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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
I Was Here
Non classifié
1 429
Piano & claviers
Piano seul
740
Piano, Voix
223
Piano, Voix et Guitare
222
Instruments en Do
76
Piano Facile
57
Orgue
47
2 Pianos, 4 mains
35
1 Piano, 4 mains
13
Piano Trio: piano, violon, violoncelle
12
Accompagnement Piano
8
Accordéon
4
Piano grosses notes
3
Piano Quatuor: piano, violon, alto, violoncelle
3
Piano Quatuor: piano, 2 violons, violoncelle
3
Orgue, Piano (duo)
2
2 Pianos, 8 mains
2
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Orgue, Trompette (duo)
1
Piano (partie séparée)
1
Clavier
1
+ 15 instrumentations
Retracter
Guitares
Guitare
80
Guitare notes et tablatures
61
Ligne De Mélodie, (Paroles) et Accords
18
2 Guitares (duo)
15
Ukulele
11
Basse electrique
10
4 Guitares (Quatuor)
8
Mandoline
6
Piano, Guitare (duo)
3
3 Guitares (trio)
3
Banjo
2
Ensemble de guitares
2
Mandoline, Guitare (duo)
1
Guitare, Violon, Violoncelle (trio)
1
Paroles et Accords
1
Guitare, Orchestre
1
Ukulele Baryton
1
+ 12 instrumentations
Retracter
Voix
Chorale SATB
345
Chorale 3 parties
60
Chorale 2 parties
39
Chorale TTBB
31
Voix Alto, Piano
30
Chorale SSAA
27
Voix Baryton, Piano
26
Voix Tenor
26
Voix Soprano
24
Chorale Unison
12
Voix seule
12
Voix Soprano, Piano
11
Voix duo, Piano
9
Voix duo
7
Voix haute
6
Voix Tenor, Piano
3
Voix moyenne, Piano
2
Chorale SSATTB
2
Chorale SSAB, Piano
1
+ 14 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
148
Quintette de Saxophone: 5 saxophones
110
Ensemble de saxophones
74
Quatuor de Saxophones: 4 saxophones
64
Flûte traversière et Piano
59
Flûte, Hautbois, Clarinette, Basson
58
Ensemble de Clarinettes
49
Clarinette et Piano
45
Quatuor de Clarinettes: 4 clarinettes
40
2 Clarinettes (duo)
39
Hautbois, Piano (duo)
36
Ensemble de Flûtes
35
Clarinette
35
Saxophone Alto et Piano
34
2 Flûtes traversières (duo)
33
Flûte traversière
31
2 Saxophones (duo)
29
Saxophone Alto
26
Saxophone Tenor et Piano
24
Cor anglais, Piano
18
Flûte et Guitare
17
Quintette de Flûte : 5 flûtes
17
Hautbois (partie séparée)
16
3 Clarinettes (trio)
16
Saxophone Baryton, Piano
15
Saxophone Soprano et Piano
14
Quatuor de Flûtes : 4 flûtes
13
Clarinette, Guitare (duo)
13
Saxophone Tenor
11
Saxophone, Clarinette (duo)
10
Clarinette, Violon (duo)
9
2 Hautbois (duo)
9
Flûte, Clarinette (duo)
9
Clarinette Basse, Piano
8
Saxophone (partie séparée)
7
Hautbois, Basson (duo)
7
Quintette de Clarinettes: 5 clarinettes
7
Hautbois, Guitare (duo)
6
Flûte à bec Soprano
6
Hautbois, Clarinette (duo)
5
2 Flûtes traversières, Piano
5
Flûte, Saxophone (duo)
5
Flûte, Violon
5
Quatuor de Flûtes à bec
5
Clarinette et Alto
4
3 Saxophones (trio)
4
Flûte à Bec
4
Saxophone Soprano
4
Trio de Flûtes: 3 flûtes
4
Flûte, Alto (duo)
3
Flûte, Clarinette, Piano (trio)
3
Flûte, Hautbois, Clarinette (trio)
3
Cor Anglais
3
Flute, harpe et violon
3
Cor anglais, Guitare (duo)
3
Clarinette, Harpe (duo)
3
2 Clarinettes, Piano
2
Saxophone et Harpe
2
Flûte à bec Alto
2
Clarinette, Violoncelle (duo)
2
Ocarina
2
2 Hautbois, Piano
2
Flûte, Violon, Piano
2
Flute (partie séparée)
2
Clarinette, Trombone (duo)
2
Harmonica
2
Hautbois, Flûte
2
Saxophone et Guitare
2
Clarinette, Trompette (duo)
2
Flûte à bec Alto, Piano
2
Saxophone
2
Saxophone et Orgue
2
Flûte à bec Soprano, Piano
2
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Clarinette, Basson (duo)
1
Flûte, Hautbois (duo)
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Flûte, Basson et Piano
1
2 Saxophones, Piano
1
2 Flûte à bec (duo)
1
Piccolo
1
Piccolo, Piano
1
Hautbois, Harpe
1
2 Flûtes traversières, Harpe
1
Clarinette, Violoncelle, Piano (trio)
1
4 Hautbois
1
+ 81 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
125
Quatuor de Cuivres : 2 trompettes, trombone, tuba
114
Trombone et Piano
37
Trompette
35
Quatuor de Cuivres
34
Quatuor de Cuivres: 2 trompettes, Cor, trombone
30
Ensemble de Trombones
30
Trompette, Piano
25
Trombone
23
Ensemble de Trompettes
20
Cor anglais, Piano
18
Euphonium, Piano (duo)
16
2 Trombones (duo)
16
Cor et Piano
15
Tuba
15
Cor
13
Tuba et Piano
12
2 Trompettes (duo)
12
2 Cors (duo)
9
Trompette, Trombone (duo)
9
Quatuor de cuivres: 4 trombones
7
Ensemble de Cors
6
Trompette, Saxophone (duo)
5
2 Trompettes, Clavier (piano ou orgue)
4
2 Cors, Piano
3
2 Tubas (duo)
3
Trio de Cuivres
3
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
3
Cor Anglais
3
Cor anglais, Guitare (duo)
3
Quatuor de cuivres: 4 trompettes
3
2 Euphoniums et 2 Tubas
2
3 Trombones (trio)
2
Trombone basse et Piano
2
Bass Clef Instruments
1
4 Euphoniums
1
Trombone et orchestre
1
Trompette, Harpe
1
2 Euphoniums (duo)
1
Quatuor de cuivres: 4 cors
1
Cor et Harpe
1
Ensemble de Tubas
1
Trompette, Trombone, Piano
1
3 Cors (trio)
1
Trompette, Euphonium (duo)
1
Trombone, Tuba (duo)
1
+ 41 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
190
Violon et Piano
85
Violon
53
Violoncelle, Piano
50
Harpe
49
Violoncelle
43
Alto, Piano
41
Trio à Cordes: violon, alto, violoncelle
38
2 Violons (duo)
31
Violon, Violoncelle (duo)
22
2 Harpes (duo)
18
2 Altos (duo)
17
Ensemble d'Altos
17
2 Violoncelles (duo)
17
Quintette à cordes: 2 violons, alto, violoncelle, basse
16
Ensemble de Violons
16
Alto seul
15
Violon, Alto (duo)
11
Contre Basse
10
Contrebasse, Piano (duo)
9
Alto (partie séparée)
9
Trio à Cordes: 2 violons, violoncelle
9
Violoncelle , Guitare (duo)
7
Violon, Guitare (duo)
6
2 Violons, Piano
6
4 Violoncelles
4
Harpe, Voix
3
Quintette à cordes: 2 violons, 2 altos, violoncelle
3
Harpe, Flûte (duo)
3
Harpe, Violon (duo)
2
2 Violoncelles, Piano
2
Trio à cordes: 3 violins
2
Alto, Violoncelle (duo)
2
Quatuor à cordes: 4 violons
2
4 Contrebasses
2
Violoncelle, Orgue
1
3 Harpes
1
Alto et Harpe
1
Ensemble de Violoncelles
1
Violon, Clarinette, Piano (trio)
1
Harpe, Trombone (duo)
1
Alto et Basson
1
Quatuor à cordes : 4 altos
1
Alto, Guitare (duo)
1
Violoncelle, Contrebasse (duo)
1
Violoncelle, Orchestre
1
Harpe, Violoncelle (duo)
1
Trio à Cordes: 3 violoncelles
1
Piano Trio: Violon, Alto, Piano
1
Violon (partie séparée)
1
Trio à cordes: 3 altos
1
+ 46 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
163
Orchestre
96
Orchestre à Cordes
87
Ensemble de cuivres
55
Orchestre de chambre
44
Ensemble Jazz
42
Jazz combo
26
Ensemble de Percussions
14
Cloches
11
Fanfare
10
Marimba
5
Batterie
3
Vibraphone
3
Piano et Orchestre
1
2 Marimbas
1
Quintette de Cuivres: autres combinaisons
1
Xylophone
1
+ 12 instrumentations
Retracter
Autres
Formation musicale - Solfège
1
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
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CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
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CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
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FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
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Vous avez sélectionné:
I Was Here
Trio à Cordes: violon, alto, violoncelle
Partitions à imprimer
38 partitions trouvées
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1
26
As It Was
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
#
Pop musique
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Harry Styles
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Aaron Bennett
#
As It Was
#
StringfulScores.com
#
SheetMusicPlus
String Trio Cello,Viola,Violin - Level 4 - SKU: A0.1175481 By Harry Styles. By Harry Styles, Thomas Hull, and Tyler Johnson. Arranged by Aaron Bennett. ...
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String Trio Cello,Viola,Violin - Level 4 - SKU: A0.1175481 By Harry Styles. By Harry Styles, Thomas Hull, and Tyler Johnson. Arranged by Aaron Bennett. Pop. 15 pages. StringfulScores.com #775622. Published by StringfulScores.com (A0.1175481). 'As It Was' from Harry Styles' recent GRAMMY award-winning album 'Harry's House' arranged for String Trio (optional Violin2/Viola parts) by Aaron Bennett.This arrangement retains the original key and offers melodic and rhythmic interest for all instruments. A chart topping Styles hit with strong 80's dance vibes that'll be sure to get your listeners' feet tapping!This song is also available for String Quartet, String Duo (Violin & Cello), Violin Duet and Cello Duet. Other Harry Styles arrangements include Sign of the Times, Watermelon Sugar and Adore You. View all Harry Styles arrangements on the Stringful Scores YouTube playlist!Popular arrangements by Aaron Bennett:• If I Ain't Got You (Alicia Keys)       • Sign of the Times (Harry Styles)• Wrecking Ball (Miley Cyrus)         • Flowers (Miley Cyrus)• What About Us (Pink)              • Dancing On My Own (Robyn) • Wildest Dreams (Taylor Swift)       • Bridgerton Title Theme (Kris Bowers)• Here Comes The Sun (The Beatles)  • Marry You (Bruno Mars)   • As It Was (Harry Styles)             • Watermelon Sugar (Harry Styles)• Anyone (Justin Bieber)             • Blinding Lights (The Weeknd)    • Simply The Best (Tina Turner)       • Conversations in the Dark (John Legend)For more arrangements by Aaron Bennett, visit: StringfulScores.com
$15.99
String Trio No. 2
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE
#
Patrick Prejean
#
String Trio No. 2
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Patrick Prejean
#
SheetMusicPlus
String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1118541 Composed by Patrick Prejean. Chamber,Classical,Contemporary. 25 pages. Patrick Prejean #72005...
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String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1118541 Composed by Patrick Prejean. Chamber,Classical,Contemporary. 25 pages. Patrick Prejean #720056. Published by Patrick Prejean (A0.1118541). This trio was written for City Six Strings. This is the 2nd (proper) string trio which is for the weddings, cocktails, etc. The first movement was based on a question I would ask my younger self in a dream I had where do you angels go? The second movement is based off of the feeling of a good night of sleep which is rare for me much like playing in the key of B flat is. The third movement is a scherzo which starts of wacky but quickly mitigates into happy ending. Finally the last movement is the capturing of seeing the sunrise and sunset after many days of grey and gloom. There is a fragment of Here Comes the Sun which is subtle. This movement being in A major gives the listener the sonority of happiness and joy.
$50.00
Peace on Earth (Christmas song) violin solo with strings quintet
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE
#
Noël
#
Connie Boss
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Peace on Earth
#
Connie Boss
#
SheetMusicPlus
Cello,Viola,Violin - Level 3 - SKU: A0.1299579 Composed by Connie Boss. Christian,Christmas. Full Performance. Duration 165. Connie Boss #889431. Publis...
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Cello,Viola,Violin - Level 3 - SKU: A0.1299579 Composed by Connie Boss. Christian,Christmas. Full Performance. Duration 165. Connie Boss #889431. Published by Connie Boss (A0.1299579). This is an mp3 to a Christmas original I was inspired to write. The shepherds couldn't quite figure out why there was such a bright star and why the baby was so special. Once they arrived in Bethlehem, they realized he was born to bring Peace on earth to all.  It has 6 strings parts as violin 1 has a solo part. The rest play throughout the piece. So many moving parts. The refrain part is played throughout the verses while the solo plays the lead. Purchase the sheet music on here. cdboss@cvalley.netLyrics:Peace on EarthChristmas SongComposed by Connie Boss Intro and Refrain:Peace  on EarthPeace  on EarthPeace  on EarthPeace  one Earth Verse 1:And into the still of the nightThere was one star shining brightShepherds in their fields all aroundSaw it shine down on a town Refrain: Verse 2:It’s light beckoning all to comeTo see the new chosen oneSo they followed the bright starThey came from near and from farRefrain:BridgeFor some the journey took them daysArriving there they were amazedAll of this for a baby boy:Why were they all filled with joy?Christ was born on Christmas morn, to bring Peace on EarthPeace for allPeace for you and me. Refrain to end.
$1.99
Fuga a tre (3 part fugue) for string trio
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE
#
Contemporain
#
Joseph Dillon Ford
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Fuga a tre
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David Warin Solomons2
#
SheetMusicPlus
String Ensemble,String Trio - Level 3 - SKU: A0.958467 Composed by Joseph Dillon Ford. 20th Century. Score and parts. 7 pages. David Warin Solomons2 #36...
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String Ensemble,String Trio - Level 3 - SKU: A0.958467 Composed by Joseph Dillon Ford. 20th Century. Score and parts. 7 pages. David Warin Solomons2 #3691565. Published by David Warin Solomons2 (A0.958467). The Fuga a tre voci was composed on 28 March 1976 not long before I moved from Miami to Cambridge to begin graduate study in music at Harvard. It remained an imperfect sketch in need of extensive revisions, and languished for a quarter-century in a manila file folder until I rediscovered it late in 2001 and was pleased to find that it was worth the trouble of resurrecting. This was no easy task, as it was my original intention to comply closely with eighteenth-century contrapuntal practices. Although I had written numerous polyphonic pieces in a similar style since 1976, none of these was a fugue. There was also the challenge of reconnecting with musical ideas I had originated at the age of twenty-four at a time in my life when I was rapidly approaching the age of fifty. Still, I persevered in my efforts to revive and improve this early polyphonic essay, and hope the performer and listener will be as pleased with the results as I am. This three-voice fugue can be performed by any instrument or combination of instruments, including the harpsichord.
$7.00
Air from Orchestral Suite 3 BWV1068 by Bach ("On the G String) for String Trio
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE
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Classique
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Johann Sebastian Bach
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Dandenong Ranges Strings
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Air from Orchestral Suite 3 BW
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Dandenong Ranges Strings
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SheetMusicPlus
String Ensemble,String Trio Cello,Viola,Violin - Level 3 - SKU: A0.529343 Composed by Johann Sebastian Bach. Arranged by Dandenong Ranges Strings. Baroq...
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String Ensemble,String Trio Cello,Viola,Violin - Level 3 - SKU: A0.529343 Composed by Johann Sebastian Bach. Arranged by Dandenong Ranges Strings. Baroque,Classical,Traditional,Wedding. Score and parts. 5 pages. Dandenong Ranges Strings #139744. Published by Dandenong Ranges Strings (A0.529343). The beautiful Air, from Bach's 3rd Orchestral Suite, often referred to as Air on the G String. I was frustrated every time I played the original without the Violin 2 part, as many of the beautiful inner melodies were missing. Here's my arrangement for String Trio, that has been performed many times at Weddings. For Violin, Viola and Cello.
$9.00
Glacier Bay - String Trio (vn-vn-vc)
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE
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Contemporain
#
Arthur Breur
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Glacier Bay - String Trio
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Floating Home Music
#
SheetMusicPlus
String Ensemble,String Trio - Level 3 - SKU: A0.913984 Composed by Arthur Breur. 20th Century,Contemporary. Score and parts. 15 pages. Floating Home Mus...
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String Ensemble,String Trio - Level 3 - SKU: A0.913984 Composed by Arthur Breur. 20th Century,Contemporary. Score and parts. 15 pages. Floating Home Music #4819957. Published by Floating Home Music (A0.913984). Glacier Bay for String Trio. An audio impression of the experience of being in Glacier Bay. This is the premier performance of Glacier Bay by String Trio Black Diamonds - just one day after Arthur Breur composed the piece and provided the trio with the score and parts. They performed the piece in the atrium of the Norwegian Sun on July 3, 2016. With gratitude to Captain Richard Svardmark and the entire crew of the Norwegian Sun. Arthur Breur composed Glacier Bay in a single day on the Cruise Ship Norwegian Sun as it toured Glacier Bay, Alaska. Waking very early that day, Arthur was greeted with foggy, gray, mysterious views in an eerie northern twilight, and the mood set him immediately to composing. As he often does, he started by constructing the ten letters of the name Glacier Bay into musical notes. He divided these ten notes into three similar musical motifs, first three notes [G-E-A], then four notes [C-B-E-D], then three notes again [B-A-D]. These motifs open the piece, in a section that represents the eerie, misty, wet, half-lit morning. Then-expressing wonder and excitement upon seeing the beauty and majesty of Alaska’s glaciers-the motifs are connected with moving lines of notes that turn the original disconnected motifs into a flowing, uplifting melody. Between stops at the enormous bay’s different glaciers, the ship moved slowly through foggy vistas. The middle section of the piece represents this with a more dissonant, nervous sound. (Listen carefully for the sound of the ship’s fog horn-which really is a low F-sharp!-played by the cello.) But after passing through the fog, there was another awe-inspiring glacier, and so the music returns to the uplifting, flowing melody once again. Glacier Bay for String Trio Composed for the String Trio Black Diamonds: - Tamara Sieviieva - Mykyta Denysov - Anastasia Gorokhova *** Upon waking to a mysterious foggy morning on the Norwegian Sun cruise ship in Glacier Bay, Alaska, I was almost immediately possessed by my Muse. (That’s the only way I can describe it; every moment that I was not composing-even WHILE looking at the beautiful, awe-inspiring glaciers! - I was hearing the melody in my head and aching to compose.) *** Duration: 5m Composer: Arthur Breur Instruments: Violin, Cello, String Trio, String Trio (vn-vn-vc) Format: Score, Set of Parts Genres: 21st Century, Contemporary Classical, Post-Romantic, Neo-Classical Level: Intermediate https://www.floatinghomemusic.com
$20.00
Bach G maj Cello Prelude for String Trio - Melody in Cello
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE
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Classique
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Johann Sebastian Bach
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S
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Bach G maj Cello Prelude for S
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Sterling and Strings
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SheetMusicPlus
String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1438476 Composed by Johann Sebastian Bach. Arranged by S.Reilly. Baroque,Chamber,Classical,Early Musi...
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String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1438476 Composed by Johann Sebastian Bach. Arranged by S.Reilly. Baroque,Chamber,Classical,Early Music,Wedding. 6 pages. Sterling and Strings #1018495. Published by Sterling and Strings (A0.1438476). JS Bach's popular Prelude in G major for solo cello is often requested for weddings and other occasions. As a cellist, it occurred to me that rest of my trio might like to play along, so one morning I felt inspired to create this arrangement! It had to be relatively simple, so the cello melody was easy to follow, but also add some harmonic interest here and there. I hope this version will be a fun way for the entire group to participate in what would normally be a solo venture.
$10.00
Everybody's Doing it Now for C Instrument Trio
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Irving Berlin
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Daniel Kelley
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everybody was doing it
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Everybody's Doing it Now for C
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Last Resort Music Publishing
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SheetMusicPlus
Small Ensemble Bassoon,Cello,Flute,Oboe,Piano,Violin - Level 4 - SKU: A0.530156 Composed by Irving Berlin. Arranged by Daniel Kelley. 20th Century,Jazz,...
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Small Ensemble Bassoon,Cello,Flute,Oboe,Piano,Violin - Level 4 - SKU: A0.530156 Composed by Irving Berlin. Arranged by Daniel Kelley. 20th Century,Jazz,Pop,Ragtime. Score and parts. 11 pages. Last Resort Music Publishing #2082087. Published by Last Resort Music Publishing (A0.530156). Add this terrific new arrangement of Irving Berlin's hit EVERBODY'S DOING IT NOW arranged for small ensemble! According to his biographer Laurence Bergreen, Everybody's Doin' It Now was Irving Berlin's attempt to exploit the early 20th Century dance craze in America by writing a generic dance with a deceptively casual title. Berlin himself said, It was an idea out of the air. I wanted a dance song; everybody was doing it. I just sat down and wrote the thing as it was. The idea worked, and the song became the standard tune of the dance craze. Parts included in Set Music Sample Part 1 C Intruments Part 2 C Instruments Keyboard or Guitar Score (Parts 1-3 in C) Also playable by Two Violins & Cello or Flute & Oboe & Bassoon or String Trio (Violin, Viola, Cello), Piano Trio & More. The Keyboard Part is a full harmonization of Parts 2 and 3. Therefore, the arrangements could be played as a Piano Trio, or an entire trio could play with a pianist, as long as Part 1 is being played. Arranged by Daniel Kelley ~ Edited by Katerina Lewis.
$8.95
Everybody's Doing it Now for String, Woodwind, or Piano Trio Full Set of Parts
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Irving Berlin
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Daniel Kelley
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everybody was doing it
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Everybody's Doing it Now for S
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Last Resort Music Publishing
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SheetMusicPlus
Large Ensemble Bassoon,Cello,Clarinet,Flute,Guitar,Oboe,Piano,Viola,Violin - Level 4 - SKU: A0.530150 Composed by Irving Berlin. Arranged by Daniel Kell...
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Large Ensemble Bassoon,Cello,Clarinet,Flute,Guitar,Oboe,Piano,Viola,Violin - Level 4 - SKU: A0.530150 Composed by Irving Berlin. Arranged by Daniel Kelley. 20th Century,Jazz,Pop,Ragtime. Score and parts. 16 pages. Last Resort Music Publishing #2082069. Published by Last Resort Music Publishing (A0.530150). Add this terrific new arrangement of Irving Berlin's hit EVERBODY'S DOING IT NOW arranged for small ensemble! According to his biographer Laurence Bergreen, Everybody's Doin' It Now was Irving Berlin's attempt to exploit the early 20th Century dance craze in America by writing a generic dance with a deceptively casual title. Berlin himself said, It was an idea out of the air. I wanted a dance song; everybody was doing it. I just sat down and wrote the thing as it was. The idea worked, and the song became the standard tune of the dance craze. Parts included in Set Music Sample Part 1 Flute or Oboe or Violin Part 1 Clarinet Part 2 Flute or Oboe or Violin Part 2 Clarinet Part 2 Viola Part 3 Cello or Bassoon Part 3 Bass Clarinet Keyboard or Guitar Score (Parts 1-3 in C) Playable by Two Violins & Cello or Flute & Oboe & Bassoon or String Trio (Violin, Viola, Cello), Piano Trio & More. The Keyboard Part is a full harmonization of Parts 2 and 3. Therefore, the arrangements could be played as a Piano Trio, or an entire trio could play with a pianist, as long as Part 1 is being played. Arranged by Daniel Kelley ~ Edited by Katerina Lewis.
$16.95
Everybody's Doing it Now for String or Woodwind or Piano Trio
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Irving Berlin
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Daniel Kelley
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everybody was doing it
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Everybody's Doing it Now for S
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Last Resort Music Publishing
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SheetMusicPlus
Large Ensemble Bassoon,Cello,Flute,Guitar,Oboe,Piano,Viola,Violin - Level 4 - SKU: A0.530148 Composed by Irving Berlin. Arranged by Daniel Kelley. 20th ...
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Large Ensemble Bassoon,Cello,Flute,Guitar,Oboe,Piano,Viola,Violin - Level 4 - SKU: A0.530148 Composed by Irving Berlin. Arranged by Daniel Kelley. 20th Century,Jazz,Pop,Ragtime. Score and parts. 13 pages. Last Resort Music Publishing #2082065. Published by Last Resort Music Publishing (A0.530148). Add this terrific new arrangement of Irving Berlin's hit EVERBODY'S DOING IT NOW arranged for small ensemble! According to his biographer Laurence Bergreen, Everybody's Doin' It Now was Irving Berlin's attempt to exploit the early 20th Century dance craze in America by writing a generic dance with a deceptively casual title. Berlin himself said, It was an idea out of the air. I wanted a dance song; everybody was doing it. I just sat down and wrote the thing as it was. The idea worked, and the song became the standard tune of the dance craze. Parts included in Set Music Sample Part 1 Flute or Oboe or Violin Part 2 Flute or Oboe or Violin Part 2 Viola Part 3 Cello or Bassoon Keyboard or Guitar Score (Parts 1-3 in C) Playable by Two Violins & Cello or Flute & Oboe & Bassoon or String Trio (Violin, Viola, Cello), Piano Trio & More. The Keyboard Part is a full harmonization of Parts 2 and 3. Therefore, the arrangements could be played as a Piano Trio, or an entire trio could play with a pianist, as long as Part 1 is being played. Arranged by Daniel Kelley ~ Edited by Katerina Lewis.
$12.95
Everybody's Doing it Now for String Trio- Violin, Viola, Cello
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Comédie Musicale
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Irving Berlin
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Daniel Kelley
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everybody was doing it
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Everybody's Doing it Now for S
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Last Resort Music Publishing
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SheetMusicPlus
String Ensemble,String Trio Cello,Viola,Violin - Level 4 - SKU: A0.530152 Composed by Irving Berlin. Arranged by Daniel Kelley. 20th Century,Jazz,Pop,Ra...
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String Ensemble,String Trio Cello,Viola,Violin - Level 4 - SKU: A0.530152 Composed by Irving Berlin. Arranged by Daniel Kelley. 20th Century,Jazz,Pop,Ragtime. Score and parts. 9 pages. Last Resort Music Publishing #2082075. Published by Last Resort Music Publishing (A0.530152). Add this terrific new arrangement of Irving Berlin's hit EVERBODY'S DOING IT NOW arranged for small ensemble! According to his biographer Laurence Bergreen, Everybody's Doin' It Now was Irving Berlin's attempt to exploit the early 20th Century dance craze in America by writing a generic dance with a deceptively casual title. Berlin himself said, It was an idea out of the air. I wanted a dance song; everybody was doing it. I just sat down and wrote the thing as it was. The idea worked, and the song became the standard tune of the dance craze. Parts included in Set Music Sample Part 1 Violin Part 2 Viola Part 3 Cello Score (Parts 1-3 in C) Playable by Two Violins & Cello or Flute & Oboe & Bassoon or String Trio (Violin, Viola, Cello), Piano Trio & More. The Keyboard Part is a full harmonization of Parts 2 and 3. Therefore, the arrangements could be played as a Piano Trio, or an entire trio could play with a pianist, as long as Part 1 is being played. Arranged by Daniel Kelley ~ Edited by Katerina Lewis.
$8.95
Silent Night (Bb) (String Octet - 3 Violins, 2 Violas, 3 Cellos)
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE
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Noël
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the 1840's, the song was well
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Franz Xaver Gruber
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Regis Bookshar
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Silent Night
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Regis Bookshar
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SheetMusicPlus
String Ensemble Cello,Viola,Violin - Level 3 - SKU: A0.813995 Composed by Franz Xaver Gruber. Arranged by Regis Bookshar. Christmas,Instructional,Multic...
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String Ensemble Cello,Viola,Violin - Level 3 - SKU: A0.813995 Composed by Franz Xaver Gruber. Arranged by Regis Bookshar. Christmas,Instructional,Multicultural,World. Score and parts. 12 pages. Regis Bookshar #6636653. Published by Regis Bookshar (A0.813995). String Octet - Intermediate - . This arrangement of Silent Night, or in German, Stille Nacht, would be a wonderful addition to any music library and could be performed for Christmas concerts, recitals, and, especially, church services. It is equally suitable for junior and senior high school students and even older musicians. Depending on their ability, younger musicians would also enjoy playing this selection. Included are a score and a complete set of parts (12 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Silent Night is probably the most popular Christmas carol ever written. It was composed in 1818 by Franz Xaver Gruber to lyrics by Joseph Mohr and was first performed on Christmas Eve at St. Nicholas parish church in Oberndorf, a small village in present-day Austria. A young Catholic priest, Father Joseph Mohr, had written the poem, Stille Nacht, in 1816 and had gone to Oberndorf in 1817. The melody was composed by Franz Xaver Gruber, schoolmaster and organist in the nearby village of Arnsdorf. On Christmas Eve, 1818, Mohr brought the words to Gruber and asked him to compose a melody and guitar accompaniment for that night's mass, after river flooding had possibly damaged the church organ. The church was eventually destroyed by repeated flooding and has since been replaced with the Silent-Night-Chapel.According to Gruber, Karl Mauracher, an organ builder who serviced the instrument at the Oberndorf church, was enamored with the song, and took the composition home with him to the Ziller Valley in Tyrol, Austria. From there, two traveling families of folk singers, the Strassers and the Rainers, included the tune in their shows. The Rainers were already singing it around Christmas, 1819, and once performed it for an audience that included Franz I of Austria and Alexander I of Russia. They also gave the first performance of the song in the United States in New York City in 1839. By the 1840's, the song was well known and was reported to be a favorite of Frederick William IV of Prussia. During this period, the melody changed slightly to become the version that is commonly heard today. The version of the melody that is generally used today is a slow, meditative lullaby, or pastoral, differing slightly from Gruber's original which has a moderate tempo. The song has been translated into about 140 languages and has been recorded by many singers across many music genres. The version sung by Bing Crosby in 1935, has sold over 10 million copies as a single.In this arrangement of Silent Night, Regis Bookshar has kept the basic form of this familiar Christmas carol, but has also included a descant during the third verse. Also, in addition to this version for a String Octet, consisting of 3 Violins, 2 Violas and 3 Violoncellos, there are other arrangements of Silent Night available for a variety of instrumental ensembles. There are Quintets and Octets readily available for purchase. Please take the time to look for other versions of this composition. You may find something else that might also suit your needs.I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a wide variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of Silent Night will continue to entertain both performers and audiences alike for years to come.
$8.00
Allegretto
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE
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Classique
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Johann Sebastian Bach
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Andrew R
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Allegretto
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GuarrineMusic
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SheetMusicPlus
String Ensemble,String Trio Cello,Viola,Violin - Level 3 - SKU: A0.786011 Composed by Johann Sebastian Bach. Arranged by Andrew R. Guarrine. Baroque. Sc...
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String Ensemble,String Trio Cello,Viola,Violin - Level 3 - SKU: A0.786011 Composed by Johann Sebastian Bach. Arranged by Andrew R. Guarrine. Baroque. Score and parts. 2 pages. GuarrineMusic #6399959. Published by GuarrineMusic (A0.786011). This transcription/adaptation from his keyboard collection 12 Little Preludes has an added 1st/2nd ending. Very aggressive ‘cello part and some added viola parts where there wasn’t a 2nd part in the original. I really tried to keep it in the style. Grade 2+/3 because of the ‘cello part! Key of G (3/4 time)
$7.95
String Quartet-Imaginal Listening
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Rocco Di Pietro
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in my head and write it down
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String Quartet-Imaginal Listen
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Rocco Di Pietro
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SheetMusicPlus
String Ensemble,String Trio Cello,Viola,Violin - Level 4 - SKU: A0.1004748 Composed by Rocco Di Pietro. Contemporary. Score and parts. 33 pages. Rocco D...
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String Ensemble,String Trio Cello,Viola,Violin - Level 4 - SKU: A0.1004748 Composed by Rocco Di Pietro. Contemporary. Score and parts. 33 pages. Rocco Di Pietro #4355195. Published by Rocco Di Pietro (A0.1004748). A 12 minute String Quartet first performed by Mivos Quartet. The work emerges from a deep inner space and ends in various silences. The idea of Imaginal listening means that the inner world where the music came to me was a gift. I had to listen to it in my head and write it down. It contains totems, and ghosts of bygone music floating by and interacting on the way to a dance. Various musical 'Odalisques' pass by with other more ominous 'Dead Zones'. I thought I would stop writing music when this piece came to me. There is a complete program note included with the score, and all the parts are included with the score.
$15.00
Romance (Study in E) - Anon./Sor/Yepes (Vn, Va, Vc)
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Trio à Cordes: violon, alto, violoncelle
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FACILE
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Contemporain
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Anon
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Shigeo Ida & Peet du Toit
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Romance
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Peet du Toit
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SheetMusicPlus
String Ensemble,String Trio Cello,Viola,Violin - Level 2 - SKU: A0.802693 Composed by Anon. or Fernando Sor, or Narciso Yepes. Arranged by Shigeo Ida & ...
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String Ensemble,String Trio Cello,Viola,Violin - Level 2 - SKU: A0.802693 Composed by Anon. or Fernando Sor, or Narciso Yepes. Arranged by Shigeo Ida & Peet du Toit. Contemporary. Score and parts. 6 pages. Peet du Toit #6513457. Published by Peet du Toit (A0.802693). Romance Anónimo (Anonymous Romance) is a piece for guitar, also known as Estudio en Mi de Rubira (Study in E by Rubira), Spanish Romance, Romance de España, Romance de Amor, Romance of the Guitar, Romanza and Romance d'Amour among other names.Its origins and authorship are currently in question. It is suspected of originally being a solo instrumental guitar work, from the 19th century. It has variously been attributed to Antonio Rubira, David del Castillo, Francisco Tárrega, Fernando Sor, Daniel Fortea, Miguel Llobet, Antonio Cano, Vicente Gómez, and Narciso Yepes. The Anónimo (anonymous) part of its name has been incorporated over the years due to this uncertainty. The question of authorship has probably been propagated by three main reasons: the lack of claim by its true author, the desire to avoid paying copyright fees, and the desire of publishing companies to claim the lucrative copyright of this world-famous piece.The style of the piece is that of the Parlour music of the late 19th century in Spain or South America, having a closed three-part form: the first in the minor key and the second being in the major key, with the third being a restatement of the first.Narciso Yepes (1927 - 1997) interpreted and is listed as the author of the piece in René Clément's 1952 film Jeux interdits (Forbidden Games). The popularity of the film gave the piece worldwide fame. Yepes currently has the copyright of this composition in Spain although recordings and manuscripts of this song predate 1952. Newer publications show Yepes as the arranger and the piece being of anonymous authorship, or authored by Fernando Sor.The official statement from Narciso Yepes and the Yepes heirs is that Narciso Yepes, being a young boy, originally composed the piece for his mother when he was about seven years old (c.1934) and soon thereafter performed it between acts at the Teatro Guerra, in Lorca, Spain. Some time later, he recounts, when he was thirteen years old he attended a performance in Valencia and heard his composition performed by another guitarist, who indicated the authorship as anonymous. Yepes contends that the melody had been plagiarized (with some changes to the arrangement) by someone who, he assumes, must have attended that first performance. However, Yepes was born 1927 and cannot be the author of the work, since it was already recorded in 1900 and published before 1925 (possibly 1913) by J.A. MEDINA e HIJO; and in 1919 in themethod of Pedro Mascaró y Reissig, etc. Vicente Gomez (1911-2001) published it and performed it in 1941 in the Hollywood movie Blood and Sand with Tyrone Powerand Rita Hayworth, also attributing authorship of the song to himself. Anyway, the piano arrangement of the brilliant Shigeo Ida caught my attention and I decided to rework it somewhat into this trio for strings. Enjoy!
$14.50
String Trio No. 3 in A major
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE
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Classique
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/ Wm
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William Shield
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Robert Hoskins
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String Trio No. 3 in A major
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Artaria Editions
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SheetMusicPlus
String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1488228 Composed by William Shield. Arranged by Robert Hoskins. Classical. 27 pages. Artaria Editions...
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String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1488228 Composed by William Shield. Arranged by Robert Hoskins. Classical. 27 pages. Artaria Editions #1065115. Published by Artaria Editions (A0.1488228). Shield's Trios, written for a continental audience, are seminal works in the composer's output and mark a new level of compositional attainment in the English chamber music repertory. Technically, they contain a wide variety of ideas which are developed with great ingenuity through a wide range of keys, dynamic contrasts and timbral effects. Aesthetically, they blend 'popular' and 'learned' taste along with 'orchestral' splendour and 18th century notions of beauty. The Trios present a dazzling range of moods and style with each work demonstrating Shield's mastery of the idiom, both in his treatment of individual instruments and in the handling of textures. While there is no shortage of melody and accompaniment, in which the violin takes the lead, there are many memorable solos for the viola and the cello in its high register. The wide range of textures includes melodic decoration, dialogue, contrast of high and low register, legato and staccato, powerful unison and double octaves. Shield's ability to incorporate arioso-like melody, the prevailing 'symphonic' style and folk elements was largely achieved through the cross-generic requirements of English comic opera (a form to which Shield devoted himself during the whole of his creative career). In general, Shield's technique results in a firm control of the way music moves - with sometimes a surprising degree of stylistic restlessness and sometimes of unexpected plainness and simplicity. The trios Shield selected for publication were issued by Longman and Broderip, London, in January 1796 under the inspection of the composer. No autograph of these works survives and Longman and Broderip's printing, a copy of which is preserved in the Bodleian Library, Oxford, under the call number Mus.Instr.I 214(15), is the only source of this edition. The title page, with its dedicatory inscription, reads: Six / TRIOS / FOR / Violin, Tenor and Violoncello, / Composed / And Inscribed to the Memory of / Jacob More Esqr. / By / Wm. SHIELD./ (Musician in Ordinary to His Majesty) / Entd. At Statn. Hall [rule] Price 10/6 / ADVERTISEMENT / These Trios were Composed chiefly for the abovementioned Celebrated Landscape Painter (in Rome) / And are Dedicated to his Memory as a Token of Gratitude for the Services he rendered the Author / during his Residence in that City. The movements which are written in the uncommon Time / of 5/4 have amused some of the most distinguished Professors both in England & Italy which / induces the Author to hope they will not be disagreeable to the Public at Large / Goodge Street, Jany. 1st 1796 / [rule] / London, Printed for the Author by Longman & Broderip, No.26, Cheapside & No.13, Haymarket. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$49.00
String Trio No. 4 in E major
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE
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Classique
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/ Wm
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William Shield
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Robert Hoskins
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String Trio No. 4 in E major
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Artaria Editions
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SheetMusicPlus
String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1488229 Composed by William Shield. Arranged by Robert Hoskins. Classical. 24 pages. Artaria Editions...
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String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1488229 Composed by William Shield. Arranged by Robert Hoskins. Classical. 24 pages. Artaria Editions #1065116. Published by Artaria Editions (A0.1488229). Shield's Trios, written for a continental audience, are seminal works in the composer's output and mark a new level of compositional attainment in the English chamber music repertory. Technically, they contain a wide variety of ideas which are developed with great ingenuity through a wide range of keys, dynamic contrasts and timbral effects. Aesthetically, they blend 'popular' and 'learned' taste along with 'orchestral' splendour and 18th century notions of beauty. The Trios present a dazzling range of moods and style with each work demonstrating Shield's mastery of the idiom, both in his treatment of individual instruments and in the handling of textures. While there is no shortage of melody and accompaniment, in which the violin takes the lead, there are many memorable solos for the viola and the cello in its high register. The wide range of textures includes melodic decoration, dialogue, contrast of high and low register, legato and staccato, powerful unison and double octaves. Shield's ability to incorporate arioso-like melody, the prevailing 'symphonic' style and folk elements was largely achieved through the cross-generic requirements of English comic opera (a form to which Shield devoted himself during the whole of his creative career). In general, Shield's technique results in a firm control of the way music moves - with sometimes a surprising degree of stylistic restlessness and sometimes of unexpected plainness and simplicity. The trios Shield selected for publication were issued by Longman and Broderip, London, in January 1796 under the inspection of the composer. No autograph of these works survives and Longman and Broderip's printing, a copy of which is preserved in the Bodleian Library, Oxford, under the call number Mus.Instr.I 214(15), is the only source of this edition. The title page, with its dedicatory inscription, reads: Six / TRIOS / FOR / Violin, Tenor and Violoncello, / Composed / And Inscribed to the Memory of / Jacob More Esqr. / By / Wm. SHIELD./ (Musician in Ordinary to His Majesty) / Entd. At Statn. Hall [rule] Price 10/6 / ADVERTISEMENT / These Trios were Composed chiefly for the abovementioned Celebrated Landscape Painter (in Rome) / And are Dedicated to his Memory as a Token of Gratitude for the Services he rendered the Author / during his Residence in that City. The movements which are written in the uncommon Time / of 5/4 have amused some of the most distinguished Professors both in England & Italy which / induces the Author to hope they will not be disagreeable to the Public at Large / Goodge Street, Jany. 1st 1796 / [rule] / London, Printed for the Author by Longman & Broderip, No.26, Cheapside & No.13, Haymarket. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$49.00
String Trio No. 6 in B flat major
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE
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Classique
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/ Wm
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William Shield
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Robert Hoskins
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String Trio No. 6 in B flat ma
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Artaria Editions
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SheetMusicPlus
String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1488232 Composed by William Shield. Arranged by Robert Hoskins. Classical. 36 pages. Artaria Editions...
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String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1488232 Composed by William Shield. Arranged by Robert Hoskins. Classical. 36 pages. Artaria Editions #1065119. Published by Artaria Editions (A0.1488232). Shield's Trios, written for a continental audience, are seminal works in the composer's output and mark a new level of compositional attainment in the English chamber music repertory. Technically, they contain a wide variety of ideas which are developed with great ingenuity through a wide range of keys, dynamic contrasts and timbral effects. Aesthetically, they blend 'popular' and 'learned' taste along with 'orchestral' splendour and 18th century notions of beauty. The Trios present a dazzling range of moods and style with each work demonstrating Shield's mastery of the idiom, both in his treatment of individual instruments and in the handling of textures. While there is no shortage of melody and accompaniment, in which the violin takes the lead, there are many memorable solos for the viola and the cello in its high register. The wide range of textures includes melodic decoration, dialogue, contrast of high and low register, legato and staccato, powerful unison and double octaves. Shield's ability to incorporate arioso-like melody, the prevailing 'symphonic' style and folk elements was largely achieved through the cross-generic requirements of English comic opera (a form to which Shield devoted himself during the whole of his creative career). In general, Shield's technique results in a firm control of the way music moves - with sometimes a surprising degree of stylistic restlessness and sometimes of unexpected plainness and simplicity. The trios Shield selected for publication were issued by Longman and Broderip, London, in January 1796 under the inspection of the composer. No autograph of these works survives and Longman and Broderip's printing, a copy of which is preserved in the Bodleian Library, Oxford, under the call number Mus.Instr.I 214(15), is the only source of this edition. The title page, with its dedicatory inscription, reads: Six / TRIOS / FOR / Violin, Tenor and Violoncello, / Composed / And Inscribed to the Memory of / Jacob More Esqr. / By / Wm. SHIELD./ (Musician in Ordinary to His Majesty) / Entd. At Statn. Hall [rule] Price 10/6 / ADVERTISEMENT / These Trios were Composed chiefly for the abovementioned Celebrated Landscape Painter (in Rome) / And are Dedicated to his Memory as a Token of Gratitude for the Services he rendered the Author / during his Residence in that City. The movements which are written in the uncommon Time / of 5/4 have amused some of the most distinguished Professors both in England & Italy which / induces the Author to hope they will not be disagreeable to the Public at Large / Goodge Street, Jany. 1st 1796 / [rule] / London, Printed for the Author by Longman & Broderip, No.26, Cheapside & No.13, Haymarket. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$49.00
String Trio No. 5 in C minor
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE
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Classique
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/ Wm
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William Shield
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Robert Hoskins
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String Trio No. 5 in C minor
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Artaria Editions
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SheetMusicPlus
String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1488231 Composed by William Shield. Arranged by Robert Hoskins. Classical. 23 pages. Artaria Editions...
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String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1488231 Composed by William Shield. Arranged by Robert Hoskins. Classical. 23 pages. Artaria Editions #1065118. Published by Artaria Editions (A0.1488231). Shield's Trios, written for a continental audience, are seminal works in the composer's output and mark a new level of compositional attainment in the English chamber music repertory. Technically, they contain a wide variety of ideas which are developed with great ingenuity through a wide range of keys, dynamic contrasts and timbral effects. Aesthetically, they blend 'popular' and 'learned' taste along with 'orchestral' splendour and 18th century notions of beauty. The Trios present a dazzling range of moods and style with each work demonstrating Shield's mastery of the idiom, both in his treatment of individual instruments and in the handling of textures. While there is no shortage of melody and accompaniment, in which the violin takes the lead, there are many memorable solos for the viola and the cello in its high register. The wide range of textures includes melodic decoration, dialogue, contrast of high and low register, legato and staccato, powerful unison and double octaves. Shield's ability to incorporate arioso-like melody, the prevailing 'symphonic' style and folk elements was largely achieved through the cross-generic requirements of English comic opera (a form to which Shield devoted himself during the whole of his creative career). In general, Shield's technique results in a firm control of the way music moves - with sometimes a surprising degree of stylistic restlessness and sometimes of unexpected plainness and simplicity. The trios Shield selected for publication were issued by Longman and Broderip, London, in January 1796 under the inspection of the composer. No autograph of these works survives and Longman and Broderip's printing, a copy of which is preserved in the Bodleian Library, Oxford, under the call number Mus.Instr.I 214(15), is the only source of this edition. The title page, with its dedicatory inscription, reads: Six / TRIOS / FOR / Violin, Tenor and Violoncello, / Composed / And Inscribed to the Memory of / Jacob More Esqr. / By / Wm. SHIELD./ (Musician in Ordinary to His Majesty) / Entd. At Statn. Hall [rule] Price 10/6 / ADVERTISEMENT / These Trios were Composed chiefly for the abovementioned Celebrated Landscape Painter (in Rome) / And are Dedicated to his Memory as a Token of Gratitude for the Services he rendered the Author / during his Residence in that City. The movements which are written in the uncommon Time / of 5/4 have amused some of the most distinguished Professors both in England & Italy which / induces the Author to hope they will not be disagreeable to the Public at Large / Goodge Street, Jany. 1st 1796 / [rule] / London, Printed for the Author by Longman & Broderip, No.26, Cheapside & No.13, Haymarket. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$49.00
String Trio No. 2 in D major
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Trio à Cordes: violon, alto, violoncelle
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Classique
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/ Wm
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William Shield
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Robert Hoskins
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String Trio No. 2 in D major
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Artaria Editions
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SheetMusicPlus
String Trio Cello,Viola,Violin - SKU: A0.1488225 Composed by William Shield. Arranged by Robert Hoskins. Classical. 37 pages. Artaria Editions #1065111....
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String Trio Cello,Viola,Violin - SKU: A0.1488225 Composed by William Shield. Arranged by Robert Hoskins. Classical. 37 pages. Artaria Editions #1065111. Published by Artaria Editions (A0.1488225). Shield's Trios, written for a continental audience, are seminal works in the composer's output and mark a new level of compositional attainment in the English chamber music repertory. Technically, they contain a wide variety of ideas which are developed with great ingenuity through a wide range of keys, dynamic contrasts and timbral effects. Aesthetically, they blend 'popular' and 'learned' taste along with 'orchestral' splendour and 18th century notions of beauty. The Trios present a dazzling range of moods and style with each work demonstrating Shield's mastery of the idiom, both in his treatment of individual instruments and in the handling of textures. While there is no shortage of melody and accompaniment, in which the violin takes the lead, there are many memorable solos for the viola and the cello in its high register. The wide range of textures includes melodic decoration, dialogue, contrast of high and low register, legato and staccato, powerful unison and double octaves. Shield's ability to incorporate arioso-like melody, the prevailing 'symphonic' style and folk elements was largely achieved through the cross-generic requirements of English comic opera (a form to which Shield devoted himself during the whole of his creative career). In general, Shield's technique results in a firm control of the way music moves - with sometimes a surprising degree of stylistic restlessness and sometimes of unexpected plainness and simplicity. The trios Shield selected for publication were issued by Longman and Broderip, London, in January 1796 under the inspection of the composer. No autograph of these works survives and Longman and Broderip's printing, a copy of which is preserved in the Bodleian Library, Oxford, under the call number Mus.Instr.I 214(15), is the only source of this edition. The title page, with its dedicatory inscription, reads: Six / TRIOS / FOR / Violin, Tenor and Violoncello, / Composed / And Inscribed to the Memory of / Jacob More Esqr. / By / Wm. SHIELD./ (Musician in Ordinary to His Majesty) / Entd. At Statn. Hall [rule] Price 10/6 / ADVERTISEMENT / These Trios were Composed chiefly for the abovementioned Celebrated Landscape Painter (in Rome) / And are Dedicated to his Memory as a Token of Gratitude for the Services he rendered the Author / during his Residence in that City. The movements which are written in the uncommon Time / of 5/4 have amused some of the most distinguished Professors both in England & Italy which / induces the Author to hope they will not be disagreeable to the Public at Large / Goodge Street, Jany. 1st 1796 / [rule] / London, Printed for the Author by Longman & Broderip, No.26, Cheapside & No.13, Haymarket. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$49.00
Watermelon Sugar
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Harry Styles
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Aaron Bennett
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Cello)
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Watermelon Sugar
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StringfulScores.com
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SheetMusicPlus
String Trio Cello,Viola,Violin - Level 4 - SKU: A0.1239610 By Harry Styles. By Harry Styles, Mitchell Rowland, Thomas Hull, and Tyler Johnson. Arranged ...
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String Trio Cello,Viola,Violin - Level 4 - SKU: A0.1239610 By Harry Styles. By Harry Styles, Mitchell Rowland, Thomas Hull, and Tyler Johnson. Arranged by Aaron Bennett. Funk,Pop,Wedding. 18 pages. StringfulScores.com #834989. Published by StringfulScores.com (A0.1239610). Watermelon Sugar from Harry Styles’ popular 2019 album Fine Line arranged for String Trio (optional separate Violin 2 and Viola parts) by Aaron Bennett. The smash hit that became Styles’ first number-one single on the Billboard Hot 100 and later won him a Grammy and Brit Award in 2021. This arrangement stays close to the original with plenty of funky rhythmic energy and melodic interest for all players. A contemporary summer number that’s guaranteed to get your listeners grooving! This song is also available for String Quartet and String Duo (Violin & Cello). Other Harry Styles arrangements include Sign of the Times, As It Was and Adore You. View all Harry Styles arrangements on the Stringful Scores YouTube playlist!Popular arrangements by Aaron Bennett:• If I Ain't Got You (Alicia Keys)       • Sign of the Times (Harry Styles)• Wrecking Ball (Miley Cyrus)         • Flowers (Miley Cyrus)• What About Us (Pink)              • Dancing On My Own (Robyn) • Wildest Dreams (Taylor Swift)       • Bridgerton Title Theme (Kris Bowers)• Here Comes The Sun (The Beatles)  • Marry You (Bruno Mars)   • As It Was (Harry Styles)             • Watermelon Sugar (Harry Styles)• Anyone (Justin Bieber)             • Blinding Lights (The Weeknd)    • Simply The Best (Tina Turner)       • Conversations in the Dark (John Legend) For more arrangements by Aaron Bennett, visit: StringfulScores.com
$15.99
Handel: Seven Pieces from Water Music for String Trio
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE
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Classique
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George Frideric Handel
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James M
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Handel: Seven Pieces from Wate
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jmsgu3
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SheetMusicPlus
String Trio Cello,Viola,Violin - Level 3 - SKU: A0.552119 Composed by George Frideric Handel (1685 - 1756). Arranged by James M. Guthrie. Baroque,Instru...
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String Trio Cello,Viola,Violin - Level 3 - SKU: A0.552119 Composed by George Frideric Handel (1685 - 1756). Arranged by James M. Guthrie. Baroque,Instructional,Standards,Wedding. 23 pages. Jmsgu3 #6121175. Published by jmsgu3 (A0.552119). Seven popular pieces from Handel's Water Music - most often requested for weddings. Score: 11 pages, Duration 12:15. Players may read from the score, or from the included instrumental parts.Contents:1. Air2. Minuet3. Bourrée4. Hornpipe5. Rigaudon6. Minuet7. AndanteHandel's Water Music is one of his most famous compositions. It was written for King George I's pleasure barge trip along the River Thames in 1717. The Water Music is divided into three suites, each containing a variety of movements. The music features a mix of dance rhythms such as minuets, bourrees, and hornpipes, along with lively fanfares and slower, more stately airs. Its combination of light and playful music with grandeur and pomp has made it one of the most beloved pieces of classical music. Water Music has been performed by many orchestras and is a popular choice for special occasions, such as coronations and weddings. Its enduring popularity has helped to make it one of Handel's most famous and beloved compositions.Weddings during the time of Handel were usually quite extravagant affairs. The ceremony was typically held in a church and was accompanied by a full orchestra. Handel's own compositions were frequently used to provide the music for the ceremony. This was especially true in London, where Handel was based and where his music was extremely popular. Handel wrote a number of pieces specifically for use at weddings, including the popular Wedding Anthem and the Wedding Anthem in D Major. Handel's music provided a sense of grandeur and elegance to the proceedings and was often used to give the wedding an extra special touch.The festivities following the ceremony were also often quite lavish, with a large feast and plenty of dancing. Handel's music was often used to provide the background music for the dancing, and he wrote many dance suites that were specifically designed for this purpose. The bride and groom would often have a special dance to the music of Handel's Water Music, a particularly popular piece for the occasion. Guests at the wedding would be treated to a variety of Handel's works, ranging from his operas to his oratorios, which often had a spiritual or religious theme. Handel's music provided a sense of joy and celebration to the wedding and helped make it an occasion to remember.
$36.95
Recordare (from "Requiem") (F) (String Septet - 3 Violins, 1 Viola, 3 Cellos)
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Wolfgang Amadeus Mozart
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Regis Bookshar
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Recordare
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Regis Bookshar
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SheetMusicPlus
String Ensemble Cello,Viola,Violin - Level 4 - SKU: A0.1112138 Composed by Wolfgang Amadeus Mozart. Arranged by Regis Bookshar. Chamber,Christian,Classi...
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String Ensemble Cello,Viola,Violin - Level 4 - SKU: A0.1112138 Composed by Wolfgang Amadeus Mozart. Arranged by Regis Bookshar. Chamber,Christian,Classical,Instructional,Religious. 41 pages. Regis Bookshar #714324. Published by Regis Bookshar (A0.1112138). Recordare (from Requiem (K. 626) - Wolfgang Amadeus Mozart/Franz Xaver Sussmayr - String Septet - Advanced/Intermediate - . Hauntingly beautiful is how the Recordare from Mozart's Requiem is often described. Originally written for an orchestra and four vocal soloists, it has now been transcribed by Regis Bookshar for a String Sextet, consisting of 3 Violins, 1 Viola and 3 Violoncellos, and would be a wonderful addition to any music library. This arrangement will provide students with the opportunity to play this beautiful composition, something which they may not have had the opportunity to do, otherwise. This selection could be performed for concerts, recitals and church services and is suitable for high school and college students but professional musicians would also enjoy playing this arrangement. Included are a score and a complete set of parts (41 pages). The Regis Bookshar Trumpet Ensemble has performed the Trumpet Quintet version of the Recordare for funerals, providing beautiful, introspective music for the occasion. There is some controversy surrounding the circumstances of the Requiem's composition because Mozart died before he could complete it. Count Franz von Walsegg had commissioned a Requiem Mass but Mozart had received only half of the payment in advance. So, upon his death on December 5th, 1791, his widow, Constanze, wished to have the work completed secretly by someone else and submit it to the count as having been completed by Mozart to collect the final payment. Joseph von Eybler was one of the first composers to be asked to complete the score and had worked on a number of movements but felt unable to complete the remainder and gave the manuscript back to Constanze Mozart. The task was then given to another composer, Franz Xaver Sussmayr. Sussmayr borrowed some of Eybler's work in making his completion, added his own orchestration to other movements and added several new movements which a Requiem Mass would normally comprise. He then added a final section by adapting the opening two movements which Mozart had written to the different words which finish the Requiem Mass, which according to both Sussmayr and Mozart's wife, was done according to Mozart's directions. The completed score, initially by Mozart but largely finished by Sussmayr, was then dispatched to Count Walsegg complete with a counterfeited signature of Mozart dated 1792. Despite the controversy over how much of the music is actually Mozart's, the commonly performed Sussmayr version has become widely accepted by the public, and is considered one of Mozart's finest compositions. The Recordare is considered by many people to be one of the most beautiful compositions in Mozart's entire catalogue. Regis Bookshar, a trumpet player, has performed the Requiem in concert with a full orchestra, soloists and a chorus and felt that other musicians should have the opportunity to play the hauntingly beautiful Recordare as well. So, in addition to this arrangement for a String Septet, he has made quite a few other arrangements of this beautiful composition. There are Quintets, Sextets, Septets and Octets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may fine something else which may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this beautiful arrangement of Mozart's Recordare, will continue to entertain both performers and audiences alike for years to come.
$36.00
Recordare (from "Requiem") (F) (String Sextet - 2 Violins, 1 Viola, 3 Cellos)
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Wolfgang Amadeus Mozart
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Regis Bookshar
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Recordare
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Regis Bookshar
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SheetMusicPlus
String Ensemble Cello,Viola,Violin - Level 4 - SKU: A0.1111374 Composed by Wolfgang Amadeus Mozart. Arranged by Regis Bookshar. Chamber,Christian,Classi...
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String Ensemble Cello,Viola,Violin - Level 4 - SKU: A0.1111374 Composed by Wolfgang Amadeus Mozart. Arranged by Regis Bookshar. Chamber,Christian,Classical,Instructional,Religious. 28 pages. Regis Bookshar #713661. Published by Regis Bookshar (A0.1111374). Recordare (from Requiem (K. 626) - Wolfgang Amadeus Mozart/Franz Xaver Sussmayr - String Sextet - Advanced/Intermediate - . Hauntingly beautiful is how the Recordare from Mozart's Requiem is often described. Originally written for an orchestra and four vocal soloists, it has now been transcribed by Regis Bookshar for a String Sextet, consisting of 2 Violins, 1 Viola and 3 Violoncellos, and would be a wonderful addition to any music library. This arrangement will provide students with the opportunity to play this beautiful composition, something which they may not have had the opportunity to do, otherwise. This selection could be performed for concerts, recitals and church services and is suitable for high school and college students but professional musicians would also enjoy playing this arrangement. Included are a score and a complete set of parts (28 pages). The Regis Bookshar Trumpet Ensemble has performed the Trumpet Quintet version of the Recordare for funerals, providing beautiful, introspective music for the occasion. There is some controversy surrounding the circumstances of the Requiem's composition because Mozart died before he could complete it. Count Franz von Walsegg had commissioned a Requiem Mass but Mozart had received only half of the payment in advance. So, upon his death on December 5th, 1791, his widow, Constanze, wished to have the work completed secretly by someone else and submit it to the count as having been completed by Mozart to collect the final payment. Joseph von Eybler was one of the first composers to be asked to complete the score and had worked on a number of movements but felt unable to complete the remainder and gave the manuscript back to Constanze Mozart. The task was then given to another composer, Franz Xaver Sussmayr. Sussmayr borrowed some of Eybler's work in making his completion, added his own orchestration to other movements and added several new movements which a Requiem Mass would normally comprise. He then added a final section by adapting the opening two movements which Mozart had written to the different words which finish the Requiem Mass, which according to both Sussmayr and Mozart's wife, was done according to Mozart's directions. The completed score, initially by Mozart but largely finished by Sussmayr, was then dispatched to Count Walsegg complete with a counterfeited signature of Mozart dated 1792. Despite the controversy over how much of the music is actually Mozart's, the commonly performed Sussmayr version has become widely accepted by the public, and is considered one of Mozart's finest compositions. The Recordare is considered by many people to be one of the most beautiful compositions in Mozart's entire catalogue. Regis Bookshar, a trumpet player, has performed the Requiem in concert with a full orchestra, soloists and a chorus and felt that other musicians should have the opportunity to play the hauntingly beautiful Recordare as well. So, in addition to this arrangement for a String Sextet, he has made quite a few other arrangements of this beautiful composition. There are Quintets, Sextets, Septets and Octets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may fine something else which may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this beautiful arrangement of Mozart's Recordare, will continue to entertain both performers and audiences alike for years to come.
$32.00
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