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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
In His Time
Non classifié
8 462
Piano & claviers
Piano seul
11 908
Piano, Voix
3 973
Piano Facile
1 672
Piano, Voix et Guitare
898
Instruments en Do
562
Orgue
333
Accompagnement Piano
260
1 Piano, 4 mains
142
Piano Trio: piano, violon, violoncelle
108
Accordéon
71
2 Pianos, 4 mains
50
Piano (partie séparée)
34
Piano grosses notes
32
Piano Quatuor: piano, violon, alto, violoncelle
31
Piano Quatuor: piano, 2 violons, violoncelle
11
Orgue, Piano (duo)
10
Clavecin
10
Piano Quintette: piano, 2 violons, alto, violoncelle
9
1 Piano, 6 mains
4
2 Pianos, 8 mains
3
Ensemble d'Accordéons
1
Orgue, Trompette (duo)
1
Ligne De Mélodie, Piano
1
Ensemble de Pianos
1
2 Accordéons
1
Accordéon et Orchestre
1
+ 21 instrumentations
Retracter
Guitares
Guitare
626
Guitare notes et tablatures
410
Basse electrique
172
2 Guitares (duo)
105
Ligne De Mélodie, (Paroles) et Accords
96
Ukulele
80
Guitare (partie séparée)
68
Mandoline
35
4 Guitares (Quatuor)
29
Banjo
21
Dulcimer
21
Piano, Guitare (duo)
18
3 Guitares (trio)
11
Mandoline, Guitare (duo)
8
Ensemble de guitares
6
Paroles et Accords
5
Mandoline, Piano (duo)
2
Guitare, Flûte, Clarinette
2
2 Ukuleles
2
Ukulele Baryton
1
2 Mandolines (duo)
1
Guitare, Orchestre
1
Guitare, Violon, Violoncelle (trio)
1
Cithare
1
+ 19 instrumentations
Retracter
Voix
Chorale SATB
2 621
Chorale 3 parties
620
Chorale 2 parties
478
Voix seule
327
Chorale TTBB
301
Chorale Unison
239
Chorale SSAA
185
Voix duo, Piano
122
Voix Tenor, Piano
122
Voix Soprano, Piano
116
Voix Alto, Piano
100
Voix Baryton, Piano
88
Voix duo
33
Voix haute
23
Voix moyenne, Piano
13
Chorale SSAATTBB
10
Voix Tenor
10
Voix basse, Piano
7
Pack Instrumental pour Chorale
5
Chorale
5
Voix Mezzo-Soprano, Piano
3
Chorale SSATB
2
Voix Soprano
2
Male Voice
2
Voix basse
2
Chorale SATBB
1
Chorale SSAB a cappella
1
Soli, choeur mixte et accompagnement
1
Voix, Guitare
1
Voix Soprano, Orchestre
1
Chorale SATTBB A Cappella
1
+ 26 instrumentations
Retracter
Vents
Clarinette
3 501
Flûte traversière
1 192
2 Saxophones (duo)
952
Quatuor de Saxophones: 4 saxophones
827
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
786
Saxophone
771
Flûte, Hautbois, Clarinette, Basson
704
Flûte traversière et Piano
648
Clarinette et Piano
569
Quintette de Saxophone: 5 saxophones
533
Hautbois, Piano (duo)
470
2 Flûtes traversières (duo)
468
2 Clarinettes (duo)
452
Quatuor de Clarinettes: 4 clarinettes
452
Saxophone Alto et Piano
386
Saxophone, Clarinette (duo)
361
Saxophone Alto
350
Saxophone (partie séparée)
326
Saxophone Tenor
287
Saxophone Tenor et Piano
272
Clarinette, Violon (duo)
262
Flûte à Bec
235
Saxophone Soprano et Piano
231
Flûte, Clarinette (duo)
228
2 Hautbois (duo)
214
Clarinette, Trompette (duo)
213
Hautbois
191
Hautbois, Clarinette (duo)
175
Hautbois, Basson (duo)
174
Saxophone Baryton, Piano
166
Hautbois (partie séparée)
154
Quatuor de Flûtes : 4 flûtes
154
Flûte, Violon
147
Clarinette et Alto
136
3 Saxophones (trio)
129
Hautbois, Flûte
124
Flûte, Saxophone (duo)
121
Ensemble de saxophones
113
Ensemble de Clarinettes
112
Flûte, Alto (duo)
110
2 Flûte à bec (duo)
102
Cor anglais, Piano
100
Flûte, Trompette (duo)
97
Quintette de Clarinettes: 5 clarinettes
87
3 Clarinettes (trio)
87
Flûte irlandaise
82
Saxophone Soprano
79
Ensemble de Flûtes
79
Clarinette Basse, Piano
77
Flûte à bec Soprano
68
Trio de Flûtes: 3 flûtes
65
Quintette de Flûte : 5 flûtes
58
Clarinette, Basson (duo)
48
Hautbois, Violoncelle
48
Flûte, Clarinette et Basson
47
Flûte et Guitare
45
Flûte, Violoncelle
44
Flute (partie séparée)
40
Clarinette, Violoncelle (duo)
38
Clarinette (partie séparée)
36
Saxophone Baryton
36
Flûte, Hautbois (duo)
34
Flûte, Hautbois, Clarinette (trio)
32
Quatuor de Flûtes à bec
29
Flûte, Violon, Piano
29
Cor Anglais
28
Flûte, Hautbois, Basson
27
Flûte à bec Alto
27
Ensemble De Flûte à bec
23
Clarinette, Guitare (duo)
22
Hautbois, Clarinette, Basson (trio d'anches)
21
Flûte, Violoncelle, Piano (trio)
21
Hautbois, violon (duo)
19
3 Flûtes à bec (trio)
18
Flûte, Hautbois, Piano (trio)
17
Hautbois et alto (duo)
15
Flûte, Clarinette, Cor, Basson (Quartet)
15
5 Flûtes à bec
14
Clarinette, Violoncelle, Piano (trio)
13
Flûte, Clarinette, Piano (trio)
10
Harmonica
10
Flûte à bec Soprano, Piano
9
2 Flûtes traversières, Piano
9
Flûte à bec Alto, Piano
8
Clarinette, Harpe (duo)
8
Ocarina
6
Flûte, Basson et Piano
6
Flûte, Violon et Violoncelle
6
Piccolo, Piano
5
Clarinette Basse
5
Hautbois, Guitare (duo)
5
Piccolo
5
Flûte, Alto et Piano
5
Hautbois, trombone (duo)
4
Flûte à bec Tenor
4
Saxophone et Guitare
4
Clarinette, Alto et Piano (trio)
4
2 Clarinettes, Piano
4
Flûte traversière, Orgue (duo)
4
Clarinette, Contrebasse (duo)
3
Clarinette, Trombone (duo)
3
Clarinette, Basson, Piano (trio)
3
Flûte, Tuba (duo)
3
Clarinette, Tuba
3
2 Saxophones, Piano
3
Ensemble à vent
3
Flûte, Trombone (duo)
3
Hautbois, Violoncelle et Piano
3
Flûte à bec Alto, Basse continue
3
Cor anglais et Harpe (duo)
2
Hautbois, Clarinette et Piano (Trio)
2
Flûte, Harpe et Violoncelle
2
Flûte et Trio à cordes
2
Flûte traversière, Basse continue
2
Saxophone et Orgue
2
2 Cors Anglais Et Pianoforte
2
Hautbois, Violon, Piano
2
4 Hautbois
2
Ensemble de Hautbois
2
Flûte, trombone et piano
2
Flute, harpe et violon
2
Flûte, Violoncelle, Guitare
1
Flûte, Hautbois, Violon
1
Instruments en Mib
1
Flûte à bec, Harpe
1
Cor anglais, Guitare (duo)
1
Flûte à Bec, Piano
1
Flûte, alto et harpe
1
Cornemuse
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Hautbois, Basson et Piano
1
2 Hautbois, Piano
1
Hautbois, Harpe
1
Flûte traversière, Orchestre
1
2 Clarinettes, Basson
1
Flûte de Pan
1
Hautbois, Trompette (duo)
1
Saxophone et Piano
1
+ 133 instrumentations
Retracter
Cuivres
Trompette
3 081
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
898
Trombone
499
Quatuor de Cuivres : 2 trompettes, trombone, tuba
438
Trompette, Piano
414
Trombone et Piano
362
Cor et Piano
331
Cor
305
Trompette, Saxophone (duo)
254
2 Trompettes (duo)
224
Tuba
218
2 Trombones (duo)
217
Trompette, Trombone (duo)
204
Tuba et Piano
191
Trombone (partie séparée)
186
Trompette (partie séparée)
165
Quatuor de Cuivres: 2 trompettes, Cor, trombone
153
Quatuor de Cuivres
145
Cor anglais, Piano
100
Euphonium, Piano (duo)
98
2 Cors (duo)
94
Ensemble de Trompettes
84
Euphonium
54
Ensemble de Trombones
53
Quatuor de cuivres: 4 trombones
47
Cor (partie séparée)
37
Quatuor de cuivres: 4 cors
36
2 Tubas (duo)
35
Trompette, Cor (duo)
34
Tuba (partie séparée)
33
Cor Anglais
28
Quatuor de cuivres: 4 trompettes
23
2 Euphoniums et 2 Tubas
20
Ensemble de Cors
19
Trio de Cuivres
18
3 Trombones (trio)
16
Cor, Violoncelle (duo)
16
3 Trompettes (trio)
14
Trombone, Cor (duo)
13
4 Tubas
13
Tuba et Orgue
13
Trompette, Violoncelle (duo)
11
Trombone basse
10
Trombone basse et Piano
9
Trompette, Basson (duo)
8
3 Tubas (trio)
7
Cor et Basson (duo)
5
Quatuor de cuivres: 2 trompettes, 2 trombones
5
Trompette, Trombone, Piano
5
Trompette, Tuba (duo)
5
Cor, Tuba (duo)
4
Trompette, Violoncelle et Piano
4
Trompette et Guitare
4
2 Euphoniums (duo)
3
Cor anglais et Harpe (duo)
2
2 Cors, Piano
2
3 Cors (trio)
2
Trombone, Orgue
2
2 Cors Anglais Et Pianoforte
2
Trombone, Violon (duo)
2
Instruments en Sib
2
Trompette, violon (duo)
2
Euphonium, Tuba (duo)
2
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
2
Trombone, Tuba (duo)
1
Trompette, Euphonium (duo)
1
Cor, Violoncelle et Piano
1
Cor anglais, Guitare (duo)
1
Bass Clef Instruments
1
Cor et Harpe
1
2 Trompettes, Clavier (piano ou orgue)
1
Ensemble de Tubas
1
Trombone et orchestre
1
+ 68 instrumentations
Retracter
Cordes
Violon
1 530
Quatuor à cordes: 2 violons, alto, violoncelle
1 504
Violoncelle
863
Violon et Piano
828
Alto, Piano
551
Alto seul
550
Violoncelle, Piano
537
Violon, Violoncelle (duo)
381
2 Violons (duo)
326
Violon, Alto (duo)
245
2 Violoncelles (duo)
242
Quintette à cordes: 2 violons, alto, violoncelle, basse
231
Harpe
231
2 Altos (duo)
230
Trio à Cordes: violon, alto, violoncelle
228
Contre Basse
193
Contrebasse, Piano (duo)
166
Trio à Cordes: 2 violons, violoncelle
164
Violon (partie séparée)
80
Alto (partie séparée)
65
Alto, Violoncelle (duo)
65
2 Harpes (duo)
64
Contrebasse (partie séparée)
61
4 Violoncelles
43
Violon, Basson (duo)
42
Trio à Cordes: 3 violoncelles
34
2 Contrebasses (duo)
32
Trio à cordes: 3 violins
30
Violon, Guitare (duo)
26
Piano Trio: Violon, Alto, Piano
24
Quatuor à cordes: 4 violons
21
Harpe, Flûte (duo)
21
Ensemble de Violons
20
Trio à Cordes: 2 violons, alto
18
Quatuor à cordes : 4 altos
18
Ensemble d'Altos
18
Alto et Basson
17
Violoncelle (partie séparée)
15
Quintette à cordes : 2 violons, alto et 2 violoncelles
13
Quintette à cordes: 2 violons, 2 altos, violoncelle
12
Trio à cordes: 3 altos
11
Violoncelle, Contrebasse (duo)
10
Violoncelle , Guitare (duo)
10
Harpe, Violon (duo)
8
Violon, Clarinette, Piano (trio)
7
Harpe, Voix
6
Alto, Guitare (duo)
6
Violoncelle, Orchestre
5
Ensemble de Violoncelles
4
2 Violons, Piano
4
Violoncelle, Orgue
4
Flûte, Contrebasse (duo)
4
Alto, Orgue
3
Harpe, Violon, Violoncelle
3
Violoncelle, Basse continue
3
Violon, Orgue
3
2 Altos, Piano
2
Violon, Violoncelle, Clarinette
2
Violon, Tuba (duo)
2
4 Contrebasses
2
Harpe, Trombone (duo)
2
Harpe, Violoncelle (duo)
2
Alto et Harpe
2
Autoharp
1
Harpe et mandoline
1
2 Violoncelles, Piano
1
3 Harpes
1
Harpe et Orgue
1
4 Harpes
1
+ 64 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
2 492
Orchestre
873
Orchestre à Cordes
697
Ensemble Jazz
348
Ensemble de cuivres
308
Batterie
307
Cloches
261
Fanfare
175
Orchestre de chambre
146
Jazz combo
86
Ensemble de Percussions
54
Batterie (partie séparée)
38
Percussion (partie séparée)
26
Xylophone, Piano
20
Marimba
12
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
12
Xylophone
11
Percussion
11
Vibraphone
11
Orchestre, Violon
5
Ensemble d'École
4
Piano et Orchestre
3
Instrumentation Flexible
3
2 Xylophones
2
Quintette de Cuivres: autres combinaisons
2
Caisse Claire
2
Bodhran
1
2 Marimbas
1
Marimba ou Xylophone et Piano
1
Vibraphone et Marimba
1
+ 25 instrumentations
Retracter
Autres
Formation musicale - Solfège
2
Théorie de la musique
1
Partitions Gratuites
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
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VIOLON
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CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
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ENFANTS : EVEIL - IN…
FILM - TV
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FLAMENCO
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FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
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In His Time
Trio à Cordes: violon, alto, violoncelle
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226
String Trio No. 3 in A major
#
Trio à Cordes: violon, alto, violoncelle
#
INTERMÉDIAIRE
#
Classique
#
/ Wm
#
William Shield
#
Robert Hoskins
#
String Trio No. 3 in A major
#
Artaria Editions
#
SheetMusicPlus
String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1488228 Composed by William Shield. Arranged by Robert Hoskins. Classical. 27 pages. Artaria Editions...
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String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1488228 Composed by William Shield. Arranged by Robert Hoskins. Classical. 27 pages. Artaria Editions #1065115. Published by Artaria Editions (A0.1488228). Shield's Trios, written for a continental audience, are seminal works in the composer's output and mark a new level of compositional attainment in the English chamber music repertory. Technically, they contain a wide variety of ideas which are developed with great ingenuity through a wide range of keys, dynamic contrasts and timbral effects. Aesthetically, they blend 'popular' and 'learned' taste along with 'orchestral' splendour and 18th century notions of beauty. The Trios present a dazzling range of moods and style with each work demonstrating Shield's mastery of the idiom, both in his treatment of individual instruments and in the handling of textures. While there is no shortage of melody and accompaniment, in which the violin takes the lead, there are many memorable solos for the viola and the cello in its high register. The wide range of textures includes melodic decoration, dialogue, contrast of high and low register, legato and staccato, powerful unison and double octaves. Shield's ability to incorporate arioso-like melody, the prevailing 'symphonic' style and folk elements was largely achieved through the cross-generic requirements of English comic opera (a form to which Shield devoted himself during the whole of his creative career). In general, Shield's technique results in a firm control of the way music moves - with sometimes a surprising degree of stylistic restlessness and sometimes of unexpected plainness and simplicity. The trios Shield selected for publication were issued by Longman and Broderip, London, in January 1796 under the inspection of the composer. No autograph of these works survives and Longman and Broderip's printing, a copy of which is preserved in the Bodleian Library, Oxford, under the call number Mus.Instr.I 214(15), is the only source of this edition. The title page, with its dedicatory inscription, reads: Six / TRIOS / FOR / Violin, Tenor and Violoncello, / Composed / And Inscribed to the Memory of / Jacob More Esqr. / By / Wm. SHIELD./ (Musician in Ordinary to His Majesty) / Entd. At Statn. Hall [rule] Price 10/6 / ADVERTISEMENT / These Trios were Composed chiefly for the abovementioned Celebrated Landscape Painter (in Rome) / And are Dedicated to his Memory as a Token of Gratitude for the Services he rendered the Author / during his Residence in that City. The movements which are written in the uncommon Time / of 5/4 have amused some of the most distinguished Professors both in England & Italy which / induces the Author to hope they will not be disagreeable to the Public at Large / Goodge Street, Jany. 1st 1796 / [rule] / London, Printed for the Author by Longman & Broderip, No.26, Cheapside & No.13, Haymarket. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$49.00
String Trio No. 4 in E major
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE
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Classique
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/ Wm
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William Shield
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Robert Hoskins
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String Trio No. 4 in E major
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Artaria Editions
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SheetMusicPlus
String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1488229 Composed by William Shield. Arranged by Robert Hoskins. Classical. 24 pages. Artaria Editions...
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String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1488229 Composed by William Shield. Arranged by Robert Hoskins. Classical. 24 pages. Artaria Editions #1065116. Published by Artaria Editions (A0.1488229). Shield's Trios, written for a continental audience, are seminal works in the composer's output and mark a new level of compositional attainment in the English chamber music repertory. Technically, they contain a wide variety of ideas which are developed with great ingenuity through a wide range of keys, dynamic contrasts and timbral effects. Aesthetically, they blend 'popular' and 'learned' taste along with 'orchestral' splendour and 18th century notions of beauty. The Trios present a dazzling range of moods and style with each work demonstrating Shield's mastery of the idiom, both in his treatment of individual instruments and in the handling of textures. While there is no shortage of melody and accompaniment, in which the violin takes the lead, there are many memorable solos for the viola and the cello in its high register. The wide range of textures includes melodic decoration, dialogue, contrast of high and low register, legato and staccato, powerful unison and double octaves. Shield's ability to incorporate arioso-like melody, the prevailing 'symphonic' style and folk elements was largely achieved through the cross-generic requirements of English comic opera (a form to which Shield devoted himself during the whole of his creative career). In general, Shield's technique results in a firm control of the way music moves - with sometimes a surprising degree of stylistic restlessness and sometimes of unexpected plainness and simplicity. The trios Shield selected for publication were issued by Longman and Broderip, London, in January 1796 under the inspection of the composer. No autograph of these works survives and Longman and Broderip's printing, a copy of which is preserved in the Bodleian Library, Oxford, under the call number Mus.Instr.I 214(15), is the only source of this edition. The title page, with its dedicatory inscription, reads: Six / TRIOS / FOR / Violin, Tenor and Violoncello, / Composed / And Inscribed to the Memory of / Jacob More Esqr. / By / Wm. SHIELD./ (Musician in Ordinary to His Majesty) / Entd. At Statn. Hall [rule] Price 10/6 / ADVERTISEMENT / These Trios were Composed chiefly for the abovementioned Celebrated Landscape Painter (in Rome) / And are Dedicated to his Memory as a Token of Gratitude for the Services he rendered the Author / during his Residence in that City. The movements which are written in the uncommon Time / of 5/4 have amused some of the most distinguished Professors both in England & Italy which / induces the Author to hope they will not be disagreeable to the Public at Large / Goodge Street, Jany. 1st 1796 / [rule] / London, Printed for the Author by Longman & Broderip, No.26, Cheapside & No.13, Haymarket. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$49.00
String Trio No. 6 in B flat major
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE
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Classique
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/ Wm
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William Shield
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Robert Hoskins
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String Trio No. 6 in B flat ma
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Artaria Editions
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SheetMusicPlus
String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1488232 Composed by William Shield. Arranged by Robert Hoskins. Classical. 36 pages. Artaria Editions...
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String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1488232 Composed by William Shield. Arranged by Robert Hoskins. Classical. 36 pages. Artaria Editions #1065119. Published by Artaria Editions (A0.1488232). Shield's Trios, written for a continental audience, are seminal works in the composer's output and mark a new level of compositional attainment in the English chamber music repertory. Technically, they contain a wide variety of ideas which are developed with great ingenuity through a wide range of keys, dynamic contrasts and timbral effects. Aesthetically, they blend 'popular' and 'learned' taste along with 'orchestral' splendour and 18th century notions of beauty. The Trios present a dazzling range of moods and style with each work demonstrating Shield's mastery of the idiom, both in his treatment of individual instruments and in the handling of textures. While there is no shortage of melody and accompaniment, in which the violin takes the lead, there are many memorable solos for the viola and the cello in its high register. The wide range of textures includes melodic decoration, dialogue, contrast of high and low register, legato and staccato, powerful unison and double octaves. Shield's ability to incorporate arioso-like melody, the prevailing 'symphonic' style and folk elements was largely achieved through the cross-generic requirements of English comic opera (a form to which Shield devoted himself during the whole of his creative career). In general, Shield's technique results in a firm control of the way music moves - with sometimes a surprising degree of stylistic restlessness and sometimes of unexpected plainness and simplicity. The trios Shield selected for publication were issued by Longman and Broderip, London, in January 1796 under the inspection of the composer. No autograph of these works survives and Longman and Broderip's printing, a copy of which is preserved in the Bodleian Library, Oxford, under the call number Mus.Instr.I 214(15), is the only source of this edition. The title page, with its dedicatory inscription, reads: Six / TRIOS / FOR / Violin, Tenor and Violoncello, / Composed / And Inscribed to the Memory of / Jacob More Esqr. / By / Wm. SHIELD./ (Musician in Ordinary to His Majesty) / Entd. At Statn. Hall [rule] Price 10/6 / ADVERTISEMENT / These Trios were Composed chiefly for the abovementioned Celebrated Landscape Painter (in Rome) / And are Dedicated to his Memory as a Token of Gratitude for the Services he rendered the Author / during his Residence in that City. The movements which are written in the uncommon Time / of 5/4 have amused some of the most distinguished Professors both in England & Italy which / induces the Author to hope they will not be disagreeable to the Public at Large / Goodge Street, Jany. 1st 1796 / [rule] / London, Printed for the Author by Longman & Broderip, No.26, Cheapside & No.13, Haymarket. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$49.00
String Trio No. 5 in C minor
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE
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Classique
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/ Wm
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William Shield
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Robert Hoskins
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String Trio No. 5 in C minor
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Artaria Editions
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SheetMusicPlus
String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1488231 Composed by William Shield. Arranged by Robert Hoskins. Classical. 23 pages. Artaria Editions...
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String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1488231 Composed by William Shield. Arranged by Robert Hoskins. Classical. 23 pages. Artaria Editions #1065118. Published by Artaria Editions (A0.1488231). Shield's Trios, written for a continental audience, are seminal works in the composer's output and mark a new level of compositional attainment in the English chamber music repertory. Technically, they contain a wide variety of ideas which are developed with great ingenuity through a wide range of keys, dynamic contrasts and timbral effects. Aesthetically, they blend 'popular' and 'learned' taste along with 'orchestral' splendour and 18th century notions of beauty. The Trios present a dazzling range of moods and style with each work demonstrating Shield's mastery of the idiom, both in his treatment of individual instruments and in the handling of textures. While there is no shortage of melody and accompaniment, in which the violin takes the lead, there are many memorable solos for the viola and the cello in its high register. The wide range of textures includes melodic decoration, dialogue, contrast of high and low register, legato and staccato, powerful unison and double octaves. Shield's ability to incorporate arioso-like melody, the prevailing 'symphonic' style and folk elements was largely achieved through the cross-generic requirements of English comic opera (a form to which Shield devoted himself during the whole of his creative career). In general, Shield's technique results in a firm control of the way music moves - with sometimes a surprising degree of stylistic restlessness and sometimes of unexpected plainness and simplicity. The trios Shield selected for publication were issued by Longman and Broderip, London, in January 1796 under the inspection of the composer. No autograph of these works survives and Longman and Broderip's printing, a copy of which is preserved in the Bodleian Library, Oxford, under the call number Mus.Instr.I 214(15), is the only source of this edition. The title page, with its dedicatory inscription, reads: Six / TRIOS / FOR / Violin, Tenor and Violoncello, / Composed / And Inscribed to the Memory of / Jacob More Esqr. / By / Wm. SHIELD./ (Musician in Ordinary to His Majesty) / Entd. At Statn. Hall [rule] Price 10/6 / ADVERTISEMENT / These Trios were Composed chiefly for the abovementioned Celebrated Landscape Painter (in Rome) / And are Dedicated to his Memory as a Token of Gratitude for the Services he rendered the Author / during his Residence in that City. The movements which are written in the uncommon Time / of 5/4 have amused some of the most distinguished Professors both in England & Italy which / induces the Author to hope they will not be disagreeable to the Public at Large / Goodge Street, Jany. 1st 1796 / [rule] / London, Printed for the Author by Longman & Broderip, No.26, Cheapside & No.13, Haymarket. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$49.00
String Trio No. 2 in D major
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Trio à Cordes: violon, alto, violoncelle
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Classique
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/ Wm
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William Shield
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Robert Hoskins
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String Trio No. 2 in D major
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Artaria Editions
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SheetMusicPlus
String Trio Cello,Viola,Violin - SKU: A0.1488225 Composed by William Shield. Arranged by Robert Hoskins. Classical. 37 pages. Artaria Editions #1065111....
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String Trio Cello,Viola,Violin - SKU: A0.1488225 Composed by William Shield. Arranged by Robert Hoskins. Classical. 37 pages. Artaria Editions #1065111. Published by Artaria Editions (A0.1488225). Shield's Trios, written for a continental audience, are seminal works in the composer's output and mark a new level of compositional attainment in the English chamber music repertory. Technically, they contain a wide variety of ideas which are developed with great ingenuity through a wide range of keys, dynamic contrasts and timbral effects. Aesthetically, they blend 'popular' and 'learned' taste along with 'orchestral' splendour and 18th century notions of beauty. The Trios present a dazzling range of moods and style with each work demonstrating Shield's mastery of the idiom, both in his treatment of individual instruments and in the handling of textures. While there is no shortage of melody and accompaniment, in which the violin takes the lead, there are many memorable solos for the viola and the cello in its high register. The wide range of textures includes melodic decoration, dialogue, contrast of high and low register, legato and staccato, powerful unison and double octaves. Shield's ability to incorporate arioso-like melody, the prevailing 'symphonic' style and folk elements was largely achieved through the cross-generic requirements of English comic opera (a form to which Shield devoted himself during the whole of his creative career). In general, Shield's technique results in a firm control of the way music moves - with sometimes a surprising degree of stylistic restlessness and sometimes of unexpected plainness and simplicity. The trios Shield selected for publication were issued by Longman and Broderip, London, in January 1796 under the inspection of the composer. No autograph of these works survives and Longman and Broderip's printing, a copy of which is preserved in the Bodleian Library, Oxford, under the call number Mus.Instr.I 214(15), is the only source of this edition. The title page, with its dedicatory inscription, reads: Six / TRIOS / FOR / Violin, Tenor and Violoncello, / Composed / And Inscribed to the Memory of / Jacob More Esqr. / By / Wm. SHIELD./ (Musician in Ordinary to His Majesty) / Entd. At Statn. Hall [rule] Price 10/6 / ADVERTISEMENT / These Trios were Composed chiefly for the abovementioned Celebrated Landscape Painter (in Rome) / And are Dedicated to his Memory as a Token of Gratitude for the Services he rendered the Author / during his Residence in that City. The movements which are written in the uncommon Time / of 5/4 have amused some of the most distinguished Professors both in England & Italy which / induces the Author to hope they will not be disagreeable to the Public at Large / Goodge Street, Jany. 1st 1796 / [rule] / London, Printed for the Author by Longman & Broderip, No.26, Cheapside & No.13, Haymarket. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$49.00
Bull: In Nomine for String Trio
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE
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Dr
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James M
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Bull: In Nomine for String Tri
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jmsgu3
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SheetMusicPlus
String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1282881 Composed by Dr. John Bull. Arranged by James M. Guthrie. Chamber,Christian,Historic,Religious...
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String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1282881 Composed by Dr. John Bull. Arranged by James M. Guthrie. Chamber,Christian,Historic,Religious,Renaissance. 9 pages. Jmsgu3 #874131. Published by jmsgu3 (A0.1282881). XXXVII from the Fitzwilliam Virginal Book.John Bull was an English composer, organist, virginalist, and organ builder who lived from 1562/63 to 1628. He was educated as a chorister of the Chapel Royal in London and later became a doctor of music at the universities of both Oxford and Cambridge. Bull was one of the most famous composers of keyboard music of the early 17th century, and most of his compositions were written for the virginal, a keyboard instrument popular in the Renaissance period. He was known for his outstanding technical ability and keyboard virtuosity, and his music is distinguished by unfailing resourcefulness in devising new musical ideas. Bull's reputation rests on his extensive compositions for virginals and organ, some 150 extant pieces published in Musica Britannica. He was also one of the contributors to Parthenia, a collection of keyboard music published in 1611. Bull wrote an anthem, God the Father, God the Son, for the 1613 wedding of the princess and the Elector Palatine, in addition to his keyboard compositions, verse anthems, canons, and other works. Bull's music ranked among the foremost composers along with Byrd, Gibbons, and Tomkins.John Bull had several contemporaries who were also prominent composers during the Renaissance period. Some of these composers include:William Byrd: Byrd was an English composer and one of the most influential figures in English Renaissance music. He was a contemporary of John Bull and is considered one of the greatest composers of his time. Byrd's compositions include sacred choral music, keyboard works, and consort music.Orlando Gibbons: Gibbons was an English composer and organist who lived during the same period as John Bull. He was known for his sacred choral music, particularly his anthems and verse anthems. Gibbons' compositions are characterized by their expressive harmonies and intricate counterpoint.Thomas Tomkins: Tomkins was another English composer who was active during the same time as John Bull. He was known for his sacred choral music, including anthems and services. Tomkins' compositions are notable for their rich harmonies and expressive melodies.Jan Pieterszoon Sweelinck: Sweelinck was a Dutch composer and organist who was highly regarded during the Renaissance period. He was known for his keyboard music, particularly his variations and fantasias. Sweelinck's compositions had a significant influence on Bull and other composers of the time.These composers, along with John Bull, were influential figures in the development of Renaissance music and significantly contributed to the repertoire of keyboard and choral music during that era.
$24.95
String Trio in E-flat (Benton 401)
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Trio à Cordes: violon, alto, violoncelle
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Classique
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Ignaz Josef Pleyel
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Artaria Editions
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String Trio in E-flat
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Artaria Editions
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SheetMusicPlus
String Ensemble,String Trio Cello,Viola,Violin - SKU: A0.961407 Composed by Ignaz Josef Pleyel. Arranged by Artaria Editions. Classical. Score and parts...
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String Ensemble,String Trio Cello,Viola,Violin - SKU: A0.961407 Composed by Ignaz Josef Pleyel. Arranged by Artaria Editions. Classical. Score and parts. 18 pages. Artaria Editions #4365296. Published by Artaria Editions (A0.961407). ScoreArtaria Editions AE439Edited by Allan Badley 14 pagesIgnaz Pleyel (1757-1831) was at one time the most famous composer in the world. The popularity of his music eclipsed that of even his teacher Haydn and publishers vied to bring out his latest works as soon as they were finished. Some 2000 separate prints of Pleyel works had appeared by 1800 and his fame extended to every corner of Europe and as far afield as North America. Pleyel's career as a composer spanned less than thirty years with the majority of his works composed in the 1780s. He founded a successful publishing house in Paris in the mid-1790s and later began manufacturing keyboard instruments. With increasing demands on his time from his business concerns Pleyel's productivity as a composer dropped sharply and he ceased composing around 1805. Pleyel's three Trios Concertants, as they are styled in the earliest extant editions, appeared in 1787. Unlike the composer's quartets and quintets, which are generally in three movements, the string trios are cast in two movements - an opening Allegro and a Rondo - a practice unusual in Vienna but popular in France. The use of the term 'concertant' in the title signifies an equality of parts; that is, each of the instruments in the ensemble plays an important role in presenting thematic material. Pleyel's trios share many stylistic qualities with his quartets and quintets. His feel for the medium is at once apparent in his impressive exploitation of contrasting musical textures which range from bold, homophonic writing in a quasi-orchestral style to brief sections of canonic writing. The beauty and sophistication of these small-scale works can only make one regret that he did not write more works in the medium. Allan Badley.
$28.00
String Trio No. 9 in A major
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE
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Classique
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William Shield
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Robert Hoskins
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String Trio No. 9 in A major
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Artaria Editions
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SheetMusicPlus
String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1488294 Composed by William Shield. Arranged by Robert Hoskins. Classical. 29 pages. Artaria Editions...
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String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1488294 Composed by William Shield. Arranged by Robert Hoskins. Classical. 29 pages. Artaria Editions #1065182. Published by Artaria Editions (A0.1488294). Artaria Editions AE429Shield's Trios, written for a continental audience, are seminal works in the composer's output and mark a new level of compositional attainment in the English chamber music repertory. Technically, they contain a wide variety of ideas which are developed with great ingenuity through a wide range of keys, dynamic contrasts and timbral effects. Aesthetically, they blend 'popular' and 'learned' taste along with 'orchestral' splendour and 18th century notions of beauty. The Trios present a dazzling range of moods and style with each work demonstrating Shield's mastery of the idiom, both in his treatment of individual instruments and in the handling of textures. While there is no shortage of melody and accompaniment, in which the violin takes the lead, there are many memorable solos for the viola and the cello in its high register. The wide range of textures includes melodic decoration, dialogue, contrast of high and low register, legato and staccato, powerful unison and double octaves. Shield's ability to incorporate arioso-like melody, the prevailing 'symphonic' style and folk elements was largely achieved through the cross-generic requirements of English comic opera (a form to which Shield devoted himself during the whole of his creative career). In general, Shield's technique results in a firm control of the way music moves - with sometimes a surprising degree of stylistic restlessness and sometimes of unexpected plainness and simplicity. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$49.00
String Trio No. 7 in G major
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE
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Classique
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William Shield
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Robert Hoskins
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String Trio No. 7 in G major
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Artaria Editions
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SheetMusicPlus
String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1488290 Composed by William Shield. Arranged by Robert Hoskins. Classical. 26 pages. Artaria Editions...
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String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1488290 Composed by William Shield. Arranged by Robert Hoskins. Classical. 26 pages. Artaria Editions #1065178. Published by Artaria Editions (A0.1488290). Artaria Editions AE427Shield's Trios, written for a continental audience, are seminal works in the composer's output and mark a new level of compositional attainment in the English chamber music repertory. Technically, they contain a wide variety of ideas which are developed with great ingenuity through a wide range of keys, dynamic contrasts and timbral effects. Aesthetically, they blend 'popular' and 'learned' taste along with 'orchestral' splendour and 18th century notions of beauty. The Trios present a dazzling range of moods and style with each work demonstrating Shield's mastery of the idiom, both in his treatment of individual instruments and in the handling of textures. While there is no shortage of melody and accompaniment, in which the violin takes the lead, there are many memorable solos for the viola and the cello in its high register. The wide range of textures includes melodic decoration, dialogue, contrast of high and low register, legato and staccato, powerful unison and double octaves. Shield's ability to incorporate arioso-like melody, the prevailing 'symphonic' style and folk elements was largely achieved through the cross-generic requirements of English comic opera (a form to which Shield devoted himself during the whole of his creative career). In general, Shield's technique results in a firm control of the way music moves - with sometimes a surprising degree of stylistic restlessness and sometimes of unexpected plainness and simplicity. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$49.00
String Trio No. 8 in F major
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE
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Classique
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William Shield
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Robert Hoskins
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String Trio No. 8 in F major
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Artaria Editions
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SheetMusicPlus
String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1488292 Composed by William Shield. Arranged by Robert Hoskins. Classical. 35 pages. Artaria Editions...
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String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1488292 Composed by William Shield. Arranged by Robert Hoskins. Classical. 35 pages. Artaria Editions #1065180. Published by Artaria Editions (A0.1488292). Artaria Editions AE428Shield's Trios, written for a continental audience, are seminal works in the composer's output and mark a new level of compositional attainment in the English chamber music repertory. Technically, they contain a wide variety of ideas which are developed with great ingenuity through a wide range of keys, dynamic contrasts and timbral effects. Aesthetically, they blend 'popular' and 'learned' taste along with 'orchestral' splendour and 18th century notions of beauty. The Trios present a dazzling range of moods and style with each work demonstrating Shield's mastery of the idiom, both in his treatment of individual instruments and in the handling of textures. While there is no shortage of melody and accompaniment, in which the violin takes the lead, there are many memorable solos for the viola and the cello in its high register. The wide range of textures includes melodic decoration, dialogue, contrast of high and low register, legato and staccato, powerful unison and double octaves. Shield's ability to incorporate arioso-like melody, the prevailing 'symphonic' style and folk elements was largely achieved through the cross-generic requirements of English comic opera (a form to which Shield devoted himself during the whole of his creative career). In general, Shield's technique results in a firm control of the way music moves - with sometimes a surprising degree of stylistic restlessness and sometimes of unexpected plainness and simplicity. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$49.00
Can't Help Falling In Love
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Trio à Cordes: violon, alto, violoncelle
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FACILE
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Elvis Presley
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Valdir Maia
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Can't Help Falling In Love
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Valdir Maia
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SheetMusicPlus
String Trio Cello,Viola,Violin - Level 2 - SKU: A0.1449427 By Elvis Presley. By George David Weiss, Hugo Peretti, and Luigi Creatore. Arranged by Valdir...
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String Trio Cello,Viola,Violin - Level 2 - SKU: A0.1449427 By Elvis Presley. By George David Weiss, Hugo Peretti, and Luigi Creatore. Arranged by Valdir Maia. Film/TV,Pop,Rock,Singer/Songwriter,Wedding. 9 pages. Valdir Maia #1029201. Published by Valdir Maia (A0.1449427). **Can't Help Falling in Love by Elvis Presley - Easy String Trio Arrangement with Transcription**Immerse yourself in the timeless romance of **Can't Help Falling in Love** by Elvis Presley with this easy string trio arrangement, which includes a transcription of the second violin part for viola. Perfect for musicians of all levels, this rendition captures the heartfelt charm of the original piece.**Key Features:**- High-quality PDF with scores and parts included- Easy-level arrangement suitable for beginners- Trio consists of violin, viola (transcription of second violin), and celloIndulge in the beauty of **Can't Help Falling in Love** as you perform alongside your ensemble. Whether you're playing at a wedding, a cozy gathering, or simply enjoying a musical moment, this arrangement will captivate your audience with its emotive melody.Don't miss the opportunity to add a touch of magic to your performance with the beloved music of Elvis Presley. Elevate your repertoire with this enchanting string trio arrangement today!
$12.99
Can't Help Falling In Love
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Trio à Cordes: violon, alto, violoncelle
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FACILE
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Elvis Presley
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Valdir Maia
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Can't Help Falling In Love
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Valdir Maia
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SheetMusicPlus
String Trio Cello,Viola,Violin - Level 2 - SKU: A0.1449426 By Elvis Presley. By George David Weiss, Hugo Peretti, and Luigi Creatore. Arranged by Valdir...
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String Trio Cello,Viola,Violin - Level 2 - SKU: A0.1449426 By Elvis Presley. By George David Weiss, Hugo Peretti, and Luigi Creatore. Arranged by Valdir Maia. Film/TV,Pop,Rock,Singer/Songwriter,Wedding. 8 pages. Valdir Maia #1029200. Published by Valdir Maia (A0.1449426). **Can't Help Falling in Love by Elvis Presley - Easy String Trio with Piano**Immerse yourself in the timeless romance of **Can't Help Falling in Love** by Elvis Presley, now available in an easy string trio arrangement with piano accompaniment. This rendition, suitable for musicians of all levels, includes a transcribed part for second violin, now played on the viola.**Key Features:**- High-quality PDF with scores and parts included- Easy-level arrangement suitable for beginners- Trio comprises violin, viola (transcribed second violin part), cello, and pianoExperience the beauty of **Can't Help Falling in Love** as you perform alongside your ensemble. Whether you're serenading guests at a wedding, setting the mood for a romantic evening, or simply enjoying a musical moment, this arrangement will captivate your audience with its emotive melody.Don't miss the opportunity to add a touch of magic to your performance with the beloved music of Elvis Presley. Elevate your repertoire with this enchanting string trio arrangement today!
$16.99
String Trio No.1 in E flat major
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE
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Classique
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/ Wm
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William Shield
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Robert Hoskins
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String Trio No.1 in E flat maj
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Artaria Editions
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SheetMusicPlus
String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1488224 Composed by William Shield. Arranged by Robert Hoskins. Classical. 24 pages. Artaria Editions...
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String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1488224 Composed by William Shield. Arranged by Robert Hoskins. Classical. 24 pages. Artaria Editions #1065110. Published by Artaria Editions (A0.1488224). The trios Shield selected for publication were issued by Longman and Broderip, London, in January 1796 under the inspection of the composer. No autograph of these works survives and Longman and Broderip's printing, a copy of which is preserved in the Bodleian Library, Oxford, under the call number Mus.Instr.I 214(15), is the only source of this edition. The title page, with its dedicatory inscription, reads: Six / TRIOS / FOR / Violin, Tenor and Violoncello, / Composed / And Inscribed to the Memory of / Jacob More Esqr. / By / Wm. SHIELD./ (Musician in Ordinary to His Majesty) / Entd. At Statn. Hall [rule] Price 10/6 / ADVERTISEMENT / These Trios were Composed chiefly for the abovementioned Celebrated Landscape Painter (in Rome) / And are Dedicated to his Memory as a Token of Gratitude for the Services he rendered the Author / during his Residence in that City. The movements which are written in the uncommon Time / of 5/4 have amused some of the most distinguished Professors both in England & Italy which / induces the Author to hope they will not be disagreeable to the Public at Large / Goodge Street, Jany. 1st 1796 / [rule] / London, Printed for the Author by Longman & Broderip, No.26, Cheapside & No.13, Haymarket. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$49.00
Romance (Study in E) - Anon./Sor/Yepes (Vn, Va, Vc)
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Trio à Cordes: violon, alto, violoncelle
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FACILE
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Contemporain
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Anon
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Shigeo Ida & Peet du Toit
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Romance
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Peet du Toit
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SheetMusicPlus
String Ensemble,String Trio Cello,Viola,Violin - Level 2 - SKU: A0.802693 Composed by Anon. or Fernando Sor, or Narciso Yepes. Arranged by Shigeo Ida & ...
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String Ensemble,String Trio Cello,Viola,Violin - Level 2 - SKU: A0.802693 Composed by Anon. or Fernando Sor, or Narciso Yepes. Arranged by Shigeo Ida & Peet du Toit. Contemporary. Score and parts. 6 pages. Peet du Toit #6513457. Published by Peet du Toit (A0.802693). Romance Anónimo (Anonymous Romance) is a piece for guitar, also known as Estudio en Mi de Rubira (Study in E by Rubira), Spanish Romance, Romance de España, Romance de Amor, Romance of the Guitar, Romanza and Romance d'Amour among other names.Its origins and authorship are currently in question. It is suspected of originally being a solo instrumental guitar work, from the 19th century. It has variously been attributed to Antonio Rubira, David del Castillo, Francisco Tárrega, Fernando Sor, Daniel Fortea, Miguel Llobet, Antonio Cano, Vicente Gómez, and Narciso Yepes. The Anónimo (anonymous) part of its name has been incorporated over the years due to this uncertainty. The question of authorship has probably been propagated by three main reasons: the lack of claim by its true author, the desire to avoid paying copyright fees, and the desire of publishing companies to claim the lucrative copyright of this world-famous piece.The style of the piece is that of the Parlour music of the late 19th century in Spain or South America, having a closed three-part form: the first in the minor key and the second being in the major key, with the third being a restatement of the first.Narciso Yepes (1927 - 1997) interpreted and is listed as the author of the piece in René Clément's 1952 film Jeux interdits (Forbidden Games). The popularity of the film gave the piece worldwide fame. Yepes currently has the copyright of this composition in Spain although recordings and manuscripts of this song predate 1952. Newer publications show Yepes as the arranger and the piece being of anonymous authorship, or authored by Fernando Sor.The official statement from Narciso Yepes and the Yepes heirs is that Narciso Yepes, being a young boy, originally composed the piece for his mother when he was about seven years old (c.1934) and soon thereafter performed it between acts at the Teatro Guerra, in Lorca, Spain. Some time later, he recounts, when he was thirteen years old he attended a performance in Valencia and heard his composition performed by another guitarist, who indicated the authorship as anonymous. Yepes contends that the melody had been plagiarized (with some changes to the arrangement) by someone who, he assumes, must have attended that first performance. However, Yepes was born 1927 and cannot be the author of the work, since it was already recorded in 1900 and published before 1925 (possibly 1913) by J.A. MEDINA e HIJO; and in 1919 in themethod of Pedro Mascaró y Reissig, etc. Vicente Gomez (1911-2001) published it and performed it in 1941 in the Hollywood movie Blood and Sand with Tyrone Powerand Rita Hayworth, also attributing authorship of the song to himself. Anyway, the piano arrangement of the brilliant Shigeo Ida caught my attention and I decided to rework it somewhat into this trio for strings. Enjoy!
$14.50
2 Trios Bedtime Menuetto
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Trio à Cordes: violon, alto, violoncelle
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FACILE
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Bela Bartok
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Nick Lacanski
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2 Trios Bedtime Menuetto
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theupperstaff
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SheetMusicPlus
String Ensemble,String Trio Cello,Viola,Violin - Level 2 - SKU: A0.649578 Composed by Bela Bartok. Arranged by Nick Lacanski. 20th Century,Instructional...
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String Ensemble,String Trio Cello,Viola,Violin - Level 2 - SKU: A0.649578 Composed by Bela Bartok. Arranged by Nick Lacanski. 20th Century,Instructional,Standards. Score and parts. 11 pages. Theupperstaff #6221679. Published by theupperstaff (A0.649578). These two compositions by Bartok hail from his collection, First Term at the Piano. These two pieces represent the 15th and 16th compositions in the collection. Thank you for looking.
$2.99
In the Sweet By and By hymn for string trio
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Trio à Cordes: violon, alto, violoncelle
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and By! Why would not that mak
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SMT Music
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In the Sweet By and By hymn fo
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SMT Music
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SheetMusicPlus
String Ensemble,String Trio - SKU: A0.749761 Arranged by SMT Music. Christian,Folk,Holiday,Patriotic,Sacred,Standards. Score and parts. 10 pages. SMT Mu...
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String Ensemble,String Trio - SKU: A0.749761 Arranged by SMT Music. Christian,Folk,Holiday,Patriotic,Sacred,Standards. Score and parts. 10 pages. SMT Music #6286217. Published by SMT Music (A0.749761). (published in 1868) Mr. Webster, like many musicians, was of an exceedingly nervous and sensitive nature, and subject to periods of depression, in which he looked upon the dark side of all things in life. I had learned his peculiarities so well that on meeting him I could tell at a glance if he was melancholy, and had found that I could rouse him up by giving him a new song to work on. He came into my place of business [in Elkhorn, Wisconsin], walked down to the stove, and turned his back on me without speaking. I was at my desk. Turning to him, I said, Webster, what is the matter now? It's no matter, he replied, it will be all right by and by. The idea of the hymn came me like a flash of sunlight, and I replied, The Sweet By and By! Why would not that make a good hymn? Maybe it would, he said indifferently. Turning to my desk I penned the words of the hymn as fast as I could write. I handed the words to Webster. As he read his eyes kindled, and stepping to the desk he began writing the notes. Taking his violin, he played the melody and then jotted down the notes of the chorus. It was not over thirty minutes from the time I took my pen to write the words before two friends with Webster and myself were singing the hymn.-Sanford Fillmore Bennett (1836-1898)[2].
$12.99
Presentiment: A Song for Soprano voice and String Sextet
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Trio à Cordes: violon, alto, violoncelle
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FACILE
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Chris Gordon
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Presentiment: A Song for Sopra
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Cool Wind Music Digital
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SheetMusicPlus
String Ensemble Cello,Viola,Violin - Level 2 - SKU: A0.841215 Composed by Chris Gordon. Contemporary,Romantic Period. Score and parts. 4 pages. Cool Win...
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String Ensemble Cello,Viola,Violin - Level 2 - SKU: A0.841215 Composed by Chris Gordon. Contemporary,Romantic Period. Score and parts. 4 pages. Cool Wind Music Digital #2917241. Published by Cool Wind Music Digital (A0.841215). This is an arrangement for string sextet by Chris Gordon of his song, Presentiment, setting a short poem by Amercian poet, Emily Dickinson, about the feelings engendered by the lengthening shadows on a lawn at the close of a summer day.This is a study score. A separate offering of the score and a full set of parts is available at SMP Press. Type S0.177165 or 'Presentiment' in the search box to find it. Baffled by music bindings? Read this: https://coolwindmusic.blogspot.co.uk/2009/08/making-printed-copies-from-pdfs.html
$8.00
Pepusch, J. - Sonata in F (Mvt. 4) for Violin Viola and Cello
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE
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Classique
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J
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Linda M
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Pepusch, J. - Sonata in F
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Linda M Scott
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SheetMusicPlus
String Ensemble,String Trio Cello,Viola,Violin - Level 3 - SKU: A0.540513 Composed by J. Pepusch. Arranged by Linda M. Scott. Baroque. Score and parts. ...
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String Ensemble,String Trio Cello,Viola,Violin - Level 3 - SKU: A0.540513 Composed by J. Pepusch. Arranged by Linda M. Scott. Baroque. Score and parts. 5 pages. Linda M Scott #4293549. Published by Linda M Scott (A0.540513). Johann Pepusch (1667 – 1752), was a German composer who spent most of his working life in England, where for a time he worked with George Frideric Handel. Although Pepusch is now best known for his arrangement of the music for The Beggar's Opera, he composed many other works including stage and church music as well as concertos and continuo sonatas such as this work. This fun, easy piece for a trio of violin, viola and cello is accessible for the advanced beginning ensemble, and all other subsequent chamber group levels.
$5.99
Mozart: Piano Sonata No.11 in A K331. Mvt. III Rondo Alla Turca (Turkish March) - string trio
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Wolfgang Amadeus Mozart
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Ray Thompson
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Mozart: Piano Sonata No.11 in
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RayThompsonMusic
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SheetMusicPlus
String Ensemble,String Trio Cello,Viola,Violin - Level 4 - SKU: A0.553709 Composed by Wolfgang Amadeus Mozart. Arranged by Ray Thompson. Classical,Holid...
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String Ensemble,String Trio Cello,Viola,Violin - Level 4 - SKU: A0.553709 Composed by Wolfgang Amadeus Mozart. Arranged by Ray Thompson. Classical,Holiday,Standards,Wedding. Score and parts. 8 pages. RayThompsonMusic #3532731. Published by RayThompsonMusic (A0.553709). The last movement of this Piano Sonata:Alla Turca, popularly known as the Turkish March, is often heard on its own and is one of Mozart's best-known piano pieces; it was Mozart himself who titled the rondo Alla Turca. It imitates the sound of Turkish Janissary bands, the music of which was much in vogue at that time. Various other works of the time imitate this Turkish style, including Mozart's own opera Die Entführung aus dem Serail. In Mozart's time, the last movement was sometimes performed on pianos built with a Turkish stop, allowing it to be embellished with extra percussion effects. I have have added additional voicings throughout. The end section has an optional 8va for the 1st player...this will give the authentic Turkish feel, if you're brave enough to do it....LOUD!! Plenty of scales for 1st and 2nd, but fun for all the players!! Arranged for violin, viola and cello with alternative parts for 2.viola (2.vln) and 2.cello (3.vla)
$9.95
Can't Help Falling In Love
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Trio à Cordes: violon, alto, violoncelle
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FACILE
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Mariage/Ballade
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Rock
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Elvis Presley
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Phil Beaman
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Viola
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Can't Help Falling In Love
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Phil Beaman
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SheetMusicPlus
String Ensemble Cello,Viola,Violin - Level 2 - SKU: A0.845308 By Elvis Presley. By George David Weiss, Hugo Peretti, and Luigi Creatore. Arranged by Phi...
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String Ensemble Cello,Viola,Violin - Level 2 - SKU: A0.845308 By Elvis Presley. By George David Weiss, Hugo Peretti, and Luigi Creatore. Arranged by Phil Beaman. Film/TV,Pop,Rock,Wedding. Score and parts. 13 pages. Phil Beaman #6718239. Published by Phil Beaman (A0.845308). Can't Help Falling In Love was made famous by Elvis Presley on his album and film Blue Hawaii. My arrangement takes it from a 60's pop song to a gentle jazz ballad. It is totally reharmonized and has a fresh new feel. The melody is the same, except it has a new Time Signature. The song was originally in 6/8 but I have set it in 1/2 in order to get the pulse and phrasing I want. (Yes, 1 minim/half note per bar.) The original accompaniment was broken arpeggios, but now it is all about the rich new blocked chords. With repeats and a D.S. I have covered all 4 verses and bridges. Enjoy a fresh take on this forever classic. Great for weddings and nostalgic concerts. available for several different instrument combinationsViolin 1,2; Viola; Cello 1,2,3instrument part ranges - 10th 7 pages score, 1 page parts2:00 minutes
$12.99
Once Upon A Time In The West
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Trio à Cordes: violon, alto, violoncelle
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FACILE
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Contemporain
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Ennio Morricone
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Josef Štastný
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Once Upon A Time In The West
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Josef STASTNY
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SheetMusicPlus
String Ensemble,String Trio Cello,Viola,Violin - Level 2 - SKU: A0.743516 Composed by Ennio Morricone. Arranged by Josef Štastný. Contemporary. Sc...
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String Ensemble,String Trio Cello,Viola,Violin - Level 2 - SKU: A0.743516 Composed by Ennio Morricone. Arranged by Josef Štastný. Contemporary. Score and parts. 6 pages. Josef STASTNY #4265615. Published by Josef STASTNY (A0.743516). One of the magic melodies from the movie Once Upon a Time in the West sung by many singers around the world - Andrea Bocelli is one of them. This beuaty should be a part of repertoire of any kind of band.
$13.99
Does Anybody Really Know What Time It Is?
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Trio à Cordes: violon, alto, violoncelle
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AVANCÉ
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Rock
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Chicago
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Scott Grimaldi
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Does Anybody Really Know What
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Scott Grimaldi
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SheetMusicPlus
String Ensemble,String Trio Cello,Viola,Violin - Level 5 - SKU: A0.875531 By Chicago. By Robert Lamm. Arranged by Scott Grimaldi. Pop,Rock. Score and pa...
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String Ensemble,String Trio Cello,Viola,Violin - Level 5 - SKU: A0.875531 By Chicago. By Robert Lamm. Arranged by Scott Grimaldi. Pop,Rock. Score and parts. 19 pages. Scott Grimaldi #4593559. Published by Scott Grimaldi (A0.875531). 2019 SMP Press Composition Competition (Popular Music - Ensemble). Does Anybody Really Know What Time It Is - for String Quintet (2 Violins, 2 Violas & Cello). By Robert Lamm. Arranged by Scott Grimaldi. Includes a title page, score & set of parts. 19 pages. Duration: 2:55 min. A Top 10 single in 1970 for the Jazz-Rock group, Chicago. This arrangement captures the feel of the original recording, including the iconic Brass lines.
$20.00
Can't Help Falling In Love
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE
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Mariage/Ballade
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Rock
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Elvis Presley
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Joe Buzzelli
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Can't Help Falling In Love
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Joe Buzzelli
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SheetMusicPlus
String Ensemble Cello,Viola,Violin - Level 3 - SKU: A0.1371318 By Elvis Presley. By George David Weiss, Hugo Peretti, and Luigi Creatore. Arranged by Jo...
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String Ensemble Cello,Viola,Violin - Level 3 - SKU: A0.1371318 By Elvis Presley. By George David Weiss, Hugo Peretti, and Luigi Creatore. Arranged by Joe Buzzelli. Film/TV,Pop,Rock,Traditional,Wedding. 33 pages. Joe Buzzelli #949831. Published by Joe Buzzelli (A0.1371318). The last version of Can’t Help Falling in Love your string ensembles will ever need.As a working freelance violinist, I understand the difficulty that comes with assembling a book of quality arrangements for your string ensembles. Whether it’s due to performer’s availability or a client’s budget, that difficulty is only magnified by adapting arrangements for one instrumentation to another. All too often a string trio will be given music for a quartet and the performers are left trying to read multiple parts and pick the most import notes from each on the fly while the audience is left listening to an arrangement that will always feel as though it’s missing something — because it is.I seek to solve this problem by taking the same core arrangement and adapting it to nearly any combination of string instruments you could need while preserving the style and character across versions. In doing so, I have also aimed to keep each version as similar to the others as possible to ensure that once you have learned one version, you will have no trouble at all jumping in to any of the other instrumentations.This series of arrangements also strives to be as easy on the performers as possible. Each version is in string friendly keys and ranges (either G or D depending on the range constraints of the instrumentation), contains minimal page turns, and has a clearly notated repeat structure that allows for continuous looping as needed.Whether you are a teacher looking for music for your ever changing classroom or a professional looking for a chart that you can be sure will be read correctly the first time, this arrangement of Can’t Help Falling in Love with You is the end of your search.Purchase contains:Quartet - Parts & ScoreTrio - Violin/Viola/Cello - Parts & ScoreTrio - Violin/Violin/Cello - Parts & ScoreDuo - Violin/Cello - Parts & ScoreDuo - Violin/Violin - Parts & ScoreDuo - Violin/Viola - Parts & ScoreDuo - Viola/Cello - Parts & Score.
$19.99
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