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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
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ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
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PIANO & CLAVIERS
Piano seul
416
Piano, Voix et Guitare
121
Piano, Voix
113
Piano Facile
29
Instruments en Do
28
2 Pianos, 4 mains
24
Orgue
24
Piano Trio: piano, violon, violoncelle
9
1 Piano, 4 mains
6
Piano grosses notes
3
Accompagnement Piano
3
Piano Quatuor: piano, violon, alto, violoncelle
2
Piano (partie séparée)
1
Orgue, Trompette (duo)
1
Orgue, Piano (duo)
1
Accordéon
1
2 Pianos, 8 mains
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Piano Quatuor: piano, 2 violons, violoncelle
1
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GUITARES
Guitare
58
Guitare notes et tablatures
33
2 Guitares (duo)
12
Ukulele
10
Basse electrique
8
Ligne De Mélodie, (Paroles) et Accords
8
Mandoline
5
3 Guitares (trio)
3
4 Guitares (Quatuor)
3
Piano, Guitare (duo)
2
Banjo
2
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1
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1
Guitare, Orchestre
1
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VOIX
Chorale SATB
197
Chorale 3 parties
32
Voix Alto, Piano
29
Voix Tenor
25
Voix Soprano
24
Voix Baryton, Piano
23
Chorale 2 parties
21
Chorale TTBB
14
Chorale SSAA
14
Voix seule
9
Voix duo, Piano
5
Voix Soprano, Piano
5
Voix duo
4
Chorale Unison
3
Voix haute
3
Voix Tenor, Piano
2
Chorale SSAB, Piano
1
Chorale SSATTB
1
Voix moyenne, Piano
1
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VENTS
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
108
Quintette de Saxophone: 5 saxophones
101
Ensemble de saxophones
71
Ensemble de Clarinettes
33
2 Clarinettes (duo)
28
Ensemble de Flûtes
28
Flûte traversière et Piano
25
Saxophone Alto et Piano
24
Clarinette et Piano
23
Flûte, Hautbois, Clarinette, Basson
22
Quatuor de Saxophones: 4 saxophones
21
Hautbois, Piano (duo)
20
2 Flûtes traversières (duo)
18
2 Saxophones (duo)
18
Flûte traversière
18
Clarinette
17
Quintette de Flûte : 5 flûtes
13
Saxophone Alto
13
Quatuor de Clarinettes: 4 clarinettes
12
Saxophone Tenor et Piano
12
Saxophone, Clarinette (duo)
10
2 Hautbois (duo)
8
Hautbois (partie séparée)
8
Flûte, Clarinette (duo)
8
Flûte et Guitare
7
Saxophone Soprano et Piano
7
Saxophone Tenor
7
Saxophone Baryton, Piano
7
Clarinette, Violon (duo)
7
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6
3 Clarinettes (trio)
6
2 Flûtes traversières, Piano
5
Saxophone (partie séparée)
5
Hautbois, Basson (duo)
5
Flûte, Violon
5
Quatuor de Flûtes : 4 flûtes
5
Flûte, Saxophone (duo)
4
Clarinette et Alto
4
Hautbois, Clarinette (duo)
4
Clarinette Basse, Piano
4
Hautbois, Guitare (duo)
4
Trio de Flûtes: 3 flûtes
3
Flûte, Alto (duo)
3
Flute, harpe et violon
3
Quatuor de Flûtes à bec
3
Quintette de Clarinettes: 5 clarinettes
3
Cor anglais, Piano
3
Flûte, Clarinette, Piano (trio)
3
3 Saxophones (trio)
3
Cor anglais, Guitare (duo)
2
Clarinette, Harpe (duo)
2
Clarinette, Trompette (duo)
2
Saxophone et Harpe
2
Flûte à Bec
2
Hautbois, Flûte
2
Flute (partie séparée)
2
2 Clarinettes, Piano
2
Flûte à bec Soprano
2
2 Hautbois, Piano
2
Saxophone et Guitare
2
Flûte, Violon, Piano
2
Clarinette, Violoncelle (duo)
2
Saxophone et Orgue
2
Clarinette, Trombone (duo)
2
Saxophone
2
Hautbois, Harpe
1
Flûte, Hautbois, Clarinette (trio)
1
Flûte à bec Soprano, Piano
1
2 Saxophones, Piano
1
Flûte à bec Alto, Piano
1
Piccolo, Piano
1
Saxophone Soprano
1
Clarinette, Basson (duo)
1
Piccolo
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Hautbois, Clarinette, Basson (trio d'anches)
1
2 Flûtes traversières, Harpe
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
89
Quatuor de Cuivres : 2 trompettes, trombone, tuba
86
Ensemble de Trombones
28
Quatuor de Cuivres: 2 trompettes, Cor, trombone
28
Quatuor de Cuivres
25
Trompette
20
Trombone et Piano
18
Ensemble de Trompettes
17
Trompette, Piano
12
2 Trombones (duo)
12
Trombone
11
Cor et Piano
10
2 Trompettes (duo)
9
Euphonium, Piano (duo)
8
Cor
8
Trompette, Trombone (duo)
8
Tuba et Piano
8
2 Cors (duo)
7
Tuba
6
Trompette, Saxophone (duo)
5
Ensemble de Cors
5
2 Trompettes, Clavier (piano ou orgue)
4
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
3
2 Cors, Piano
3
Cor anglais, Piano
3
Trio de Cuivres
3
Cor anglais, Guitare (duo)
2
3 Trombones (trio)
2
Quatuor de cuivres: 4 trombones
2
2 Tubas (duo)
2
Trompette, Trombone, Piano
1
Trombone basse et Piano
1
Trombone, Tuba (duo)
1
Trompette, Euphonium (duo)
1
Cor et Harpe
1
Bass Clef Instruments
1
2 Euphoniums et 2 Tubas
1
3 Cors (trio)
1
Trompette, Harpe
1
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
95
Violon et Piano
55
Harpe
34
Violon
33
Trio à Cordes: violon, alto, violoncelle
31
Alto, Piano
27
Violoncelle, Piano
26
Violoncelle
21
2 Violons (duo)
18
Ensemble de Violons
15
Quintette à cordes: 2 violons, alto, violoncelle, basse
15
Ensemble d'Altos
15
2 Harpes (duo)
15
2 Violoncelles (duo)
14
2 Altos (duo)
13
Violon, Violoncelle (duo)
11
Alto seul
11
Violon, Alto (duo)
9
Contrebasse, Piano (duo)
6
2 Violons, Piano
6
Contre Basse
4
Violoncelle , Guitare (duo)
4
4 Violoncelles
3
Quintette à cordes: 2 violons, 2 altos, violoncelle
3
Harpe, Voix
3
Trio à Cordes: 2 violons, violoncelle
3
Violon, Guitare (duo)
3
Trio à cordes: 3 violins
2
2 Violoncelles, Piano
2
Alto, Violoncelle (duo)
2
Alto (partie séparée)
2
4 Contrebasses
2
Quatuor à cordes: 4 violons
2
Violoncelle, Orgue
1
Quatuor à cordes : 4 altos
1
Harpe, Violoncelle (duo)
1
Violon (partie séparée)
1
Alto et Basson
1
Trio à cordes: 3 altos
1
Alto et Harpe
1
Piano Trio: Violon, Alto, Piano
1
Ensemble de Violoncelles
1
Harpe, Violon (duo)
1
Harpe, Flûte (duo)
1
Harpe, Trombone (duo)
1
3 Harpes
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
82
Orchestre
67
Orchestre à Cordes
65
Orchestre de chambre
34
Ensemble de cuivres
31
Ensemble Jazz
30
Jazz combo
15
Ensemble de Percussions
8
Cloches
8
Marimba
3
Fanfare
3
2 Marimbas
1
Piano et Orchestre
1
Batterie
1
Vibraphone
1
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AUTRES
Vous avez sélectionné:
I Was There
Trio à Cordes: violon, alto, violoncelle
Partitions à imprimer
31 partitions trouvées
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Fuga a tre (3 part fugue) for string trio
Trio à Cordes: violon, alto, violoncelle
String Ensemble,String Trio - Level 3 - Digital Download SKU: A0.958467 Composed by…
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String Ensemble,String Trio - Level 3 - Digital Download SKU: A0.958467 Composed by Joseph Dillon Ford. 20th Century. Score and parts. 7 pages. David Warin Solomons2 #3691565. Published by David Warin Solomons2 (A0.958467). The Fuga a tre voci was composed on 28 March 1976 not long before I moved from Miami to Cambridge to begin graduate study in music at Harvard. It remained an imperfect sketch in need of extensive revisions, and languished for a quarter-century in a manila file folder until I rediscovered it late in 2001 and was pleased to find that it was worth the trouble of resurrecting. This was no easy task, as it was my original intention to comply closely with eighteenth-century contrapuntal practices. Although I had written numerous polyphonic pieces in a similar style since 1976, none of these was a fugue. There was also the challenge of reconnecting with musical ideas I had originated at the age of twenty-four at a time in my life when I was rapidly approaching the age of fifty. Still, I persevered in my efforts to revive and improve this early polyphonic essay, and hope the performer and listener will be as pleased with the results as I am. This three-voice fugue can be performed by any instrument or combination of instruments, including the harpsichord.
$7.00
6.39 €
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Trio à Cordes: violon, alto, violoncelle
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Joseph Dillon Ford
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Fuga a tre
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David Warin Solomons2
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SheetMusicPlus
Peace on Earth (Christmas song) violin solo with strings quintet
Trio à Cordes: violon, alto, violoncelle
Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1299579 Composed by Connie …
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Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1299579 Composed by Connie Boss. Christian,Christmas. Full Performance. Duration 165. Connie Boss #889431. Published by Connie Boss (A0.1299579). This is an mp3 to a Christmas original I was inspired to write. The shepherds couldn't quite figure out why there was such a bright star and why the baby was so special. Once they arrived in Bethlehem, they realized he was born to bring Peace on earth to all.  It has 6 strings parts as violin 1 has a solo part. The rest play throughout the piece. So many moving parts. The refrain part is played throughout the verses while the solo plays the lead. Purchase the sheet music on here. cdboss@cvalley.netLyrics:Peace on EarthChristmas SongComposed by Connie Boss Intro and Refrain:Peace  on EarthPeace  on EarthPeace  on EarthPeace  one Earth Verse 1:And into the still of the nightThere was one star shining brightShepherds in their fields all aroundSaw it shine down on a town Refrain: Verse 2:It’s light beckoning all to comeTo see the new chosen oneSo they followed the bright starThey came from near and from farRefrain:BridgeFor some the journey took them daysArriving there they were amazedAll of this for a baby boy:Why were they all filled with joy?Christ was born on Christmas morn, to bring Peace on EarthPeace for allPeace for you and me. Refrain to end.
$1.99
1.82 €
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Trio à Cordes: violon, alto, violoncelle
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Connie Boss
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Peace on Earth
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Connie Boss
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SheetMusicPlus
Glacier Bay - String Trio (vn-vn-vc)
Trio à Cordes: violon, alto, violoncelle
String Ensemble,String Trio - Level 3 - Digital Download SKU: A0.913984 Composed by…
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String Ensemble,String Trio - Level 3 - Digital Download SKU: A0.913984 Composed by Arthur Breur. 20th Century,Contemporary. Score and parts. 15 pages. Floating Home Music #4819957. Published by Floating Home Music (A0.913984). Glacier Bay for String Trio. An audio impression of the experience of being in Glacier Bay. This is the premier performance of Glacier Bay by String Trio Black Diamonds - just one day after Arthur Breur composed the piece and provided the trio with the score and parts. They performed the piece in the atrium of the Norwegian Sun on July 3, 2016. With gratitude to Captain Richard Svardmark and the entire crew of the Norwegian Sun. Arthur Breur composed Glacier Bay in a single day on the Cruise Ship Norwegian Sun as it toured Glacier Bay, Alaska. Waking very early that day, Arthur was greeted with foggy, gray, mysterious views in an eerie northern twilight, and the mood set him immediately to composing. As he often does, he started by constructing the ten letters of the name Glacier Bay into musical notes. He divided these ten notes into three similar musical motifs, first three notes [G-E-A], then four notes [C-B-E-D], then three notes again [B-A-D]. These motifs open the piece, in a section that represents the eerie, misty, wet, half-lit morning. Then-expressing wonder and excitement upon seeing the beauty and majesty of Alaska’s glaciers-the motifs are connected with moving lines of notes that turn the original disconnected motifs into a flowing, uplifting melody. Between stops at the enormous bay’s different glaciers, the ship moved slowly through foggy vistas. The middle section of the piece represents this with a more dissonant, nervous sound. (Listen carefully for the sound of the ship’s fog horn-which really is a low F-sharp!-played by the cello.) But after passing through the fog, there was another awe-inspiring glacier, and so the music returns to the uplifting, flowing melody once again. Glacier Bay for String Trio Composed for the String Trio Black Diamonds: - Tamara Sieviieva - Mykyta Denysov - Anastasia Gorokhova *** Upon waking to a mysterious foggy morning on the Norwegian Sun cruise ship in Glacier Bay, Alaska, I was almost immediately possessed by my Muse. (That’s the only way I can describe it; every moment that I was not composing-even WHILE looking at the beautiful, awe-inspiring glaciers! - I was hearing the melody in my head and aching to compose.) *** Duration: 5m Composer: Arthur Breur Instruments: Violin, Cello, String Trio, String Trio (vn-vn-vc) Format: Score, Set of Parts Genres: 21st Century, Contemporary Classical, Post-Romantic, Neo-Classical Level: Intermediate https://www.floatinghomemusic.com
$20.00
18.25 €
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Trio à Cordes: violon, alto, violoncelle
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Arthur Breur
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Glacier Bay - String Trio
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Floating Home Music
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SheetMusicPlus
Silent Night (Bb) (String Octet - 3 Violins, 2 Violas, 3 Cellos)
Trio à Cordes: violon, alto, violoncelle
String Ensemble Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.813995 Comp…
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String Ensemble Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.813995 Composed by Franz Xaver Gruber. Arranged by Regis Bookshar. Christmas,Instructional,Multicultural,World. Score and parts. 12 pages. Regis Bookshar #6636653. Published by Regis Bookshar (A0.813995). String Octet - Intermediate - Digital Download. This arrangement of Silent Night, or in German, Stille Nacht, would be a wonderful addition to any music library and could be performed for Christmas concerts, recitals, and, especially, church services. It is equally suitable for junior and senior high school students and even older musicians. Depending on their ability, younger musicians would also enjoy playing this selection. Included are a score and a complete set of parts (12 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Silent Night is probably the most popular Christmas carol ever written. It was composed in 1818 by Franz Xaver Gruber to lyrics by Joseph Mohr and was first performed on Christmas Eve at St. Nicholas parish church in Oberndorf, a small village in present-day Austria. A young Catholic priest, Father Joseph Mohr, had written the poem, Stille Nacht, in 1816 and had gone to Oberndorf in 1817. The melody was composed by Franz Xaver Gruber, schoolmaster and organist in the nearby village of Arnsdorf. On Christmas Eve, 1818, Mohr brought the words to Gruber and asked him to compose a melody and guitar accompaniment for that night's mass, after river flooding had possibly damaged the church organ. The church was eventually destroyed by repeated flooding and has since been replaced with the Silent-Night-Chapel.According to Gruber, Karl Mauracher, an organ builder who serviced the instrument at the Oberndorf church, was enamored with the song, and took the composition home with him to the Ziller Valley in Tyrol, Austria. From there, two traveling families of folk singers, the Strassers and the Rainers, included the tune in their shows. The Rainers were already singing it around Christmas, 1819, and once performed it for an audience that included Franz I of Austria and Alexander I of Russia. They also gave the first performance of the song in the United States in New York City in 1839. By the 1840's, the song was well known and was reported to be a favorite of Frederick William IV of Prussia. During this period, the melody changed slightly to become the version that is commonly heard today. The version of the melody that is generally used today is a slow, meditative lullaby, or pastoral, differing slightly from Gruber's original which has a moderate tempo. The song has been translated into about 140 languages and has been recorded by many singers across many music genres. The version sung by Bing Crosby in 1935, has sold over 10 million copies as a single.In this arrangement of Silent Night, Regis Bookshar has kept the basic form of this familiar Christmas carol, but has also included a descant during the third verse. Also, in addition to this version for a String Octet, consisting of 3 Violins, 2 Violas and 3 Violoncellos, there are other arrangements of Silent Night available for a variety of instrumental ensembles. There are Quintets and Octets readily available for purchase. Please take the time to look for other versions of this composition. You may find something else that might also suit your needs.I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a wide variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of Silent Night will continue to entertain both performers and audiences alike for years to come.
$8.00
7.3 €
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Trio à Cordes: violon, alto, violoncelle
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the 1840's, the song was well known and was reported to be a favorite of Frederick William IV of Prussia
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Franz Xaver Gruber
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Regis Bookshar
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Silent Night
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Regis Bookshar
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SheetMusicPlus
Recordare (from "Requiem") (F) (String Septet - 3 Violins, 1 Viola, 3 Cellos)
Trio à Cordes: violon, alto, violoncelle
String Ensemble Cello,Viola,Violin - Level 4 - Digital Download SKU: A0.1112138 Com…
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String Ensemble Cello,Viola,Violin - Level 4 - Digital Download SKU: A0.1112138 Composed by Wolfgang Amadeus Mozart. Arranged by Regis Bookshar. Chamber,Christian,Classical,Instructional,Religious. 41 pages. Regis Bookshar #714324. Published by Regis Bookshar (A0.1112138). Recordare (from Requiem (K. 626) - Wolfgang Amadeus Mozart/Franz Xaver Sussmayr - String Septet - Advanced/Intermediate - Digital Download. Hauntingly beautiful is how the Recordare from Mozart's Requiem is often described. Originally written for an orchestra and four vocal soloists, it has now been transcribed by Regis Bookshar for a String Sextet, consisting of 3 Violins, 1 Viola and 3 Violoncellos, and would be a wonderful addition to any music library. This arrangement will provide students with the opportunity to play this beautiful composition, something which they may not have had the opportunity to do, otherwise. This selection could be performed for concerts, recitals and church services and is suitable for high school and college students but professional musicians would also enjoy playing this arrangement. Included are a score and a complete set of parts (41 pages). The Regis Bookshar Trumpet Ensemble has performed the Trumpet Quintet version of the Recordare for funerals, providing beautiful, introspective music for the occasion. There is some controversy surrounding the circumstances of the Requiem's composition because Mozart died before he could complete it. Count Franz von Walsegg had commissioned a Requiem Mass but Mozart had received only half of the payment in advance. So, upon his death on December 5th, 1791, his widow, Constanze, wished to have the work completed secretly by someone else and submit it to the count as having been completed by Mozart to collect the final payment. Joseph von Eybler was one of the first composers to be asked to complete the score and had worked on a number of movements but felt unable to complete the remainder and gave the manuscript back to Constanze Mozart. The task was then given to another composer, Franz Xaver Sussmayr. Sussmayr borrowed some of Eybler's work in making his completion, added his own orchestration to other movements and added several new movements which a Requiem Mass would normally comprise. He then added a final section by adapting the opening two movements which Mozart had written to the different words which finish the Requiem Mass, which according to both Sussmayr and Mozart's wife, was done according to Mozart's directions. The completed score, initially by Mozart but largely finished by Sussmayr, was then dispatched to Count Walsegg complete with a counterfeited signature of Mozart dated 1792. Despite the controversy over how much of the music is actually Mozart's, the commonly performed Sussmayr version has become widely accepted by the public, and is considered one of Mozart's finest compositions. The Recordare is considered by many people to be one of the most beautiful compositions in Mozart's entire catalogue. Regis Bookshar, a trumpet player, has performed the Requiem in concert with a full orchestra, soloists and a chorus and felt that other musicians should have the opportunity to play the hauntingly beautiful Recordare as well. So, in addition to this arrangement for a String Septet, he has made quite a few other arrangements of this beautiful composition. There are Quintets, Sextets, Septets and Octets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may fine something else which may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this beautiful arrangement of Mozart's Recordare, will continue to entertain both performers and audiences alike for years to come.
$36.00
32.86 €
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Trio à Cordes: violon, alto, violoncelle
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Wolfgang Amadeus Mozart
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Regis Bookshar
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Recordare
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Regis Bookshar
#
SheetMusicPlus
Recordare (from "Requiem") (F) (String Sextet - 2 Violins, 1 Viola, 3 Cellos)
Trio à Cordes: violon, alto, violoncelle
String Ensemble Cello,Viola,Violin - Level 4 - Digital Download SKU: A0.1111374 Com…
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String Ensemble Cello,Viola,Violin - Level 4 - Digital Download SKU: A0.1111374 Composed by Wolfgang Amadeus Mozart. Arranged by Regis Bookshar. Chamber,Christian,Classical,Instructional,Religious. 28 pages. Regis Bookshar #713661. Published by Regis Bookshar (A0.1111374). Recordare (from Requiem (K. 626) - Wolfgang Amadeus Mozart/Franz Xaver Sussmayr - String Sextet - Advanced/Intermediate - Digital Download. Hauntingly beautiful is how the Recordare from Mozart's Requiem is often described. Originally written for an orchestra and four vocal soloists, it has now been transcribed by Regis Bookshar for a String Sextet, consisting of 2 Violins, 1 Viola and 3 Violoncellos, and would be a wonderful addition to any music library. This arrangement will provide students with the opportunity to play this beautiful composition, something which they may not have had the opportunity to do, otherwise. This selection could be performed for concerts, recitals and church services and is suitable for high school and college students but professional musicians would also enjoy playing this arrangement. Included are a score and a complete set of parts (28 pages). The Regis Bookshar Trumpet Ensemble has performed the Trumpet Quintet version of the Recordare for funerals, providing beautiful, introspective music for the occasion. There is some controversy surrounding the circumstances of the Requiem's composition because Mozart died before he could complete it. Count Franz von Walsegg had commissioned a Requiem Mass but Mozart had received only half of the payment in advance. So, upon his death on December 5th, 1791, his widow, Constanze, wished to have the work completed secretly by someone else and submit it to the count as having been completed by Mozart to collect the final payment. Joseph von Eybler was one of the first composers to be asked to complete the score and had worked on a number of movements but felt unable to complete the remainder and gave the manuscript back to Constanze Mozart. The task was then given to another composer, Franz Xaver Sussmayr. Sussmayr borrowed some of Eybler's work in making his completion, added his own orchestration to other movements and added several new movements which a Requiem Mass would normally comprise. He then added a final section by adapting the opening two movements which Mozart had written to the different words which finish the Requiem Mass, which according to both Sussmayr and Mozart's wife, was done according to Mozart's directions. The completed score, initially by Mozart but largely finished by Sussmayr, was then dispatched to Count Walsegg complete with a counterfeited signature of Mozart dated 1792. Despite the controversy over how much of the music is actually Mozart's, the commonly performed Sussmayr version has become widely accepted by the public, and is considered one of Mozart's finest compositions. The Recordare is considered by many people to be one of the most beautiful compositions in Mozart's entire catalogue. Regis Bookshar, a trumpet player, has performed the Requiem in concert with a full orchestra, soloists and a chorus and felt that other musicians should have the opportunity to play the hauntingly beautiful Recordare as well. So, in addition to this arrangement for a String Sextet, he has made quite a few other arrangements of this beautiful composition. There are Quintets, Sextets, Septets and Octets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may fine something else which may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this beautiful arrangement of Mozart's Recordare, will continue to entertain both performers and audiences alike for years to come.
$32.00
29.21 €
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Trio à Cordes: violon, alto, violoncelle
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Wolfgang Amadeus Mozart
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Regis Bookshar
#
Recordare
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Regis Bookshar
#
SheetMusicPlus
Recordare (from "Requiem") (F) (String Sextet - 3 Violins, 1 Viola, 2 Cellos)
Trio à Cordes: violon, alto, violoncelle
String Ensemble Cello,Viola,Violin - Level 4 - Digital Download SKU: A0.1111378 Com…
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String Ensemble Cello,Viola,Violin - Level 4 - Digital Download SKU: A0.1111378 Composed by Wolfgang Amadeus Mozart. Arranged by Regis Bookshar. Chamber,Christian,Classical,Instructional,Religious. 28 pages. Regis Bookshar #713665. Published by Regis Bookshar (A0.1111378). Recordare (from Requiem (K. 626) - Wolfgang Amadeus Mozart/Franz Xaver Sussmayr - String Sextet - Advanced/Intermediate - Digital Download. Hauntingly beautiful is how the Recordare from Mozart's Requiem is often described. Originally written for an orchestra and four vocal soloists, it has now been transcribed by Regis Bookshar for a String Sextet, consisting of 3 Violins, 1 Viola and 2 Violoncellos, and would be a wonderful addition to any music library. This arrangement will provide students with the opportunity to play this beautiful composition, something which they may not have had the opportunity to do, otherwise. This selection could be performed for concerts, recitals and church services and is suitable for high school and college students but professional musicians would also enjoy playing this arrangement. Included are a score and a complete set of parts (28 pages). The Regis Bookshar Trumpet Ensemble has performed the Trumpet Quintet version of the Recordare for funerals, providing beautiful, introspective music for the occasion. There is some controversy surrounding the circumstances of the Requiem's composition because Mozart died before he could complete it. Count Franz von Walsegg had commissioned a Requiem Mass but Mozart had received only half of the payment in advance. So, upon his death on December 5th, 1791, his widow, Constanze, wished to have the work completed secretly by someone else and submit it to the count as having been completed by Mozart to collect the final payment. Joseph von Eybler was one of the first composers to be asked to complete the score and had worked on a number of movements but felt unable to complete the remainder and gave the manuscript back to Constanze Mozart. The task was then given to another composer, Franz Xaver Sussmayr. Sussmayr borrowed some of Eybler's work in making his completion, added his own orchestration to other movements and added several new movements which a Requiem Mass would normally comprise. He then added a final section by adapting the opening two movements which Mozart had written to the different words which finish the Requiem Mass, which according to both Sussmayr and Mozart's wife, was done according to Mozart's directions. The completed score, initially by Mozart but largely finished by Sussmayr, was then dispatched to Count Walsegg complete with a counterfeited signature of Mozart dated 1792. Despite the controversy over how much of the music is actually Mozart's, the commonly performed Sussmayr version has become widely accepted by the public, and is considered one of Mozart's finest compositions. The Recordare is considered by many people to be one of the most beautiful compositions in Mozart's entire catalogue. Regis Bookshar, a trumpet player, has performed the Requiem in concert with a full orchestra, soloists and a chorus and felt that other musicians should have the opportunity to play the hauntingly beautiful Recordare as well. So, in addition to this arrangement for a String Sextet, he has made quite a few other arrangements of this beautiful composition. There are Quintets, Sextets, Septets and Octets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may fine something else which may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this beautiful arrangement of Mozart's Recordare, will continue to entertain both performers and audiences alike for years to come.
$32.00
29.21 €
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Trio à Cordes: violon, alto, violoncelle
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Wolfgang Amadeus Mozart
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Regis Bookshar
#
Recordare
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Regis Bookshar
#
SheetMusicPlus
Recordare (from "Requiem") (F) (String Sextet - 2 Violins, 2 Violas, 2 Cellos)
Trio à Cordes: violon, alto, violoncelle
String Ensemble Cello,Viola,Violin - Level 4 - Digital Download SKU: A0.1111377 Com…
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String Ensemble Cello,Viola,Violin - Level 4 - Digital Download SKU: A0.1111377 Composed by Wolfgang Amadeus Mozart. Arranged by Regis Bookshar. Chamber,Christian,Classical,Instructional,Religious. 28 pages. Regis Bookshar #713664. Published by Regis Bookshar (A0.1111377). Recordare (from Requiem (K. 626) - Wolfgang Amadeus Mozart/Franz Xaver Sussmayr - String Sextet - Advanced/Intermediate - Digital Download. Hauntingly beautiful is how the Recordare from Mozart's Requiem is often described. Originally written for an orchestra and four vocal soloists, it has now been transcribed by Regis Bookshar for a String Sextet, consisting of 2 Violins, 2 Violas and 2 Violoncellos, and would be a wonderful addition to any music library. This arrangement will provide students with the opportunity to play this beautiful composition, something which they may not have had the opportunity to do, otherwise. This selection could be performed for concerts, recitals and church services and is suitable for high school and college students but professional musicians would also enjoy playing this arrangement. Included are a score and a complete set of parts (28 pages). The Regis Bookshar Trumpet Ensemble has performed the Trumpet Quintet version of the Recordare for funerals, providing beautiful, introspective music for the occasion. There is some controversy surrounding the circumstances of the Requiem's composition because Mozart died before he could complete it. Count Franz von Walsegg had commissioned a Requiem Mass but Mozart had received only half of the payment in advance. So, upon his death on December 5th, 1791, his widow, Constanze, wished to have the work completed secretly by someone else and submit it to the count as having been completed by Mozart to collect the final payment. Joseph von Eybler was one of the first composers to be asked to complete the score and had worked on a number of movements but felt unable to complete the remainder and gave the manuscript back to Constanze Mozart. The task was then given to another composer, Franz Xaver Sussmayr. Sussmayr borrowed some of Eybler's work in making his completion, added his own orchestration to other movements and added several new movements which a Requiem Mass would normally comprise. He then added a final section by adapting the opening two movements which Mozart had written to the different words which finish the Requiem Mass, which according to both Sussmayr and Mozart's wife, was done according to Mozart's directions. The completed score, initially by Mozart but largely finished by Sussmayr, was then dispatched to Count Walsegg complete with a counterfeited signature of Mozart dated 1792. Despite the controversy over how much of the music is actually Mozart's, the commonly performed Sussmayr version has become widely accepted by the public, and is considered one of Mozart's finest compositions. The Recordare is considered by many people to be one of the most beautiful compositions in Mozart's entire catalogue. Regis Bookshar, a trumpet player, has performed the Requiem in concert with a full orchestra, soloists and a chorus and felt that other musicians should have the opportunity to play the hauntingly beautiful Recordare as well. So, in addition to this arrangement for a String Sextet, he has made quite a few other arrangements of this beautiful composition. There are Quintets, Sextets, Septets and Octets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may fine something else which may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this beautiful arrangement of Mozart's Recordare, will continue to entertain both performers and audiences alike for years to come.
$32.00
29.21 €
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Trio à Cordes: violon, alto, violoncelle
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Wolfgang Amadeus Mozart
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Regis Bookshar
#
Recordare
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Regis Bookshar
#
SheetMusicPlus
Recordare (from "Requiem") (F) (String Septet - 2 Violins, 2 Violas, 3 Cellos)
Trio à Cordes: violon, alto, violoncelle
String Ensemble Cello,Viola,Violin - Level 4 - Digital Download SKU: A0.1112131 Com…
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String Ensemble Cello,Viola,Violin - Level 4 - Digital Download SKU: A0.1112131 Composed by Wolfgang Amadeus Mozart. Arranged by Regis Bookshar. Chamber,Christian,Classical,Instructional,Religious. 41 pages. Regis Bookshar #714317. Published by Regis Bookshar (A0.1112131). Recordare (from Requiem (K. 626) - Wolfgang Amadeus Mozart/Franz Xaver Sussmayr - String Septet - Advanced/Intermediate - Digital Download. Hauntingly beautiful is how the Recordare from Mozart's Requiem is often described. Originally written for an orchestra and four vocal soloists, it has now been transcribed by Regis Bookshar for a String Sextet, consisting of 2 Violins, 2 Violas and 3 Violoncellos, and would be a wonderful addition to any music library. This arrangement will provide students with the opportunity to play this beautiful composition, something which they may not have had the opportunity to do, otherwise. This selection could be performed for concerts, recitals and church services and is suitable for high school and college students but professional musicians would also enjoy playing this arrangement. Included are a score and a complete set of parts (41 pages). The Regis Bookshar Trumpet Ensemble has performed the Trumpet Quintet version of the Recordare for funerals, providing beautiful, introspective music for the occasion. There is some controversy surrounding the circumstances of the Requiem's composition because Mozart died before he could complete it. Count Franz von Walsegg had commissioned a Requiem Mass but Mozart had received only half of the payment in advance. So, upon his death on December 5th, 1791, his widow, Constanze, wished to have the work completed secretly by someone else and submit it to the count as having been completed by Mozart to collect the final payment. Joseph von Eybler was one of the first composers to be asked to complete the score and had worked on a number of movements but felt unable to complete the remainder and gave the manuscript back to Constanze Mozart. The task was then given to another composer, Franz Xaver Sussmayr. Sussmayr borrowed some of Eybler's work in making his completion, added his own orchestration to other movements and added several new movements which a Requiem Mass would normally comprise. He then added a final section by adapting the opening two movements which Mozart had written to the different words which finish the Requiem Mass, which according to both Sussmayr and Mozart's wife, was done according to Mozart's directions. The completed score, initially by Mozart but largely finished by Sussmayr, was then dispatched to Count Walsegg complete with a counterfeited signature of Mozart dated 1792. Despite the controversy over how much of the music is actually Mozart's, the commonly performed Sussmayr version has become widely accepted by the public, and is considered one of Mozart's finest compositions. The Recordare is considered by many people to be one of the most beautiful compositions in Mozart's entire catalogue. Regis Bookshar, a trumpet player, has performed the Requiem in concert with a full orchestra, soloists and a chorus and felt that other musicians should have the opportunity to play the hauntingly beautiful Recordare as well. So, in addition to this arrangement for a String Septet, he has made quite a few other arrangements of this beautiful composition. There are Quintets, Sextets, Septets and Octets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may fine something else which may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this beautiful arrangement of Mozart's Recordare, will continue to entertain both performers and audiences alike for years to come.
$36.00
32.86 €
#
Trio à Cordes: violon, alto, violoncelle
#
Wolfgang Amadeus Mozart
#
Regis Bookshar
#
Recordare
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Regis Bookshar
#
SheetMusicPlus
Recordare (from "Requiem") (F) (String Septet - 3 Violins, 2 Violas, 2 Cellos)
Trio à Cordes: violon, alto, violoncelle
String Ensemble Cello,Viola,Violin - Level 4 - Digital Download SKU: A0.1112143 Com…
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String Ensemble Cello,Viola,Violin - Level 4 - Digital Download SKU: A0.1112143 Composed by Wolfgang Amadeus Mozart. Arranged by Regis Bookshar. Chamber,Christian,Classical,Instructional,Religious. 41 pages. Regis Bookshar #714329. Published by Regis Bookshar (A0.1112143). Recordare (from Requiem (K. 626) - Wolfgang Amadeus Mozart/Franz Xaver Sussmayr - String Septet - Advanced/Intermediate - Digital Download. Hauntingly beautiful is how the Recordare from Mozart's Requiem is often described. Originally written for an orchestra and four vocal soloists, it has now been transcribed by Regis Bookshar for a String Sextet, consisting of 3 Violins, 2 Violas and 2 Violoncellos, and would be a wonderful addition to any music library. This arrangement will provide students with the opportunity to play this beautiful composition, something which they may not have had the opportunity to do, otherwise. This selection could be performed for concerts, recitals and church services and is suitable for high school and college students but professional musicians would also enjoy playing this arrangement. Included are a score and a complete set of parts (41 pages). The Regis Bookshar Trumpet Ensemble has performed the Trumpet Quintet version of the Recordare for funerals, providing beautiful, introspective music for the occasion. There is some controversy surrounding the circumstances of the Requiem's composition because Mozart died before he could complete it. Count Franz von Walsegg had commissioned a Requiem Mass but Mozart had received only half of the payment in advance. So, upon his death on December 5th, 1791, his widow, Constanze, wished to have the work completed secretly by someone else and submit it to the count as having been completed by Mozart to collect the final payment. Joseph von Eybler was one of the first composers to be asked to complete the score and had worked on a number of movements but felt unable to complete the remainder and gave the manuscript back to Constanze Mozart. The task was then given to another composer, Franz Xaver Sussmayr. Sussmayr borrowed some of Eybler's work in making his completion, added his own orchestration to other movements and added several new movements which a Requiem Mass would normally comprise. He then added a final section by adapting the opening two movements which Mozart had written to the different words which finish the Requiem Mass, which according to both Sussmayr and Mozart's wife, was done according to Mozart's directions. The completed score, initially by Mozart but largely finished by Sussmayr, was then dispatched to Count Walsegg complete with a counterfeited signature of Mozart dated 1792. Despite the controversy over how much of the music is actually Mozart's, the commonly performed Sussmayr version has become widely accepted by the public, and is considered one of Mozart's finest compositions. The Recordare is considered by many people to be one of the most beautiful compositions in Mozart's entire catalogue. Regis Bookshar, a trumpet player, has performed the Requiem in concert with a full orchestra, soloists and a chorus and felt that other musicians should have the opportunity to play the hauntingly beautiful Recordare as well. So, in addition to this arrangement for a String Septet, he has made quite a few other arrangements of this beautiful composition. There are Quintets, Sextets, Septets and Octets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may fine something else which may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this beautiful arrangement of Mozart's Recordare, will continue to entertain both performers and audiences alike for years to come.
$36.00
32.86 €
#
Trio à Cordes: violon, alto, violoncelle
#
Wolfgang Amadeus Mozart
#
Regis Bookshar
#
Recordare
#
Regis Bookshar
#
SheetMusicPlus
Theme and Variations in F Minor
Trio à Cordes: violon, alto, violoncelle
String Ensemble,String Trio Cello,Viola,Violin - Level 5 - Digital Download SKU: A0.103…
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String Ensemble,String Trio Cello,Viola,Violin - Level 5 - Digital Download SKU: A0.1031793 Composed by Jordan C Warren. Instructional,Romantic Period,Standards. Score and parts. 14 pages. Jordan Warren #3563613. Published by Jordan Warren (A0.1031793). I wrote this piece my senior year of high school for a music class. It was well received by my teachers and peers so I thought why not share it!The duration of this piece is about 4:30 minutes.The piece was written using certain methods of Brahms and the general Romantic period. There isn't really a certain place to play this other than just concert repertoire. Note: there isn't a second violin or bass part, I'd be up for writing them so just email me a request for them!!
$3.99
3.64 €
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Trio à Cordes: violon, alto, violoncelle
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Jordan C Warren
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Theme and Variations in F Minor
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Jordan Warren
#
SheetMusicPlus
March (from "The Nutcracker Suite") (F) (String Octet - 3 Violins, 1 Viola, 4 Cellos)
Trio à Cordes: violon, alto, violoncelle
String Ensemble Cello,Viola,Violin - Level 4 - Digital Download SKU: A0.813884 Comp…
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String Ensemble Cello,Viola,Violin - Level 4 - Digital Download SKU: A0.813884 Composed by Peter Ilyich Tchaikovsky. Arranged by Regis Bookshar. Christmas,Instructional,Romantic Period,Standards. Score and parts. 43 pages. Regis Bookshar #6612683. Published by Regis Bookshar (A0.813884). String Octet - Advanced/Intermediate - Digital Download. This marvelous arrangement of the March from Peter Ilyich Tchaikovsky's extremely popular, The Nutcracker Suite, would be a fabulous addition to any music library and could be performed for concerts and recitals but would be most appropriate during the Holiday season. This selection has been arranged to keep all of the intensity and excitement of the original composition and is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (43 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.The Nutcracker is an 1892 two-act ballet with a score by Peter Ilyich Tchaikovsky. It has enjoyed enormous popularity since the late 1960's and is performed by countless ballet companies, primarily during the Christmas season, especially in North America. Tchaikovsky's score has become one of his most famous compositions. Some critics have called it astonishingly rich in detailed inspiration and from beginning to end, beautiful, melodious, original and characteristic. The ballet's first complete performance outside Russia took place in England in 1934. The first complete United States performance was on December 24, 1944, by the San Francisco Ballet. It was such an enormous success that the San Francisco Ballet has presented The Nutcracker every Christmas Eve and throughout the winter season, debuting new productions in 1944, 1954, 1967 and 2004. In Salt Lake City, it has been performed every year since 1963. The New York City Ballet gave its first annual performance in 1954. In addition to annual live stagings of the work, many productions have also been televised or released on home video. The Nutcracker continues to be one of Tchaikovsky's most popular compositions and contains some of his most memorable works. Tchaikovsky made a selection of eight of the numbers from the ballet before the ballet's December 1892 premiere, forming The Nutcracker Suite, Op. 71a, and is intended for concert performance. The suite was first performed, under the composer's direction, on March 19, 1892. The suite became instantly popular with almost every number encored at its premiere. Regis Bookshar thought that it would be wonderful if other instrumentalists could also have the opportunity to play some of these wonderful compositions, originally scored for a full orchestra, and has arranged two of the selections, the popular March and the Russian Dance for a wide variety of instrumental ensembles. So, in addition to this version of the March for a String Octet, consisting of 3 Violins, 1 Viola and 4 Violoncellos, he has made quite a few other arrangements of this selection for various Quintets and Octets and are readily available. If you should decide to purchase this arrangement of the March, I would highly encourage you to also consider purchasing the arrangement of the Russian Dance as well. Scheduling the March followed by the Russian Dance would be a very satisfying addition to any concert or recital. Please take the time to look for other versions of these compositions. You may find something else that might also suit your needs.I would also encourage you to search for other arrangements by Regis Bookshar, as there are numerous selections in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of the March from Tchaikovsky's marvelous holiday favorite, The Nutcracker Suite, will continue to entertain both performers and audiences alike for years to come.
$32.00
29.21 €
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Trio à Cordes: violon, alto, violoncelle
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Peter Ilyich Tchaikovsky
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Regis Bookshar
#
March
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Regis Bookshar
#
SheetMusicPlus
Everybody's Doing it Now for C Instrument Trio
Trio à Cordes: violon, alto, violoncelle
Small Ensemble Bassoon,Cello,Flute,Oboe,Piano,Violin - Level 4 - Digital Download SKU: …
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Small Ensemble Bassoon,Cello,Flute,Oboe,Piano,Violin - Level 4 - Digital Download SKU: A0.530156 Composed by Irving Berlin. Arranged by Daniel Kelley. 20th Century,Jazz,Pop,Ragtime. Score and parts. 11 pages. Last Resort Music Publishing #2082087. Published by Last Resort Music Publishing (A0.530156). Add this terrific new arrangement of Irving Berlin's hit EVERBODY'S DOING IT NOW arranged for small ensemble! According to his biographer Laurence Bergreen, Everybody's Doin' It Now was Irving Berlin's attempt to exploit the early 20th Century dance craze in America by writing a generic dance with a deceptively casual title. Berlin himself said, It was an idea out of the air. I wanted a dance song; everybody was doing it. I just sat down and wrote the thing as it was. The idea worked, and the song became the standard tune of the dance craze. Parts included in Set Music Sample Part 1 C Intruments Part 2 C Instruments Keyboard or Guitar Score (Parts 1-3 in C) Also playable by Two Violins & Cello or Flute & Oboe & Bassoon or String Trio (Violin, Viola, Cello), Piano Trio & More. The Keyboard Part is a full harmonization of Parts 2 and 3. Therefore, the arrangements could be played as a Piano Trio, or an entire trio could play with a pianist, as long as Part 1 is being played. Arranged by Daniel Kelley ~ Edited by Katerina Lewis.
$8.95
8.17 €
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Trio à Cordes: violon, alto, violoncelle
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Irving Berlin
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Daniel Kelley
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everybody was doing it
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Everybody's Doing it Now for C Instrument Trio
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Last Resort Music Publishing
#
SheetMusicPlus
Everybody's Doing it Now for String, Woodwind, or Piano Trio Full Set of Parts
Trio à Cordes: violon, alto, violoncelle
Large Ensemble Bassoon,Cello,Clarinet,Flute,Guitar,Oboe,Piano,Viola,Violin - Level 4 - Dig…
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Large Ensemble Bassoon,Cello,Clarinet,Flute,Guitar,Oboe,Piano,Viola,Violin - Level 4 - Digital Download SKU: A0.530150 Composed by Irving Berlin. Arranged by Daniel Kelley. 20th Century,Jazz,Pop,Ragtime. Score and parts. 16 pages. Last Resort Music Publishing #2082069. Published by Last Resort Music Publishing (A0.530150). Add this terrific new arrangement of Irving Berlin's hit EVERBODY'S DOING IT NOW arranged for small ensemble! According to his biographer Laurence Bergreen, Everybody's Doin' It Now was Irving Berlin's attempt to exploit the early 20th Century dance craze in America by writing a generic dance with a deceptively casual title. Berlin himself said, It was an idea out of the air. I wanted a dance song; everybody was doing it. I just sat down and wrote the thing as it was. The idea worked, and the song became the standard tune of the dance craze. Parts included in Set Music Sample Part 1 Flute or Oboe or Violin Part 1 Clarinet Part 2 Flute or Oboe or Violin Part 2 Clarinet Part 2 Viola Part 3 Cello or Bassoon Part 3 Bass Clarinet Keyboard or Guitar Score (Parts 1-3 in C) Playable by Two Violins & Cello or Flute & Oboe & Bassoon or String Trio (Violin, Viola, Cello), Piano Trio & More. The Keyboard Part is a full harmonization of Parts 2 and 3. Therefore, the arrangements could be played as a Piano Trio, or an entire trio could play with a pianist, as long as Part 1 is being played. Arranged by Daniel Kelley ~ Edited by Katerina Lewis.
$16.95
15.47 €
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Trio à Cordes: violon, alto, violoncelle
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Irving Berlin
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Daniel Kelley
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everybody was doing it
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Everybody's Doing it Now for String, Woodwind, or Piano Trio Full Set of Parts
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Last Resort Music Publishing
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SheetMusicPlus
Everybody's Doing it Now for String or Woodwind or Piano Trio
Trio à Cordes: violon, alto, violoncelle
Large Ensemble Bassoon,Cello,Flute,Guitar,Oboe,Piano,Viola,Violin - Level 4 - Digital Down…
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Large Ensemble Bassoon,Cello,Flute,Guitar,Oboe,Piano,Viola,Violin - Level 4 - Digital Download SKU: A0.530148 Composed by Irving Berlin. Arranged by Daniel Kelley. 20th Century,Jazz,Pop,Ragtime. Score and parts. 13 pages. Last Resort Music Publishing #2082065. Published by Last Resort Music Publishing (A0.530148). Add this terrific new arrangement of Irving Berlin's hit EVERBODY'S DOING IT NOW arranged for small ensemble! According to his biographer Laurence Bergreen, Everybody's Doin' It Now was Irving Berlin's attempt to exploit the early 20th Century dance craze in America by writing a generic dance with a deceptively casual title. Berlin himself said, It was an idea out of the air. I wanted a dance song; everybody was doing it. I just sat down and wrote the thing as it was. The idea worked, and the song became the standard tune of the dance craze. Parts included in Set Music Sample Part 1 Flute or Oboe or Violin Part 2 Flute or Oboe or Violin Part 2 Viola Part 3 Cello or Bassoon Keyboard or Guitar Score (Parts 1-3 in C) Playable by Two Violins & Cello or Flute & Oboe & Bassoon or String Trio (Violin, Viola, Cello), Piano Trio & More. The Keyboard Part is a full harmonization of Parts 2 and 3. Therefore, the arrangements could be played as a Piano Trio, or an entire trio could play with a pianist, as long as Part 1 is being played. Arranged by Daniel Kelley ~ Edited by Katerina Lewis.
$12.95
11.82 €
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Trio à Cordes: violon, alto, violoncelle
#
Irving Berlin
#
Daniel Kelley
#
everybody was doing it
#
Everybody's Doing it Now for String or Woodwind or Piano Trio
#
Last Resort Music Publishing
#
SheetMusicPlus
Everybody's Doing it Now for String Trio- Violin, Viola, Cello
Trio à Cordes: violon, alto, violoncelle
String Ensemble,String Trio Cello,Viola,Violin - Level 4 - Digital Download SKU: A0.530…
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String Ensemble,String Trio Cello,Viola,Violin - Level 4 - Digital Download SKU: A0.530152 Composed by Irving Berlin. Arranged by Daniel Kelley. 20th Century,Jazz,Pop,Ragtime. Score and parts. 9 pages. Last Resort Music Publishing #2082075. Published by Last Resort Music Publishing (A0.530152). Add this terrific new arrangement of Irving Berlin's hit EVERBODY'S DOING IT NOW arranged for small ensemble! According to his biographer Laurence Bergreen, Everybody's Doin' It Now was Irving Berlin's attempt to exploit the early 20th Century dance craze in America by writing a generic dance with a deceptively casual title. Berlin himself said, It was an idea out of the air. I wanted a dance song; everybody was doing it. I just sat down and wrote the thing as it was. The idea worked, and the song became the standard tune of the dance craze. Parts included in Set Music Sample Part 1 Violin Part 2 Viola Part 3 Cello Score (Parts 1-3 in C) Playable by Two Violins & Cello or Flute & Oboe & Bassoon or String Trio (Violin, Viola, Cello), Piano Trio & More. The Keyboard Part is a full harmonization of Parts 2 and 3. Therefore, the arrangements could be played as a Piano Trio, or an entire trio could play with a pianist, as long as Part 1 is being played. Arranged by Daniel Kelley ~ Edited by Katerina Lewis.
$8.95
8.17 €
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Trio à Cordes: violon, alto, violoncelle
#
Irving Berlin
#
Daniel Kelley
#
everybody was doing it
#
Everybody's Doing it Now for String Trio- Violin, Viola, Cello
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Last Resort Music Publishing
#
SheetMusicPlus
Romance (Study in E) - Anon./Sor/Yepes (Vn, Va, Vc)
Trio à Cordes: violon, alto, violoncelle
String Ensemble,String Trio Cello,Viola,Violin - Level 2 - Digital Download SKU: A0.802…
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String Ensemble,String Trio Cello,Viola,Violin - Level 2 - Digital Download SKU: A0.802693 Composed by Anon. or Fernando Sor, or Narciso Yepes. Arranged by Shigeo Ida & Peet du Toit. Contemporary. Score and parts. 6 pages. Peet du Toit #6513457. Published by Peet du Toit (A0.802693). Romance Anónimo (Anonymous Romance) is a piece for guitar, also known as Estudio en Mi de Rubira (Study in E by Rubira), Spanish Romance, Romance de España, Romance de Amor, Romance of the Guitar, Romanza and Romance d'Amour among other names.Its origins and authorship are currently in question. It is suspected of originally being a solo instrumental guitar work, from the 19th century. It has variously been attributed to Antonio Rubira, David del Castillo, Francisco Tárrega, Fernando Sor, Daniel Fortea, Miguel Llobet, Antonio Cano, Vicente Gómez, and Narciso Yepes. The Anónimo (anonymous) part of its name has been incorporated over the years due to this uncertainty. The question of authorship has probably been propagated by three main reasons: the lack of claim by its true author, the desire to avoid paying copyright fees, and the desire of publishing companies to claim the lucrative copyright of this world-famous piece.The style of the piece is that of the Parlour music of the late 19th century in Spain or South America, having a closed three-part form: the first in the minor key and the second being in the major key, with the third being a restatement of the first.Narciso Yepes (1927 - 1997) interpreted and is listed as the author of the piece in René Clément's 1952 film Jeux interdits (Forbidden Games). The popularity of the film gave the piece worldwide fame. Yepes currently has the copyright of this composition in Spain although recordings and manuscripts of this song predate 1952. Newer publications show Yepes as the arranger and the piece being of anonymous authorship, or authored by Fernando Sor.The official statement from Narciso Yepes and the Yepes heirs is that Narciso Yepes, being a young boy, originally composed the piece for his mother when he was about seven years old (c.1934) and soon thereafter performed it between acts at the Teatro Guerra, in Lorca, Spain. Some time later, he recounts, when he was thirteen years old he attended a performance in Valencia and heard his composition performed by another guitarist, who indicated the authorship as anonymous. Yepes contends that the melody had been plagiarized (with some changes to the arrangement) by someone who, he assumes, must have attended that first performance. However, Yepes was born 1927 and cannot be the author of the work, since it was already recorded in 1900 and published before 1925 (possibly 1913) by J.A. MEDINA e HIJO; and in 1919 in themethod of Pedro Mascaró y Reissig, etc. Vicente Gomez (1911-2001) published it and performed it in 1941 in the Hollywood movie Blood and Sand with Tyrone Powerand Rita Hayworth, also attributing authorship of the song to himself. Anyway, the piano arrangement of the brilliant Shigeo Ida caught my attention and I decided to rework it somewhat into this trio for strings. Enjoy!
$14.50
13.23 €
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Trio à Cordes: violon, alto, violoncelle
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Anon
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Shigeo Ida & Peet du Toit
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Romance
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Peet du Toit
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SheetMusicPlus
Coronation March (Db) (String Octet - 4 Violins, 2 Violas, 2 Cellos)
Trio à Cordes: violon, alto, violoncelle
String Ensemble Cello,Viola,Violin - Level 4 - Digital Download SKU: A0.1087399 Com…
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String Ensemble Cello,Viola,Violin - Level 4 - Digital Download SKU: A0.1087399 Composed by Peter Ilyich Tchaikovsky. Arranged by Regis Bookshar. Classical,Contest,Festival,Instructional,Multicultural,Romantic Period,World. Score and parts. 26 pages. Regis Bookshar #691619. Published by Regis Bookshar (A0.1087399). Coronation March, TH 50, CW 47 by Peter Ilyich Tchaikovsky. String Octet - Advanced/Intermediate - Digital Download. This marvelous arrangement of Peter Tchaikovsky's Coronation March, sometimes called Festival March or Festival Coronation March, would be a fabulous addition to any music library and could be performed for concerts, recitals and other festive occasions. This arrangement keeps all of the intensity and excitement of the original composition and is suitable for high school and college students. Professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (26 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available to the public for the first time. The Coronation March was ordered by the city of Moscow for the coronation of Tsar Alexander III in 1883. It was written during March of 1883 and was performed for the first time on June 4, 1883 in Sokolniky Park in Moscow, conducted by Sergei Taneyev. The music then included excerpts of the anthem, God Save the Tsar. The American premiere was on May 5, 1891, for the opening concert of Carnegie Hall in New York City, conducted by Tchaikovsky himself. During the Soviet Era, Russian performances and recordings of the music were revised to omit the excerpts from the Czarist national anthem, replacing it with thematic material used earlier in the march, due to an official Soviet ban on the anthem. Starting with Dmitri Medvedev's inauguration in 2008, an abbreviated version of this piece is played during the Russian presidential inauguration accompanying the entrance of the incoming president, and ends well before the playing in this piece of the Tsarist anthem God Save the Tsar. Unlike Tchaikovsky's other major compositions, the Coronation March does not have an opus number. It has been given alternative catalogue designations TH 50 and CW 47. Tchaikovsky's Coronation March was originally scored for a full orchestra and written in the key of D Major. Regis Bookshar has now created an abbreviated version, written in Db Major, and has arranged it for a String Octet, consisting of 4 Violins, 2 Violas and 2 Violoncellos. In addition to this arrangement of Tchaikovsky's Coronation March for a String Octet, other arrangements of this festive composition for various instrumental ensembles are also available. Please feel free to search for other arrangements by Regis Bookshar as there are many more arrangements in a variety of styles, also available for purchase. You may find something else which might interest you as well, and please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of Tchaikovsky's Coronation March will continue to entertain both audiences and performers alike for years to come.
$26.00
23.73 €
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Trio à Cordes: violon, alto, violoncelle
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Peter Ilyich Tchaikovsky
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Regis Bookshar
#
Coronation March
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Regis Bookshar
#
SheetMusicPlus
Coronation March (Db) (String Octet - 3 Violins, 2 Violas, 3 Cellos)
Trio à Cordes: violon, alto, violoncelle
String Ensemble Cello,Viola,Violin - Level 4 - Digital Download SKU: A0.1087392 Com…
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String Ensemble Cello,Viola,Violin - Level 4 - Digital Download SKU: A0.1087392 Composed by Peter Ilyich Tchaikovsky. Arranged by Regis Bookshar. Classical,Contest,Festival,Instructional,Multicultural,Romantic Period,World. Score and parts. 26 pages. Regis Bookshar #691612. Published by Regis Bookshar (A0.1087392). Coronation March, TH 50, CW 47 by Peter Ilyich Tchaikovsky. String Octet - Advanced/Intermediate - Digital Download. This marvelous arrangement of Peter Tchaikovsky's Coronation March, sometimes called Festival March or Festival Coronation March, would be a fabulous addition to any music library and could be performed for concerts, recitals and other festive occasions. This arrangement keeps all of the intensity and excitement of the original composition and is suitable for high school and college students. Professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (26 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available to the public for the first time. The Coronation March was ordered by the city of Moscow for the coronation of Tsar Alexander III in 1883. It was written during March of 1883 and was performed for the first time on June 4, 1883 in Sokolniky Park in Moscow, conducted by Sergei Taneyev. The music then included excerpts of the anthem, God Save the Tsar. The American premiere was on May 5, 1891, for the opening concert of Carnegie Hall in New York City, conducted by Tchaikovsky himself. During the Soviet Era, Russian performances and recordings of the music were revised to omit the excerpts from the Czarist national anthem, replacing it with thematic material used earlier in the march, due to an official Soviet ban on the anthem. Starting with Dmitri Medvedev's inauguration in 2008, an abbreviated version of this piece is played during the Russian presidential inauguration accompanying the entrance of the incoming president, and ends well before the playing in this piece of the Tsarist anthem God Save the Tsar. Unlike Tchaikovsky's other major compositions, the Coronation March does not have an opus number. It has been given alternative catalogue designations TH 50 and CW 47. Tchaikovsky's Coronation March was originally scored for a full orchestra and written in the key of D Major. Regis Bookshar has now created an abbreviated version, written in Db Major, and has arranged it for a String Octet, consisting of 3 Violins, 2 Violas and 3 Violoncellos. In addition to this arrangement of Tchaikovsky's Coronation March for a String Octet, other arrangements of this festive composition for various instrumental ensembles are also available. Please feel free to search for other arrangements by Regis Bookshar as there are many more arrangements in a variety of styles, also available for purchase. You may find something else which might interest you as well, and please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of Tchaikovsky's Coronation March will continue to entertain both audiences and performers alike for years to come.
$26.00
23.73 €
#
Trio à Cordes: violon, alto, violoncelle
#
Peter Ilyich Tchaikovsky
#
Regis Bookshar
#
Coronation March
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Regis Bookshar
#
SheetMusicPlus
String Trio No. 2
Trio à Cordes: violon, alto, violoncelle
String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1118541 Compose…
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String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1118541 Composed by Patrick Prejean. Chamber,Classical,Contemporary. 25 pages. Patrick Prejean #720056. Published by Patrick Prejean (A0.1118541). This trio was written for City Six Strings. This is the 2nd (proper) string trio which is for the weddings, cocktails, etc. The first movement was based on a question I would ask my younger self in a dream I had where do you angels go? The second movement is based off of the feeling of a good night of sleep which is rare for me much like playing in the key of B flat is. The third movement is a scherzo which starts of wacky but quickly mitigates into happy ending. Finally the last movement is the capturing of seeing the sunrise and sunset after many days of grey and gloom. There is a fragment of Here Comes the Sun which is subtle. This movement being in A major gives the listener the sonority of happiness and joy.
$50.00
45.63 €
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Trio à Cordes: violon, alto, violoncelle
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Patrick Prejean
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String Trio No. 2
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Patrick Prejean
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SheetMusicPlus
Allegretto
Trio à Cordes: violon, alto, violoncelle
String Ensemble,String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.786…
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String Ensemble,String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.786011 Composed by Johann Sebastian Bach. Arranged by Andrew R. Guarrine. Baroque. Score and parts. 2 pages. GuarrineMusic #6399959. Published by GuarrineMusic (A0.786011). This transcription/adaptation from his keyboard collection 12 Little Preludes has an added 1st/2nd ending. Very aggressive ‘cello part and some added viola parts where there wasn’t a 2nd part in the original. I really tried to keep it in the style. Grade 2+/3 because of the ‘cello part! Key of G (3/4 time)
$7.95
7.26 €
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Trio à Cordes: violon, alto, violoncelle
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Johann Sebastian Bach
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Andrew R
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Allegretto
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GuarrineMusic
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SheetMusicPlus
String Trio No. 3 in A major
Trio à Cordes: violon, alto, violoncelle
String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1488228 Compose…
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String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1488228 Composed by William Shield. Arranged by Robert Hoskins. Classical. 27 pages. Artaria Editions #1065115. Published by Artaria Editions (A0.1488228). Shield's Trios, written for a continental audience, are seminal works in the composer's output and mark a new level of compositional attainment in the English chamber music repertory. Technically, they contain a wide variety of ideas which are developed with great ingenuity through a wide range of keys, dynamic contrasts and timbral effects. Aesthetically, they blend 'popular' and 'learned' taste along with 'orchestral' splendour and 18th century notions of beauty. The Trios present a dazzling range of moods and style with each work demonstrating Shield's mastery of the idiom, both in his treatment of individual instruments and in the handling of textures. While there is no shortage of melody and accompaniment, in which the violin takes the lead, there are many memorable solos for the viola and the cello in its high register. The wide range of textures includes melodic decoration, dialogue, contrast of high and low register, legato and staccato, powerful unison and double octaves. Shield's ability to incorporate arioso-like melody, the prevailing 'symphonic' style and folk elements was largely achieved through the cross-generic requirements of English comic opera (a form to which Shield devoted himself during the whole of his creative career). In general, Shield's technique results in a firm control of the way music moves - with sometimes a surprising degree of stylistic restlessness and sometimes of unexpected plainness and simplicity. The trios Shield selected for publication were issued by Longman and Broderip, London, in January 1796 under the inspection of the composer. No autograph of these works survives and Longman and Broderip's printing, a copy of which is preserved in the Bodleian Library, Oxford, under the call number Mus.Instr.I 214(15), is the only source of this edition. The title page, with its dedicatory inscription, reads: Six / TRIOS / FOR / Violin, Tenor and Violoncello, / Composed / And Inscribed to the Memory of / Jacob More Esqr. / By / Wm. SHIELD./ (Musician in Ordinary to His Majesty) / Entd. At Statn. Hall [rule] Price 10/6 / ADVERTISEMENT / These Trios were Composed chiefly for the abovementioned Celebrated Landscape Painter (in Rome) / And are Dedicated to his Memory as a Token of Gratitude for the Services he rendered the Author / during his Residence in that City. The movements which are written in the uncommon Time / of 5/4 have amused some of the most distinguished Professors both in England & Italy which / induces the Author to hope they will not be disagreeable to the Public at Large / Goodge Street, Jany. 1st 1796 / [rule] / London, Printed for the Author by Longman & Broderip, No.26, Cheapside & No.13, Haymarket. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$49.00
44.72 €
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Trio à Cordes: violon, alto, violoncelle
#
/ Wm
#
William Shield
#
Robert Hoskins
#
String Trio No. 3 in A major
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Artaria Editions
#
SheetMusicPlus
String Trio No. 4 in E major
Trio à Cordes: violon, alto, violoncelle
String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1488229 Compose…
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String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1488229 Composed by William Shield. Arranged by Robert Hoskins. Classical. 24 pages. Artaria Editions #1065116. Published by Artaria Editions (A0.1488229). Shield's Trios, written for a continental audience, are seminal works in the composer's output and mark a new level of compositional attainment in the English chamber music repertory. Technically, they contain a wide variety of ideas which are developed with great ingenuity through a wide range of keys, dynamic contrasts and timbral effects. Aesthetically, they blend 'popular' and 'learned' taste along with 'orchestral' splendour and 18th century notions of beauty. The Trios present a dazzling range of moods and style with each work demonstrating Shield's mastery of the idiom, both in his treatment of individual instruments and in the handling of textures. While there is no shortage of melody and accompaniment, in which the violin takes the lead, there are many memorable solos for the viola and the cello in its high register. The wide range of textures includes melodic decoration, dialogue, contrast of high and low register, legato and staccato, powerful unison and double octaves. Shield's ability to incorporate arioso-like melody, the prevailing 'symphonic' style and folk elements was largely achieved through the cross-generic requirements of English comic opera (a form to which Shield devoted himself during the whole of his creative career). In general, Shield's technique results in a firm control of the way music moves - with sometimes a surprising degree of stylistic restlessness and sometimes of unexpected plainness and simplicity. The trios Shield selected for publication were issued by Longman and Broderip, London, in January 1796 under the inspection of the composer. No autograph of these works survives and Longman and Broderip's printing, a copy of which is preserved in the Bodleian Library, Oxford, under the call number Mus.Instr.I 214(15), is the only source of this edition. The title page, with its dedicatory inscription, reads: Six / TRIOS / FOR / Violin, Tenor and Violoncello, / Composed / And Inscribed to the Memory of / Jacob More Esqr. / By / Wm. SHIELD./ (Musician in Ordinary to His Majesty) / Entd. At Statn. Hall [rule] Price 10/6 / ADVERTISEMENT / These Trios were Composed chiefly for the abovementioned Celebrated Landscape Painter (in Rome) / And are Dedicated to his Memory as a Token of Gratitude for the Services he rendered the Author / during his Residence in that City. The movements which are written in the uncommon Time / of 5/4 have amused some of the most distinguished Professors both in England & Italy which / induces the Author to hope they will not be disagreeable to the Public at Large / Goodge Street, Jany. 1st 1796 / [rule] / London, Printed for the Author by Longman & Broderip, No.26, Cheapside & No.13, Haymarket. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$49.00
44.72 €
#
Trio à Cordes: violon, alto, violoncelle
#
/ Wm
#
William Shield
#
Robert Hoskins
#
String Trio No. 4 in E major
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Artaria Editions
#
SheetMusicPlus
String Trio No. 6 in B flat major
Trio à Cordes: violon, alto, violoncelle
String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1488232 Compose…
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String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1488232 Composed by William Shield. Arranged by Robert Hoskins. Classical. 36 pages. Artaria Editions #1065119. Published by Artaria Editions (A0.1488232). Shield's Trios, written for a continental audience, are seminal works in the composer's output and mark a new level of compositional attainment in the English chamber music repertory. Technically, they contain a wide variety of ideas which are developed with great ingenuity through a wide range of keys, dynamic contrasts and timbral effects. Aesthetically, they blend 'popular' and 'learned' taste along with 'orchestral' splendour and 18th century notions of beauty. The Trios present a dazzling range of moods and style with each work demonstrating Shield's mastery of the idiom, both in his treatment of individual instruments and in the handling of textures. While there is no shortage of melody and accompaniment, in which the violin takes the lead, there are many memorable solos for the viola and the cello in its high register. The wide range of textures includes melodic decoration, dialogue, contrast of high and low register, legato and staccato, powerful unison and double octaves. Shield's ability to incorporate arioso-like melody, the prevailing 'symphonic' style and folk elements was largely achieved through the cross-generic requirements of English comic opera (a form to which Shield devoted himself during the whole of his creative career). In general, Shield's technique results in a firm control of the way music moves - with sometimes a surprising degree of stylistic restlessness and sometimes of unexpected plainness and simplicity. The trios Shield selected for publication were issued by Longman and Broderip, London, in January 1796 under the inspection of the composer. No autograph of these works survives and Longman and Broderip's printing, a copy of which is preserved in the Bodleian Library, Oxford, under the call number Mus.Instr.I 214(15), is the only source of this edition. The title page, with its dedicatory inscription, reads: Six / TRIOS / FOR / Violin, Tenor and Violoncello, / Composed / And Inscribed to the Memory of / Jacob More Esqr. / By / Wm. SHIELD./ (Musician in Ordinary to His Majesty) / Entd. At Statn. Hall [rule] Price 10/6 / ADVERTISEMENT / These Trios were Composed chiefly for the abovementioned Celebrated Landscape Painter (in Rome) / And are Dedicated to his Memory as a Token of Gratitude for the Services he rendered the Author / during his Residence in that City. The movements which are written in the uncommon Time / of 5/4 have amused some of the most distinguished Professors both in England & Italy which / induces the Author to hope they will not be disagreeable to the Public at Large / Goodge Street, Jany. 1st 1796 / [rule] / London, Printed for the Author by Longman & Broderip, No.26, Cheapside & No.13, Haymarket. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$49.00
44.72 €
#
Trio à Cordes: violon, alto, violoncelle
#
/ Wm
#
William Shield
#
Robert Hoskins
#
String Trio No. 6 in B flat major
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Artaria Editions
#
SheetMusicPlus
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