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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Pain
Non classifié
893
Piano & claviers
Piano seul
773
Piano, Voix
279
Piano, Voix et Guitare
268
Piano Facile
145
Instruments en Do
62
Orgue
41
Accordéon
19
Piano Trio: piano, violon, violoncelle
15
1 Piano, 4 mains
8
Piano Quatuor: piano, violon, alto, violoncelle
6
Piano grosses notes
6
Accompagnement Piano
4
Orgue, Trompette (duo)
3
Piano (partie séparée)
2
Piano Quintette: piano, 2 violons, alto, violoncelle
2
Ligne De Mélodie, Piano
1
2 Pianos, 4 mains
1
+ 12 instrumentations
Retracter
Guitares
Guitare notes et tablatures
170
Guitare
97
Ligne De Mélodie, (Paroles) et Accords
61
Paroles et Accords
27
Ukulele
18
2 Guitares (duo)
17
Basse electrique
14
Guitare (partie séparée)
8
Dulcimer
5
Banjo
3
Ensemble de guitares
2
4 Guitares (Quatuor)
2
Piano, Guitare (duo)
2
Mandoline
2
Basse électrique (partie séparée)
2
+ 10 instrumentations
Retracter
Voix
Chorale SATB
509
Chorale 3 parties
138
Chorale 2 parties
69
Chorale TTBB
62
Chorale Unison
34
Pack Instrumental pour Chorale
30
Chorale SSAA
26
Voix Alto, Piano
12
Voix duo, Piano
11
Voix Soprano, Piano
8
Voix seule
7
Chorale
5
Voix Tenor, Piano
5
Voix Baryton, Piano
4
Chorale SSATB
3
Voix haute
3
Voix moyenne, Piano
2
Voix duo
2
Chorale SATBB
2
Voix basse
1
Voix Soprano
1
Soli, choeur mixte et accompagnement
1
Chorale SSATTB
1
Voix basse, Piano
1
+ 19 instrumentations
Retracter
Vents
Saxophone (partie séparée)
72
Flûte traversière
56
Flûte traversière et Piano
48
Saxophone Alto
38
Clarinette
37
Quatuor de Saxophones: 4 saxophones
33
Hautbois (partie séparée)
31
Hautbois, Piano (duo)
31
Saxophone Alto et Piano
30
Clarinette et Piano
29
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
29
2 Flûtes traversières (duo)
24
2 Saxophones (duo)
21
Clarinette (partie séparée)
21
Saxophone Tenor
20
Quatuor de Clarinettes: 4 clarinettes
20
Flûte, Hautbois, Clarinette, Basson
18
Flute (partie séparée)
16
Ensemble de Clarinettes
16
2 Clarinettes (duo)
16
Saxophone Tenor et Piano
15
3 Saxophones (trio)
12
Quintette de Saxophone: 5 saxophones
12
2 Hautbois (duo)
10
Saxophone Soprano
10
Saxophone Soprano et Piano
10
Flûte, Clarinette (duo)
9
Clarinette, Guitare (duo)
9
Flûte et Guitare
7
Saxophone Baryton, Piano
7
Hautbois
7
Clarinette, Basson (duo)
6
Clarinette Basse, Piano
6
Ensemble de Flûtes
6
Hautbois, Violoncelle
6
Quintette de Clarinettes: 5 clarinettes
6
Hautbois, Basson (duo)
6
Clarinette, Violoncelle (duo)
6
Flûte, Violoncelle
5
Ensemble de saxophones
5
3 Clarinettes (trio)
5
Hautbois, Clarinette (duo)
4
Quatuor de Flûtes : 4 flûtes
4
Saxophone, Clarinette (duo)
4
Cor anglais, Piano
4
Clarinette, Trompette (duo)
3
Flûte, Violon
3
Hautbois, Flûte
3
Instruments en Mib
3
Clarinette, Trombone (duo)
3
Flûte, Trombone (duo)
3
Flûte à bec Soprano
3
Flûte à bec, Guitare (duo)
2
Trio de Flûtes: 3 flûtes
2
Clarinette, Violon (duo)
2
Flûte, Hautbois (duo)
2
Quatuor de Flûtes à bec
2
Ensemble à vent
2
2 Saxophones, Piano
2
Quintette de Flûte : 5 flûtes
2
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Flûte, Clarinette, Piano (trio)
1
3 Flûtes à bec (trio)
1
Flûte, Hautbois, Clarinette (trio)
1
Flûte, Violoncelle, Piano (trio)
1
Flûte, Basson et Piano
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Clarinette et Alto
1
Cor anglais, Guitare (duo)
1
Flûte et Trio à cordes
1
Hautbois, Basson et Piano
1
Flûte à bec Alto, Piano
1
Flûte, Saxophone (duo)
1
Cor Anglais
1
2 Flûte à bec (duo)
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Flûte, Clarinette et Basson
1
Flûte, Alto (duo)
1
Flûte, Clarinette, Violon (trio)
1
Clarinette, Basson, Piano (trio)
1
+ 75 instrumentations
Retracter
Cuivres
Trombone (partie séparée)
52
Trompette (partie séparée)
48
Trompette
46
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
42
Trompette, Piano
28
Trombone
26
Trombone et Piano
25
Quatuor de Cuivres : 2 trompettes, trombone, tuba
21
Tuba et Piano
19
Cor
19
Cor et Piano
18
Cor (partie séparée)
16
Tuba
14
2 Trombones (duo)
12
Tuba (partie séparée)
11
2 Cors (duo)
9
2 Trompettes (duo)
9
Trompette, Trombone (duo)
9
Quatuor de Cuivres
8
Euphonium, Piano (duo)
6
Cor, Violoncelle (duo)
5
Trompette, Cor (duo)
5
2 Tubas (duo)
4
Trombone, Cor (duo)
4
Cor anglais, Piano
4
Quatuor de cuivres: 4 cors
3
Quatuor de cuivres: 4 trombones
3
Instruments en Sib
3
Ensemble de Trompettes
2
Bass Clef Instruments
2
Trompette, Violoncelle (duo)
2
Trombone, Tuba (duo)
2
Cor, Tuba (duo)
2
Trompette, Tuba (duo)
2
Ensemble de Cors
2
Trompette, Saxophone (duo)
2
Trombone, violoncelle (duo)
2
Cor et Basson (duo)
1
Euphonium, Tuba (duo)
1
4 Tubas
1
3 Trombones (trio)
1
Cor anglais, Guitare (duo)
1
Quatuor de cuivres: 4 trompettes
1
Cor Anglais
1
Instruments en Fa
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
2 Euphoniums et 2 Tubas
1
+ 42 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
106
Violoncelle
82
Violon
74
Violon et Piano
73
Violoncelle, Piano
41
Alto, Piano
34
Harpe
33
Alto seul
30
Violon, Violoncelle (duo)
29
2 Violoncelles (duo)
26
2 Violons (duo)
23
Violon, Alto (duo)
19
Contrebasse (partie séparée)
17
Alto, Violoncelle (duo)
17
2 Altos (duo)
16
Trio à Cordes: violon, alto, violoncelle
14
Contre Basse
13
Alto (partie séparée)
12
Violon (partie séparée)
10
Contrebasse, Piano (duo)
10
Violon, Guitare (duo)
8
Quintette à cordes: 2 violons, alto, violoncelle, basse
7
Violoncelle , Guitare (duo)
6
2 Contrebasses (duo)
6
2 Harpes (duo)
3
Alto et Basson
3
Trio à Cordes: 2 violons, violoncelle
3
Violon, Basson (duo)
3
Alto, Guitare (duo)
3
Violoncelle (partie séparée)
2
Trio à cordes: 3 violins
2
Harpe, Voix
1
Ensemble de Violoncelles
1
Trio à Cordes: 3 violoncelles
1
Trio à cordes: 3 altos
1
Quatuor à cordes : 4 altos
1
+ 31 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
376
Orchestre
116
Fanfare
64
Orchestre à Cordes
56
Orchestre de chambre
42
Ensemble Jazz
32
Batterie
27
Ensemble de cuivres
26
Jazz combo
23
Cloches
17
Percussion (partie séparée)
15
Batterie (partie séparée)
8
Ensemble de Percussions
6
Timbales (partie séparée)
5
Vibraphone
3
Marimba
3
Percussion
3
Xylophone
1
Piano et Orchestre
1
Orchestre, Violon
1
+ 15 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
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CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
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Vous avez sélectionné:
Pain
Trio à Cordes: violon, alto, violoncelle
Partitions à imprimer
14 partitions trouvées
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1
Paint It, Black
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Rock
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The Rolling Stones
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Carl Darby
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Paint It, Black
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Carl Darby
#
SheetMusicPlus
String Trio - Level 4 - SKU: A0.1380728 By The Rolling Stones. By Keith Richards and Mick Jagger. Arranged by Carl Darby. Pop,Rock. 21 pages. Carl Darby...
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String Trio - Level 4 - SKU: A0.1380728 By The Rolling Stones. By Keith Richards and Mick Jagger. Arranged by Carl Darby. Pop,Rock. 21 pages. Carl Darby #965511. Published by Carl Darby (A0.1380728).
$13.99
Romance (Study in E) - Anon./Sor/Yepes (Vn, Va, Vc)
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Trio à Cordes: violon, alto, violoncelle
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FACILE
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Contemporain
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Anon
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Shigeo Ida & Peet du Toit
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Romance
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Peet du Toit
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SheetMusicPlus
String Ensemble,String Trio Cello,Viola,Violin - Level 2 - SKU: A0.802693 Composed by Anon. or Fernando Sor, or Narciso Yepes. Arranged by Shigeo Ida & ...
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String Ensemble,String Trio Cello,Viola,Violin - Level 2 - SKU: A0.802693 Composed by Anon. or Fernando Sor, or Narciso Yepes. Arranged by Shigeo Ida & Peet du Toit. Contemporary. Score and parts. 6 pages. Peet du Toit #6513457. Published by Peet du Toit (A0.802693). Romance Anónimo (Anonymous Romance) is a piece for guitar, also known as Estudio en Mi de Rubira (Study in E by Rubira), Spanish Romance, Romance de España, Romance de Amor, Romance of the Guitar, Romanza and Romance d'Amour among other names.Its origins and authorship are currently in question. It is suspected of originally being a solo instrumental guitar work, from the 19th century. It has variously been attributed to Antonio Rubira, David del Castillo, Francisco Tárrega, Fernando Sor, Daniel Fortea, Miguel Llobet, Antonio Cano, Vicente Gómez, and Narciso Yepes. The Anónimo (anonymous) part of its name has been incorporated over the years due to this uncertainty. The question of authorship has probably been propagated by three main reasons: the lack of claim by its true author, the desire to avoid paying copyright fees, and the desire of publishing companies to claim the lucrative copyright of this world-famous piece.The style of the piece is that of the Parlour music of the late 19th century in Spain or South America, having a closed three-part form: the first in the minor key and the second being in the major key, with the third being a restatement of the first.Narciso Yepes (1927 - 1997) interpreted and is listed as the author of the piece in René Clément's 1952 film Jeux interdits (Forbidden Games). The popularity of the film gave the piece worldwide fame. Yepes currently has the copyright of this composition in Spain although recordings and manuscripts of this song predate 1952. Newer publications show Yepes as the arranger and the piece being of anonymous authorship, or authored by Fernando Sor.The official statement from Narciso Yepes and the Yepes heirs is that Narciso Yepes, being a young boy, originally composed the piece for his mother when he was about seven years old (c.1934) and soon thereafter performed it between acts at the Teatro Guerra, in Lorca, Spain. Some time later, he recounts, when he was thirteen years old he attended a performance in Valencia and heard his composition performed by another guitarist, who indicated the authorship as anonymous. Yepes contends that the melody had been plagiarized (with some changes to the arrangement) by someone who, he assumes, must have attended that first performance. However, Yepes was born 1927 and cannot be the author of the work, since it was already recorded in 1900 and published before 1925 (possibly 1913) by J.A. MEDINA e HIJO; and in 1919 in themethod of Pedro Mascaró y Reissig, etc. Vicente Gomez (1911-2001) published it and performed it in 1941 in the Hollywood movie Blood and Sand with Tyrone Powerand Rita Hayworth, also attributing authorship of the song to himself. Anyway, the piano arrangement of the brilliant Shigeo Ida caught my attention and I decided to rework it somewhat into this trio for strings. Enjoy!
$14.50
Kreće se lađa francuska - for string sextet
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE
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serbian folk song
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Zoran Radanovic
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lit
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Kreće se lađa francusk
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Zoran Radanovic
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SheetMusicPlus
String Ensemble Cello,Viola,Violin - Level 3 - SKU: A0.1389312 Composed by serbian folk song. Arranged by Zoran Radanovic. Folk,Multicultural,Patriotic,...
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String Ensemble Cello,Viola,Violin - Level 3 - SKU: A0.1389312 Composed by serbian folk song. Arranged by Zoran Radanovic. Folk,Multicultural,Patriotic,Traditional,Wedding,World. 14 pages. Zoran Radanovic #972894. Published by Zoran Radanovic (A0.1389312). This very famous serbian folk song arrangement is for string sextet with set of parts.Diese sehr berühmte serbische Volkslied Arrangement ist für String Sextett mit Partitüren.Kreće se laÄ‘a francuska (Serbian Cyrillic: Креће Ñе лађа француÑка; lit. 'The French Boat is Sailing') is a Serbian war song from the First World War, first sung in a Salonika harbor, where the Serbian army was recuperating after a long and painful withdrawal through the Albanian mountains. The author of the original text of the poem is Serbian officer colonel Branislav Milosavljević.[1] The song was frequently performed in both France and Serbia after the war and is commonly used as a symbol of Serbian and French friendship
$8.99
What Child is This for String Trio
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Trio à Cordes: violon, alto, violoncelle
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FACILE
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Traditional
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James M
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What Child is This for String
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jmsgu3
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SheetMusicPlus
String Trio Cello,Viola,Violin - Level 2 - SKU: A0.1324430 Composed by Traditional. Arranged by James M. Guthrie. Chamber,Christian,Christmas,Religious,...
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String Trio Cello,Viola,Violin - Level 2 - SKU: A0.1324430 Composed by Traditional. Arranged by James M. Guthrie. Chamber,Christian,Christmas,Religious,Traditional. 6 pages. Jmsgu3 #912628. Published by jmsgu3 (A0.1324430). Greensleeves is a traditional English folk song that has several interesting facts associated with it:Origin: The song's origin is uncertain, and there is no consensus on who composed it. It has been attributed to Henry VIII, the King of England, but this association is considered erroneous, and the song is more likely to be Elizabethan in origin.Christmas Carol: The tune of Greensleeves is used for the classic Christmas carol What Child Is This?Lyrics: The song's lyrics are about a painful romantic problem and include what some historians view as subtly salacious content. The lyrics deal with a spurned lover accusing Lady Greensleeves of casting him off discourteously despite his love for her. The song's scandalous twist is hidden in its title, and its exact meaning has been debated for centuries.Cultural References: The tune was used as the slow march of the London Trained Bands in the 16th and 17th centuries. It was adopted as the quick march of the 7th (City of London) Battalion London Regiment during World War I. Additionally, the tune has been referenced in literature, such as in Shakespeare's The Merry Wives of Windsor.Popularity: In some parts of the world, the Greensleeves tune is famous as a standard chime for ice cream vans.These facts make Greensleeves a fascinating and culturally significant piece of music with a rich history and diverse interpretations.
$24.95
String Trio No. 3 in A major
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE
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Classique
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/ Wm
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William Shield
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Robert Hoskins
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String Trio No. 3 in A major
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Artaria Editions
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SheetMusicPlus
String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1488228 Composed by William Shield. Arranged by Robert Hoskins. Classical. 27 pages. Artaria Editions...
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String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1488228 Composed by William Shield. Arranged by Robert Hoskins. Classical. 27 pages. Artaria Editions #1065115. Published by Artaria Editions (A0.1488228). Shield's Trios, written for a continental audience, are seminal works in the composer's output and mark a new level of compositional attainment in the English chamber music repertory. Technically, they contain a wide variety of ideas which are developed with great ingenuity through a wide range of keys, dynamic contrasts and timbral effects. Aesthetically, they blend 'popular' and 'learned' taste along with 'orchestral' splendour and 18th century notions of beauty. The Trios present a dazzling range of moods and style with each work demonstrating Shield's mastery of the idiom, both in his treatment of individual instruments and in the handling of textures. While there is no shortage of melody and accompaniment, in which the violin takes the lead, there are many memorable solos for the viola and the cello in its high register. The wide range of textures includes melodic decoration, dialogue, contrast of high and low register, legato and staccato, powerful unison and double octaves. Shield's ability to incorporate arioso-like melody, the prevailing 'symphonic' style and folk elements was largely achieved through the cross-generic requirements of English comic opera (a form to which Shield devoted himself during the whole of his creative career). In general, Shield's technique results in a firm control of the way music moves - with sometimes a surprising degree of stylistic restlessness and sometimes of unexpected plainness and simplicity. The trios Shield selected for publication were issued by Longman and Broderip, London, in January 1796 under the inspection of the composer. No autograph of these works survives and Longman and Broderip's printing, a copy of which is preserved in the Bodleian Library, Oxford, under the call number Mus.Instr.I 214(15), is the only source of this edition. The title page, with its dedicatory inscription, reads: Six / TRIOS / FOR / Violin, Tenor and Violoncello, / Composed / And Inscribed to the Memory of / Jacob More Esqr. / By / Wm. SHIELD./ (Musician in Ordinary to His Majesty) / Entd. At Statn. Hall [rule] Price 10/6 / ADVERTISEMENT / These Trios were Composed chiefly for the abovementioned Celebrated Landscape Painter (in Rome) / And are Dedicated to his Memory as a Token of Gratitude for the Services he rendered the Author / during his Residence in that City. The movements which are written in the uncommon Time / of 5/4 have amused some of the most distinguished Professors both in England & Italy which / induces the Author to hope they will not be disagreeable to the Public at Large / Goodge Street, Jany. 1st 1796 / [rule] / London, Printed for the Author by Longman & Broderip, No.26, Cheapside & No.13, Haymarket. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$49.00
String Trio No. 4 in E major
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE
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Classique
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/ Wm
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William Shield
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Robert Hoskins
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String Trio No. 4 in E major
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Artaria Editions
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SheetMusicPlus
String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1488229 Composed by William Shield. Arranged by Robert Hoskins. Classical. 24 pages. Artaria Editions...
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String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1488229 Composed by William Shield. Arranged by Robert Hoskins. Classical. 24 pages. Artaria Editions #1065116. Published by Artaria Editions (A0.1488229). Shield's Trios, written for a continental audience, are seminal works in the composer's output and mark a new level of compositional attainment in the English chamber music repertory. Technically, they contain a wide variety of ideas which are developed with great ingenuity through a wide range of keys, dynamic contrasts and timbral effects. Aesthetically, they blend 'popular' and 'learned' taste along with 'orchestral' splendour and 18th century notions of beauty. The Trios present a dazzling range of moods and style with each work demonstrating Shield's mastery of the idiom, both in his treatment of individual instruments and in the handling of textures. While there is no shortage of melody and accompaniment, in which the violin takes the lead, there are many memorable solos for the viola and the cello in its high register. The wide range of textures includes melodic decoration, dialogue, contrast of high and low register, legato and staccato, powerful unison and double octaves. Shield's ability to incorporate arioso-like melody, the prevailing 'symphonic' style and folk elements was largely achieved through the cross-generic requirements of English comic opera (a form to which Shield devoted himself during the whole of his creative career). In general, Shield's technique results in a firm control of the way music moves - with sometimes a surprising degree of stylistic restlessness and sometimes of unexpected plainness and simplicity. The trios Shield selected for publication were issued by Longman and Broderip, London, in January 1796 under the inspection of the composer. No autograph of these works survives and Longman and Broderip's printing, a copy of which is preserved in the Bodleian Library, Oxford, under the call number Mus.Instr.I 214(15), is the only source of this edition. The title page, with its dedicatory inscription, reads: Six / TRIOS / FOR / Violin, Tenor and Violoncello, / Composed / And Inscribed to the Memory of / Jacob More Esqr. / By / Wm. SHIELD./ (Musician in Ordinary to His Majesty) / Entd. At Statn. Hall [rule] Price 10/6 / ADVERTISEMENT / These Trios were Composed chiefly for the abovementioned Celebrated Landscape Painter (in Rome) / And are Dedicated to his Memory as a Token of Gratitude for the Services he rendered the Author / during his Residence in that City. The movements which are written in the uncommon Time / of 5/4 have amused some of the most distinguished Professors both in England & Italy which / induces the Author to hope they will not be disagreeable to the Public at Large / Goodge Street, Jany. 1st 1796 / [rule] / London, Printed for the Author by Longman & Broderip, No.26, Cheapside & No.13, Haymarket. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$49.00
String Trio No. 6 in B flat major
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE
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Classique
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/ Wm
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William Shield
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Robert Hoskins
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String Trio No. 6 in B flat ma
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Artaria Editions
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SheetMusicPlus
String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1488232 Composed by William Shield. Arranged by Robert Hoskins. Classical. 36 pages. Artaria Editions...
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String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1488232 Composed by William Shield. Arranged by Robert Hoskins. Classical. 36 pages. Artaria Editions #1065119. Published by Artaria Editions (A0.1488232). Shield's Trios, written for a continental audience, are seminal works in the composer's output and mark a new level of compositional attainment in the English chamber music repertory. Technically, they contain a wide variety of ideas which are developed with great ingenuity through a wide range of keys, dynamic contrasts and timbral effects. Aesthetically, they blend 'popular' and 'learned' taste along with 'orchestral' splendour and 18th century notions of beauty. The Trios present a dazzling range of moods and style with each work demonstrating Shield's mastery of the idiom, both in his treatment of individual instruments and in the handling of textures. While there is no shortage of melody and accompaniment, in which the violin takes the lead, there are many memorable solos for the viola and the cello in its high register. The wide range of textures includes melodic decoration, dialogue, contrast of high and low register, legato and staccato, powerful unison and double octaves. Shield's ability to incorporate arioso-like melody, the prevailing 'symphonic' style and folk elements was largely achieved through the cross-generic requirements of English comic opera (a form to which Shield devoted himself during the whole of his creative career). In general, Shield's technique results in a firm control of the way music moves - with sometimes a surprising degree of stylistic restlessness and sometimes of unexpected plainness and simplicity. The trios Shield selected for publication were issued by Longman and Broderip, London, in January 1796 under the inspection of the composer. No autograph of these works survives and Longman and Broderip's printing, a copy of which is preserved in the Bodleian Library, Oxford, under the call number Mus.Instr.I 214(15), is the only source of this edition. The title page, with its dedicatory inscription, reads: Six / TRIOS / FOR / Violin, Tenor and Violoncello, / Composed / And Inscribed to the Memory of / Jacob More Esqr. / By / Wm. SHIELD./ (Musician in Ordinary to His Majesty) / Entd. At Statn. Hall [rule] Price 10/6 / ADVERTISEMENT / These Trios were Composed chiefly for the abovementioned Celebrated Landscape Painter (in Rome) / And are Dedicated to his Memory as a Token of Gratitude for the Services he rendered the Author / during his Residence in that City. The movements which are written in the uncommon Time / of 5/4 have amused some of the most distinguished Professors both in England & Italy which / induces the Author to hope they will not be disagreeable to the Public at Large / Goodge Street, Jany. 1st 1796 / [rule] / London, Printed for the Author by Longman & Broderip, No.26, Cheapside & No.13, Haymarket. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$49.00
String Trio No. 5 in C minor
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE
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Classique
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/ Wm
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William Shield
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Robert Hoskins
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String Trio No. 5 in C minor
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Artaria Editions
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SheetMusicPlus
String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1488231 Composed by William Shield. Arranged by Robert Hoskins. Classical. 23 pages. Artaria Editions...
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String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1488231 Composed by William Shield. Arranged by Robert Hoskins. Classical. 23 pages. Artaria Editions #1065118. Published by Artaria Editions (A0.1488231). Shield's Trios, written for a continental audience, are seminal works in the composer's output and mark a new level of compositional attainment in the English chamber music repertory. Technically, they contain a wide variety of ideas which are developed with great ingenuity through a wide range of keys, dynamic contrasts and timbral effects. Aesthetically, they blend 'popular' and 'learned' taste along with 'orchestral' splendour and 18th century notions of beauty. The Trios present a dazzling range of moods and style with each work demonstrating Shield's mastery of the idiom, both in his treatment of individual instruments and in the handling of textures. While there is no shortage of melody and accompaniment, in which the violin takes the lead, there are many memorable solos for the viola and the cello in its high register. The wide range of textures includes melodic decoration, dialogue, contrast of high and low register, legato and staccato, powerful unison and double octaves. Shield's ability to incorporate arioso-like melody, the prevailing 'symphonic' style and folk elements was largely achieved through the cross-generic requirements of English comic opera (a form to which Shield devoted himself during the whole of his creative career). In general, Shield's technique results in a firm control of the way music moves - with sometimes a surprising degree of stylistic restlessness and sometimes of unexpected plainness and simplicity. The trios Shield selected for publication were issued by Longman and Broderip, London, in January 1796 under the inspection of the composer. No autograph of these works survives and Longman and Broderip's printing, a copy of which is preserved in the Bodleian Library, Oxford, under the call number Mus.Instr.I 214(15), is the only source of this edition. The title page, with its dedicatory inscription, reads: Six / TRIOS / FOR / Violin, Tenor and Violoncello, / Composed / And Inscribed to the Memory of / Jacob More Esqr. / By / Wm. SHIELD./ (Musician in Ordinary to His Majesty) / Entd. At Statn. Hall [rule] Price 10/6 / ADVERTISEMENT / These Trios were Composed chiefly for the abovementioned Celebrated Landscape Painter (in Rome) / And are Dedicated to his Memory as a Token of Gratitude for the Services he rendered the Author / during his Residence in that City. The movements which are written in the uncommon Time / of 5/4 have amused some of the most distinguished Professors both in England & Italy which / induces the Author to hope they will not be disagreeable to the Public at Large / Goodge Street, Jany. 1st 1796 / [rule] / London, Printed for the Author by Longman & Broderip, No.26, Cheapside & No.13, Haymarket. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$49.00
String Trio No. 2 in D major
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Trio à Cordes: violon, alto, violoncelle
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Classique
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/ Wm
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William Shield
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Robert Hoskins
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String Trio No. 2 in D major
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Artaria Editions
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SheetMusicPlus
String Trio Cello,Viola,Violin - SKU: A0.1488225 Composed by William Shield. Arranged by Robert Hoskins. Classical. 37 pages. Artaria Editions #1065111....
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String Trio Cello,Viola,Violin - SKU: A0.1488225 Composed by William Shield. Arranged by Robert Hoskins. Classical. 37 pages. Artaria Editions #1065111. Published by Artaria Editions (A0.1488225). Shield's Trios, written for a continental audience, are seminal works in the composer's output and mark a new level of compositional attainment in the English chamber music repertory. Technically, they contain a wide variety of ideas which are developed with great ingenuity through a wide range of keys, dynamic contrasts and timbral effects. Aesthetically, they blend 'popular' and 'learned' taste along with 'orchestral' splendour and 18th century notions of beauty. The Trios present a dazzling range of moods and style with each work demonstrating Shield's mastery of the idiom, both in his treatment of individual instruments and in the handling of textures. While there is no shortage of melody and accompaniment, in which the violin takes the lead, there are many memorable solos for the viola and the cello in its high register. The wide range of textures includes melodic decoration, dialogue, contrast of high and low register, legato and staccato, powerful unison and double octaves. Shield's ability to incorporate arioso-like melody, the prevailing 'symphonic' style and folk elements was largely achieved through the cross-generic requirements of English comic opera (a form to which Shield devoted himself during the whole of his creative career). In general, Shield's technique results in a firm control of the way music moves - with sometimes a surprising degree of stylistic restlessness and sometimes of unexpected plainness and simplicity. The trios Shield selected for publication were issued by Longman and Broderip, London, in January 1796 under the inspection of the composer. No autograph of these works survives and Longman and Broderip's printing, a copy of which is preserved in the Bodleian Library, Oxford, under the call number Mus.Instr.I 214(15), is the only source of this edition. The title page, with its dedicatory inscription, reads: Six / TRIOS / FOR / Violin, Tenor and Violoncello, / Composed / And Inscribed to the Memory of / Jacob More Esqr. / By / Wm. SHIELD./ (Musician in Ordinary to His Majesty) / Entd. At Statn. Hall [rule] Price 10/6 / ADVERTISEMENT / These Trios were Composed chiefly for the abovementioned Celebrated Landscape Painter (in Rome) / And are Dedicated to his Memory as a Token of Gratitude for the Services he rendered the Author / during his Residence in that City. The movements which are written in the uncommon Time / of 5/4 have amused some of the most distinguished Professors both in England & Italy which / induces the Author to hope they will not be disagreeable to the Public at Large / Goodge Street, Jany. 1st 1796 / [rule] / London, Printed for the Author by Longman & Broderip, No.26, Cheapside & No.13, Haymarket. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$49.00
String Trio No.1 in E flat major
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE
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Classique
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/ Wm
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William Shield
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Robert Hoskins
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String Trio No.1 in E flat maj
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Artaria Editions
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SheetMusicPlus
String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1488224 Composed by William Shield. Arranged by Robert Hoskins. Classical. 24 pages. Artaria Editions...
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String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1488224 Composed by William Shield. Arranged by Robert Hoskins. Classical. 24 pages. Artaria Editions #1065110. Published by Artaria Editions (A0.1488224). The trios Shield selected for publication were issued by Longman and Broderip, London, in January 1796 under the inspection of the composer. No autograph of these works survives and Longman and Broderip's printing, a copy of which is preserved in the Bodleian Library, Oxford, under the call number Mus.Instr.I 214(15), is the only source of this edition. The title page, with its dedicatory inscription, reads: Six / TRIOS / FOR / Violin, Tenor and Violoncello, / Composed / And Inscribed to the Memory of / Jacob More Esqr. / By / Wm. SHIELD./ (Musician in Ordinary to His Majesty) / Entd. At Statn. Hall [rule] Price 10/6 / ADVERTISEMENT / These Trios were Composed chiefly for the abovementioned Celebrated Landscape Painter (in Rome) / And are Dedicated to his Memory as a Token of Gratitude for the Services he rendered the Author / during his Residence in that City. The movements which are written in the uncommon Time / of 5/4 have amused some of the most distinguished Professors both in England & Italy which / induces the Author to hope they will not be disagreeable to the Public at Large / Goodge Street, Jany. 1st 1796 / [rule] / London, Printed for the Author by Longman & Broderip, No.26, Cheapside & No.13, Haymarket. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$49.00
Spanish Dance No. 1, Danza from La vida breve for string trio (vln/vla duet)
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Trio à Cordes: violon, alto, violoncelle
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AVANCÉ
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Classique
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M
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Klas Krantz
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Spanish Dance No. 1, Danza fro
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Amadeus Music
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SheetMusicPlus
String Trio Cello,Viola,Violin - Level 5 - SKU: A0.532337 Composed by M. de Falla. Arranged by Klas Krantz. 20th Century,Classical,Romantic Period. 20 p...
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String Trio Cello,Viola,Violin - Level 5 - SKU: A0.532337 Composed by M. de Falla. Arranged by Klas Krantz. 20th Century,Classical,Romantic Period. 20 pages. Amadeus Music #5998141. Published by Amadeus Music (A0.532337). This arrangement is also playable as a violin and viola duet. There is a special ossia staff in the viola part.Manuel de Falla (1876 – 1946) was a Spanish composer and pianist. Along with Isaac Albéniz, Francisco Tárrega, and Enrique Granados, he was one of Spain's most important musicians of the first half of the 20th century. He has a claim to being Spain's greatest composer of the 20th century, although the number of pieces he composed was relatively modest.
$13.95
A Wonderful Day Like Today
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE
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Contemporain
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Anthony Newley and Leslie Bric
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David Warin Solomons
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A Wonderful Day Like Today
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David Warin Solomons
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SheetMusicPlus
String Ensemble,String Trio - Level 3 - SKU: A0.580355 Composed by Anthony Newley and Leslie Bricusse. Arranged by David Warin Solomons. Contemporary. S...
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String Ensemble,String Trio - Level 3 - SKU: A0.580355 Composed by Anthony Newley and Leslie Bricusse. Arranged by David Warin Solomons. Contemporary. Score and parts. 11 pages. David Warin Solomons #4309317. Published by David Warin Solomons (A0.580355). Instrumental arrangement of the song from the Newley and Bricusse show The Roar of the Greasepaint - The Smell of the Crowd
$14.00
Feeling Good
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Michael Buble
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Roger Wallace
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Feeling Good
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Roger Wallace
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SheetMusicPlus
String Trio Cello,Viola,Violin - Level 4 - SKU: A0.1158651 By Michael Buble. By Anthony Newley and Leslie Bricusse. Arranged by Roger Wallace. Blues,Bro...
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String Trio Cello,Viola,Violin - Level 4 - SKU: A0.1158651 By Michael Buble. By Anthony Newley and Leslie Bricusse. Arranged by Roger Wallace. Blues,Broadway,Jazz,Musical/Show,Standards. 28 pages. Roger Wallace #758923. Published by Roger Wallace (A0.1158651). Mixed Instrument Quartet or Trio (see title page for details). The Leslie Bricusse & Anthony Newley classic from The Roar of the Greasepaint – The Smell of the Crowd, performed as a 12/8 Blues Chorus with 4/4 Stop-Time Bridge. Features First Part as the Soloist. Can be performed as a Trio by omitting Part 2. A full length audio version can be heard in the YouTube video.This arrangement is also available for many other ensembles and soloists. Look for more arrangements by Roger Wallace.
$12.99
Feeling Good for String Trio
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Rock
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Michael Buble
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Feeling Good for String Trio
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Stringtastic Publications
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SheetMusicPlus
String Trio - Advanced Intermediate - Digital Download By Michael Buble. Arranged by Nina Kopparhed. Score, Set of Parts. 13 pages. Published by Stringtast...
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String Trio - Advanced Intermediate - Digital Download By Michael Buble. Arranged by Nina Kopparhed. Score, Set of Parts. 13 pages. Published by Stringtastic Publications
"Feeling Good" (also known as "Feelin' Good") is a song written by English composers Anthony Newley and Leslie Bricusse for the musical The Roar of the Greasepaint ? The Smell of the Crowd. It was first performed on stage in 1964 by Cy Grant on the UK tour and by Gilbert Price in 1965 with the original Broadway cast.[1]
Nina Simone recorded "Feeling Good" for her 1965 album I Put a Spell on You. The song has also been covered by Traffic, Michael Bubl, John Coltrane, George Michael, Victory, Eels, Joe Bonamassa, EDEN, Muse, and Black Cat Bones, among others.
$12.99
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