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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
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54
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
40
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20
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8
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7
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4
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3
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2
Quintette à cordes: 2 violons, alto, violoncelle, basse
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Alto seul
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Contrebasse (partie séparée)
1
Alto (partie séparée)
1
Piano Trio: Violon, Alto, Piano
1
Violoncelle (partie séparée)
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Harpe, Trombone (duo)
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2 Altos (duo)
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58
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22
Ensemble Jazz
11
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8
Batterie
7
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7
Fanfare
4
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3
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2
Jazz combo
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2
Percussion
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Xylophone, Piano
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2 Marimbas
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AUTRES
Vous avez sélectionné:
Led Away
Trio à Cordes: violon, alto, violoncelle
Partitions à imprimer
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Signed, Sealed, Delivered I'm Yours
Trio à Cordes: violon, alto, violoncelle
String Ensemble,String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.826…
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String Ensemble,String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.826551 By Stevie Wonder. By Lee Garrett, Lula Mae Hardaway, Stevie Wonder, and Syreeta Wright. Arranged by Etelka Nyilasi. Pop,Soul. Score and parts. 7 pages. Etelka J Nyilasi #4404604. Published by Etelka J Nyilasi (A0.826551). Violin, Viola and Cello trio. Perfect for gigs!
$16.99
15.75 €
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Trio à Cordes: violon, alto, violoncelle
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Stevie Wonder
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Etelka Nyilasi
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Signed, Sealed, Delivered I'm Yours
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Etelka J Nyilasi
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SheetMusicPlus
Signed, Sealed, Delivered I'm Yours
Trio à Cordes: violon, alto, violoncelle
String Ensemble,String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.108…
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String Ensemble,String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1086015 By Stevie Wonder. By Lee Garrett, Lula Mae Hardaway, Stevie Wonder, and Syreeta Wright. Arranged by Etelka Nyilasi. Pop,Standards. Score and parts. 8 pages. Etelka J Nyilasi #690208. Published by Etelka J Nyilasi (A0.1086015). String Trio arrangement for 2 violins and cello, or violin, viola, cello. Perfect for gigs!
$16.99
15.75 €
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Trio à Cordes: violon, alto, violoncelle
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Stevie Wonder
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Etelka Nyilasi
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Signed, Sealed, Delivered I'm Yours
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Etelka J Nyilasi
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SheetMusicPlus
Signed, Sealed, Delivered I'm Yours
Trio à Cordes: violon, alto, violoncelle
By Stevie Wonder. By Lee Garrett, Lula Mae Hardaway, Syreeta Wright, and Stevie Wond…
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By Stevie Wonder. By Lee Garrett, Lula Mae Hardaway, Syreeta Wright, and Stevie Wonder. Arranged by Marmpy. Pop, Soul. Score and parts. 10 pages. Sarah McKenna #6640029. Published by Sarah McKenna
$12.99
12.05 €
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Trio à Cordes: violon, alto, violoncelle
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Stevie Wonder
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Marmpy
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Signed, Sealed, Delivered I'm Yours
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Sarah McKenna
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SheetMusicPlus
Away In A Manger (Cradle Song) for String Trio
Trio à Cordes: violon, alto, violoncelle
String Ensemble,String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.732…
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String Ensemble,String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.732731 Composed by William Kirkpatrick. Arranged by Dave Prudon. Christmas,Romantic Period. Score and parts. 6 pages. Prudon String Ensembles #6114399. Published by Prudon String Ensembles (A0.732731). All of the reverance and beauty of this Christmas favorite can be found in this sweet arrangement for String Trio.  The harmony is filled with tasteful passing tones and gorgeous suspensions that will tug at your heart and delight any audience. And in this arrangement, everyone gets a chance to play the lovely melody.      To see a huge selection of nice arrangements for strings, take a look at:  Prudon String Ensembles Sheet Music.
$9.99
9.26 €
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Trio à Cordes: violon, alto, violoncelle
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William Kirkpatrick
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Dave Prudon
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Away In A Manger
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Prudon String Ensembles
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SheetMusicPlus
Bach: Wachet auf for String Trio
Trio à Cordes: violon, alto, violoncelle
String Ensemble,String Trio - Level 3 - Digital Download SKU: A0.549856 Composed by…
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String Ensemble,String Trio - Level 3 - Digital Download SKU: A0.549856 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and parts. 12 pages. Jmsgu3 #3555135. Published by jmsgu3 (A0.549856). Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Voyager
$27.95
25.92 €
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Trio à Cordes: violon, alto, violoncelle
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for String Trio
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jmsgu3
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SheetMusicPlus
The Sundials: II; Pereunt et Imputantur (They pass and are counted)
Trio à Cordes: violon, alto, violoncelle
String Ensemble,String Trio - Digital Download SKU: A0.1004149 Composed by Matthew …
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String Ensemble,String Trio - Digital Download SKU: A0.1004149 Composed by Matthew Scott Phillips. 20th Century,Contemporary. Score and parts. 13 pages. Matthew Scott Phillips #3510885. Published by Matthew Scott Phillips (A0.1004149). Throughout the centuries, sundials (a flat plate that marks the time of the day by the shadow of a gnomon which is cast onto it) have been used by civilizations to tell time. Unlike modern clocks and digital watches, in which every single second has its own momentary significance, telling time by sundial is more evolutionary. The seconds, and hours, melt into one another. It is perhaps for this reason that sundials have often been conceived not only as practical time pieces, but as works of art, metaphors, and creations that are inherent expressions of the personality of their creators. Etched in many sundials across the world, in Latin, English, German, and other languages are often found mottoes that reflect the thoughts of the sundial's creator. These mottoes can be fatalistic, humorous, transient, morbid, or serene, and almost always involve the subjects of time, the passing of the hours, life and its brevity, or metaphors involving shadows. Many times these mottoes feature some witticism, such as I only count the sunny hours (since a shadow must be present for a sundial to function). Other times, they can be revealingly existential (We are but shadow), and other times offer advice (Use the hours, don't count them).It is these statements of philosophy, etched in sundials throughout the centuries, that most interests me. I am currently composing a set of movements for piano trio (Piano, Violin, Cello) dedicated to the mottoes found on sundials, and their significance to me. The first movement, subtitled Tempus Edax Rerum (Time devours things) is expansive and attempts a feeling of eternity, into which all seemingly fast moving workings of human beings are inevitably subsumed. For the second movement I am considering the phrase Pereunt et Imputantur (They pass and are counted referring to the hours of the day), and its implication of the way in which time can slip away, whether we observe it or not.
$2.00
1.85 €
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Trio à Cordes: violon, alto, violoncelle
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Matthew Scott Phillips
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The Sundials: II; Pereunt et Imputantur
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Matthew Scott Phillips
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SheetMusicPlus
Songs of Slaves
Trio à Cordes: violon, alto, violoncelle
Cello,Viola,Violin - Digital Download SKU: A0.1068245 Composed by Sandy McIntire. P…
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Cello,Viola,Violin - Digital Download SKU: A0.1068245 Composed by Sandy McIntire. Praise & Worship,Sacred,Spiritual. Full Performance. Duration 381. Sandy McIntire #5194797. Published by Sandy McIntire (A0.1068245). Songs of Slaves is a medley of nine African-American spirituals that were born during the time Africans were enslaved in the Americas. These tunes are inter-mingled in a highly emotional and beautiful arrangement for early intermediate string trio (Violin 1, Violin 2, and Cello). All parts contain multiple solos. The spirituals are: Nobody Knows the Trouble I've Seen, Lord I Want to Be a Christian, Steal Away, Were You There?, Go Down, Moses, O Mary Don't You Weep, The Gospel Train, Twelve Gates to the City, and Swing Low Sweet Chariot.Sheet music for Songs of Slaves is also available at sheetmusicplus.
$1.99
1.85 €
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Trio à Cordes: violon, alto, violoncelle
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Sandy McIntire
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Songs of Slaves
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Sandy McIntire
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SheetMusicPlus
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