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27
Trio à Cordes: violon, alto, violoncelle
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15
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13
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10
Violon, Violoncelle (duo)
10
2 Violons (duo)
10
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9
2 Altos (duo)
7
Alto seul
5
2 Violoncelles (duo)
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Quintette à cordes: 2 violons, alto, violoncelle, basse
5
Contre Basse
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Harpe
5
Violon, Alto (duo)
4
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Quatuor à cordes: 4 violons
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2
Ensemble d'Altos
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Quatuor à cordes : 4 altos
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4 Violoncelles
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Alto (partie séparée)
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Trio à Cordes: 2 violons, violoncelle
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Like Him
Trio à Cordes: violon, alto, violoncelle
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This Is What Falling In Love Feels Like
Trio à Cordes: violon, alto, violoncelle
String Trio Cello,Viola,Violin - Level 4 - Digital Download SKU: A0.1461717 By Jvke…
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String Trio Cello,Viola,Violin - Level 4 - Digital Download SKU: A0.1461717 By Jvke. By Jacob Lawson and Zachary Lawson. Arranged by Sarah Cellobat Chaffee. Contemporary,Pop,Singer/Songwriter,Wedding. 10 pages. Sarah Cellobat Chaffee #1040465. Published by Sarah Cellobat Chaffee (A0.1461717). *INSTRUMENTATION: VIOLIN, VIOLA, CELLO*Jacob Dodge Lawson, better known to fans around the world as JVKE, is a singer-songwriter and pianist who began releasing his self-produced music while stuck at home during pandemic lockdowns. Audiences around the world were soon captivated by his ethereal voice, unconventional song constructions, and virtuosic piano skills; his song Golden Hour became his first Billboard hit and kickstarted his career as a touring and award-winning artist. Along with Golden Hour, his debut EP included another breakthrough hit, This Is What Falling In Love Feels Like, which has also become a widely played and platinum-certified song. So it's no wonder people have been requesting it for strings! This Cellobat arrangement for your violin/viola/cello trio was originally written for a wedding ceremony, but it will also be great for prelude, cocktail hour, receptions, parties, and more. Maintaining the quirky energy, wall-of-sound approach, and signature string lines of the original, this one is sure to be lots of fun to play! Rated advanced-intermediate for a few tricky rhythms, tempo changes, and a few high notes in the violin part (up to 5th position); this won't be too difficult to put together, but will probably warrant a run-through before performing.Sarah “Cellobat” Chaffee is an in-demand acoustic & electric cellist and string arranger. You may have seen her onstage with legendary rock band Aerosmith as the cellist for their “Deuces Are Wild” residency, playing more than 50 sold-out shows with the Bad Boys from Boston; she is also the principal cellist for the Raiders House Band, playing for a crowd of 60,000 at all of the team's home games. She also plays and tours with many other world-renowned groups including the Femmes of Rock, Premiere Wedding Music, Bella Electric Strings, and David Perrico’s Pop Strings Orchestra. Sarah has made a number of TV appearances including the Billboard Music Awards, the Latin Grammy Awards, the iHeartRadio Music Festival, and the CBS reality show “Love Island”; she also played with Michael Bublé for his sold-out Resorts World residency and appeared with him on the Kelly Clarkson Show. Sarah has performed and recorded with a number of other artists including Disturbed, Mötley Crüe, Celine Dion, Halsey, Dionne Warwick, Sarah Brightman, and Sammy Hagar.Sarah is also an acclaimed string arranger with hundreds of arrangements published on Sheet Music Plus under her own label, Cellobat Charts. She is the exclusive arranger for several award-winning wedding and event companies across the United States, including Premiere Wedding Music, Las Vegas Music Oasis, and Impulse Strings, and she has created custom arrangements for many other ensembles worldwide. You can find her at:http://www.cellobat.comhttp://www.instagram.com/cellobathttps://www.youtube.com/@Cellobathttp://www.facebook.com/SarahCellobatChaffee
$14.99
13.58 €
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Trio à Cordes: violon, alto, violoncelle
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Jvke
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Sarah Cellobat Chaffee
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This Is What Falling In Love Feels Like
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Sarah Cellobat Chaffee
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SheetMusicPlus
Bach: Wachet auf for String Trio
Trio à Cordes: violon, alto, violoncelle
String Ensemble,String Trio - Level 3 - Digital Download SKU: A0.549856 Composed by…
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String Ensemble,String Trio - Level 3 - Digital Download SKU: A0.549856 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and parts. 12 pages. Jmsgu3 #3555135. Published by jmsgu3 (A0.549856). Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Voyager
$27.95
25.31 €
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Trio à Cordes: violon, alto, violoncelle
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for String Trio
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jmsgu3
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SheetMusicPlus
What Child is This for String Trio
Trio à Cordes: violon, alto, violoncelle
String Trio Cello,Viola,Violin - Level 2 - Digital Download SKU: A0.1324430 Compose…
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String Trio Cello,Viola,Violin - Level 2 - Digital Download SKU: A0.1324430 Composed by Traditional. Arranged by James M. Guthrie. Chamber,Christian,Christmas,Religious,Traditional. 6 pages. Jmsgu3 #912628. Published by jmsgu3 (A0.1324430). Greensleeves is a traditional English folk song that has several interesting facts associated with it:Origin: The song's origin is uncertain, and there is no consensus on who composed it. It has been attributed to Henry VIII, the King of England, but this association is considered erroneous, and the song is more likely to be Elizabethan in origin.Christmas Carol: The tune of Greensleeves is used for the classic Christmas carol What Child Is This?Lyrics: The song's lyrics are about a painful romantic problem and include what some historians view as subtly salacious content. The lyrics deal with a spurned lover accusing Lady Greensleeves of casting him off discourteously despite his love for her. The song's scandalous twist is hidden in its title, and its exact meaning has been debated for centuries.Cultural References: The tune was used as the slow march of the London Trained Bands in the 16th and 17th centuries. It was adopted as the quick march of the 7th (City of London) Battalion London Regiment during World War I. Additionally, the tune has been referenced in literature, such as in Shakespeare's The Merry Wives of Windsor.Popularity: In some parts of the world, the Greensleeves tune is famous as a standard chime for ice cream vans.These facts make Greensleeves a fascinating and culturally significant piece of music with a rich history and diverse interpretations.
$24.95
22.6 €
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Trio à Cordes: violon, alto, violoncelle
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Traditional
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James M
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What Child is This for String Trio
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jmsgu3
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SheetMusicPlus
In the Sweet By and By hymn for string trio
Trio à Cordes: violon, alto, violoncelle
String Ensemble,String Trio - Digital Download SKU: A0.749761 Arranged by SMT Music…
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String Ensemble,String Trio - Digital Download SKU: A0.749761 Arranged by SMT Music. Christian,Folk,Holiday,Patriotic,Sacred,Standards. Score and parts. 10 pages. SMT Music #6286217. Published by SMT Music (A0.749761). (published in 1868) Mr. Webster, like many musicians, was of an exceedingly nervous and sensitive nature, and subject to periods of depression, in which he looked upon the dark side of all things in life. I had learned his peculiarities so well that on meeting him I could tell at a glance if he was melancholy, and had found that I could rouse him up by giving him a new song to work on. He came into my place of business [in Elkhorn, Wisconsin], walked down to the stove, and turned his back on me without speaking. I was at my desk. Turning to him, I said, Webster, what is the matter now? It's no matter, he replied, it will be all right by and by. The idea of the hymn came me like a flash of sunlight, and I replied, The Sweet By and By! Why would not that make a good hymn? Maybe it would, he said indifferently. Turning to my desk I penned the words of the hymn as fast as I could write. I handed the words to Webster. As he read his eyes kindled, and stepping to the desk he began writing the notes. Taking his violin, he played the melody and then jotted down the notes of the chorus. It was not over thirty minutes from the time I took my pen to write the words before two friends with Webster and myself were singing the hymn.-Sanford Fillmore Bennett (1836-1898)[2].
$12.99
11.77 €
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Trio à Cordes: violon, alto, violoncelle
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and By! Why would not that make a good hymn? Maybe it would, he said indifferently
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SMT Music
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In the Sweet By and By hymn for string trio
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SMT Music
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SheetMusicPlus
Love's Joy - Love's Sorrow
Trio à Cordes: violon, alto, violoncelle
Violine, Viola und Violoncello string trio - intermediate - Digital Download SKU: S9.Q6…
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Violine, Viola und Violoncello string trio - intermediate - Digital Download SKU: S9.Q6399 From the Old Viennese dance tunes. Composed by Fritz Kreisler. Arranged by Wolfgang Birtel. This edition: score and parts. Downloadable, Score and parts. Schott Music - Digital #Q6399. Published by Schott Music - Digital (S9.Q6399). Apart from the collection of 'Classical Manuscripts' composed by Fritz Kreisler (1875-1962) and passed off by him as transcriptions of movements by old masters, the violonist published original works very early. Kreisler himself liked to play them as encore pieces, sweetening many a concert with such pieces of 'musical confectionary'. The most famous miniatures are undoubtedly 'Love's Joy' and 'Love's Sorrow', two 'old Viennese dance-tunes' in which Kreisler evoked the coffee-house atmosphere of his home town with wonderful melodies and beguiling harmonies. The miniatures are endearing, lively and catchy, yet with an elegiac air – but full of charm and elegance. These magnificent salon pieces are now available in an arrangement for string trio by Wolfgang Birtel.
$18.99
17.2 €
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Trio à Cordes: violon, alto, violoncelle
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Fritz Kreisler
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Wolfgang Birtel
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Love's Joy - Love's Sorrow
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Schott Music - Digital
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SheetMusicPlus
Landini: Si Dolce Non Sono for String Trio
Trio à Cordes: violon, alto, violoncelle
String Trio Cello,Viola,Violin - Level 2 - Digital Download SKU: A0.1281002 Compose…
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String Trio Cello,Viola,Violin - Level 2 - Digital Download SKU: A0.1281002 Composed by Francesco Landini (1325-1397). Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Traditional. 13 pages. Jmsgu3 #872337. Published by jmsgu3 (A0.1281002). Si Dolce Non Sono (So sweet I am not ) is Landini's homage to French composer Philippe de Vitry, master of the sophisticated mathematical techniques of isorhythmic motet composition. It is one of his most famous works. It speaks of the sweet torment of loving someone who does not return that love.Landini was a leading composer of 14th-century Italy, famed during his lifetime for his musical memory, skill in improvisation, and virtuosity on the organetto, or portative organ, as well as for his compositions. Landini was blinded in childhood by smallpox. His blindness did not prevent him from becoming a highly skilled and renowned musician, composer, and instrument maker. His blindness may have contributed to his prodigious memory and great skill at improvisation. He was crowned with a laurel wreath as the winner of a poetical contest at Venice in 1364. Â Landini's output, preserved in the Squarcialupi Codex, represents almost a quarter of all surviving 14th-century Italian music. He was by far the most famous composer in Italy and is considered one of the most revered composers of the second half of the 14th century.Landini's music is characterized by lyrical, songlike melodies that possess an easy-flowing grace and are charmingly harmonized. He was the foremost exponent of the Italian Trecento style, sometimes called the Italian ars nova. His output was almost exclusively secular, and he is known for his ballet and madrigals, which were popular forms of Italian secular songs. It is assumed that he wrote the texts for many of his works.Francesco Landini's music is characterized by its lyrical melodies, secular themes, and unique rhythms, which set him apart from his contemporaries and contributed to his enduring legacy as a composer.
$24.95
22.6 €
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Trio à Cordes: violon, alto, violoncelle
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Francesco Landini
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James M
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Landini: Si Dolce Non Sono for String Trio
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jmsgu3
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SheetMusicPlus
Landini: Ecco la primavera for String Trio
Trio à Cordes: violon, alto, violoncelle
String Trio Cello,Viola,Violin - Level 2 - Digital Download SKU: A0.1282116 Compose…
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String Trio Cello,Viola,Violin - Level 2 - Digital Download SKU: A0.1282116 Composed by Francesco Landini, 14th Century. Arranged by James M. Guthrie. Chamber,Early Music,Historic,Medieval,Wedding. 13 pages. Jmsgu3 #873388. Published by jmsgu3 (A0.1282116). Landini was a leading composer of 14th-century Italy, famed during his lifetime for his musical memory, skill in improvisation, and virtuosity on the organetto, or portative organ, as well as for his compositions. Landini was blinded in childhood by smallpox. Â His blindness did not prevent him from becoming a highly skilled and renowned musician, composer, and instrument maker. In fact, his blindness may have contributed to his prodigious memory and great skill at improvisation. He was crowned with a laurel wreath as the winner of a poetical contest at Venice in 1364. Â Landini's output, preserved in the Squarcialupi Codex, represents almost a quarter of all surviving 14th-century Italian music. He was by far the most famous composer in Italy and is considered one of the most revered composers of the second half of the 14th century.Landini's music is characterized by lyrical, songlike melodies that possess an easy-flowing grace and are charmingly harmonized. He was the foremost exponent of the Italian Trecento style, sometimes called the Italian ars nova. His output was almost exclusively secular, and he is known for his ballate and madrigals, which were popular forms of Italian secular song. He is assumed to have written his own texts for many of his works.Francesco Landini's music is characterized by its lyrical melodies, secular themes, and unique rhythms, which set him apart from his contemporaries and contributed to his enduring legacy as a composer.
$24.95
22.6 €
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Trio à Cordes: violon, alto, violoncelle
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Francesco Landini, 14th Century
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James M
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Landini: Ecco la primavera for String Trio
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jmsgu3
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SheetMusicPlus
Mozart: Sonata K. 284 “Durnitz” for String Trio
Trio à Cordes: violon, alto, violoncelle
String Trio Cello,Viola,Violin - Level 4 - Digital Download SKU: A0.1201012 Compose…
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String Trio Cello,Viola,Violin - Level 4 - Digital Download SKU: A0.1201012 Composed by W. A. Mozart (1756 – 1791). Arranged by James M. Guthrie, ASCAP. Chamber,Classical,Contest,Festival,Standards,Wedding. 70 pages. Jmsgu3 #798993. Published by jmsgu3 (A0.1201012). Sonata No. 6, “Durnitz†for String TrioScore and performance parts:  Score: 32 pages. Duration: ca. 28:54Mozart's Sonata in D major, K. 284, also known as the Durnitz Sonata, is a solo piano piece that was composed by Wolfgang Amadeus Mozart in 1775. It is one of Mozart's more complex and ambitious piano sonatas and is generally regarded as one of his greatest works for the instrument.The sonata is divided into three movements:1.   Allegro - The first movement is a fast-paced and energetic sonata-allegro form, characterized by its lively theme and virtuosic passages. The movement begins with a bold and dramatic opening statement, followed by a series of contrasting themes and variations. The development section explores new harmonic and rhythmic territory, while the recapitulation brings the movement full circle with a restatement of the main themes.2.   Rondeau en Polonaise - The second movement is a graceful and elegant rondo in the style of a polonaise, a popular dance of the time. The main theme is a lilting melody that is first presented by the right hand and then repeated with variations throughout the movement. The middle section features a contrasting theme in a minor key, which is then developed and expanded upon in the latter half of the movement.3.   Theme and Variations - The final movement is a set of six variations on a theme, which is introduced at the beginning of the movement. Each variation explores a different aspect of the theme, from playful embellishments to dramatic flourishes. The final variation brings the piece to a rousing and triumphant close.Overall, Mozart's Sonata in D major, K. 284, is a masterful example of the composer's virtuosity and innovation and remains a beloved and influential work in the piano repertoire. Mozart's Sonata in D major, K. 284 is also known as the Dürnitz Sonata because it is believed to have been composed for Count Johann Joseph Anton von Dürnitz, an accomplished amateur flautist who was a patron of Mozart.Mozart was in Munich in 1775, and he met Dürnitz there. According to Mozart's letters to his father, Dürnitz played the flute very well, and Mozart was impressed by his abilities. It is believed that Mozart composed this sonata specifically for Dürnitz, who may have performed it with Mozart accompanying him on the piano.There is no concrete evidence to support the theory that the sonata was named after Dürnitz, but it is widely accepted as the most likely explanation for the nickname. In any case, the sonata remains one of Mozart's most popular and beloved works for solo piano.
$42.95
38.9 €
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Trio à Cordes: violon, alto, violoncelle
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W
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James M
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Mozart: Sonata K. 284 “Durnitz” for String Trio
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jmsgu3
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SheetMusicPlus
Blow Winds, Blow (Wehe, Windgen, wehe)
Trio à Cordes: violon, alto, violoncelle
String Ensemble,String Trio Cello,Viola,Violin - Level 2 - Digital Download SKU: A0.975…
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String Ensemble,String Trio Cello,Viola,Violin - Level 2 - Digital Download SKU: A0.975915 Composed by Samuel Scheidt. Arranged by Derrick Thom. Lewis. Baroque,Instructional. Score and parts. 19 pages. Derrick Thom. Lewis #6719751. Published by Derrick Thom. Lewis (A0.975915). DON'T FEAR PRE-BACH MUSIC! The idea of 'Progress' in art is fallacious (within reason). Scheidt- Variations on Wehe, Windgen, wehe (Blow Little Winds, Blow) [1624, Halle] This gem of mid-Baroque German meister Sam Scheidt, who (for reference) was 23 yrs. younger than Shakespeare and 98 yrs. than Bach, sounds not-a-bit strange to today's ears. Donald J. (no, not him) Grout says that John Dowland's songs of 1590's sound entirely modern. Well, they do! STING recorded them, if that means anything to you. So then, what have composers been up to for the last 430 years?! I jest, but this piece is terrific. Be advised, the 'runs' are modal, in that the 7th degree is usually NOT just a semitone under the 8th/1st, but a whole tone. A bit like bagpipe music, in our day.
$50.00
45.29 €
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Trio à Cordes: violon, alto, violoncelle
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Samuel Scheidt
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Derrick Thom
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Blow Winds, Blow
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Derrick Thom. Lewis
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SheetMusicPlus
Once Upon A Dream
Trio à Cordes: violon, alto, violoncelle
String Trio Cello,Viola,Violin - Level 1 - Digital Download SKU: A0.1246033 Compose…
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String Trio Cello,Viola,Violin - Level 1 - Digital Download SKU: A0.1246033 Composed by Jack Lawrence and Sammy Fain. Arranged by André Nusa. 20th Century,Chamber,Children,Film/TV. 5 pages. Andre_Nusa #840868. Published by Andre_Nusa (A0.1246033). Embark on a captivating musical journey through the enchanting melodies of Once Upon a Dream from Disney's Sleeping Beauty, now artfully arranged for a string trio of violin, viola and cello. This exquisite adaptation allows string players to bring to life the timeless charm and dreamlike quality of this beloved song. Designed specifically for violin, viola and violoncello, this sheet music ensures that each instrument's unique voice shines while maintaining the magical essence of Once Upon a Dream. Perfect for ensembles, students, or anyone seeking to expand their repertoire, this arrangement offers a delightful opportunity to experience the magic of Once Upon a Dream as a string trio. Each instrument carries its own role, combining in harmony to create a rich and resonant sound that evokes the timeless elegance of this iconic piece. As you master this beloved song, you'll not only refine your individual technique but also cultivate a deep connection with the whimsical charm and timeless beauty that have made it a cherished favorite.
$12.99
11.77 €
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Trio à Cordes: violon, alto, violoncelle
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Jack Lawrence and Sammy Fain
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André Nusa
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Once Upon A Dream
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Andre_Nusa
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SheetMusicPlus
Jealous
Trio à Cordes: violon, alto, violoncelle
String Trio Cello,Viola,Violin - Level 4 - Digital Download SKU: A0.1450729 By Nick…
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String Trio Cello,Viola,Violin - Level 4 - Digital Download SKU: A0.1450729 By Nick Jonas. By Nick Jonas, Nolan Lambroza, and Simon Wilcox. Arranged by Aaron Bennett. Contemporary,Film/TV,Pop,Wedding. 17 pages. StringfulScores.com #1030274. Published by StringfulScores.com (A0.1450729). Jealous by Nick Jonas arranged for String Trio (optional Violin 2/Viola parts)* by Aaron Bennett. The song recently regained popularity after being featured in the new season 3 soundtrack from the hit Netflix show BRIDGERTON.This arrangement takes inspiration from both the original song and the Shimmer cover, with melodic interest for every player. Get on trend with this latest BRIDGERTON release!*This song is also available for String Quartet.View all BRIDGERTON arrangements via the Stringful Scores YouTube playlist!BRIDGERTON arrangements by Aaron Bennett also available:- Give Me Everything (Pitball)- Dynamite (BTS)- Happier Than Ever (Billie Eilish)- If I Ain't Got You (Alicia Keys)- I Will Always Love You (Whitney Houston)- Nobody Gets Me (SZA)- Deja Vu (Beyonce ft. Jay-Z)- Wrecking Ball (Miley Cyrus)- Sign of the Times (Harry Styles)- What About Us (P!nk)- Dancing On My Own (Robyn)- Material Girl (Madonna)- Wildest Dreams (Taylor Swift)- Thank U, Next (Ariana Grande)- Girls Like You (Maroon 5)- In My Blood (Shawn Mendes)- Bridgerton Theme (Kris Bowers)For more arrangements by Aaron Bennett, visit: StringfulScores.com
$15.99
14.48 €
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Trio à Cordes: violon, alto, violoncelle
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Nick Jonas
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Aaron Bennett
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Jealous
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StringfulScores.com
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SheetMusicPlus
String Trio No. 3 in A major
Trio à Cordes: violon, alto, violoncelle
String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1488228 Compose…
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String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1488228 Composed by William Shield. Arranged by Robert Hoskins. Classical. 27 pages. Artaria Editions #1065115. Published by Artaria Editions (A0.1488228). Shield's Trios, written for a continental audience, are seminal works in the composer's output and mark a new level of compositional attainment in the English chamber music repertory. Technically, they contain a wide variety of ideas which are developed with great ingenuity through a wide range of keys, dynamic contrasts and timbral effects. Aesthetically, they blend 'popular' and 'learned' taste along with 'orchestral' splendour and 18th century notions of beauty. The Trios present a dazzling range of moods and style with each work demonstrating Shield's mastery of the idiom, both in his treatment of individual instruments and in the handling of textures. While there is no shortage of melody and accompaniment, in which the violin takes the lead, there are many memorable solos for the viola and the cello in its high register. The wide range of textures includes melodic decoration, dialogue, contrast of high and low register, legato and staccato, powerful unison and double octaves. Shield's ability to incorporate arioso-like melody, the prevailing 'symphonic' style and folk elements was largely achieved through the cross-generic requirements of English comic opera (a form to which Shield devoted himself during the whole of his creative career). In general, Shield's technique results in a firm control of the way music moves - with sometimes a surprising degree of stylistic restlessness and sometimes of unexpected plainness and simplicity. The trios Shield selected for publication were issued by Longman and Broderip, London, in January 1796 under the inspection of the composer. No autograph of these works survives and Longman and Broderip's printing, a copy of which is preserved in the Bodleian Library, Oxford, under the call number Mus.Instr.I 214(15), is the only source of this edition. The title page, with its dedicatory inscription, reads: Six / TRIOS / FOR / Violin, Tenor and Violoncello, / Composed / And Inscribed to the Memory of / Jacob More Esqr. / By / Wm. SHIELD./ (Musician in Ordinary to His Majesty) / Entd. At Statn. Hall [rule] Price 10/6 / ADVERTISEMENT / These Trios were Composed chiefly for the abovementioned Celebrated Landscape Painter (in Rome) / And are Dedicated to his Memory as a Token of Gratitude for the Services he rendered the Author / during his Residence in that City. The movements which are written in the uncommon Time / of 5/4 have amused some of the most distinguished Professors both in England & Italy which / induces the Author to hope they will not be disagreeable to the Public at Large / Goodge Street, Jany. 1st 1796 / [rule] / London, Printed for the Author by Longman & Broderip, No.26, Cheapside & No.13, Haymarket. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$49.00
44.38 €
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Trio à Cordes: violon, alto, violoncelle
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/ Wm
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William Shield
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Robert Hoskins
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String Trio No. 3 in A major
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Artaria Editions
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SheetMusicPlus
String Trio No. 4 in E major
Trio à Cordes: violon, alto, violoncelle
String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1488229 Compose…
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String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1488229 Composed by William Shield. Arranged by Robert Hoskins. Classical. 24 pages. Artaria Editions #1065116. Published by Artaria Editions (A0.1488229). Shield's Trios, written for a continental audience, are seminal works in the composer's output and mark a new level of compositional attainment in the English chamber music repertory. Technically, they contain a wide variety of ideas which are developed with great ingenuity through a wide range of keys, dynamic contrasts and timbral effects. Aesthetically, they blend 'popular' and 'learned' taste along with 'orchestral' splendour and 18th century notions of beauty. The Trios present a dazzling range of moods and style with each work demonstrating Shield's mastery of the idiom, both in his treatment of individual instruments and in the handling of textures. While there is no shortage of melody and accompaniment, in which the violin takes the lead, there are many memorable solos for the viola and the cello in its high register. The wide range of textures includes melodic decoration, dialogue, contrast of high and low register, legato and staccato, powerful unison and double octaves. Shield's ability to incorporate arioso-like melody, the prevailing 'symphonic' style and folk elements was largely achieved through the cross-generic requirements of English comic opera (a form to which Shield devoted himself during the whole of his creative career). In general, Shield's technique results in a firm control of the way music moves - with sometimes a surprising degree of stylistic restlessness and sometimes of unexpected plainness and simplicity. The trios Shield selected for publication were issued by Longman and Broderip, London, in January 1796 under the inspection of the composer. No autograph of these works survives and Longman and Broderip's printing, a copy of which is preserved in the Bodleian Library, Oxford, under the call number Mus.Instr.I 214(15), is the only source of this edition. The title page, with its dedicatory inscription, reads: Six / TRIOS / FOR / Violin, Tenor and Violoncello, / Composed / And Inscribed to the Memory of / Jacob More Esqr. / By / Wm. SHIELD./ (Musician in Ordinary to His Majesty) / Entd. At Statn. Hall [rule] Price 10/6 / ADVERTISEMENT / These Trios were Composed chiefly for the abovementioned Celebrated Landscape Painter (in Rome) / And are Dedicated to his Memory as a Token of Gratitude for the Services he rendered the Author / during his Residence in that City. The movements which are written in the uncommon Time / of 5/4 have amused some of the most distinguished Professors both in England & Italy which / induces the Author to hope they will not be disagreeable to the Public at Large / Goodge Street, Jany. 1st 1796 / [rule] / London, Printed for the Author by Longman & Broderip, No.26, Cheapside & No.13, Haymarket. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$49.00
44.38 €
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Trio à Cordes: violon, alto, violoncelle
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/ Wm
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William Shield
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Robert Hoskins
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String Trio No. 4 in E major
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Artaria Editions
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SheetMusicPlus
String Trio No. 9 in A major
Trio à Cordes: violon, alto, violoncelle
String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1488294 Compose…
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String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1488294 Composed by William Shield. Arranged by Robert Hoskins. Classical. 29 pages. Artaria Editions #1065182. Published by Artaria Editions (A0.1488294). Artaria Editions AE429Shield's Trios, written for a continental audience, are seminal works in the composer's output and mark a new level of compositional attainment in the English chamber music repertory. Technically, they contain a wide variety of ideas which are developed with great ingenuity through a wide range of keys, dynamic contrasts and timbral effects. Aesthetically, they blend 'popular' and 'learned' taste along with 'orchestral' splendour and 18th century notions of beauty. The Trios present a dazzling range of moods and style with each work demonstrating Shield's mastery of the idiom, both in his treatment of individual instruments and in the handling of textures. While there is no shortage of melody and accompaniment, in which the violin takes the lead, there are many memorable solos for the viola and the cello in its high register. The wide range of textures includes melodic decoration, dialogue, contrast of high and low register, legato and staccato, powerful unison and double octaves. Shield's ability to incorporate arioso-like melody, the prevailing 'symphonic' style and folk elements was largely achieved through the cross-generic requirements of English comic opera (a form to which Shield devoted himself during the whole of his creative career). In general, Shield's technique results in a firm control of the way music moves - with sometimes a surprising degree of stylistic restlessness and sometimes of unexpected plainness and simplicity. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$49.00
44.38 €
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Trio à Cordes: violon, alto, violoncelle
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William Shield
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Robert Hoskins
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String Trio No. 9 in A major
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Artaria Editions
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SheetMusicPlus
String Trio No. 6 in B flat major
Trio à Cordes: violon, alto, violoncelle
String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1488232 Compose…
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String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1488232 Composed by William Shield. Arranged by Robert Hoskins. Classical. 36 pages. Artaria Editions #1065119. Published by Artaria Editions (A0.1488232). Shield's Trios, written for a continental audience, are seminal works in the composer's output and mark a new level of compositional attainment in the English chamber music repertory. Technically, they contain a wide variety of ideas which are developed with great ingenuity through a wide range of keys, dynamic contrasts and timbral effects. Aesthetically, they blend 'popular' and 'learned' taste along with 'orchestral' splendour and 18th century notions of beauty. The Trios present a dazzling range of moods and style with each work demonstrating Shield's mastery of the idiom, both in his treatment of individual instruments and in the handling of textures. While there is no shortage of melody and accompaniment, in which the violin takes the lead, there are many memorable solos for the viola and the cello in its high register. The wide range of textures includes melodic decoration, dialogue, contrast of high and low register, legato and staccato, powerful unison and double octaves. Shield's ability to incorporate arioso-like melody, the prevailing 'symphonic' style and folk elements was largely achieved through the cross-generic requirements of English comic opera (a form to which Shield devoted himself during the whole of his creative career). In general, Shield's technique results in a firm control of the way music moves - with sometimes a surprising degree of stylistic restlessness and sometimes of unexpected plainness and simplicity. The trios Shield selected for publication were issued by Longman and Broderip, London, in January 1796 under the inspection of the composer. No autograph of these works survives and Longman and Broderip's printing, a copy of which is preserved in the Bodleian Library, Oxford, under the call number Mus.Instr.I 214(15), is the only source of this edition. The title page, with its dedicatory inscription, reads: Six / TRIOS / FOR / Violin, Tenor and Violoncello, / Composed / And Inscribed to the Memory of / Jacob More Esqr. / By / Wm. SHIELD./ (Musician in Ordinary to His Majesty) / Entd. At Statn. Hall [rule] Price 10/6 / ADVERTISEMENT / These Trios were Composed chiefly for the abovementioned Celebrated Landscape Painter (in Rome) / And are Dedicated to his Memory as a Token of Gratitude for the Services he rendered the Author / during his Residence in that City. The movements which are written in the uncommon Time / of 5/4 have amused some of the most distinguished Professors both in England & Italy which / induces the Author to hope they will not be disagreeable to the Public at Large / Goodge Street, Jany. 1st 1796 / [rule] / London, Printed for the Author by Longman & Broderip, No.26, Cheapside & No.13, Haymarket. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$49.00
44.38 €
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Trio à Cordes: violon, alto, violoncelle
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/ Wm
#
William Shield
#
Robert Hoskins
#
String Trio No. 6 in B flat major
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Artaria Editions
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SheetMusicPlus
String Trio No. 7 in G major
Trio à Cordes: violon, alto, violoncelle
String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1488290 Compose…
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String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1488290 Composed by William Shield. Arranged by Robert Hoskins. Classical. 26 pages. Artaria Editions #1065178. Published by Artaria Editions (A0.1488290). Artaria Editions AE427Shield's Trios, written for a continental audience, are seminal works in the composer's output and mark a new level of compositional attainment in the English chamber music repertory. Technically, they contain a wide variety of ideas which are developed with great ingenuity through a wide range of keys, dynamic contrasts and timbral effects. Aesthetically, they blend 'popular' and 'learned' taste along with 'orchestral' splendour and 18th century notions of beauty. The Trios present a dazzling range of moods and style with each work demonstrating Shield's mastery of the idiom, both in his treatment of individual instruments and in the handling of textures. While there is no shortage of melody and accompaniment, in which the violin takes the lead, there are many memorable solos for the viola and the cello in its high register. The wide range of textures includes melodic decoration, dialogue, contrast of high and low register, legato and staccato, powerful unison and double octaves. Shield's ability to incorporate arioso-like melody, the prevailing 'symphonic' style and folk elements was largely achieved through the cross-generic requirements of English comic opera (a form to which Shield devoted himself during the whole of his creative career). In general, Shield's technique results in a firm control of the way music moves - with sometimes a surprising degree of stylistic restlessness and sometimes of unexpected plainness and simplicity. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$49.00
44.38 €
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Trio à Cordes: violon, alto, violoncelle
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William Shield
#
Robert Hoskins
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String Trio No. 7 in G major
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Artaria Editions
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SheetMusicPlus
String Trio No. 5 in C minor
Trio à Cordes: violon, alto, violoncelle
String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1488231 Compose…
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String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1488231 Composed by William Shield. Arranged by Robert Hoskins. Classical. 23 pages. Artaria Editions #1065118. Published by Artaria Editions (A0.1488231). Shield's Trios, written for a continental audience, are seminal works in the composer's output and mark a new level of compositional attainment in the English chamber music repertory. Technically, they contain a wide variety of ideas which are developed with great ingenuity through a wide range of keys, dynamic contrasts and timbral effects. Aesthetically, they blend 'popular' and 'learned' taste along with 'orchestral' splendour and 18th century notions of beauty. The Trios present a dazzling range of moods and style with each work demonstrating Shield's mastery of the idiom, both in his treatment of individual instruments and in the handling of textures. While there is no shortage of melody and accompaniment, in which the violin takes the lead, there are many memorable solos for the viola and the cello in its high register. The wide range of textures includes melodic decoration, dialogue, contrast of high and low register, legato and staccato, powerful unison and double octaves. Shield's ability to incorporate arioso-like melody, the prevailing 'symphonic' style and folk elements was largely achieved through the cross-generic requirements of English comic opera (a form to which Shield devoted himself during the whole of his creative career). In general, Shield's technique results in a firm control of the way music moves - with sometimes a surprising degree of stylistic restlessness and sometimes of unexpected plainness and simplicity. The trios Shield selected for publication were issued by Longman and Broderip, London, in January 1796 under the inspection of the composer. No autograph of these works survives and Longman and Broderip's printing, a copy of which is preserved in the Bodleian Library, Oxford, under the call number Mus.Instr.I 214(15), is the only source of this edition. The title page, with its dedicatory inscription, reads: Six / TRIOS / FOR / Violin, Tenor and Violoncello, / Composed / And Inscribed to the Memory of / Jacob More Esqr. / By / Wm. SHIELD./ (Musician in Ordinary to His Majesty) / Entd. At Statn. Hall [rule] Price 10/6 / ADVERTISEMENT / These Trios were Composed chiefly for the abovementioned Celebrated Landscape Painter (in Rome) / And are Dedicated to his Memory as a Token of Gratitude for the Services he rendered the Author / during his Residence in that City. The movements which are written in the uncommon Time / of 5/4 have amused some of the most distinguished Professors both in England & Italy which / induces the Author to hope they will not be disagreeable to the Public at Large / Goodge Street, Jany. 1st 1796 / [rule] / London, Printed for the Author by Longman & Broderip, No.26, Cheapside & No.13, Haymarket. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$49.00
44.38 €
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Trio à Cordes: violon, alto, violoncelle
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/ Wm
#
William Shield
#
Robert Hoskins
#
String Trio No. 5 in C minor
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Artaria Editions
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SheetMusicPlus
String Trio No. 8 in F major
Trio à Cordes: violon, alto, violoncelle
String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1488292 Compose…
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String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1488292 Composed by William Shield. Arranged by Robert Hoskins. Classical. 35 pages. Artaria Editions #1065180. Published by Artaria Editions (A0.1488292). Artaria Editions AE428Shield's Trios, written for a continental audience, are seminal works in the composer's output and mark a new level of compositional attainment in the English chamber music repertory. Technically, they contain a wide variety of ideas which are developed with great ingenuity through a wide range of keys, dynamic contrasts and timbral effects. Aesthetically, they blend 'popular' and 'learned' taste along with 'orchestral' splendour and 18th century notions of beauty. The Trios present a dazzling range of moods and style with each work demonstrating Shield's mastery of the idiom, both in his treatment of individual instruments and in the handling of textures. While there is no shortage of melody and accompaniment, in which the violin takes the lead, there are many memorable solos for the viola and the cello in its high register. The wide range of textures includes melodic decoration, dialogue, contrast of high and low register, legato and staccato, powerful unison and double octaves. Shield's ability to incorporate arioso-like melody, the prevailing 'symphonic' style and folk elements was largely achieved through the cross-generic requirements of English comic opera (a form to which Shield devoted himself during the whole of his creative career). In general, Shield's technique results in a firm control of the way music moves - with sometimes a surprising degree of stylistic restlessness and sometimes of unexpected plainness and simplicity. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$49.00
44.38 €
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Trio à Cordes: violon, alto, violoncelle
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William Shield
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Robert Hoskins
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String Trio No. 8 in F major
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Artaria Editions
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SheetMusicPlus
String Trio No. 2 in D major
Trio à Cordes: violon, alto, violoncelle
String Trio Cello,Viola,Violin - Digital Download SKU: A0.1488225 Composed by Willi…
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String Trio Cello,Viola,Violin - Digital Download SKU: A0.1488225 Composed by William Shield. Arranged by Robert Hoskins. Classical. 37 pages. Artaria Editions #1065111. Published by Artaria Editions (A0.1488225). Shield's Trios, written for a continental audience, are seminal works in the composer's output and mark a new level of compositional attainment in the English chamber music repertory. Technically, they contain a wide variety of ideas which are developed with great ingenuity through a wide range of keys, dynamic contrasts and timbral effects. Aesthetically, they blend 'popular' and 'learned' taste along with 'orchestral' splendour and 18th century notions of beauty. The Trios present a dazzling range of moods and style with each work demonstrating Shield's mastery of the idiom, both in his treatment of individual instruments and in the handling of textures. While there is no shortage of melody and accompaniment, in which the violin takes the lead, there are many memorable solos for the viola and the cello in its high register. The wide range of textures includes melodic decoration, dialogue, contrast of high and low register, legato and staccato, powerful unison and double octaves. Shield's ability to incorporate arioso-like melody, the prevailing 'symphonic' style and folk elements was largely achieved through the cross-generic requirements of English comic opera (a form to which Shield devoted himself during the whole of his creative career). In general, Shield's technique results in a firm control of the way music moves - with sometimes a surprising degree of stylistic restlessness and sometimes of unexpected plainness and simplicity. The trios Shield selected for publication were issued by Longman and Broderip, London, in January 1796 under the inspection of the composer. No autograph of these works survives and Longman and Broderip's printing, a copy of which is preserved in the Bodleian Library, Oxford, under the call number Mus.Instr.I 214(15), is the only source of this edition. The title page, with its dedicatory inscription, reads: Six / TRIOS / FOR / Violin, Tenor and Violoncello, / Composed / And Inscribed to the Memory of / Jacob More Esqr. / By / Wm. SHIELD./ (Musician in Ordinary to His Majesty) / Entd. At Statn. Hall [rule] Price 10/6 / ADVERTISEMENT / These Trios were Composed chiefly for the abovementioned Celebrated Landscape Painter (in Rome) / And are Dedicated to his Memory as a Token of Gratitude for the Services he rendered the Author / during his Residence in that City. The movements which are written in the uncommon Time / of 5/4 have amused some of the most distinguished Professors both in England & Italy which / induces the Author to hope they will not be disagreeable to the Public at Large / Goodge Street, Jany. 1st 1796 / [rule] / London, Printed for the Author by Longman & Broderip, No.26, Cheapside & No.13, Haymarket. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$49.00
44.38 €
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Trio à Cordes: violon, alto, violoncelle
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/ Wm
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William Shield
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Robert Hoskins
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String Trio No. 2 in D major
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Artaria Editions
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SheetMusicPlus
Marche miniature viennoise
Trio à Cordes: violon, alto, violoncelle
Composed by Fritz Kreisler (1875-1962). Arranged by Fredo Jung. This edition: score an…
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Composed by Fritz Kreisler (1875-1962). Arranged by Fredo Jung. This edition: score and parts. Downloadable, score and parts. Duration 3:30. Schott Music - Digital #Q7117. Published by Schott Music - Digital
Apart from the collection of Classical Manuscripts composed by the violin virtuoso Fritz Kreisler (1875-1962) which he had passed off as transcriptions of settings of old masters, the violinist published original works early on as well. Kreisler himself liked to play them as encore pieces, thus sweetening many a concert with this 'musical confectionery'. Famous tunes are, for example, Liebesfreud, Liebesleid and Schön Rosmarin, his old Viennese dance tunes, in which Kreisler evoked the coffee-house atmosphere of his home town with beautiful melodies and mellifluous harmonies. Another wonderful example is his Marche miniature viennoise, with its humorous theme and a rather march-like middle section - and everywhere, Kreisler takes the audience by surprise with a little Viennese snide humour. Kreisler's original compositions are lovely miniatures, lively and catchy, even with a touch of melancholy - yet full of charm and elegance. Arranged for string trio, they are enjoyable to play and worth listening to and a valuable addition to the repertoire - ideal for sociable music-making or as pieces to end a 'serious' concert.
$16.99
15.39 €
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Trio à Cordes: violon, alto, violoncelle
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Fritz Kreisler (1875-1962)
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Fredo Jung
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Marche miniature viennoise
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Schott Music - Digital
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SheetMusicPlus
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