English version
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Jan A
Sheetmusicplus
Non classifié
825
Piano & claviers
Piano seul
1 157
Piano, Voix
238
Piano Facile
218
Piano, Voix et Guitare
116
Orgue
79
Instruments en Do
75
1 Piano, 4 mains
27
Piano grosses notes
10
Accordéon
8
Piano Trio: piano, violon, violoncelle
6
Piano (partie séparée)
4
Accompagnement Piano
4
2 Pianos, 4 mains
3
Piano Quintette: piano, 2 violons, alto, violoncelle
3
Clavecin
1
1 Piano, 6 mains
1
Orgue, Piano (duo)
1
Piano Quatuor: piano, 2 violons, violoncelle
1
+ 13 instrumentations
Retracter
Guitares
Guitare
77
Guitare notes et tablatures
57
Ligne De Mélodie, (Paroles) et Accords
30
Basse electrique
9
2 Guitares (duo)
8
Ukulele
7
Guitare (partie séparée)
5
Banjo
3
Piano, Guitare (duo)
3
4 Guitares (Quatuor)
2
Paroles et Accords
2
Dulcimer
1
Mandoline
1
+ 8 instrumentations
Retracter
Voix
Chorale SATB
445
Chorale 3 parties
135
Chorale SSAA
84
Chorale 2 parties
73
Chorale TTBB
39
Chorale Unison
23
Voix Baryton, Piano
8
Voix haute
6
Voix duo, Piano
6
Voix Soprano, Piano
6
Chorale
5
Voix seule
4
Chorale SSAATTBB
3
Voix Alto, Piano
3
Voix Tenor, Piano
2
Pack Instrumental pour Chorale
2
Chorale SSATB
1
Voix moyenne, Piano
1
Voix Mezzo-Soprano, Piano
1
Voix duo
1
Voix Tenor
1
Chorale SSAATB
1
Voix basse, Piano
1
Voix, Guitare
1
+ 19 instrumentations
Retracter
Vents
Flûte traversière et Piano
92
Clarinette et Piano
65
Saxophone Alto et Piano
55
Flûte traversière
47
Quatuor de Saxophones: 4 saxophones
47
Saxophone Alto
43
Hautbois, Piano (duo)
42
Saxophone Tenor et Piano
41
Saxophone (partie séparée)
41
Saxophone Tenor
40
2 Saxophones (duo)
38
Flûte, Violon, Piano
33
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
33
Saxophone Soprano et Piano
31
Quatuor de Clarinettes: 4 clarinettes
27
Flûte, Hautbois, Clarinette, Basson
27
Clarinette
24
2 Clarinettes (duo)
24
Quintette de Saxophone: 5 saxophones
20
Saxophone, Clarinette (duo)
18
3 Saxophones (trio)
16
Cor anglais, Piano
15
2 Flûtes traversières (duo)
11
Clarinette, Trompette (duo)
11
Quatuor de Flûtes : 4 flûtes
11
3 Clarinettes (trio)
10
Ensemble de Clarinettes
10
Quintette de Clarinettes: 5 clarinettes
10
Flûte et Guitare
10
Clarinette, Violon (duo)
9
Saxophone
9
Flûte, Clarinette (duo)
9
Hautbois (partie séparée)
9
Ensemble de saxophones
7
Clarinette Basse, Piano
7
Trio de Flûtes: 3 flûtes
7
Saxophone Baryton, Piano
7
Cor Anglais
6
Hautbois, Flûte
6
Clarinette et Alto
6
Hautbois, Clarinette (duo)
6
Clarinette (partie séparée)
6
Flûte à bec Soprano
5
Flûte, Hautbois, Clarinette (trio)
5
Flûte, Saxophone (duo)
5
Quintette de Flûte : 5 flûtes
5
Clarinette, Guitare (duo)
5
Hautbois, Basson (duo)
4
2 Hautbois (duo)
4
Ensemble De Flûte à bec
4
Flûte, Violon
4
Flute (partie séparée)
4
Quatuor de Flûtes à bec
4
Flûte, Trompette (duo)
4
Saxophone Soprano
4
2 Clarinettes, Piano
4
2 Flûte à bec (duo)
3
Flûte, Alto (duo)
3
2 Flûtes traversières, Piano
3
Flûte à bec Alto
3
Clarinette, Basson (duo)
3
Hautbois, Guitare (duo)
2
Flute, harpe et violon
2
Hautbois, Clarinette, Basson (trio d'anches)
2
Flûte à Bec
2
Flûte à bec Soprano, Piano
2
Flûte à bec Tenor
2
Flûte, Clarinette, Piano (trio)
2
Flûte, Violoncelle
2
Ensemble de Flûtes
2
Clarinette, Harpe (duo)
1
Flûte, Hautbois, Piano (trio)
1
Flûte, alto et harpe
1
Flûte, Basson et Piano
1
Saxophone et Guitare
1
Flûte, Violon et Violoncelle
1
Flûte, Clarinette et Basson
1
Flûte et Trio à cordes
1
Flûte traversière, Orgue (duo)
1
Piccolo, Piano
1
Clarinette, trompette et piano
1
3 Flûtes à bec (trio)
1
Flûte, Alto et Piano
1
Flûte, Violon, Violoncelle et Piano
1
Cor anglais et Harpe (duo)
1
5 Flûtes à bec
1
Flûte de Pan
1
Saxophone et Orgue
1
Cor anglais, Guitare (duo)
1
Hautbois
1
2 Saxophones, Piano
1
Ensemble de Hautbois
1
Flûte, Violoncelle, Piano (trio)
1
+ 88 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
47
Trompette
46
Trombone
38
Trombone et Piano
35
Trompette, Piano
27
Quatuor de Cuivres : 2 trompettes, trombone, tuba
26
Cor et Piano
19
Trompette (partie séparée)
16
Cor anglais, Piano
15
Trombone (partie séparée)
12
Trompette, Saxophone (duo)
12
2 Trombones (duo)
8
Trompette, Trombone (duo)
8
Cor
8
Quatuor de cuivres: 4 trombones
8
Euphonium, Piano (duo)
7
2 Trompettes (duo)
7
Cor Anglais
6
Ensemble de Trombones
5
Tuba
5
Trio de Cuivres
5
Tuba et Orgue
5
Euphonium
5
Tuba et Piano
5
Ensemble de Trompettes
3
Cor (partie séparée)
3
Quatuor de cuivres: 4 cors
3
Trompette, Cor (duo)
2
Euphonium (partie séparée)
2
Ensemble de Cors
2
2 Tubas (duo)
2
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
Quatuor de Cuivres
2
Tuba (partie séparée)
2
2 Cors (duo)
2
Trompette, Trombone, Piano
1
Euphonium, Tuba (duo)
1
Quatuor de cuivres: 4 trompettes
1
Ensemble de Tubas
1
4 Tubas
1
3 Tubas (trio)
1
Cor et Orgue
1
3 Trombones (trio)
1
3 Cors (trio)
1
Cor anglais et Harpe (duo)
1
Cor anglais, Guitare (duo)
1
Trombone basse et Piano
1
2 Euphoniums et 2 Tubas
1
Trompette, Euphonium (duo)
1
+ 44 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
156
Harpe
137
Violon et Piano
104
Violon
75
Violoncelle, Piano
51
Alto, Piano
45
Violoncelle
40
Trio à Cordes: violon, alto, violoncelle
26
2 Violons (duo)
24
Alto seul
20
Violon (partie séparée)
20
Violon, Violoncelle (duo)
18
Violon, Alto (duo)
11
2 Altos (duo)
11
2 Violoncelles (duo)
11
Contre Basse
10
Contrebasse (partie séparée)
9
Alto (partie séparée)
8
Violoncelle (partie séparée)
6
Contrebasse, Piano (duo)
6
Violon, Guitare (duo)
6
4 Violoncelles
6
Harpe, Flûte (duo)
5
Quintette à cordes: 2 violons, alto, violoncelle, basse
4
Harpe, Voix
4
Trio à Cordes: 2 violons, violoncelle
3
Trio à cordes: 3 violins
3
Alto, Guitare (duo)
3
Quatuor à cordes: 4 violons
3
Alto, Violoncelle (duo)
2
Trio à Cordes: 3 violoncelles
2
Trio à cordes: 3 altos
2
Violoncelle , Guitare (duo)
2
Quatuor à cordes : 4 altos
2
Violon, Clarinette, Piano (trio)
1
Harpe, Trombone (duo)
1
Harpe, Violon (duo)
1
Ensemble de Violons
1
Harpe, Violoncelle (duo)
1
2 Harpes (duo)
1
Ensemble d'Altos
1
4 Contrebasses
1
Harpe et Piano
1
Violoncelle, Contrebasse (duo)
1
+ 39 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
158
Orchestre à Cordes
102
Orchestre
62
Ensemble Jazz
48
Ensemble de cuivres
38
Orchestre de chambre
32
Cloches
13
Fanfare
7
Batterie
6
Marimba
5
Batterie (partie séparée)
4
Ensemble de Percussions
4
Jazz combo
3
Piano et Orchestre
1
2 Marimbas
1
Timbales (partie séparée)
1
Timbales
1
Vibraphone
1
Xylophone, Piano
1
+ 14 instrumentations
Retracter
Autres
Partitions Gratuites
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
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Musicnotes
Note4Piano
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Partitions à imprimer
26 partitions trouvées
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String Trio No. 3 in A major
Trio à Cordes: violon, alto, violoncelle
String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1488228 Compose…
(+)
String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1488228 Composed by William Shield. Arranged by Robert Hoskins. Classical. 27 pages. Artaria Editions #1065115. Published by Artaria Editions (A0.1488228). Shield's Trios, written for a continental audience, are seminal works in the composer's output and mark a new level of compositional attainment in the English chamber music repertory. Technically, they contain a wide variety of ideas which are developed with great ingenuity through a wide range of keys, dynamic contrasts and timbral effects. Aesthetically, they blend 'popular' and 'learned' taste along with 'orchestral' splendour and 18th century notions of beauty. The Trios present a dazzling range of moods and style with each work demonstrating Shield's mastery of the idiom, both in his treatment of individual instruments and in the handling of textures. While there is no shortage of melody and accompaniment, in which the violin takes the lead, there are many memorable solos for the viola and the cello in its high register. The wide range of textures includes melodic decoration, dialogue, contrast of high and low register, legato and staccato, powerful unison and double octaves. Shield's ability to incorporate arioso-like melody, the prevailing 'symphonic' style and folk elements was largely achieved through the cross-generic requirements of English comic opera (a form to which Shield devoted himself during the whole of his creative career). In general, Shield's technique results in a firm control of the way music moves - with sometimes a surprising degree of stylistic restlessness and sometimes of unexpected plainness and simplicity. The trios Shield selected for publication were issued by Longman and Broderip, London, in January 1796 under the inspection of the composer. No autograph of these works survives and Longman and Broderip's printing, a copy of which is preserved in the Bodleian Library, Oxford, under the call number Mus.Instr.I 214(15), is the only source of this edition. The title page, with its dedicatory inscription, reads: Six / TRIOS / FOR / Violin, Tenor and Violoncello, / Composed / And Inscribed to the Memory of / Jacob More Esqr. / By / Wm. SHIELD./ (Musician in Ordinary to His Majesty) / Entd. At Statn. Hall [rule] Price 10/6 / ADVERTISEMENT / These Trios were Composed chiefly for the abovementioned Celebrated Landscape Painter (in Rome) / And are Dedicated to his Memory as a Token of Gratitude for the Services he rendered the Author / during his Residence in that City. The movements which are written in the uncommon Time / of 5/4 have amused some of the most distinguished Professors both in England & Italy which / induces the Author to hope they will not be disagreeable to the Public at Large / Goodge Street, Jany. 1st 1796 / [rule] / London, Printed for the Author by Longman & Broderip, No.26, Cheapside & No.13, Haymarket. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$49.00
45.17 €
#
Trio à Cordes: violon, alto, violoncelle
#
/ Wm
#
William Shield
#
Robert Hoskins
#
String Trio No. 3 in A major
#
Artaria Editions
#
SheetMusicPlus
Bull: Fantasia upon a Plainsong for String Trio
Trio à Cordes: violon, alto, violoncelle
String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1283308 Compose…
(+)
String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1283308 Composed by John Bull. Arranged by James M. Guthrie. Chamber,Early Music,Historic,Religious,Renaissance. 12 pages. Jmsgu3 #874502. Published by jmsgu3 (A0.1283308). Fitzwilliam Virginal Book, XXXVIII.John Bull was an English composer, organist, virginalist, and organ builder who lived from 1562/63 to 1628. He was educated as a chorister of the Chapel Royal in London and later became a doctor of music at the universities of both Oxford and Cambridge. Bull was one of the most famous composers of keyboard music of the early 17th century, and most of his compositions were written for the virginal, a keyboard instrument popular in the Renaissance period. He was known for his outstanding technical ability and keyboard virtuosity, and his music is distinguished by unfailing resourcefulness in devising new musical ideas. Bull's reputation rests on his extensive compositions for virginals and organ, some 150 extant pieces published in Musica Britannica. He was also one of the contributors to Parthenia, a collection of keyboard music published in 1611. Bull wrote an anthem, God the Father, God the Son, for the 1613 wedding of the princess and the Elector Palatine, in addition to his keyboard compositions, verse anthems, canons, and other works. Bull's music ranked among the foremost composers along with Byrd, Gibbons, and Tomkins.John Bull had several contemporaries who were also prominent composers during the Renaissance period. Some of these composers include:William Byrd: Byrd was an English composer and one of the most influential figures in English Renaissance music. He was a contemporary of John Bull and is considered one of the greatest composers of his time. Byrd's compositions include sacred choral music, keyboard works, and consort music.Orlando Gibbons: Gibbons was an English composer and organist who lived during the same period as John Bull. He was known for his sacred choral music, particularly his anthems and verse anthems. Gibbons' compositions are characterized by their expressive harmonies and intricate counterpoint.Thomas Tomkins: Tomkins was another English composer who was active during the same time as John Bull. He was known for his sacred choral music, including anthems and services. Tomkins' compositions are notable for their rich harmonies and expressive melodies.Jan Pieterszoon Sweelinck: Sweelinck was a Dutch composer and organist who was highly regarded during the Renaissance period. He was known for his keyboard music, particularly his variations and fantasias. Sweelinck's compositions had a significant influence on Bull and other composers of the time.These composers, along with John Bull, were influential figures in the development of Renaissance music and significantly contributed to the repertoire of keyboard and choral music during that era.
$24.95
23 €
#
Trio à Cordes: violon, alto, violoncelle
#
John Bull
#
James M
#
Bull: Fantasia upon a Plainsong for String Trio
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jmsgu3
#
SheetMusicPlus
Alejandro
Trio à Cordes: violon, alto, violoncelle
String Ensemble,String Trio - Level 3 - Digital Download SKU: A0.716141 By Lady Gag…
(+)
String Ensemble,String Trio - Level 3 - Digital Download SKU: A0.716141 By Lady Gaga. By Nadir Khayat and Stefani Germanotta. Arranged by Lena Seeger. Pop. Score and parts. 13 pages. Lena A Seeger #3561955. Published by Lena A Seeger (A0.716141). The europop song by Lady Gaga, arranged for string trio: violin, viola, and cello.
$12.99
11.98 €
#
Trio à Cordes: violon, alto, violoncelle
#
Lady Gaga
#
Lena Seeger
#
Alejandro
#
Lena A Seeger
#
SheetMusicPlus
Alejandro
Trio à Cordes: violon, alto, violoncelle
String Ensemble,String Trio - Level 3 - Digital Download SKU: A0.716143 By Lady Gag…
(+)
String Ensemble,String Trio - Level 3 - Digital Download SKU: A0.716143 By Lady Gaga. By Nadir Khayat and Stefani Germanotta. Arranged by Lena Seeger. Pop. Score and parts. 13 pages. Lena A Seeger #3562177. Published by Lena A Seeger (A0.716143). Europop song by Lady Gaga, arranged for modified string trio: two violins and cello.
$12.99
11.98 €
#
Trio à Cordes: violon, alto, violoncelle
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Lady Gaga
#
Lena Seeger
#
Alejandro
#
Lena A Seeger
#
SheetMusicPlus
Mozart: Piano Sonata No.11 in A K331. Mvt. III Rondo Alla Turca (Turkish March) - string trio
Trio à Cordes: violon, alto, violoncelle
String Ensemble,String Trio Cello,Viola,Violin - Level 4 - Digital Download SKU: A0.553…
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String Ensemble,String Trio Cello,Viola,Violin - Level 4 - Digital Download SKU: A0.553709 Composed by Wolfgang Amadeus Mozart. Arranged by Ray Thompson. Classical,Holiday,Standards,Wedding. Score and parts. 8 pages. RayThompsonMusic #3532731. Published by RayThompsonMusic (A0.553709). The last movement of this Piano Sonata:Alla Turca, popularly known as the Turkish March, is often heard on its own and is one of Mozart's best-known piano pieces; it was Mozart himself who titled the rondo Alla Turca. It imitates the sound of Turkish Janissary bands, the music of which was much in vogue at that time. Various other works of the time imitate this Turkish style, including Mozart's own opera Die Entführung aus dem Serail. In Mozart's time, the last movement was sometimes performed on pianos built with a Turkish stop, allowing it to be embellished with extra percussion effects. I have have added additional voicings throughout. The end section has an optional 8va for the 1st player...this will give the authentic Turkish feel, if you're brave enough to do it....LOUD!! Plenty of scales for 1st and 2nd, but fun for all the players!! Arranged for violin, viola and cello with alternative parts for 2.viola (2.vln) and 2.cello (3.vla)
$9.95
9.17 €
#
Trio à Cordes: violon, alto, violoncelle
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Wolfgang Amadeus Mozart
#
Ray Thompson
#
Mozart: Piano Sonata No.11 in A K331. Mvt. III Rondo Alla Turca
#
RayThompsonMusic
#
SheetMusicPlus
Fan Tan
Trio à Cordes: violon, alto, violoncelle
String Ensemble Cello,Viola,Violin - Level 5 - Digital Download SKU: A0.1414111 By …
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String Ensemble Cello,Viola,Violin - Level 5 - Digital Download SKU: A0.1414111 By Jan and Dean. By Don Altfeld, Jan Berry, and Jill Gibson. Arranged by Jan Berry and George Tipton. 20th Century,Classical,Pop,Rock. 10 pages. Fiji Printing #995880. Published by Fiji Printing (A0.1414111). Fan Tan — String Sextet from Carnival of Sound.Jan Berry and George Tipton's original music score, used by Wrecking Crew studio musicians to record the original track in 1967. Extracted from the full music score for Fan Tan. This sophisticated string arrangement picks up where Pop Symphony left off in 1965. Transcribed by Mark A. Moore from Jan Berry's music archive, in association with his estate. Moore is the author of Dead Man’s Curve: The Rock ‘n’ Roll Life of Jan Berry (McFarland 2021) and The Jan & Dan Record (McFarland 2016).Fiji Printing #14. Distributed by ArrangeMe and the Hal Leonard Corporation.Perfect for string sections that want to tackle a challenging piece that merges classical music with the burgeoning Psychedelic era of 1967.Full Music Score and Individual Charts:STRINGS: Violin 1-2; Viola 1-2; Cello 1-2.Publication includes: (1) Illustrated cover page; (2) Introductory text with commentary on Fan Tan, the Carnival of Sound LP,  and the musicians who performed on it; (3) Song chronology with recording session details; (4) Full music score; (5) Individual charts for each part in the music score; and (6) Illustrations, including images from Jan Berry’s music archive.10 Pages; 10 x 14Learn more about Jan Berry and Jan & Dean: https://jananddean-janberry.com/
$12.99
11.98 €
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Trio à Cordes: violon, alto, violoncelle
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Jan and Dean
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Jan Berry and George Tipton
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Fan Tan
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Fiji Printing
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SheetMusicPlus
String Trio No. 4 in E major
Trio à Cordes: violon, alto, violoncelle
String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1488229 Compose…
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String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1488229 Composed by William Shield. Arranged by Robert Hoskins. Classical. 24 pages. Artaria Editions #1065116. Published by Artaria Editions (A0.1488229). Shield's Trios, written for a continental audience, are seminal works in the composer's output and mark a new level of compositional attainment in the English chamber music repertory. Technically, they contain a wide variety of ideas which are developed with great ingenuity through a wide range of keys, dynamic contrasts and timbral effects. Aesthetically, they blend 'popular' and 'learned' taste along with 'orchestral' splendour and 18th century notions of beauty. The Trios present a dazzling range of moods and style with each work demonstrating Shield's mastery of the idiom, both in his treatment of individual instruments and in the handling of textures. While there is no shortage of melody and accompaniment, in which the violin takes the lead, there are many memorable solos for the viola and the cello in its high register. The wide range of textures includes melodic decoration, dialogue, contrast of high and low register, legato and staccato, powerful unison and double octaves. Shield's ability to incorporate arioso-like melody, the prevailing 'symphonic' style and folk elements was largely achieved through the cross-generic requirements of English comic opera (a form to which Shield devoted himself during the whole of his creative career). In general, Shield's technique results in a firm control of the way music moves - with sometimes a surprising degree of stylistic restlessness and sometimes of unexpected plainness and simplicity. The trios Shield selected for publication were issued by Longman and Broderip, London, in January 1796 under the inspection of the composer. No autograph of these works survives and Longman and Broderip's printing, a copy of which is preserved in the Bodleian Library, Oxford, under the call number Mus.Instr.I 214(15), is the only source of this edition. The title page, with its dedicatory inscription, reads: Six / TRIOS / FOR / Violin, Tenor and Violoncello, / Composed / And Inscribed to the Memory of / Jacob More Esqr. / By / Wm. SHIELD./ (Musician in Ordinary to His Majesty) / Entd. At Statn. Hall [rule] Price 10/6 / ADVERTISEMENT / These Trios were Composed chiefly for the abovementioned Celebrated Landscape Painter (in Rome) / And are Dedicated to his Memory as a Token of Gratitude for the Services he rendered the Author / during his Residence in that City. The movements which are written in the uncommon Time / of 5/4 have amused some of the most distinguished Professors both in England & Italy which / induces the Author to hope they will not be disagreeable to the Public at Large / Goodge Street, Jany. 1st 1796 / [rule] / London, Printed for the Author by Longman & Broderip, No.26, Cheapside & No.13, Haymarket. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$49.00
45.17 €
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Trio à Cordes: violon, alto, violoncelle
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/ Wm
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William Shield
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Robert Hoskins
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String Trio No. 4 in E major
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Artaria Editions
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SheetMusicPlus
String Trio No. 6 in B flat major
Trio à Cordes: violon, alto, violoncelle
String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1488232 Compose…
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String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1488232 Composed by William Shield. Arranged by Robert Hoskins. Classical. 36 pages. Artaria Editions #1065119. Published by Artaria Editions (A0.1488232). Shield's Trios, written for a continental audience, are seminal works in the composer's output and mark a new level of compositional attainment in the English chamber music repertory. Technically, they contain a wide variety of ideas which are developed with great ingenuity through a wide range of keys, dynamic contrasts and timbral effects. Aesthetically, they blend 'popular' and 'learned' taste along with 'orchestral' splendour and 18th century notions of beauty. The Trios present a dazzling range of moods and style with each work demonstrating Shield's mastery of the idiom, both in his treatment of individual instruments and in the handling of textures. While there is no shortage of melody and accompaniment, in which the violin takes the lead, there are many memorable solos for the viola and the cello in its high register. The wide range of textures includes melodic decoration, dialogue, contrast of high and low register, legato and staccato, powerful unison and double octaves. Shield's ability to incorporate arioso-like melody, the prevailing 'symphonic' style and folk elements was largely achieved through the cross-generic requirements of English comic opera (a form to which Shield devoted himself during the whole of his creative career). In general, Shield's technique results in a firm control of the way music moves - with sometimes a surprising degree of stylistic restlessness and sometimes of unexpected plainness and simplicity. The trios Shield selected for publication were issued by Longman and Broderip, London, in January 1796 under the inspection of the composer. No autograph of these works survives and Longman and Broderip's printing, a copy of which is preserved in the Bodleian Library, Oxford, under the call number Mus.Instr.I 214(15), is the only source of this edition. The title page, with its dedicatory inscription, reads: Six / TRIOS / FOR / Violin, Tenor and Violoncello, / Composed / And Inscribed to the Memory of / Jacob More Esqr. / By / Wm. SHIELD./ (Musician in Ordinary to His Majesty) / Entd. At Statn. Hall [rule] Price 10/6 / ADVERTISEMENT / These Trios were Composed chiefly for the abovementioned Celebrated Landscape Painter (in Rome) / And are Dedicated to his Memory as a Token of Gratitude for the Services he rendered the Author / during his Residence in that City. The movements which are written in the uncommon Time / of 5/4 have amused some of the most distinguished Professors both in England & Italy which / induces the Author to hope they will not be disagreeable to the Public at Large / Goodge Street, Jany. 1st 1796 / [rule] / London, Printed for the Author by Longman & Broderip, No.26, Cheapside & No.13, Haymarket. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$49.00
45.17 €
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Trio à Cordes: violon, alto, violoncelle
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/ Wm
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William Shield
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Robert Hoskins
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String Trio No. 6 in B flat major
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Artaria Editions
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SheetMusicPlus
String Trio No. 5 in C minor
Trio à Cordes: violon, alto, violoncelle
String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1488231 Compose…
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String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1488231 Composed by William Shield. Arranged by Robert Hoskins. Classical. 23 pages. Artaria Editions #1065118. Published by Artaria Editions (A0.1488231). Shield's Trios, written for a continental audience, are seminal works in the composer's output and mark a new level of compositional attainment in the English chamber music repertory. Technically, they contain a wide variety of ideas which are developed with great ingenuity through a wide range of keys, dynamic contrasts and timbral effects. Aesthetically, they blend 'popular' and 'learned' taste along with 'orchestral' splendour and 18th century notions of beauty. The Trios present a dazzling range of moods and style with each work demonstrating Shield's mastery of the idiom, both in his treatment of individual instruments and in the handling of textures. While there is no shortage of melody and accompaniment, in which the violin takes the lead, there are many memorable solos for the viola and the cello in its high register. The wide range of textures includes melodic decoration, dialogue, contrast of high and low register, legato and staccato, powerful unison and double octaves. Shield's ability to incorporate arioso-like melody, the prevailing 'symphonic' style and folk elements was largely achieved through the cross-generic requirements of English comic opera (a form to which Shield devoted himself during the whole of his creative career). In general, Shield's technique results in a firm control of the way music moves - with sometimes a surprising degree of stylistic restlessness and sometimes of unexpected plainness and simplicity. The trios Shield selected for publication were issued by Longman and Broderip, London, in January 1796 under the inspection of the composer. No autograph of these works survives and Longman and Broderip's printing, a copy of which is preserved in the Bodleian Library, Oxford, under the call number Mus.Instr.I 214(15), is the only source of this edition. The title page, with its dedicatory inscription, reads: Six / TRIOS / FOR / Violin, Tenor and Violoncello, / Composed / And Inscribed to the Memory of / Jacob More Esqr. / By / Wm. SHIELD./ (Musician in Ordinary to His Majesty) / Entd. At Statn. Hall [rule] Price 10/6 / ADVERTISEMENT / These Trios were Composed chiefly for the abovementioned Celebrated Landscape Painter (in Rome) / And are Dedicated to his Memory as a Token of Gratitude for the Services he rendered the Author / during his Residence in that City. The movements which are written in the uncommon Time / of 5/4 have amused some of the most distinguished Professors both in England & Italy which / induces the Author to hope they will not be disagreeable to the Public at Large / Goodge Street, Jany. 1st 1796 / [rule] / London, Printed for the Author by Longman & Broderip, No.26, Cheapside & No.13, Haymarket. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$49.00
45.17 €
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Trio à Cordes: violon, alto, violoncelle
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/ Wm
#
William Shield
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Robert Hoskins
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String Trio No. 5 in C minor
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Artaria Editions
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SheetMusicPlus
String Trio No. 2 in D major
Trio à Cordes: violon, alto, violoncelle
String Trio Cello,Viola,Violin - Digital Download SKU: A0.1488225 Composed by Willi…
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String Trio Cello,Viola,Violin - Digital Download SKU: A0.1488225 Composed by William Shield. Arranged by Robert Hoskins. Classical. 37 pages. Artaria Editions #1065111. Published by Artaria Editions (A0.1488225). Shield's Trios, written for a continental audience, are seminal works in the composer's output and mark a new level of compositional attainment in the English chamber music repertory. Technically, they contain a wide variety of ideas which are developed with great ingenuity through a wide range of keys, dynamic contrasts and timbral effects. Aesthetically, they blend 'popular' and 'learned' taste along with 'orchestral' splendour and 18th century notions of beauty. The Trios present a dazzling range of moods and style with each work demonstrating Shield's mastery of the idiom, both in his treatment of individual instruments and in the handling of textures. While there is no shortage of melody and accompaniment, in which the violin takes the lead, there are many memorable solos for the viola and the cello in its high register. The wide range of textures includes melodic decoration, dialogue, contrast of high and low register, legato and staccato, powerful unison and double octaves. Shield's ability to incorporate arioso-like melody, the prevailing 'symphonic' style and folk elements was largely achieved through the cross-generic requirements of English comic opera (a form to which Shield devoted himself during the whole of his creative career). In general, Shield's technique results in a firm control of the way music moves - with sometimes a surprising degree of stylistic restlessness and sometimes of unexpected plainness and simplicity. The trios Shield selected for publication were issued by Longman and Broderip, London, in January 1796 under the inspection of the composer. No autograph of these works survives and Longman and Broderip's printing, a copy of which is preserved in the Bodleian Library, Oxford, under the call number Mus.Instr.I 214(15), is the only source of this edition. The title page, with its dedicatory inscription, reads: Six / TRIOS / FOR / Violin, Tenor and Violoncello, / Composed / And Inscribed to the Memory of / Jacob More Esqr. / By / Wm. SHIELD./ (Musician in Ordinary to His Majesty) / Entd. At Statn. Hall [rule] Price 10/6 / ADVERTISEMENT / These Trios were Composed chiefly for the abovementioned Celebrated Landscape Painter (in Rome) / And are Dedicated to his Memory as a Token of Gratitude for the Services he rendered the Author / during his Residence in that City. The movements which are written in the uncommon Time / of 5/4 have amused some of the most distinguished Professors both in England & Italy which / induces the Author to hope they will not be disagreeable to the Public at Large / Goodge Street, Jany. 1st 1796 / [rule] / London, Printed for the Author by Longman & Broderip, No.26, Cheapside & No.13, Haymarket. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$49.00
45.17 €
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Trio à Cordes: violon, alto, violoncelle
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/ Wm
#
William Shield
#
Robert Hoskins
#
String Trio No. 2 in D major
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Artaria Editions
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SheetMusicPlus
Eleanor Rigby
Trio à Cordes: violon, alto, violoncelle
String Ensemble,String Trio Cello,Viola,Violin - Level 4 - Digital Download SKU: A0.120…
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String Ensemble,String Trio Cello,Viola,Violin - Level 4 - Digital Download SKU: A0.1205501 By The Beatles. By John Lennon and Paul McCartney. Arranged by Mattia Mugnai. Pop. Score and parts. 9 pages. Matt80 #803702. Published by Matt80 (A0.1205501). Eleanor Rigby is a song by the English rock band the Beatles from their 1966 album Revolver. It was also issued on a double A-side single, paired with Yellow Submarine.The song continued the transformation of the Beatles from a mainly rock and roll- and pop-oriented act to a more experimental, studio-based band. With a double string quartet arrangement by George Martin and lyrics providing a narrative on loneliness, it broke sharply with popular music conventions, both musically and lyrically. Eleanor Rigby topped singles charts in Australia, Belgium, Canada and New Zealand.McCartney said that the idea to call his character Eleanor was possibly because of Eleanor Bron, the actress who starred with the Beatles in their 1965 film Help! Rigby came from the name of a store in Bristol, Rigby & Evens Ltd. McCartney noticed the store while visiting his girlfriend of the time, actress Jane Asher, during her run in the Bristol Old Vic's production of The Happiest Days of Your Life in January 1966. He recalled in 1984: I just liked the name. I was looking for a name that sounded natural. 'Eleanor Rigby' sounded natural. In the sting trio arrangement the beauty of this song is finely preserved, as much as it's original stucture.The file includes both score and parts.
$14.00
12.91 €
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Trio à Cordes: violon, alto, violoncelle
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The Beatles
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Mattia Mugnai
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Evens Ltd
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Eleanor Rigby
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Matt80
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SheetMusicPlus
String Trio No.1 in E flat major
Trio à Cordes: violon, alto, violoncelle
String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1488224 Compose…
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String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1488224 Composed by William Shield. Arranged by Robert Hoskins. Classical. 24 pages. Artaria Editions #1065110. Published by Artaria Editions (A0.1488224). The trios Shield selected for publication were issued by Longman and Broderip, London, in January 1796 under the inspection of the composer. No autograph of these works survives and Longman and Broderip's printing, a copy of which is preserved in the Bodleian Library, Oxford, under the call number Mus.Instr.I 214(15), is the only source of this edition. The title page, with its dedicatory inscription, reads: Six / TRIOS / FOR / Violin, Tenor and Violoncello, / Composed / And Inscribed to the Memory of / Jacob More Esqr. / By / Wm. SHIELD./ (Musician in Ordinary to His Majesty) / Entd. At Statn. Hall [rule] Price 10/6 / ADVERTISEMENT / These Trios were Composed chiefly for the abovementioned Celebrated Landscape Painter (in Rome) / And are Dedicated to his Memory as a Token of Gratitude for the Services he rendered the Author / during his Residence in that City. The movements which are written in the uncommon Time / of 5/4 have amused some of the most distinguished Professors both in England & Italy which / induces the Author to hope they will not be disagreeable to the Public at Large / Goodge Street, Jany. 1st 1796 / [rule] / London, Printed for the Author by Longman & Broderip, No.26, Cheapside & No.13, Haymarket. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$49.00
45.17 €
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Trio à Cordes: violon, alto, violoncelle
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/ Wm
#
William Shield
#
Robert Hoskins
#
String Trio No.1 in E flat major
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Artaria Editions
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SheetMusicPlus
Bull: Galliard for String Trio
Trio à Cordes: violon, alto, violoncelle
String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1282833 Compose…
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String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1282833 Composed by Dr. John Bull. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Renaissance. 11 pages. Jmsgu3 #874076. Published by jmsgu3 (A0.1282833). John Bull was an English composer, organist, virginalist, and organ builder who lived from 1562/63 to 1628. He was educated as a chorister of the Chapel Royal in London and later became a doctor of music at the universities of both Oxford and Cambridge. Bull was one of the most famous composers of keyboard music of the early 17th century, and most of his compositions were written for the virginal, a keyboard instrument popular in the Renaissance period. He was known for his outstanding technical ability and keyboard virtuosity, and his music is distinguished by unfailing resourcefulness in devising new musical ideas. Bull's reputation rests on his extensive compositions for virginals and organ, some 150 extant pieces published in Musica Britannica. He was also one of the contributors to Parthenia, a collection of keyboard music published in 1611. Bull wrote an anthem, God the Father, God the Son, for the 1613 wedding of the princess and the Elector Palatine, in addition to his keyboard compositions, verse anthems, canons, and other works. Bull's music ranked among the foremost composers along with Byrd, Gibbons, and Tomkins.John Bull had several contemporaries who were also prominent composers during the Renaissance period. Some of these composers include:William Byrd: Byrd was an English composer and one of the most influential figures in English Renaissance music. He was a contemporary of John Bull and is considered one of the greatest composers of his time. Byrd's compositions include sacred choral music, keyboard works, and consort music.Orlando Gibbons: Gibbons was an English composer and organist who lived during the same period as John Bull. He was known for his sacred choral music, particularly his anthems and verse anthems. Gibbons' compositions are characterized by their expressive harmonies and intricate counterpoint.Thomas Tomkins: Tomkins was another English composer who was active during the same time as John Bull. He was known for his sacred choral music, including anthems and services. Tomkins' compositions are notable for their rich harmonies and expressive melodies.Jan Pieterszoon Sweelinck: Sweelinck was a Dutch composer and organist who was highly regarded during the Renaissance period. He was known for his keyboard music, particularly his variations and fantasias. Sweelinck's compositions had a significant influence on Bull and other composers of the time.These composers, along with John Bull, were influential figures in the development of Renaissance music and significantly contributed to the repertoire of keyboard and choral music during that era.
$24.95
23 €
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Trio à Cordes: violon, alto, violoncelle
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Dr
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James M
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Bull: Galliard for String Trio
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jmsgu3
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SheetMusicPlus
Bull: Christe Redemptor for String Trio
Trio à Cordes: violon, alto, violoncelle
String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1283457 Compose…
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String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1283457 Composed by Dr. John Bull. Arranged by James M. Guthrie. Chamber,Early Music,Historic,Religious,Renaissance. 12 pages. Jmsgu3 #874639. Published by jmsgu3 (A0.1283457). Fitzwilliam Virginal Book CXXV.John Bull was an English composer, organist, virginalist, and organ builder who lived from 1562/63 to 1628. He was educated as a chorister of the Chapel Royal in London and later became a Doctor of Music at both Oxford and Cambridge Universities. Bull was one of the most famous composers of keyboard music of the early 17th century, and most of his compositions were written for the virginal, a keyboard instrument popular in the Renaissance period. He was known for his outstanding technical ability and keyboard virtuosity, and his music is distinguished by unfailing resourcefulness in devising new musical ideas. Bull's reputation rests on his extensive compositions for virginals and organ, some 150 extant pieces published in Musica Britannica. He was also one of the contributors to Parthenia, a collection of keyboard music published in 1611. Bull wrote an anthem, God the Father, God the Son, for the 1613 wedding of the princess and the Elector Palatine, in addition to his keyboard compositions, verse anthems, canons, and other works. Bull's music ranked among the foremost composers along with Byrd, Gibbons, and Tomkins.John Bull had several contemporaries who were also prominent composers during the Renaissance period. Some of these composers include:William Byrd: Byrd was an English composer and one of the most influential figures in English Renaissance music. He was a contemporary of John Bull and is considered one of the greatest composers of his time. Byrd's compositions include sacred choral music, keyboard works, and consort music.Orlando Gibbons: Gibbons was an English composer and organist who lived during the same period as John Bull. He was known for his sacred choral music, particularly his anthems and verse anthems. Gibbons' compositions are characterized by their expressive harmonies and intricate counterpoint.Thomas Tomkins: Tomkins was another English composer who was active during the same time as John Bull. He was known for his sacred choral music, including anthems and services. Tomkins' compositions are notable for their rich harmonies and expressive melodies.Jan Pieterszoon Sweelinck: Sweelinck was a Dutch composer and organist who was highly regarded during the Renaissance period. He was known for his keyboard music, particularly his variations and fantasias. Sweelinck's compositions had a significant influence on Bull and other composers of the time.These composers, along with John Bull, were influential figures in the development of Renaissance music and significantly contributed to the repertoire of keyboard and choral music during that era.
$24.95
23 €
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Trio à Cordes: violon, alto, violoncelle
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Dr
#
James M
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Bull: Christe Redemptor for String Trio
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jmsgu3
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SheetMusicPlus
Bull: In Nomine for String Trio
Trio à Cordes: violon, alto, violoncelle
String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1282881 Compose…
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String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1282881 Composed by Dr. John Bull. Arranged by James M. Guthrie. Chamber,Christian,Historic,Religious,Renaissance. 9 pages. Jmsgu3 #874131. Published by jmsgu3 (A0.1282881). XXXVII from the Fitzwilliam Virginal Book.John Bull was an English composer, organist, virginalist, and organ builder who lived from 1562/63 to 1628. He was educated as a chorister of the Chapel Royal in London and later became a doctor of music at the universities of both Oxford and Cambridge. Bull was one of the most famous composers of keyboard music of the early 17th century, and most of his compositions were written for the virginal, a keyboard instrument popular in the Renaissance period. He was known for his outstanding technical ability and keyboard virtuosity, and his music is distinguished by unfailing resourcefulness in devising new musical ideas. Bull's reputation rests on his extensive compositions for virginals and organ, some 150 extant pieces published in Musica Britannica. He was also one of the contributors to Parthenia, a collection of keyboard music published in 1611. Bull wrote an anthem, God the Father, God the Son, for the 1613 wedding of the princess and the Elector Palatine, in addition to his keyboard compositions, verse anthems, canons, and other works. Bull's music ranked among the foremost composers along with Byrd, Gibbons, and Tomkins.John Bull had several contemporaries who were also prominent composers during the Renaissance period. Some of these composers include:William Byrd: Byrd was an English composer and one of the most influential figures in English Renaissance music. He was a contemporary of John Bull and is considered one of the greatest composers of his time. Byrd's compositions include sacred choral music, keyboard works, and consort music.Orlando Gibbons: Gibbons was an English composer and organist who lived during the same period as John Bull. He was known for his sacred choral music, particularly his anthems and verse anthems. Gibbons' compositions are characterized by their expressive harmonies and intricate counterpoint.Thomas Tomkins: Tomkins was another English composer who was active during the same time as John Bull. He was known for his sacred choral music, including anthems and services. Tomkins' compositions are notable for their rich harmonies and expressive melodies.Jan Pieterszoon Sweelinck: Sweelinck was a Dutch composer and organist who was highly regarded during the Renaissance period. He was known for his keyboard music, particularly his variations and fantasias. Sweelinck's compositions had a significant influence on Bull and other composers of the time.These composers, along with John Bull, were influential figures in the development of Renaissance music and significantly contributed to the repertoire of keyboard and choral music during that era.
$24.95
23 €
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Trio à Cordes: violon, alto, violoncelle
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Dr
#
James M
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Bull: In Nomine for String Trio
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jmsgu3
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SheetMusicPlus
Bull: Fantasia CXIII for String Trio
Trio à Cordes: violon, alto, violoncelle
String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1284518 Compose…
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String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1284518 Composed by Dr. John Bull. Arranged by James M. Guthrie. Chamber,Early Music,Historic,Renaissance,Wedding. 16 pages. Jmsgu3 #875691. Published by jmsgu3 (A0.1284518). John Bull was an English composer, organist, virginalist, and organ builder who lived from 1562/63 to 1628. He was educated as a chorister of the Chapel Royal in London and later became a Doctor of Music at both Oxford and Cambridge Universities. Bull was one of the most famous composers of keyboard music of the early 17th century, and most of his compositions were written for the virginal, a keyboard instrument popular in the Renaissance period. He was known for his outstanding technical ability and keyboard virtuosity, and his music is distinguished by unfailing resourcefulness in devising new musical ideas. Bull's reputation rests on his extensive compositions for virginals and organ, some 150 extant pieces published in Musica Britannica. He was also one of the contributors to Parthenia, a collection of keyboard music published in 1611. Bull wrote an anthem, God the Father, God the Son, for the 1613 wedding of the princess and the Elector Palatine, in addition to his keyboard compositions, verse anthems, canons, and other works. Bull's music ranked among the foremost composers along with Byrd, Gibbons, and Tomkins.John Bull had several contemporaries who were also prominent composers during the Renaissance period. Some of these composers include:William Byrd: Byrd was an English composer and one of the most influential figures in English Renaissance music. He was a contemporary of John Bull and is considered one of the greatest composers of his time. Byrd's compositions include sacred choral music, keyboard works, and consort music.Orlando Gibbons: Gibbons was an English composer and organist who lived during the same period as John Bull. He was known for his sacred choral music, particularly his anthems and verse anthems. Gibbons' compositions are characterized by their expressive harmonies and intricate counterpoint.Thomas Tomkins: Tomkins was another English composer who was active during the same time as John Bull. He was known for his sacred choral music, including anthems and services. Tomkins' compositions are notable for their rich harmonies and expressive melodies.Jan Pieterszoon Sweelinck: Sweelinck was a Dutch composer and organist who was highly regarded during the Renaissance period. He was known for his keyboard music, particularly his variations and fantasias. Sweelinck's compositions had a significant influence on Bull and other composers of the time.These composers, along with John Bull, were influential figures in the development of Renaissance music and significantly contributed to the repertoire of keyboard and choral music during that era.
$24.95
23 €
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Trio à Cordes: violon, alto, violoncelle
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Dr
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James M
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Bull: Fantasia CXIII for String Trio
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jmsgu3
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SheetMusicPlus
Bull: Gloria tibi trinitas for String Trio
Trio à Cordes: violon, alto, violoncelle
String Trio Cello,Viola,Violin - Level 4 - Digital Download SKU: A0.1284572 Compose…
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String Trio Cello,Viola,Violin - Level 4 - Digital Download SKU: A0.1284572 Composed by Dr. John Bull. Arranged by James M. Guthrie. Chamber,Christian,Religious,Renaissance,Wedding. 12 pages. Jmsgu3 #875746. Published by jmsgu3 (A0.1284572). John Bull was an English composer, organist, virginalist, and organ builder who lived from 1562/63 to 1628. He was educated as a chorister of the Chapel Royal in London and later became a Doctor of Music at both Oxford and Cambridge Universities. Bull was one of the most famous composers of keyboard music of the early 17th century, and most of his compositions were written for the virginal, a keyboard instrument popular in the Renaissance period. He was known for his outstanding technical ability and keyboard virtuosity, and his music is distinguished by unfailing resourcefulness in devising new musical ideas. Bull's reputation rests on his extensive compositions for virginals and organ, some 150 extant pieces published in Musica Britannica. He was also one of the contributors to Parthenia, a collection of keyboard music published in 1611. Bull wrote an anthem, God the Father, God the Son, for the 1613 wedding of the princess and the Elector Palatine, in addition to his keyboard compositions, verse anthems, canons, and other works. Bull's music ranked among the foremost composers along with Byrd, Gibbons, and Tomkins.John Bull had several contemporaries who were also prominent composers during the Renaissance period. Some of these composers include:William Byrd: Byrd was an English composer and one of the most influential figures in English Renaissance music. He was a contemporary of John Bull and is considered one of the greatest composers of his time. Byrd's compositions include sacred choral music, keyboard works, and consort music.Orlando Gibbons: Gibbons was an English composer and organist who lived during the same period as John Bull. He was known for his sacred choral music, particularly his anthems and verse anthems. Gibbons' compositions are characterized by their expressive harmonies and intricate counterpoint.Thomas Tomkins: Tomkins was another English composer who was active during the same time as John Bull. He was known for his sacred choral music, including anthems and services. Tomkins' compositions are notable for their rich harmonies and expressive melodies.Jan Pieterszoon Sweelinck: Sweelinck was a Dutch composer and organist who was highly regarded during the Renaissance period. He was known for his keyboard music, particularly his variations and fantasias. Sweelinck's compositions had a significant influence on Bull and other composers of the time.These composers, along with John Bull, were influential figures in the development of Renaissance music and significantly contributed to the repertoire of keyboard and choral music during that era.
$24.95
23 €
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Trio à Cordes: violon, alto, violoncelle
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Dr
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James M
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Bull: Gloria tibi trinitas for String Trio
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jmsgu3
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SheetMusicPlus
Bull: Dr. Bull's Juell for String Trio
Trio à Cordes: violon, alto, violoncelle
String Trio Cello,Viola,Violin - Level 2 - Digital Download SKU: A0.1283915 Compose…
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String Trio Cello,Viola,Violin - Level 2 - Digital Download SKU: A0.1283915 Composed by Dr. John Bull. Arranged by James M. Guthrie. Chamber,Early Music,Historic,Renaissance,Wedding. 10 pages. Jmsgu3 #875096. Published by jmsgu3 (A0.1283915). Fitzwilliam Virginal Book CXXXVIII.John Bull was an English composer, organist, virginalist, and organ builder who lived from 1562/63 to 1628. He was educated as a chorister of the Chapel Royal in London and later became a Doctor of Music at both Oxford and Cambridge Universities. Bull was one of the most famous composers of keyboard music of the early 17th century, and most of his compositions were written for the virginal, a keyboard instrument popular in the Renaissance period. He was known for his outstanding technical ability and keyboard virtuosity, and his music is distinguished by unfailing resourcefulness in devising new musical ideas. Bull's reputation rests on his extensive compositions for virginals and organ, some 150 extant pieces published in Musica Britannica. He was also one of the contributors to Parthenia, a collection of keyboard music published in 1611. Bull wrote an anthem, God the Father, God the Son, for the 1613 wedding of the princess and the Elector Palatine, in addition to his keyboard compositions, verse anthems, canons, and other works. Bull's music ranked among the foremost composers along with Byrd, Gibbons, and Tomkins.John Bull had several contemporaries who were also prominent composers during the Renaissance period. Some of these composers include:William Byrd: Byrd was an English composer and one of the most influential figures in English Renaissance music. He was a contemporary of John Bull and is considered one of the greatest composers of his time. Byrd's compositions include sacred choral music, keyboard works, and consort music.Orlando Gibbons: Gibbons was an English composer and organist who lived during the same period as John Bull. He was known for his sacred choral music, particularly his anthems and verse anthems. Gibbons' compositions are characterized by their expressive harmonies and intricate counterpoint.Thomas Tomkins: Tomkins was another English composer who was active during the same time as John Bull. He was known for his sacred choral music, including anthems and services. Tomkins' compositions are notable for their rich harmonies and expressive melodies.Jan Pieterszoon Sweelinck: Sweelinck was a Dutch composer and organist who was highly regarded during the Renaissance period. He was known for his keyboard music, particularly his variations and fantasias. Sweelinck's compositions had a significant influence on Bull and other composers of the time.These composers, along with John Bull, were influential figures in the development of Renaissance music and significantly contributed to the repertoire of keyboard and choral music during that era.
$24.95
23 €
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Trio à Cordes: violon, alto, violoncelle
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Dr
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James M
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Bull: Dr. Bull's Juell for String Trio
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jmsgu3
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SheetMusicPlus
He Arose (String Trio): Violin, Viola and Cello
Trio à Cordes: violon, alto, violoncelle
String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1357784 Compose…
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String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1357784 Composed by Robert Lowry, Ignaz Jan Paderewski. Arranged by John A. Dempsey. Christian,Easter,Holiday,Sacred,Traditional. 16 pages. John A. Dempsey #942286. Published by John A. Dempsey (A0.1357784). Also known as Low in the Grave He Lay and Hallelujah, Christ Arose, this string trio for violin, viola and cello celebrates Easter with a musical sojourn that's varied, sparkling and alive with both the solace and elation of the season. Â This hymn arrangement, complete with mood and tempo changes, is filled with moments of quiet beauty, prayerful reflection and joyful thanksgiving. Â The serene incidental music is from a Paderewski nocturne. Â Recommended for traditional church services and other worship events, including Good Friday services and Easter sunrise worship, as a prelude, postlude, an offertory, interlude and special music. Â 12 pages of music (that includes separate two-page parts for each instrument). Â Key: C major.
$9.99
9.21 €
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Trio à Cordes: violon, alto, violoncelle
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Robert Lowry, Ignaz Jan Paderewski
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John A
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He Arose
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John A. Dempsey
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SheetMusicPlus
Sweelinck: Praeludium Toccata XCVI for String Trio
Trio à Cordes: violon, alto, violoncelle
String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1286467 Compose…
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String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1286467 Composed by J. P. Sweelinck. Arranged by James M. Guthrie. Chamber,Early Music,Historic,Renaissance,Wedding. 18 pages. Jmsgu3 #877523. Published by jmsgu3 (A0.1286467). Jan Pieterszoon Sweelinck was a Dutch organist and composer who lived from April 1562 to October 16, 1621. He was born and died in Amsterdam, Netherlands. Sweelinck's first published works date from around 1592-94, and he composed a variety of music, including chansons and keyboard music. He was known for his keyboard playing and was a teacher to German composers Samuel Scheidt and Heinrich Scheidemann.
$24.95
23 €
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Trio à Cordes: violon, alto, violoncelle
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J
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James M
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Sweelinck: Praeludium Toccata XCVI for String Trio
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jmsgu3
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SheetMusicPlus
Song of the Sea for Intermediate String Trio
Trio à Cordes: violon, alto, violoncelle
String Ensemble,String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.509…
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String Ensemble,String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.509287 Composed by Janice Malan. Concert,Standards. Score and parts. 7 pages. Janice Malan #6364123. Published by Janice Malan (A0.509287). This original Sea Song introduces the intermediate string students to the Theme and Variation form. The last note is a harmonic in both parts which introduces the young players to a softer touch and new sound. The melody is smooth with long bows and the cello has eighth notes rolling back and forth like the sea. Enjoy!
$7.99
7.37 €
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Trio à Cordes: violon, alto, violoncelle
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Janice Malan
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Song of the Sea for Intermediate String Trio
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Janice Malan
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SheetMusicPlus
Illusions for Intermediate String Trio
Trio à Cordes: violon, alto, violoncelle
String Ensemble,String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.509…
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String Ensemble,String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.509260 Composed by Janice Malan. Instructional,Standards. Score and parts. 7 pages. Janice Malan #5896635. Published by Janice Malan (A0.509260). Illusions begins with the violin and viola in canonic form then splits into harmony. The cello begins joining in for a full sound then ends with the viola alone. Great experience playing largo with long continuous bowing and expressive mood with practice in vibrato methods. This piece has one measure in third position which is a good practice for your violinist to begin work in the positions. Before playing this piece, practice the F scale in whole notes with long, slow bows. .
$9.99
9.21 €
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Trio à Cordes: violon, alto, violoncelle
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Janice Malan
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Illusions for Intermediate String Trio
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Janice Malan
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SheetMusicPlus
The Wellerman - for String Trio
Trio à Cordes: violon, alto, violoncelle
String Trio Cello,Viola,Violin - Level 2 - Digital Download SKU: A0.1370039 Compose…
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String Trio Cello,Viola,Violin - Level 2 - Digital Download SKU: A0.1370039 Composed by Traditional. Arranged by Jane Melin. 19th Century,Folk,Multicultural,Traditional,World. 7 pages. Jane Melin #954414. Published by Jane Melin (A0.1370039). This catchy New Zealand sea shanty, now a viral sensation, is just as fun to play as to sing! Violin-Viola-Cello arrangement for late beginner to intermediate ensembles, or for gigging trios. The tune is shared to each instrument, and everyone can participate with instrumental and verbal percussion. Lyrics included if anyone wants to sing along (guaranteed that they will!). Check out the MP3 demo for the full effect.
$12.99
11.98 €
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Trio à Cordes: violon, alto, violoncelle
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Traditional
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Jane Melin
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The Wellerman - for String Trio
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Jane Melin
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SheetMusicPlus
River of Grass (Everglades)
Trio à Cordes: violon, alto, violoncelle
String Ensemble,String Trio - Level 4 - Digital Download SKU: A0.928971 Composed by…
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String Ensemble,String Trio - Level 4 - Digital Download SKU: A0.928971 Composed by Donald A. Mills, 2018. Arranged by Donald A. Mills, 2018. 20th Century,Concert,Folk. Score and parts. 5 pages. Donald A Mills #4269957. Published by Donald A Mills (A0.928971). This number reflects the peaceful, beautiful Everglades National Park. In the heart of the State of Florida is a huge, shallow lake, a swamp, with slow-moving waters. The flow of water causes the ever-present grasses to bend in one direction, creating what seems to be...a River of Grass. Picture the grazing deer, the submerged and sun-bathing alligators, the turtles, and a myriad of beautiful birds in a land all their own. It is we who are the visitors...This number for a string trio is peaceful and tranquil. It is appropriate for an intermediate to high level of expertise. It may be played as a chamber piece in a smaller room or venue, or as a concert piece. Two or three of each instrument would give the piece depth of tone. Feel free to interpret the notes and phrases with tempi and dynamic feelings in the bows and strings. Revised January, 2019.
$2.99
2.76 €
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Trio à Cordes: violon, alto, violoncelle
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Donald A
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Donald A
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River of Grass
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Donald A Mills
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SheetMusicPlus
Sonata in E minor, RV 40 (1st movement)
Trio à Cordes: violon, alto, violoncelle
String Ensemble,String Trio - Level 2 - Digital Download SKU: A0.1016742 Composed b…
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String Ensemble,String Trio - Level 2 - Digital Download SKU: A0.1016742 Composed by Antonio Vivaldi. Arranged by Jana Semaan. Baroque,Classical,Standards. Score and parts. 6 pages. Redbooth #5820775. Published by redbooth (A0.1016742). An arrangement for cello trio of Antonio Vivaldi's Sonata in E minor, RV 40 (1st movement)The pdf file contains the full score and individual parts for 3 cellos. A youtube video is available if you would like to watch a live performance of the arrangement.
$5.00
4.61 €
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Trio à Cordes: violon, alto, violoncelle
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Antonio Vivaldi
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Jana Semaan
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Sonata in E minor, RV 40
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redbooth
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SheetMusicPlus
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