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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Jan
Sheetmusicplus
Non classifié
1 770
Piano & claviers
Piano seul
2 068
Piano Facile
489
Piano, Voix
381
Piano, Voix et Guitare
370
Orgue
211
Instruments en Do
170
1 Piano, 4 mains
50
Piano Quintette: piano, 2 violons, alto, violoncelle
17
Accordéon
16
Piano Trio: piano, violon, violoncelle
12
Piano grosses notes
10
2 Pianos, 4 mains
9
Piano (partie séparée)
5
Orgue, Trompette (duo)
4
Accompagnement Piano
4
1 Piano, 6 mains
2
Orgue, Piano (duo)
2
2 Accordéons
2
Ensemble d'Accordéons
1
Piano Quatuor: piano, 2 violons, violoncelle
1
Clavecin
1
+ 16 instrumentations
Retracter
Guitares
Guitare notes et tablatures
279
Guitare
247
Ligne De Mélodie, (Paroles) et Accords
96
Basse electrique
41
Ukulele
37
Paroles et Accords
33
4 Guitares (Quatuor)
23
Banjo
21
2 Guitares (duo)
20
Piano, Guitare (duo)
11
Dulcimer
7
Guitare (partie séparée)
5
3 Guitares (trio)
5
Ensemble de guitares
3
Mandoline
2
Ukulele Baryton
1
Dobro
1
+ 12 instrumentations
Retracter
Voix
Chorale SATB
786
Chorale 3 parties
265
Chorale 2 parties
138
Chorale SSAA
114
Chorale TTBB
83
Chorale
58
Chorale Unison
46
Pack Instrumental pour Chorale
42
Voix seule
15
Chorale, Orgue
14
Voix haute
14
Voix duo, Piano
11
Voix Soprano, Piano
11
Voix d'Enfants
10
Voix Baryton, Piano
10
Chorale SSAATTBB
6
Voix duo
5
Chorale SSATB
4
Voix, Guitare
3
Voix Alto, Piano
3
Voix moyenne, Piano
2
Voix Tenor, Piano
2
Voix Mezzo-Soprano, Piano
2
Voix Soprano
1
Chorale SSAATB
1
Voix Tenor
1
Chorale SSATTB
1
Voix basse, Piano
1
+ 23 instrumentations
Retracter
Vents
Flûte traversière et Piano
204
Saxophone Alto et Piano
144
Saxophone Tenor et Piano
129
Clarinette et Piano
124
Saxophone Soprano et Piano
107
Saxophone Alto
91
Flûte traversière
85
Clarinette
85
Saxophone (partie séparée)
84
Quatuor de Saxophones: 4 saxophones
82
Saxophone Tenor
77
2 Saxophones (duo)
74
Hautbois, Piano (duo)
71
Flûte, Hautbois, Clarinette, Basson
47
2 Clarinettes (duo)
44
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
43
Quatuor de Clarinettes: 4 clarinettes
42
3 Saxophones (trio)
39
Flûte et Guitare
37
Flûte, Violon, Piano
33
Hautbois (partie séparée)
25
Quintette de Saxophone: 5 saxophones
25
Quatuor de Flûtes : 4 flûtes
24
2 Flûtes traversières (duo)
24
Saxophone, Clarinette (duo)
23
Clarinette (partie séparée)
22
Piccolo, Piano
21
Trio de Flûtes: 3 flûtes
18
Cor anglais, Piano
18
3 Clarinettes (trio)
17
Clarinette, Guitare (duo)
15
Flûte traversière, Orgue (duo)
14
Quintette de Clarinettes: 5 clarinettes
14
Clarinette Basse, Piano
14
Saxophone et Guitare
13
Flute (partie séparée)
13
Saxophone
13
Hautbois, Guitare (duo)
13
Saxophone Baryton, Piano
12
Ensemble de Flûtes
12
Cor Anglais
11
Ensemble de Clarinettes
11
Clarinette, Trompette (duo)
11
Hautbois, Basson (duo)
11
2 Hautbois (duo)
10
Flûte, Clarinette (duo)
10
Quatuor de Flûtes à bec
9
Clarinette, Violon (duo)
9
Hautbois, Flûte
9
Ensemble de saxophones
9
Flûte, Hautbois, Clarinette (trio)
8
Flûte à bec Soprano
7
Hautbois, Clarinette (duo)
7
Flûte à bec Tenor
7
Ensemble De Flûte à bec
6
Clarinette et Alto
6
Flûte à bec Soprano, Piano
6
Flûte, Hautbois (duo)
6
Flûte, Saxophone (duo)
5
Quintette de Flûte : 5 flûtes
5
Flûte, Violon
5
Flûte à Bec
5
2 Flûtes traversières, Piano
5
Flûte, Violoncelle
4
Flûte, Trompette (duo)
4
2 Clarinettes, Piano
4
Hautbois, Clarinette, Basson (trio d'anches)
4
Saxophone Soprano
4
Hautbois
4
Flûte, Hautbois, Basson
4
2 Flûte à bec (duo)
3
3 Flûtes à bec (trio)
3
Flûte à bec Alto
3
3 Hautbois
3
Instruments en Mib
3
Cor anglais, Guitare (duo)
3
Flûte, Alto (duo)
3
Harmonica
3
2 Saxophones, Piano
3
Clarinette, Basson (duo)
3
Flûte, Clarinette, Piano (trio)
2
Piccolo
2
Flûte à bec Alto, Piano
2
Flûte, Violon, Violoncelle et Piano
2
Flute, harpe et violon
2
Flûte, alto et harpe
1
Clarinette, Harpe (duo)
1
Flûte, Clarinette et Basson
1
Flûte et Trio à cordes
1
Flûte, Violon et Violoncelle
1
Flûte, Alto et Piano
1
Flûte à Bec, Piano
1
Saxophone et Orgue
1
Flûte de Pan
1
Cor anglais et Harpe (duo)
1
5 Flûtes à bec
1
Flûte, Hautbois, Piano (trio)
1
Ensemble de Hautbois
1
Clarinette, trompette et piano
1
Flûte, Violoncelle, Piano (trio)
1
Flûte, Basson et Piano
1
+ 96 instrumentations
Retracter
Cuivres
Trompette
80
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
75
Trombone
60
Trombone et Piano
57
Trompette, Piano
55
Trompette (partie séparée)
40
Quatuor de Cuivres : 2 trompettes, trombone, tuba
40
Trombone (partie séparée)
37
Cor et Piano
34
Cor
22
Cor anglais, Piano
18
Euphonium, Piano (duo)
16
Quatuor de cuivres: 4 trombones
16
Tuba et Piano
13
Trompette, Saxophone (duo)
12
Cor Anglais
11
Trompette, Trombone (duo)
11
2 Trombones (duo)
11
Quatuor de Cuivres: 2 trompettes, Cor, trombone
10
Tuba (partie séparée)
10
2 Trompettes (duo)
10
Cor (partie séparée)
9
Tuba
9
2 Euphoniums et 2 Tubas
8
Ensemble de Trombones
8
Quatuor de cuivres: 4 cors
7
Euphonium
7
Bass Clef Instruments
6
Trio de Cuivres
6
2 Cors (duo)
6
Tuba et Orgue
5
Trombone basse et Piano
5
Trompette, Cor (duo)
4
Ensemble de Trompettes
4
Instruments en Sib
3
Cor anglais, Guitare (duo)
3
Quatuor de Cuivres
3
Trombone basse
2
Euphonium (partie séparée)
2
Trompette, Tuba (duo)
2
2 Tubas (duo)
2
Trombone, Tuba (duo)
2
Ensemble de Cors
2
Euphonium, Tuba (duo)
2
3 Trombones (trio)
2
3 Cors (trio)
1
Trombone, Cor (duo)
1
Cor et Orgue
1
Cor et Harpe
1
Ensemble de Tubas
1
Trompette, Euphonium (duo)
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Cor anglais et Harpe (duo)
1
4 Tubas
1
Quatuor de cuivres: 4 trompettes
1
3 Tubas (trio)
1
Trompette, Trombone, Piano
1
+ 52 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
334
Violon et Piano
246
Harpe
244
Violon
194
Alto, Piano
145
Violoncelle, Piano
103
Violoncelle
97
Alto seul
65
Violon (partie séparée)
39
Trio à Cordes: violon, alto, violoncelle
38
Contre Basse
37
2 Violons (duo)
34
Violon, Violoncelle (duo)
32
2 Violoncelles (duo)
22
Violon, Alto (duo)
20
Violoncelle , Guitare (duo)
19
Violon, Guitare (duo)
19
2 Altos (duo)
19
Alto (partie séparée)
18
Quintette à cordes: 2 violons, alto, violoncelle, basse
15
Harpe, Flûte (duo)
15
Alto, Guitare (duo)
13
Contrebasse (partie séparée)
13
Violoncelle (partie séparée)
12
Alto, Violoncelle (duo)
11
4 Violoncelles
11
Harpe et Piano
10
Trio à Cordes: 2 violons, violoncelle
10
Contrebasse, Piano (duo)
9
Trio à cordes: 3 violins
7
Trio à cordes: 3 altos
7
Harpe, Violon (duo)
6
2 Harpes (duo)
5
Trio à Cordes: 3 violoncelles
5
Quatuor à cordes: 4 violons
4
Harpe, Voix
4
Violon, Orgue
3
Harpe, Violoncelle (duo)
3
Quatuor à cordes : 4 altos
2
Ensemble de Violons
1
4 Contrebasses
1
2 Violons, Piano
1
Trio à cordes
1
Quintette à cordes : 2 violons, alto et 2 violoncelles
1
Ensemble d'Altos
1
Harpe, Trombone (duo)
1
Violon, Clarinette, Piano (trio)
1
Violoncelle, Contrebasse (duo)
1
+ 43 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
301
Orchestre à Cordes
159
Orchestre
123
Ensemble Jazz
100
Ensemble de cuivres
53
Batterie
44
Orchestre de chambre
41
Cloches
36
Fanfare
34
Jazz combo
14
Ensemble de Percussions
11
Percussion (partie séparée)
9
Batterie (partie séparée)
8
Marimba
8
Vibraphone
3
Timbales
2
Xylophone
2
Piano et Orchestre
2
Timbales (partie séparée)
2
Percussion
1
Xylophone, Piano
1
2 Marimbas
1
+ 17 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
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débutant
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Vous avez sélectionné:
Jan
SheetMusicPlus
Partitions à imprimer
38 partitions trouvées
<
1
26
Fan Tan
#
Trio à Cordes: violon, alto, violoncelle
#
AVANCÉ
#
Jan and Dean
#
Jan Berry and George Tipton
#
Fan Tan
#
Fiji Printing
#
SheetMusicPlus
String Ensemble Cello,Viola,Violin - Level 5 - SKU: A0.1414111 By Jan and Dean. By Don Altfeld, Jan Berry, and Jill Gibson. Arranged by Jan Berry and Ge...
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String Ensemble Cello,Viola,Violin - Level 5 - SKU: A0.1414111 By Jan and Dean. By Don Altfeld, Jan Berry, and Jill Gibson. Arranged by Jan Berry and George Tipton. 20th Century,Classical,Pop,Rock. 10 pages. Fiji Printing #995880. Published by Fiji Printing (A0.1414111). Fan Tan — String Sextet from Carnival of Sound.Jan Berry and George Tipton's original music score, used by Wrecking Crew studio musicians to record the original track in 1967. Extracted from the full music score for Fan Tan. This sophisticated string arrangement picks up where Pop Symphony left off in 1965. Transcribed by Mark A. Moore from Jan Berry's music archive, in association with his estate. Moore is the author of Dead Man’s Curve: The Rock ‘n’ Roll Life of Jan Berry (McFarland 2021) and The Jan & Dan Record (McFarland 2016).Fiji Printing #14. Distributed by ArrangeMe and the Hal Leonard Corporation.Perfect for string sections that want to tackle a challenging piece that merges classical music with the burgeoning Psychedelic era of 1967.Full Music Score and Individual Charts:STRINGS: Violin 1-2; Viola 1-2; Cello 1-2.Publication includes: (1) Illustrated cover page; (2) Introductory text with commentary on Fan Tan, the Carnival of Sound LP,  and the musicians who performed on it; (3) Song chronology with recording session details; (4) Full music score; (5) Individual charts for each part in the music score; and (6) Illustrations, including images from Jan Berry’s music archive.10 Pages; 10 x 14Learn more about Jan Berry and Jan & Dean: https://jananddean-janberry.com/
$12.99
Alejandro
#
Trio à Cordes: violon, alto, violoncelle
#
INTERMÉDIAIRE
#
Pop musique
#
Lady Gaga
#
Lena Seeger
#
Alejandro
#
Lena A Seeger
#
SheetMusicPlus
String Ensemble,String Trio - Level 3 - SKU: A0.716141 By Lady Gaga. By Nadir Khayat and Stefani Germanotta. Arranged by Lena Seeger. Pop. Score and par...
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String Ensemble,String Trio - Level 3 - SKU: A0.716141 By Lady Gaga. By Nadir Khayat and Stefani Germanotta. Arranged by Lena Seeger. Pop. Score and parts. 13 pages. Lena A Seeger #3561955. Published by Lena A Seeger (A0.716141). The europop song by Lady Gaga, arranged for string trio: violin, viola, and cello.
$12.99
Alejandro
#
Trio à Cordes: violon, alto, violoncelle
#
INTERMÉDIAIRE
#
Pop musique
#
Lady Gaga
#
Lena Seeger
#
Alejandro
#
Lena A Seeger
#
SheetMusicPlus
String Ensemble,String Trio - Level 3 - SKU: A0.716143 By Lady Gaga. By Nadir Khayat and Stefani Germanotta. Arranged by Lena Seeger. Pop. Score and par...
(+)
String Ensemble,String Trio - Level 3 - SKU: A0.716143 By Lady Gaga. By Nadir Khayat and Stefani Germanotta. Arranged by Lena Seeger. Pop. Score and parts. 13 pages. Lena A Seeger #3562177. Published by Lena A Seeger (A0.716143). Europop song by Lady Gaga, arranged for modified string trio: two violins and cello.
$12.99
Danish Christmas Carols for String Quartet arranged by Peter Vind
#
Trio à Cordes: violon, alto, violoncelle
#
INTERMÉDIAIRE/AVANCÉ
#
Noël
#
Traditional
#
Peter Vind
#
Danish Christmas Carols for St
#
Jan Villum Hansen
#
SheetMusicPlus
String Ensemble,String Trio Cello,Viola,Violin - Level 4 - SKU: A0.979444 Composed by Traditional. Arranged by Peter Vind. Christian,Christmas. Score an...
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String Ensemble,String Trio Cello,Viola,Violin - Level 4 - SKU: A0.979444 Composed by Traditional. Arranged by Peter Vind. Christian,Christmas. Score and parts. 7 pages. Jan Villum Hansen #3874215. Published by Jan Villum Hansen (A0.979444). Danske julesalmer (Danish Christmas hymns) arranged for String Quartet by Peter Vind. Violin, Viola and Cello. Contents: Dejlig er jorden, Det kimer nu til julefest, En rose så jeg skyde, Her Mommer, Jesus, dine små, Julen har bragt velsignet bud, Mit hjerte altid vanker. .
$9.99
String Trio No. 3 in A major
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Trio à Cordes: violon, alto, violoncelle
#
INTERMÉDIAIRE
#
Classique
#
/ Wm
#
William Shield
#
Robert Hoskins
#
String Trio No. 3 in A major
#
Artaria Editions
#
SheetMusicPlus
String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1488228 Composed by William Shield. Arranged by Robert Hoskins. Classical. 27 pages. Artaria Editions...
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String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1488228 Composed by William Shield. Arranged by Robert Hoskins. Classical. 27 pages. Artaria Editions #1065115. Published by Artaria Editions (A0.1488228). Shield's Trios, written for a continental audience, are seminal works in the composer's output and mark a new level of compositional attainment in the English chamber music repertory. Technically, they contain a wide variety of ideas which are developed with great ingenuity through a wide range of keys, dynamic contrasts and timbral effects. Aesthetically, they blend 'popular' and 'learned' taste along with 'orchestral' splendour and 18th century notions of beauty. The Trios present a dazzling range of moods and style with each work demonstrating Shield's mastery of the idiom, both in his treatment of individual instruments and in the handling of textures. While there is no shortage of melody and accompaniment, in which the violin takes the lead, there are many memorable solos for the viola and the cello in its high register. The wide range of textures includes melodic decoration, dialogue, contrast of high and low register, legato and staccato, powerful unison and double octaves. Shield's ability to incorporate arioso-like melody, the prevailing 'symphonic' style and folk elements was largely achieved through the cross-generic requirements of English comic opera (a form to which Shield devoted himself during the whole of his creative career). In general, Shield's technique results in a firm control of the way music moves - with sometimes a surprising degree of stylistic restlessness and sometimes of unexpected plainness and simplicity. The trios Shield selected for publication were issued by Longman and Broderip, London, in January 1796 under the inspection of the composer. No autograph of these works survives and Longman and Broderip's printing, a copy of which is preserved in the Bodleian Library, Oxford, under the call number Mus.Instr.I 214(15), is the only source of this edition. The title page, with its dedicatory inscription, reads: Six / TRIOS / FOR / Violin, Tenor and Violoncello, / Composed / And Inscribed to the Memory of / Jacob More Esqr. / By / Wm. SHIELD./ (Musician in Ordinary to His Majesty) / Entd. At Statn. Hall [rule] Price 10/6 / ADVERTISEMENT / These Trios were Composed chiefly for the abovementioned Celebrated Landscape Painter (in Rome) / And are Dedicated to his Memory as a Token of Gratitude for the Services he rendered the Author / during his Residence in that City. The movements which are written in the uncommon Time / of 5/4 have amused some of the most distinguished Professors both in England & Italy which / induces the Author to hope they will not be disagreeable to the Public at Large / Goodge Street, Jany. 1st 1796 / [rule] / London, Printed for the Author by Longman & Broderip, No.26, Cheapside & No.13, Haymarket. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$49.00
String Trio No. 4 in E major
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE
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Classique
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/ Wm
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William Shield
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Robert Hoskins
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String Trio No. 4 in E major
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Artaria Editions
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SheetMusicPlus
String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1488229 Composed by William Shield. Arranged by Robert Hoskins. Classical. 24 pages. Artaria Editions...
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String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1488229 Composed by William Shield. Arranged by Robert Hoskins. Classical. 24 pages. Artaria Editions #1065116. Published by Artaria Editions (A0.1488229). Shield's Trios, written for a continental audience, are seminal works in the composer's output and mark a new level of compositional attainment in the English chamber music repertory. Technically, they contain a wide variety of ideas which are developed with great ingenuity through a wide range of keys, dynamic contrasts and timbral effects. Aesthetically, they blend 'popular' and 'learned' taste along with 'orchestral' splendour and 18th century notions of beauty. The Trios present a dazzling range of moods and style with each work demonstrating Shield's mastery of the idiom, both in his treatment of individual instruments and in the handling of textures. While there is no shortage of melody and accompaniment, in which the violin takes the lead, there are many memorable solos for the viola and the cello in its high register. The wide range of textures includes melodic decoration, dialogue, contrast of high and low register, legato and staccato, powerful unison and double octaves. Shield's ability to incorporate arioso-like melody, the prevailing 'symphonic' style and folk elements was largely achieved through the cross-generic requirements of English comic opera (a form to which Shield devoted himself during the whole of his creative career). In general, Shield's technique results in a firm control of the way music moves - with sometimes a surprising degree of stylistic restlessness and sometimes of unexpected plainness and simplicity. The trios Shield selected for publication were issued by Longman and Broderip, London, in January 1796 under the inspection of the composer. No autograph of these works survives and Longman and Broderip's printing, a copy of which is preserved in the Bodleian Library, Oxford, under the call number Mus.Instr.I 214(15), is the only source of this edition. The title page, with its dedicatory inscription, reads: Six / TRIOS / FOR / Violin, Tenor and Violoncello, / Composed / And Inscribed to the Memory of / Jacob More Esqr. / By / Wm. SHIELD./ (Musician in Ordinary to His Majesty) / Entd. At Statn. Hall [rule] Price 10/6 / ADVERTISEMENT / These Trios were Composed chiefly for the abovementioned Celebrated Landscape Painter (in Rome) / And are Dedicated to his Memory as a Token of Gratitude for the Services he rendered the Author / during his Residence in that City. The movements which are written in the uncommon Time / of 5/4 have amused some of the most distinguished Professors both in England & Italy which / induces the Author to hope they will not be disagreeable to the Public at Large / Goodge Street, Jany. 1st 1796 / [rule] / London, Printed for the Author by Longman & Broderip, No.26, Cheapside & No.13, Haymarket. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$49.00
String Trio No. 6 in B flat major
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE
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Classique
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/ Wm
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William Shield
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Robert Hoskins
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String Trio No. 6 in B flat ma
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Artaria Editions
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SheetMusicPlus
String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1488232 Composed by William Shield. Arranged by Robert Hoskins. Classical. 36 pages. Artaria Editions...
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String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1488232 Composed by William Shield. Arranged by Robert Hoskins. Classical. 36 pages. Artaria Editions #1065119. Published by Artaria Editions (A0.1488232). Shield's Trios, written for a continental audience, are seminal works in the composer's output and mark a new level of compositional attainment in the English chamber music repertory. Technically, they contain a wide variety of ideas which are developed with great ingenuity through a wide range of keys, dynamic contrasts and timbral effects. Aesthetically, they blend 'popular' and 'learned' taste along with 'orchestral' splendour and 18th century notions of beauty. The Trios present a dazzling range of moods and style with each work demonstrating Shield's mastery of the idiom, both in his treatment of individual instruments and in the handling of textures. While there is no shortage of melody and accompaniment, in which the violin takes the lead, there are many memorable solos for the viola and the cello in its high register. The wide range of textures includes melodic decoration, dialogue, contrast of high and low register, legato and staccato, powerful unison and double octaves. Shield's ability to incorporate arioso-like melody, the prevailing 'symphonic' style and folk elements was largely achieved through the cross-generic requirements of English comic opera (a form to which Shield devoted himself during the whole of his creative career). In general, Shield's technique results in a firm control of the way music moves - with sometimes a surprising degree of stylistic restlessness and sometimes of unexpected plainness and simplicity. The trios Shield selected for publication were issued by Longman and Broderip, London, in January 1796 under the inspection of the composer. No autograph of these works survives and Longman and Broderip's printing, a copy of which is preserved in the Bodleian Library, Oxford, under the call number Mus.Instr.I 214(15), is the only source of this edition. The title page, with its dedicatory inscription, reads: Six / TRIOS / FOR / Violin, Tenor and Violoncello, / Composed / And Inscribed to the Memory of / Jacob More Esqr. / By / Wm. SHIELD./ (Musician in Ordinary to His Majesty) / Entd. At Statn. Hall [rule] Price 10/6 / ADVERTISEMENT / These Trios were Composed chiefly for the abovementioned Celebrated Landscape Painter (in Rome) / And are Dedicated to his Memory as a Token of Gratitude for the Services he rendered the Author / during his Residence in that City. The movements which are written in the uncommon Time / of 5/4 have amused some of the most distinguished Professors both in England & Italy which / induces the Author to hope they will not be disagreeable to the Public at Large / Goodge Street, Jany. 1st 1796 / [rule] / London, Printed for the Author by Longman & Broderip, No.26, Cheapside & No.13, Haymarket. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$49.00
String Trio No. 5 in C minor
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE
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Classique
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/ Wm
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William Shield
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Robert Hoskins
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String Trio No. 5 in C minor
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Artaria Editions
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SheetMusicPlus
String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1488231 Composed by William Shield. Arranged by Robert Hoskins. Classical. 23 pages. Artaria Editions...
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String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1488231 Composed by William Shield. Arranged by Robert Hoskins. Classical. 23 pages. Artaria Editions #1065118. Published by Artaria Editions (A0.1488231). Shield's Trios, written for a continental audience, are seminal works in the composer's output and mark a new level of compositional attainment in the English chamber music repertory. Technically, they contain a wide variety of ideas which are developed with great ingenuity through a wide range of keys, dynamic contrasts and timbral effects. Aesthetically, they blend 'popular' and 'learned' taste along with 'orchestral' splendour and 18th century notions of beauty. The Trios present a dazzling range of moods and style with each work demonstrating Shield's mastery of the idiom, both in his treatment of individual instruments and in the handling of textures. While there is no shortage of melody and accompaniment, in which the violin takes the lead, there are many memorable solos for the viola and the cello in its high register. The wide range of textures includes melodic decoration, dialogue, contrast of high and low register, legato and staccato, powerful unison and double octaves. Shield's ability to incorporate arioso-like melody, the prevailing 'symphonic' style and folk elements was largely achieved through the cross-generic requirements of English comic opera (a form to which Shield devoted himself during the whole of his creative career). In general, Shield's technique results in a firm control of the way music moves - with sometimes a surprising degree of stylistic restlessness and sometimes of unexpected plainness and simplicity. The trios Shield selected for publication were issued by Longman and Broderip, London, in January 1796 under the inspection of the composer. No autograph of these works survives and Longman and Broderip's printing, a copy of which is preserved in the Bodleian Library, Oxford, under the call number Mus.Instr.I 214(15), is the only source of this edition. The title page, with its dedicatory inscription, reads: Six / TRIOS / FOR / Violin, Tenor and Violoncello, / Composed / And Inscribed to the Memory of / Jacob More Esqr. / By / Wm. SHIELD./ (Musician in Ordinary to His Majesty) / Entd. At Statn. Hall [rule] Price 10/6 / ADVERTISEMENT / These Trios were Composed chiefly for the abovementioned Celebrated Landscape Painter (in Rome) / And are Dedicated to his Memory as a Token of Gratitude for the Services he rendered the Author / during his Residence in that City. The movements which are written in the uncommon Time / of 5/4 have amused some of the most distinguished Professors both in England & Italy which / induces the Author to hope they will not be disagreeable to the Public at Large / Goodge Street, Jany. 1st 1796 / [rule] / London, Printed for the Author by Longman & Broderip, No.26, Cheapside & No.13, Haymarket. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$49.00
String Trio No. 2 in D major
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Trio à Cordes: violon, alto, violoncelle
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Classique
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/ Wm
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William Shield
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Robert Hoskins
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String Trio No. 2 in D major
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Artaria Editions
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SheetMusicPlus
String Trio Cello,Viola,Violin - SKU: A0.1488225 Composed by William Shield. Arranged by Robert Hoskins. Classical. 37 pages. Artaria Editions #1065111....
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String Trio Cello,Viola,Violin - SKU: A0.1488225 Composed by William Shield. Arranged by Robert Hoskins. Classical. 37 pages. Artaria Editions #1065111. Published by Artaria Editions (A0.1488225). Shield's Trios, written for a continental audience, are seminal works in the composer's output and mark a new level of compositional attainment in the English chamber music repertory. Technically, they contain a wide variety of ideas which are developed with great ingenuity through a wide range of keys, dynamic contrasts and timbral effects. Aesthetically, they blend 'popular' and 'learned' taste along with 'orchestral' splendour and 18th century notions of beauty. The Trios present a dazzling range of moods and style with each work demonstrating Shield's mastery of the idiom, both in his treatment of individual instruments and in the handling of textures. While there is no shortage of melody and accompaniment, in which the violin takes the lead, there are many memorable solos for the viola and the cello in its high register. The wide range of textures includes melodic decoration, dialogue, contrast of high and low register, legato and staccato, powerful unison and double octaves. Shield's ability to incorporate arioso-like melody, the prevailing 'symphonic' style and folk elements was largely achieved through the cross-generic requirements of English comic opera (a form to which Shield devoted himself during the whole of his creative career). In general, Shield's technique results in a firm control of the way music moves - with sometimes a surprising degree of stylistic restlessness and sometimes of unexpected plainness and simplicity. The trios Shield selected for publication were issued by Longman and Broderip, London, in January 1796 under the inspection of the composer. No autograph of these works survives and Longman and Broderip's printing, a copy of which is preserved in the Bodleian Library, Oxford, under the call number Mus.Instr.I 214(15), is the only source of this edition. The title page, with its dedicatory inscription, reads: Six / TRIOS / FOR / Violin, Tenor and Violoncello, / Composed / And Inscribed to the Memory of / Jacob More Esqr. / By / Wm. SHIELD./ (Musician in Ordinary to His Majesty) / Entd. At Statn. Hall [rule] Price 10/6 / ADVERTISEMENT / These Trios were Composed chiefly for the abovementioned Celebrated Landscape Painter (in Rome) / And are Dedicated to his Memory as a Token of Gratitude for the Services he rendered the Author / during his Residence in that City. The movements which are written in the uncommon Time / of 5/4 have amused some of the most distinguished Professors both in England & Italy which / induces the Author to hope they will not be disagreeable to the Public at Large / Goodge Street, Jany. 1st 1796 / [rule] / London, Printed for the Author by Longman & Broderip, No.26, Cheapside & No.13, Haymarket. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$49.00
String Trio No.1 in E flat major
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE
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Classique
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/ Wm
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William Shield
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Robert Hoskins
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String Trio No.1 in E flat maj
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Artaria Editions
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SheetMusicPlus
String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1488224 Composed by William Shield. Arranged by Robert Hoskins. Classical. 24 pages. Artaria Editions...
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String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1488224 Composed by William Shield. Arranged by Robert Hoskins. Classical. 24 pages. Artaria Editions #1065110. Published by Artaria Editions (A0.1488224). The trios Shield selected for publication were issued by Longman and Broderip, London, in January 1796 under the inspection of the composer. No autograph of these works survives and Longman and Broderip's printing, a copy of which is preserved in the Bodleian Library, Oxford, under the call number Mus.Instr.I 214(15), is the only source of this edition. The title page, with its dedicatory inscription, reads: Six / TRIOS / FOR / Violin, Tenor and Violoncello, / Composed / And Inscribed to the Memory of / Jacob More Esqr. / By / Wm. SHIELD./ (Musician in Ordinary to His Majesty) / Entd. At Statn. Hall [rule] Price 10/6 / ADVERTISEMENT / These Trios were Composed chiefly for the abovementioned Celebrated Landscape Painter (in Rome) / And are Dedicated to his Memory as a Token of Gratitude for the Services he rendered the Author / during his Residence in that City. The movements which are written in the uncommon Time / of 5/4 have amused some of the most distinguished Professors both in England & Italy which / induces the Author to hope they will not be disagreeable to the Public at Large / Goodge Street, Jany. 1st 1796 / [rule] / London, Printed for the Author by Longman & Broderip, No.26, Cheapside & No.13, Haymarket. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$49.00
Eleanor Rigby
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Pop musique
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The Beatles
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Mattia Mugnai
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Evens Ltd
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Eleanor Rigby
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Matt80
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SheetMusicPlus
String Ensemble,String Trio Cello,Viola,Violin - Level 4 - SKU: A0.1205501 By The Beatles. By John Lennon and Paul McCartney. Arranged by Mattia Mugnai....
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String Ensemble,String Trio Cello,Viola,Violin - Level 4 - SKU: A0.1205501 By The Beatles. By John Lennon and Paul McCartney. Arranged by Mattia Mugnai. Pop. Score and parts. 9 pages. Matt80 #803702. Published by Matt80 (A0.1205501). Eleanor Rigby is a song by the English rock band the Beatles from their 1966 album Revolver. It was also issued on a double A-side single, paired with Yellow Submarine.The song continued the transformation of the Beatles from a mainly rock and roll- and pop-oriented act to a more experimental, studio-based band. With a double string quartet arrangement by George Martin and lyrics providing a narrative on loneliness, it broke sharply with popular music conventions, both musically and lyrically. Eleanor Rigby topped singles charts in Australia, Belgium, Canada and New Zealand.McCartney said that the idea to call his character Eleanor was possibly because of Eleanor Bron, the actress who starred with the Beatles in their 1965 film Help! Rigby came from the name of a store in Bristol, Rigby & Evens Ltd. McCartney noticed the store while visiting his girlfriend of the time, actress Jane Asher, during her run in the Bristol Old Vic's production of The Happiest Days of Your Life in January 1966. He recalled in 1984: I just liked the name. I was looking for a name that sounded natural. 'Eleanor Rigby' sounded natural. In the sting trio arrangement the beauty of this song is finely preserved, as much as it's original stucture.The file includes both score and parts.
$14.00
Kde Domov Muj?
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Trio à Cordes: violon, alto, violoncelle
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FACILE
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Contemporain
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Frantisek Jan Skroup
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Dominic Meccia
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Kde Domov Muj?
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Dominic Meccia
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SheetMusicPlus
String Ensemble,String Trio Cello,Viola,Violin - Level 2 - SKU: A0.705200 By Frantisek Jan Skroup. By Josef Kajetan Tyl. Arranged by Dominic Meccia. Con...
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String Ensemble,String Trio Cello,Viola,Violin - Level 2 - SKU: A0.705200 By Frantisek Jan Skroup. By Josef Kajetan Tyl. Arranged by Dominic Meccia. Contemporary. Score and parts. 5 pages. Dominic Meccia #6105627. Published by Dominic Meccia (A0.705200).
$12.99
Bull: Galliard for String Trio
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE
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Dr
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James M
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Bull: Galliard for String Trio
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jmsgu3
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SheetMusicPlus
String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1282833 Composed by Dr. John Bull. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival...
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String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1282833 Composed by Dr. John Bull. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Renaissance. 11 pages. Jmsgu3 #874076. Published by jmsgu3 (A0.1282833). John Bull was an English composer, organist, virginalist, and organ builder who lived from 1562/63 to 1628. He was educated as a chorister of the Chapel Royal in London and later became a doctor of music at the universities of both Oxford and Cambridge. Bull was one of the most famous composers of keyboard music of the early 17th century, and most of his compositions were written for the virginal, a keyboard instrument popular in the Renaissance period. He was known for his outstanding technical ability and keyboard virtuosity, and his music is distinguished by unfailing resourcefulness in devising new musical ideas. Bull's reputation rests on his extensive compositions for virginals and organ, some 150 extant pieces published in Musica Britannica. He was also one of the contributors to Parthenia, a collection of keyboard music published in 1611. Bull wrote an anthem, God the Father, God the Son, for the 1613 wedding of the princess and the Elector Palatine, in addition to his keyboard compositions, verse anthems, canons, and other works. Bull's music ranked among the foremost composers along with Byrd, Gibbons, and Tomkins.John Bull had several contemporaries who were also prominent composers during the Renaissance period. Some of these composers include:William Byrd: Byrd was an English composer and one of the most influential figures in English Renaissance music. He was a contemporary of John Bull and is considered one of the greatest composers of his time. Byrd's compositions include sacred choral music, keyboard works, and consort music.Orlando Gibbons: Gibbons was an English composer and organist who lived during the same period as John Bull. He was known for his sacred choral music, particularly his anthems and verse anthems. Gibbons' compositions are characterized by their expressive harmonies and intricate counterpoint.Thomas Tomkins: Tomkins was another English composer who was active during the same time as John Bull. He was known for his sacred choral music, including anthems and services. Tomkins' compositions are notable for their rich harmonies and expressive melodies.Jan Pieterszoon Sweelinck: Sweelinck was a Dutch composer and organist who was highly regarded during the Renaissance period. He was known for his keyboard music, particularly his variations and fantasias. Sweelinck's compositions had a significant influence on Bull and other composers of the time.These composers, along with John Bull, were influential figures in the development of Renaissance music and significantly contributed to the repertoire of keyboard and choral music during that era.
$24.95
Bull: Fantasia upon a Plainsong for String Trio
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE
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John Bull
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James M
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Bull: Fantasia upon a Plainson
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jmsgu3
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SheetMusicPlus
String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1283308 Composed by John Bull. Arranged by James M. Guthrie. Chamber,Early Music,Historic,Religious,R...
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String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1283308 Composed by John Bull. Arranged by James M. Guthrie. Chamber,Early Music,Historic,Religious,Renaissance. 12 pages. Jmsgu3 #874502. Published by jmsgu3 (A0.1283308). Fitzwilliam Virginal Book, XXXVIII.John Bull was an English composer, organist, virginalist, and organ builder who lived from 1562/63 to 1628. He was educated as a chorister of the Chapel Royal in London and later became a doctor of music at the universities of both Oxford and Cambridge. Bull was one of the most famous composers of keyboard music of the early 17th century, and most of his compositions were written for the virginal, a keyboard instrument popular in the Renaissance period. He was known for his outstanding technical ability and keyboard virtuosity, and his music is distinguished by unfailing resourcefulness in devising new musical ideas. Bull's reputation rests on his extensive compositions for virginals and organ, some 150 extant pieces published in Musica Britannica. He was also one of the contributors to Parthenia, a collection of keyboard music published in 1611. Bull wrote an anthem, God the Father, God the Son, for the 1613 wedding of the princess and the Elector Palatine, in addition to his keyboard compositions, verse anthems, canons, and other works. Bull's music ranked among the foremost composers along with Byrd, Gibbons, and Tomkins.John Bull had several contemporaries who were also prominent composers during the Renaissance period. Some of these composers include:William Byrd: Byrd was an English composer and one of the most influential figures in English Renaissance music. He was a contemporary of John Bull and is considered one of the greatest composers of his time. Byrd's compositions include sacred choral music, keyboard works, and consort music.Orlando Gibbons: Gibbons was an English composer and organist who lived during the same period as John Bull. He was known for his sacred choral music, particularly his anthems and verse anthems. Gibbons' compositions are characterized by their expressive harmonies and intricate counterpoint.Thomas Tomkins: Tomkins was another English composer who was active during the same time as John Bull. He was known for his sacred choral music, including anthems and services. Tomkins' compositions are notable for their rich harmonies and expressive melodies.Jan Pieterszoon Sweelinck: Sweelinck was a Dutch composer and organist who was highly regarded during the Renaissance period. He was known for his keyboard music, particularly his variations and fantasias. Sweelinck's compositions had a significant influence on Bull and other composers of the time.These composers, along with John Bull, were influential figures in the development of Renaissance music and significantly contributed to the repertoire of keyboard and choral music during that era.
$24.95
Bull: Christe Redemptor for String Trio
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE
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Dr
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James M
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Bull: Christe Redemptor for St
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jmsgu3
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SheetMusicPlus
String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1283457 Composed by Dr. John Bull. Arranged by James M. Guthrie. Chamber,Early Music,Historic,Religio...
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String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1283457 Composed by Dr. John Bull. Arranged by James M. Guthrie. Chamber,Early Music,Historic,Religious,Renaissance. 12 pages. Jmsgu3 #874639. Published by jmsgu3 (A0.1283457). Fitzwilliam Virginal Book CXXV.John Bull was an English composer, organist, virginalist, and organ builder who lived from 1562/63 to 1628. He was educated as a chorister of the Chapel Royal in London and later became a Doctor of Music at both Oxford and Cambridge Universities. Bull was one of the most famous composers of keyboard music of the early 17th century, and most of his compositions were written for the virginal, a keyboard instrument popular in the Renaissance period. He was known for his outstanding technical ability and keyboard virtuosity, and his music is distinguished by unfailing resourcefulness in devising new musical ideas. Bull's reputation rests on his extensive compositions for virginals and organ, some 150 extant pieces published in Musica Britannica. He was also one of the contributors to Parthenia, a collection of keyboard music published in 1611. Bull wrote an anthem, God the Father, God the Son, for the 1613 wedding of the princess and the Elector Palatine, in addition to his keyboard compositions, verse anthems, canons, and other works. Bull's music ranked among the foremost composers along with Byrd, Gibbons, and Tomkins.John Bull had several contemporaries who were also prominent composers during the Renaissance period. Some of these composers include:William Byrd: Byrd was an English composer and one of the most influential figures in English Renaissance music. He was a contemporary of John Bull and is considered one of the greatest composers of his time. Byrd's compositions include sacred choral music, keyboard works, and consort music.Orlando Gibbons: Gibbons was an English composer and organist who lived during the same period as John Bull. He was known for his sacred choral music, particularly his anthems and verse anthems. Gibbons' compositions are characterized by their expressive harmonies and intricate counterpoint.Thomas Tomkins: Tomkins was another English composer who was active during the same time as John Bull. He was known for his sacred choral music, including anthems and services. Tomkins' compositions are notable for their rich harmonies and expressive melodies.Jan Pieterszoon Sweelinck: Sweelinck was a Dutch composer and organist who was highly regarded during the Renaissance period. He was known for his keyboard music, particularly his variations and fantasias. Sweelinck's compositions had a significant influence on Bull and other composers of the time.These composers, along with John Bull, were influential figures in the development of Renaissance music and significantly contributed to the repertoire of keyboard and choral music during that era.
$24.95
Sweelinck: Praeludium Toccata XCVI for String Trio
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE
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J
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James M
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Sweelinck: Praeludium Toccata
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jmsgu3
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SheetMusicPlus
String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1286467 Composed by J. P. Sweelinck. Arranged by James M. Guthrie. Chamber,Early Music,Historic,Renai...
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String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1286467 Composed by J. P. Sweelinck. Arranged by James M. Guthrie. Chamber,Early Music,Historic,Renaissance,Wedding. 18 pages. Jmsgu3 #877523. Published by jmsgu3 (A0.1286467). Jan Pieterszoon Sweelinck was a Dutch organist and composer who lived from April 1562 to October 16, 1621. He was born and died in Amsterdam, Netherlands. Sweelinck's first published works date from around 1592-94, and he composed a variety of music, including chansons and keyboard music. He was known for his keyboard playing and was a teacher to German composers Samuel Scheidt and Heinrich Scheidemann.
$24.95
Bull: In Nomine for String Trio
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE
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Dr
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James M
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Bull: In Nomine for String Tri
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jmsgu3
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SheetMusicPlus
String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1282881 Composed by Dr. John Bull. Arranged by James M. Guthrie. Chamber,Christian,Historic,Religious...
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String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1282881 Composed by Dr. John Bull. Arranged by James M. Guthrie. Chamber,Christian,Historic,Religious,Renaissance. 9 pages. Jmsgu3 #874131. Published by jmsgu3 (A0.1282881). XXXVII from the Fitzwilliam Virginal Book.John Bull was an English composer, organist, virginalist, and organ builder who lived from 1562/63 to 1628. He was educated as a chorister of the Chapel Royal in London and later became a doctor of music at the universities of both Oxford and Cambridge. Bull was one of the most famous composers of keyboard music of the early 17th century, and most of his compositions were written for the virginal, a keyboard instrument popular in the Renaissance period. He was known for his outstanding technical ability and keyboard virtuosity, and his music is distinguished by unfailing resourcefulness in devising new musical ideas. Bull's reputation rests on his extensive compositions for virginals and organ, some 150 extant pieces published in Musica Britannica. He was also one of the contributors to Parthenia, a collection of keyboard music published in 1611. Bull wrote an anthem, God the Father, God the Son, for the 1613 wedding of the princess and the Elector Palatine, in addition to his keyboard compositions, verse anthems, canons, and other works. Bull's music ranked among the foremost composers along with Byrd, Gibbons, and Tomkins.John Bull had several contemporaries who were also prominent composers during the Renaissance period. Some of these composers include:William Byrd: Byrd was an English composer and one of the most influential figures in English Renaissance music. He was a contemporary of John Bull and is considered one of the greatest composers of his time. Byrd's compositions include sacred choral music, keyboard works, and consort music.Orlando Gibbons: Gibbons was an English composer and organist who lived during the same period as John Bull. He was known for his sacred choral music, particularly his anthems and verse anthems. Gibbons' compositions are characterized by their expressive harmonies and intricate counterpoint.Thomas Tomkins: Tomkins was another English composer who was active during the same time as John Bull. He was known for his sacred choral music, including anthems and services. Tomkins' compositions are notable for their rich harmonies and expressive melodies.Jan Pieterszoon Sweelinck: Sweelinck was a Dutch composer and organist who was highly regarded during the Renaissance period. He was known for his keyboard music, particularly his variations and fantasias. Sweelinck's compositions had a significant influence on Bull and other composers of the time.These composers, along with John Bull, were influential figures in the development of Renaissance music and significantly contributed to the repertoire of keyboard and choral music during that era.
$24.95
Bull: Fantasia CXIII for String Trio
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE
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Dr
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James M
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Bull: Fantasia CXIII for Strin
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jmsgu3
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SheetMusicPlus
String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1284518 Composed by Dr. John Bull. Arranged by James M. Guthrie. Chamber,Early Music,Historic,Renaiss...
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String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1284518 Composed by Dr. John Bull. Arranged by James M. Guthrie. Chamber,Early Music,Historic,Renaissance,Wedding. 16 pages. Jmsgu3 #875691. Published by jmsgu3 (A0.1284518). John Bull was an English composer, organist, virginalist, and organ builder who lived from 1562/63 to 1628. He was educated as a chorister of the Chapel Royal in London and later became a Doctor of Music at both Oxford and Cambridge Universities. Bull was one of the most famous composers of keyboard music of the early 17th century, and most of his compositions were written for the virginal, a keyboard instrument popular in the Renaissance period. He was known for his outstanding technical ability and keyboard virtuosity, and his music is distinguished by unfailing resourcefulness in devising new musical ideas. Bull's reputation rests on his extensive compositions for virginals and organ, some 150 extant pieces published in Musica Britannica. He was also one of the contributors to Parthenia, a collection of keyboard music published in 1611. Bull wrote an anthem, God the Father, God the Son, for the 1613 wedding of the princess and the Elector Palatine, in addition to his keyboard compositions, verse anthems, canons, and other works. Bull's music ranked among the foremost composers along with Byrd, Gibbons, and Tomkins.John Bull had several contemporaries who were also prominent composers during the Renaissance period. Some of these composers include:William Byrd: Byrd was an English composer and one of the most influential figures in English Renaissance music. He was a contemporary of John Bull and is considered one of the greatest composers of his time. Byrd's compositions include sacred choral music, keyboard works, and consort music.Orlando Gibbons: Gibbons was an English composer and organist who lived during the same period as John Bull. He was known for his sacred choral music, particularly his anthems and verse anthems. Gibbons' compositions are characterized by their expressive harmonies and intricate counterpoint.Thomas Tomkins: Tomkins was another English composer who was active during the same time as John Bull. He was known for his sacred choral music, including anthems and services. Tomkins' compositions are notable for their rich harmonies and expressive melodies.Jan Pieterszoon Sweelinck: Sweelinck was a Dutch composer and organist who was highly regarded during the Renaissance period. He was known for his keyboard music, particularly his variations and fantasias. Sweelinck's compositions had a significant influence on Bull and other composers of the time.These composers, along with John Bull, were influential figures in the development of Renaissance music and significantly contributed to the repertoire of keyboard and choral music during that era.
$24.95
He Arose (String Trio): Violin, Viola and Cello
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE
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Musique Sacrée
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Robert Lowry, Ignaz Jan Padere
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John A
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He Arose
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John A. Dempsey
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SheetMusicPlus
String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1357784 Composed by Robert Lowry, Ignaz Jan Paderewski. Arranged by John A. Dempsey. Christian,Easter...
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String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1357784 Composed by Robert Lowry, Ignaz Jan Paderewski. Arranged by John A. Dempsey. Christian,Easter,Holiday,Sacred,Traditional. 16 pages. John A. Dempsey #942286. Published by John A. Dempsey (A0.1357784). Also known as Low in the Grave He Lay and Hallelujah, Christ Arose, this string trio for violin, viola and cello celebrates Easter with a musical sojourn that's varied, sparkling and alive with both the solace and elation of the season. Â This hymn arrangement, complete with mood and tempo changes, is filled with moments of quiet beauty, prayerful reflection and joyful thanksgiving. Â The serene incidental music is from a Paderewski nocturne. Â Recommended for traditional church services and other worship events, including Good Friday services and Easter sunrise worship, as a prelude, postlude, an offertory, interlude and special music. Â 12 pages of music (that includes separate two-page parts for each instrument). Â Key: C major.
$9.99
Bull: Gloria tibi trinitas for String Trio
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Dr
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James M
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Bull: Gloria tibi trinitas for
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jmsgu3
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SheetMusicPlus
String Trio Cello,Viola,Violin - Level 4 - SKU: A0.1284572 Composed by Dr. John Bull. Arranged by James M. Guthrie. Chamber,Christian,Religious,Renaissa...
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String Trio Cello,Viola,Violin - Level 4 - SKU: A0.1284572 Composed by Dr. John Bull. Arranged by James M. Guthrie. Chamber,Christian,Religious,Renaissance,Wedding. 12 pages. Jmsgu3 #875746. Published by jmsgu3 (A0.1284572). John Bull was an English composer, organist, virginalist, and organ builder who lived from 1562/63 to 1628. He was educated as a chorister of the Chapel Royal in London and later became a Doctor of Music at both Oxford and Cambridge Universities. Bull was one of the most famous composers of keyboard music of the early 17th century, and most of his compositions were written for the virginal, a keyboard instrument popular in the Renaissance period. He was known for his outstanding technical ability and keyboard virtuosity, and his music is distinguished by unfailing resourcefulness in devising new musical ideas. Bull's reputation rests on his extensive compositions for virginals and organ, some 150 extant pieces published in Musica Britannica. He was also one of the contributors to Parthenia, a collection of keyboard music published in 1611. Bull wrote an anthem, God the Father, God the Son, for the 1613 wedding of the princess and the Elector Palatine, in addition to his keyboard compositions, verse anthems, canons, and other works. Bull's music ranked among the foremost composers along with Byrd, Gibbons, and Tomkins.John Bull had several contemporaries who were also prominent composers during the Renaissance period. Some of these composers include:William Byrd: Byrd was an English composer and one of the most influential figures in English Renaissance music. He was a contemporary of John Bull and is considered one of the greatest composers of his time. Byrd's compositions include sacred choral music, keyboard works, and consort music.Orlando Gibbons: Gibbons was an English composer and organist who lived during the same period as John Bull. He was known for his sacred choral music, particularly his anthems and verse anthems. Gibbons' compositions are characterized by their expressive harmonies and intricate counterpoint.Thomas Tomkins: Tomkins was another English composer who was active during the same time as John Bull. He was known for his sacred choral music, including anthems and services. Tomkins' compositions are notable for their rich harmonies and expressive melodies.Jan Pieterszoon Sweelinck: Sweelinck was a Dutch composer and organist who was highly regarded during the Renaissance period. He was known for his keyboard music, particularly his variations and fantasias. Sweelinck's compositions had a significant influence on Bull and other composers of the time.These composers, along with John Bull, were influential figures in the development of Renaissance music and significantly contributed to the repertoire of keyboard and choral music during that era.
$24.95
Bull: Dr. Bull's Juell for String Trio
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Trio à Cordes: violon, alto, violoncelle
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FACILE
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Dr
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James M
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Bull: Dr. Bull's Juell for Str
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jmsgu3
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SheetMusicPlus
String Trio Cello,Viola,Violin - Level 2 - SKU: A0.1283915 Composed by Dr. John Bull. Arranged by James M. Guthrie. Chamber,Early Music,Historic,Renaiss...
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String Trio Cello,Viola,Violin - Level 2 - SKU: A0.1283915 Composed by Dr. John Bull. Arranged by James M. Guthrie. Chamber,Early Music,Historic,Renaissance,Wedding. 10 pages. Jmsgu3 #875096. Published by jmsgu3 (A0.1283915). Fitzwilliam Virginal Book CXXXVIII.John Bull was an English composer, organist, virginalist, and organ builder who lived from 1562/63 to 1628. He was educated as a chorister of the Chapel Royal in London and later became a Doctor of Music at both Oxford and Cambridge Universities. Bull was one of the most famous composers of keyboard music of the early 17th century, and most of his compositions were written for the virginal, a keyboard instrument popular in the Renaissance period. He was known for his outstanding technical ability and keyboard virtuosity, and his music is distinguished by unfailing resourcefulness in devising new musical ideas. Bull's reputation rests on his extensive compositions for virginals and organ, some 150 extant pieces published in Musica Britannica. He was also one of the contributors to Parthenia, a collection of keyboard music published in 1611. Bull wrote an anthem, God the Father, God the Son, for the 1613 wedding of the princess and the Elector Palatine, in addition to his keyboard compositions, verse anthems, canons, and other works. Bull's music ranked among the foremost composers along with Byrd, Gibbons, and Tomkins.John Bull had several contemporaries who were also prominent composers during the Renaissance period. Some of these composers include:William Byrd: Byrd was an English composer and one of the most influential figures in English Renaissance music. He was a contemporary of John Bull and is considered one of the greatest composers of his time. Byrd's compositions include sacred choral music, keyboard works, and consort music.Orlando Gibbons: Gibbons was an English composer and organist who lived during the same period as John Bull. He was known for his sacred choral music, particularly his anthems and verse anthems. Gibbons' compositions are characterized by their expressive harmonies and intricate counterpoint.Thomas Tomkins: Tomkins was another English composer who was active during the same time as John Bull. He was known for his sacred choral music, including anthems and services. Tomkins' compositions are notable for their rich harmonies and expressive melodies.Jan Pieterszoon Sweelinck: Sweelinck was a Dutch composer and organist who was highly regarded during the Renaissance period. He was known for his keyboard music, particularly his variations and fantasias. Sweelinck's compositions had a significant influence on Bull and other composers of the time.These composers, along with John Bull, were influential figures in the development of Renaissance music and significantly contributed to the repertoire of keyboard and choral music during that era.
$24.95
How Far I'll Go
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Film/TV
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Takida
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Fabio Britto
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How Far I'll Go
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SheetMusicPlus
By Takida. By Christian Bror Rehn, Robert Karl Pettersson, Thomas Jan Vallin, and Lin- Manuel Miranda (1980-). Arranged by Fabio Britto. Film/TV, Pop, ...
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By Takida. By Christian Bror Rehn, Robert Karl Pettersson, Thomas Jan Vallin, and Lin- Manuel Miranda (1980-). Arranged by Fabio Britto. Film/TV, Pop, Wedding. Score and parts. 9 pages. Minhas Partituras #6691593. Published by Minhas Partituras
$12.99
Beethoven 7th 2.Mov. String trio
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Trio à Cordes: violon, alto, violoncelle
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Classique
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Ludwig van Beethoven
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Alejandra Navarro
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Beethoven 7th 2.Mov. String tr
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Alejandra Navarro
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SheetMusicPlus
String Ensemble,String Trio Cello,Viola,Violin - SKU: A0.996702 Composed by Ludwig van Beethoven. Arranged by Alejandra Navarro. Romantic Period. Score ...
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String Ensemble,String Trio Cello,Viola,Violin - SKU: A0.996702 Composed by Ludwig van Beethoven. Arranged by Alejandra Navarro. Romantic Period. Score and parts. 5 pages. Alejandra Navarro #5017547. Published by Alejandra Navarro (A0.996702).
$3.00
Song of the Sea for Intermediate String Trio
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE
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Janice Malan
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Song of the Sea for Intermedia
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Janice Malan
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SheetMusicPlus
String Ensemble,String Trio Cello,Viola,Violin - Level 3 - SKU: A0.509287 Composed by Janice Malan. Concert,Standards. Score and parts. 7 pages. Janice ...
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String Ensemble,String Trio Cello,Viola,Violin - Level 3 - SKU: A0.509287 Composed by Janice Malan. Concert,Standards. Score and parts. 7 pages. Janice Malan #6364123. Published by Janice Malan (A0.509287). This original Sea Song introduces the intermediate string students to the Theme and Variation form. The last note is a harmonic in both parts which introduces the young players to a softer touch and new sound. The melody is smooth with long bows and the cello has eighth notes rolling back and forth like the sea. Enjoy!
$7.99
Illusions for Intermediate String Trio
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE
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Janice Malan
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Illusions for Intermediate Str
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Janice Malan
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SheetMusicPlus
String Ensemble,String Trio Cello,Viola,Violin - Level 3 - SKU: A0.509260 Composed by Janice Malan. Instructional,Standards. Score and parts. 7 pages. J...
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String Ensemble,String Trio Cello,Viola,Violin - Level 3 - SKU: A0.509260 Composed by Janice Malan. Instructional,Standards. Score and parts. 7 pages. Janice Malan #5896635. Published by Janice Malan (A0.509260). Illusions begins with the violin and viola in canonic form then splits into harmony. The cello begins joining in for a full sound then ends with the viola alone. Great experience playing largo with long continuous bowing and expressive mood with practice in vibrato methods. This piece has one measure in third position which is a good practice for your violinist to begin work in the positions. Before playing this piece, practice the F scale in whole notes with long, slow bows. .
$9.99
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