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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Public
Non classifié
4 468
Piano & claviers
Piano, Voix
6 123
Piano seul
3 152
Piano Facile
561
Piano, Voix et Guitare
309
Accordéon
252
Orgue
160
1 Piano, 4 mains
83
Instruments en Do
63
Accompagnement Piano
44
Piano Trio: piano, violon, violoncelle
28
2 Pianos, 4 mains
26
Tous Les Instruments
17
Piano Quintette: piano, 2 violons, alto, violoncelle
6
1 Piano, 6 mains
5
Piano grosses notes
5
Orgue, Piano (duo)
5
Piano (partie séparée)
4
Piano Quatuor: piano, violon, alto, violoncelle
4
Clavecin
4
Orgue, Trompette (duo)
3
Clavier
3
2 Pianos, 8 mains
2
Concertina
2
Ligne De Mélodie, Piano
1
Piano Quatuor: piano, 2 violons, violoncelle
1
Instrument seul et Orgue
1
+ 21 instrumentations
Retracter
Guitares
Guitare notes et tablatures
1 525
Guitare
1 274
2 Guitares (duo)
283
Banjo
171
Mandoline
159
Ukulele
122
Piano, Guitare (duo)
118
Basse electrique
113
Dulcimer
85
Ensemble de guitares
22
Guitare Pedal Steel
20
Ligne De Mélodie, (Paroles) et Accords
14
Dobro
14
4 Guitares (Quatuor)
14
3 Guitares (trio)
12
Ukulele Baryton
5
Guitare (partie séparée)
4
2 Ukuleles
4
Luth
3
2 Mandolines (duo)
3
Paroles et Accords
3
Partitions De Groupes
1
2 Dulcimers (duo)
1
Guitare, Orchestre
1
Basse électrique (partie séparée)
1
Cithare
1
+ 21 instrumentations
Retracter
Voix
Chorale SATB
1 257
Chorale 3 parties
352
Voix seule
194
Chorale 2 parties
159
Chorale TTBB
110
Chorale Unison
87
Voix duo, Piano
67
Chorale SSAA
30
Voix haute
28
Voix Soprano, Piano
23
Chorale
22
Pack Instrumental pour Chorale
20
Voix duo
20
Voix Tenor, Piano
14
Voix basse, Piano
5
Voix Alto, Piano
5
Voix Baryton, Piano
5
Voix moyenne, Piano
4
Voix, Guitare
4
Chorale SSATB
4
Voix Tenor
3
Voix basse
3
Voix Soprano
2
Chorale SSAATB
2
Chorale SSAATTBB
1
Chorale, Orgue
1
Chorale SSATTB
1
Voix Mezzo-Soprano, Piano
1
+ 23 instrumentations
Retracter
Vents
Flûte et Guitare
588
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
548
Quatuor de Saxophones: 4 saxophones
546
Flûte traversière et Piano
463
Flûte, Hautbois, Clarinette, Basson
428
Quintette de Saxophone: 5 saxophones
387
Quatuor de Clarinettes: 4 clarinettes
377
Clarinette et Piano
347
Saxophone Alto et Piano
311
Hautbois, Piano (duo)
278
2 Flûtes traversières (duo)
257
2 Saxophones (duo)
254
2 Clarinettes (duo)
221
Saxophone Tenor et Piano
209
Clarinette
181
Flûte traversière
170
Saxophone (partie séparée)
104
Harmonica
84
Saxophone Alto
75
Hautbois (partie séparée)
63
Quatuor de Flûtes : 4 flûtes
58
Ensemble de Clarinettes
57
Ensemble de saxophones
57
Flûte à bec Soprano
55
Flûte, Hautbois, Clarinette (trio)
51
Saxophone Soprano et Piano
49
Saxophone Tenor
44
Flûte à Bec
39
3 Saxophones (trio)
39
3 Clarinettes (trio)
35
Flûte à bec Soprano, Piano
32
Flûte, Clarinette (duo)
31
Saxophone
28
Trio de Flûtes: 3 flûtes
27
2 Flûtes traversières, Piano
26
Quatuor de Flûtes à bec
26
Flûte à bec Alto
25
Ensemble De Flûte à bec
24
2 Flûte à bec (duo)
23
Saxophone Baryton, Piano
21
Quintette de Clarinettes: 5 clarinettes
21
Cor anglais, Piano
19
Flûte, Hautbois, Basson
19
Flûte, Violon et Violoncelle
18
Ensemble de Flûtes
16
Clarinette (partie séparée)
15
Piccolo
14
2 Hautbois (duo)
14
Quintette de Flûte : 5 flûtes
13
Flûte à bec Alto, Piano
13
Hautbois
13
Flûte irlandaise
13
Hautbois, Basson (duo)
12
Saxophone Soprano
12
Flûte, Clarinette et Basson
12
5 Flûtes à bec
11
Saxophone, Clarinette (duo)
10
Hautbois, Clarinette (duo)
9
Clarinette, Violon (duo)
9
3 Flûtes à bec (trio)
9
Piccolo, Piano
9
Flûte, Violon
9
Flute (partie séparée)
9
Cor Anglais
8
Clarinette et Alto
8
Clarinette, Basson (duo)
7
Flûte, Violoncelle
7
Flûte, Alto (duo)
7
2 Clarinettes, Basson
7
Clarinette Basse, Piano
7
Hautbois, Clarinette, Basson (trio d'anches)
6
Flûte, Violoncelle, Piano (trio)
6
Flûte à bec Tenor
5
Flûte, Hautbois (duo)
5
Flûte, Clarinette, Cor, Basson (Quartet)
5
Clarinette, Trompette (duo)
5
Clarinette, Guitare (duo)
5
Flute, harpe et violon
5
Flûte, Hautbois, Piano (trio)
4
Flûte, Saxophone (duo)
4
Saxophone Baryton
4
Flûte à Bec, Piano
4
Flûte de Pan
4
2 Hautbois et Basson
3
Flûte, Violoncelle, Guitare
3
Hautbois, Basson et Piano
3
Flûte à bec Alto, Basse continue
3
2 Clarinettes, Piano
3
Saxophone et Piano
2
Flûte et Quatuor à Cordes
2
4 Hautbois
2
Hautbois, Guitare (duo)
2
Flûte, Clarinette, Piano (trio)
2
Flûte, Basson et Piano
1
Clarinette, Violoncelle (duo)
1
2 Hautbois, Piano
1
3 Hautbois
1
Flûte, Violon, Piano
1
Flûte, Trompette (duo)
1
Clarinette Basse
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
2 Saxophones, Piano
1
Hautbois, Flûte
1
Ocarina
1
Clarinette, Harpe (duo)
1
2 Flûtes traversières, Harpe
1
Hautbois, Clarinette et Piano (Trio)
1
Flûte traversière, Basse continue
1
Ensemble à vent
1
Ensemble de Hautbois
1
+ 105 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
648
Trombone et Piano
267
Trompette
262
Quatuor de Cuivres : 2 trompettes, trombone, tuba
245
2 Trompettes (duo)
207
Trompette, Piano
179
Quatuor de Cuivres: 2 trompettes, Cor, trombone
126
Cor et Piano
87
Ensemble de Trompettes
82
Trombone
77
Cor
45
Trompette (partie séparée)
44
Quatuor de Cuivres
43
Trombone (partie séparée)
35
Quatuor de cuivres: 4 trombones
33
Tuba
31
Tuba et Piano
29
Euphonium, Piano (duo)
28
Trompette, Trombone (duo)
26
2 Trombones (duo)
23
Euphonium
20
Cor anglais, Piano
19
Quatuor de cuivres: 4 cors
18
Trio de Cuivres
16
Ensemble de Cors
15
Ensemble de Trombones
13
2 Cors (duo)
10
Quatuor de cuivres: 4 trompettes
9
Trombone, Cor (duo)
8
Cor Anglais
8
2 Euphoniums et 2 Tubas
8
3 Trompettes (trio)
6
Trompette, Saxophone (duo)
6
Trompette et Guitare
5
Instruments en Sib
5
Trompette, Cor (duo)
5
2 Tubas (duo)
5
Cor, Tuba (duo)
5
4 Tubas
4
Tuba (partie séparée)
4
3 Trombones (trio)
4
Trombone basse
4
Bass Clef Instruments
4
Trompette, violon (duo)
3
Trompette, Tuba (duo)
3
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
3
Bugle
3
Cor (partie séparée)
2
Trompette, Orchestre
2
Trombone basse et Piano
2
Cornet A Pistons
2
Quatuor de cuivres: 2 trompettes, 2 trombones
2
3 Tubas (trio)
1
Euphonium Ou Saxhorn Et Piano
1
Euphonium, Tuba (duo)
1
2 Trompettes, Clavier (piano ou orgue)
1
Tuba ou Euphonium ou Saxhorn
1
3 Cors (trio)
1
+ 53 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
963
Violon et Piano
468
Violon
360
Violoncelle, Piano
326
Alto, Piano
297
2 Violons (duo)
242
Violoncelle
146
Harpe
95
Alto seul
89
Violon, Violoncelle (duo)
72
2 Violoncelles (duo)
53
Trio à Cordes: violon, alto, violoncelle
50
Violon, Guitare (duo)
48
Contre Basse
44
2 Altos (duo)
41
Violon, Alto (duo)
39
Trio à Cordes: 2 violons, violoncelle
39
Alto (partie séparée)
33
Autoharp
20
Trio à cordes
19
Violon (partie séparée)
18
Contrebasse, Piano (duo)
15
4 Violoncelles
15
Trio à cordes: 3 violins
15
Quintette à cordes: 2 violons, alto, violoncelle, basse
14
Quatuor à cordes : 4 altos
13
Violoncelle , Guitare (duo)
12
Alto, Violoncelle (duo)
11
Piano Trio: Violon, Alto, Piano
10
Violon, Basse continue
9
Quintette à cordes: 2 violons, 2 altos, violoncelle
9
Trio à Cordes: 3 violoncelles
9
Violoncelle, Contrebasse (duo)
8
Quatuor à cordes: 4 violons
7
Flûte, Contrebasse (duo)
6
Trio à cordes: 3 altos
5
Harpe, Flûte (duo)
5
Contrebasse (partie séparée)
4
3 Harpes
3
2 Contrebasses (duo)
3
Violoncelle (partie séparée)
2
Alto, Guitare (duo)
2
Violoncelle, Orchestre
2
Ensemble d'Altos
2
Harpe, Violon, Violoncelle
2
Ensemble de Violons
2
Harpe et Piano
2
Violoncelle, Orgue
1
2 Violons, Piano
1
Quintette à cordes : 2 violons, alto et 2 violoncelles
1
4 Contrebasses
1
2 Harpes (duo)
1
Harpe, Trombone (duo)
1
2 Violoncelles, Piano
1
Harpe, Violon (duo)
1
Harpe, Voix
1
Violon, Clarinette, Piano (trio)
1
Alto et orchestre
1
2 Altos, Piano
1
2 Violons et Basse continue
1
Ensemble de Violoncelles
1
+ 56 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
767
Orchestre
383
Ensemble de cuivres
271
Ensemble Jazz
166
Orchestre à Cordes
153
Batterie
115
Fanfare
104
Orchestre de chambre
94
Cloches
76
Ensemble de Percussions
53
Jazz combo
48
Quatuor à Vent : 4 instruments à vents
20
Percussion
18
Marimba
13
Xylophone
11
Caisse Claire
9
Xylophone, Piano
8
Vibraphone
7
Percussion (partie séparée)
6
Bongos
4
Conga
4
Cajon
3
Bodhran
3
Quintette à Vent
1
2 Caisses Claires (duo)
1
Vibraphone et Marimba
1
Batterie (partie séparée)
1
Trio à Vent: 3 instruments à vents
1
Quintette de Cuivres: autres combinaisons
1
2 Xylophones
1
Timbales
1
Timbales (partie séparée)
1
+ 27 instrumentations
Retracter
Autres
Théorie de la musique
10
Formation musicale - Solfège
8
Partitions Gratuites
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
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Trio à Cordes: violon, alto, violoncelle
Partitions à imprimer
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26
Secrets (One Republic/Piano Guys) - String trio arrangement
#
Trio à Cordes: violon, alto, violoncelle
#
Rock
#
OneRepublic
#
Stephen Bulat
#
Secrets
#
Stephen Bulat
#
SheetMusicPlus
By OneRepublic. Arranged by Stephen Bulat. Score, Set of Parts. 20 pages. Published by Stephen Bulat...
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By OneRepublic. Arranged by Stephen Bulat. Score, Set of Parts. 20 pages. Published by Stephen Bulat
$12.99
SCALES FOR CELLO
#
Trio à Cordes: violon, alto, violoncelle
#
DÉBUTANT
#
Wohlfart, Campagnoli, Mazas, B
#
Violin Friends
#
SCALES FOR CELLO
#
Suomi Music
#
SheetMusicPlus
String Ensemble Cello,Viola,Violin - Level 1 - SKU: A0.1442070 Composed by Wohlfart, Campagnoli, Mazas, Beriot, Cherubini, Dancla, Küchler. Arranged by...
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String Ensemble Cello,Viola,Violin - Level 1 - SKU: A0.1442070 Composed by Wohlfart, Campagnoli, Mazas, Beriot, Cherubini, Dancla, Küchler. Arranged by Violin Friends. Chamber,Children,Classical,Instructional,Romantic Period. Educational Exercises. 137 pages. Suomi Music #1022066. Published by Suomi Music (A0.1442070). LET’S PLAY SCALES AS DUETS FOR CELLOLet’s Play Scales as Duets for Cello is a fun collection of scales compiled from some of the most important Violin Method Books written by famous violinist and teachers in France, Germany, Italy, Belgium and Czech Republic.Explore the time-honored tradition of violin instruction with this comprehensiveassortment of scales, sourced from esteemed violin method books in Europeanviolin pedagogy. Let’s Play Scales as Duets for Cello offers a curated selection of scale exercises presented in a collaborative duet format.Let’s Play Scales as Duets for Cello provides a valuable resource for students and educators alike. Each duet is thoughtfully designed to promote intonation, musical phrasing, and listening skills through the shared experience of making music together. Moreover, each scale can be practiced in the classroom but also suits performance, adding versatility to your repertoire.The scales have been carefully selected and arranged from the following publications: Easiest elementary Method for Beginners, Op. 38 by Franz Wohlfart (1875) Méthode de Violin by Jaques Féreol Mazas (1832) Méthode de Violon, Op. 102 by Charles de Bériot (1857) Metodo elementare e progressivo per Violino, Op. 55 di Carlo Dancla (1852) Méthode de Violon by Ferdinand Kuechler (1910) Violin School for Beginners, Op.6 by Otakar Sevcik (1903) Méthode de Violon by Baillot, Rode et Kreutzer (ca.1835) Nouvelle Méthode de la Mécanique progressive du Jeu de Violon by Bartolomeo Campagnoli (1827)Let’s Play Scales as Duets by Violin Friends is available for 2 violins, 2 violas and 2 cellos.Number of Scales: 75Printable pages: 138.
$19.90
String Trio No. 3 in A major
#
Trio à Cordes: violon, alto, violoncelle
#
INTERMÉDIAIRE
#
Classique
#
/ Wm
#
William Shield
#
Robert Hoskins
#
String Trio No. 3 in A major
#
Artaria Editions
#
SheetMusicPlus
String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1488228 Composed by William Shield. Arranged by Robert Hoskins. Classical. 27 pages. Artaria Editions...
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String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1488228 Composed by William Shield. Arranged by Robert Hoskins. Classical. 27 pages. Artaria Editions #1065115. Published by Artaria Editions (A0.1488228). Shield's Trios, written for a continental audience, are seminal works in the composer's output and mark a new level of compositional attainment in the English chamber music repertory. Technically, they contain a wide variety of ideas which are developed with great ingenuity through a wide range of keys, dynamic contrasts and timbral effects. Aesthetically, they blend 'popular' and 'learned' taste along with 'orchestral' splendour and 18th century notions of beauty. The Trios present a dazzling range of moods and style with each work demonstrating Shield's mastery of the idiom, both in his treatment of individual instruments and in the handling of textures. While there is no shortage of melody and accompaniment, in which the violin takes the lead, there are many memorable solos for the viola and the cello in its high register. The wide range of textures includes melodic decoration, dialogue, contrast of high and low register, legato and staccato, powerful unison and double octaves. Shield's ability to incorporate arioso-like melody, the prevailing 'symphonic' style and folk elements was largely achieved through the cross-generic requirements of English comic opera (a form to which Shield devoted himself during the whole of his creative career). In general, Shield's technique results in a firm control of the way music moves - with sometimes a surprising degree of stylistic restlessness and sometimes of unexpected plainness and simplicity. The trios Shield selected for publication were issued by Longman and Broderip, London, in January 1796 under the inspection of the composer. No autograph of these works survives and Longman and Broderip's printing, a copy of which is preserved in the Bodleian Library, Oxford, under the call number Mus.Instr.I 214(15), is the only source of this edition. The title page, with its dedicatory inscription, reads: Six / TRIOS / FOR / Violin, Tenor and Violoncello, / Composed / And Inscribed to the Memory of / Jacob More Esqr. / By / Wm. SHIELD./ (Musician in Ordinary to His Majesty) / Entd. At Statn. Hall [rule] Price 10/6 / ADVERTISEMENT / These Trios were Composed chiefly for the abovementioned Celebrated Landscape Painter (in Rome) / And are Dedicated to his Memory as a Token of Gratitude for the Services he rendered the Author / during his Residence in that City. The movements which are written in the uncommon Time / of 5/4 have amused some of the most distinguished Professors both in England & Italy which / induces the Author to hope they will not be disagreeable to the Public at Large / Goodge Street, Jany. 1st 1796 / [rule] / London, Printed for the Author by Longman & Broderip, No.26, Cheapside & No.13, Haymarket. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$49.00
String Trio No. 4 in E major
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE
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Classique
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/ Wm
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William Shield
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Robert Hoskins
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String Trio No. 4 in E major
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Artaria Editions
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SheetMusicPlus
String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1488229 Composed by William Shield. Arranged by Robert Hoskins. Classical. 24 pages. Artaria Editions...
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String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1488229 Composed by William Shield. Arranged by Robert Hoskins. Classical. 24 pages. Artaria Editions #1065116. Published by Artaria Editions (A0.1488229). Shield's Trios, written for a continental audience, are seminal works in the composer's output and mark a new level of compositional attainment in the English chamber music repertory. Technically, they contain a wide variety of ideas which are developed with great ingenuity through a wide range of keys, dynamic contrasts and timbral effects. Aesthetically, they blend 'popular' and 'learned' taste along with 'orchestral' splendour and 18th century notions of beauty. The Trios present a dazzling range of moods and style with each work demonstrating Shield's mastery of the idiom, both in his treatment of individual instruments and in the handling of textures. While there is no shortage of melody and accompaniment, in which the violin takes the lead, there are many memorable solos for the viola and the cello in its high register. The wide range of textures includes melodic decoration, dialogue, contrast of high and low register, legato and staccato, powerful unison and double octaves. Shield's ability to incorporate arioso-like melody, the prevailing 'symphonic' style and folk elements was largely achieved through the cross-generic requirements of English comic opera (a form to which Shield devoted himself during the whole of his creative career). In general, Shield's technique results in a firm control of the way music moves - with sometimes a surprising degree of stylistic restlessness and sometimes of unexpected plainness and simplicity. The trios Shield selected for publication were issued by Longman and Broderip, London, in January 1796 under the inspection of the composer. No autograph of these works survives and Longman and Broderip's printing, a copy of which is preserved in the Bodleian Library, Oxford, under the call number Mus.Instr.I 214(15), is the only source of this edition. The title page, with its dedicatory inscription, reads: Six / TRIOS / FOR / Violin, Tenor and Violoncello, / Composed / And Inscribed to the Memory of / Jacob More Esqr. / By / Wm. SHIELD./ (Musician in Ordinary to His Majesty) / Entd. At Statn. Hall [rule] Price 10/6 / ADVERTISEMENT / These Trios were Composed chiefly for the abovementioned Celebrated Landscape Painter (in Rome) / And are Dedicated to his Memory as a Token of Gratitude for the Services he rendered the Author / during his Residence in that City. The movements which are written in the uncommon Time / of 5/4 have amused some of the most distinguished Professors both in England & Italy which / induces the Author to hope they will not be disagreeable to the Public at Large / Goodge Street, Jany. 1st 1796 / [rule] / London, Printed for the Author by Longman & Broderip, No.26, Cheapside & No.13, Haymarket. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$49.00
String Trio No. 6 in B flat major
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE
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Classique
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/ Wm
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William Shield
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Robert Hoskins
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String Trio No. 6 in B flat ma
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Artaria Editions
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SheetMusicPlus
String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1488232 Composed by William Shield. Arranged by Robert Hoskins. Classical. 36 pages. Artaria Editions...
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String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1488232 Composed by William Shield. Arranged by Robert Hoskins. Classical. 36 pages. Artaria Editions #1065119. Published by Artaria Editions (A0.1488232). Shield's Trios, written for a continental audience, are seminal works in the composer's output and mark a new level of compositional attainment in the English chamber music repertory. Technically, they contain a wide variety of ideas which are developed with great ingenuity through a wide range of keys, dynamic contrasts and timbral effects. Aesthetically, they blend 'popular' and 'learned' taste along with 'orchestral' splendour and 18th century notions of beauty. The Trios present a dazzling range of moods and style with each work demonstrating Shield's mastery of the idiom, both in his treatment of individual instruments and in the handling of textures. While there is no shortage of melody and accompaniment, in which the violin takes the lead, there are many memorable solos for the viola and the cello in its high register. The wide range of textures includes melodic decoration, dialogue, contrast of high and low register, legato and staccato, powerful unison and double octaves. Shield's ability to incorporate arioso-like melody, the prevailing 'symphonic' style and folk elements was largely achieved through the cross-generic requirements of English comic opera (a form to which Shield devoted himself during the whole of his creative career). In general, Shield's technique results in a firm control of the way music moves - with sometimes a surprising degree of stylistic restlessness and sometimes of unexpected plainness and simplicity. The trios Shield selected for publication were issued by Longman and Broderip, London, in January 1796 under the inspection of the composer. No autograph of these works survives and Longman and Broderip's printing, a copy of which is preserved in the Bodleian Library, Oxford, under the call number Mus.Instr.I 214(15), is the only source of this edition. The title page, with its dedicatory inscription, reads: Six / TRIOS / FOR / Violin, Tenor and Violoncello, / Composed / And Inscribed to the Memory of / Jacob More Esqr. / By / Wm. SHIELD./ (Musician in Ordinary to His Majesty) / Entd. At Statn. Hall [rule] Price 10/6 / ADVERTISEMENT / These Trios were Composed chiefly for the abovementioned Celebrated Landscape Painter (in Rome) / And are Dedicated to his Memory as a Token of Gratitude for the Services he rendered the Author / during his Residence in that City. The movements which are written in the uncommon Time / of 5/4 have amused some of the most distinguished Professors both in England & Italy which / induces the Author to hope they will not be disagreeable to the Public at Large / Goodge Street, Jany. 1st 1796 / [rule] / London, Printed for the Author by Longman & Broderip, No.26, Cheapside & No.13, Haymarket. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$49.00
String Trio No. 5 in C minor
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE
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Classique
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/ Wm
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William Shield
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Robert Hoskins
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String Trio No. 5 in C minor
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Artaria Editions
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SheetMusicPlus
String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1488231 Composed by William Shield. Arranged by Robert Hoskins. Classical. 23 pages. Artaria Editions...
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String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1488231 Composed by William Shield. Arranged by Robert Hoskins. Classical. 23 pages. Artaria Editions #1065118. Published by Artaria Editions (A0.1488231). Shield's Trios, written for a continental audience, are seminal works in the composer's output and mark a new level of compositional attainment in the English chamber music repertory. Technically, they contain a wide variety of ideas which are developed with great ingenuity through a wide range of keys, dynamic contrasts and timbral effects. Aesthetically, they blend 'popular' and 'learned' taste along with 'orchestral' splendour and 18th century notions of beauty. The Trios present a dazzling range of moods and style with each work demonstrating Shield's mastery of the idiom, both in his treatment of individual instruments and in the handling of textures. While there is no shortage of melody and accompaniment, in which the violin takes the lead, there are many memorable solos for the viola and the cello in its high register. The wide range of textures includes melodic decoration, dialogue, contrast of high and low register, legato and staccato, powerful unison and double octaves. Shield's ability to incorporate arioso-like melody, the prevailing 'symphonic' style and folk elements was largely achieved through the cross-generic requirements of English comic opera (a form to which Shield devoted himself during the whole of his creative career). In general, Shield's technique results in a firm control of the way music moves - with sometimes a surprising degree of stylistic restlessness and sometimes of unexpected plainness and simplicity. The trios Shield selected for publication were issued by Longman and Broderip, London, in January 1796 under the inspection of the composer. No autograph of these works survives and Longman and Broderip's printing, a copy of which is preserved in the Bodleian Library, Oxford, under the call number Mus.Instr.I 214(15), is the only source of this edition. The title page, with its dedicatory inscription, reads: Six / TRIOS / FOR / Violin, Tenor and Violoncello, / Composed / And Inscribed to the Memory of / Jacob More Esqr. / By / Wm. SHIELD./ (Musician in Ordinary to His Majesty) / Entd. At Statn. Hall [rule] Price 10/6 / ADVERTISEMENT / These Trios were Composed chiefly for the abovementioned Celebrated Landscape Painter (in Rome) / And are Dedicated to his Memory as a Token of Gratitude for the Services he rendered the Author / during his Residence in that City. The movements which are written in the uncommon Time / of 5/4 have amused some of the most distinguished Professors both in England & Italy which / induces the Author to hope they will not be disagreeable to the Public at Large / Goodge Street, Jany. 1st 1796 / [rule] / London, Printed for the Author by Longman & Broderip, No.26, Cheapside & No.13, Haymarket. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$49.00
String Trio No. 2 in D major
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Trio à Cordes: violon, alto, violoncelle
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Classique
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/ Wm
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William Shield
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Robert Hoskins
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String Trio No. 2 in D major
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Artaria Editions
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SheetMusicPlus
String Trio Cello,Viola,Violin - SKU: A0.1488225 Composed by William Shield. Arranged by Robert Hoskins. Classical. 37 pages. Artaria Editions #1065111....
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String Trio Cello,Viola,Violin - SKU: A0.1488225 Composed by William Shield. Arranged by Robert Hoskins. Classical. 37 pages. Artaria Editions #1065111. Published by Artaria Editions (A0.1488225). Shield's Trios, written for a continental audience, are seminal works in the composer's output and mark a new level of compositional attainment in the English chamber music repertory. Technically, they contain a wide variety of ideas which are developed with great ingenuity through a wide range of keys, dynamic contrasts and timbral effects. Aesthetically, they blend 'popular' and 'learned' taste along with 'orchestral' splendour and 18th century notions of beauty. The Trios present a dazzling range of moods and style with each work demonstrating Shield's mastery of the idiom, both in his treatment of individual instruments and in the handling of textures. While there is no shortage of melody and accompaniment, in which the violin takes the lead, there are many memorable solos for the viola and the cello in its high register. The wide range of textures includes melodic decoration, dialogue, contrast of high and low register, legato and staccato, powerful unison and double octaves. Shield's ability to incorporate arioso-like melody, the prevailing 'symphonic' style and folk elements was largely achieved through the cross-generic requirements of English comic opera (a form to which Shield devoted himself during the whole of his creative career). In general, Shield's technique results in a firm control of the way music moves - with sometimes a surprising degree of stylistic restlessness and sometimes of unexpected plainness and simplicity. The trios Shield selected for publication were issued by Longman and Broderip, London, in January 1796 under the inspection of the composer. No autograph of these works survives and Longman and Broderip's printing, a copy of which is preserved in the Bodleian Library, Oxford, under the call number Mus.Instr.I 214(15), is the only source of this edition. The title page, with its dedicatory inscription, reads: Six / TRIOS / FOR / Violin, Tenor and Violoncello, / Composed / And Inscribed to the Memory of / Jacob More Esqr. / By / Wm. SHIELD./ (Musician in Ordinary to His Majesty) / Entd. At Statn. Hall [rule] Price 10/6 / ADVERTISEMENT / These Trios were Composed chiefly for the abovementioned Celebrated Landscape Painter (in Rome) / And are Dedicated to his Memory as a Token of Gratitude for the Services he rendered the Author / during his Residence in that City. The movements which are written in the uncommon Time / of 5/4 have amused some of the most distinguished Professors both in England & Italy which / induces the Author to hope they will not be disagreeable to the Public at Large / Goodge Street, Jany. 1st 1796 / [rule] / London, Printed for the Author by Longman & Broderip, No.26, Cheapside & No.13, Haymarket. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$49.00
String Trio No.1 in E flat major
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE
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Classique
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/ Wm
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William Shield
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Robert Hoskins
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String Trio No.1 in E flat maj
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Artaria Editions
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SheetMusicPlus
String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1488224 Composed by William Shield. Arranged by Robert Hoskins. Classical. 24 pages. Artaria Editions...
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String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1488224 Composed by William Shield. Arranged by Robert Hoskins. Classical. 24 pages. Artaria Editions #1065110. Published by Artaria Editions (A0.1488224). The trios Shield selected for publication were issued by Longman and Broderip, London, in January 1796 under the inspection of the composer. No autograph of these works survives and Longman and Broderip's printing, a copy of which is preserved in the Bodleian Library, Oxford, under the call number Mus.Instr.I 214(15), is the only source of this edition. The title page, with its dedicatory inscription, reads: Six / TRIOS / FOR / Violin, Tenor and Violoncello, / Composed / And Inscribed to the Memory of / Jacob More Esqr. / By / Wm. SHIELD./ (Musician in Ordinary to His Majesty) / Entd. At Statn. Hall [rule] Price 10/6 / ADVERTISEMENT / These Trios were Composed chiefly for the abovementioned Celebrated Landscape Painter (in Rome) / And are Dedicated to his Memory as a Token of Gratitude for the Services he rendered the Author / during his Residence in that City. The movements which are written in the uncommon Time / of 5/4 have amused some of the most distinguished Professors both in England & Italy which / induces the Author to hope they will not be disagreeable to the Public at Large / Goodge Street, Jany. 1st 1796 / [rule] / London, Printed for the Author by Longman & Broderip, No.26, Cheapside & No.13, Haymarket. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$49.00
Hungarian Dance No. 5 by Brahms for String Trio
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Trio à Cordes: violon, alto, violoncelle
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FACILE
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Classique
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Johannes Brahms
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Rika K
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Hungarian Dance No. 5 by Brahm
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Rika K.
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SheetMusicPlus
String Trio Cello,Viola,Violin - Level 2 - SKU: A0.1396793 Composed by Johannes Brahms. Arranged by Rika K. 19th Century,Chamber,Folk,Romantic Period,Tr...
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String Trio Cello,Viola,Violin - Level 2 - SKU: A0.1396793 Composed by Johannes Brahms. Arranged by Rika K. 19th Century,Chamber,Folk,Romantic Period,Traditional. 5 pages. Rika K. #980136. Published by Rika K. (A0.1396793). We present the sheet music for the arrangement of Johannes Brahms’ Hungarian Dance No. 5, adapted for String Trio.This piece, one of Brahms’ most popular, was inspired by the Hungarian folk dance Czárdás. It has now been simplified to cater to a variety of musicians and settings. Ideal for music teachers looking for enriching teaching material, parents wishing to introduce their children to this classic repertoire, or professional musicians looking for a practical piece for quick performances. This arrangement is also perfect for academic recitals or public events. Take this opportunity to delve into the rich history of classical music and experience the joy of playing a work by one of the world’s greatest composers.Don’t miss the chance to add this essential sheet music to your musical collection. Get your arrangement of Hungarian Dance No. 5 now!
$7.99
Hungarian Dance No. 5 by Brahms for String Trio
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Trio à Cordes: violon, alto, violoncelle
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FACILE
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Classique
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Johannes Brahms
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Rika K
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Hungarian Dance No. 5 by Brahm
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Rika K.
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SheetMusicPlus
String Trio Cello,Viola,Violin - Level 2 - SKU: A0.1396794 Composed by Johannes Brahms. Arranged by Rika K. 19th Century,Chamber,Folk,Romantic Period,Tr...
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String Trio Cello,Viola,Violin - Level 2 - SKU: A0.1396794 Composed by Johannes Brahms. Arranged by Rika K. 19th Century,Chamber,Folk,Romantic Period,Traditional. 5 pages. Rika K. #980137. Published by Rika K. (A0.1396794). We present the sheet music for the arrangement of Johannes Brahms’ Hungarian Dance No. 5, adapted for String Trio.This piece, one of Brahms’ most popular, was inspired by the Hungarian folk dance Czárdás. It has now been simplified to cater to a variety of musicians and settings. Ideal for music teachers looking for enriching teaching material, parents wishing to introduce their children to this classic repertoire, or professional musicians looking for a practical piece for quick performances. This arrangement is also perfect for academic recitals or public events. Take this opportunity to delve into the rich history of classical music and experience the joy of playing a work by one of the world’s greatest composers.Don’t miss the chance to add this essential sheet music to your musical collection. Get your arrangement of Hungarian Dance No. 5 now!
$7.99
O Chanukah! [Hanukkah] for Strings
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Trio à Cordes: violon, alto, violoncelle
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Musique Sacrée
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Tradition Hebrew melody
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Edited Robert C
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O Chanukah! [Hanukkah] for Str
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Robert C. Olivia
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SheetMusicPlus
String Ensemble Cello,Viola,Violin - SKU: A0.496138 Composed by Tradition Hebrew melody. Arranged by Edited Robert C. Olivia and Robert R. Olivia. Hanuk...
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String Ensemble Cello,Viola,Violin - SKU: A0.496138 Composed by Tradition Hebrew melody. Arranged by Edited Robert C. Olivia and Robert R. Olivia. Hanukkah,Holiday,Jewish,Praise & Worship,Sacred. Score and parts. 17 pages. Published by Robert C. Olivia (A0.496138). Arrangement for Strings of this beloved and popular melody. This is a well written arrangement with excellent voice leading for any level ensemble and constructed for a minimum of K 6-12. You will receive conductor score and parts all-inclusive in one pdf download. Midi audio sample is available listen to. Instrumentation: String Quartet or string ensemble About the arranger: Robert R. Olivia Robert R. Olivia was an elementary band director from 1959 to 1975 in the Plainfield Public Schools [NJ]. He wrote many arrangements for his bands and jazz bands. Teaching young people to learn to play an instrument and music education was a passion of his life. My website: www.robertolivia.com My contact: robertolivia655@comcast.net or via www.robertolivia.com.
$20.00
Ukrainian National Anthem for String Trio
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Trio à Cordes: violon, alto, violoncelle
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DÉBUTANT
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Patriotique
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Mykhailo Verbytsky, 1863
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James M
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Ukrainian National Anthem for
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jmsgu3
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SheetMusicPlus
String Ensemble,String Trio Cello,Viola,Violin - Level 1 - SKU: A0.1037973 Composed by Mykhailo Verbytsky, 1863. Arranged by James M. Guthrie. Patriotic...
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String Ensemble,String Trio Cello,Viola,Violin - Level 1 - SKU: A0.1037973 Composed by Mykhailo Verbytsky, 1863. Arranged by James M. Guthrie. Patriotic. Score and parts. 3 pages. Jmsgu3 #642893. Published by jmsgu3 (A0.1037973). Ukrainian National Anthem for String TrioThe Ukrainian National Anthem is the national anthem of Ukraine. It was adopted in 2003 and is the official anthem of the country. The lyrics were written by Pavlo Chubynsky and the music was composed by Mykhailo Verbytsky.The anthem is based on a poem written by Chubynsky in 1862, which tells of the struggles of the Ukrainian people throughout their history and their determination to remain a free and independent nation. The lyrics are considered to be a powerful expression of Ukrainian national identity and patriotism. The anthem has become a symbol of the Ukrainian people's strength and resilience in the face of adversity. The song is often sung at public events and gatherings in Ukraine, and it is a popular choice for choirs and orchestras to perform.
$20.00
Recordare (from "Requiem") (F) (String Septet - 3 Violins, 1 Viola, 3 Cellos)
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Wolfgang Amadeus Mozart
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Regis Bookshar
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Recordare
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Regis Bookshar
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SheetMusicPlus
String Ensemble Cello,Viola,Violin - Level 4 - SKU: A0.1112138 Composed by Wolfgang Amadeus Mozart. Arranged by Regis Bookshar. Chamber,Christian,Classi...
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String Ensemble Cello,Viola,Violin - Level 4 - SKU: A0.1112138 Composed by Wolfgang Amadeus Mozart. Arranged by Regis Bookshar. Chamber,Christian,Classical,Instructional,Religious. 41 pages. Regis Bookshar #714324. Published by Regis Bookshar (A0.1112138). Recordare (from Requiem (K. 626) - Wolfgang Amadeus Mozart/Franz Xaver Sussmayr - String Septet - Advanced/Intermediate - . Hauntingly beautiful is how the Recordare from Mozart's Requiem is often described. Originally written for an orchestra and four vocal soloists, it has now been transcribed by Regis Bookshar for a String Sextet, consisting of 3 Violins, 1 Viola and 3 Violoncellos, and would be a wonderful addition to any music library. This arrangement will provide students with the opportunity to play this beautiful composition, something which they may not have had the opportunity to do, otherwise. This selection could be performed for concerts, recitals and church services and is suitable for high school and college students but professional musicians would also enjoy playing this arrangement. Included are a score and a complete set of parts (41 pages). The Regis Bookshar Trumpet Ensemble has performed the Trumpet Quintet version of the Recordare for funerals, providing beautiful, introspective music for the occasion. There is some controversy surrounding the circumstances of the Requiem's composition because Mozart died before he could complete it. Count Franz von Walsegg had commissioned a Requiem Mass but Mozart had received only half of the payment in advance. So, upon his death on December 5th, 1791, his widow, Constanze, wished to have the work completed secretly by someone else and submit it to the count as having been completed by Mozart to collect the final payment. Joseph von Eybler was one of the first composers to be asked to complete the score and had worked on a number of movements but felt unable to complete the remainder and gave the manuscript back to Constanze Mozart. The task was then given to another composer, Franz Xaver Sussmayr. Sussmayr borrowed some of Eybler's work in making his completion, added his own orchestration to other movements and added several new movements which a Requiem Mass would normally comprise. He then added a final section by adapting the opening two movements which Mozart had written to the different words which finish the Requiem Mass, which according to both Sussmayr and Mozart's wife, was done according to Mozart's directions. The completed score, initially by Mozart but largely finished by Sussmayr, was then dispatched to Count Walsegg complete with a counterfeited signature of Mozart dated 1792. Despite the controversy over how much of the music is actually Mozart's, the commonly performed Sussmayr version has become widely accepted by the public, and is considered one of Mozart's finest compositions. The Recordare is considered by many people to be one of the most beautiful compositions in Mozart's entire catalogue. Regis Bookshar, a trumpet player, has performed the Requiem in concert with a full orchestra, soloists and a chorus and felt that other musicians should have the opportunity to play the hauntingly beautiful Recordare as well. So, in addition to this arrangement for a String Septet, he has made quite a few other arrangements of this beautiful composition. There are Quintets, Sextets, Septets and Octets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may fine something else which may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this beautiful arrangement of Mozart's Recordare, will continue to entertain both performers and audiences alike for years to come.
$36.00
For Marie
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Trio à Cordes: violon, alto, violoncelle
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FACILE
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Contemporain
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M
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For Marie
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M. L. Daniels
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SheetMusicPlus
String Ensemble,String Trio Cello,Viola,Violin - Level 2 - SKU: A0.834144 Composed by M. L. Daniels. 20th Century. Score and parts. 7 pages. M. L. Danie...
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String Ensemble,String Trio Cello,Viola,Violin - Level 2 - SKU: A0.834144 Composed by M. L. Daniels. 20th Century. Score and parts. 7 pages. M. L. Daniels #14115. Published by M. L. Daniels (A0.834144). For Marie was written for my grand daughter when she had been playing viola a year or so. She and two friends needed a string trio to play for a contest, so I came up with this one. They won the highest rating at the contest, and the judge was very complimentary of the composition. So twenty years later I have decided to make it available to the public.
$8.00
Recordare (from "Requiem") (F) (String Sextet - 2 Violins, 1 Viola, 3 Cellos)
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Wolfgang Amadeus Mozart
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Regis Bookshar
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Recordare
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Regis Bookshar
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SheetMusicPlus
String Ensemble Cello,Viola,Violin - Level 4 - SKU: A0.1111374 Composed by Wolfgang Amadeus Mozart. Arranged by Regis Bookshar. Chamber,Christian,Classi...
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String Ensemble Cello,Viola,Violin - Level 4 - SKU: A0.1111374 Composed by Wolfgang Amadeus Mozart. Arranged by Regis Bookshar. Chamber,Christian,Classical,Instructional,Religious. 28 pages. Regis Bookshar #713661. Published by Regis Bookshar (A0.1111374). Recordare (from Requiem (K. 626) - Wolfgang Amadeus Mozart/Franz Xaver Sussmayr - String Sextet - Advanced/Intermediate - . Hauntingly beautiful is how the Recordare from Mozart's Requiem is often described. Originally written for an orchestra and four vocal soloists, it has now been transcribed by Regis Bookshar for a String Sextet, consisting of 2 Violins, 1 Viola and 3 Violoncellos, and would be a wonderful addition to any music library. This arrangement will provide students with the opportunity to play this beautiful composition, something which they may not have had the opportunity to do, otherwise. This selection could be performed for concerts, recitals and church services and is suitable for high school and college students but professional musicians would also enjoy playing this arrangement. Included are a score and a complete set of parts (28 pages). The Regis Bookshar Trumpet Ensemble has performed the Trumpet Quintet version of the Recordare for funerals, providing beautiful, introspective music for the occasion. There is some controversy surrounding the circumstances of the Requiem's composition because Mozart died before he could complete it. Count Franz von Walsegg had commissioned a Requiem Mass but Mozart had received only half of the payment in advance. So, upon his death on December 5th, 1791, his widow, Constanze, wished to have the work completed secretly by someone else and submit it to the count as having been completed by Mozart to collect the final payment. Joseph von Eybler was one of the first composers to be asked to complete the score and had worked on a number of movements but felt unable to complete the remainder and gave the manuscript back to Constanze Mozart. The task was then given to another composer, Franz Xaver Sussmayr. Sussmayr borrowed some of Eybler's work in making his completion, added his own orchestration to other movements and added several new movements which a Requiem Mass would normally comprise. He then added a final section by adapting the opening two movements which Mozart had written to the different words which finish the Requiem Mass, which according to both Sussmayr and Mozart's wife, was done according to Mozart's directions. The completed score, initially by Mozart but largely finished by Sussmayr, was then dispatched to Count Walsegg complete with a counterfeited signature of Mozart dated 1792. Despite the controversy over how much of the music is actually Mozart's, the commonly performed Sussmayr version has become widely accepted by the public, and is considered one of Mozart's finest compositions. The Recordare is considered by many people to be one of the most beautiful compositions in Mozart's entire catalogue. Regis Bookshar, a trumpet player, has performed the Requiem in concert with a full orchestra, soloists and a chorus and felt that other musicians should have the opportunity to play the hauntingly beautiful Recordare as well. So, in addition to this arrangement for a String Sextet, he has made quite a few other arrangements of this beautiful composition. There are Quintets, Sextets, Septets and Octets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may fine something else which may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this beautiful arrangement of Mozart's Recordare, will continue to entertain both performers and audiences alike for years to come.
$32.00
AIres Mexicanos for String Trio
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Trio à Cordes: violon, alto, violoncelle
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Folklorique/Traditionel
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Public Domain
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Oliver Payan
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AIres Mexicanos for String Tri
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Introito Music
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SheetMusicPlus
String Ensemble,String Trio Cello,Viola,Violin - SKU: A0.774622 Composed by Public Domain. Arranged by Oliver Payan. Folk. Score and parts. 13 pages. In...
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String Ensemble,String Trio Cello,Viola,Violin - SKU: A0.774622 Composed by Public Domain. Arranged by Oliver Payan. Folk. Score and parts. 13 pages. Introito Music #4332239. Published by Introito Music (A0.774622). The most well Known Mexican folk tunes in a dazzling arrangement for Violin,Viola and Violoncelloyou will love it!
$15.99
Bach: Wachet auf for String Trio
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for String Tr
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jmsgu3
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SheetMusicPlus
String Ensemble,String Trio - Level 3 - SKU: A0.549856 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sa...
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String Ensemble,String Trio - Level 3 - SKU: A0.549856 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and parts. 12 pages. Jmsgu3 #3555135. Published by jmsgu3 (A0.549856). Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Voyager
$27.95
Coronation March (Db) (String Octet - 4 Violins, 2 Violas, 2 Cellos)
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Peter Ilyich Tchaikovsky
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Regis Bookshar
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Coronation March
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Regis Bookshar
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SheetMusicPlus
String Ensemble Cello,Viola,Violin - Level 4 - SKU: A0.1087399 Composed by Peter Ilyich Tchaikovsky. Arranged by Regis Bookshar. Classical,Contest,Festi...
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String Ensemble Cello,Viola,Violin - Level 4 - SKU: A0.1087399 Composed by Peter Ilyich Tchaikovsky. Arranged by Regis Bookshar. Classical,Contest,Festival,Instructional,Multicultural,Romantic Period,World. Score and parts. 26 pages. Regis Bookshar #691619. Published by Regis Bookshar (A0.1087399). Coronation March, TH 50, CW 47 by Peter Ilyich Tchaikovsky. String Octet - Advanced/Intermediate - . This marvelous arrangement of Peter Tchaikovsky's Coronation March, sometimes called Festival March or Festival Coronation March, would be a fabulous addition to any music library and could be performed for concerts, recitals and other festive occasions. This arrangement keeps all of the intensity and excitement of the original composition and is suitable for high school and college students. Professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (26 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available to the public for the first time. The Coronation March was ordered by the city of Moscow for the coronation of Tsar Alexander III in 1883. It was written during March of 1883 and was performed for the first time on June 4, 1883 in Sokolniky Park in Moscow, conducted by Sergei Taneyev. The music then included excerpts of the anthem, God Save the Tsar. The American premiere was on May 5, 1891, for the opening concert of Carnegie Hall in New York City, conducted by Tchaikovsky himself. During the Soviet Era, Russian performances and recordings of the music were revised to omit the excerpts from the Czarist national anthem, replacing it with thematic material used earlier in the march, due to an official Soviet ban on the anthem. Starting with Dmitri Medvedev's inauguration in 2008, an abbreviated version of this piece is played during the Russian presidential inauguration accompanying the entrance of the incoming president, and ends well before the playing in this piece of the Tsarist anthem God Save the Tsar. Unlike Tchaikovsky's other major compositions, the Coronation March does not have an opus number. It has been given alternative catalogue designations TH 50 and CW 47. Tchaikovsky's Coronation March was originally scored for a full orchestra and written in the key of D Major. Regis Bookshar has now created an abbreviated version, written in Db Major, and has arranged it for a String Octet, consisting of 4 Violins, 2 Violas and 2 Violoncellos. In addition to this arrangement of Tchaikovsky's Coronation March for a String Octet, other arrangements of this festive composition for various instrumental ensembles are also available. Please feel free to search for other arrangements by Regis Bookshar as there are many more arrangements in a variety of styles, also available for purchase. You may find something else which might interest you as well, and please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of Tchaikovsky's Coronation March will continue to entertain both audiences and performers alike for years to come.
$26.00
Recordare (from "Requiem") (F) (String Sextet - 3 Violins, 1 Viola, 2 Cellos)
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Wolfgang Amadeus Mozart
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Regis Bookshar
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Recordare
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Regis Bookshar
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SheetMusicPlus
String Ensemble Cello,Viola,Violin - Level 4 - SKU: A0.1111378 Composed by Wolfgang Amadeus Mozart. Arranged by Regis Bookshar. Chamber,Christian,Classi...
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String Ensemble Cello,Viola,Violin - Level 4 - SKU: A0.1111378 Composed by Wolfgang Amadeus Mozart. Arranged by Regis Bookshar. Chamber,Christian,Classical,Instructional,Religious. 28 pages. Regis Bookshar #713665. Published by Regis Bookshar (A0.1111378). Recordare (from Requiem (K. 626) - Wolfgang Amadeus Mozart/Franz Xaver Sussmayr - String Sextet - Advanced/Intermediate - . Hauntingly beautiful is how the Recordare from Mozart's Requiem is often described. Originally written for an orchestra and four vocal soloists, it has now been transcribed by Regis Bookshar for a String Sextet, consisting of 3 Violins, 1 Viola and 2 Violoncellos, and would be a wonderful addition to any music library. This arrangement will provide students with the opportunity to play this beautiful composition, something which they may not have had the opportunity to do, otherwise. This selection could be performed for concerts, recitals and church services and is suitable for high school and college students but professional musicians would also enjoy playing this arrangement. Included are a score and a complete set of parts (28 pages). The Regis Bookshar Trumpet Ensemble has performed the Trumpet Quintet version of the Recordare for funerals, providing beautiful, introspective music for the occasion. There is some controversy surrounding the circumstances of the Requiem's composition because Mozart died before he could complete it. Count Franz von Walsegg had commissioned a Requiem Mass but Mozart had received only half of the payment in advance. So, upon his death on December 5th, 1791, his widow, Constanze, wished to have the work completed secretly by someone else and submit it to the count as having been completed by Mozart to collect the final payment. Joseph von Eybler was one of the first composers to be asked to complete the score and had worked on a number of movements but felt unable to complete the remainder and gave the manuscript back to Constanze Mozart. The task was then given to another composer, Franz Xaver Sussmayr. Sussmayr borrowed some of Eybler's work in making his completion, added his own orchestration to other movements and added several new movements which a Requiem Mass would normally comprise. He then added a final section by adapting the opening two movements which Mozart had written to the different words which finish the Requiem Mass, which according to both Sussmayr and Mozart's wife, was done according to Mozart's directions. The completed score, initially by Mozart but largely finished by Sussmayr, was then dispatched to Count Walsegg complete with a counterfeited signature of Mozart dated 1792. Despite the controversy over how much of the music is actually Mozart's, the commonly performed Sussmayr version has become widely accepted by the public, and is considered one of Mozart's finest compositions. The Recordare is considered by many people to be one of the most beautiful compositions in Mozart's entire catalogue. Regis Bookshar, a trumpet player, has performed the Requiem in concert with a full orchestra, soloists and a chorus and felt that other musicians should have the opportunity to play the hauntingly beautiful Recordare as well. So, in addition to this arrangement for a String Sextet, he has made quite a few other arrangements of this beautiful composition. There are Quintets, Sextets, Septets and Octets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may fine something else which may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this beautiful arrangement of Mozart's Recordare, will continue to entertain both performers and audiences alike for years to come.
$32.00
Coronation March (Db) (String Octet - 3 Violins, 2 Violas, 3 Cellos)
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Peter Ilyich Tchaikovsky
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Regis Bookshar
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Coronation March
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Regis Bookshar
#
SheetMusicPlus
String Ensemble Cello,Viola,Violin - Level 4 - SKU: A0.1087392 Composed by Peter Ilyich Tchaikovsky. Arranged by Regis Bookshar. Classical,Contest,Festi...
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String Ensemble Cello,Viola,Violin - Level 4 - SKU: A0.1087392 Composed by Peter Ilyich Tchaikovsky. Arranged by Regis Bookshar. Classical,Contest,Festival,Instructional,Multicultural,Romantic Period,World. Score and parts. 26 pages. Regis Bookshar #691612. Published by Regis Bookshar (A0.1087392). Coronation March, TH 50, CW 47 by Peter Ilyich Tchaikovsky. String Octet - Advanced/Intermediate - . This marvelous arrangement of Peter Tchaikovsky's Coronation March, sometimes called Festival March or Festival Coronation March, would be a fabulous addition to any music library and could be performed for concerts, recitals and other festive occasions. This arrangement keeps all of the intensity and excitement of the original composition and is suitable for high school and college students. Professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (26 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available to the public for the first time. The Coronation March was ordered by the city of Moscow for the coronation of Tsar Alexander III in 1883. It was written during March of 1883 and was performed for the first time on June 4, 1883 in Sokolniky Park in Moscow, conducted by Sergei Taneyev. The music then included excerpts of the anthem, God Save the Tsar. The American premiere was on May 5, 1891, for the opening concert of Carnegie Hall in New York City, conducted by Tchaikovsky himself. During the Soviet Era, Russian performances and recordings of the music were revised to omit the excerpts from the Czarist national anthem, replacing it with thematic material used earlier in the march, due to an official Soviet ban on the anthem. Starting with Dmitri Medvedev's inauguration in 2008, an abbreviated version of this piece is played during the Russian presidential inauguration accompanying the entrance of the incoming president, and ends well before the playing in this piece of the Tsarist anthem God Save the Tsar. Unlike Tchaikovsky's other major compositions, the Coronation March does not have an opus number. It has been given alternative catalogue designations TH 50 and CW 47. Tchaikovsky's Coronation March was originally scored for a full orchestra and written in the key of D Major. Regis Bookshar has now created an abbreviated version, written in Db Major, and has arranged it for a String Octet, consisting of 3 Violins, 2 Violas and 3 Violoncellos. In addition to this arrangement of Tchaikovsky's Coronation March for a String Octet, other arrangements of this festive composition for various instrumental ensembles are also available. Please feel free to search for other arrangements by Regis Bookshar as there are many more arrangements in a variety of styles, also available for purchase. You may find something else which might interest you as well, and please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of Tchaikovsky's Coronation March will continue to entertain both audiences and performers alike for years to come.
$26.00
Recordare (from "Requiem") (F) (String Sextet - 2 Violins, 2 Violas, 2 Cellos)
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Wolfgang Amadeus Mozart
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Regis Bookshar
#
Recordare
#
Regis Bookshar
#
SheetMusicPlus
String Ensemble Cello,Viola,Violin - Level 4 - SKU: A0.1111377 Composed by Wolfgang Amadeus Mozart. Arranged by Regis Bookshar. Chamber,Christian,Classi...
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String Ensemble Cello,Viola,Violin - Level 4 - SKU: A0.1111377 Composed by Wolfgang Amadeus Mozart. Arranged by Regis Bookshar. Chamber,Christian,Classical,Instructional,Religious. 28 pages. Regis Bookshar #713664. Published by Regis Bookshar (A0.1111377). Recordare (from Requiem (K. 626) - Wolfgang Amadeus Mozart/Franz Xaver Sussmayr - String Sextet - Advanced/Intermediate - . Hauntingly beautiful is how the Recordare from Mozart's Requiem is often described. Originally written for an orchestra and four vocal soloists, it has now been transcribed by Regis Bookshar for a String Sextet, consisting of 2 Violins, 2 Violas and 2 Violoncellos, and would be a wonderful addition to any music library. This arrangement will provide students with the opportunity to play this beautiful composition, something which they may not have had the opportunity to do, otherwise. This selection could be performed for concerts, recitals and church services and is suitable for high school and college students but professional musicians would also enjoy playing this arrangement. Included are a score and a complete set of parts (28 pages). The Regis Bookshar Trumpet Ensemble has performed the Trumpet Quintet version of the Recordare for funerals, providing beautiful, introspective music for the occasion. There is some controversy surrounding the circumstances of the Requiem's composition because Mozart died before he could complete it. Count Franz von Walsegg had commissioned a Requiem Mass but Mozart had received only half of the payment in advance. So, upon his death on December 5th, 1791, his widow, Constanze, wished to have the work completed secretly by someone else and submit it to the count as having been completed by Mozart to collect the final payment. Joseph von Eybler was one of the first composers to be asked to complete the score and had worked on a number of movements but felt unable to complete the remainder and gave the manuscript back to Constanze Mozart. The task was then given to another composer, Franz Xaver Sussmayr. Sussmayr borrowed some of Eybler's work in making his completion, added his own orchestration to other movements and added several new movements which a Requiem Mass would normally comprise. He then added a final section by adapting the opening two movements which Mozart had written to the different words which finish the Requiem Mass, which according to both Sussmayr and Mozart's wife, was done according to Mozart's directions. The completed score, initially by Mozart but largely finished by Sussmayr, was then dispatched to Count Walsegg complete with a counterfeited signature of Mozart dated 1792. Despite the controversy over how much of the music is actually Mozart's, the commonly performed Sussmayr version has become widely accepted by the public, and is considered one of Mozart's finest compositions. The Recordare is considered by many people to be one of the most beautiful compositions in Mozart's entire catalogue. Regis Bookshar, a trumpet player, has performed the Requiem in concert with a full orchestra, soloists and a chorus and felt that other musicians should have the opportunity to play the hauntingly beautiful Recordare as well. So, in addition to this arrangement for a String Sextet, he has made quite a few other arrangements of this beautiful composition. There are Quintets, Sextets, Septets and Octets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may fine something else which may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this beautiful arrangement of Mozart's Recordare, will continue to entertain both performers and audiences alike for years to come.
$32.00
Recordare (from "Requiem") (F) (String Septet - 2 Violins, 2 Violas, 3 Cellos)
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Wolfgang Amadeus Mozart
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Regis Bookshar
#
Recordare
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Regis Bookshar
#
SheetMusicPlus
String Ensemble Cello,Viola,Violin - Level 4 - SKU: A0.1112131 Composed by Wolfgang Amadeus Mozart. Arranged by Regis Bookshar. Chamber,Christian,Classi...
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String Ensemble Cello,Viola,Violin - Level 4 - SKU: A0.1112131 Composed by Wolfgang Amadeus Mozart. Arranged by Regis Bookshar. Chamber,Christian,Classical,Instructional,Religious. 41 pages. Regis Bookshar #714317. Published by Regis Bookshar (A0.1112131). Recordare (from Requiem (K. 626) - Wolfgang Amadeus Mozart/Franz Xaver Sussmayr - String Septet - Advanced/Intermediate - . Hauntingly beautiful is how the Recordare from Mozart's Requiem is often described. Originally written for an orchestra and four vocal soloists, it has now been transcribed by Regis Bookshar for a String Sextet, consisting of 2 Violins, 2 Violas and 3 Violoncellos, and would be a wonderful addition to any music library. This arrangement will provide students with the opportunity to play this beautiful composition, something which they may not have had the opportunity to do, otherwise. This selection could be performed for concerts, recitals and church services and is suitable for high school and college students but professional musicians would also enjoy playing this arrangement. Included are a score and a complete set of parts (41 pages). The Regis Bookshar Trumpet Ensemble has performed the Trumpet Quintet version of the Recordare for funerals, providing beautiful, introspective music for the occasion. There is some controversy surrounding the circumstances of the Requiem's composition because Mozart died before he could complete it. Count Franz von Walsegg had commissioned a Requiem Mass but Mozart had received only half of the payment in advance. So, upon his death on December 5th, 1791, his widow, Constanze, wished to have the work completed secretly by someone else and submit it to the count as having been completed by Mozart to collect the final payment. Joseph von Eybler was one of the first composers to be asked to complete the score and had worked on a number of movements but felt unable to complete the remainder and gave the manuscript back to Constanze Mozart. The task was then given to another composer, Franz Xaver Sussmayr. Sussmayr borrowed some of Eybler's work in making his completion, added his own orchestration to other movements and added several new movements which a Requiem Mass would normally comprise. He then added a final section by adapting the opening two movements which Mozart had written to the different words which finish the Requiem Mass, which according to both Sussmayr and Mozart's wife, was done according to Mozart's directions. The completed score, initially by Mozart but largely finished by Sussmayr, was then dispatched to Count Walsegg complete with a counterfeited signature of Mozart dated 1792. Despite the controversy over how much of the music is actually Mozart's, the commonly performed Sussmayr version has become widely accepted by the public, and is considered one of Mozart's finest compositions. The Recordare is considered by many people to be one of the most beautiful compositions in Mozart's entire catalogue. Regis Bookshar, a trumpet player, has performed the Requiem in concert with a full orchestra, soloists and a chorus and felt that other musicians should have the opportunity to play the hauntingly beautiful Recordare as well. So, in addition to this arrangement for a String Septet, he has made quite a few other arrangements of this beautiful composition. There are Quintets, Sextets, Septets and Octets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may fine something else which may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this beautiful arrangement of Mozart's Recordare, will continue to entertain both performers and audiences alike for years to come.
$36.00
Recordare (from "Requiem") (F) (String Septet - 3 Violins, 2 Violas, 2 Cellos)
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Wolfgang Amadeus Mozart
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Regis Bookshar
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Recordare
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Regis Bookshar
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SheetMusicPlus
String Ensemble Cello,Viola,Violin - Level 4 - SKU: A0.1112143 Composed by Wolfgang Amadeus Mozart. Arranged by Regis Bookshar. Chamber,Christian,Classi...
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String Ensemble Cello,Viola,Violin - Level 4 - SKU: A0.1112143 Composed by Wolfgang Amadeus Mozart. Arranged by Regis Bookshar. Chamber,Christian,Classical,Instructional,Religious. 41 pages. Regis Bookshar #714329. Published by Regis Bookshar (A0.1112143). Recordare (from Requiem (K. 626) - Wolfgang Amadeus Mozart/Franz Xaver Sussmayr - String Septet - Advanced/Intermediate - . Hauntingly beautiful is how the Recordare from Mozart's Requiem is often described. Originally written for an orchestra and four vocal soloists, it has now been transcribed by Regis Bookshar for a String Sextet, consisting of 3 Violins, 2 Violas and 2 Violoncellos, and would be a wonderful addition to any music library. This arrangement will provide students with the opportunity to play this beautiful composition, something which they may not have had the opportunity to do, otherwise. This selection could be performed for concerts, recitals and church services and is suitable for high school and college students but professional musicians would also enjoy playing this arrangement. Included are a score and a complete set of parts (41 pages). The Regis Bookshar Trumpet Ensemble has performed the Trumpet Quintet version of the Recordare for funerals, providing beautiful, introspective music for the occasion. There is some controversy surrounding the circumstances of the Requiem's composition because Mozart died before he could complete it. Count Franz von Walsegg had commissioned a Requiem Mass but Mozart had received only half of the payment in advance. So, upon his death on December 5th, 1791, his widow, Constanze, wished to have the work completed secretly by someone else and submit it to the count as having been completed by Mozart to collect the final payment. Joseph von Eybler was one of the first composers to be asked to complete the score and had worked on a number of movements but felt unable to complete the remainder and gave the manuscript back to Constanze Mozart. The task was then given to another composer, Franz Xaver Sussmayr. Sussmayr borrowed some of Eybler's work in making his completion, added his own orchestration to other movements and added several new movements which a Requiem Mass would normally comprise. He then added a final section by adapting the opening two movements which Mozart had written to the different words which finish the Requiem Mass, which according to both Sussmayr and Mozart's wife, was done according to Mozart's directions. The completed score, initially by Mozart but largely finished by Sussmayr, was then dispatched to Count Walsegg complete with a counterfeited signature of Mozart dated 1792. Despite the controversy over how much of the music is actually Mozart's, the commonly performed Sussmayr version has become widely accepted by the public, and is considered one of Mozart's finest compositions. The Recordare is considered by many people to be one of the most beautiful compositions in Mozart's entire catalogue. Regis Bookshar, a trumpet player, has performed the Requiem in concert with a full orchestra, soloists and a chorus and felt that other musicians should have the opportunity to play the hauntingly beautiful Recordare as well. So, in addition to this arrangement for a String Septet, he has made quite a few other arrangements of this beautiful composition. There are Quintets, Sextets, Septets and Octets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may fine something else which may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this beautiful arrangement of Mozart's Recordare, will continue to entertain both performers and audiences alike for years to come.
$36.00
College Hornpipe (score - vln, vla, cel)
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Trio à Cordes: violon, alto, violoncelle
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AVANCÉ
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Mark O'Connor, Edgar Meyer
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College Hornpipe
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Mark O'Connor Musik International
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SheetMusicPlus
String Ensemble,String Trio - Level 5 - SKU: A0.861830 Arranged by Mark O'Connor, Edgar Meyer. 20th Century,Contemporary,Folk. Score and parts. 13 pages...
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String Ensemble,String Trio - Level 5 - SKU: A0.861830 Arranged by Mark O'Connor, Edgar Meyer. 20th Century,Contemporary,Folk. Score and parts. 13 pages. Mark O'Connor Musik International #6203207. Published by Mark O'Connor Musik International (A0.861830). College Hornpipe (score – vln, vla, cel) MO116DScore (parts available)Music by Mark O’Connor9 pages - 3:30 minutes in length College Hornpipe adapted for violin, viola and cello is a traditional fiddle tune that Mark O'Connor and Edgar Meyer arranged for their album with Yo-Yo Ma entitled Appalachia Waltz. O'Connor learned this tune from fiddling legend Benny Thomasson at an early age. Thomasson developed the parts of the tune as incorporated in this arrangement. O'Connor added a variation to each of the Thomasson parts in addition. After Meyer finished out the arrangement with his bass lines, College Hornpipe has a new and different life from the one found on the early O'Connor recording Soppin' The Gravy. The trio performed the piece for a nation-wide television audience at President's Clinton Inaugural Gala. The music is suited for advanced and intermediate levels. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1995 Public Domain Arranged by Mark O’Connor and Edgar MeyerOriginally released on Appalachia Waltz featuring Mark O’Connor, Yo-Yo Ma and Edgar Meyer, Sony ClassicalCollege Hornpipe can be heard on Mark O'Connor's Crossing Bridges OMAC Recordshttps://omacrecords.com/omac-7-crossing-bridgesOther versions can be heard on Duo by Mark and Maggie O’Connor OMAC Records and The Essential Mark O’Connor Sony Classical Catalogue Number MO116DCopyright © 1995 by Mark O’Connor Music InternationalFor more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$7.50
Winter by Vivaldi - Violin, Viola and Cello - II. Largo (Individual Parts)
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE
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Classique
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Antonio Vivaldi
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César Madeira
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Winter by Vivaldi - Violin, Vi
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Sheet Music To Play Editions
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SheetMusicPlus
String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1225086 Composed by Antonio Vivaldi. Arranged by César Madeira. Baroque,Chamber,Children,Early Mus...
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String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1225086 Composed by Antonio Vivaldi. Arranged by César Madeira. Baroque,Chamber,Children,Early Music,Film/TV. 3 pages. Sheet Music To Play Editions #821209. Published by Sheet Music To Play Editions (A0.1225086). Winter (II. Largo) from The Four Seasons by Antonio Vivaldi. Arrangement for Violin, Viola and Violoncello. With Individual Parts. Enjoy it!This file DOES NOT contain Full Score. Individual Parts only.Antonio Lucio Vivaldi (1678 – 1741) was an Italian Baroque composer, virtuoso violinist, teacher, impresario, and Roman Catholic priest. Born in Venice, the capital of the Venetian Republic, Vivaldi is regarded as one of the greatest Baroque composers, and his influence during his lifetime was widespread across Europe, being paramount in the development of Johann Sebastian Bach's instrumental music. He composed many instrumental concertos, for the violin and a variety of other musical instruments, as well as sacred choral works and more than forty operas. His best-known work is a series of violin concertos known as the Four Seasons.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$5.99
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