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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Long Way Down
Sheetmusicplus
Non classifié
860
Piano & claviers
Piano seul
507
Piano, Voix
279
Piano Facile
270
Piano, Voix et Guitare
209
Instruments en Do
145
Orgue
30
Accompagnement Piano
15
1 Piano, 4 mains
10
Piano Trio: piano, violon, violoncelle
9
2 Pianos, 4 mains
9
Piano grosses notes
5
Piano Quintette: piano, 2 violons, alto, violoncelle
5
Piano Quatuor: piano, violon, alto, violoncelle
4
Accordéon
4
Piano (partie séparée)
3
Piano Quatuor: piano, 2 violons, violoncelle
1
Clavecin
1
+ 12 instrumentations
Retracter
Guitares
Guitare notes et tablatures
73
Guitare
56
Ligne De Mélodie, (Paroles) et Accords
36
Ukulele
35
Basse electrique
9
Piano, Guitare (duo)
7
Guitare (partie séparée)
6
2 Guitares (duo)
4
Dulcimer
3
Mandoline
3
Paroles et Accords
2
Banjo
2
4 Guitares (Quatuor)
2
Ukulele Baryton
1
Ensemble de guitares
1
+ 10 instrumentations
Retracter
Voix
Chorale SATB
243
Chorale 3 parties
71
Chorale 2 parties
63
Chorale TTBB
36
Chorale Unison
35
Chorale SSAA
20
Voix duo, Piano
16
Voix Soprano, Piano
12
Voix haute
9
Voix Alto, Piano
6
Voix duo
4
Pack Instrumental pour Chorale
3
Voix seule
3
Voix moyenne, Piano
2
Voix Tenor
1
Voix basse
1
Chorale SSAB, Piano
1
Chorale SSATB
1
Chorale SSAATTBB
1
Voix Baryton, Piano
1
Voix Tenor, Piano
1
+ 16 instrumentations
Retracter
Vents
Flûte traversière et Piano
91
Clarinette et Piano
82
Hautbois, Piano (duo)
57
Saxophone Alto et Piano
49
Flûte traversière
46
Clarinette
44
Saxophone (partie séparée)
40
Quatuor de Saxophones: 4 saxophones
38
2 Saxophones (duo)
37
Saxophone Tenor et Piano
36
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
36
Saxophone Soprano et Piano
26
Hautbois (partie séparée)
25
Saxophone Alto
25
Saxophone Tenor
24
Ensemble de Flûtes
23
2 Clarinettes (duo)
23
Flûte, Hautbois, Clarinette, Basson
22
Clarinette (partie séparée)
18
Quatuor de Clarinettes: 4 clarinettes
18
2 Flûtes traversières (duo)
16
Ensemble de Clarinettes
15
Saxophone Baryton, Piano
15
Cor anglais, Piano
14
Quatuor de Flûtes : 4 flûtes
13
Saxophone, Clarinette (duo)
12
Clarinette, Trompette (duo)
10
Flûte, Clarinette (duo)
10
Clarinette, Violon (duo)
9
Flute (partie séparée)
8
Ensemble de saxophones
8
3 Clarinettes (trio)
8
2 Hautbois (duo)
7
Quintette de Clarinettes: 5 clarinettes
7
Quintette de Saxophone: 5 saxophones
7
Hautbois, Basson (duo)
6
Flûte à Bec
6
Flûte, Alto (duo)
6
Hautbois, Flûte
5
Clarinette, Guitare (duo)
5
Clarinette et Alto
5
Flûte, Violon
5
Clarinette Basse, Piano
5
Flûte à bec Soprano
4
Clarinette, Harpe (duo)
4
3 Saxophones (trio)
4
Flûte, Clarinette et Basson
4
Cor Anglais
3
Flûte, Saxophone (duo)
3
Flûte, Hautbois, Clarinette (trio)
3
Flûte et Guitare
3
Hautbois
3
Flûte à bec Alto, Piano
3
Piccolo, Piano
2
Flûte, Violoncelle
2
Trio de Flûtes: 3 flûtes
2
Hautbois, Clarinette (duo)
2
Saxophone
2
Flûte à bec Alto
2
Clarinette, Basson (duo)
2
Clarinette, Violoncelle (duo)
1
Flûte à bec Tenor
1
Hautbois, Guitare (duo)
1
Flûte, Hautbois, Basson
1
Hautbois, Violoncelle
1
Flûte, Trompette (duo)
1
Flûte à bec Soprano, Piano
1
3 Flûtes à bec (trio)
1
Flûte à Bec, Piano
1
5 Flûtes à bec
1
Flûte, Violon, Piano
1
Quintette de Flûte : 5 flûtes
1
Flûte irlandaise
1
Clarinette Basse
1
+ 69 instrumentations
Retracter
Cuivres
Trombone et Piano
49
Trompette
48
Trompette, Piano
47
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
47
Cor et Piano
41
Trombone
33
Trompette (partie séparée)
32
Cor
25
Tuba et Piano
19
Tuba
18
Quatuor de cuivres: 4 trombones
14
Trombone (partie séparée)
14
Cor anglais, Piano
14
Euphonium, Piano (duo)
13
Quatuor de Cuivres : 2 trompettes, trombone, tuba
12
Quatuor de Cuivres: 2 trompettes, Cor, trombone
11
2 Trompettes (duo)
9
Trompette, Saxophone (duo)
8
Trompette, Trombone (duo)
8
2 Trombones (duo)
8
Quatuor de Cuivres
7
Tuba (partie séparée)
6
Euphonium
5
Cor (partie séparée)
5
2 Cors (duo)
4
Cor Anglais
3
Ensemble de Trompettes
3
Tuba et Orgue
2
Quatuor de cuivres: 4 cors
2
Ensemble de Cors
2
Ensemble de Trombones
2
2 Euphoniums et 2 Tubas
1
2 Euphoniums (duo)
1
Trombone basse et Piano
1
Trompette, Cor (duo)
1
Cor, Trompette, Trombone (trio)
1
2 Tubas (duo)
1
Trombone, Tuba (duo)
1
Euphonium, Tuba (duo)
1
Trio de Cuivres
1
Ensemble de Tubas
1
Quatuor de cuivres: 4 trompettes
1
+ 37 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
119
Violon et Piano
101
Violoncelle, Piano
94
Alto, Piano
81
Violon
55
Violoncelle
50
Violon, Violoncelle (duo)
43
Harpe
30
Alto seul
29
Trio à Cordes: violon, alto, violoncelle
26
Trio à Cordes: 2 violons, violoncelle
23
Violon (partie séparée)
21
2 Violoncelles (duo)
19
Violon, Alto (duo)
19
Contrebasse, Piano (duo)
16
Alto, Violoncelle (duo)
16
Contre Basse
13
2 Violons (duo)
11
Alto (partie séparée)
10
2 Altos (duo)
7
Trio à cordes: 3 violins
7
Contrebasse (partie séparée)
6
2 Harpes (duo)
5
Violon, Guitare (duo)
5
Harpe, Voix
5
Violoncelle, Contrebasse (duo)
3
2 Contrebasses (duo)
2
Violoncelle , Guitare (duo)
2
Quintette à cordes : 2 violons, alto et 2 violoncelles
2
Trio à Cordes: 2 violons, alto
2
Ensemble de Violoncelles
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Harpe, Violon (duo)
1
Violoncelle (partie séparée)
1
Harpe, Flûte (duo)
1
Trio à Cordes: 3 violoncelles
1
+ 31 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
355
Orchestre
75
Orchestre à Cordes
67
Ensemble Jazz
64
Ensemble de cuivres
33
Jazz combo
22
Cloches
22
Batterie
20
Orchestre de chambre
19
Percussion (partie séparée)
17
Fanfare
13
Ensemble de Percussions
11
Xylophone, Piano
4
Marimba
4
Batterie (partie séparée)
3
Xylophone
3
Timbales (partie séparée)
2
Caisse Claire
1
Piano et Orchestre
1
Vibraphone et Marimba
1
Voix et Orchestre
1
2 Xylophones
1
+ 17 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Instrumentations
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26
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
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Crtitères actifs :
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SheetMusicPlus
Partitions à imprimer
26 partitions trouvées
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1
26
Away in a Manger for String Octet/String Orchestra
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE
#
Noël
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John Bunyan Herbert
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Edward Holmes
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Away in a Manger for String Oc
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Edward Holmes
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SheetMusicPlus
String Ensemble Cello,Viola,Violin - Level 3 - SKU: A0.1337436 By John Bunyan Herbert. By Peter Graham. Arranged by Edward Holmes. Christmas,Holiday,Tra...
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String Ensemble Cello,Viola,Violin - Level 3 - SKU: A0.1337436 By John Bunyan Herbert. By Peter Graham. Arranged by Edward Holmes. Christmas,Holiday,Traditional. 15 pages. Edward Holmes #923262. Published by Edward Holmes (A0.1337436). This is taken from the very end of my hour-long Christmas octet medley, A Christmas Cracker and is very heavily based on the wonderful brass band version by Peter Graham. It is certainly a very unique version of the song and it offers a beautifully different way of hearing the well known melody...Approx: 3:30.
$9.99
Away in a Manger Violin Viola and Cello Trio
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Trio à Cordes: violon, alto, violoncelle
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FACILE
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Noël
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James Murray, William Kirkpatr
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Abraham Maduro
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Away in a Manger Violin Viola
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Abraham Maduro
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SheetMusicPlus
String Trio Cello,Viola,Violin - Level 2 - SKU: A0.1316825 Composed by James Murray, William Kirkpatrick. Arranged by Abraham Maduro. Christian,Christma...
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String Trio Cello,Viola,Violin - Level 2 - SKU: A0.1316825 Composed by James Murray, William Kirkpatrick. Arranged by Abraham Maduro. Christian,Christmas,Classical,Holiday,Traditional. 6 pages. Abraham Maduro #905503. Published by Abraham Maduro (A0.1316825). String Trio arrangement of the popular Christmas carol Away In a Manger. In this arrangement, the melody remains almost the same in the first violin part. All three parts are musical and interesting; D major with a modulation to A major, 3/4, 100 BPM, 1 minute long approx, Early Intermediate level.Remember that these scores are available for digital download and you can view them on your computer, tablet or mobile device.
$9.99
You Belong With Me
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE
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Pop musique
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Taylor Swift
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Krista Broadway Swider
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You Belong With Me
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Krista Swider
#
SheetMusicPlus
String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1439311 By Taylor Swift. By Liz Rose and Taylor Swift. Arranged by Krista Broadway Swider. Pop. 16 pa...
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String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1439311 By Taylor Swift. By Liz Rose and Taylor Swift. Arranged by Krista Broadway Swider. Pop. 16 pages. Krista Swider #1019318. Published by Krista Swider (A0.1439311). This arrangement starts with the catchy banjo solo in the violin part with the cello on the bass line and viola as the rhythm instrument. The verse introduces the viola on melody, while the pre-chorus features the violin and viola playing a closely harmonized duet. The violin takes over the melody on the chorus - then it all starts over. The cello rocks the guitar solo before the bridge. This arrangement holds to the format of the original song very closely. When any given instrument has the melody, that part is marked solo and the dynamics are adjusted in all parts so that the instruments providing back-up defer to the melody instrument. Bowings, dynamics, rehearsal letters and measure numbers provided for ease of sight-reading and performing at gigs.
$14.99
Away In A Manger (String Trio)
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Trio à Cordes: violon, alto, violoncelle
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Paul Barker Music
#
Paul Barker
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Away In A Manger
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Paul Barker Music
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SheetMusicPlus
String Trio Cello,Viola,Violin - SKU: A0.1459768 By Paul Barker Music. By William Kirkpatrick. Arranged by Paul Barker. Children,Christmas,Holiday,Tradi...
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String Trio Cello,Viola,Violin - SKU: A0.1459768 By Paul Barker Music. By William Kirkpatrick. Arranged by Paul Barker. Children,Christmas,Holiday,Traditional. 10 pages. Paul Barker Music #1038723. Published by Paul Barker Music (A0.1459768). Embrace the magic of the season with this easily accessible arrangement of Away In A Manger for String Trio. A Performance Recording MP3 is also available to listen and perform along to from www.paulbarkermusic.com and here.Also includes a Violin II part which doubles the viola.Also see our Holiday music titles for other Trios, Ensembles, Orchestras and Flexible Instrumentation. Duration: 1:20Level: Early Level (UK Grade 2+)Occasion: Concert - Formal/Informal Christmas Holiday EventsOrchestration: String Trio.
$5.95
Mysterious Moment for alto flute and string trio
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE
#
Contemporain
#
David Warin Solomons
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Mysterious Moment for alto flu
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David Warin Solomons
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SheetMusicPlus
String Ensemble,String Trio - Level 3 - SKU: A0.576736 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 7 pages. David Wari...
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String Ensemble,String Trio - Level 3 - SKU: A0.576736 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 7 pages. David Warin Solomons #119391. Published by David Warin Solomons (A0.576736). Mysterious piece in octatonic mode, originally written for the short story The Door The pdf file contains score and parts. The sound sample is an electronic preview. High up on the grassy hill behind the town there is a door. It stands there in its frame with nothing before or behind it. It is locked shut. There is no key. We climb the hill each day. We play each side of the door, games of hide and seek. But we cannot go through the door. Each day we go there during this long sultry summer holiday. We are fascinated by the structure. Why would anyone put a door up there, in its frame, eternally locked, with nothing before or behind it? Maybe it is all that remains of an ancient house? We play, we wonder, we laugh and play, and we return regularly to our homes in time for tea. Then, one day, as we climb the hill for the umpteenth time, a lady dressed in white arrives before us. We watch her take the key out of her bag and insert it in the lock. We are too far downhill to catch up before she closes the door behind her. As we arrive, puffing and panting, Steve knocks on the door. No answer. Dave knocks on the door more forcefully. We hear a distant swish of robes. Gloria knocks, perhaps a little more timidly as the swishing sound approaches. Estelle begins to knock in her turn and the door suddenly opens wide. We all gasp as we see the lady standing there in glistening robes. Her face is hidden from view by a white shawl, but her piercing eyes still show. Children, she says, welcome all. Do come in, please, the kettle is on. You are just in time for tea. We hesitate, as well we might. How can we come in when there is nothing before or behind the door? But Estelle puts one foot inside and looks back at us with a curious expression of serenity on her face. We follow her. We look around at the new space beyond the door and at the parquet floor beneath our dew-soaked feet. As our eyes become accustomed to the brightness of the interior we catch sight of many signs of the world we have entered, but only fleetingly. They pass before our eyes in an instant and then flee beyond the range of sight. There is a staircase, a hat stand, a distant gleam of an ancient cooker, a faint whiff of scones and boiling jam. As we walk inside, our senses are overwhelmed with the new reality, we are rooted to the spot. Do please sit down, says the lady with a slight catch in her throat. We are seated on wooden chairs along one side of an oak table, although we cannot recall how we got there, some slip of the memory perhaps. We have no sense of foreboding, Estelle's serenity has passed to all of us. We can stay here eating scones and jam until the end of time. The lady removes her shawl and reveals a face as beautiful as anyone's mother's. Her deep black eyes glisten like obsidian. She beams a smile of welcome and pours the tea. I'm glad you have come. I've been expecting you, she begins. You must have a thousand questions, so do please ask away. Well, says Steve, what is this door that we passed through? Is this another world? There is no other world, the lady replies, this is the only one. But there is! There is! starts Dave excitedly, Look!. He gets up quickly from the chair, knocking it over in his haste and rushes to the door to open it. He pulls at it with all his force and reveals a black nothingness behind it. We were on the hill, where's it gone? he shouts, what have you done to it? There is no hill. But you climbed the hill in front of us says Gloria. There is no hill. Even Estelle of the serene demeanour is beginning to look worried. How did we get here then, how did you get here, she asks the lady nervously. We have all been here since the beginning of time, the catch in the lady's throat is becoming more evident. No, we have our families down there in the town cries Estelle You have no families,.
$8.00
String Trio No. 3 in A major
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE
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Classique
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/ Wm
#
William Shield
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Robert Hoskins
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String Trio No. 3 in A major
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Artaria Editions
#
SheetMusicPlus
String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1488228 Composed by William Shield. Arranged by Robert Hoskins. Classical. 27 pages. Artaria Editions...
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String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1488228 Composed by William Shield. Arranged by Robert Hoskins. Classical. 27 pages. Artaria Editions #1065115. Published by Artaria Editions (A0.1488228). Shield's Trios, written for a continental audience, are seminal works in the composer's output and mark a new level of compositional attainment in the English chamber music repertory. Technically, they contain a wide variety of ideas which are developed with great ingenuity through a wide range of keys, dynamic contrasts and timbral effects. Aesthetically, they blend 'popular' and 'learned' taste along with 'orchestral' splendour and 18th century notions of beauty. The Trios present a dazzling range of moods and style with each work demonstrating Shield's mastery of the idiom, both in his treatment of individual instruments and in the handling of textures. While there is no shortage of melody and accompaniment, in which the violin takes the lead, there are many memorable solos for the viola and the cello in its high register. The wide range of textures includes melodic decoration, dialogue, contrast of high and low register, legato and staccato, powerful unison and double octaves. Shield's ability to incorporate arioso-like melody, the prevailing 'symphonic' style and folk elements was largely achieved through the cross-generic requirements of English comic opera (a form to which Shield devoted himself during the whole of his creative career). In general, Shield's technique results in a firm control of the way music moves - with sometimes a surprising degree of stylistic restlessness and sometimes of unexpected plainness and simplicity. The trios Shield selected for publication were issued by Longman and Broderip, London, in January 1796 under the inspection of the composer. No autograph of these works survives and Longman and Broderip's printing, a copy of which is preserved in the Bodleian Library, Oxford, under the call number Mus.Instr.I 214(15), is the only source of this edition. The title page, with its dedicatory inscription, reads: Six / TRIOS / FOR / Violin, Tenor and Violoncello, / Composed / And Inscribed to the Memory of / Jacob More Esqr. / By / Wm. SHIELD./ (Musician in Ordinary to His Majesty) / Entd. At Statn. Hall [rule] Price 10/6 / ADVERTISEMENT / These Trios were Composed chiefly for the abovementioned Celebrated Landscape Painter (in Rome) / And are Dedicated to his Memory as a Token of Gratitude for the Services he rendered the Author / during his Residence in that City. The movements which are written in the uncommon Time / of 5/4 have amused some of the most distinguished Professors both in England & Italy which / induces the Author to hope they will not be disagreeable to the Public at Large / Goodge Street, Jany. 1st 1796 / [rule] / London, Printed for the Author by Longman & Broderip, No.26, Cheapside & No.13, Haymarket. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$49.00
String Trio No. 4 in E major
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE
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Classique
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/ Wm
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William Shield
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Robert Hoskins
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String Trio No. 4 in E major
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Artaria Editions
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SheetMusicPlus
String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1488229 Composed by William Shield. Arranged by Robert Hoskins. Classical. 24 pages. Artaria Editions...
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String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1488229 Composed by William Shield. Arranged by Robert Hoskins. Classical. 24 pages. Artaria Editions #1065116. Published by Artaria Editions (A0.1488229). Shield's Trios, written for a continental audience, are seminal works in the composer's output and mark a new level of compositional attainment in the English chamber music repertory. Technically, they contain a wide variety of ideas which are developed with great ingenuity through a wide range of keys, dynamic contrasts and timbral effects. Aesthetically, they blend 'popular' and 'learned' taste along with 'orchestral' splendour and 18th century notions of beauty. The Trios present a dazzling range of moods and style with each work demonstrating Shield's mastery of the idiom, both in his treatment of individual instruments and in the handling of textures. While there is no shortage of melody and accompaniment, in which the violin takes the lead, there are many memorable solos for the viola and the cello in its high register. The wide range of textures includes melodic decoration, dialogue, contrast of high and low register, legato and staccato, powerful unison and double octaves. Shield's ability to incorporate arioso-like melody, the prevailing 'symphonic' style and folk elements was largely achieved through the cross-generic requirements of English comic opera (a form to which Shield devoted himself during the whole of his creative career). In general, Shield's technique results in a firm control of the way music moves - with sometimes a surprising degree of stylistic restlessness and sometimes of unexpected plainness and simplicity. The trios Shield selected for publication were issued by Longman and Broderip, London, in January 1796 under the inspection of the composer. No autograph of these works survives and Longman and Broderip's printing, a copy of which is preserved in the Bodleian Library, Oxford, under the call number Mus.Instr.I 214(15), is the only source of this edition. The title page, with its dedicatory inscription, reads: Six / TRIOS / FOR / Violin, Tenor and Violoncello, / Composed / And Inscribed to the Memory of / Jacob More Esqr. / By / Wm. SHIELD./ (Musician in Ordinary to His Majesty) / Entd. At Statn. Hall [rule] Price 10/6 / ADVERTISEMENT / These Trios were Composed chiefly for the abovementioned Celebrated Landscape Painter (in Rome) / And are Dedicated to his Memory as a Token of Gratitude for the Services he rendered the Author / during his Residence in that City. The movements which are written in the uncommon Time / of 5/4 have amused some of the most distinguished Professors both in England & Italy which / induces the Author to hope they will not be disagreeable to the Public at Large / Goodge Street, Jany. 1st 1796 / [rule] / London, Printed for the Author by Longman & Broderip, No.26, Cheapside & No.13, Haymarket. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$49.00
String Trio No. 6 in B flat major
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE
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Classique
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/ Wm
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William Shield
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Robert Hoskins
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String Trio No. 6 in B flat ma
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Artaria Editions
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SheetMusicPlus
String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1488232 Composed by William Shield. Arranged by Robert Hoskins. Classical. 36 pages. Artaria Editions...
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String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1488232 Composed by William Shield. Arranged by Robert Hoskins. Classical. 36 pages. Artaria Editions #1065119. Published by Artaria Editions (A0.1488232). Shield's Trios, written for a continental audience, are seminal works in the composer's output and mark a new level of compositional attainment in the English chamber music repertory. Technically, they contain a wide variety of ideas which are developed with great ingenuity through a wide range of keys, dynamic contrasts and timbral effects. Aesthetically, they blend 'popular' and 'learned' taste along with 'orchestral' splendour and 18th century notions of beauty. The Trios present a dazzling range of moods and style with each work demonstrating Shield's mastery of the idiom, both in his treatment of individual instruments and in the handling of textures. While there is no shortage of melody and accompaniment, in which the violin takes the lead, there are many memorable solos for the viola and the cello in its high register. The wide range of textures includes melodic decoration, dialogue, contrast of high and low register, legato and staccato, powerful unison and double octaves. Shield's ability to incorporate arioso-like melody, the prevailing 'symphonic' style and folk elements was largely achieved through the cross-generic requirements of English comic opera (a form to which Shield devoted himself during the whole of his creative career). In general, Shield's technique results in a firm control of the way music moves - with sometimes a surprising degree of stylistic restlessness and sometimes of unexpected plainness and simplicity. The trios Shield selected for publication were issued by Longman and Broderip, London, in January 1796 under the inspection of the composer. No autograph of these works survives and Longman and Broderip's printing, a copy of which is preserved in the Bodleian Library, Oxford, under the call number Mus.Instr.I 214(15), is the only source of this edition. The title page, with its dedicatory inscription, reads: Six / TRIOS / FOR / Violin, Tenor and Violoncello, / Composed / And Inscribed to the Memory of / Jacob More Esqr. / By / Wm. SHIELD./ (Musician in Ordinary to His Majesty) / Entd. At Statn. Hall [rule] Price 10/6 / ADVERTISEMENT / These Trios were Composed chiefly for the abovementioned Celebrated Landscape Painter (in Rome) / And are Dedicated to his Memory as a Token of Gratitude for the Services he rendered the Author / during his Residence in that City. The movements which are written in the uncommon Time / of 5/4 have amused some of the most distinguished Professors both in England & Italy which / induces the Author to hope they will not be disagreeable to the Public at Large / Goodge Street, Jany. 1st 1796 / [rule] / London, Printed for the Author by Longman & Broderip, No.26, Cheapside & No.13, Haymarket. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$49.00
String Trio No. 5 in C minor
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE
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Classique
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/ Wm
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William Shield
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Robert Hoskins
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String Trio No. 5 in C minor
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Artaria Editions
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SheetMusicPlus
String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1488231 Composed by William Shield. Arranged by Robert Hoskins. Classical. 23 pages. Artaria Editions...
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String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1488231 Composed by William Shield. Arranged by Robert Hoskins. Classical. 23 pages. Artaria Editions #1065118. Published by Artaria Editions (A0.1488231). Shield's Trios, written for a continental audience, are seminal works in the composer's output and mark a new level of compositional attainment in the English chamber music repertory. Technically, they contain a wide variety of ideas which are developed with great ingenuity through a wide range of keys, dynamic contrasts and timbral effects. Aesthetically, they blend 'popular' and 'learned' taste along with 'orchestral' splendour and 18th century notions of beauty. The Trios present a dazzling range of moods and style with each work demonstrating Shield's mastery of the idiom, both in his treatment of individual instruments and in the handling of textures. While there is no shortage of melody and accompaniment, in which the violin takes the lead, there are many memorable solos for the viola and the cello in its high register. The wide range of textures includes melodic decoration, dialogue, contrast of high and low register, legato and staccato, powerful unison and double octaves. Shield's ability to incorporate arioso-like melody, the prevailing 'symphonic' style and folk elements was largely achieved through the cross-generic requirements of English comic opera (a form to which Shield devoted himself during the whole of his creative career). In general, Shield's technique results in a firm control of the way music moves - with sometimes a surprising degree of stylistic restlessness and sometimes of unexpected plainness and simplicity. The trios Shield selected for publication were issued by Longman and Broderip, London, in January 1796 under the inspection of the composer. No autograph of these works survives and Longman and Broderip's printing, a copy of which is preserved in the Bodleian Library, Oxford, under the call number Mus.Instr.I 214(15), is the only source of this edition. The title page, with its dedicatory inscription, reads: Six / TRIOS / FOR / Violin, Tenor and Violoncello, / Composed / And Inscribed to the Memory of / Jacob More Esqr. / By / Wm. SHIELD./ (Musician in Ordinary to His Majesty) / Entd. At Statn. Hall [rule] Price 10/6 / ADVERTISEMENT / These Trios were Composed chiefly for the abovementioned Celebrated Landscape Painter (in Rome) / And are Dedicated to his Memory as a Token of Gratitude for the Services he rendered the Author / during his Residence in that City. The movements which are written in the uncommon Time / of 5/4 have amused some of the most distinguished Professors both in England & Italy which / induces the Author to hope they will not be disagreeable to the Public at Large / Goodge Street, Jany. 1st 1796 / [rule] / London, Printed for the Author by Longman & Broderip, No.26, Cheapside & No.13, Haymarket. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$49.00
String Trio No. 2 in D major
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Trio à Cordes: violon, alto, violoncelle
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Classique
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/ Wm
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William Shield
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Robert Hoskins
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String Trio No. 2 in D major
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Artaria Editions
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SheetMusicPlus
String Trio Cello,Viola,Violin - SKU: A0.1488225 Composed by William Shield. Arranged by Robert Hoskins. Classical. 37 pages. Artaria Editions #1065111....
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String Trio Cello,Viola,Violin - SKU: A0.1488225 Composed by William Shield. Arranged by Robert Hoskins. Classical. 37 pages. Artaria Editions #1065111. Published by Artaria Editions (A0.1488225). Shield's Trios, written for a continental audience, are seminal works in the composer's output and mark a new level of compositional attainment in the English chamber music repertory. Technically, they contain a wide variety of ideas which are developed with great ingenuity through a wide range of keys, dynamic contrasts and timbral effects. Aesthetically, they blend 'popular' and 'learned' taste along with 'orchestral' splendour and 18th century notions of beauty. The Trios present a dazzling range of moods and style with each work demonstrating Shield's mastery of the idiom, both in his treatment of individual instruments and in the handling of textures. While there is no shortage of melody and accompaniment, in which the violin takes the lead, there are many memorable solos for the viola and the cello in its high register. The wide range of textures includes melodic decoration, dialogue, contrast of high and low register, legato and staccato, powerful unison and double octaves. Shield's ability to incorporate arioso-like melody, the prevailing 'symphonic' style and folk elements was largely achieved through the cross-generic requirements of English comic opera (a form to which Shield devoted himself during the whole of his creative career). In general, Shield's technique results in a firm control of the way music moves - with sometimes a surprising degree of stylistic restlessness and sometimes of unexpected plainness and simplicity. The trios Shield selected for publication were issued by Longman and Broderip, London, in January 1796 under the inspection of the composer. No autograph of these works survives and Longman and Broderip's printing, a copy of which is preserved in the Bodleian Library, Oxford, under the call number Mus.Instr.I 214(15), is the only source of this edition. The title page, with its dedicatory inscription, reads: Six / TRIOS / FOR / Violin, Tenor and Violoncello, / Composed / And Inscribed to the Memory of / Jacob More Esqr. / By / Wm. SHIELD./ (Musician in Ordinary to His Majesty) / Entd. At Statn. Hall [rule] Price 10/6 / ADVERTISEMENT / These Trios were Composed chiefly for the abovementioned Celebrated Landscape Painter (in Rome) / And are Dedicated to his Memory as a Token of Gratitude for the Services he rendered the Author / during his Residence in that City. The movements which are written in the uncommon Time / of 5/4 have amused some of the most distinguished Professors both in England & Italy which / induces the Author to hope they will not be disagreeable to the Public at Large / Goodge Street, Jany. 1st 1796 / [rule] / London, Printed for the Author by Longman & Broderip, No.26, Cheapside & No.13, Haymarket. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$49.00
Prelude and Dance for String Quartet
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE
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Classique
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Ethan Tai
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Prelude and Dance for String Q
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Ethan T.
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SheetMusicPlus
Cello,Viola,Violin - Level 3 - Interactive Download SKU: A0.1425553 Composed by Ethan Tai. This edition: Interactive Download. Classical. 21 pages. Durat...
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Cello,Viola,Violin - Level 3 - Interactive Download SKU: A0.1425553 Composed by Ethan Tai. This edition: Interactive Download. Classical. 21 pages. Duration 255. Ethan T. #5m6PuZBVwNWzz7ecR9FHpe. Published by Ethan T. (A0.1425553). Key: B minor.A small string quartet about 4 minutes long with 2 movements, a Prelude followed a Dance. There is a short break in between the two movements via a fermata to allow the quartet to transition into the Dance from the Prelude. Program Notes: The slow and passionate opening of the Prelude gives way to a more melancholic melody, passed around the quartet by the violins and cello. A new, more hopeful and animated melody is introduced by the violin and viola shortly after the first theme, but is cut short by the sudden introduction of a short and more subtle transition, led by the violin, viola, and cello, which then leads into a yearning melody. The melody is passed back and forth between the violin and viola in a call and response gesture, as if the viola and violin are having a romantic conversation with each other. The dreamy melody slowly fades into a peaceful moment of silence and a resolution between the violin and viola, signaling the end of the Prelude. Suddenly, a lighthearted and spirited violin melody is introduced, leading into the Dance. The melody by the violin is passed around the quartet by the violins and viola, eventually leading to the climax of the Dance. A determined and more driving melody is passed around through the quartet, led by the violins and cello, which then gives way to a shorter, but slower and more delicate theme, led by the cello. The theme quickly resolves into another peaceful and resolute moment of silence as the Dance comes to an end, signaling the end of the performance.
$2.99
I'll Name The Dogs
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Blake Shelton
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Sarah Cellobat Chaffee
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I'll Name The Dogs
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Sarah Cellobat Chaffee
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SheetMusicPlus
String Trio Cello,Viola,Violin - Level 4 - SKU: A0.1193717 By Blake Shelton. By Ben Hayslip, Josh Thompson, and Matt Dragstrem. Arranged by Sarah Cellob...
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String Trio Cello,Viola,Violin - Level 4 - SKU: A0.1193717 By Blake Shelton. By Ben Hayslip, Josh Thompson, and Matt Dragstrem. Arranged by Sarah Cellobat Chaffee. Country,Pop,Rock,Wedding. 13 pages. Sarah Cellobat Chaffee #793190. Published by Sarah Cellobat Chaffee (A0.1193717). *INSTRUMENTATION: VIOLIN, VIOLA, CELLO*Released in 2017 as the lead single from Blake Shelton's album Texoma Shore, I'll Name The Dogs is a fun, upbeat country-pop gem that has since brought joy to people everywhere -- enough that it landed the song at #1 on the Billboard Country Airplay charts! Lyrically, the song is an adorable story describing the singer's readiness to settle down and start a family with his girl, complete with all the ways he's ready to share their life adventure together (eg. you name the kids and I'll name the dogs). The song's theme of matrimonial bliss and its old-school country charm has made it a popular request for weddings and events, so you can't go wrong adding this one to your gig books! This Cellobat arrangement for your violin, viola, and cello string trio maintains the cheerful vibe, country feel, lush harmonies, and sing-along-able melodies of the original for a chart that's sure to get your audience dancing. Rated advanced-intermediate due to a number of syncopated and otherwise tricky rhythms throughout -- it might be good to look over this one for a moment, but it will be learnable for students and sightreadable for professionals.Sarah “Cellobat†Chaffee is an in-demand acoustic & electric cellist and string arranger. Currently, she performs with legendary rock band Aerosmith in their “Deuces Are Wild†residency show, and she is the principal cellist for the Raiders House Band, playing for a crowd of 60,000 at all of the team's home games. She also plays with many other groups including Premiere Wedding Music, Bella Electric Strings, the Femmes Of Rock, and David Perrico’s Pop Strings Orchestra. Sarah has performed and recorded with numerous other artists including Disturbed, Mötley Crüe, Celine Dion, Halsey, Michael Bublé, Sarah Brightman, and Lady A. She is the exclusive arranger for a number of award-winning wedding and event companies all across the United States, including Premiere Wedding Music, Las Vegas Music Oasis, and Impulse Strings, and she has created custom arrangements for many other ensembles all over the world. You can find her at:http://www.cellobat.comhttp://www.instagram.com/cellobathttps://www.youtube.com/@Cellobat.
$14.99
Psalm 22-Mendelssohn-String octet
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE
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Classique
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Felix Bartholdy Mendelssohn
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Phil Beaman
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Psalm 22-Mendelssohn-String oc
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Phil Beaman
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SheetMusicPlus
String Ensemble Cello,Viola,Violin - Level 3 - SKU: A0.845197 Composed by Felix Bartholdy Mendelssohn. Arranged by Phil Beaman. Classical,Concert,Romant...
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String Ensemble Cello,Viola,Violin - Level 3 - SKU: A0.845197 Composed by Felix Bartholdy Mendelssohn. Arranged by Phil Beaman. Classical,Concert,Romantic Period,Sacred,Standards. Score and parts. 48 pages. Phil Beaman #6355261. Published by Phil Beaman (A0.845197). Psalm 22 is a well-known and loved choral work by Felix Mendelssohn. I have here arranged it for Instrumental Octet. Since it no longer has lyrics to convey the meaning I have added extra markings and altered some harmonies and rhythms to add the appropriate interest and emotion. Several parts now contain short unmetered solos to be done freely in recitative fashion. The individual parts are not difficult with just basic notes and rhythms; the beauty is in the way they fit together creating harmony and polyphony. With a 6 minute performance time, this is a major work which bridges the Classical and Romantic eras.
$16.99
Wildest Dreams
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE
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Pop musique
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Taylor Swift
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Amy Greenhalgh
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Wildest Dreams
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Amy Greenhalgh
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SheetMusicPlus
String Ensemble,String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1082538 By Taylor Swift. By Johan Schuster, Max Martin, Shellback, and Taylor Swift. ...
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String Ensemble,String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1082538 By Taylor Swift. By Johan Schuster, Max Martin, Shellback, and Taylor Swift. Arranged by Amy Greenhalgh. Contemporary,Film/TV,Pop,Wedding. Score and parts. 17 pages. Amy Greenhalgh #686730. Published by Amy Greenhalgh (A0.1082538). This arrangement for String Trio (Violin/Viola/Cello) is 3½ minutes long without extra repeats. Parts are 2 pages each, and have useful cues of the other instruments. It is designed to be flexible in length. The introduction can be cut from the beginning to letter A. Letter B to D can be cut or repeated. If a very short version is needed, a cut can be made from B to F. B to F can also be repeated if more time is needed. Custom arrangements always welcome and can then be purchased online. Feel free to contact me! www.AmyGreenhalgh.com.
$14.99
Bach: Wachet auf for String Trio
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE
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Classique
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Johann Sebastian Bach
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James M
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#
Bach: Wachet auf for String Tr
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jmsgu3
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SheetMusicPlus
String Ensemble,String Trio - Level 3 - SKU: A0.549856 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sa...
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String Ensemble,String Trio - Level 3 - SKU: A0.549856 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and parts. 12 pages. Jmsgu3 #3555135. Published by jmsgu3 (A0.549856). Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Voyager
$27.95
String Trio No. 9 in A major
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE
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Classique
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William Shield
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Robert Hoskins
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String Trio No. 9 in A major
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Artaria Editions
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SheetMusicPlus
String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1488294 Composed by William Shield. Arranged by Robert Hoskins. Classical. 29 pages. Artaria Editions...
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String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1488294 Composed by William Shield. Arranged by Robert Hoskins. Classical. 29 pages. Artaria Editions #1065182. Published by Artaria Editions (A0.1488294). Artaria Editions AE429Shield's Trios, written for a continental audience, are seminal works in the composer's output and mark a new level of compositional attainment in the English chamber music repertory. Technically, they contain a wide variety of ideas which are developed with great ingenuity through a wide range of keys, dynamic contrasts and timbral effects. Aesthetically, they blend 'popular' and 'learned' taste along with 'orchestral' splendour and 18th century notions of beauty. The Trios present a dazzling range of moods and style with each work demonstrating Shield's mastery of the idiom, both in his treatment of individual instruments and in the handling of textures. While there is no shortage of melody and accompaniment, in which the violin takes the lead, there are many memorable solos for the viola and the cello in its high register. The wide range of textures includes melodic decoration, dialogue, contrast of high and low register, legato and staccato, powerful unison and double octaves. Shield's ability to incorporate arioso-like melody, the prevailing 'symphonic' style and folk elements was largely achieved through the cross-generic requirements of English comic opera (a form to which Shield devoted himself during the whole of his creative career). In general, Shield's technique results in a firm control of the way music moves - with sometimes a surprising degree of stylistic restlessness and sometimes of unexpected plainness and simplicity. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$49.00
String Trio No. 7 in G major
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE
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Classique
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William Shield
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Robert Hoskins
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String Trio No. 7 in G major
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Artaria Editions
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SheetMusicPlus
String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1488290 Composed by William Shield. Arranged by Robert Hoskins. Classical. 26 pages. Artaria Editions...
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String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1488290 Composed by William Shield. Arranged by Robert Hoskins. Classical. 26 pages. Artaria Editions #1065178. Published by Artaria Editions (A0.1488290). Artaria Editions AE427Shield's Trios, written for a continental audience, are seminal works in the composer's output and mark a new level of compositional attainment in the English chamber music repertory. Technically, they contain a wide variety of ideas which are developed with great ingenuity through a wide range of keys, dynamic contrasts and timbral effects. Aesthetically, they blend 'popular' and 'learned' taste along with 'orchestral' splendour and 18th century notions of beauty. The Trios present a dazzling range of moods and style with each work demonstrating Shield's mastery of the idiom, both in his treatment of individual instruments and in the handling of textures. While there is no shortage of melody and accompaniment, in which the violin takes the lead, there are many memorable solos for the viola and the cello in its high register. The wide range of textures includes melodic decoration, dialogue, contrast of high and low register, legato and staccato, powerful unison and double octaves. Shield's ability to incorporate arioso-like melody, the prevailing 'symphonic' style and folk elements was largely achieved through the cross-generic requirements of English comic opera (a form to which Shield devoted himself during the whole of his creative career). In general, Shield's technique results in a firm control of the way music moves - with sometimes a surprising degree of stylistic restlessness and sometimes of unexpected plainness and simplicity. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$49.00
String Trio No. 8 in F major
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE
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Classique
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William Shield
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Robert Hoskins
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String Trio No. 8 in F major
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Artaria Editions
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SheetMusicPlus
String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1488292 Composed by William Shield. Arranged by Robert Hoskins. Classical. 35 pages. Artaria Editions...
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String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1488292 Composed by William Shield. Arranged by Robert Hoskins. Classical. 35 pages. Artaria Editions #1065180. Published by Artaria Editions (A0.1488292). Artaria Editions AE428Shield's Trios, written for a continental audience, are seminal works in the composer's output and mark a new level of compositional attainment in the English chamber music repertory. Technically, they contain a wide variety of ideas which are developed with great ingenuity through a wide range of keys, dynamic contrasts and timbral effects. Aesthetically, they blend 'popular' and 'learned' taste along with 'orchestral' splendour and 18th century notions of beauty. The Trios present a dazzling range of moods and style with each work demonstrating Shield's mastery of the idiom, both in his treatment of individual instruments and in the handling of textures. While there is no shortage of melody and accompaniment, in which the violin takes the lead, there are many memorable solos for the viola and the cello in its high register. The wide range of textures includes melodic decoration, dialogue, contrast of high and low register, legato and staccato, powerful unison and double octaves. Shield's ability to incorporate arioso-like melody, the prevailing 'symphonic' style and folk elements was largely achieved through the cross-generic requirements of English comic opera (a form to which Shield devoted himself during the whole of his creative career). In general, Shield's technique results in a firm control of the way music moves - with sometimes a surprising degree of stylistic restlessness and sometimes of unexpected plainness and simplicity. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$49.00
Bach G maj Cello Prelude for String Trio - Melody in Cello
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE
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Classique
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Johann Sebastian Bach
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S
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Bach G maj Cello Prelude for S
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Sterling and Strings
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SheetMusicPlus
String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1438476 Composed by Johann Sebastian Bach. Arranged by S.Reilly. Baroque,Chamber,Classical,Early Musi...
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String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1438476 Composed by Johann Sebastian Bach. Arranged by S.Reilly. Baroque,Chamber,Classical,Early Music,Wedding. 6 pages. Sterling and Strings #1018495. Published by Sterling and Strings (A0.1438476). JS Bach's popular Prelude in G major for solo cello is often requested for weddings and other occasions. As a cellist, it occurred to me that rest of my trio might like to play along, so one morning I felt inspired to create this arrangement! It had to be relatively simple, so the cello melody was easy to follow, but also add some harmonic interest here and there. I hope this version will be a fun way for the entire group to participate in what would normally be a solo venture.
$10.00
Joy to the World-String Trio
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Trio à Cordes: violon, alto, violoncelle
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DÉBUTANT
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Classique
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George Frideric Handel
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Phil Beaman
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Joy to the World-String Trio
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Phil Beaman
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SheetMusicPlus
String Ensemble,String Trio Cello,Viola,Violin - Level 1 - SKU: A0.844693 Composed by George Frideric Handel. Arranged by Phil Beaman. Christmas,Classic...
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String Ensemble,String Trio Cello,Viola,Violin - Level 1 - SKU: A0.844693 Composed by George Frideric Handel. Arranged by Phil Beaman. Christmas,Classical,Concert,Instructional,Sacred. Score and parts. 5 pages. Phil Beaman #5308449. Published by Phil Beaman (A0.844693). A great way to celebrate the Christmas holiday! This easy Instrumental Trio follows the traditional Joy to the World melody and can be used for a sing-along, repeating as many verses as you like.
$3.99
Toot, Toot, Tootsie for Piano Trio
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Gus Kahn, Ernie Erdman, Dan Ru
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Daniel Kelley
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Toot, Toot, Tootsie for Piano
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Last Resort Music Publishing
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SheetMusicPlus
Small Ensemble Cello,Guitar,Piano,Violin - Level 4 - SKU: A0.530162 Composed by Gus Kahn, Ernie Erdman, Dan Russo. Arranged by Daniel Kelley. 20th Centu...
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Small Ensemble Cello,Guitar,Piano,Violin - Level 4 - SKU: A0.530162 Composed by Gus Kahn, Ernie Erdman, Dan Russo. Arranged by Daniel Kelley. 20th Century,Broadway,Jazz,Musical/Show,Pop. Score and parts. 13 pages. Last Resort Music Publishing #2082111. Published by Last Resort Music Publishing (A0.530162). Perform this upbeat hit sung by Al Jolson in the Academy Award Winning movie, The Jazz Singer. This quintessential song will bring out the Swing in any small ensemble! Parts included in Set Music Sample Part 1 Violin Part 2 Cello Keyboard or Guitar Score (Parts 1-3 in C) Also playable by Two Violins & Cello or Flute & Oboe & Bassoon or String Trio (Violin, Viola, Cello), Piano Trio & More. The Keyboard Part is a full harmonization of Parts 2 and 3. Therefore, the arrangements could be played as a Piano Trio, or an entire trio could play with a pianist, as long as Part 1 is being played.
$8.95
Toot, Toot, Toostie for Sting, Woodwind, or Piano Trio Full Set of Parts
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Gus Kahn, Ernie Erdman, Dan Ru
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Daniel Kelley
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Toot, Toot, Toostie for Sting,
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Last Resort Music Publishing
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SheetMusicPlus
Large Ensemble Bassoon,Cello,Clarinet,Flute,Guitar,Oboe,Piano,Viola,Violin - Level 4 - SKU: A0.530159 Composed by Gus Kahn, Ernie Erdman, Dan Russo. Arr...
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Large Ensemble Bassoon,Cello,Clarinet,Flute,Guitar,Oboe,Piano,Viola,Violin - Level 4 - SKU: A0.530159 Composed by Gus Kahn, Ernie Erdman, Dan Russo. Arranged by Daniel Kelley. 20th Century,Broadway,Jazz,Musical/Show,Pop. Score and parts. 23 pages. Last Resort Music Publishing #2082095. Published by Last Resort Music Publishing (A0.530159). Perform this upbeat hit sung by Al Jolson in the Academy Award Winning movie, The Jazz Singer. This quintessential song will bring out the Swing in any small ensemble! Parts included in Set Music Sample Part 1 Flute or Oboe or Violin Part 1 Clarinet Part 2 Flute or Oboe or Violin Part 2 Clarinet Part 2 Viola Part 3 Cello or Bassoon Part 3 Bass Clarinet Keyboard or Guitar Score (Parts 1-3 in C) Playable by Two Violins & Cello or Flute & Oboe & Bassoon or String Trio (Violin, Viola, Cello), Piano Trio & More. The Keyboard Part is a full harmonization of Parts 2 and 3. Therefore, the arrangements could be played as a Piano Trio, or an entire trio could play with a pianist, as long as Part 1 is being played.
$16.95
Toot, Toot, Tootsie for C Instrument Trio
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Gus Kahn, Ernie Erdman, Dan Ru
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Daniel Kelley
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Toot, Toot, Tootsie for C Inst
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Last Resort Music Publishing
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SheetMusicPlus
Small Ensemble Cello,Flute,Guitar,Oboe,Piano Accompaniment,Violin - Level 4 - SKU: A0.530165 Composed by Gus Kahn, Ernie Erdman, Dan Russo. Arranged by ...
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Small Ensemble Cello,Flute,Guitar,Oboe,Piano Accompaniment,Violin - Level 4 - SKU: A0.530165 Composed by Gus Kahn, Ernie Erdman, Dan Russo. Arranged by Daniel Kelley. 20th Century,Broadway,Jazz,Musical/Show,Pop. Score and parts. 13 pages. Last Resort Music Publishing #2082119. Published by Last Resort Music Publishing (A0.530165). Perform this upbeat hit sung by Al Jolson in the Academy Award Winning movie, The Jazz Singer. This quintessential song will bring out the Swing in any small ensemble! Parts included in Set Music Sample Part 1 C Intruments Part 2 C Instruments Keyboard or Guitar Score (Parts 1-3 in C) Also playable by Two Violins & Cello or Flute & Oboe & Bassoon or String Trio (Violin, Viola, Cello), Piano Trio & More. The Keyboard Part is a full harmonization of Parts 2 and 3. Therefore, the arrangements could be played as a Piano Trio, or an entire trio could play with a pianist, as long as Part 1 is being played.
$8.95
All Creatures of Our God and King (for String Trio – Violin, Viola, and Cello)
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Trio à Cordes: violon, alto, violoncelle
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FACILE
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Sharon Wilson
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Sharon Wilson
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All Creatures of Our God and K
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Sharon Wilson
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SheetMusicPlus
String Trio Cello,Viola,Violin - Level 2 - SKU: A0.565690 By Sharon Wilson. By St. Francis of Assisi and Traditional. Arranged by Sharon Wilson. Childre...
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String Trio Cello,Viola,Violin - Level 2 - SKU: A0.565690 By Sharon Wilson. By St. Francis of Assisi and Traditional. Arranged by Sharon Wilson. Children,Christian,Holiday,Renaissance,Sacred. 7 pages. Sharon Wilson #5723005. Published by Sharon Wilson (A0.565690). Here is an easy string trio arrangement (for VIOLIN, VIOLA, and CELLO) of the classic hymn tune LASST UNS ERFREUEN which is usually associated with the lyrics by St. Francis of Assisi All Creatures of Our God and King. This song is fun for all three parts and is always a welcome addition to recitals and worship services throughout the year, but especially during the Thanksgiving season.The melody alternates between the three instrument parts throughout making it equally challenging and interesting for all players. An optional repeat is provided in case a longer musical selection is needed. All notes for each instrument (VIOLIN, VIOLA, and CELLO) are playable in the first position making this arrangement an excellent choice for early-intermediate string players. Â The purchase price includes a 3-page combined score with all three parts on each page plus separate 1-staff scores for the VIOLIN, VIOLA, and CELLO (1 page each).This arrangement is one of the 10 songs in the collection Easy String Trios: Thanksgiving Hymns (A Collection of 10 Easy Trios for Violin, Viola, and Cello).Visit Sharon Wilson's website: https://www.sharonwilsonmusic.com/Subscribe to her YouTube Channel: https://youtube.com/@SharonWilsonMusic
$5.99
Christmas String Trios Book 3
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Trio à Cordes: violon, alto, violoncelle
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Paul Barker Music
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Paul Barker
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Christmas String Trios Book 3
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Paul Barker Music
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SheetMusicPlus
String Trio Cello,Viola,Violin - SKU: A0.1469156 By Paul Barker Music. By William Kirkpatrick, John Francis Wade, Traditional. Arranged by Paul Barker. ...
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String Trio Cello,Viola,Violin - SKU: A0.1469156 By Paul Barker Music. By William Kirkpatrick, John Francis Wade, Traditional. Arranged by Paul Barker. Christmas,Holiday,Traditional. 28 pages. Paul Barker Music #1047178. Published by Paul Barker Music (A0.1469156). An easily accessible collection of three popular festive arrangements for String Trio which includes: Away In A Manger, Jolly Old Saint Nicholas, and O Come All Ye Faithful. Includes a Violin II part which doubles the Viola.Performance recordings (MP3s) are also available for listening and performing along with at www.paulbarkermusic.comAlso see our Holiday music titles for other Trios, Ensembles, Orchestras and Flexible Instrumentation. Level: Early Intermediate - Grade 2+Duration: VariousOccasion: Concert - Formal/Informal Christmas EventsInstrumentation: String Trio.
$12.95
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