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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Here I stand
Non classifié
969
Piano & claviers
Piano seul
452
Piano, Voix et Guitare
212
Piano, Voix
129
Piano grosses notes
117
Instruments en Do
68
Orgue
56
Piano Facile
55
Piano Trio: piano, violon, violoncelle
11
2 Pianos, 4 mains
8
Accompagnement Piano
7
1 Piano, 4 mains
5
Piano Quatuor: piano, violon, alto, violoncelle
2
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Ligne De Mélodie, Piano
1
Clavecin
1
Piano (partie séparée)
1
Piano Quatuor: piano, 2 violons, violoncelle
1
+ 12 instrumentations
Retracter
Guitares
Guitare notes et tablatures
120
Guitare
79
Ligne De Mélodie, (Paroles) et Accords
62
Basse electrique
28
Ukulele
21
2 Guitares (duo)
9
Banjo
6
4 Guitares (Quatuor)
4
Mandoline
4
3 Guitares (trio)
4
Dulcimer
4
Paroles et Accords
3
Piano, Guitare (duo)
2
Guitare (partie séparée)
1
Ensemble de guitares
1
+ 10 instrumentations
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Voix
Chorale SATB
100
Chorale 3 parties
29
Chorale TTBB
19
Chorale 2 parties
17
Voix duo, Piano
15
Chorale SSAA
11
Chorale Unison
8
Voix haute
6
Voix seule
6
Pack Instrumental pour Chorale
5
Chorale
5
Voix Alto, Piano
2
Voix Soprano, Piano
2
Voix duo
1
+ 9 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
113
Quintette de Saxophone: 5 saxophones
79
2 Saxophones (duo)
45
Flûte, Hautbois, Clarinette, Basson
41
Ensemble de saxophones
37
Flûte traversière et Piano
37
2 Clarinettes (duo)
30
Ensemble de Clarinettes
29
Clarinette et Piano
26
Flûte traversière
25
2 Flûtes traversières (duo)
24
Quatuor de Saxophones: 4 saxophones
20
Saxophone Alto et Piano
20
Hautbois, Piano (duo)
19
Clarinette
18
Saxophone Alto
18
Saxophone, Clarinette (duo)
16
Saxophone Tenor et Piano
16
Quatuor de Clarinettes: 4 clarinettes
13
Ensemble de Flûtes
13
Flûte, Clarinette (duo)
12
3 Clarinettes (trio)
12
Quintette de Flûte : 5 flûtes
11
Saxophone Baryton, Piano
10
Flûte à bec Soprano
10
Saxophone Tenor
10
Clarinette, Violon (duo)
9
Clarinette, Trompette (duo)
8
Cor anglais, Piano
8
Saxophone Soprano et Piano
8
Saxophone (partie séparée)
7
Hautbois (partie séparée)
7
Quatuor de Flûtes : 4 flûtes
6
Flûte irlandaise
6
Clarinette et Alto
6
Hautbois, Clarinette (duo)
6
2 Hautbois (duo)
6
Cor Anglais
5
Flûte et Guitare
5
Hautbois, Basson (duo)
5
Trio de Flûtes: 3 flûtes
5
Flûte, Alto (duo)
5
Flûte, Clarinette, Piano (trio)
4
Quintette de Clarinettes: 5 clarinettes
4
Clarinette Basse, Piano
4
Flûte à bec Alto, Piano
3
Flûte, Saxophone (duo)
3
Hautbois, Flûte
3
Flûte, Violon
2
Instruments en Mib
2
Flûte à bec Soprano, Piano
2
Flûte, Trompette (duo)
2
Cor anglais, Guitare (duo)
2
Flûte, Violon, Piano
2
Clarinette, Guitare (duo)
2
Saxophone et Harpe
2
Flute (partie séparée)
2
Clarinette, Basson (duo)
2
Quintette de Clarinette: Clarinette, Quatuor à Cordes
2
Clarinette, Harpe (duo)
2
Clarinette, Violoncelle (duo)
2
Flûte, Hautbois, Clarinette (trio)
2
Saxophone et Orgue
2
Clarinette, Violoncelle, Piano (trio)
1
Saxophone et Guitare
1
Clarinette (partie séparée)
1
Flûte, Clarinette et Basson
1
2 Flûte à bec (duo)
1
Flûte à bec Alto
1
Clarinette, Trombone (duo)
1
Hautbois, Harpe
1
Harmonica
1
2 Clarinettes, Piano
1
2 Flûtes traversières, Piano
1
Flûte, Basson et Piano
1
Flûte, Hautbois (duo)
1
3 Saxophones (trio)
1
Flûte à Bec
1
Piccolo, Piano
1
Ocarina
1
+ 75 instrumentations
Retracter
Cuivres
Quatuor de Cuivres : 2 trompettes, trombone, tuba
75
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
67
Ensemble de Trompettes
46
Trompette
24
Ensemble de Trombones
20
Trombone et Piano
19
Quatuor de Cuivres: 2 trompettes, Cor, trombone
18
Trombone
16
Trompette, Piano
12
2 Trombones (duo)
9
2 Trompettes (duo)
9
Cor anglais, Piano
8
Trompette, Saxophone (duo)
7
Euphonium, Piano (duo)
7
Trompette, Trombone (duo)
7
Cor
7
Cor et Piano
7
Quatuor de Cuivres
7
Cor Anglais
5
Tuba et Piano
4
2 Cors (duo)
4
Tuba
3
Quatuor de cuivres: 4 trompettes
3
Bass Clef Instruments
3
3 Trompettes (trio)
2
Cor anglais, Guitare (duo)
2
Euphonium
2
Trompette (partie séparée)
2
Trompette, Trombone, Piano
2
Instruments en Sib
2
3 Trombones (trio)
2
Trompette, Violoncelle et Piano
2
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Ensemble de Tubas
1
Cor et Harpe
1
Trompette, violon (duo)
1
Quatuor de cuivres: 4 cors
1
Trompette, Euphonium (duo)
1
Trombone (partie séparée)
1
Cor (partie séparée)
1
2 Euphoniums (duo)
1
Trompette, Harpe
1
3 Cors (trio)
1
Trio de Cuivres
1
Quatuor de cuivres: 4 trombones
1
+ 40 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
123
Violon et Piano
68
2 Violons (duo)
59
Alto, Piano
33
Violon, Alto (duo)
29
Violoncelle, Piano
28
Trio à Cordes: violon, alto, violoncelle
23
2 Altos (duo)
20
Violon, Violoncelle (duo)
20
Violon
19
Violoncelle
17
Alto seul
14
Harpe
13
Ensemble d'Altos
13
Ensemble de Violons
12
2 Violoncelles (duo)
10
2 Harpes (duo)
7
Quintette à cordes: 2 violons, alto, violoncelle, basse
5
Violoncelle, Contrebasse (duo)
5
Contrebasse, Piano (duo)
5
Trio à cordes: 3 altos
4
Violon, Guitare (duo)
4
Alto, Violoncelle (duo)
4
Trio à Cordes: 3 violoncelles
3
Contrebasse (partie séparée)
3
Harpe, Voix
3
Piano Trio: Violon, Alto, Piano
2
Trio à Cordes: 2 violons, violoncelle
2
Violon (partie séparée)
2
2 Violons, Piano
2
Harpe, Flûte (duo)
2
Violoncelle , Guitare (duo)
2
Trio à cordes: 3 violins
2
Contre Basse
2
Alto et Harpe
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Alto (partie séparée)
1
Quatuor à cordes: 4 violons
1
4 Violoncelles
1
Harpe, Trombone (duo)
1
Alto et Basson
1
Harpe, Violoncelle (duo)
1
Harpe, Violon (duo)
1
+ 38 instrumentations
Retracter
Orchestre & Percussions
Ensemble Jazz
69
Orchestre à Cordes
55
Orchestre d'harmonie
49
Orchestre de chambre
44
Orchestre
27
Jazz combo
20
Ensemble de cuivres
11
Fanfare
7
Ensemble de Percussions
7
Marimba
6
Cloches
6
Batterie
3
Xylophone
3
Ensemble d'École
1
Batterie (partie séparée)
1
+ 10 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
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avancé
expert
avec audio
avec vidéo
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Vous avez sélectionné:
Here I stand
Trio à Cordes: violon, alto, violoncelle
Partitions à imprimer
23 partitions trouvées
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1
Stand By Me
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE
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Ben E
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Sherry Lewis Publishing
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Stand By Me
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Sherry Lewis Publishing
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SheetMusicPlus
String Trio Cello,Viola,Violin - Level 3 - SKU: A0.520975 By Ben E. King. By Ben E. King, Jerry Leiber, and Mike Stoller. Arranged by Sherry Lewis Publi...
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String Trio Cello,Viola,Violin - Level 3 - SKU: A0.520975 By Ben E. King. By Ben E. King, Jerry Leiber, and Mike Stoller. Arranged by Sherry Lewis Publishing. Pop,Wedding. 20 pages. Sherry Lewis Publishing #3374511. Published by Sherry Lewis Publishing (A0.520975). STAND BY ME String Trio for 2 violins and cello or violin, viola and celloScore 9 pagesparts: 8 pagestime: 3'MY QUARTET VERSIONS, in short notice work fine for solo, two parts and three parts however I also offer individual versions for one, two and three parts that are more detailed for these ensembles.Please visit https://www.sheetmusicplus.com/search?Ntt=sherry+lewis+publishing for all of the titles I offer.If you can’t find a title then contact me through www.baysbest.com/smp-arrangeme/ and I’ll give you the link back to Sheet Music Plus’s listing.VERSATILE Titles that include four parts are written with the idea that they can be performed with 1, 2, 3 or 4 musicians. Most of the contemporary/popular titles include a chord chart for a bass instrument.PRACTICE needs would vary according to the level of the performers but my goal is to be sight-readable for most performers and groups. AUDIO SAMPLE The 30 second mp3 is frequently shortened and may not start at the introduction to get to the reprise. The actual introduction will be in the sheet music.LISTENABILITY I have performed thousands of weddings and special events. I make it a goal for the music to carry as well as possible through loud and large space situations. ARRANGEMENTS usually follow the original version. There is an mp3 where you can hear 30 seconds and get a feeling of the originality of the work.EXCELLENT for corporate events, weddings, social gatherings and recitals.APPROPRIATE for students and schools.CHURCH REPERTOIRE I’m always adding more titles. Sherry Lewis is a professional arranger and musician residing in Northern California. Thank you for your purchase!
$12.99
Standard Trio for Incomplete Quartet
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Trio à Cordes: violon, alto, violoncelle
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AVANCÉ
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Patrick Prejean
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Standard Trio for Incomplete Q
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Patrick Prejean
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SheetMusicPlus
String Trio Cello,Viola,Violin - Level 5 - SKU: A0.1352433 Composed by Patrick Prejean. 21st Century,Classical,Contemporary. 39 pages. Patrick Prejean #...
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String Trio Cello,Viola,Violin - Level 5 - SKU: A0.1352433 Composed by Patrick Prejean. 21st Century,Classical,Contemporary. 39 pages. Patrick Prejean #937266. Published by Patrick Prejean (A0.1352433). I revoiced my Trio for Incomplete Quartet as my cello friend requested to play it. The 3rd movement is different from the original as it is a quick and lively dance as opposed to the chaotic piece that was originally here.
$30.00
Softly As I Leave You
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE
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Elvis Presley
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Eve C
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Softly As I Leave You
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Zene Strings
#
SheetMusicPlus
String Ensemble,String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1043387 By Elvis Presley. By Antonio DeVita, Giorgio Calabrese, and Harold David Shap...
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String Ensemble,String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1043387 By Elvis Presley. By Antonio DeVita, Giorgio Calabrese, and Harold David Shaper. Arranged by Eve C. Mailly. Contemporary,Multicultural,Pop,Rock,Standards,World. Score and parts. 7 pages. Zene Strings #648062. Published by Zene Strings (A0.1043387). Softly As I Leave You is a beautiful, haunting love song, first performed by Frank Sinatra and later by Elvis Presley. Written by Antonio DeVita, it originally had Italian lyrics (by Giorgio Calabrese) which were translated into English by Harold David Shaper. This arrangement is for string trio, and as with all of our string trio arrangements, the middle part is included in both treble and alto clef giving you the freedom of performing it with either two violins and cello or violin, viola and cello. From your friends at Zene Strings - enjoy! To see our other great arrangements visit: Zene Strings. Questions or comments? Email us at Music@ZeneSheetMusic.com. We're here to help!
$12.99
When I Survey the Wondrous Cross (for String Trio – Violin, Viola, and Cello)
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Trio à Cordes: violon, alto, violoncelle
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FACILE
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Musique Sacrée
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Sharon Wilson
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Sharon Wilson
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When I Survey the Wondrous Cro
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Sharon Wilson
#
SheetMusicPlus
String Ensemble,String Trio Cello,Viola,Violin - Level 2 - SKU: A0.565627 By Sharon Wilson. By Isaac Watts. Arranged by Sharon Wilson. Easter,Praise & W...
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String Ensemble,String Trio Cello,Viola,Violin - Level 2 - SKU: A0.565627 By Sharon Wilson. By Isaac Watts. Arranged by Sharon Wilson. Easter,Praise & Worship,Sacred,Standards,Traditional. Score and parts. 8 pages. Sharon Wilson #5031249. Published by Sharon Wilson (A0.565627). Here is the beloved Easter hymn tune HAMBURG by Lowell Mason arranged for a string trio (Violin, Viola, and Cello). The lyrics associated with this tune and title were written by Isaac Watts.This arrangement includes 2 verses. Each instrument gets a turn playing the melody. For the first verse, the VIOLA and VIOLIN alternate leading with the melody. For the second verse, the VIOLIN and CELLO alternate playing melody. All notes for each instrument (VIOLIN, VIOLA, and CELLO) are playable in the first position making this arrangement an excellent choice for early-intermediate string players. Â The purchase price includes a 4-page combined score with all three parts on each page plus separate 1-staff scores for the VIOLIN, VIOLA, and CELLO (1 page each).
$5.99
I'll Be There
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE
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The Jackson 5
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Guillotine Mae
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I'll Be There
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Guillotine Mae
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SheetMusicPlus
Cello,Viola,Violin - Level 3 - Interactive Download SKU: A0.1415777 By The Jackson 5. By Berry Gordy Jr., Bob West, Hal Davis, and Willie Hutch. Arranged...
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Cello,Viola,Violin - Level 3 - Interactive Download SKU: A0.1415777 By The Jackson 5. By Berry Gordy Jr., Bob West, Hal Davis, and Willie Hutch. Arranged by Guillotine Mae. This edition: Interactive Download. Standards,Wedding. 15 pages. Duration 194. Guillotine Mae #13OJS4TKjoeuPnkQNp301E. Published by Guillotine Mae (A0.1415777). Key: F major.As the first single released from the Third Album by The Jackson 5, this string arrangement is sure to woo the hearts of all that are graced with the pleasure of listening to it performed.
$14.99
Mysterious Moment for alto flute and string trio
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE
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Contemporain
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David Warin Solomons
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Mysterious Moment for alto flu
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David Warin Solomons
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SheetMusicPlus
String Ensemble,String Trio - Level 3 - SKU: A0.576736 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 7 pages. David Wari...
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String Ensemble,String Trio - Level 3 - SKU: A0.576736 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 7 pages. David Warin Solomons #119391. Published by David Warin Solomons (A0.576736). Mysterious piece in octatonic mode, originally written for the short story The Door The pdf file contains score and parts. The sound sample is an electronic preview. High up on the grassy hill behind the town there is a door. It stands there in its frame with nothing before or behind it. It is locked shut. There is no key. We climb the hill each day. We play each side of the door, games of hide and seek. But we cannot go through the door. Each day we go there during this long sultry summer holiday. We are fascinated by the structure. Why would anyone put a door up there, in its frame, eternally locked, with nothing before or behind it? Maybe it is all that remains of an ancient house? We play, we wonder, we laugh and play, and we return regularly to our homes in time for tea. Then, one day, as we climb the hill for the umpteenth time, a lady dressed in white arrives before us. We watch her take the key out of her bag and insert it in the lock. We are too far downhill to catch up before she closes the door behind her. As we arrive, puffing and panting, Steve knocks on the door. No answer. Dave knocks on the door more forcefully. We hear a distant swish of robes. Gloria knocks, perhaps a little more timidly as the swishing sound approaches. Estelle begins to knock in her turn and the door suddenly opens wide. We all gasp as we see the lady standing there in glistening robes. Her face is hidden from view by a white shawl, but her piercing eyes still show. Children, she says, welcome all. Do come in, please, the kettle is on. You are just in time for tea. We hesitate, as well we might. How can we come in when there is nothing before or behind the door? But Estelle puts one foot inside and looks back at us with a curious expression of serenity on her face. We follow her. We look around at the new space beyond the door and at the parquet floor beneath our dew-soaked feet. As our eyes become accustomed to the brightness of the interior we catch sight of many signs of the world we have entered, but only fleetingly. They pass before our eyes in an instant and then flee beyond the range of sight. There is a staircase, a hat stand, a distant gleam of an ancient cooker, a faint whiff of scones and boiling jam. As we walk inside, our senses are overwhelmed with the new reality, we are rooted to the spot. Do please sit down, says the lady with a slight catch in her throat. We are seated on wooden chairs along one side of an oak table, although we cannot recall how we got there, some slip of the memory perhaps. We have no sense of foreboding, Estelle's serenity has passed to all of us. We can stay here eating scones and jam until the end of time. The lady removes her shawl and reveals a face as beautiful as anyone's mother's. Her deep black eyes glisten like obsidian. She beams a smile of welcome and pours the tea. I'm glad you have come. I've been expecting you, she begins. You must have a thousand questions, so do please ask away. Well, says Steve, what is this door that we passed through? Is this another world? There is no other world, the lady replies, this is the only one. But there is! There is! starts Dave excitedly, Look!. He gets up quickly from the chair, knocking it over in his haste and rushes to the door to open it. He pulls at it with all his force and reveals a black nothingness behind it. We were on the hill, where's it gone? he shouts, what have you done to it? There is no hill. But you climbed the hill in front of us says Gloria. There is no hill. Even Estelle of the serene demeanour is beginning to look worried. How did we get here then, how did you get here, she asks the lady nervously. We have all been here since the beginning of time, the catch in the lady's throat is becoming more evident. No, we have our families down there in the town cries Estelle You have no families,.
$8.00
String Trio No. 3 in A major
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE
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Classique
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/ Wm
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William Shield
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Robert Hoskins
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String Trio No. 3 in A major
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Artaria Editions
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SheetMusicPlus
String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1488228 Composed by William Shield. Arranged by Robert Hoskins. Classical. 27 pages. Artaria Editions...
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String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1488228 Composed by William Shield. Arranged by Robert Hoskins. Classical. 27 pages. Artaria Editions #1065115. Published by Artaria Editions (A0.1488228). Shield's Trios, written for a continental audience, are seminal works in the composer's output and mark a new level of compositional attainment in the English chamber music repertory. Technically, they contain a wide variety of ideas which are developed with great ingenuity through a wide range of keys, dynamic contrasts and timbral effects. Aesthetically, they blend 'popular' and 'learned' taste along with 'orchestral' splendour and 18th century notions of beauty. The Trios present a dazzling range of moods and style with each work demonstrating Shield's mastery of the idiom, both in his treatment of individual instruments and in the handling of textures. While there is no shortage of melody and accompaniment, in which the violin takes the lead, there are many memorable solos for the viola and the cello in its high register. The wide range of textures includes melodic decoration, dialogue, contrast of high and low register, legato and staccato, powerful unison and double octaves. Shield's ability to incorporate arioso-like melody, the prevailing 'symphonic' style and folk elements was largely achieved through the cross-generic requirements of English comic opera (a form to which Shield devoted himself during the whole of his creative career). In general, Shield's technique results in a firm control of the way music moves - with sometimes a surprising degree of stylistic restlessness and sometimes of unexpected plainness and simplicity. The trios Shield selected for publication were issued by Longman and Broderip, London, in January 1796 under the inspection of the composer. No autograph of these works survives and Longman and Broderip's printing, a copy of which is preserved in the Bodleian Library, Oxford, under the call number Mus.Instr.I 214(15), is the only source of this edition. The title page, with its dedicatory inscription, reads: Six / TRIOS / FOR / Violin, Tenor and Violoncello, / Composed / And Inscribed to the Memory of / Jacob More Esqr. / By / Wm. SHIELD./ (Musician in Ordinary to His Majesty) / Entd. At Statn. Hall [rule] Price 10/6 / ADVERTISEMENT / These Trios were Composed chiefly for the abovementioned Celebrated Landscape Painter (in Rome) / And are Dedicated to his Memory as a Token of Gratitude for the Services he rendered the Author / during his Residence in that City. The movements which are written in the uncommon Time / of 5/4 have amused some of the most distinguished Professors both in England & Italy which / induces the Author to hope they will not be disagreeable to the Public at Large / Goodge Street, Jany. 1st 1796 / [rule] / London, Printed for the Author by Longman & Broderip, No.26, Cheapside & No.13, Haymarket. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$49.00
String Trio No. 4 in E major
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE
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Classique
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/ Wm
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William Shield
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Robert Hoskins
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String Trio No. 4 in E major
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Artaria Editions
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SheetMusicPlus
String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1488229 Composed by William Shield. Arranged by Robert Hoskins. Classical. 24 pages. Artaria Editions...
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String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1488229 Composed by William Shield. Arranged by Robert Hoskins. Classical. 24 pages. Artaria Editions #1065116. Published by Artaria Editions (A0.1488229). Shield's Trios, written for a continental audience, are seminal works in the composer's output and mark a new level of compositional attainment in the English chamber music repertory. Technically, they contain a wide variety of ideas which are developed with great ingenuity through a wide range of keys, dynamic contrasts and timbral effects. Aesthetically, they blend 'popular' and 'learned' taste along with 'orchestral' splendour and 18th century notions of beauty. The Trios present a dazzling range of moods and style with each work demonstrating Shield's mastery of the idiom, both in his treatment of individual instruments and in the handling of textures. While there is no shortage of melody and accompaniment, in which the violin takes the lead, there are many memorable solos for the viola and the cello in its high register. The wide range of textures includes melodic decoration, dialogue, contrast of high and low register, legato and staccato, powerful unison and double octaves. Shield's ability to incorporate arioso-like melody, the prevailing 'symphonic' style and folk elements was largely achieved through the cross-generic requirements of English comic opera (a form to which Shield devoted himself during the whole of his creative career). In general, Shield's technique results in a firm control of the way music moves - with sometimes a surprising degree of stylistic restlessness and sometimes of unexpected plainness and simplicity. The trios Shield selected for publication were issued by Longman and Broderip, London, in January 1796 under the inspection of the composer. No autograph of these works survives and Longman and Broderip's printing, a copy of which is preserved in the Bodleian Library, Oxford, under the call number Mus.Instr.I 214(15), is the only source of this edition. The title page, with its dedicatory inscription, reads: Six / TRIOS / FOR / Violin, Tenor and Violoncello, / Composed / And Inscribed to the Memory of / Jacob More Esqr. / By / Wm. SHIELD./ (Musician in Ordinary to His Majesty) / Entd. At Statn. Hall [rule] Price 10/6 / ADVERTISEMENT / These Trios were Composed chiefly for the abovementioned Celebrated Landscape Painter (in Rome) / And are Dedicated to his Memory as a Token of Gratitude for the Services he rendered the Author / during his Residence in that City. The movements which are written in the uncommon Time / of 5/4 have amused some of the most distinguished Professors both in England & Italy which / induces the Author to hope they will not be disagreeable to the Public at Large / Goodge Street, Jany. 1st 1796 / [rule] / London, Printed for the Author by Longman & Broderip, No.26, Cheapside & No.13, Haymarket. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$49.00
String Trio No. 6 in B flat major
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE
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Classique
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/ Wm
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William Shield
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Robert Hoskins
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String Trio No. 6 in B flat ma
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Artaria Editions
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SheetMusicPlus
String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1488232 Composed by William Shield. Arranged by Robert Hoskins. Classical. 36 pages. Artaria Editions...
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String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1488232 Composed by William Shield. Arranged by Robert Hoskins. Classical. 36 pages. Artaria Editions #1065119. Published by Artaria Editions (A0.1488232). Shield's Trios, written for a continental audience, are seminal works in the composer's output and mark a new level of compositional attainment in the English chamber music repertory. Technically, they contain a wide variety of ideas which are developed with great ingenuity through a wide range of keys, dynamic contrasts and timbral effects. Aesthetically, they blend 'popular' and 'learned' taste along with 'orchestral' splendour and 18th century notions of beauty. The Trios present a dazzling range of moods and style with each work demonstrating Shield's mastery of the idiom, both in his treatment of individual instruments and in the handling of textures. While there is no shortage of melody and accompaniment, in which the violin takes the lead, there are many memorable solos for the viola and the cello in its high register. The wide range of textures includes melodic decoration, dialogue, contrast of high and low register, legato and staccato, powerful unison and double octaves. Shield's ability to incorporate arioso-like melody, the prevailing 'symphonic' style and folk elements was largely achieved through the cross-generic requirements of English comic opera (a form to which Shield devoted himself during the whole of his creative career). In general, Shield's technique results in a firm control of the way music moves - with sometimes a surprising degree of stylistic restlessness and sometimes of unexpected plainness and simplicity. The trios Shield selected for publication were issued by Longman and Broderip, London, in January 1796 under the inspection of the composer. No autograph of these works survives and Longman and Broderip's printing, a copy of which is preserved in the Bodleian Library, Oxford, under the call number Mus.Instr.I 214(15), is the only source of this edition. The title page, with its dedicatory inscription, reads: Six / TRIOS / FOR / Violin, Tenor and Violoncello, / Composed / And Inscribed to the Memory of / Jacob More Esqr. / By / Wm. SHIELD./ (Musician in Ordinary to His Majesty) / Entd. At Statn. Hall [rule] Price 10/6 / ADVERTISEMENT / These Trios were Composed chiefly for the abovementioned Celebrated Landscape Painter (in Rome) / And are Dedicated to his Memory as a Token of Gratitude for the Services he rendered the Author / during his Residence in that City. The movements which are written in the uncommon Time / of 5/4 have amused some of the most distinguished Professors both in England & Italy which / induces the Author to hope they will not be disagreeable to the Public at Large / Goodge Street, Jany. 1st 1796 / [rule] / London, Printed for the Author by Longman & Broderip, No.26, Cheapside & No.13, Haymarket. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$49.00
String Trio No. 5 in C minor
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE
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Classique
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/ Wm
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William Shield
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Robert Hoskins
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String Trio No. 5 in C minor
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Artaria Editions
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SheetMusicPlus
String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1488231 Composed by William Shield. Arranged by Robert Hoskins. Classical. 23 pages. Artaria Editions...
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String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1488231 Composed by William Shield. Arranged by Robert Hoskins. Classical. 23 pages. Artaria Editions #1065118. Published by Artaria Editions (A0.1488231). Shield's Trios, written for a continental audience, are seminal works in the composer's output and mark a new level of compositional attainment in the English chamber music repertory. Technically, they contain a wide variety of ideas which are developed with great ingenuity through a wide range of keys, dynamic contrasts and timbral effects. Aesthetically, they blend 'popular' and 'learned' taste along with 'orchestral' splendour and 18th century notions of beauty. The Trios present a dazzling range of moods and style with each work demonstrating Shield's mastery of the idiom, both in his treatment of individual instruments and in the handling of textures. While there is no shortage of melody and accompaniment, in which the violin takes the lead, there are many memorable solos for the viola and the cello in its high register. The wide range of textures includes melodic decoration, dialogue, contrast of high and low register, legato and staccato, powerful unison and double octaves. Shield's ability to incorporate arioso-like melody, the prevailing 'symphonic' style and folk elements was largely achieved through the cross-generic requirements of English comic opera (a form to which Shield devoted himself during the whole of his creative career). In general, Shield's technique results in a firm control of the way music moves - with sometimes a surprising degree of stylistic restlessness and sometimes of unexpected plainness and simplicity. The trios Shield selected for publication were issued by Longman and Broderip, London, in January 1796 under the inspection of the composer. No autograph of these works survives and Longman and Broderip's printing, a copy of which is preserved in the Bodleian Library, Oxford, under the call number Mus.Instr.I 214(15), is the only source of this edition. The title page, with its dedicatory inscription, reads: Six / TRIOS / FOR / Violin, Tenor and Violoncello, / Composed / And Inscribed to the Memory of / Jacob More Esqr. / By / Wm. SHIELD./ (Musician in Ordinary to His Majesty) / Entd. At Statn. Hall [rule] Price 10/6 / ADVERTISEMENT / These Trios were Composed chiefly for the abovementioned Celebrated Landscape Painter (in Rome) / And are Dedicated to his Memory as a Token of Gratitude for the Services he rendered the Author / during his Residence in that City. The movements which are written in the uncommon Time / of 5/4 have amused some of the most distinguished Professors both in England & Italy which / induces the Author to hope they will not be disagreeable to the Public at Large / Goodge Street, Jany. 1st 1796 / [rule] / London, Printed for the Author by Longman & Broderip, No.26, Cheapside & No.13, Haymarket. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$49.00
String Trio No. 2 in D major
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Trio à Cordes: violon, alto, violoncelle
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Classique
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/ Wm
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William Shield
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Robert Hoskins
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String Trio No. 2 in D major
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Artaria Editions
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SheetMusicPlus
String Trio Cello,Viola,Violin - SKU: A0.1488225 Composed by William Shield. Arranged by Robert Hoskins. Classical. 37 pages. Artaria Editions #1065111....
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String Trio Cello,Viola,Violin - SKU: A0.1488225 Composed by William Shield. Arranged by Robert Hoskins. Classical. 37 pages. Artaria Editions #1065111. Published by Artaria Editions (A0.1488225). Shield's Trios, written for a continental audience, are seminal works in the composer's output and mark a new level of compositional attainment in the English chamber music repertory. Technically, they contain a wide variety of ideas which are developed with great ingenuity through a wide range of keys, dynamic contrasts and timbral effects. Aesthetically, they blend 'popular' and 'learned' taste along with 'orchestral' splendour and 18th century notions of beauty. The Trios present a dazzling range of moods and style with each work demonstrating Shield's mastery of the idiom, both in his treatment of individual instruments and in the handling of textures. While there is no shortage of melody and accompaniment, in which the violin takes the lead, there are many memorable solos for the viola and the cello in its high register. The wide range of textures includes melodic decoration, dialogue, contrast of high and low register, legato and staccato, powerful unison and double octaves. Shield's ability to incorporate arioso-like melody, the prevailing 'symphonic' style and folk elements was largely achieved through the cross-generic requirements of English comic opera (a form to which Shield devoted himself during the whole of his creative career). In general, Shield's technique results in a firm control of the way music moves - with sometimes a surprising degree of stylistic restlessness and sometimes of unexpected plainness and simplicity. The trios Shield selected for publication were issued by Longman and Broderip, London, in January 1796 under the inspection of the composer. No autograph of these works survives and Longman and Broderip's printing, a copy of which is preserved in the Bodleian Library, Oxford, under the call number Mus.Instr.I 214(15), is the only source of this edition. The title page, with its dedicatory inscription, reads: Six / TRIOS / FOR / Violin, Tenor and Violoncello, / Composed / And Inscribed to the Memory of / Jacob More Esqr. / By / Wm. SHIELD./ (Musician in Ordinary to His Majesty) / Entd. At Statn. Hall [rule] Price 10/6 / ADVERTISEMENT / These Trios were Composed chiefly for the abovementioned Celebrated Landscape Painter (in Rome) / And are Dedicated to his Memory as a Token of Gratitude for the Services he rendered the Author / during his Residence in that City. The movements which are written in the uncommon Time / of 5/4 have amused some of the most distinguished Professors both in England & Italy which / induces the Author to hope they will not be disagreeable to the Public at Large / Goodge Street, Jany. 1st 1796 / [rule] / London, Printed for the Author by Longman & Broderip, No.26, Cheapside & No.13, Haymarket. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$49.00
String Trio No.1 in E flat major
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE
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Classique
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/ Wm
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William Shield
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Robert Hoskins
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String Trio No.1 in E flat maj
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Artaria Editions
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SheetMusicPlus
String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1488224 Composed by William Shield. Arranged by Robert Hoskins. Classical. 24 pages. Artaria Editions...
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String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1488224 Composed by William Shield. Arranged by Robert Hoskins. Classical. 24 pages. Artaria Editions #1065110. Published by Artaria Editions (A0.1488224). The trios Shield selected for publication were issued by Longman and Broderip, London, in January 1796 under the inspection of the composer. No autograph of these works survives and Longman and Broderip's printing, a copy of which is preserved in the Bodleian Library, Oxford, under the call number Mus.Instr.I 214(15), is the only source of this edition. The title page, with its dedicatory inscription, reads: Six / TRIOS / FOR / Violin, Tenor and Violoncello, / Composed / And Inscribed to the Memory of / Jacob More Esqr. / By / Wm. SHIELD./ (Musician in Ordinary to His Majesty) / Entd. At Statn. Hall [rule] Price 10/6 / ADVERTISEMENT / These Trios were Composed chiefly for the abovementioned Celebrated Landscape Painter (in Rome) / And are Dedicated to his Memory as a Token of Gratitude for the Services he rendered the Author / during his Residence in that City. The movements which are written in the uncommon Time / of 5/4 have amused some of the most distinguished Professors both in England & Italy which / induces the Author to hope they will not be disagreeable to the Public at Large / Goodge Street, Jany. 1st 1796 / [rule] / London, Printed for the Author by Longman & Broderip, No.26, Cheapside & No.13, Haymarket. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$49.00
Everybody's Doing it Now for C Instrument Trio
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Irving Berlin
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Daniel Kelley
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everybody was doing it
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Everybody's Doing it Now for C
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Last Resort Music Publishing
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SheetMusicPlus
Small Ensemble Bassoon,Cello,Flute,Oboe,Piano,Violin - Level 4 - SKU: A0.530156 Composed by Irving Berlin. Arranged by Daniel Kelley. 20th Century,Jazz,...
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Small Ensemble Bassoon,Cello,Flute,Oboe,Piano,Violin - Level 4 - SKU: A0.530156 Composed by Irving Berlin. Arranged by Daniel Kelley. 20th Century,Jazz,Pop,Ragtime. Score and parts. 11 pages. Last Resort Music Publishing #2082087. Published by Last Resort Music Publishing (A0.530156). Add this terrific new arrangement of Irving Berlin's hit EVERBODY'S DOING IT NOW arranged for small ensemble! According to his biographer Laurence Bergreen, Everybody's Doin' It Now was Irving Berlin's attempt to exploit the early 20th Century dance craze in America by writing a generic dance with a deceptively casual title. Berlin himself said, It was an idea out of the air. I wanted a dance song; everybody was doing it. I just sat down and wrote the thing as it was. The idea worked, and the song became the standard tune of the dance craze. Parts included in Set Music Sample Part 1 C Intruments Part 2 C Instruments Keyboard or Guitar Score (Parts 1-3 in C) Also playable by Two Violins & Cello or Flute & Oboe & Bassoon or String Trio (Violin, Viola, Cello), Piano Trio & More. The Keyboard Part is a full harmonization of Parts 2 and 3. Therefore, the arrangements could be played as a Piano Trio, or an entire trio could play with a pianist, as long as Part 1 is being played. Arranged by Daniel Kelley ~ Edited by Katerina Lewis.
$8.95
Everybody's Doing it Now for String, Woodwind, or Piano Trio Full Set of Parts
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Irving Berlin
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Daniel Kelley
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everybody was doing it
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Everybody's Doing it Now for S
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Last Resort Music Publishing
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SheetMusicPlus
Large Ensemble Bassoon,Cello,Clarinet,Flute,Guitar,Oboe,Piano,Viola,Violin - Level 4 - SKU: A0.530150 Composed by Irving Berlin. Arranged by Daniel Kell...
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Large Ensemble Bassoon,Cello,Clarinet,Flute,Guitar,Oboe,Piano,Viola,Violin - Level 4 - SKU: A0.530150 Composed by Irving Berlin. Arranged by Daniel Kelley. 20th Century,Jazz,Pop,Ragtime. Score and parts. 16 pages. Last Resort Music Publishing #2082069. Published by Last Resort Music Publishing (A0.530150). Add this terrific new arrangement of Irving Berlin's hit EVERBODY'S DOING IT NOW arranged for small ensemble! According to his biographer Laurence Bergreen, Everybody's Doin' It Now was Irving Berlin's attempt to exploit the early 20th Century dance craze in America by writing a generic dance with a deceptively casual title. Berlin himself said, It was an idea out of the air. I wanted a dance song; everybody was doing it. I just sat down and wrote the thing as it was. The idea worked, and the song became the standard tune of the dance craze. Parts included in Set Music Sample Part 1 Flute or Oboe or Violin Part 1 Clarinet Part 2 Flute or Oboe or Violin Part 2 Clarinet Part 2 Viola Part 3 Cello or Bassoon Part 3 Bass Clarinet Keyboard or Guitar Score (Parts 1-3 in C) Playable by Two Violins & Cello or Flute & Oboe & Bassoon or String Trio (Violin, Viola, Cello), Piano Trio & More. The Keyboard Part is a full harmonization of Parts 2 and 3. Therefore, the arrangements could be played as a Piano Trio, or an entire trio could play with a pianist, as long as Part 1 is being played. Arranged by Daniel Kelley ~ Edited by Katerina Lewis.
$16.95
Everybody's Doing it Now for String or Woodwind or Piano Trio
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
#
Irving Berlin
#
Daniel Kelley
#
everybody was doing it
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Everybody's Doing it Now for S
#
Last Resort Music Publishing
#
SheetMusicPlus
Large Ensemble Bassoon,Cello,Flute,Guitar,Oboe,Piano,Viola,Violin - Level 4 - SKU: A0.530148 Composed by Irving Berlin. Arranged by Daniel Kelley. 20th ...
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Large Ensemble Bassoon,Cello,Flute,Guitar,Oboe,Piano,Viola,Violin - Level 4 - SKU: A0.530148 Composed by Irving Berlin. Arranged by Daniel Kelley. 20th Century,Jazz,Pop,Ragtime. Score and parts. 13 pages. Last Resort Music Publishing #2082065. Published by Last Resort Music Publishing (A0.530148). Add this terrific new arrangement of Irving Berlin's hit EVERBODY'S DOING IT NOW arranged for small ensemble! According to his biographer Laurence Bergreen, Everybody's Doin' It Now was Irving Berlin's attempt to exploit the early 20th Century dance craze in America by writing a generic dance with a deceptively casual title. Berlin himself said, It was an idea out of the air. I wanted a dance song; everybody was doing it. I just sat down and wrote the thing as it was. The idea worked, and the song became the standard tune of the dance craze. Parts included in Set Music Sample Part 1 Flute or Oboe or Violin Part 2 Flute or Oboe or Violin Part 2 Viola Part 3 Cello or Bassoon Keyboard or Guitar Score (Parts 1-3 in C) Playable by Two Violins & Cello or Flute & Oboe & Bassoon or String Trio (Violin, Viola, Cello), Piano Trio & More. The Keyboard Part is a full harmonization of Parts 2 and 3. Therefore, the arrangements could be played as a Piano Trio, or an entire trio could play with a pianist, as long as Part 1 is being played. Arranged by Daniel Kelley ~ Edited by Katerina Lewis.
$12.95
Everybody's Doing it Now for String Trio- Violin, Viola, Cello
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Comédie Musicale
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Irving Berlin
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Daniel Kelley
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everybody was doing it
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Everybody's Doing it Now for S
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Last Resort Music Publishing
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SheetMusicPlus
String Ensemble,String Trio Cello,Viola,Violin - Level 4 - SKU: A0.530152 Composed by Irving Berlin. Arranged by Daniel Kelley. 20th Century,Jazz,Pop,Ra...
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String Ensemble,String Trio Cello,Viola,Violin - Level 4 - SKU: A0.530152 Composed by Irving Berlin. Arranged by Daniel Kelley. 20th Century,Jazz,Pop,Ragtime. Score and parts. 9 pages. Last Resort Music Publishing #2082075. Published by Last Resort Music Publishing (A0.530152). Add this terrific new arrangement of Irving Berlin's hit EVERBODY'S DOING IT NOW arranged for small ensemble! According to his biographer Laurence Bergreen, Everybody's Doin' It Now was Irving Berlin's attempt to exploit the early 20th Century dance craze in America by writing a generic dance with a deceptively casual title. Berlin himself said, It was an idea out of the air. I wanted a dance song; everybody was doing it. I just sat down and wrote the thing as it was. The idea worked, and the song became the standard tune of the dance craze. Parts included in Set Music Sample Part 1 Violin Part 2 Viola Part 3 Cello Score (Parts 1-3 in C) Playable by Two Violins & Cello or Flute & Oboe & Bassoon or String Trio (Violin, Viola, Cello), Piano Trio & More. The Keyboard Part is a full harmonization of Parts 2 and 3. Therefore, the arrangements could be played as a Piano Trio, or an entire trio could play with a pianist, as long as Part 1 is being played. Arranged by Daniel Kelley ~ Edited by Katerina Lewis.
$8.95
Psalm 22-Mendelssohn-String octet
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE
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Classique
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Felix Bartholdy Mendelssohn
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Phil Beaman
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Psalm 22-Mendelssohn-String oc
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Phil Beaman
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SheetMusicPlus
String Ensemble Cello,Viola,Violin - Level 3 - SKU: A0.845197 Composed by Felix Bartholdy Mendelssohn. Arranged by Phil Beaman. Classical,Concert,Romant...
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String Ensemble Cello,Viola,Violin - Level 3 - SKU: A0.845197 Composed by Felix Bartholdy Mendelssohn. Arranged by Phil Beaman. Classical,Concert,Romantic Period,Sacred,Standards. Score and parts. 48 pages. Phil Beaman #6355261. Published by Phil Beaman (A0.845197). Psalm 22 is a well-known and loved choral work by Felix Mendelssohn. I have here arranged it for Instrumental Octet. Since it no longer has lyrics to convey the meaning I have added extra markings and altered some harmonies and rhythms to add the appropriate interest and emotion. Several parts now contain short unmetered solos to be done freely in recitative fashion. The individual parts are not difficult with just basic notes and rhythms; the beauty is in the way they fit together creating harmony and polyphony. With a 6 minute performance time, this is a major work which bridges the Classical and Romantic eras.
$16.99
Come Back to Sorrento
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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De Curtis
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Wendy Loder, ASCAP
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Come Back to Sorrento
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LarkAngel Productions
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SheetMusicPlus
String Ensemble,String Trio Cello,Viola,Violin - Level 4 - SKU: A0.1105731 Composed by De Curtis. Arranged by Wendy Loder, ASCAP. Classical,Opera,Pop,St...
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String Ensemble,String Trio Cello,Viola,Violin - Level 4 - SKU: A0.1105731 Composed by De Curtis. Arranged by Wendy Loder, ASCAP. Classical,Opera,Pop,Standards,Traditional. Score and parts. 2 pages. LarkAngel Productions #708954. Published by LarkAngel Productions (A0.1105731). This beloved Italian song is arranged here for string trio (violin, violin/viola, cello). I kept it as a 2-page score to facilitate cues, especially when sight-reading!
$12.99
Theme and Variations in F Minor
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Trio à Cordes: violon, alto, violoncelle
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AVANCÉ
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Jordan C Warren
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Theme and Variations in F Mino
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Jordan Warren
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SheetMusicPlus
String Ensemble,String Trio Cello,Viola,Violin - Level 5 - SKU: A0.1031793 Composed by Jordan C Warren. Instructional,Romantic Period,Standards. Score a...
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String Ensemble,String Trio Cello,Viola,Violin - Level 5 - SKU: A0.1031793 Composed by Jordan C Warren. Instructional,Romantic Period,Standards. Score and parts. 14 pages. Jordan Warren #3563613. Published by Jordan Warren (A0.1031793). I wrote this piece my senior year of high school for a music class. It was well received by my teachers and peers so I thought why not share it!The duration of this piece is about 4:30 minutes.The piece was written using certain methods of Brahms and the general Romantic period. There isn't really a certain place to play this other than just concert repertoire. Note: there isn't a second violin or bass part, I'd be up for writing them so just email me a request for them!!
$3.99
Handel: Seven Pieces from Water Music for String Trio
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE
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Classique
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George Frideric Handel
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James M
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Handel: Seven Pieces from Wate
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jmsgu3
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SheetMusicPlus
String Trio Cello,Viola,Violin - Level 3 - SKU: A0.552119 Composed by George Frideric Handel (1685 - 1756). Arranged by James M. Guthrie. Baroque,Instru...
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String Trio Cello,Viola,Violin - Level 3 - SKU: A0.552119 Composed by George Frideric Handel (1685 - 1756). Arranged by James M. Guthrie. Baroque,Instructional,Standards,Wedding. 23 pages. Jmsgu3 #6121175. Published by jmsgu3 (A0.552119). Seven popular pieces from Handel's Water Music - most often requested for weddings. Score: 11 pages, Duration 12:15. Players may read from the score, or from the included instrumental parts.Contents:1. Air2. Minuet3. Bourrée4. Hornpipe5. Rigaudon6. Minuet7. AndanteHandel's Water Music is one of his most famous compositions. It was written for King George I's pleasure barge trip along the River Thames in 1717. The Water Music is divided into three suites, each containing a variety of movements. The music features a mix of dance rhythms such as minuets, bourrees, and hornpipes, along with lively fanfares and slower, more stately airs. Its combination of light and playful music with grandeur and pomp has made it one of the most beloved pieces of classical music. Water Music has been performed by many orchestras and is a popular choice for special occasions, such as coronations and weddings. Its enduring popularity has helped to make it one of Handel's most famous and beloved compositions.Weddings during the time of Handel were usually quite extravagant affairs. The ceremony was typically held in a church and was accompanied by a full orchestra. Handel's own compositions were frequently used to provide the music for the ceremony. This was especially true in London, where Handel was based and where his music was extremely popular. Handel wrote a number of pieces specifically for use at weddings, including the popular Wedding Anthem and the Wedding Anthem in D Major. Handel's music provided a sense of grandeur and elegance to the proceedings and was often used to give the wedding an extra special touch.The festivities following the ceremony were also often quite lavish, with a large feast and plenty of dancing. Handel's music was often used to provide the background music for the dancing, and he wrote many dance suites that were specifically designed for this purpose. The bride and groom would often have a special dance to the music of Handel's Water Music, a particularly popular piece for the occasion. Guests at the wedding would be treated to a variety of Handel's works, ranging from his operas to his oratorios, which often had a spiritual or religious theme. Handel's music provided a sense of joy and celebration to the wedding and helped make it an occasion to remember.
$36.95
What Child is This for String Trio
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Trio à Cordes: violon, alto, violoncelle
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FACILE
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Traditional
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James M
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What Child is This for String
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jmsgu3
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SheetMusicPlus
String Trio Cello,Viola,Violin - Level 2 - SKU: A0.1324430 Composed by Traditional. Arranged by James M. Guthrie. Chamber,Christian,Christmas,Religious,...
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String Trio Cello,Viola,Violin - Level 2 - SKU: A0.1324430 Composed by Traditional. Arranged by James M. Guthrie. Chamber,Christian,Christmas,Religious,Traditional. 6 pages. Jmsgu3 #912628. Published by jmsgu3 (A0.1324430). Greensleeves is a traditional English folk song that has several interesting facts associated with it:Origin: The song's origin is uncertain, and there is no consensus on who composed it. It has been attributed to Henry VIII, the King of England, but this association is considered erroneous, and the song is more likely to be Elizabethan in origin.Christmas Carol: The tune of Greensleeves is used for the classic Christmas carol What Child Is This?Lyrics: The song's lyrics are about a painful romantic problem and include what some historians view as subtly salacious content. The lyrics deal with a spurned lover accusing Lady Greensleeves of casting him off discourteously despite his love for her. The song's scandalous twist is hidden in its title, and its exact meaning has been debated for centuries.Cultural References: The tune was used as the slow march of the London Trained Bands in the 16th and 17th centuries. It was adopted as the quick march of the 7th (City of London) Battalion London Regiment during World War I. Additionally, the tune has been referenced in literature, such as in Shakespeare's The Merry Wives of Windsor.Popularity: In some parts of the world, the Greensleeves tune is famous as a standard chime for ice cream vans.These facts make Greensleeves a fascinating and culturally significant piece of music with a rich history and diverse interpretations.
$24.95
March (from "The Nutcracker Suite") (F) (String Octet - 3 Violins, 1 Viola, 4 Cellos)
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Peter Ilyich Tchaikovsky
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Regis Bookshar
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March
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Regis Bookshar
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SheetMusicPlus
String Ensemble Cello,Viola,Violin - Level 4 - SKU: A0.813884 Composed by Peter Ilyich Tchaikovsky. Arranged by Regis Bookshar. Christmas,Instructional,...
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String Ensemble Cello,Viola,Violin - Level 4 - SKU: A0.813884 Composed by Peter Ilyich Tchaikovsky. Arranged by Regis Bookshar. Christmas,Instructional,Romantic Period,Standards. Score and parts. 43 pages. Regis Bookshar #6612683. Published by Regis Bookshar (A0.813884). String Octet - Advanced/Intermediate - . This marvelous arrangement of the March from Peter Ilyich Tchaikovsky's extremely popular, The Nutcracker Suite, would be a fabulous addition to any music library and could be performed for concerts and recitals but would be most appropriate during the Holiday season. This selection has been arranged to keep all of the intensity and excitement of the original composition and is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (43 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.The Nutcracker is an 1892 two-act ballet with a score by Peter Ilyich Tchaikovsky. It has enjoyed enormous popularity since the late 1960's and is performed by countless ballet companies, primarily during the Christmas season, especially in North America. Tchaikovsky's score has become one of his most famous compositions. Some critics have called it astonishingly rich in detailed inspiration and from beginning to end, beautiful, melodious, original and characteristic. The ballet's first complete performance outside Russia took place in England in 1934. The first complete United States performance was on December 24, 1944, by the San Francisco Ballet. It was such an enormous success that the San Francisco Ballet has presented The Nutcracker every Christmas Eve and throughout the winter season, debuting new productions in 1944, 1954, 1967 and 2004. In Salt Lake City, it has been performed every year since 1963. The New York City Ballet gave its first annual performance in 1954. In addition to annual live stagings of the work, many productions have also been televised or released on home video. The Nutcracker continues to be one of Tchaikovsky's most popular compositions and contains some of his most memorable works. Tchaikovsky made a selection of eight of the numbers from the ballet before the ballet's December 1892 premiere, forming The Nutcracker Suite, Op. 71a, and is intended for concert performance. The suite was first performed, under the composer's direction, on March 19, 1892. The suite became instantly popular with almost every number encored at its premiere. Regis Bookshar thought that it would be wonderful if other instrumentalists could also have the opportunity to play some of these wonderful compositions, originally scored for a full orchestra, and has arranged two of the selections, the popular March and the Russian Dance for a wide variety of instrumental ensembles. So, in addition to this version of the March for a String Octet, consisting of 3 Violins, 1 Viola and 4 Violoncellos, he has made quite a few other arrangements of this selection for various Quintets and Octets and are readily available. If you should decide to purchase this arrangement of the March, I would highly encourage you to also consider purchasing the arrangement of the Russian Dance as well. Scheduling the March followed by the Russian Dance would be a very satisfying addition to any concert or recital. Please take the time to look for other versions of these compositions. You may find something else that might also suit your needs.I would also encourage you to search for other arrangements by Regis Bookshar, as there are numerous selections in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of the March from Tchaikovsky's marvelous holiday favorite, The Nutcracker Suite, will continue to entertain both performers and audiences alike for years to come.
$32.00
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