungarian Dance Sheet Music PDF, Classical Dance Music, Hungarian Dance Tutorial, Hungarian Dance, Brahms Dance, Hungarian Dance, Piano.
$14.99
You Know I'm No Good
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Amy Winehouse Featuring Ghostf
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Sarah Cellobat Chaffee
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You Know I'm No Good
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Sarah Cellobat Chaffee
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SheetMusicPlus
String Trio Cello,Viola,Violin - Level 4 - SKU: A0.1137601 By Amy Winehouse Featuring Ghostface Killah. By Amy Winehouse. Arranged by Sarah Cellobat Cha...
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String Trio Cello,Viola,Violin - Level 4 - SKU: A0.1137601 By Amy Winehouse Featuring Ghostface Killah. By Amy Winehouse. Arranged by Sarah Cellobat Chaffee. Contemporary,Pop,Singer/Songwriter. 14 pages. Sarah Cellobat Chaffee #737842. Published by Sarah Cellobat Chaffee (A0.1137601). *INSTRUMENTATION: VIOLIN, VIOLA, CELLO* You Know I'm No Good was the second hit single from iconic singer Amy Winehouse's album Back to Black, and its instant popularity led to a number of famous covers and remixes. This arrangement for your violin/viola/cello string trio will be a hit at parties, receptions, pop concerts, or any other occasion that needs a laid-back groove! Full of fun syncopations, groovy bass lines, and interesting harmonic layers, this arrangement is sure to get everyone dancing. This will be sightreadable for professionals and playable for students - rated advanced-intermediate just because of some weird rhythms and accidentals.Sarah “Cellobat†Chaffee is an in-demand acoustic & electric cellist and string arranger. Currently, she performs with legendary rock band Aerosmith in their “Deuces Are Wild†residency show, and she is the principal cellist for the Raiders House Band, playing for a crowd of 60,000 at all of the team's home games. She also plays with many other groups including Premiere Wedding Music, Bella Electric Strings, the Femmes Of Rock, and David Perrico’s Pop Strings Orchestra. Sarah has performed and recorded with numerous other artists including Disturbed, Mötley Crüe, Celine Dion, Halsey, Michael Bublé, Sarah Brightman, and Lady A. She is the exclusive arranger for a number of award-winning wedding and event companies all across the United States, including Premiere Wedding Music, Las Vegas Music Oasis, and Impulse Strings, and she has created custom arrangements for many other ensembles all over the world. You can find her at:http://www.cellobat.comhttp://www.instagram.com/cellobathttps://www.youtube.com/@Cellobat.
$14.99
Ain't No Mountain High Enough
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE
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Diana Ross
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Sherry Lewis
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Ain't No Mountain High Enough
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Sherry Lewis Publishing
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SheetMusicPlus
String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1049772 By Diana Ross. By Nickolas Ashford and Valerie Simpson. Arranged by Sherry Lewis. Contemporar...
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String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1049772 By Diana Ross. By Nickolas Ashford and Valerie Simpson. Arranged by Sherry Lewis. Contemporary,Hip-Hop,Pop,R & B,Wedding. 14 pages. Sherry Lewis Publishing #654158. Published by Sherry Lewis Publishing (A0.1049772). Ain’t No Mountain High Enough STRING TRIO Intermediate Level for 2 violins and cello or violin, viola and cello Intermediate Level Score: Yes Parts: 5 pages Time: 2.15 MY QUARTET VERSIONS, in short notice work fine for solo, two parts and three parts however I also offer individual versions for one, two and three parts that are more detailed for these ensembles. Please visit https://www.sheetmusicplus.com/search?Ntt=sherry+lewis+publishing for all of the titles I offer. If you can’t find a title then contact me through https://baysbest.com/contact/and I’ll give you the link back to Sheet Music Plus’s listing. Sherry Lewis is a professional arranger and musician residing in Northern California. Thank you for your purchase!
$12.99
BACH: Trio Sonata No. 1 BWV 525 for Violin Duo & Cello
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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James M
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BACH: Trio Sonata No. 1 BWV 52
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jmsgu3
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SheetMusicPlus
String Ensemble,String Trio - Level 4 - SKU: A0.552648 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Holiday,Standards,Weddin...
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String Ensemble,String Trio - Level 4 - SKU: A0.552648 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Holiday,Standards,Wedding. Score and parts. 35 pages. Jmsgu3 #6491581. Published by jmsgu3 (A0.552648). Sonata No. 1 BWV 525, originally for organ, arranged for violin duo & cello.Duration: 14:15, Score: 19 pages In three movements.I. AllegroII. AdagioIII. AllegroJ.S. Bach's Trio Sonatas BWV 525-530 are some of the most popular and beloved works of the Baroque period. Composed in 1717, these six trio sonatas for the organ are among Bach's earliest works for the instrument. They are all in the traditional three-movement form and are composed in the style of the Italian concerto grosso, with two upper voices (treble and alto) and a basso continuo. The two upper voices often intertwine in intricate contrapuntal melodies, while the basso continuo provides harmonic support. The works are also full of virtuosic passages that demonstrate Bach's mastery of the organ. The Trio Sonatas are considered to be among the most important and influential works of the Baroque era, and they continue to be widely performed and studied today.The Bach Trio Sonatas have been successfully transcribed for a variety of ensembles, including wind, string, and brass ensembles. The parts are easily divided among a variety of wind instruments, including flute, oboe, clarinet, bassoon, and saxophone. In these transcriptions, the original material is retained, but often with some additional orchestration or embellishment. These transcriptions often emphasize the polyphonic texture of the original works, creating a rich soundscape.  The Sonatas have also been successfully adapted for a variety of string ensembles. In these versions, the original two-part texture with the basso is maintained, creating a full and satisfying sound that allows for a more nuanced interpretation of the works. In addition, these transcriptions often add a variety of dynamic markings and articulations that were not present in the original editions. These transcriptions provide performers with a variety of options for interpreting and performing these beloved works.
$32.95
BACH: Trio Sonata No. 2 BWV 526 for String Trio
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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James M
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BACH: Trio Sonata No. 2 BWV 52
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jmsgu3
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SheetMusicPlus
String Ensemble,String Trio - Level 4 - SKU: A0.552653 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Holiday,Standards,Weddin...
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String Ensemble,String Trio - Level 4 - SKU: A0.552653 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Holiday,Standards,Wedding. Score and parts. 59 pages. Jmsgu3 #6494883. Published by jmsgu3 (A0.552653). Trio Sonata No. 2 BWV 526, originally for organ, arranged for string trio: violin, viola & cello. Duration: ca. 10:00, Score: 35 pages. J.S. Bach's Trio Sonatas BWV 525-530 are some of the most popular and beloved works of the Baroque period. Composed in 1717, these six trio sonatas for the organ are among Bach's earliest works for the instrument. They are all in the traditional three-movement form and are composed in the style of the Italian concerto grosso, with two upper voices (treble and alto) and a basso continuo. The two upper voices often intertwine in intricate contrapuntal melodies, while the basso continuo provides harmonic support. The works are also full of virtuosic passages that demonstrate Bach's mastery of the organ. The Trio Sonatas are considered to be among the most important and influential works of the Baroque era, and they continue to be widely performed and studied today.The Bach Trio Sonatas have been successfully transcribed for a variety of ensembles, including wind, string, and brass ensembles. The parts are easily divided among a variety of wind instruments, including flute, oboe, clarinet, bassoon, and saxophone. In these transcriptions, the original material is retained, but often with some additional orchestration or embellishment. These transcriptions often emphasize the polyphonic texture of the original works, creating a rich soundscape.  The Sonatas have also been successfully adapted for a variety of string ensembles. In these versions, the original two-part texture with the basso is maintained, creating a full and satisfying sound that allows for a more nuanced interpretation of the works. In addition, these transcriptions often add a variety of dynamic markings and articulations that were not present in the original editions. These transcriptions provide performers with a variety of options for interpreting and performing these beloved works.
$32.95
No Other Love
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE
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Paul Weston & His Orchestra
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D
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No Other Love
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DJ Fagan
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SheetMusicPlus
Cello,Viola,Violin - Level 3 - Interactive Download SKU: A0.1262914 By Paul Weston & His Orchestra. By Paul Weston. Arranged by D. Fagan. This edition: I...
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Cello,Viola,Violin - Level 3 - Interactive Download SKU: A0.1262914 By Paul Weston & His Orchestra. By Paul Weston. Arranged by D. Fagan. This edition: Interactive Download. Standards,Wedding. 7 pages. Duration 172. DJ Fagan #quWLv6J05I04dlJJVwNSV. Published by DJ Fagan (A0.1262914). Key: C major.This timeless romantic tune will melt anyone's heart! This is the 1950s ballad, as performed by Jo Stafford. Not to be confused with other songs of the same title. For string quartet, featuring the first violinist.
$14.99
PRELUDE FROM CELLO SUITE NO. 1 by Bach String Trio, Intermediate Level for 2 violins and cello or vi
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE
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Classique
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Johann Sebastian Bach
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Sherry Lewis
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PRELUDE FROM CELLO SUITE NO. 1
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Sherry Lewis Publishing
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SheetMusicPlus
Cello,Viola,Violin - Level 3 - SKU: A0.521327 Composed by Johann Sebastian Bach. Arranged by Sherry Lewis. Baroque,Holiday,Multicultural,Wedding,World. ...
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Cello,Viola,Violin - Level 3 - SKU: A0.521327 Composed by Johann Sebastian Bach. Arranged by Sherry Lewis. Baroque,Holiday,Multicultural,Wedding,World. 13 pages. Sherry Lewis Publishing #4888703. Published by Sherry Lewis Publishing (A0.521327). PRELUDE FROM CELLO SUITE NO. 1 by Bach String Trio, Intermediate Level for 2 violins and cello or violin, viola and celloScore: 4 pagesparts: 5 pagestime: 2'25MY QUARTET VERSIONS, in short notice usually work fine for solo, two parts and three parts however I also offer individual versions for one, two and three parts that are more detailed for these ensembles.Please visit https://www.sheetmusicplus.com/search?Ntt=sherry+lewis+publishing for all of the titles I offer.If you can’t find a title then contact me through stringquartet@hotmail.com and I’ll give you the link back to Sheet Music Plus’s listing.VERSATILE Titles that include four parts are written with the idea that they can be performed with 1, 2, 3 or 4 musicians. Most of the contemporary/popular titles include a chord chart for a bass instrument.PRACTICE needs would vary according to the level of the performers but my goal is to be sight-readable for most performers and groups. AUDIO SAMPLE The 30 second mp3 is frequently shortened and may not start at the introduction to get to the reprise. The actual introduction will be in the sheet music.LISTENABILITY I have performed thousands of weddings and special events. I make it a goal for the music to carry as well as possible through loud and large space situations. ARRANGEMENTS usually follow the original version. There is an mp3 where you can hear 30 seconds and get a feeling of the originality of the work.EXCELLENT for corporate events, weddings, social gatherings and recitals.APPROPRIATE for students and schools.CHURCH REPERTOIRE I’m always adding more titles. Thank you for your purchase!
$6.50
GYMNOPÉDIE NO.2 String Trio, Intermediate Level for 2 violins and cello or violin, viola and cello
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE
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Classique
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Contemporain
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Erik Satie
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Sherry Lewis Publishing
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GYMNOPÉDIE NO.2 String
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Sherry Lewis Publishing
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SheetMusicPlus
String Trio Cello,Viola,Violin - Level 3 - SKU: A0.521488 Composed by Erik Satie. Arranged by Sherry Lewis Publishing. 20th Century,Contemporary,Holiday...
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String Trio Cello,Viola,Violin - Level 3 - SKU: A0.521488 Composed by Erik Satie. Arranged by Sherry Lewis Publishing. 20th Century,Contemporary,Holiday,Wedding. 12 pages. Sherry Lewis Publishing #6135659. Published by Sherry Lewis Publishing (A0.521488). GYMNOPÉDIE NO.2 String Trio, Intermediate Level for 2 violins and cello or violin, viola and celloScore: 3 pagesParts: 4 pages Time: 2'10MY QUARTET VERSIONS, in short notice work fine for solo, two parts and three parts however I also offer individual versions for one, two and three parts that are more detailed for these ensembles.Please visit https://www.sheetmusicplus.com/search?Ntt=sherry+lewis+publishing for all of the titles I offer.If you can’t find a title then contact me through www.baysbest.com/smp-arrangeme/ and I’ll give you the link back to Sheet Music Plus’s listing.VERSATILE Titles that include four parts are written with the idea that they can be performed with 1, 2, 3 or 4 musicians. Most of the contemporary/popular titles include a chord chart for a bass instrument.PRACTICE needs would vary according to the level of the performers but my goal is to be sight-readable for most performers and groups. AUDIO SAMPLE The 30 second mp3 is frequently shortened and may not start at the introduction to get to the reprise. The actual introduction will be in the sheet music.LISTENABILITY I have performed thousands of weddings and special events. I make it a goal for the music to carry as well as possible through loud and large space situations. ARRANGEMENTS usually follow the original version. There is an mp3 where you can hear 30 seconds and get a feeling of the originality of the work.EXCELLENT for corporate events, weddings, social gatherings and recitals.APPROPRIATE for students and schools.CHURCH REPERTOIRE I’m always adding more titles. Sherry Lewis is a professional arranger and musician residing in Northern California. Thank you for your purchase!
$4.50
ROSEMUNDE - ENTR'ACTE NO. 3 - ANDANTINO String Trio, Intermediate Level for 2 violins and cello or v
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE
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Classique
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Franz Schubert
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Sherry Lewis
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ROSEMUNDE - ENTR'ACTE NO. 3 -
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Sherry Lewis Publishing
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SheetMusicPlus
String Trio Cello,Viola,Violin - Level 3 - SKU: A0.521862 Composed by Franz Schubert. Arranged by Sherry Lewis. Contemporary,Romantic Period,Spiritual,W...
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String Trio Cello,Viola,Violin - Level 3 - SKU: A0.521862 Composed by Franz Schubert. Arranged by Sherry Lewis. Contemporary,Romantic Period,Spiritual,Wedding. 23 pages. Sherry Lewis Publishing #6506181. Published by Sherry Lewis Publishing (A0.521862). ROSEMUNDE - ENTR'ACTE NO. 3 - ANDANTINO String Trio, Intermediate Level for 2 violins and cello or violin, viola and cello Score: YES Parts: 4 pages Time: 3'50 MY QUARTET VERSIONS, in short notice work fine for solo, two parts and three parts however I also offer individual versions for one, two and three parts that are more detailed for these ensembles. Please visit https://www.sheetmusicplus.com/search?Ntt=sherry+lewis+publishing for all of the titles I offer. If you can’t find a title then contact me through www.baysbest.com/smp-arrangeme/ and I’ll give you the link back to Sheet Music Plus’s listing. VERSATILE Titles that include four parts are written with the idea that they can be performed with 1, 2, 3 or 4 musicians. Most of the contemporary/popular titles include a chord chart for a bass instrument. PRACTICE needs would vary according to the level of the performers but my goal is to be sight-readable for most performers and groups. AUDIO SAMPLE The 30 second mp3 is frequently shortened and may not start at the introduction to get to the reprise. The actual introduction will be in the sheet music. LISTENABILITY I have performed thousands of weddings and special events. I make it a goal for the music to carry as well as possible through loud and large space situations. ARRANGEMENTS usually follow the original version. There is an mp3 where you can hear 30 seconds and get a feeling of the originality of the work. EXCELLENT for corporate events, weddings, social gatherings and recitals. APPROPRIATE for students and schools. CHURCH REPERTOIRE I’m always adding more titles. Sherry Lewis is a professional arranger and musician residing in Northern California. Thank you for your purchase!
$6.50
GYMNOPÉDIE NO.1 String Trio, Intermediate Level for 2 violins and cello or violin, viola and cello
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE
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Classique
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Contemporain
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Erik Satie
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Sherry Lewis Publishing
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GYMNOPÉDIE NO.1 String
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Sherry Lewis Publishing
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SheetMusicPlus
String Trio Cello,Viola,Violin - Level 3 - SKU: A0.521486 Composed by Erik Satie. Arranged by Sherry Lewis Publishing. 20th Century,Contemporary,Holiday...
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String Trio Cello,Viola,Violin - Level 3 - SKU: A0.521486 Composed by Erik Satie. Arranged by Sherry Lewis Publishing. 20th Century,Contemporary,Holiday,Wedding. 15 pages. Sherry Lewis Publishing #6135085. Published by Sherry Lewis Publishing (A0.521486). GYMNOPÉDIE NO.1 String Trio, Intermediate Level for 2 violins and cello or violin, viola and celloScore: 6 pagesParts: 4 pages Time: 2'30MY QUARTET VERSIONS, in short notice work fine for solo, two parts and three parts however I also offer individual versions for one, two and three parts that are more detailed for these ensembles.Please visit https://www.sheetmusicplus.com/search?Ntt=sherry+lewis+publishing for all of the titles I offer.If you can’t find a title then contact me through www.baysbest.com/smp-arrangeme/ and I’ll give you the link back to Sheet Music Plus’s listing.VERSATILE Titles that include four parts are written with the idea that they can be performed with 1, 2, 3 or 4 musicians. Most of the contemporary/popular titles include a chord chart for a bass instrument.PRACTICE needs would vary according to the level of the performers but my goal is to be sight-readable for most performers and groups. AUDIO SAMPLE The 30 second mp3 is frequently shortened and may not start at the introduction to get to the reprise. The actual introduction will be in the sheet music.LISTENABILITY I have performed thousands of weddings and special events. I make it a goal for the music to carry as well as possible through loud and large space situations. ARRANGEMENTS usually follow the original version. There is an mp3 where you can hear 30 seconds and get a feeling of the originality of the work.EXCELLENT for corporate events, weddings, social gatherings and recitals.APPROPRIATE for students and schools.CHURCH REPERTOIRE I’m always adding more titles. Sherry Lewis is a professional arranger and musician residing in Northern California. Thank you for your purchase!
$6.50
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